Podcasts about virtual production

Michael Ralla joins the podcast to share his journey through the world of visual effects, with a focus on his latest project as VFX Supervisor on the film Sinners. He discusses how he worked closely with cinematographer Autumn Durald Arkapaw, whose fearless approach to lighting and darkness pushed the creative envelope. The episode features a deep conversation about the differences between film and digital, the evolving language of color, and how these choices impact storytelling—insights that are especially relevant to the visual style of Sinners. Michael also opens up about his unconventional path into VFX, from his early ambitions as a heavy metal drummer to finding his footing in sound engineering, and ultimately discovering his passion for compositing. He reflects on his formative years at Scanline, learning the ropes through hands-on experience, and how that foundation led him to major studios like Digital Domain and ILM. Throughout the episode, Michael's candid perspective offers a rare look at the challenges and excitement of modern visual effects, as well as the importance of staying adaptable in an ever-changing industry.

In this episode of the CG Pro Podcast, Edd Dawson-Taylor interviews Geoffrey Kater, Creative Director at S4 Studios. Geoffrey shares his inspiring journey from childhood as a Star Wars fan to an animation and visual effects professional. The conversation explores the evolution of computer graphics, AI's impact on creative roles, and the future of automotive design and filmmaking. Geoffrey offers valuable insights on adapting to new technologies while maintaining artistic fundamentals, finding your unique creative voice, and the continued importance of storytelling in an increasingly tech-driven industry.

Jess Loren, CEO and co-founder of Global Objects, joins us for a wide-ranging conversation about the future of immersive content and the creative tech reshaping the industry. A force to be reckoned with, Jess has a sharp pulse on where things are headed, and she doesn't hold back when discussing the current state of Hollywood. She talks candidly about the challenges studios and creators face today, and how technology like digital scanning, virtual production, and Gaussian splats can embolden independent filmmakers. Jess also shares insight into how she builds meaningful partnerships across art, tech, and media. Her business and life partner, Erick Geisler, appeared back in episode 483, and together they've helped position Global Objects at the intersection of innovation and storytelling. In this episode, Jess dives into her own journey as an entrepreneur and explains how she identifies trends before they break, working with brands, creators, and studios to help them stay ahead. Whether you're building pipelines, pitching ideas, or just trying to understand where things are going, this episode offers a grounded, unfiltered look at the creative future.

Joey breaks down his week at NAB while Addy provides perspective from afar, covering the unexpected surge in VP innovations, practical AI implementations in post-production tools, and notable hardware releases that dominated the show floor.

Film isn't dead — it's finding new life alongside cutting-edge technology. Join Addy and Joey as they explore why major productions like Fallout and Poor Things are combining film with virtual production, the psychological benefits that shooting on celluloid brings to directors, and the surprising technical advantages film offers over digital. Plus, discover how Kodak and Fujifilm took dramatically different paths in the digital age, and why affordable anamorphic lenses are changing the game for indie filmmakers.

Join us for an insightful conversation with Jack Dartford, a London-based Virtual Production expert whose work spans blockbuster films like "Barbie," "Megalopolis," and "House of the Dragon," as well as live events including the League of Legends World Championship and Coachella. In this episode, Jack shares his unique journey from live events to film production, discussing how he creates bespoke tools that enable groundbreaking workflows in both industries. Learn about the essential technical skills needed in virtual production, the importance of programming knowledge, and how to effectively problem-solve in high-pressure environments. Jack also offers valuable insights on the evolution of VFX technology, AI's role in the creative process, and how to stay passionate about your craft. Don't miss his fascinating stories from the set and his perspective on the future of immersive storytelling.

"Data and AI can increase risk taking" Tobias Queisser In this episode, Tobias Queisser, co-founder and CEO of Cinelytic, discusses how AI and machine learning can not only de-risk decision making in the greenlight and the overall filmmaking process - but also empower greater apparent risk taking too. Tobias addresses common misconceptions about AI, arguing that it can encourage greater creative risk-taking in filmmaking. With host Alex Stolz, they explore the origins of Cinelytic, the challenges in film production, and the role of data in enhancing film success. They also examine the evolving landscape of film distribution, the impact of streaming services, and the importance of understanding audience behavior through data analytics. Additionally, they discuss the potential of AI to boost creativity and economic viability in the industry, and anticipate future innovations in film technology. This episode was originally published on the Marketing and Distribution Podcast. Key Takeaways: - **AI Encourages Creative Risk-Taking:** Tobias explains how AI can reduce uncertainty, enabling filmmakers to pursue more innovative projects. - **Data-Driven Decision Making:** Utilizing data analytics can enhance understanding of audience preferences, leading to more successful films. - **Evolution of Film Distribution:** The rise of streaming services has transformed distribution strategies, emphasizing the need for data-informed approaches. AI as a Creative Tool:** Rather than replacing creativity, AI can support filmmakers by providing insights that inform and enhance the creative process. About Tobias Queisser Tobias Queisser is the co-founder and CEO of Cinelytic, bringing a background in finance, entertainment, and technology ventures. Prior to Cinelytic, he spent a decade in investment banking and co-founded a global investment fund in London. In 2013, Tobias established Arctic Pictures Limited, an international film production company. He holds an MSc in Accounting & Finance from CASS. For more episodes and information, visit Future of Film Podcast (https://futureoffilm.live/podcast/).

Joshua Lastine, an entertainment lawyer, returns to the podcast to break down the rapidly changing legal and business landscape of the film industry. As AI tools reshape content creation, streaming platforms redefine distribution, and independent filmmakers leverage new technology, Joshua explains how contracts, intellectual property, and revenue models are evolving. He dives into the legal implications of AI in filmmaking, from WGA and SAG-AFTRA's new protections to the ethical and financial risks of content licensing for AI training. He also discusses how major studios are adapting to these shifts and what it means for the future of traditional and independent production. The conversation highlights how cutting-edge technology is empowering low-budget filmmakers to create studio-quality content without massive resources. Joshua explores the impact of real-time rendering, virtual production, and AI-driven tools on independent filmmaking, making it easier than ever to produce high-end visuals on a fraction of the budget. He also breaks down the shifting economics of streaming vs. theatrical releases, how tax incentives influence production locations, and why smart distribution strategies are more critical than ever. Packed with expert legal insights and industry analysis, this episode offers a roadmap for navigating the intersection of law, technology, and the evolving film industry.

In this episode of Future of Film Podcast, we're joined by Fiona Gillies and Mahesh Ramachandra, co-founders of SMASH — the innovative platform that's transforming how creators connect with industry decision-makers. SMASH is rethinking the pitching process from the ground up—offering creators a structured, accessible space to build and share their projects, while helping commissioners and buyers discover the stories they're truly looking for. In this conversation, Fiona and Mahesh share the origin story of Smash, explore how AI and smart data are shaping the future of development, and offer practical advice for filmmakers looking to sharpen their pitches and navigate the industry with confidence. We also discuss the art (and pain) of writing a great logline, how to stand out in a crowded marketplace, and why the future of pitching is all about transparency, connection, and creator empowerment. This episode was recorded as part of Future of Film Africa 2024 in partnership with Sèmè City of the Republic of Benin. About Fiona Gillies - Indie Producer & SMASH co-founder Fiona has produced award winning features and shorts.  The Beat Beneath my Feet was in competition in the Berlinale, and her debut feature City Slacker was nominated for a BIFA. She began her career with director Roger Michell at the RSC and has worked extensively both in front and behind the camera.  She co-founded SMASH, the Rights and IP Marketplace, with fellow producer Christine Hartland and digital pioneer Mahesh Ramachandra to encourage new, diverse talent to engage with decision makers. About Mahesh Ramachandra – Co-founder / CPO Mahesh is a digital product expert with 25 years of experience building and operating B2B SaaS and B2C entertainment services around the world. He focuses on early-stage products and companies, specialising in product conceptualisation, building teams, lean development, finding product-market fit, and scaling to success. Mahesh recently led the pre-school mobile app studio at eOne (Hasbro) and was previously Chief Product Officer at KidsKnowBest, Azoomee and Hopster, the award-winning SVOD service for kids. Prior to that, he developed and operated live interactive television programmes globally for almost 10 years, following stints in edtech and running his own interactive media studio. Mahesh is a regular speaker at industry conferences such as Kidscreen and the Edinburgh Television Festival and has been a judge for the Interactive Emmy Awards. He is a mentor with the BYP (Black Young Professionals) Network and is a team advisor with Antler Incubator. Mahesh has an MA in Design for Interactive Media from Middlesex University. My SMASH Media won a Gold Award for Tech Innovation at Cannes NEXT, the Innovation section of the 2023 Cannes Film Festival. Check out SMASH at www.mysmash.media

Virtual Production depends on pre-visualization tools.Peter is joined by Judah Mantell, the creator of SceneForge, one such tool that shows us that virtual production is a form of storytelling that can start long before you yell, "action!" (01:08)Then, Judah walks us through some of the stigmas of this type of tool and what lies in its future (16:43).Finally, Peter shares insights on all the tech-driven tools used in the Best Picture nominees from the 2025 Oscars (32:41).Judah Mantell is the Lead Software Developer at Vū Technologies.You can learn more about Judah Mantell and connect on LinkedIn at https://www.linkedin.com/in/judah-mantell-a9634b143/You can learn more about SceneForge and its role in Vū's Vū Studio at their website.Follow the Virtually Everything! Podcast on Instagram: https://www.instagram.com/virtually.live/?hl=enIf you want to send an email with feedback or show suggestions, you can reach us at virtually.everything@vustudio.com.Otherwise you can:Find Peter on LinkedIn https://www.linkedin.com/in/peterfrelik/The Virtually Everything! Podcast is presented by Vū Technologies. #VuStudio #ContentAtTheSpeedOfThoughtBye for now! Hosted on Acast. See acast.com/privacy for more information.

Oliver Markowski, Head of 3D at RISE, returns to the podcast to dive deep into the latest advancements in VFX technology. Since his last appearance, the industry has seen major shifts, and Oliver shares insights on how USD and MaterialX have evolved, shaping how studios exchange data and build pipelines. He discusses the adoption of USD across the industry, from major VFX houses to tech giants like NVIDIA and Apple, and the challenges of standardizing MaterialX for real-world production. Oliver also provides an update on RISE's latest projects, including their work on Guardians of the Galaxy Vol. 3, Megalopolis, and the highly anticipated Fallout series. A major focus of the conversation is the use of Gaussian Splats and how they are revolutionizing virtual production and 3D asset capture. Oliver explains how this technique has surpassed neural radiance fields (NeRFs) in efficiency, enabling real-time 3D reconstruction with remarkable accuracy. He explores its potential to replace traditional polygon-based workflows and the challenges of integrating Gaussian Splats into existing VFX pipelines. With fascinating insights into real-time rendering, AI-driven workflows, and the future of digital filmmaking, this episode is a must-listen for anyone following the cutting edge of VFX innovation.

What happens when a small group of motion designers in Detroit evolves into a powerhouse of collaboration and innovation? The crew from Cart & Horse sat down with Joey on the School of Motion podcast to share their journey—from navigating the tight-knit creative community in Detroit to pioneering new workflows in Unreal Engine. Check out the corresponding blog post and key takeaways here: https://www.schoolofmotion.com/blog/cart-and-horse

In this episode of the Future of Film podcast, host Alex Stolz speaks with Sarudzayi Marufu, founder of Uras Films, about the challenges and opportunities facing filmmakers today, particularly in the African market. They discuss the importance of understanding audience engagement, innovative approaches to crowdfunding, and the intersection of creativity and business. Sarudzayi emphasises the need for infrastructure and support for African filmmakers, highlighting the potential of the continent's creative resources. The conversation also touches on the importance of building a brand and cultivating a loyal audience. In this conversation, Sarudzayi shares insights on the filmmaking process, emphasizing the importance of leveraging personal privilege, understanding financial realities, and learning from experiences. She discusses the significance of marketing and distribution strategies, particularly in the context of independent films and African cinema - encouraging filmmakers to be audacious, share their ideas, and navigate the challenges of distribution while maintaining ownership and integrity. She highlights the need for an entrepreneurial mindset in filmmaking, advocating for a balance between creativity and business acumen. About Sarudzayi Marufu Sarudzayi Marufu is founder and executive producer of the production company Euras Films with a mission to tell bold, unafraid & innovative storytelling & authentic representation. She founded Euras with the mission of increasing representation for underprivileged communities and providing them with the resources to take bold creative risks. Since its inception in 2019, the studio has produced a range of short and feature-length films, the latest of which, All the Wives in Attics, has been selected for several awards at leading film festivals. Prior to Euras Films, Sarue was executive producer at Beyond the Canon, an organisation that aims to diversify the curricula at globally leading drama schools and theaters. Beyond the Canon taps into forgotten masterpieces by culturally diverse playwrights and brings them to national audiences. Previously, she founded Exodus Healthcare, a firm that supports patients living independently in their own homes. She applies her business expertise from scaling Exodus to her work in the film industry, helping underprivileged filmmakers navigate the business of producing films.

Modern projectors turn imagination into reality, transforming ordinary spaces into extraordinary experiences. And digital signage just leveled up—Samsung is partnering with Cielo's AI. Joining us this week are expert guests to dissect the latest updates reshaping the commercial AV landscape, including Christie's transformative projection technology at BYD's energy vehicle museum, showcasing immersive audio visual experiences and AV sustainability like never before.Plus, unpack Samsung's groundbreaking partnership with Cielo for AI-powered digital signage, highlighting AI in AV and the future of audio visual setup for small offices. We also dove into the exciting world of XR, Virtual Production, and Broadcast AV, exploring how these cutting-edge technologies are transforming the industry.Host: Tim AlbrightGuests:Bren Walker – KirkegaardJoe Dunbar – Midwich USTim Van Woeart – Rutgers UniversityLinks to sources:AVNation – Christie Projectors Used In MuseumAV Buyers' Club – Samsung Partners With Cielo for AI Digital SignageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Denoised, Joey shares his first-hand experience at the Hollywood Professional Association (HPA) Tech Retreat, including his participation in a live AI-assisted editing challenge. Joey and Addy break down what makes HPA unique in the M&E space, the innovative AI editing tools Joey tested under pressure, and the cutting-edge tech on display in the Innovation Zone.Key topics covered:The unique networking environment at HPA Tech RetreatJoey's "Live without a Net" AI editing challengeAI tools tested: Claude, Perplexity, Strada, Eddie AI, ElevenLabsInnovation Zone highlights: Quickture, Strada's peer-to-peer technologyVirtual production updates from Lightcraft, B&H Studio, and PlatePros#############

Join us for an insightful conversation with Christina Caspers, General Manager of TRIXTER, one of Europe's leading VFX companies. Christina shares her unique perspective on industry changes, technological innovation, and the future of visual effects.In this episode, we explore:✅ The evolution of virtual production in Europe✅ How VFX companies are adapting to smaller budgets✅ The impact of AI and machine learning on VFX workflows✅ Cultural differences between European and American production✅ The challenges of being a female leader in tech#############

Eric Barba, Academy Award-winning VFX supervisor, returns to the podcast to discuss his latest work on Alien: Romulus, directed by Fede Álvarez, for which he is nominated for an Oscar in 2025. He shares the challenges of bringing the world of Alien to life, from balancing practical effects with cutting-edge VFX to ensuring the film stays true to Ridley Scott's iconic franchise. Eric dives into the evolution of creature effects, how real-time technology is being used in production, and the meticulous process of creating photorealistic environments that blend seamlessly with on-set footage. Beyond Alien: Romulus, the conversation explores how VFX workflows are evolving, the increasing role of AI in production, and Eric's thoughts on the future of the industry. He also reflects on his time at Digital Domain, leading teams on groundbreaking projects like The Curious Case of Benjamin Button (David Fincher), Tron: Legacy (Joseph Kosinski), and Oblivion (Joseph Kosinski). With behind-the-scenes insights and expert knowledge, Eric offers a fascinating look into the state of visual effects today and where it's heading next.

Joey and Addy explore the latest developments on DeepSeek AI and discuss what it could mean for the media and entertainment industry. They also dive into Blackmagic's new URSA Cine 12K, its lower-cost body-only package, its new RGBW sensor, and how it competes in Hollywood's evolving production landscape. Plus, AI and copyright clarifications.#############

Happy Holidays! In the spirit of the season, Peter has a banger of an interview with Meta Puppet, the editor behind those infamous holiday Coca-Cola ads.Meta Puppet reveals precisely what was AI or CGI in the ads (04:14).Then, Meta Puppet shares his editing workflow and gives sound advice to any traditional editor looking to upskill in AI editing (19:52).For their final toast, Peter and Daniel Mallek from Vū Technologies defend their hottest prediction from the beginning of the year: the commoditization of Virtual Production and the easy conquest of AI in Hollywood (53:32).You can learn more about Meta Puppet and connect on Instagram at https://www.instagram.com/metapuppet/?hl=enFollow the Virtually Everything! Podcast on Instagram: https://www.instagram.com/virtually.live/?hl=enThe Virtually Everything! Podcast is presented by Vū Technologies. #VuStudio #ContentAtTheSpeedOfThoughtEmail virtually.everything@vustudio.com to connect with our Sales Team and discuss opportunities to partner with us! Hosted on Acast. See acast.com/privacy for more information.

Joris Corthout, CEO of Prismax, has been instrumental in revolutionizing the technology behind some of the largest live events. Under his leadership, Prismax has been the exclusive content and live video operator for Tomorrowland since 2014, delivering immersive experiences for one of the world's most renowned music festivals. We discussed the evolution of immersive technologies, particularly in the context of major music festivals like Tomorrowland. He shares insights on how technology has transformed live entertainment, the integration of real-time visuals using Unreal Engine, and the future of virtual festivals. The discussion also touches on the changing dynamics of music festivals, where visuals are becoming increasingly prominent. Episode 60 Timestamps: 00:00:00 Introduction 00:04:38 Remembering out FIRST Interaction 00:08:53 The Story of Tomorrowland Digital 00:11:05 Understanding XLive & How It Is Revolutionizing Live Events 00:15:53 Joris Breaks down How A Tomorrowland Stage Works 00:17:43 Joris Reveals the Magic of Visual Illusions in Live Events 00:21:15 The SECRET Behind Tomorrowland's Success 00:24:23 The Future Of Live Events & VR Experiences 00:32:11 What AI Means for the Future 00:36:18 Live Events Will Never Be the Same—Here's Why! 00:42:41 THIS Is Essential for a Career in Virtual Production 00:50:05 Unreal Engine's Incredible Versatility 00:56:28 How Joris Handles Big Clients and Their Demands 01:01:26 From providing Services to Creating Products 01:09:09 Why Visuals Are the Key to Live Events 01:16:27 Joris's Vision for the Perfect Event Experience 01:18:10 Prismax's Vision for 2025 If this podcast is helping you, please take 2 minutes to rate our podcast on Spotify or Apple Podcasts, It will help the Podcast reach and help more people! Spotify - https://open.spotify.com/show/12jUe4lIJgxE4yst7rrfmW?si=ab98994cf57541cf Apple Podcasts (Scroll down to review)- https://podcasts.apple.com/us/podcast/bad-decisions-podcast/id1677462934 Find out more about Joris: https://www.prismax.com/ https://www.instagram.com/prismax.be/ Join our discord server where we connect and share assets: https://discord.gg/zwycgqezfD Bad Decisions Audio Podcast

CinePacks would not be what it is today without the crazy and ambitious mind of Joshua Lykkeberg. Learn how he runs the virtual production volume at our studio.Follow Josh - https://www.instagram.com/mangoquafferSupport the show

Check out this handy guide to the brave new world of virtual production from the ever-reliable Sphere Audio Video (205-637-5644). Go to https://sphereav.com/blog/b/virtual-production-changing-filmmaking-forever Sphere Audio Video City: Birmingham Address: 504 Cahaba Park Circle Website: https://sphereav.com Phone: +1-205-637-5644 Email: info@sphereav.com

TAINTED, 11min,. Singapore Directed by Ian Wee In a world driven by corporate greed and unethical genetic experimentation, Darien, the pioneering human clone, finds himself obsolete against a superior 2nd Generation Clone, leading to his and his mentor's targeting. Following his mentor's death, Darien's hidden hybrid nature—combining human and vampire DNA—surfaces during a critical confrontation, granting him unexpected survival. Marked as a “Tainted” failure yet possessing newfound powers, Darien faces an ambiguous future, embodying the narrative's critique of ambition's perils and the poignant fallout of manipulative sciences. http://www.brightvoxelstudios.com/ https://www.instagram.com/film_tainted/ Get to know writer/producer Graham John Lamb: What motivated you to make this film? I was Virtual Production Supervisor on a film in Singapore, when the IMDA (InfoComm Media Development Authority Singapore) announced that they were funding projects in this particular area. My producer, director and director of photography were at the time over in the UK at the National Film and Television School also attending a Virtual Production immersion program aimed at industry professionals to learn about this new way of film making. So excited with this new surge of enthusiasm I asked Jeffrey about joining this content creation initiative and we all got together and created Tainted. What were your initial reactions when watching the audience talking about your film in the feedback video? Honestly I got a little teary, when I was looking at the reviews, I am greatly appreciative that the reviewers talk about the whole film in general from stunts, makeup, sound & music to performance and that really shows that the team was really the best – such a dynamic group all around and I have nothing but high praise for everyone involved. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

https://www.linkedin.com/in/mahmoudalkawadrihttps://www.artstation.com/mahmoudalkawadrihttps://www.behance.net/Mahmoud_kwhttps://www.chaos.com/vantagehttps://www.chaos.com/virtual-production#unreal engine #virtual reality #game developement #virtual production #tech art #ue4 #ue5 #lighttwist #blueprints #vision pro #Epic Games #Meta #Meta Connect 2024 #XR Development #Augmented Reality #FutureOfXR #ImmersiveTech #MetaVerse #AR #VR #ContentCreation #RemoteWork @ibrews @Alan_Gotsvr #adobepodcast #adobepodcaststudio

Jo Plaete, a pioneer in digital humans and chief innovation officer at Metaphysic, joins the podcast to discuss his company's groundbreaking work on the newly released film Here, now in theaters. Jo traces his journey from his early career in computer graphics and visual effects, working on films like Where the Wild Things Are and Aladdin, to creating cutting-edge AI-driven tools that enable photorealistic de-aging of actors like Tom Hanks and Robin Wright. His experience includes collaborating with Disney Research on facial reconstruction technologies and pushing the boundaries of neural network-based visual effects. Jo also explains how Metaphysic's tools provided real-time feedback on set, allowing filmmakers to see younger versions of the actors instantly. This innovation enabled directors and actors to evaluate performances live, making adjustments on the spot to achieve the most authentic and emotionally resonant portrayal. Jo reflects on the future of digital humans in cinema, emphasizing how AI and real-time feedback are reshaping storytelling while maintaining a high level of artistic control.

Daniel Thron, Erick Schiele, and James Blevins join Chris to discuss their work on the short film Ray Tracing FTW. Directed by Daniel, the film pushed the boundaries of virtual production, and Erick's production design had to work both digitally and practically, ensuring consistency across virtual environments and physical sets. James, with his expertise in virtual production, shares how they overcame technical challenges using real-time ray tracing to handle complex scenes. Each of them wore many hats on the project—including cowboy hats—since they were all actors in the short as well. The conversation explores how new tools like Project Arena allowed the team to streamline production, balancing innovation with practicality. They talk about how careful pre-production, from storyboarding to previewing assets, helped maintain visual fidelity while keeping the project within budget. By merging creativity with cutting-edge technology, Daniel, Erick, and James highlight how virtual production is reshaping filmmaking, particularly for projects requiring a blend of digital and physical workflows.

Join Inde as she interviews writer/director John Michael Riva Jr., as well as actors Ariana Ron Pedrique and Jack T. Gibson, as we uncover how groundbreaking virtual production technology is reshaping the industry. The conversation reveals the creative journey behind condensing a feature script into a compelling six-minute proof of concept. Ariana shares what she found remarkable about her experience acting on a virtual set, while Jack opens up about his debut on both sides of the camera. Our conversation also navigates the vital connections between talent and crew that fuel this vibrant industry. As part of the Cinematography for Actors community, we are committed to nurturing these relationships and offering invaluable resources to keep you informed and inspired. From exclusive vendor discounts to educational content available through our YouTube courses, there's a world of opportunities awaiting you to enhance your filmmaking skills. Stay engaged with us through our podcast and newsletter, and be part of a community dedicated to the art of storytelling and the continuous evolution of filmmaking.Send us a textFor our listeners, CFA's teamed up with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote.Calling all actors! Take 25% off your membership at WeAudition with code: CFA25 Website: www.cinematographyforactors.com Instagram: https://www.instagram.com/cinematographyforactors TikTok: https://www.tiktok.com/@cinematographyforactors Cinematography for Actors is a community aimed at bridging the gap between talent & crew through our weekly podcast & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling.

Jared Sandrew, a 3D supervisor at Disney and visual effects veteran, joins the podcast to discuss his career journey, from growing up around the pioneering technology of digital colorization to becoming a key figure in stereoscopic 3D conversion for blockbuster films. Jared shares fascinating stories about his time at Legend 3D, where he worked on major projects like Alice in Wonderland and Shrek, and how he helped build the stereo pipeline that revolutionized the industry. His passion for storytelling, visual effects, and the future of technology shines through as he reflects on how the field has evolved. The conversation also touches on cutting-edge developments in AI and machine learning, which Jared has been exploring as a way to enhance visual effects and stereoscopic workflows. He explains how new tools are making the process more efficient and consistent, while still allowing for creative input from filmmakers. Jared and Chris also discuss the future of virtual production and real-time rendering, including the impact of LED walls and new ways to streamline content creation for films and beyond.

Line producers Debbie Kennard and Ron Eli Cohen discuss their work on the short film Ray Tracing FTW and offer an insider's perspective on the art of film production. Debbie shares her story, from her beginnings as John Carpenter's PA on The Thing to becoming a trusted line producer in Hollywood, while Ron talks about transitioning from acting to producing, with credits like The Dark Knight Rises. Together, they break down the vital role of a line producer and provide insight into the world of budgeting, crew management, and creative problem-solving in the film industry. The episode also dives into the technology behind Ray Tracing FTW, exploring how the team utilized virtual production techniques, including LED walls and complex set construction, to craft a visually striking film on a tight budget. Debbie and Ron emphasize the significance of meticulous prep work, strong crew collaboration, and maintaining a balance between creativity and practicality. Through their experiences, listeners gain a better understanding of how a line producer navigates the challenges of modern filmmaking while keeping the vision of the story front and center.

Power of Ten is a show about design operating at all levels of zoom, from thoughtful detail to changes in organisation, society and the world, hosted by design leadership coach, Andy Polaine. Andy's guest in this episode is Julian Simpson, a London-based writer and director who has worked in film, TV and audio for the past 25 years. He made his directorial debut annoyingly young in his mid-20s with The Criminal and more recently worked on Spooks, New Tricks, Doctor Who and more. He created the Lovecraft Investigations, the Aldrich Kemp audio series and the Pleasant Green Universe. He runs a writer-led company called Storypunk and writes an excellent newsletter about the screenwriting life called, Development Hell.  == SHOW LINKS == == JULIAN ==  - Development Hell: https://developmenthell.substack.com - Julian on IMDB: https://www.imdb.com/name/nm0801065/ - Pleasant Green: https://www.pleasantgreen.co.uk - The Lovecraft Investigations: https://www.bbc.co.uk/programmes/p06spb8w - Cartoon Gravity https://www.cartoongravity.com - The Virtual Production of The Mandalorian Season One: https://www.youtube.com/watch?v=gUnxzVOs3rk == ANDY == * Website: https://www.polaine.com  * Newsletter: https://pln.me/nws  * Podcast: https://pln.me/p10  * Design Leadership Coaching: https://polaine.com/coaching * Courses: https://courses.polaine.com  * LinkedIn: https://www.linkedin.com/in/apolaine/  * Mastodon: https://pkm.social/@apolaine  * YouTube: https://www.youtube.com/@apolaine

In this episode, Richard Crudo, the cinematographer, and Esther Woodworth, the 1st Assistant Camera for the Ray Tracing FTW short film, share their journey working on the groundbreaking project. We take a deep dive into the dynamics of the camera crew, exploring how different departments like lighting and grip collaborate to bring a director's vision to life. Esther provides insight into her passion for cameras, and the duo sheds light on their roles and teamwork on set. Richard and Esther discuss their approach to shooting Ray Tracing FTW, detailing their experience working with LED volumes to seamlessly blend live-action with digital environments. They also talk about using the ARRI Alexa 35 paired with vintage Panavision lenses to create a classic 1970s film look while leveraging the flexibility and precision of modern technology. Throughout the conversation, they reflect on the balance of creativity and technical expertise and share their favorite moments from filming the short. This is a must-listen episode for anyone wanting to get a better idea of the right way to shoot ICVFX.

Matthias Christen, the main 3D artist from The Scope on Ray Tracing FTW, shares his fascinating journey from traditional analog painting to becoming an expert in 3D and virtual production. Starting with a passion for drawing, Matthias entered the advertising industry, where he honed his skills in Photoshop and Illustrator before transitioning into 3D work. He talks about his growth at The Scope, where he's been involved in creating cutting-edge car commercials and collaborating with top-tier photographers and filmmakers. Matthias also highlights the challenges and creative satisfaction of working on photorealistic environments that elevate product imagery. In this episode, Matthias dives into his role in creating the massive virtual set for Ray Tracing FTW, a short film produced by Chaos and Martini Giant. He worked closely with production designer Erick Schiele to build one expansive set, containing nearly 2 trillion triangles, that was used seamlessly from pre-production to post-production. Running in real-time with Project Arena, this incredible asset allowed for consistent lighting and textures throughout the entire project, pushing the boundaries of real-time rendering. Matthias reflects on the technical achievements and creative process behind creating lifelike visuals that brought the world of Ray Tracing FTW to life.

This week's guest In the Flamingo Lounge is virtual production & design instructor at Erie 1 Boces, Calspan, Jae D. Bieger. Jae joined Rockabilly Greg in the Flamingo Lounge on September 4, 2024. Jae D. Bieger started his career as a performer in the 90's and after chasing the elusive hit single turned his sights on Berklee College of Music, earning his bachelor's and master's degrees in music production and technology. He roamed the country with his wife and 2 dogs for a few years cutting his production teeth from Portland Maine to Los Angeles California and everywhere in between. When in Buffalo he'd take front of house gigs at local clubs and random roadie calls for national touring artists in the area. He settled back down in Buffalo taking a regular gig with Indigo Productions and joined the Hall family at Sportsmen's Tavern as front of house and periodic studio dates in Sessions, the studio next door. Jae continued to freelance his production services through virtual sites, editing podcasts, short films, doing post-audio and other random projects in an effort to refine his craft and build his reputation.  Today, Jae is still with Indigo and is the video director / LED tech for the Artpark Summer Concert Series and the arts, a technical assistant at Suny Niagara, and full-time instructor of Virtual Production and Design at the Calspan Career & Technical Center, and the chief engineer at Black Rock EPS, where he produces the studio series, “Live From Black Rock.” 

In this episode, Chris sits down with AJ Wedding, founder of Orbital Studios, to discuss how the Chaos Innovation Lab used his studio to film Ray Tracing FTW using Project Arena. AJ shares how his early fascination with virtual production, inspired by his work on The Mandalorian, led him to launch Orbital Studios during the pandemic. He explains the challenges of building a virtual production studio from scratch, perfecting LED panel technology, and saving productions like Snowfall significant time and money. AJ also explores the advancements in virtual production, discussing AI tools and their impact on giving filmmakers real-time creative control. He highlights the importance of educating producers and DPs on how to maximize this technology's potential. AJ's insights show how virtual production is transforming the film industry, making it more accessible to filmmakers of all levels.

Our guest today is Matthew Mazzone a partner at Ascent Media Agency where he leads large scale branding and marketing campaigns. Before getting into agency world, Matt was the Director of Film and Visual Media at the Republican National Committee.In this episode we're talking about virtual production – how it works and what it means for political ad makers.Watch Virtual Production In Action - https://www.youtube.com/watch?v=0AmlMcfxzT8Become a Campaign Trend Insider to get exclusive content and more. 

When it comes to Virtual Production we've all heard about the ability to master car scenes and otherworldly environments. But as the tool advances, what does real success look like on the highest level? Host Peter Frelik talks to Lester Platt, Dr. Eva Ziemsen and Corey Crumpacker to discuss what other approaches have led to modern Virtual Production success.It's day 4 of camp! If you love the format please leave a rate or review. It'll allow us to go to camp next year!Featured Guest - Lester Platt (Founder/CEO of STLL Studios)Website: STLL StudiosLinkedinFeatured Guest - Dr. Eva Ziemsen (Professor of Film & Virtual Production at Humber College)LinkedinFeatured Guest - Corey Crumpacker (Commercial Director) Website: Corey CrumpackerLinkedin Hosted on Acast. See acast.com/privacy for more information.

A real treat today to be joined by Billy Brooks, who has had an illustrious career in Visual Effects and now works at the cutting edge of the profession in Virtual Production. Billy was responsible for overseeing the LED-screen virtual environment of the battlefield in "Boom", and he told me all about that, as well as how it felt to finally get to work on the show as a lifelong fan.Billy's Instagram: @really_billy_brooksAbout Time:www.linktree.com/abouttimecast

Get ready to dive into the magical world of virtual production with the one and only Gary Marshall, Vice President of Virtual Production at Nant Studios. In this episode, Chris chats with Gary, a true wizard in the visual effects industry, who's been behind some of the most jaw-dropping movie moments you've ever seen. From running film reels around London as a newbie at the iconic Moving Picture Company to working on the epic Avatar and Gravity, Gary's journey is nothing short of legendary. He spills the beans on how he helped bring Hollywood's wildest dreams to life using mind-blowing tech like in-camera visual effects and LED walls that turn movie sets into living, breathing worlds. But the magic doesn't stop there. As the VP of Virtual Production at Nant Studios, Gary shares insider secrets on the next big thing in virtual production — modular, moveable LED volumes that can transform on the fly. And if you've ever wondered how these cinematic spells can save big bucks, Gary's got some surprising answers that might just change how you think about movie magic. Whether you're a film buff, a tech geek, or just someone who loves a good story, this episode is packed with excitement, innovation, and a glimpse into the future of filmmaking that you won't want to miss.

Dive into the future of virtual production with Tim Moore, CEO of Vū. Discover the trends he's seen in smaller stages, AI adoption (and looming crash), and the democratization of filmmaking in this insightful interview.

Alex and Tim Porter have the perfect skillset of a VFX power couple. Alex has a background in interior design, which she leveraged into user experience and virtual spaces. Tim, meanwhile, has worked in games and VFX, beginning as an artist but gravitating towards developing tools and scripts that make it easy to create complicated environments and characters. Together, Alex and Tim have established Mod Tech Labs, bringing together their expertise for a new generation of visual content creation. Their tools make it easy to work across platforms — from games to movies, and from LED walls to smartwatches — while maintaining high visual fidelity. Alex and Tim talk about what Mod Tech Labs is doing differently, how they're making use of cutting-edge tech such as USD and AI, and how their approach could reduce the huge costs of virtual production.  

Dive into the world of high-speed cinematography and virtual production with Steve Giralt, founder of The Garage. Learn how robotics, custom rigs, and LED walls are reinventing food and beverage commercials.

In Episode 16, hosts Steve Rosa and Joe Kayata bring you an enlightening conversation on the future of virtual production. This episode's guest is none other than Academy Award-nominated visual effects supervisor, Jacques Stroweis, who was recruited from Hollywood to lead (add)ventures innovation of in-camera visual effects. In this episode, Jacques breaks down virtual production, explaining how it combines live-action filming, LED volumes and 3D elements in real time to create breathtaking visual content. Steve shares the strategic decisions he made during the pandemic when traditional film production was halted, leading to the establishment of New England's first Virtual Production Studio. This visionary move allowed (add)ventures to continue producing vital video content safely and efficiently while pushing the boundaries of what's possible in brand storytelling. As the episode unfolds, listeners get an insider's look at the profound impact of virtual production on efficiency, cost savings and environmental sustainability.  With Jacques' decades of experience in the movie industry and his work on iconic films like "True Lies" with James Cameron, this episode is packed with valuable insights and some behind-the-scenes secrets on some of Hollywood's biggest stunts. Interested in a particular topic or want to be a guest? Contact us at brandslam@addventures.com. 

Andy Fowler's career has combined his creative eye with his incredible production skills. Beginning in London's burgeoning VFX scene with titles such as Lost in Space, 300, and The Chronicles of Narnia: Prince Caspian, Andy picked up an Emmy for his work on The Life and Death of Peter Sellers. Then he moved to LA to work on Tron: Legacy, Noah, and The Revenant, before moving to Netflix and becoming Vice President of Production Innovation, overseeing an astounding 10,000 shots per year. In this podcast, Andy reflects on his career and how it's evolved alongside the technology that makes VFX shots happen. He talks about live-action at Disney, making convincing digital humans for Scorsese's The Irishman, and how virtual production emerged from the pandemic. Andy also gives his thoughts on AI and how it's going to affect production.

In this episode of Tech Magic, Lee Kebler and Adam Davis-McGee cover a range of fascinating topics, including the use of artificial intelligence in the art industry, the impact of internet access on underprivileged communities, and the exciting advancements in brain-computer interfaces. They also delve into thought-to-speech technology and its potential implications for communication with animals. With discussions on technology, accessibility, and creativity, this podcast is sure to captivate listeners. And just in case you're wondering, Cathy is away to attend the Cannes Film Festival. She will be back next week.Come for the tech, stay for the magic!Adam Davis-McGee BioAdam Davis-McGee is a Los Angeles-based Director and Producer with extensive experience in traditional and XR media. With a background in New Media and Music Business from NYU's Tandon School of Engineering and certifications in Immersive Design and Virtual Production, Adam brings a wealth of expertise to his projects. He has led the groundbreaking Walmart Land project at Journey, produced viral content for Wired/Ars Technica, and co-created the series "In Protest: Grassroots Stories from the Frontlines" on Oculus headsets.His career highlights include spearheading the virtual studio at Journey, where he led a remote team to deliver innovative virtual experiences, most notably for Walmart Land, which attracted over 18 million visitors. At Condé Nast, Adam produced engaging video content for Wired/Ars Technica, amassing millions of views.Adam has also co-created and directed the acclaimed series "In Protest: Grassroots Stories from the Frontlines," filmed across multiple US locations and launched on Oculus headsets. His diverse portfolio includes roles as a Creative Consultant for The Prince Estate and a Creative Partner at Loupe Visual Art Streaming Platform. Adam is passionate about storytelling, emotional engagement, and fostering brand loyalty through cutting-edge digital solutions.Adam Davis-McGee on LinkedInJourney WebsiteLee Kebler BioLee has been at the forefront of blending technology and entertainment since 2003, creating advanced studios for icons like will.i.am and producing music for Britney Spears and Big & Rich. Pioneering in VR since 2016, he has managed enterprise data at Nike, led VR broadcasting for Intel at the Japan 2020 Olympics, and driven large-scale marketing campaigns for Walmart, Levi's, and Nasdaq. A TEDx speaker on enterprise VR, Lee is currently authoring a book on generative AI and delving into splinternet theory and data privacy as new tech laws unfold across the US.Lee Kebler on LinkedInKey Discussion TopicsThe New York Times and AIExpired Federal Program and Internet AccessGovernment Subsidies for Educational ToolsBrain-Computer Interfaces and NeuralinkImplications for Communication with AnimalsEvolution of Tech Tools and Digital MourningGaming and Money LaunderingBlending Photography with AI Hosted on Acast. See acast.com/privacy for more information.

"Masters Of The Air" premiered on Apple TV+ at the beginning of the year, earning strong reviews for its storytelling, performances, and incredible craftsmanship, rightfully earning its place alongside the legendary WWII miniseries "Band of Brothers" (2001) and "The Pacific" (2010). Based on the 2007 book by Donald L. Miller, the show follows the actions of the 100th Bomb Group, a Boeing B-17 Flying Fortress heavy bomber unit in the Eighth Air Force in eastern England during World War II. Actor Callum Turner, who plays Major John "Bucky" Egan, Visual Effects Supervisor Xavier Matia Bernasconi, and Virtual Production Executive Steve Jelly were all kind enough to spend some time talking with us about their work on the show. Please be sure to check out the limited series, which is available to stream in full on Apple TV+ and is up for your consideration in all Emmy categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Allan McKay sits down with Xavier Bernasconi, VFX Supervisor at DNEG, to dive deep into the world of virtual production. They discuss Xavier's fascinating career journey, his recent work on the highly anticipated Masters of the Air, and the decision to utilize virtual production for the project. Xavier shares insights into the current state of virtual production technology, its challenges and limitations, and the exciting future potential as the tech continues to evolve. The conversation also covers the impacts of virtual production on actor performances and the shifts in collaboration it brings to VFX workflows. This is a must-listen for anyone curious about the cutting-edge of filmmaking innovation.   Table of Contents Introduction (00:00:00) Introducing Xavier Bernasconi (00:00:03) Xavier's Background and Journey (00:00:46) From Proskier to Visual Effects (00:00:46) Developing Compositing Software (00:02:05) Becoming a VFX Supervisor (00:03:40) Masters of the Air Project (00:04:17) Overview and Initial Thoughts (00:04:25) Complexity and Challenges (00:05:27) Virtual Production Decision (00:05:46) Logistical and Creative Reasons (00:06:11) Comparison to Traditional Green Screen (00:06:57) Challenges and Limitations of Virtual Production (00:09:18) Technological Advancements and Limitations (00:09:55) Limitations with Unreal Engine (00:12:03) Preparation and Pressure on Set (00:13:35) Workflow and Collaboration (00:14:09) Pressure on VFX Team (00:16:48) Current State and Future of Virtual Production (00:22:02) Infancy and Potential for Growth (00:22:09) Advantages and Limitations (00:22:36) Virtual Production and Final Pixel (00:26:59) Misconceptions and Post-Production Work (00:27:33) Developing an End-to-End Pipeline (00:28:29) Virtual Production in Episodic vs. Feature Films (00:31:48) Prevalence in Episodic Content (00:31:53) Blurring Lines Between Episodic and Feature Budgets (00:33:30) Proprietary vs. Out-of-the-Box Tools (00:34:53) Use of Unreal Engine and Cost of Setup (00:35:43) Virtual Production for Previs and Pitching (00:36:27) Quick and Cheap Iteration (00:37:10) Benefits for Certain Types of Directors (00:38:14) Collaboration in Virtual Production vs. Traditional Post (00:38:36) Real-Time Collaboration and Creativity (00:39:15) Challenges of Remote Work (00:39:21) Actor Reactions to Virtual Production (00:42:48) Immersion and Performance Benefits (00:43:31) Conclusion (00:44:41) Appreciation and Wrap-Up (00:44:41)   Memorable Quotes "I love telling stories. I felt that I was drawn more to the end of the pipeline, more to the beginning of the pipeline, so I was more drawn into lighting and compositing." Virtual production was the most logical choice for Masters of the Air due to logistical, budgetary and creative reasons. Virtual production is still in its infancy with lots of room for technological development. Extraction of foreground elements from LED screens is an important area of research. Virtual production fosters real-time collaboration and creativity compared to traditional segmented workflows. However, on-set experience and mentorship is still crucial. Actors appreciate virtual production as it helps their performances by providing interactive environments rather than pure green screen.   Xavier Bernasconi Bio Xavier Bernasconi is a VFX Supervisor at DNEG. Originally from Italy, he now lives in Canada. His recent projects include Masters of the Air, Mad Max Furiosa and Godzilla x Kong.  

Kathryn Brillhart has always been ahead of her time. As a teen, she assisted her father in shooting documentaries; then she combined her sharp eye as a cinematographer with her passion for VFX to become a virtual production and volume capture expert. Projects she's worked on include Las Vegas' ginormous MSG Sphere, pioneering virtual production short “Ripple Effect,” and the movie Black Adam. Most recently, Kathryn has helped create the stunning, desolate world of the Fallout TV series. Kathryn shares her unique perspective on the way digital technology has transformed the industry, from her early days shooting on celluloid to DV tapes, as well as the rapid evolution of virtual production technology and how it was fuelled by restrictions created by the pandemic. She also gives her thoughts on artificial intelligence and its potential to democratize the industry by making advanced tools accessible to indie filmmakers.

What is virtual production? And what is the “volume”? In this episode of ILWP's Remote Encounters is your backstage pass to the innovation of virtual production. Hosts Mike Pecci and Lance A. Williams sit down with the VP of Vu Daniel Mallek, Aaron Gordon Co-Founder and COO of Synapse Virtual Production, and CEO of CUBE Studio James Hakesley. They unpack how each of their respective companies are democratizing virtual production, its crossover into various mediums, and the surprising business connections between films, video games, and virtual production, while answering many of your burning questions about these groundbreaking tools in the industry. ----------------------------------------- ►Follow ILPW IG: @inlovewiththeprocesspod ►Mike's IG: @mikepecci ►Lance's IG: @golancego ►VU Studios: https://www.vu.network/ ►Synapse: https://www.synapsevp.com/ ►Cube Studio: https://cube.studio/ --------------------------------------- The Episode is Sponsored by ► Black Magic Design www.blackmagicdesign.com/ ► Puget Systems: puget.systems/go/ILWTP ►INDI~PRO Use the promo code ILWP15 to receive 15% off your first order on Indiprotools.com

This week we welcome back cinematographer Geoff George to chat about the future of virtual production for cinematographers. Geoff was previously on the podcast in Episode #282 where you can hear all about his more traditional work and history in cinematography. All productions want better, faster, and cheaper and going virtual certainly offers two of these options […] The post The Wandering DP Podcast: Episode #428 – Cinematographer Geoff George on Virtual Production appeared first on Cinematography Podcast & Tutorials.