Podcasts about eyeline

We are joined by Sam Mestman, Head of Marketing at OWC and CEO of We Make Movies.  We cover: Submitting to the right festivals How to have your work read Networking  Cheap Insurance Crewing! https://owc.com/ https://wemakemovies.org For our listeners, we have partnered with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your project. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote. Cinematography for Actors We are bridging the gap between talent and crew through education and community-building www.cinematographyforactors.com Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. Nicki Sun is a sought-after host and creative director who has been interviewing the world's most influential creators in the Tech & Entertainment space since 2009. Initially launching Now You Know to amplify creatives in the Asian American, Native Hawaiian, and Pacific Islander community, and taking a hiatus to launch TechNicki Speaking to spotlight women and creators of color in film, Nicki is now on a mission to further expand and rebrand as The Nicki Sun Show — covering all your favorite creators under the sun. Find Nicki: @nickisun@NickiSun on YouTube for the launch! www.nickisun.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Ian Failes from befores & afters chats to The Third Floor's Casey Schatz, who was simulcam supervisor on 'The Way of Water', but also responsible for several other virtual production aspects of the film.

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Find Izzy & Indiespunk https://indiespunk.com/ https://www.instagram.com/izzystevens/ Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Find Courtney & Benjy + Their awesome projects! Kinsley Vs.: bit.ly/kinsleyvs Queens Bird Films: queensbirdfilms.com // hello@queensbirdfilms.com Courtney's TikTok: @courtney.romano Benjy's email: benjyshaw@gmail.com Kinsley Vs. IG: @kinsleyvs.series QBF IG: @queensbirdfilms TBB IG: @thebreakbreakdown Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Sydney Ribot: https://www.instagram.com/sydney_riot Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Bre's instagram: @breanna_wing Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events www.cinematographyforactors.com The Tools by Dr. Phil Stutz - https://www.thetoolsbook.com Stutz Documentary - https://www.netflix.com/title/81387962Ingrid's Instagram - https://www.instagram.com/ingridwerner/ Disenchanted on Disney + - https://www.disneyplus.com/movies/disenchanted/5rnVhiRFkaqL Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. In addition, they host community-building events that foster authentic industry connections. __ Disclaimer: This video is not sponsored. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events www.cinematographyforactors.com Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsl...00:35 - Welcome to Pheebs! Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. In addition they host community-building events that foster authentic industry connections. __ Disclaimer: This video is not sponsored. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events www.cinematographyforactors.com Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Shownotes 01:00- Stop apologizing for excitement 02:38- Indeana is Thursday and belongs! 02:55- NAB Quick Summary 04:11- Partying at Tradeshows 06:18- NAB as prep before Cinegear 07:23- Understanding imposter syndrome in the industry 14:18- We are all professionals! 17:45- Shoutout to Nicki Sun 18:06- A short love letter to Hae (“the light”) 19:18- A short love letter to Inde (“the engine”) 19:41- The difference between a good and not-so-good connection in our industry 24:20- Networking is partying 26:02- Why partnership in business is important 26:45- Shoutout to our new partnership with Learn Filmmaking (LFN) (https://www.instagram.com/learnfilmmaking/?hl=en) 28:04- What was Inde excited to learn about at NAB 36:35- Why actors must attend tradeshows 37:35- What was Hae's biggest takeaway (Virtual Production for actors) 40:00- Quasar + LiveFeed at NAB 45:10- A special ASMR guided meditation from CFA Check us out on the No Film School podcast at NAB: https://nofilmschool.com/day-two-nab-2023-podcast Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. In addition they host community-building events that foster authentic industry connections. __ Disclaimer: This video is not sponsored. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Almost every major recent and upcoming film and TV series has had THE THIRD FLOOR involved in the visualization stage — and beyond. Recent productions include Avatar: The Way of Water, Ant-Man and the Wasp: Quantumania, and The Mandalorian season 3. This week, Co-founder and CEO of THE THIRD FLOOR, Chris Edwards, reflects on his 20-plus years of experience in the VFX industry. He also discusses how crucial visualization has become in the movie-making process and reveals how his colleagues Casey Schatz and Ryan Champney developed the Eyeline system, which enabled Avatar actors to convincingly interact with one another even if their performances were separated by time and space. This episode is an unprecedented insight into what goes on behind the scenes of movies — and you'll even learn how THE THIRD FLOOR got its name.

Meats Meier is a unique combination of artist and technical director. Not only does he create incredible biomechanical pieces with ZBrush, but he's also advanced VFX via projects including Hellboy and The Day After Tomorrow. More recently, Meats has art-directed virtual production for Obi-Wan Kenobi and Netflix's upcoming live-action adaptation of Avatar: The Last Airbender. In this balanced conversation, recorded in person at Meats' Yucca Valley residence, the artist discusses his background in computer graphics and then delves into some of the questions rapid advances in AI art pose: Is it ethical? Will it steal artists' jobs? And what does it mean for the future?

00:00 - Where the crap is Inde? + Intros 02:23 - A mini Camerimage roundup 07:10 - Coming up in the British film market 34:08 - Communication on set 36:11 - What Austin often speaks to actors about as an operator 38:15 - A discussion about on-set hierarchy 43:11 - Different styles + Inde can't remember JACK RYAN 44:40 - The gang finally googles it and figures it out 49:34 - Dom asks Inde about AFI 51:43 - Marmite vs Vegemite 52:37 - Dating in the industry (London vs LA) 53:35 - Technical notes and communicating with actors 56:20 - Noticeable differences between newer and seasoned actors 57:54 - The biggest technical mistakes the guys ever made 59:17 - Where is your career now, where do you want it to go? 1:02:58 - Everyone's ideal sets and what you'll find at crafty 1:06:21 - Red flags 1:10:23 - Networking resources and tools to get started in London 1:12:00 - Inde forces our guests to sing with her WHERE TO FIND US www.cinematographyforactors.com Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com https://linkin.bio/cinematographyforactors ***Subscribe to our Newsletter to learn more! FIND OUR GUESTS @dom_lake @ozzyspoon Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

0:00:00 - An important announcement 0:02:05 - Guest intro! 0:03:44 - What is ShareGrid? 0:13:13 - What is the ShareGrid Lens Test? 0:27:48 - Ode to the cinematographer's supportive community 0:28:22 - Salsa Lessons at Soho House 0:30:25 - Brent is also a Director of Photography! 0:31:06 - Interacting with actors commercial vs narrative 0:35:03 - Consistent notes 0:38:35 - Actor Red flags / Green flags that Brent has noticed 0:44:40 - Cheats DPs do to help actors technically 0:49:55 - Brent LOVES when actors introduce themselves! 0:53:58 - Inde tells a funny side story 0:57:10 - Obligatory networking chat 1:01:55 - Things about the industry keeping Brent going and rules he lives by 1:06:41 - Brent sings us out WHERE TO FIND US www.cinematographyforactors.com https://linkin.bio/cinematographyforactors Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

WHERE TO FIND US www.cinematographyforactors.com Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com 00:00 - We're baaaack! 02:19 - Did Inde oversell Camerimage? 04:55 - How did it feel to be an actor at Camerimage? 06:30 - Hae successfully pitched Cinematography for Actors! 08:00 - Hae forgets the word "experienced" 11:07 - How to work as an actor at Camerimage 13:48 - What Hae learned while working in the Astera workshop with Markus Förderer 16:12 - Saying goodbye to ring lights in 2023 17:45 - Recap of Arri workshop with Cory Geryak 20:19 - The importance of having relationships with the people you're working with on set 23:30 - The Camerimage Schedule 26:25 - Where to find the best tomato soup in the world 29:18 - Should actors go to Camerimage? 31:09 - How much does it cost? 34:08 - Our first in-person event! 36:47 - We wrote an article for No Film School! The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. To learn more, subscribe to our newsletter. thetopangacollective.ck.page/newsletternfs __ Disclaimer: This video is not sponsored. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

WHERE TO FIND US www.cinematographyforactors.com Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com 00:16 - Welcome to Alexander Gryszunski! 00:38 - Where have you seen Alexander's work? 01:23 - Alexander's life and background 03:03 - Differences between the film market in Denmark and the US market 09:10 - How Alexander ended up in the US market 13:10 - The trouble with Tremors 17:00 - “Triangle collaboration,” psychology and diplomacy, and trusting your team on set 26:00 - Dreamy Danish feature film tradition! 28:04 - Alexander gets emotional about working with women directors + different directing styles 31:06 - Some experiences with actors! 33:25 - How the invention of video assist & playback changed the DP/Director relationship 41:35 - Differences Alexander has notices between newer vs. seasoned actors 48:10 - Hae fangirls The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

WHERE TO FIND US www.cinematographyforactors.com Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com 00:01 - Alex's many names and how we know him 04:25 - Alex shares some great technical requirement wisdom learned from Jessica Chastain and Eddie Redmayne! 07:45 - Alex's journey into the film industry and becoming a producer 17:23 - How Alex found his current producing position 20:05 - Types of producers and the differences in roles 23:45 - He writes too! 16:35 - The trouble with inauthentic relationships 29:50 - Outdated networking tools and the death of the business card 33:50 - The desire to keep the film industry from feeling like business 34:30 - Alex's interaction with talent in his current position 45:26 - Working with actor reps as a producer 47:58 - An audition anecdote The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. __ Disclaimer: This video is not sponsored. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

WHERE TO FIND US: www.cinematographyforactors.com Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com SHOWNOTES 0:00:27 - Jay's nickname and it's origin 0:04:01 - A little background on Director Jay Holben 0:11:40 - Jay's first on set experience (with Inde's gaming origin tangent) 0:18:13 - Inde unceremoniously pushes Jay off his pedestal 0:23:36 - Jay's difficult 2nd year in LA and what he did to survive 0:24:30 - Inde drags Hae for not owning a lamp 0:26:40 - Jay's busy schedule 0:27:40 - What is StEM Project? 0:37:52 - Jay's first day as a film actor 0:41:22 - Important differences between theatre acting and film acting 0:43:00 - Some mistakes that actors make / Some mistakes that directors make 0:46:15 - What sort of questions do people ask in Jay's DMs? 0:49:00 - It's not a TTC Podcast episode without a chat on the holy practice of networking! 0:53:48 - Inde daydreams Hae's path to success 0:58:20 - Jay's wants you to get out there! 1:01:50 - Inde forces Jay to sing us out The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. __ Disclaimer: This video is not sponsored. maNJFXlQCqdM60EppYww --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

TIMESTAMPS 00:15 - All of Mikey's names 02:56 - Mikey's decision to be a writing fellow at AFI 04:28 - Growing up as an Art Department kid and his "I want to do this" moment 07:27 - A couple of stories about the fleeting nature of set design 13:01 - Inspiration and directing style 17:03 - Mikey's latest film, PTERRY, its significance in his own life, and directing style 31:35 - Mikey was a set photographer! 35:34 - A Quentin Tarantino story 39:35 - RIP SAG-AFTRA Conservatory 40:44 - The Screenwriting Fellow 's AFI experience 44:09 - Identifiable inexperience in actors 47:40 - Noticeable differences in seasoned actors 49:50 - What Mikey looks for in actors 52:43 - Mikey has a Desert Tortoise!!! WHERE TO FIND US www.cinematographyforactors.com Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. __ Disclaimer: This video is not sponsored. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

00:00 - Hae & Inde pretend to say hello 01:30 - Side hustles Hae would never do again 02:45 - Hae misremembers another cliché 04:18 - Inde shares about a time she escaped a predator 05:19 - Inde & Hae pronounce anonymity 06:09 - A little tangent about a kinks 08:38 - The actual side hustle discussion begins! 10:30 - Seat Filling info: Standing Room Only, A+ Audiences, Background Talent Services 13:24 - Chat about background acting and Central Casting 26:43 - Financial reality of trying to be a regular background actor 27:09 - Working as a stand-in 29:40 - A chat about side hustles outside of film 44:42 - The restrictive nature of shift work LINKS https://www.standingroomonly.tv https://www.aplusaudiences.com https://www.backgroundtalent.net https://www.centralcasting.com WHERE TO FIND YOUR HOSTS Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com ABOUT TOPANGA COLLECTIVE The Topanga Collective aims to provide insight of the practical, technical and creative of the film industry. The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. Cinematography for Actors | Topanga Collective --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

00:00 - Better times are here 05:41 - Sneaky intro to homework series / Do you have a lamp? 08:30 - The decal on Hae's car 13:56 - The necessity of different types of classes. Worth it, or not? 17:00 - CD Workshops 24:20 - Further discussion on networking! 37:30 - Ongoing courses 41:57 - Course cost breakdown 44:23 - Recommended first classes in LA WHERE TO FIND YOUR HOSTS Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com ABOUT TOPANGA COLLECTIVE The Topanga Collective aims to provide insight of the practical, technical and creative of the film industry. The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. Cinematography for Actors | Topanga Collective --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Website: www.cinematographyforactors.com FOLLOW US ON SOCIAL: https://linkin.bio/cinematographyforactors 01:11- Topanga Collective discussion on the best and worst pizza in the world 05:57- A quick chat about why we decided to create a podcast on top of our existing program 06:46- Our cool idea for IN-PERSON workshops! 11:35- A response to some feedback we've received and why a DP is teaching actors 14:22- Ad Break 15:23- Inde speaks about her background and inspiration 23:35- Inside scoop on Camerimage 27:36- Hae's mind is blown by a one of Inde's previous side hustles (Shutterstock Custom) 35:09- Inde mentions a very important decision she made after graduating film school 37:25- Indeana comes clean about her ACTING BACKGROUND 42:07- Hae struggles to make a joke 45:01- A discussion on the benefits of cannabis use in the fitness world 48:00- Hae cops to an attitude problem 49:25- Inde touches on the beauty of understanding how to tell someone else's story WHERE TO FIND YOUR HOSTS Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com ABOUT TOPANGA COLLECTIVE The Topanga Collective aims to provide insight of the practical, technical and creative of the film industry. The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They created Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. Cinematography for Actors | Topanga Collective --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Website: www.cinematographyforactors.com FOLLOW US ON SOCIAL: https://linkin.bio/thetopangacollective In This Deep Dive Episode We Talk About: 0:30 - Inde throws a bold and scary True or False question at Hae 01:05 - Hae discusses her acting style before finding a way to learn the technical side 03:00 - Hae discloses some advice she received in drama school that caused messes in the edit 06:10 - How will new technical knowledge change the way Hae works on set? 09:35 - The necessity of practicing to avoid tensing up 11:28 - Talk about launching and Beta launch! 12:50 - Do actors have to go to film school to learn the technical? 12:35 - Hae gives a shoutout to the ONE studio in LA that teaches technical on-set knowledge https://laactingstudios.com 19:30 - Inde talks about an eyelight exercise in our course 22:28 - Hae asks a favor of all the actors listening 25:20 - The importance of hitting a mark 28:26 - Why the crew won't react after a take even if it's really really good 31:30 - Inde gets in trouble for asking for a cut 33:50 - Set personality and possible repercussions 38:50 - Discussion about a long-standing stigma in the actor community 45:20 - Does the camera ever fade into the background for an actor? 48:38 - Working with bad directors 50:45 - What kind of notes does Hae like most? 52:05 - What notes would Inde give if she were allowed 1:00:00 - How Inde would work through rehearsal if she was an actor 1:03:50 - Inde gives a great bit of advice 1:07:15 - A couple of stories we've heard about people getting fired 1:11:20 - Hae tells a story of getting yelled at on set 1:15:00 - What we thought of each other when we first met 1:16:00 - Inde went to an audition in Egypt 1:20:45 - Hae's moving to LA story 1:28:50 - Justifying the cost of acting classes 1:34:40 - The courses we have coming up! WHERE TO FIND YOUR HOSTS Hae's IG - instagram.com/heyimhae Inde's IG - instagram.com/imunderhill Inde's Website - www.indeanaunderhill.com Follow-up to Hae's Budget: Actors Access is 68.00 / year + $20/minute for reel uploads LA Casting is $259.90 / year Receive a 40% off discount code at launch: https://thetopangacollective.ck.page/launchcodes ABOUT TOPANGA COLLECTIVE The Topanga Collective aims to provide insight of the practical, technical and creative of the film industry. The Topanga Collective was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. They together, Cinematography for Actors, a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences. They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”. Cinematography for Actors | Topanga Collective --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

Dorm i obre els ulls al somni. El moment

Once upon a time, we taught public speaking and presentation skills in a class room, with tons of people all seated together, right next to each other.  We moved to teaching everything LIVE On Line since February 2020, so what has been the difference?  Surprisingly, not as much as we expected.  The one big difference is the lack of opportunity to employ full body emphasis when presenting, because everyone is mainly sitting in front of a screen.  You can use a standing desk, but even so, the camera will cut you off at the thigh level, so we are not getting the full body power.  There are a few tricky things about gestures when using fake backgrounds, which by the way seems to be standard now.  What are the things that stand out most in the online presenting environment?   Smiling is definitely one which has disappeared, when people are on screen.  I don't know why that is the case.  Perhaps we are more self conscious in front of a camera?  Or is this now such a serious business world that smiling is out of fashion?  Think of any online meeting you have attended recently and ask yourself was anyone smiling when they made their comments or gave their reports?  I was teaching a class on presenting skills online recently and what a difference it made when people would smile during their talks.  Not every subject lends itself to smiling of course but there are bound to be good news in there somewhere and that is the time to trot out that big smile of yours.  It is congruent with the content of the talk, so it works.  It is also such a connector with the audience, it really drives up the engagement factor with an audience.   We have all been doing these online meetings for 18 months now, yet most people still haven't mastered the medium.  I know it is difficult, because the camera lens is 10 centimetres above the faces on the screen.  However, take a look at the eye line of the participants in the next meeting.  How many are framed in the screen so that there is a half body showing and their head is at about two thirds height on camera?  Many will still have their heads cut off and they are arranged at the very bottom of the screen, like they have been decapitated.  Or they will have the camera lens angle shooting straight up their nostrils – not an attractive look that one.   When we get the camera lens at eye line and we speak while looking at the camera, we are now using the medium as it was designed.  The camera can bring us into the world of the viewer and we can be speaking directly to them through the lens.  When we are looking down at the faces on screen we have broken off eye contact and we seem like we are looking down on everyone.  It is the equivalent of giving a face to face speech without ever looking at your audience, in fact you are speaking to the floor, the whole time.  Now I have seen speakers actually do that, but it is totally ineffective.  The same with the online world – talk to the people through the lens and you will get your message across much more impressively.   We mainly use our voices when presenting online.  Yet what about gestures?  Gestures can support what we are saying by bringing more physical energy to the point.  If you have framed yourself properly then you can use your hands on screen.  There are a few best practices though.  Firstly, don't wave your hands around, because the fake backgrounds will disappear them at certain points. So, hold your hands at between shoulder and head height, so that they can be easily seen and hold the gesture rather than trying to move it too much.  Also, if you want to show some item on screen, use your own body as the shield and show it in front of you. The fake background won't be able to disappear it on you when you do it this way.   Most people I see online, are using the same speaking voice range they use all the time in the in-person world.  When we are presenting we are no longer a part of the audience – we are on stage, be it in a venue or online.  That means we need to bring a lot more energy to what we are saying, in order to attract the audience to our message.  When we are online, we also need to compensate for the fact that the camera will sap 20% of our power and we will come across as having less energy that usual.  You may have noticed that most people speaking online sound like they are on “downers”.    We need to get that voice energy up and start directing at it a key words we want to emphasise in our sentences.  Not every word in a sentence has the same value, so we need to pick out key words and phrases and make them hot, by hitting them harder.   Most online presenters have a long way to go with this medium. The experience gained over the last year or so, hasn't improved them, actually. They are still making fundamental mistakes.  These can be easily corrected and it just takes greater awareness and some practice to get it right.  So let's think again about what we are doing here and how we are doing it.  Apply these ideas and you will immediately be in the top 1% of online presenters, simply because everyone else is clueless, hopeless and way underpowered.    

Lucas Wald is a respected PGA TOUR Golf Instructor who has been recognized as a Golf Digest Best Young Teacher in America. He is widely researched and sought out by golfers of all skill levels, and he joins us to talk about his Top 10 Favorite Golf Swings: Tiger Woods, Ben Hogan, Mickey Wright, Sam Snead, Jack Nicklaus, Lee Trevino, Tom Watson, Bob Jones, Rory McIlroy and Jamie Sadlowski. The Golf Swing elements Lucas addresses are: The Grip, Power, Pivot, Footwork, the Waggle, Timing and Tempo, Balance, Eyeline and Angle of Attack.

Sunday, April 5, 2009 - Monday, April 6, 2009 Cafeteria observations, with mean girls encounter. Alliance of outcasts. An Estimable Educator is weird. --- Dominik "Niko" MacCleary is played by M. German Alyssa Burns is played by KJ Erika Gravell-Santos is played by Casey Camren Sherridan is played by Nick Willow "Wil" Sudsworth is played by Thomas Flemming Julia "Lia" Webster is played by Cailen Principal Antony Van Houten is played by Andy  Additional voices provided by Erik Seguinte Arcadia, CA is written and directed by Lee Seguinte, edited by Erik Seguinte, and produced by Law of Names Games. --- Click here for a transcript of the episode. --- More information about our cast and crew can be found on our website. Theme music composed by Michael Freitag. Sound effects provided by  https://www.zapsplat.com and https://freesound.org/

Topics on this episode of the podcast include: Derek Carr's eyeliner, Double IPA beers, new nicknames for the Cowboys and of course waivers and streamers for Week 8. Fantasy Football 2020

An Album a Day is my exploration into the Korean music scene. This podcast will cover mainstream, indie and some underground artists within the scene and provide both factual and opinionated commentary. The biggest benefit to sharing my thoughts this way is that it will hopefully expose you to more great music and exploration of your own.One random day in 2012, likely in November when I was consuming more Korean entertainment than any point in my life, I clicked on a thumbnail of a girl group in black fringed attire. The video began with a door sliding open to reveal eight confident women. Moments later, they were stomping in heels across an empty space and I was hollering with excitement. You better walk, ladies! could be heard over the house as I had my formal introduction to After School. The song was Flashback and today, were getting into the single album, right after the drop. Youre tuned into An Album a Day. Show start.Hey yall, I can admit that I did not become a big fan of After School despite my enthusiasm, but they genuinely walked into my area of awareness with the boldness of Flashback. The June 20, 2012 single album was sexy, bold, and could not have been released at a better time. For one, the sound was futuristic pop, which was heavy on the scene in 2012. Futuristic elements rest on synths, machinery-inspired sounds, and other experimental accents. Robot voices, gears grinding, all that good stuff? You can throw that in with futuristic pop, too. Second, the album is organized well. Five tracks -- the Korean version of Rip Off, title track Flashback, Nanas solo Eyeline, group ballad Wristwatch, and Jungah and Rainas duet Timeless -- are placed in an order that makes the 17-minutes-or-so mini album experience extremely cohesive.The group is still reserved about showing different colors vocally. However, as I said in Season 4 Episode 12 (EDIT: Episode 11), if it aint broke, dont fix it, is the standing motif for this group. While I enjoy great vocals on display, including interesting harmonies and other arrangements, After School stays committed to the power of one voice, per se. If the song calls for chanting, were chanting. If the song calls for a soloist here, well put a soloist here. Whatever the music calls for, they accommodate in a one band, one sound vocal Drumline. Random side note but I cant get my mind off of it. Some time ago, who even knows which episode or live stream it was, I said that the human voice is a string instrument. The voice can be acknowledged as an instrument for what it can produce but it isnt one in the technical sense -- you cant go about moving a voice around or have someone else take and play your unique voice-- and it isnt stringed. It burns me to admit it! It would have to fall within aerophone or wind instruments. Im vexed! We have to use air to create sounds with the voice and this has so little to do with this group and mini album but I just couldnt go on living a lie. The nerd in me couldnt have you believe something so wrong for so long! Okay, back to the album. Its intro, Rip Off, is unexpected and sounds nothing like what theyve produced on any album before this. Although a bit redundant with its key sound effect, there is a magic moment towards its end where the music opens up and puts the groups vocals in a shining spotlight. Its not an overtly dynamic song but its refreshing. Flashback is dancy and works in a nightclub or aerobics class all the same. The other tracks are within the same vein as past albums, not lackluster but not heavily engaging. I do favor the track Timeless as a decent up-tempo closing track, but again, there is not much to differentiate it from the formula of After Schools past works.For this album most of the music production came from a foreign team. I dug around for information on producers Pitchline...

An Album a Day is my exploration into the Korean music scene. This podcast will cover mainstream, indie and some underground artists within the scene and provide both factual and opinionated commentary. The biggest benefit to sharing my thoughts this way is that it will hopefully expose you to more great music and exploration of your own. One random day in 2012, likely in November when I was consuming more Korean entertainment than any point in my life, I clicked on a thumbnail of a girl group in black fringed attire. The video began with a door sliding open to reveal eight confident women. Moments later, they were stomping in heels across an empty space and I was hollering with excitement. “You better walk, ladies!” could be heard over the house as I had my formal introduction to After School. The song was “Flashback” and today, we’re getting into the single album, right after the drop.  You’re tuned into An Album a Day. Show start. Hey y’all, I can admit that I did not become a big fan of After School despite my enthusiasm, but they genuinely walked into my area of awareness with the boldness of “Flashback.” The June 20, 2012 single album was sexy, bold, and could not have been released at a better time. For one, the sound was futuristic pop, which was heavy on the scene in 2012. Futuristic elements rest on synths, machinery-inspired sounds, and other experimental accents. Robot voices, gears grinding, all that good stuff? You can throw that in with futuristic pop, too. Second, the album is organized well. Five tracks -- the Korean version of “Rip Off,” title track “Flashback,” Nana’s solo “Eyeline,” group ballad “Wristwatch,” and Jungah and Raina’s duet “Timeless” -- are placed in an order that makes the 17-minutes-or-so mini album experience extremely cohesive. The group is still reserved about showing different colors vocally. However, as I said in Season 4 Episode 12 (EDIT: Episode 11), “‘if it ain’t broke, don’t fix it,’ is the standing motif for this group.” While I enjoy great vocals on display, including interesting harmonies and other arrangements, After School stays committed to the power of one voice, per se. If the song calls for chanting, we’re chanting. If the song calls for a soloist here, we’ll put a soloist here. Whatever the music calls for, they accommodate in a “one band, one sound” vocal Drumline.  Random side note but I can’t get my mind off of it. Some time ago, who even knows which episode or live stream it was, I said that the human voice is a string instrument. The voice can be acknowledged as an instrument for what it can produce but it isn’t one in the technical sense -- you can’t go about moving a voice around or have someone else take and play your unique voice-- and it isn’t stringed. It burns me to admit it! It would have to fall within aerophone or wind instruments. I’m vexed! We have to use air to create sounds with the voice and this has so little to do with this group and mini album but I just couldn’t go on living a lie. The nerd in me couldn’t have you believe something so wrong for so long!  Okay, back to the album. Its intro, “Rip Off,” is unexpected and sounds nothing like what they’ve produced on any album before this. Although a bit redundant with its key sound effect, there is a magic moment towards its end where the music opens up and puts the group’s vocals in a shining spotlight. It’s not an overtly dynamic song but it’s refreshing. “Flashback” is dancy and works in a nightclub or aerobics class all the same. The other tracks are within the same vein as past albums, not lackluster but not heavily engaging. I do favor the track “Timeless” as a decent up-tempo closing track, but again, there is not much to differentiate it from the formula of After School’s past works. For this album most of the music production came from a foreign team. I dug around for information on producers Pitchline and TEXU who created songs for this album, but had a hard time.... Support this podcast

Off to the Switch #PrayForTheMugs

In a weekly podcast, Mark Immelman reviews the most recent PGA TOUR event and highlights lessons you can glean from the world's leading golfers. In Episode 31 Mark revisits the 2019 Safeway Open in Napa, CA. Mark examines Cameron Champ's golf swing and his swing speed, and how you can emulate him and use the levers at your disposal to gain clubhead speed and add distance to your drives. Elements like Ball Position, Posture, Eyeline, Pivot/Rotation and Energy Transmission are discussed as Mark elaborates on how you can maximise each for your benefit. He also shares speed drills you can practice to up your swing speed.

The generous Jenna Fischer (The Office) joins Eyeline. Jenna's earnest desire to stop the hysteria and bad advice actors receive started years ago when she wrote this blog on her myspace page. Jenna continues that trend as she and Nick talk about how understanding editing helps your acting, why being "in the moment" is like surfing, and confronting the demon of... blinking.  Some things they got into:  Matt Weiner's blog about the value of artists revealing, not hiding, their process You, Me and the Apocalypse starring Jenna, Rob Lowe and Megan Mullaly and coming to NBC  Jenna's auditioning success taking off after a class with Robert D'Avanzo   And those two scenes from The Giant Mechanical Man.  Eyeline is a podcast about the inside scoop on the struggle to act well. Hear Oscar and Emmy nominated actors, series regulars and plain old workhorses share war stories, confessions and common sense. 

The founder of Eyeline Golf joins us for episode 89 of Breaking par with Bernard Sheridan. Sam started out trying to come up with some gadgets to help his kids play better golf. Next thing he knew it turned into a golf training aid company and the rest is history. 

Amir Talai, a man of a thousand acting jobs, joins Eyeline. Series regular gigs? Sure. Voice-overs for big animated movies? Yes. Constantly working commercial actor? Yup. Improv, Musicals? Why not?  Listen in as Nick and Amir (What To Expect When You're Expecting, Harold and Kumar Escape From Guantanamo Bay) discuss his success with The Trigger Approach, how he is never positive if he knows his lines, and why logic keeps fear at bay. Eyeline is a podcast about the inside scoop on the struggle to act well. Hear Oscar and Emmy nominated actors, series regulars and plain old workhorses share war stories, confessions and common sense. 

Sean Gunn (Gilmore Girls, Guardians of the Galaxy) shows up and destroys a ton of silly acting conventional wisdom. Listen in as Nick and Sean discuss spontaneity, his pliable face, how he played Rocket on-set for GOTG, and why editors think he is unusual. Eyeline is a podcast about the inside scoop on the struggle to act well. Hear Oscar and Emmy nominated actors, series regulars and plain old workhorses share war stories, confessions and common sense. 

On episode 5, Matthew Del Negro, a man with recurring roles on all-time popular shows (Scandal, Sopranos, West Wing), and Nick answered the following questions: Do you need sheet music in an audition if you are wearing Chuck Ts? How do lacrosse players react when you tell them you are going to do a play?  Should you feel like a jackass spinning around James Gandolfini? And... why finding and hanging onto a group of fellow actors you respect and who will you accountable may be the most important thing you can do. Eyeline is a podcast about the inside scoop on the struggle to act well. Hear Oscar & Emmy nominated actors, series regulars, and plain old workhorses share war stories, confessions and common sense. Hosted by actor Nick Hoffa.

Eyeline is alive! Katie Lowes from Scandal kicks off the first episode. She and Nick sit down and answer the following questions: Are napping and acting related? Who chased Katie around in a bear costume? What is ugly cry-face and when should you use it? And...why being mentally healthy is more important to success than acting talent. Follow Katie at @KatieQLowes or katielowes.com. And click here to see incredible footage of Katie hearing from Shonda Rhimes that she booked Scandal. Eyeline is a podcast all about the inside scoop on the struggle to act well. Hear Oscar & Emmy nominated actors, series regulars, and plain old workhorses share war stories, confessions and common sense. Hosted by actor Nick Hoffa.

On Episode 3, Nick sits down with passionate smart cookie and Grey’s Anatomy regular Jerrika Hinton.  They answer the following questions: Why does Jerrika propose a CW vs FOX act-off?    Is “be more sad” the least helpful direction? Will Nick ever stop saying “You got it” when a director gives him notes? AND...is acting art?   Follow jerrika at @hellojerrika and visit her seriously amazing website at www.jerrikahinton.com. Eyeline is podcast about the inside scoop on the struggle to act well. Hear Oscar & Emmy nominated actors, series regulars and plain old workhorses share war stories, confessions and common sense. Hosted by actor Nick Hoffa.

Brought to you by Dogman! Left in a pet store by his family, one man fights crime with all the powers of a domesticated dog. This week, we follow up Gigli with one of the two films that Halle Berry chose to make instead, and then went on to win a Razzie for her performance. The film also won Worst Picture, Worst Director and Worst Screenplay in the 2005 Golden Raspberries. We have high hopes for this one as it could be another bad movie sleeper that got lumped in with comic book movies like "Punisher: War Zone." Streaming Do's and Don'ts Whoops we didn't watch a single movie that we can put on our list for this week. Sorry. Instead we are doing recap of each Saturday Night Live movie in honor of the 40th Anniversary. We take each movie and average the Rotten Tomatoes score and the IMDB user rating to find out the best and the worst of the 12 films. New Segment - Pop Quiz, Hot Shot! What is/are: The Dailies? A Squib? Dramatic Irony? Eyeline-match cuts? A Best Boy? A Gaffer? A Grip? A Key Grip?