Podcasts about Film noir

David Robert Mitchell zählt zu den spannendsten Regisseuren des amerikanischen Genrekinos. Mit seinem Durchbruchsfilm „It Follows“ ist ihm 2014 ein neuer Blick auf das Horrorkino gelungen, mit „Under The Silver Lake“ präsentierte er einen Film Noir im Hipster-Remix. Jetzt nähert sich Mitchell dem Monstermovie. „The End Of Oak Street“ konfrontiert eine Vorstadt-Familie auf geheimnisvolle Weise mit Dinosauriern. Produziert von JJ Abrams und mit Anne Hathaway und Ewan McGregor prominent besetzt, verbeugt sich der Film liebevoll vor dem Blockbusterkino der 1980er Jahre. Christian Fuchs und Jan Hestmann schwärmen über das Gesamtwerk von Mystery-Meister David Robert Mitchell. Sendungshinweis: FM4 Film Podcast, 17.08.2026, 0 Uhr

Of all the planets in all the galaxy, she has to crash onto mine! This week, Star Trek: Strange New Worlds takes us on a film noir-inspired adventure—but things aren't nearly as black-and-white as they seem. We'll break down the episode and give you our two cents! Also, this is your LAST CHANCE to get your hands on authentic Star Trek props! We've got all the details on the latest auction. Get ready to watch more Star Trek than ever before! We'll explain what's coming and why Trekkies are in for a serious binge. Plus, Holly Hunter teases Starfleet Academy Season 2 and gives us a glimpse at what fans can expect when the series returns. All that and more on Trekcast!News:https://trekmovie.com/2026/08/10/last-canadian-star-trek-auction-ends-tuesday-with-strange-new-worlds-and-more-memorabilia/https://treknews.net/2026/08/11/pluto-tv-launches-star-trek-pop-up-channels/https://www.tvinsider.com/1273893/star-trek-starfleet-academy-season-2-update-holly-hunter-interview/A Case of ChiaroscuroUna is mistaken for a resistance leader and drawn into a struggle against Klingon occupation.Welcome to Trekcast, the galaxy's most unpredictable Star Trek podcast! We're a fan-made show that dives into everything Star Trek, plus all things sci-fi, nerdy, and geeky—covering Star Wars, Marvel, DC Comics, Stargate, and more. But Trekcast isn't just about warp drives and superheroes. If you love dad jokes, rescuing dogs, and even saving bears, you'll fit right in! Expect fun, laughs, and passionate discussions as we explore the ever-expanding universe of fandom. Join us for a wild ride through the stars—subscribe to Trekcast today! Connect with us: trekcasttng@gmail.comLeave us a voicemail - (570) 661-0001‬Check out our merch store at Trekcast.comHelp support the show - ko-fi.com/trekcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/star-trek-podcast-trekcast--5651491/support.

Star Trek zieht den Fedora an: In „A Case of Chiaroscuro“ wird Una für eine Widerstandsführerin gehalten und gerät mitten in eine klingonische Besatzung – inszeniert als Schwarz-Weiß-Film-noir. Wir sprechen über Chiaroscuro, die ungewöhnliche Bildsprache der Episode, Klingonen und die kleine Frage, ob Strange New Worlds inzwischen heimlich versucht, jedes existierende Fernsehgenre einmal abzuhaken. Rein wissenschaftlich natürlich.

Wien ist nach dem Zweiten Weltkrieg eine geteilte Stadt. Vier Besatzungszonen der vier großen Mächte, die den Krieg gewonnen haben. Untereinander nicht eins. Die Stadt ist arm und es mangelt an Allem. Und so floriert der Schwarzmarkt. Düstere Verzweiflungsgeschäfte machen Menschen reich, die skrupellos sind, moralisch zweifelhafte Tauschgeschäfte zu betreiben. In diese Stadt kommt Holly, ein Amerikaner der von seinem besten Freund Harry ein Jobangebot bekommen hat. Bei seiner Ankunft allerdings ist Harry tot. Frisch vom Auto überfahren und wird gerade beerdigt. Aber irgendwie wirken die Todesumstände merkwürdig, und schnell denkt Holly es sei Mord gewesen. Er fühlt sich verantwortlich der Sache auf den Grund zu gehen und macht sich auf die Suche nach einem geheimnisvollen dritten Mann, den ein Portier am Unfallort gesehen haben will. Doch alle anderen Beteiligten schwören, dass es nur zwei Männer gab. Immer tiefer in den Wiener Sumpf gezogen, stellt Holly irgendwann fest, dass er nicht nur sichergehen muss, WIE Harry gestorben ist, sondern OB er wirklich tot ist. Denn wie sich herausstellt, ist Harry am Leben und der Strippenzieher eines Verbrechens das Menschenleben kostet. Soll er seinen besten Freund an die Polizei verraten? Die Verfolgungsjagd am Schluss, endet tödlich. Für Harry und für Hollys amerikanische Naivität. Plor, ist es ein schlechtes Zeichen, dass eine Beschreibung des Filmplots auch vollkommen ohne die Erwähnung der weiblichen Hauptfigur auskommt? Denn eigentlich passiert am Ende des Films etwas sehr ungewöhnliches für die End-40er.

Various topics, good stuff, we think you'll agree. Let us know. :)

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. We have two Jangles this week. Borschel-Dan explains how Boy George released a reggae-inspired track, titled “Od Nirkod” in Hebrew, "We Will Dance Again," on his social media accounts on Monday. The duo chews this over. Hoffman is still jazzed from a Phish show he had seen the previous night. He brings us a fascinating and statistically rare sound sample. The main feature this week is Billy Wilder's 1944 "Double Indemnity," which is considered by many -- including our very own movie maven -- as one of the best pieces of film noir to date. Wilder was born in 1906 in Sucha, Galicia, today's Poland, to a Jewish family. He moved as a boy to Vienna, eventually working as a journalist and screenwriter, and moved to Paris as the Nazis rose to power. By 1934, he had made his way to Hollywood and begun working on films. Last week, Hoffman dared Borschel-Dan to find the Jewish themes of this week's film. Set in 1938, "Double Indemnity" probes the banality of evil even as Wilder's own family was being massacred in Nazi Europe. Wilder won the first of his seven Oscars for the film, which stars Fred MacMurray, Barbara Stanwyck and the Jewish actor Edward Goldenberg Robinson (born Emanuel Goldenberg). Let’s hear who gave this film an “oy,” “meh” or the prized “not bad” this week on The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Ned Racine (Oscar-winner William Hurt) is a handsome, sleazy lawyer and Matty Walker (Oscar-nominee Kathleen Turner in her big screen debut) is the alluring wife of a wealthy businessman (Richard Crenna) and one steamy Florida night, they meet and begin a torrid affair.  They then conspire to murder Matty's husband as part of an insurance scam.....and a lot of a sweaty, twisty chaos ensues!  This Neo-Noir thriller was the directorial debut of Oscar-nominated writer/director Lawrence Kasdan (The Big Chill, Silverado, Grand Canyon) and even though it was only a minor hit when it was first released in the Summer of 1981, it has gone on to be one of the more influential thrillers of the modern era.  It also made both William Hurt and Kathleen Turner into instant movie stars.  Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Front Row Classics is taking a look the women of Film Noir. Brandon welcomes authors/film historians Alain Silver and James Ursini to discuss their book, "Film Noir Fatal Women" which provides a visual narrative of many of the most pivotal women of the genre. The book utilizes over 400 photographs to tell the story of the contributions of women in the storytelling of noir. "Film Noir Fatal Women" is available from Silman-James Press wherever books are sold. 

Film Noir Fatal Women Front Row Classics is taking a look the women of Film Noir. Brandon welcomes authors/film historians Alain Silver and James Ursini to discuss their book, “Film Noir Fatal Women” which provides a visual narrative of many of the most pivotal women of the genre. The book utilizes over 400 photographs to … Continue reading Ep. 476- Film Noir Fatal Women with Alain Silver and James Ursini →

Play The Mighty Challenge, Thursday July 23 edition to see if you have the answer!

Faster than your Keurig, LTP is back and brewing up another rich blend of Film Noir analysis with the big reveal on Fritz Lang's 1953 classic, "The Big Heat", starring Glenn Ford and Gloria Grahame. Beginning with its origins as a popular serial by crime fiction author, William P McGivern, and the real-life case that inspired the film, Josh goes deep cover into the life of the enigmatic Lang himself, his influence on the genre and on the film's production. What's with all the coffee talk? Check out the episode and see for yourself!PlotSummary@11:00; Context&Production@34:00; Review@1:29:30

This week we invited author and all around awesome person Maggie Tokuda-Hall to bask in the glory of July-brary with the film noir classic The Third Man (1949) starring Orson Welles as Man Who Doesn't Show Up In Movie Til Halfway Through. Tune in next when July-brary continues with... Zodiac. ----- FlemGems ETSY Store! Get Maggie Tokuda-Hall's new book Bathtime For Snow Monkeys Also get another one of Maggie's new books What Do People Do At The Science Museum? Get involved with Authors Against Book Bans! Jordan is going to be at San Diego Comic Con July 24th and 25th. On July 19th Jordan will be signing books at Comic Quest in Lake Forrest California between 12-5pm. Jordan and Maggie will be at Cape and Cowl Con, Sunday August 30th at Faction Brewing in Oakland. Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfreewithads

Recording got delayed so the June MOTM is here for you the first week of July. And even though we just did a MOTM in the Film Noir genre, the community chose a film this month that straddles the line between heist film and Noir, the 1956 French classic "Bob le Flambeur (The Gambler/High Roller). Howard Casner suggested the film so he ends up leading the discussion with Richard and Dave Anderson. Director Jean-Pierre Melville gets proper kudos for this stylish looking slow burn which turns the heist film on it's head. A quick show with lots of spoilers.

Science Fairs, Sports idiots, Women's sports, Door Dash Diaries, Film Noir, Dry Drowning, Homoerotica, Taxi, Sage's prom. raycon.com/tesd factormeals.com/tesd50off ridge.com/TESD bluechew.com Promo code TESD https://public.liveread.io/media-kit/tesd

A classic and an absolute must for cineasts is the British production “The Third Man” (1949). It is one of the most influential movies of post-war film noir. With its exraordinary camera work, memorable zither music and a captivating plot, “The Third Man” is still considered the best film of all time. - Ein Klassiker und absolutes Muss für Cineasten und solche, die es noch werden möchten, ist die britische Produktion "The Third Man" (Der Dritte Mann) aus dem Jahr 1949. Kaum ein anderer Film war so prägend für das Genre des Film Noir der Nachkriegszeit. Mit seiner besonderen Kameraführung, einprägenden Zithermusik und einem fesselnden Plot gilt "Der Dritte Mann" auch heute noch als bester Film aller Zeiten. Und auch die Stadt Wien spielt mit ihren Kriegswunden eine Hauptrolle.

Even the classics can do with a fresh look once in a while....On this very special episode we're diving into what just might be the hottest new show of the season and it's gorgeous visual stylings.  It's time for 'Spider-Noir'.Ben Reilly (Nicolas Cage), a seasoned, down-on-his-luck private investigator in 1930s New York, is forced to grapple with his past life, following a deeply personal tragedy, as the city's one and only superhero.Like a shot of adrenaline into a familiar franchise, 'Spider-Noir" couldn't have come at a better time and comes with some unique visual trappings that make it stand out from the rest.  This show was shot so that it would like amazing not only color, but in Black and White as well....and contrary to popular belief there's more to it then flipping a switch or pressing a button.That's where cinematographers Darran Tiernan and Peter Deming come in.  Both men were kind enough to sit down with me to talk about the in's and out's of shooting a show that is very much a love letter to the classics Film Noir's that looked amazing in both Color and B&W.  We talked about all that and so very much more.'Spider-Noir' is available on Prime Video now.

Jem looks into the world of Spider-Noir and the history of Film Noir.Support this show http://supporter.acast.com/condensed-histories. Hosted on Acast. See acast.com/privacy for more information.

Reposted from Still Slaying: A Buffy-verse podcast which you can find at Still Slaying: a Buffy-verse podcast | Podcastica. Fun, in-depth talk about great TV. “Yep. It's not that vampires don't photograph, it's just that they don't photograph *well*.” Penny, Becky and Kara enjoy a trip to 1952 to experience some grade A paranoia in an overtly political episode with a film noir flashback. The conversation ranges from HUAC to iMac laptops and tangents include transparent Y2K tech, inflatable furniture, retro fashion trends, shame, Community, Film Noir tropes, femmes fatale, earworms, New Kids on the Block, Trapper Keepers, What We Do in the Shadows, and friendship. Next time we'll tackle BTVS Season 5, Episode 2, “Real Me.” Keep Slaying! News Links/Referenced Links Original Trailer/WB Promo: Angel “Are You Now or Have You Ever Been” Original Promo Hollywood blacklist | History, Effect on Society, & Facts | Britannica The Pope Has Black Roots, but Here's 15 More 'White Passing' Celebs What's On Tonight Podcast —---------------------------------------- Viewing Order Angel 2.2: Are You Now or Have You Ever Been Buffy 5.2: Real Me Angel 2.3: First Impressions Buffy 5.3: The Replacement Angel 2.4: Untouched Buffy 5.4: Out of My Mind Angel 2.5: Dear Boy Buffy 5.5: No Place Like Home Angel 2.6: Guise Will Be Guise Buffy 5.6: Family Angel 2.7: Darla* Buffy 5.7: Fool for Love* Angel 2.8: The Shroud of Rahmon Buffy 5.8: Shadow Angel 2.9: The Trial Buffy 5.9: Listening to Fear Angel 2.10: Reunion Buffy 5.10: Into the Woods Angel 2.11: Redefinition Buffy 5.11: Triangle Angel 2.12: Blood Money Buffy 5.12: Checkpoint Angel 2.13: Happy Anniversary Buffy 5.13: Blood Ties Angel 2.14: The Thin Dead Line Angel 2.15: Reprise Angel 2.16: Epiphany Buffy 5.14: Crush Angel 2.17: Disharmony Buffy 5.15: I Was Made to Love You Buffy 5.16: The Body Buffy 5.17: Forever Angel 2.18: Dead End Buffy 5.18: Intervention Angel 2.19: Belonging Buffy 5.19: Tough Love Buffy 5.20: Spiral Buffy 5.21: The Weight of the World Buffy 5.22: The Gift Angel 2.20: Over the Rainbow Angel 2.21: Through the Looking Glass Angel 2.22: There's No Place Like Plrtz Glrb Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #buffythevampireslayer #stillslaying #podcastica #angel #slaythepatriarchy  #christiankane #davidboreanaz #charismacarpenter #alexisdenisof  #jaugustrichards #juliebenz Anthony Head's ‘Buffy The Vampire Slayer' Co-Stars Pay Tribute To Rupert Giles Actor: Sarah Michelle Gellar, David Boreanaz, Charisma Carpenter & More Learn more about your ad choices. Visit megaphone.fm/adchoices

Sweet Smell of Success (1957) is one of the most visually ruthless films Hollywood ever made — and one that doesn't show up in the conversation as often as it should. We dig into James Wong Howe's New York City cinematography, the Burt Lancaster and Tony Curtis dynamic, and what the Library of Congress saw in it when they added it to the National Film Registry.   Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter.  

Another guest host brings the heat to the Lambcast this week, as Matthew Simpson leads noir aficionado Howard Casner, and Physical Media Maven Dave Anderson, through a discussion of a lesser known entry in the genre.  "The Big Combo" has gained a reputation as time goes on, and the guests this week explain why. It may not be the star of the film that draws them in, but the antagonists, from top to bottom are all up to speed. Watch out for the spoiler wall because the plot is full of twists and characters who may also be twisted. 

[Part Two of Two]  Read this with a Film Noir voice in your head (Think Maltese Falcon or China Town)

Coucou everyone!Once there was a time, in post war Europe, where cinema and Jazz converged. A time where the likes of Miles Davis and others were composing the soundtracks in some of Europe's most experimental and famous films of Film Noir and Nouvelle Vague (among other genres). We then talk discuss how the Monte Carlo casino was able to keep Monaco afloat from the pockets of unlucky patrons. Can you dig it???Main topic sources: The New Wave JazzNational Humanities Center - Jazz and the African AmericanLiterary TraditionVerite News: New Orleans jazz: ‘visibility to the invisible, a voice to those silenced, respect to the disrespected'Mini topic sources:⁠The Monte Carlo Casino: From empty tables to a magnet for millionaires - The History Press Company That Saved Monaco: History of Société des Bains de Mer The man who broke the bank at Monte Carlo - Charles Coborn Kate's recommendation: Elevator to the Gallows film score by Miles DavisCatherine's recommendation: Monos luggageDon't forget to follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :)Cover art and logo by Kate WalkerMixed and edited by Catherine RoehreTheme song by LumehillThank you all - ciao!

This episode takes a ride down one of film noir's darkest highways with Detour (1945), directed by Edgar G. Ulmer. Often hailed as the ultimate “poverty row” noir, this lean, haunting thriller follows down-on-his-luck pianist Al Roberts as a cross-country trip to reunite with his girlfriend spirals into deception, blackmail, and fatal consequences._____________________________________________________________Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid. Intro Music by:⁠⁠https://soundcloud.com/ajax-blak⁠

Chris and Perry celebrate 100 episodes of We're Watching Here by discussing the film criticism that has impacted them.    Show notes:  "David and Goliath" by Pauline Kael  Aliens review by Roger Ebert  "Formerly Dangerous" newsletter by Drew McWeeny  "Note on Film Noir" by Paul Schrader Jeffrey Overstreet's "All Thumbs Reviews" (To the Wonder, Iron Man 3, Before Midnight, Her)  The Lone Ranger review by John Serba  The New Biographical Dictionary of Film by David Thompson    

Following the defeat, the narrative takes on a "film noir" quality as the lovers return to Alexandria. Antony fell into deep melancholy, while Cleopatra focused on the survival of her dynasty, even contemplating exile in India. Octavian used the interim to consolidate power and negotiate with Antony's former allies. A treacherous three-way negotiation began, with both Antony and Cleopatra secretly dealing with Octavian while lying to each other. When Octavian finally invaded Egypt in 30 BC, Antony's remaining forces deserted him. Driven by a false report of Cleopatra's suicide, Antony attempted to kill himself and died in her arms on August 1. Cleopatra eventually committed suicide—likely via a cobra bite—to avoid being paraded in a Roman triumph. Octavian immediately secured the Egyptian treasury and ordered the execution of Caesarion, the 16-year-old heir, to eliminate any rival claims to Caesar's legacy. (7/8)CICERO AND FULVIA

El cine nos enseñó a distinguir héroes y villanos con facilidad, pero de pronto esa frontera se volvió borrosa. En este capítulo recorremos el nacimiento del anti-héroe, desde el cine negro hasta las series actuales. Motivos egoístas, ambigüedad moral y puntos de vista que lo cambian todo. Porque en el cine —y fuera de él— no siempre gana el bueno.

Film Noir in all its glory.

To commemorate the release of Michael, Nick and Bella explore some of the short films (yes, short films... not music videos) from the King of Pop. Jackson helped define this art form and brought the medium to a prominence that no other artist had approached. *Click on the titles of the films to watch them on YouTube*- We start with what is widely considered to be the greatest music video of all time, the horror-inspired Thriller, directed by John Landis. - Legendary filmmaker Martin Scorsese directs MJ and Wesley Snipes in the eighteen-minute, street-inspired Bad. - Finally, Technicolor dance pictures, gangster movies, and Film Noir all inspire some of the most unforgettable choreography Michael Jackson ever performed (which is saying a lot) in Smooth Criminal. - Additionally, in Sonja's Movie Minute, you'll hear about her experience and thoughts after attending the LA Premiere of Michael. Let us know what you think of these short films. What is your favorite MJ film or music video?❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

The Police Unit on Noir Mondial finds itself sifting through the history and pain therein of a notorious killer through the eyes acclaimed director Bong Joon-Ho as Rashmi & Zach unpack his 2003 crime masterpiece, MEMORIES OF MURDER. Tune in tomorrow to hear us examine the ways Director Bong manages to utilize Film Noir tropes and expand upon them to create this true crime classic.

Matt and Eric drain all the color from their faces, diving into the first of two Steven Spielberg/TomCruise collabs, MINORITY REPORT - a future noir about the dangers of arresting people for nothing. So, you know, not relevant in 2026 at all. 

for the full episode join the Patreon [patreon.com/fashiongrunge] This is one of those films that hits you like a ton of 'bricks' (ha). When I first saw the trailer on a "Focus Features" DVD I knew this was one that I had to see. In Rian Johnson's directorial debut, this modern film noir weaves quite a knot that slowly unties throughout the course of the story. Joseph Gordon-Levitt carries every scene which reminded me of his other indie films in the early 00s that I loved so much. I get into why this story and visual style reminds me of Donnie Darko, how Focus Features was equivalent to A24 back in the day, the minimal normie yet important fashion, and try to work out the illogical parts of what the hell was actually going on. "Throw one at me if you want, hash head. I've got all five senses and I slept last night, that puts me six up on the lot of you." --- Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon!  Host: Lauren @lauren_melanie Follow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack: The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

This week on the Talk Without Rhythm Podcast I'm fulfilling a Patreon Pick from TWoRP Elite Patron Alan R. with a Film Noir double-feature of 1946's The Dark Corner and 1947's Ride the Pink Horse. [00:00] INTRO [01:28] Chin Stroker VS Punter Promo [02:35] RANDOM CONVERSATION [07:09] The Dark Corner (1946) [30:54] Ride the Pink Horse (1947) [56:12] FEEDBACK [59:30] ENDING MUSIC: Pink Pony Club by GWAR Watch The Dark Corner (1946) Buy Ride the Pink Horse (1947) Support TWoRP Contact Us talkwithoutrhythm@gmail.com 

In honor of that time I went on an Easter Egg Hunt as a toddler in 1984 and had no luck, I'm giving everyone this Easter egg of an episode a day early. Hope you and yours have a safe, happy, healthy, and lovely weekend full of good movies and great memories.This week, I'm honored to bring back one of my oldest Film Twitter buddies, the great Brian Saur, who I've known and collaborated with on various projects for over sixteen years, from the blog Rupert Pupkin Speaks to DVD Netflix to pods. Gifting us with an inventive trio of forgotten film noir titles he discovered on his incredible Pure Cinema and Just the Discs podcasts, in this entertaining discussion, we cover THE POWER OF THE WHISTLER (1945), ROAD HOUSE (1948), and SHAKEDOWN (1950), and other unsung B-movie goodies you'll treasure as a cinephile.Bio: Brian Saur is the co-host of the Pure Cinema Podcast, a long-running film podcast he hosts alongside Elric Kane. As the official podcast of the New Beverly Cinema, the show has spent the past nine years exploring cult and classic films, with a particular emphasis on uncovering hidden, off-the-beaten-path gems. Over the years, it has featured high-profile guests such as Quentin Tarantino, Sean Baker, Rian Johnson, Edgar Wright, Patton Oswalt, Larry Karaszewski, and Dan Waters. At its core, the podcast aims to recreate the experience of walking into a video store and getting personalized movie recommendations from the knowledgeable staff behind the counter. ‍ Listen to Pure Cinema anywhere you get podcasts.Originally Posted on Patreon (4/4/26) here: https://www.patreon.com/posts/154778751Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi & PayPalTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

durée : 00:59:21 - Mauvais genres - par : François Angelier - Le festival Reims Polar met à l'honneur le cinéma corse. Les réalisateurs Frédéric Farrucci et Thierry de Peretti explorent la manière dont leur île est représentée à l'écran, entre réel, imaginaire collectif et codes du film noir. - réalisation : Laurent Paulré - invités : Frédéric Farrucci cinéaste; Thierry de Peretti Comédien, metteur en scène et réalisateur

After two rounds entirely dominated by top seeds, could the first upset of ’40s Madness be brewing between Bicycle Thieves and Brief Encounter? Plus — thanks to the Filmspotting Bump™ — does The Best Years of Our Lives have what it takes to go toe‑to‑toe with It’s a Wonderful Life? Adam and Josh dig into the Sweet 16. This episode is presented by Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:03:30) Round 2 Results (00:03:31-00:33:55) Sweet 16 Matchups (00:33:56-00:40:43) Bracket Challenge (00:40:44-00:45:15) Credits / New Releases (01:13:01-01:18:01) Links:-Filmspotting Madness https://www.filmspotting.net/madness/ Feedback:-Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support:-Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

March is Women's History month, and all the movies we cover this month will be directed by women! To kick things off, we're leaning into the “history” part, and going back to 1953 to cover the most popular film from a truly pioneering director (and prolific actor), the one and only Ida Lupino. It's The Bigamist, with our special guest, a journalist covering culture and history, Hadley Hall Meares! What's Good Alonso - Stephen Rebello's new book Hitchcockian Thrillers Drea - Canada Dry Strawberry Fruit Splash Ginger Ale Zero Sugar Hadley - Jane Fonda's My Life So Far (for Vanity Fair's Old Hollywood Book Club) Kevin -  Brand new cast iron skillet ITIDIC Lost Melies Film Found in the Library of Congress Alan Cumming, Bowen Yang, Lena Waithe, Adam Goldman Head New LGBTQ Film Initiative SAG's Renamed ‘Actor Awards' Air Live on Netflix Movie Quiz Letterboxd List: “The [Blank}ist” Staff Picks Drea - André is an Idiot Alonso - Micki & Maude Hadley - My Favorite Wife Kevin - Bottoms Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Culture Friday on online narratives and misplaced conviction, analysis of film noir, Wordplay on reshaped language, and the PCA's new leadership. Plus, the Friday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from His Words Abiding in You, a Podcast where listeners memorize Bible verses in each episode. His Words Abiding in You, on all podcast apps.From Ridge Haven Camp in North Carolina and Iowa. Summer Camp registration open now at ridgehaven.orgAnd from Ambassadors Impact Network, a nationwide community of angel investors who work together to evaluate and fund companies advancing the gospel through business. Members share diligence, learn from peers with private equity and entrepreneurial backgrounds, and invest individually in opportunities they select. Since 2018, members have deployed over $26 million into more than 60 companies. Learn more at ambassadorsimpact.com