Podcasts about Johann Gottfried Herder

Johann Gottfried Herder the bar room bruiser, always spoiling for a fight. Find the text: https://press.princeton.edu/books/hardcover/9780691135359/shakespeare • Explore our Patreon at ⁠⁠patreon.com/wheelofgenre⁠⁠ • Email us at genrepodcast@gmail.com

J. Brahms (1833 – 1897) Liebeslieder Walzer, Op. 521. Rede, Mädchen SATB 2. Am Gesteine rauscht die Flut SATB 3. O die Frauen TB 4. Wie des Abends schöne Röte SA 5. Die grüne Hopfenranke SATB 6. Ein kleiner, hübscher Vogel SATB 7. Wohl schön bewandt war es S (A) 8. Wenn so lind dein Auge mir SATB 9. Am Donaustrande SATB 10. O wie sanft die Quelle SATB 11. Nein, es ist nicht auszukommen SATB 12. Schlosser auf, und mache Schlösser SATB 13. Vögelein durchrauscht die Luft SA 14. Sieh, wie ist die Welle klar TB 15. Nachtigall, sie singt so schön SATB 16. Ein dunkeler Schacht ist Liebe  SATB 17. Nicht wandle, mein Licht T18. Es bebet das Gesträuche SATB  ************Neue Liebeslieder, Op. 65 (1869-74) 1: Verzicht, o Herz, auf Rettung 2: Finstere Schatten der Nacht 3: An jeder Hand der Finger 4: Ihr schwarzen Augen5: Wahre, wahre deinen Sohn 6: Rosen steckt mir an die Mutter 7: Vom Gebirge Well' auf Well' 8: Weiche Gräser im Revier 9: Nagen am Herzen 10: Ich kose süß mit der und der 11: Alles, alles in den Wind 12: Schwarzer Wald, dein Schatten ist so düster! 13: Nein, Geliebter, setze dich 14: Flammenauge, dunkles Haar15: Zum Schluß: Nun, ihr Musen, genug!***************** Quattro Gesänge per coro femminile, corni e arpa, op. 171. Es tönt ein voller Harfenklang Poco Adagio, con molto espressione (C major) - Friedrich Ruperti (1805–1867)  2. Lied von Shakespeare Andante (E-flat major) (4:00)August Wilhelm Schlegel (1767–1845), after William Shakespeare (1564-1616) 3. Der Gärtner Allegretto (E-flat major) (5:35)Joseph von Eichendorff (1788–1857) 4. Gesang aus Fingal Andante (C minor) (8:30)Johann Gottfried Herder (1744-1803), after James Macpherson (1736–1796) as Ossian ***************Gesänge (3) per coro misto a sei voci, op. 421. Abendständchen. Langsam (G major)Clemens Brentano (1778–1842) 2. Vineta. Con moto (B major)Wilhelm Müller (1794–1827) (2:04) 3. Darthulas Grabesgesang. Moderato, ma non troppo (G minor)James Macpherson (1736–1796) as Ossian (4:41)

Gelesen von Werner Seuken --- Send in a voice message: https://podcasters.spotify.com/pod/show/werner-seuken/message

Ein Traum, ein Traum ist unser Leben - von Johann Gottfried Herder

Menschenbestimmung - von Johann Gottfried Herder

X Factor Winner Reveals World's Satanic Secret Religion Members Include Celebrities and Politicians PART 2https://www.buymeacoffee.com/Podcastson freemasonry. X Factor Winner Reveals World's Secret Religion and Freemasons by Altiyan Childs Freemasons are terrified of the population finding them out. They use brainwashing with the help of their puppets; Hollywood actors, politicians, musicians and the like, to push their agenda.free masons are slaves. Slaves to their sins. It is well known they partake in many abominable acts in relation to their occultic activity.Where I live the city is well known to be full of these rodents. Their entire lives are a lie and they justify it by being hidden.They make an oath and feel committed and end up wasting their lives and go to hell at the end.Matthew 6:24 No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.They serve status, money, pleasure, all of the world. They will trade their soul for any of this. Their goal is power, yet the irony is they are weakness incarnate.You could take every male mason on earth and in their hidden fashion castrate them. They could live the rest of their lives like this and no one would notice the difference, they would still be the same ball-less lying cowards that they currently are.#revelation #xfactor #christ #truth #music #religion #hollywood #satan #entertainment #secret #newage #celebrity #revelation #repent #grace ##media #cult #world #hell #eschatology #truth #mystery #sacred #hollywood #luciferian #babylonThe Illuminati[1] (plural of Latin illuminatus, 'enlightened') is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776 in Bavaria, today part of Germany. The society's goals were to oppose superstition, obscurantism, religious influence over public life, and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[2] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict by Charles Theodore, Elector of Bavaria, with the encouragement of the Catholic Church, in 1784, 1785, 1787, and 1790.[3] During subsequent years, the group was generally vilified by conservative and religious critics who claimed that the Illuminati continued underground and were responsible for the French Revolution.Many influential intellectuals and progressive politicians counted themselves as members, including Ferdinand of Brunswick and the diplomat Franz Xaver von Zach, who was the Order's second-in-command.[4] It attracted literary men such as Johann Wolfgang von Goethe and Johann Gottfried Herder and the reigning Duke of Gotha and of Weimar.[5]In subsequent use, "Illuminati" has been used when referring to various organisations which are alleged to be a continuation of the original Bavarian Illuminati (though these links have been unsubstantiated). These organisations have often been accused of conspiring to control world affairs, by masterminding events and planting agents in government and corporations, in order to gain political power and influence and to establish a New World Order. Central to some of the more widely known and elaborate conspiracy theories, the Illuminati are depicted as lurking in the shadows and pulling the strings and levers of power. This view of the Illuminati has found its way into popular culture, appearing in dozens of novels, films, television shows, comics, video games, and music videos.Satanism is a modern, largely non-theistic religion based on literary, artistic and philosophical interpretations of the central figure of evil. It wasn't until the 1960s that an official Satanic church was formed by Anton LaVey.Prior to the 20th Century, Satanism did not exist as a real organized religion but was commonly claimed as real by Christian churches. These claims surfaced particularly when persecuting other religious groups during events like the Inquisition, various witch hysterias in Europe and Colonial America and the Satanic Panic of the 1980s.Who is Satan?The popular image of Satan is a horned, red, demonic human figure with a pointy tail and sometimes hooves. To Christians, sinners are sent to his domain—hell—after death. Hell is described as an underground world dominated by fire and Sadistic demons under Satan's command.Satan's first appearance wasn't in Christianity. He began as the Zoroastrian Devil figure of Angra Mainyu or Ahriman, which opposed the Zoroastrian creator god and tempted humans. Satan is later portrayed in Jewish Kabbalism, which presents him as a demon who lives in a demonic realm.The name “Satan” first appeared in the Book of Numbers in the Bible, used as a term describing defiance. The character of Satan is featured in the Book of Job as an accusing angel. In the apocryphal Book of Enoch, written in the first century B.C., Satan is a member of the Watchers, a group of fallen angels.Later established as a nemesis of Jesus Christ in the New Testament, the final book of the Bible, Revelations, depicts him as the ultimate evil. It's the Christian figure of Satan that Satanism directly references.Satan as Anti-HeroIn his 14th-century poem “Inferno,” Dante captured centuries of Christian belief by portraying Satan as an evil monster. But the Romantics of the 17th century recast him as an admirable and magnetic rebel, an anti-hero defying God's authoritarianism. John Milton's epic 1667 poem “Paradise Lost” is the pivotal text for establishing this interpretation in creative works. William Godwin's 1793 treatise “An Enquiry Concerning Political Justice” later gave Milton's depiction political legitimacy.The most enduring Satanic symbol was created by occult author Éliphas Lévi. Lévi describes him as the horned goat deity Baphomet, in his 1854 book Dogme et Rituel, which linked Baphomet with Satan.Probably a French misinterpretation of “Muhammed,” Baphomet was the deity the Knights Templar were accused of worshipping in trials in the 14th century.

X Factor Winner Reveals World's Satanic Secret Religion Members Include Celebrities and Politicians PART 2https://www.buymeacoffee.com/Podcastson freemasonry. X Factor Winner Reveals World's Secret Religion and Freemasons by Altiyan Childs Freemasons are terrified of the population finding them out. They use brainwashing with the help of their puppets; Hollywood actors, politicians, musicians and the like, to push their agenda.free masons are slaves. Slaves to their sins. It is well known they partake in many abominable acts in relation to their occultic activity.Where I live the city is well known to be full of these rodents. Their entire lives are a lie and they justify it by being hidden.They make an oath and feel committed and end up wasting their lives and go to hell at the end.Matthew 6:24 No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.They serve status, money, pleasure, all of the world. They will trade their soul for any of this. Their goal is power, yet the irony is they are weakness incarnate.You could take every male mason on earth and in their hidden fashion castrate them. They could live the rest of their lives like this and no one would notice the difference, they would still be the same ball-less lying cowards that they currently are.#revelation #xfactor #christ #truth #music #religion #hollywood #satan #entertainment #secret #newage #celebrity #revelation #repent #grace ##media #cult #world #hell #eschatology #truth #mystery #sacred #hollywood #luciferian #babylonThe Illuminati[1] (plural of Latin illuminatus, 'enlightened') is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776 in Bavaria, today part of Germany. The society's goals were to oppose superstition, obscurantism, religious influence over public life, and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[2] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict by Charles Theodore, Elector of Bavaria, with the encouragement of the Catholic Church, in 1784, 1785, 1787, and 1790.[3] During subsequent years, the group was generally vilified by conservative and religious critics who claimed that the Illuminati continued underground and were responsible for the French Revolution.Many influential intellectuals and progressive politicians counted themselves as members, including Ferdinand of Brunswick and the diplomat Franz Xaver von Zach, who was the Order's second-in-command.[4] It attracted literary men such as Johann Wolfgang von Goethe and Johann Gottfried Herder and the reigning Duke of Gotha and of Weimar.[5]In subsequent use, "Illuminati" has been used when referring to various organisations which are alleged to be a continuation of the original Bavarian Illuminati (though these links have been unsubstantiated). These organisations have often been accused of conspiring to control world affairs, by masterminding events and planting agents in government and corporations, in order to gain political power and influence and to establish a New World Order. Central to some of the more widely known and elaborate conspiracy theories, the Illuminati are depicted as lurking in the shadows and pulling the strings and levers of power. This view of the Illuminati has found its way into popular culture, appearing in dozens of novels, films, television shows, comics, video games, and music videos.Satanism is a modern, largely non-theistic religion based on literary, artistic and philosophical interpretations of the central figure of evil. It wasn't until the 1960s that an official Satanic church was formed by Anton LaVey.Prior to the 20th Century, Satanism did not exist as a real organized religion but was commonly claimed as real by Christian churches. These claims surfaced particularly when persecuting other religious groups during events like the Inquisition, various witch hysterias in Europe and Colonial America and the Satanic Panic of the 1980s.Who is Satan?The popular image of Satan is a horned, red, demonic human figure with a pointy tail and sometimes hooves. To Christians, sinners are sent to his domain—hell—after death. Hell is described as an underground world dominated by fire and Sadistic demons under Satan's command.Satan's first appearance wasn't in Christianity. He began as the Zoroastrian Devil figure of Angra Mainyu or Ahriman, which opposed the Zoroastrian creator god and tempted humans. Satan is later portrayed in Jewish Kabbalism, which presents him as a demon who lives in a demonic realm.The name “Satan” first appeared in the Book of Numbers in the Bible, used as a term describing defiance. The character of Satan is featured in the Book of Job as an accusing angel. In the apocryphal Book of Enoch, written in the first century B.C., Satan is a member of the Watchers, a group of fallen angels.Later established as a nemesis of Jesus Christ in the New Testament, the final book of the Bible, Revelations, depicts him as the ultimate evil. It's the Christian figure of Satan that Satanism directly references.Satan as Anti-HeroIn his 14th-century poem “Inferno,” Dante captured centuries of Christian belief by portraying Satan as an evil monster. But the Romantics of the 17th century recast him as an admirable and magnetic rebel, an anti-hero defying God's authoritarianism. John Milton's epic 1667 poem “Paradise Lost” is the pivotal text for establishing this interpretation in creative works. William Godwin's 1793 treatise “An Enquiry Concerning Political Justice” later gave Milton's depiction political legitimacy.The most enduring Satanic symbol was created by occult author Éliphas Lévi. Lévi describes him as the horned goat deity Baphomet, in his 1854 book Dogme et Rituel, which linked Baphomet with Satan.Probably a French misinterpretation of “Muhammed,” Baphomet was the deity the Knights Templar were accused of worshipping in trials in the 14th century.

X Factor Winner Reveals World's Satanic Secret Religion Members Include Celebrities and Politicians PART 1https://www.buymeacoffee.com/Podcastson freemasonry. X Factor Winner Reveals World's Secret Religion and Freemasons by Altiyan Childs Freemasons are terrified of the population finding them out. They use brainwashing with the help of their puppets; Hollywood actors, politicians, musicians and the like, to push their agenda.free masons are slaves. Slaves to their sins. It is well known they partake in many abominable acts in relation to their occultic activity.Where I live the city is well known to be full of these rodents. Their entire lives are a lie and they justify it by being hidden.They make an oath and feel committed and end up wasting their lives and go to hell at the end.Matthew 6:24 No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.They serve status, money, pleasure, all of the world. They will trade their soul for any of this. Their goal is power, yet the irony is they are weakness incarnate.You could take every male mason on earth and in their hidden fashion castrate them. They could live the rest of their lives like this and no one would notice the difference, they would still be the same ball-less lying cowards that they currently are.#revelation #xfactor #christ #truth #music #religion #hollywood #satan #entertainment #secret #newage #celebrity #revelation #repent #grace ##media #cult #world #hell #eschatology #truth #mystery #sacred #hollywood #luciferian #babylonThe Illuminati[1] (plural of Latin illuminatus, 'enlightened') is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776 in Bavaria, today part of Germany. The society's goals were to oppose superstition, obscurantism, religious influence over public life, and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[2] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict by Charles Theodore, Elector of Bavaria, with the encouragement of the Catholic Church, in 1784, 1785, 1787, and 1790.[3] During subsequent years, the group was generally vilified by conservative and religious critics who claimed that the Illuminati continued underground and were responsible for the French Revolution.Many influential intellectuals and progressive politicians counted themselves as members, including Ferdinand of Brunswick and the diplomat Franz Xaver von Zach, who was the Order's second-in-command.[4] It attracted literary men such as Johann Wolfgang von Goethe and Johann Gottfried Herder and the reigning Duke of Gotha and of Weimar.[5]In subsequent use, "Illuminati" has been used when referring to various organisations which are alleged to be a continuation of the original Bavarian Illuminati (though these links have been unsubstantiated). These organisations have often been accused of conspiring to control world affairs, by masterminding events and planting agents in government and corporations, in order to gain political power and influence and to establish a New World Order. Central to some of the more widely known and elaborate conspiracy theories, the Illuminati are depicted as lurking in the shadows and pulling the strings and levers of power. This view of the Illuminati has found its way into popular culture, appearing in dozens of novels, films, television shows, comics, video games, and music videos.Satanism is a modern, largely non-theistic religion based on literary, artistic and philosophical interpretations of the central figure of evil. It wasn't until the 1960s that an official Satanic church was formed by Anton LaVey.Prior to the 20th Century, Satanism did not exist as a real organized religion but was commonly claimed as real by Christian churches. These claims surfaced particularly when persecuting other religious groups during events like the Inquisition, various witch hysterias in Europe and Colonial America and the Satanic Panic of the 1980s.Who is Satan?The popular image of Satan is a horned, red, demonic human figure with a pointy tail and sometimes hooves. To Christians, sinners are sent to his domain—hell—after death. Hell is described as an underground world dominated by fire and Sadistic demons under Satan's command.Satan's first appearance wasn't in Christianity. He began as the Zoroastrian Devil figure of Angra Mainyu or Ahriman, which opposed the Zoroastrian creator god and tempted humans. Satan is later portrayed in Jewish Kabbalism, which presents him as a demon who lives in a demonic realm.The name “Satan” first appeared in the Book of Numbers in the Bible, used as a term describing defiance. The character of Satan is featured in the Book of Job as an accusing angel. In the apocryphal Book of Enoch, written in the first century B.C., Satan is a member of the Watchers, a group of fallen angels.Later established as a nemesis of Jesus Christ in the New Testament, the final book of the Bible, Revelations, depicts him as the ultimate evil. It's the Christian figure of Satan that Satanism directly references.Satan as Anti-HeroIn his 14th-century poem “Inferno,” Dante captured centuries of Christian belief by portraying Satan as an evil monster. But the Romantics of the 17th century recast him as an admirable and magnetic rebel, an anti-hero defying God's authoritarianism. John Milton's epic 1667 poem “Paradise Lost” is the pivotal text for establishing this interpretation in creative works. William Godwin's 1793 treatise “An Enquiry Concerning Political Justice” later gave Milton's depiction political legitimacy.The most enduring Satanic symbol was created by occult author Éliphas Lévi. Lévi describes him as the horned goat deity Baphomet, in his 1854 book Dogme et Rituel, which linked Baphomet with Satan.Probably a French misinterpretation of “Muhammed,” Baphomet was the deity the Knights Templar were accused of worshipping in trials in the 14th century.

X Factor Winner Reveals World's Satanic Secret Religion Members Include Celebrities and Politicians PART 2https://www.buymeacoffee.com/Podcastson freemasonry. X Factor Winner Reveals World's Secret Religion and Freemasons by Altiyan Childs Freemasons are terrified of the population finding them out. They use brainwashing with the help of their puppets; Hollywood actors, politicians, musicians and the like, to push their agenda.free masons are slaves. Slaves to their sins. It is well known they partake in many abominable acts in relation to their occultic activity.Where I live the city is well known to be full of these rodents. Their entire lives are a lie and they justify it by being hidden.They make an oath and feel committed and end up wasting their lives and go to hell at the end.Matthew 6:24 No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.They serve status, money, pleasure, all of the world. They will trade their soul for any of this. Their goal is power, yet the irony is they are weakness incarnate.You could take every male mason on earth and in their hidden fashion castrate them. They could live the rest of their lives like this and no one would notice the difference, they would still be the same ball-less lying cowards that they currently are.#revelation #xfactor #christ #truth #music #religion #hollywood #satan #entertainment #secret #newage #celebrity #revelation #repent #grace ##media #cult #world #hell #eschatology #truth #mystery #sacred #hollywood #luciferian #babylonThe Illuminati[1] (plural of Latin illuminatus, 'enlightened') is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776 in Bavaria, today part of Germany. The society's goals were to oppose superstition, obscurantism, religious influence over public life, and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[2] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict by Charles Theodore, Elector of Bavaria, with the encouragement of the Catholic Church, in 1784, 1785, 1787, and 1790.[3] During subsequent years, the group was generally vilified by conservative and religious critics who claimed that the Illuminati continued underground and were responsible for the French Revolution.Many influential intellectuals and progressive politicians counted themselves as members, including Ferdinand of Brunswick and the diplomat Franz Xaver von Zach, who was the Order's second-in-command.[4] It attracted literary men such as Johann Wolfgang von Goethe and Johann Gottfried Herder and the reigning Duke of Gotha and of Weimar.[5]In subsequent use, "Illuminati" has been used when referring to various organisations which are alleged to be a continuation of the original Bavarian Illuminati (though these links have been unsubstantiated). These organisations have often been accused of conspiring to control world affairs, by masterminding events and planting agents in government and corporations, in order to gain political power and influence and to establish a New World Order. Central to some of the more widely known and elaborate conspiracy theories, the Illuminati are depicted as lurking in the shadows and pulling the strings and levers of power. This view of the Illuminati has found its way into popular culture, appearing in dozens of novels, films, television shows, comics, video games, and music videos.Satanism is a modern, largely non-theistic religion based on literary, artistic and philosophical interpretations of the central figure of evil. It wasn't until the 1960s that an official Satanic church was formed by Anton LaVey.Prior to the 20th Century, Satanism did not exist as a real organized religion but was commonly claimed as real by Christian churches. These claims surfaced particularly when persecuting other religious groups during events like the Inquisition, various witch hysterias in Europe and Colonial America and the Satanic Panic of the 1980s.Who is Satan?The popular image of Satan is a horned, red, demonic human figure with a pointy tail and sometimes hooves. To Christians, sinners are sent to his domain—hell—after death. Hell is described as an underground world dominated by fire and Sadistic demons under Satan's command.Satan's first appearance wasn't in Christianity. He began as the Zoroastrian Devil figure of Angra Mainyu or Ahriman, which opposed the Zoroastrian creator god and tempted humans. Satan is later portrayed in Jewish Kabbalism, which presents him as a demon who lives in a demonic realm.The name “Satan” first appeared in the Book of Numbers in the Bible, used as a term describing defiance. The character of Satan is featured in the Book of Job as an accusing angel. In the apocryphal Book of Enoch, written in the first century B.C., Satan is a member of the Watchers, a group of fallen angels.Later established as a nemesis of Jesus Christ in the New Testament, the final book of the Bible, Revelations, depicts him as the ultimate evil. It's the Christian figure of Satan that Satanism directly references.Satan as Anti-HeroIn his 14th-century poem “Inferno,” Dante captured centuries of Christian belief by portraying Satan as an evil monster. But the Romantics of the 17th century recast him as an admirable and magnetic rebel, an anti-hero defying God's authoritarianism. John Milton's epic 1667 poem “Paradise Lost” is the pivotal text for establishing this interpretation in creative works. William Godwin's 1793 treatise “An Enquiry Concerning Political Justice” later gave Milton's depiction political legitimacy.The most enduring Satanic symbol was created by occult author Éliphas Lévi. Lévi describes him as the horned goat deity Baphomet, in his 1854 book Dogme et Rituel, which linked Baphomet with Satan.Probably a French misinterpretation of “Muhammed,” Baphomet was the deity the Knights Templar were accused of worshipping in trials in the 14th century.

X Factor Winner Reveals World's Satanic Secret Religion Members Include Celebrities and Politicians PART 1https://www.buymeacoffee.com/Podcastson freemasonry. X Factor Winner Reveals World's Secret Religion and Freemasons by Altiyan Childs Freemasons are terrified of the population finding them out. They use brainwashing with the help of their puppets; Hollywood actors, politicians, musicians and the like, to push their agenda.free masons are slaves. Slaves to their sins. It is well known they partake in many abominable acts in relation to their occultic activity.Where I live the city is well known to be full of these rodents. Their entire lives are a lie and they justify it by being hidden.They make an oath and feel committed and end up wasting their lives and go to hell at the end.Matthew 6:24 No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.They serve status, money, pleasure, all of the world. They will trade their soul for any of this. Their goal is power, yet the irony is they are weakness incarnate.You could take every male mason on earth and in their hidden fashion castrate them. They could live the rest of their lives like this and no one would notice the difference, they would still be the same ball-less lying cowards that they currently are.#revelation #xfactor #christ #truth #music #religion #hollywood #satan #entertainment #secret #newage #celebrity #revelation #repent #grace ##media #cult #world #hell #eschatology #truth #mystery #sacred #hollywood #luciferian #babylonThe Illuminati[1] (plural of Latin illuminatus, 'enlightened') is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776 in Bavaria, today part of Germany. The society's goals were to oppose superstition, obscurantism, religious influence over public life, and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[2] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict by Charles Theodore, Elector of Bavaria, with the encouragement of the Catholic Church, in 1784, 1785, 1787, and 1790.[3] During subsequent years, the group was generally vilified by conservative and religious critics who claimed that the Illuminati continued underground and were responsible for the French Revolution.Many influential intellectuals and progressive politicians counted themselves as members, including Ferdinand of Brunswick and the diplomat Franz Xaver von Zach, who was the Order's second-in-command.[4] It attracted literary men such as Johann Wolfgang von Goethe and Johann Gottfried Herder and the reigning Duke of Gotha and of Weimar.[5]In subsequent use, "Illuminati" has been used when referring to various organisations which are alleged to be a continuation of the original Bavarian Illuminati (though these links have been unsubstantiated). These organisations have often been accused of conspiring to control world affairs, by masterminding events and planting agents in government and corporations, in order to gain political power and influence and to establish a New World Order. Central to some of the more widely known and elaborate conspiracy theories, the Illuminati are depicted as lurking in the shadows and pulling the strings and levers of power. This view of the Illuminati has found its way into popular culture, appearing in dozens of novels, films, television shows, comics, video games, and music videos.Satanism is a modern, largely non-theistic religion based on literary, artistic and philosophical interpretations of the central figure of evil. It wasn't until the 1960s that an official Satanic church was formed by Anton LaVey.Prior to the 20th Century, Satanism did not exist as a real organized religion but was commonly claimed as real by Christian churches. These claims surfaced particularly when persecuting other religious groups during events like the Inquisition, various witch hysterias in Europe and Colonial America and the Satanic Panic of the 1980s.Who is Satan?The popular image of Satan is a horned, red, demonic human figure with a pointy tail and sometimes hooves. To Christians, sinners are sent to his domain—hell—after death. Hell is described as an underground world dominated by fire and Sadistic demons under Satan's command.Satan's first appearance wasn't in Christianity. He began as the Zoroastrian Devil figure of Angra Mainyu or Ahriman, which opposed the Zoroastrian creator god and tempted humans. Satan is later portrayed in Jewish Kabbalism, which presents him as a demon who lives in a demonic realm.The name “Satan” first appeared in the Book of Numbers in the Bible, used as a term describing defiance. The character of Satan is featured in the Book of Job as an accusing angel. In the apocryphal Book of Enoch, written in the first century B.C., Satan is a member of the Watchers, a group of fallen angels.Later established as a nemesis of Jesus Christ in the New Testament, the final book of the Bible, Revelations, depicts him as the ultimate evil. It's the Christian figure of Satan that Satanism directly references.Satan as Anti-HeroIn his 14th-century poem “Inferno,” Dante captured centuries of Christian belief by portraying Satan as an evil monster. But the Romantics of the 17th century recast him as an admirable and magnetic rebel, an anti-hero defying God's authoritarianism. John Milton's epic 1667 poem “Paradise Lost” is the pivotal text for establishing this interpretation in creative works. William Godwin's 1793 treatise “An Enquiry Concerning Political Justice” later gave Milton's depiction political legitimacy.The most enduring Satanic symbol was created by occult author Éliphas Lévi. Lévi describes him as the horned goat deity Baphomet, in his 1854 book Dogme et Rituel, which linked Baphomet with Satan.Probably a French misinterpretation of “Muhammed,” Baphomet was the deity the Knights Templar were accused of worshipping in trials in the 14th century.

X Factor Winner Reveals World's Satanic Secret Religion Members Include Celebrities and Politicians PART 1https://www.buymeacoffee.com/Podcastson freemasonry. X Factor Winner Reveals World's Secret Religion and Freemasons by Altiyan Childs Freemasons are terrified of the population finding them out. They use brainwashing with the help of their puppets; Hollywood actors, politicians, musicians and the like, to push their agenda.free masons are slaves. Slaves to their sins. It is well known they partake in many abominable acts in relation to their occultic activity.Where I live the city is well known to be full of these rodents. Their entire lives are a lie and they justify it by being hidden.They make an oath and feel committed and end up wasting their lives and go to hell at the end.Matthew 6:24 No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.They serve status, money, pleasure, all of the world. They will trade their soul for any of this. Their goal is power, yet the irony is they are weakness incarnate.You could take every male mason on earth and in their hidden fashion castrate them. They could live the rest of their lives like this and no one would notice the difference, they would still be the same ball-less lying cowards that they currently are.#revelation #xfactor #christ #truth #music #religion #hollywood #satan #entertainment #secret #newage #celebrity #revelation #repent #grace ##media #cult #world #hell #eschatology #truth #mystery #sacred #hollywood #luciferian #babylonThe Illuminati[1] (plural of Latin illuminatus, 'enlightened') is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776 in Bavaria, today part of Germany. The society's goals were to oppose superstition, obscurantism, religious influence over public life, and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[2] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict by Charles Theodore, Elector of Bavaria, with the encouragement of the Catholic Church, in 1784, 1785, 1787, and 1790.[3] During subsequent years, the group was generally vilified by conservative and religious critics who claimed that the Illuminati continued underground and were responsible for the French Revolution.Many influential intellectuals and progressive politicians counted themselves as members, including Ferdinand of Brunswick and the diplomat Franz Xaver von Zach, who was the Order's second-in-command.[4] It attracted literary men such as Johann Wolfgang von Goethe and Johann Gottfried Herder and the reigning Duke of Gotha and of Weimar.[5]In subsequent use, "Illuminati" has been used when referring to various organisations which are alleged to be a continuation of the original Bavarian Illuminati (though these links have been unsubstantiated). These organisations have often been accused of conspiring to control world affairs, by masterminding events and planting agents in government and corporations, in order to gain political power and influence and to establish a New World Order. Central to some of the more widely known and elaborate conspiracy theories, the Illuminati are depicted as lurking in the shadows and pulling the strings and levers of power. This view of the Illuminati has found its way into popular culture, appearing in dozens of novels, films, television shows, comics, video games, and music videos.Satanism is a modern, largely non-theistic religion based on literary, artistic and philosophical interpretations of the central figure of evil. It wasn't until the 1960s that an official Satanic church was formed by Anton LaVey.Prior to the 20th Century, Satanism did not exist as a real organized religion but was commonly claimed as real by Christian churches. These claims surfaced particularly when persecuting other religious groups during events like the Inquisition, various witch hysterias in Europe and Colonial America and the Satanic Panic of the 1980s.Who is Satan?The popular image of Satan is a horned, red, demonic human figure with a pointy tail and sometimes hooves. To Christians, sinners are sent to his domain—hell—after death. Hell is described as an underground world dominated by fire and Sadistic demons under Satan's command.Satan's first appearance wasn't in Christianity. He began as the Zoroastrian Devil figure of Angra Mainyu or Ahriman, which opposed the Zoroastrian creator god and tempted humans. Satan is later portrayed in Jewish Kabbalism, which presents him as a demon who lives in a demonic realm.The name “Satan” first appeared in the Book of Numbers in the Bible, used as a term describing defiance. The character of Satan is featured in the Book of Job as an accusing angel. In the apocryphal Book of Enoch, written in the first century B.C., Satan is a member of the Watchers, a group of fallen angels.Later established as a nemesis of Jesus Christ in the New Testament, the final book of the Bible, Revelations, depicts him as the ultimate evil. It's the Christian figure of Satan that Satanism directly references.Satan as Anti-HeroIn his 14th-century poem “Inferno,” Dante captured centuries of Christian belief by portraying Satan as an evil monster. But the Romantics of the 17th century recast him as an admirable and magnetic rebel, an anti-hero defying God's authoritarianism. John Milton's epic 1667 poem “Paradise Lost” is the pivotal text for establishing this interpretation in creative works. William Godwin's 1793 treatise “An Enquiry Concerning Political Justice” later gave Milton's depiction political legitimacy.The most enduring Satanic symbol was created by occult author Éliphas Lévi. Lévi describes him as the horned goat deity Baphomet, in his 1854 book Dogme et Rituel, which linked Baphomet with Satan.Probably a French misinterpretation of “Muhammed,” Baphomet was the deity the Knights Templar were accused of worshipping in trials in the 14th century.

Die 50. Folge des Podcasts Fipsi, der als erster seiner Art den Dialog zwischen Philosophie und Psychologie anstrebt. Anlässlich der Geburt von Alexanders Wendts Sohn diskutiert dieser mit Hannes Wendler über transformative Erfahrungen. In diesem Zusammenhang kommen sie unter anderem auf Winnie the Pooh, Laurie-Ann Paul, Johann Gottfried Herder und Nicolai Hartmann zu sprechen.Auf YouTube finden Sie alle Episoden von Fipsi unter https://www.youtube.com/playlist?list=PLpIT6jK3mKTiQcXbinapKRbf39mLEpKWmAuf Spotify finden Sie Fipsi unter https://open.spotify.com/show/0il832RRDoPZPaNlC7vams?si=5KbdEcF1TImSHexKYGccfw&dl_branch=1Die Website der Arbeitsgemeinschaft: https://www.phi-psy.deMelden Sie sich mit Rückmeldungen und Anmerkungen gerne unter fipsi@phi-psy.deDiskutieren Sie mit uns auf Telegram: https://t.me/FipsiPPP oder https://t.me/PhiundPsyFür das Intro bedanken wir uns bei Estella und Peter: https://www.instagram.com/elpetera

A cura di Massimiliano Samsa Programma:Brahms - Liebeslieder Walzer, Op. 521. Rede, Mädchen SATB 2. Am Gesteine rauscht die Flut SATB 3. O die Frauen TB 4. Wie des Abends schöne Röte SA 5. Die grüne Hopfenranke SATB 6. Ein kleiner, hübscher Vogel SATB 7. Wohl schön bewandt war es S (A) 8. Wenn so lind dein Auge mir SATB 9. Am Donaustrande SATB 10. O wie sanft die Quelle SATB 11. Nein, es ist nicht auszukommen SATB 12. Schlosser auf, und mache Schlösser SATB 13. Vögelein durchrauscht die Luft SA 14. Sieh, wie ist die Welle klar TB 15. Nachtigall, sie singt so schön SATB 16. Ein dunkeler Schacht ist Liebe SATB 17. Nicht wandle, mein Licht T18. Es bebet das Gesträuche SATB Brahms - Neue Liebeslieder, Op. 65 (1869-74) 1: Verzicht, o Herz, auf Rettung 2: Finstere Schatten der Nacht 3: An jeder Hand der Finger 4: Ihr schwarzen Augen5: Wahre, wahre deinen Sohn 6: Rosen steckt mir an die Mutter 7: Vom Gebirge Well' auf Well' 8: Weiche Gräser im Revier 9: Nagen am Herzen 10: Ich kose süß mit der und der 11: Alles, alles in den Wind 12: Schwarzer Wald, dein Schatten ist so düster! 13: Nein, Geliebter, setze dich 14: Flammenauge, dunkles Haar15: Zum Schluß: Nun, ihr Musen, genug!Brahms - Quattro Gesänge per coro femminile, corni e arpa, op. 171. Es tönt ein voller Harfenklang Poco Adagio, con molto espressione (C major) - Friedrich Ruperti (1805–1867) 2. Lied von Shakespeare Andante (E-flat major) (4:00)August Wilhelm Schlegel (1767–1845), after William Shakespeare (1564-1616)3. Der Gärtner Allegretto (E-flat major) (5:35)Joseph von Eichendorff (1788–1857)4. Gesang aus Fingal Andante (C minor) (8:30)Johann Gottfried Herder (1744-1803), after James Macpherson (1736–1796) as OssianBrahms - Gesänge (3) per coro misto a sei voci, op. 421. Abendständchen. Langsam (G major)Clemens Brentano (1778–1842)2. Vineta. Con moto (B major)Wilhelm Müller (1794–1827) (2:04)3. Darthulas Grabesgesang. Moderato, ma non troppo (G minor)James Macpherson (1736–1796) as Ossian (4:41)

During the long eighteenth century the moral and socio-political dimensions of family life and gender were hotly debated by intellectuals across Europe. John Millar, a Scottish law professor and philosopher, was a pioneer in making gendered and familial practice a critical parameter of cultural difference. His work was widely disseminated at home and abroad, translated into French and German and closely read by philosophers such as Denis Diderot and Johann Gottfried Herder. Taking Millar’s writings as his basis, Nicholas B. Miller explores the role of the family in Scottish Enlightenment political thought and traces its wider resonances across the Enlightenment world. John Millar’s organisation of cultural, gendered and social difference into a progressive narrative of authority relations provided the first extended world history of the family. In John Millar and the Scottish Enlightenment: Family Life and World History (Voltaire Foundation, 2017), Nicholas B. Miller examines contemporary responses and Enlightenment-era debates on polygamy, matriarchy, the Amazon legend, changes in national character and the possible futures of the family in commercial society. He traces how Enlightenment thinkers developed new standards of evidence and crafted new understandings of historical time in order to tackle the global diversity of family life and gender practice. By reconstituting these theories and discussions, Miller uncovers hitherto unexplored aspects of the Scottish contribution to European debates on the role of the family in history, society and politics. Nicholas B. Miller is Assistant Professor of History at Flagler College. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the long eighteenth century the moral and socio-political dimensions of family life and gender were hotly debated by intellectuals across Europe. John Millar, a Scottish law professor and philosopher, was a pioneer in making gendered and familial practice a critical parameter of cultural difference. His work was widely disseminated at home and abroad, translated into French and German and closely read by philosophers such as Denis Diderot and Johann Gottfried Herder. Taking Millar’s writings as his basis, Nicholas B. Miller explores the role of the family in Scottish Enlightenment political thought and traces its wider resonances across the Enlightenment world. John Millar’s organisation of cultural, gendered and social difference into a progressive narrative of authority relations provided the first extended world history of the family. In John Millar and the Scottish Enlightenment: Family Life and World History (Voltaire Foundation, 2017), Nicholas B. Miller examines contemporary responses and Enlightenment-era debates on polygamy, matriarchy, the Amazon legend, changes in national character and the possible futures of the family in commercial society. He traces how Enlightenment thinkers developed new standards of evidence and crafted new understandings of historical time in order to tackle the global diversity of family life and gender practice. By reconstituting these theories and discussions, Miller uncovers hitherto unexplored aspects of the Scottish contribution to European debates on the role of the family in history, society and politics. Nicholas B. Miller is Assistant Professor of History at Flagler College. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the long eighteenth century the moral and socio-political dimensions of family life and gender were hotly debated by intellectuals across Europe. John Millar, a Scottish law professor and philosopher, was a pioneer in making gendered and familial practice a critical parameter of cultural difference. His work was widely disseminated at home and abroad, translated into French and German and closely read by philosophers such as Denis Diderot and Johann Gottfried Herder. Taking Millar’s writings as his basis, Nicholas B. Miller explores the role of the family in Scottish Enlightenment political thought and traces its wider resonances across the Enlightenment world. John Millar’s organisation of cultural, gendered and social difference into a progressive narrative of authority relations provided the first extended world history of the family. In John Millar and the Scottish Enlightenment: Family Life and World History (Voltaire Foundation, 2017), Nicholas B. Miller examines contemporary responses and Enlightenment-era debates on polygamy, matriarchy, the Amazon legend, changes in national character and the possible futures of the family in commercial society. He traces how Enlightenment thinkers developed new standards of evidence and crafted new understandings of historical time in order to tackle the global diversity of family life and gender practice. By reconstituting these theories and discussions, Miller uncovers hitherto unexplored aspects of the Scottish contribution to European debates on the role of the family in history, society and politics. Nicholas B. Miller is Assistant Professor of History at Flagler College. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the long eighteenth century the moral and socio-political dimensions of family life and gender were hotly debated by intellectuals across Europe. John Millar, a Scottish law professor and philosopher, was a pioneer in making gendered and familial practice a critical parameter of cultural difference. His work was widely disseminated at home and abroad, translated into French and German and closely read by philosophers such as Denis Diderot and Johann Gottfried Herder. Taking Millar’s writings as his basis, Nicholas B. Miller explores the role of the family in Scottish Enlightenment political thought and traces its wider resonances across the Enlightenment world. John Millar’s organisation of cultural, gendered and social difference into a progressive narrative of authority relations provided the first extended world history of the family. In John Millar and the Scottish Enlightenment: Family Life and World History (Voltaire Foundation, 2017), Nicholas B. Miller examines contemporary responses and Enlightenment-era debates on polygamy, matriarchy, the Amazon legend, changes in national character and the possible futures of the family in commercial society. He traces how Enlightenment thinkers developed new standards of evidence and crafted new understandings of historical time in order to tackle the global diversity of family life and gender practice. By reconstituting these theories and discussions, Miller uncovers hitherto unexplored aspects of the Scottish contribution to European debates on the role of the family in history, society and politics. Nicholas B. Miller is Assistant Professor of History at Flagler College. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the long eighteenth century the moral and socio-political dimensions of family life and gender were hotly debated by intellectuals across Europe. John Millar, a Scottish law professor and philosopher, was a pioneer in making gendered and familial practice a critical parameter of cultural difference. His work was widely disseminated at home and abroad, translated into French and German and closely read by philosophers such as Denis Diderot and Johann Gottfried Herder. Taking Millar's writings as his basis, Nicholas B. Miller explores the role of the family in Scottish Enlightenment political thought and traces its wider resonances across the Enlightenment world. John Millar's organisation of cultural, gendered and social difference into a progressive narrative of authority relations provided the first extended world history of the family. In John Millar and the Scottish Enlightenment: Family Life and World History (Voltaire Foundation, 2017), Nicholas B. Miller examines contemporary responses and Enlightenment-era debates on polygamy, matriarchy, the Amazon legend, changes in national character and the possible futures of the family in commercial society. He traces how Enlightenment thinkers developed new standards of evidence and crafted new understandings of historical time in order to tackle the global diversity of family life and gender practice. By reconstituting these theories and discussions, Miller uncovers hitherto unexplored aspects of the Scottish contribution to European debates on the role of the family in history, society and politics. Nicholas B. Miller is Assistant Professor of History at Flagler College. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the long eighteenth century the moral and socio-political dimensions of family life and gender were hotly debated by intellectuals across Europe. John Millar, a Scottish law professor and philosopher, was a pioneer in making gendered and familial practice a critical parameter of cultural difference. His work was widely disseminated at home and abroad, translated into French and German and closely read by philosophers such as Denis Diderot and Johann Gottfried Herder. Taking Millar’s writings as his basis, Nicholas B. Miller explores the role of the family in Scottish Enlightenment political thought and traces its wider resonances across the Enlightenment world. John Millar’s organisation of cultural, gendered and social difference into a progressive narrative of authority relations provided the first extended world history of the family. In John Millar and the Scottish Enlightenment: Family Life and World History (Voltaire Foundation, 2017), Nicholas B. Miller examines contemporary responses and Enlightenment-era debates on polygamy, matriarchy, the Amazon legend, changes in national character and the possible futures of the family in commercial society. He traces how Enlightenment thinkers developed new standards of evidence and crafted new understandings of historical time in order to tackle the global diversity of family life and gender practice. By reconstituting these theories and discussions, Miller uncovers hitherto unexplored aspects of the Scottish contribution to European debates on the role of the family in history, society and politics. Nicholas B. Miller is Assistant Professor of History at Flagler College. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Ich hörte die Stimme eines Engels und Seelenworte, wie ich sie nie gehört!" schreibt Caroline Flachsland in ihren Erinnerungen über ihre erste Begegnung mit Johann Gottfried Herder 1770 in Darmstadt. Zweieinhalb Jahre korrespondiert sie mit dem damals schon weithin bekannten Schriftsteller und Gelehrten, bis sie ihn dazu bringt, sie 1773 endlich zu heiraten. Ihm und seinem Werk widmet sie als Herausgeberin, Lektorin und Biografin ihr Leben. Autorin: Heide Soltau

Wie konnte es passieren, dass vier der größten Dichter und Denker ihrer Zeit in der beschaulichen Stadt Weimar landeten? Fast Tür an Tor lebten Christoph Martin Wieland, Johann Wolfgang Goethe, Johann Gottfried Herder und Friedrich Schiller in der thüringischen Residenzstadt.

I nesten alle vestlige land utfordres gamle konservative partier av nye bevegelser som eksplisitt eller implisitt også gjør hevd på en konservativ idéarv. Denne utfordringen skjer ikke først og fremst langs den økonomiske høyre-venstre-aksen, men over et bredt spekter av spørsmål knyttet til kultur og identitet: migrasjon og nasjon, religion og sekularitet, by og land, «folk» og «elite». Noen ser en konservatisme i krise; andre ser en konservativ gjenfødelse. I denne sammenhengen er det dobbelt interessant å ta et nytt blikk på den konservative idéarven. For ikke bare belyser denne idéarven den kampen om konservatismens sjel som nå pågår i mange land; den er i stor grad også et forsøk på å møte noen av de utfordringene som i dag utfordrer ikke bare konservatismen, men alle vestlige samfunn: Hvordan får man en stat til å henge sammen? Hvordan håndterer vi endring? Hva er essensen i våre samfunn, som politikken må søke å bevare? Asle Toje arrangerer i samarbeid med avisen Minerva en foredragsserie på Litteraturhuset i høst, hvor vi presenterer ulike tenkere fra den konservative idétradisjonen. Foredraget vil bli fulgt opp av en samtale, som knytter an til vår tids politiske spørsmål. I dette andre foredraget i serien er det Asle Toje selv, som snakker om Johann Gottfried Herder (1744–1803). Herder skrev i de flerkulturelle imperienes tid, og var kanskje den første som hevdet at den beste kuren mot den fragmenteringen og avmakten de kunne skape, lå i en nasjonal kultur som skapte felleskap og solidaritet. Foredraget vil bli fulgt opp av en samtale, som knytter an til vår tids politiske spørsmål. Foredraget som artikkel: https://www.minervanett.no/asle-toje-herder-kampen-om-konservatismens-sjel/herder-og-nasjonalkonservatismen-populisme-nasjonalisme-og-kulturens-viktighet/197477 Video av foredraget: https://www.facebook.com/MinervaNett/videos/407236403297257/

Johann Gottfried Herder gehört zu den Großen der deutschen Klassik. Er lernt Lessing und Goethe kennen. Ein Aufklärer, der vieles an der Aufklärung zu kritisieren hatte. Zum Beispiel: Keine Vernunft ohne Gefühle! Autor: Jürgen Werth

Wieland war einer der bedeutendsten Schriftsteller der Aufklärung im deutschen Sprachgebiet und der Älteste des klassischen Viergestirns von Weimar, zu dem er neben Johann Gottfried Herder, Johann Wolfgang Goethe und Friedrich Schiller gezählt wurde. Wieland veröffentlichte seine Gedichte, wie die meisten anderen Werke, zuerst in der von ihm selbst 1773-1789 in 68 Bänden herausgegebenen Zeitschrift »Der Teutsche Merkur«. Sprecher ist Uwe Kullnick

The categories religion and race share a common genealogy. The modern understanding of these terms emerges within the European enlightenment but grasping their gradual production requires us to investigate further. In Modern Religion, Modern Race (Oxford University Press, 2016), Theodore Vial, Professor at Iliff School of Theology, argues that the intersection of religion and race can be better understood by looking at the work of nineteenth-century German romantics. In the post-enlightenment period religion becomes a racialized category. Vial examines the writings of Friedrich Schleiermacher, Friedrich Max Muller, and Johann Gottfried Herder in order to outline the linked nature of race and religion as social categories. He puts their definitions and positions to work to determine the conceptual framework these authors deploy for theorizing difference. In our conversation we discuss Immanuel Kant on race, Schleiermacher as theologian and scholar of religion, the symbolic power of Max Muller within contemporary Religious Studies, the role of language and nation in the construction of religion and race, W. E. B. Du Bois, theological anthropology, analyzing Australian aborigines, and the legacy of nineteenth-century German constructions of race and religion for Religious Studies today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The categories religion and race share a common genealogy. The modern understanding of these terms emerges within the European enlightenment but grasping their gradual production requires us to investigate further. In Modern Religion, Modern Race (Oxford University Press, 2016), Theodore Vial, Professor at Iliff School of Theology, argues that the intersection of religion and race can be better understood by looking at the work of nineteenth-century German romantics. In the post-enlightenment period religion becomes a racialized category. Vial examines the writings of Friedrich Schleiermacher, Friedrich Max Muller, and Johann Gottfried Herder in order to outline the linked nature of race and religion as social categories. He puts their definitions and positions to work to determine the conceptual framework these authors deploy for theorizing difference. In our conversation we discuss Immanuel Kant on race, Schleiermacher as theologian and scholar of religion, the symbolic power of Max Muller within contemporary Religious Studies, the role of language and nation in the construction of religion and race, W. E. B. Du Bois, theological anthropology, analyzing Australian aborigines, and the legacy of nineteenth-century German constructions of race and religion for Religious Studies today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

The categories religion and race share a common genealogy. The modern understanding of these terms emerges within the European enlightenment but grasping their gradual production requires us to investigate further. In Modern Religion, Modern Race (Oxford University Press, 2016), Theodore Vial, Professor at Iliff School of Theology, argues that the intersection of religion and race can be better understood by looking at the work of nineteenth-century German romantics. In the post-enlightenment period religion becomes a racialized category. Vial examines the writings of Friedrich Schleiermacher, Friedrich Max Muller, and Johann Gottfried Herder in order to outline the linked nature of race and religion as social categories. He puts their definitions and positions to work to determine the conceptual framework these authors deploy for theorizing difference. In our conversation we discuss Immanuel Kant on race, Schleiermacher as theologian and scholar of religion, the symbolic power of Max Muller within contemporary Religious Studies, the role of language and nation in the construction of religion and race, W. E. B. Du Bois, theological anthropology, analyzing Australian aborigines, and the legacy of nineteenth-century German constructions of race and religion for Religious Studies today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The categories religion and race share a common genealogy. The modern understanding of these terms emerges within the European enlightenment but grasping their gradual production requires us to investigate further. In Modern Religion, Modern Race (Oxford University Press, 2016), Theodore Vial, Professor at Iliff School of Theology, argues that the intersection of religion and race can be better understood by looking at the work of nineteenth-century German romantics. In the post-enlightenment period religion becomes a racialized category. Vial examines the writings of Friedrich Schleiermacher, Friedrich Max Muller, and Johann Gottfried Herder in order to outline the linked nature of race and religion as social categories. He puts their definitions and positions to work to determine the conceptual framework these authors deploy for theorizing difference. In our conversation we discuss Immanuel Kant on race, Schleiermacher as theologian and scholar of religion, the symbolic power of Max Muller within contemporary Religious Studies, the role of language and nation in the construction of religion and race, W. E. B. Du Bois, theological anthropology, analyzing Australian aborigines, and the legacy of nineteenth-century German constructions of race and religion for Religious Studies today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The categories religion and race share a common genealogy. The modern understanding of these terms emerges within the European enlightenment but grasping their gradual production requires us to investigate further. In Modern Religion, Modern Race (Oxford University Press, 2016), Theodore Vial, Professor at Iliff School of Theology, argues that the intersection of religion and race can be better understood by looking at the work of nineteenth-century German romantics. In the post-enlightenment period religion becomes a racialized category. Vial examines the writings of Friedrich Schleiermacher, Friedrich Max Muller, and Johann Gottfried Herder in order to outline the linked nature of race and religion as social categories. He puts their definitions and positions to work to determine the conceptual framework these authors deploy for theorizing difference. In our conversation we discuss Immanuel Kant on race, Schleiermacher as theologian and scholar of religion, the symbolic power of Max Muller within contemporary Religious Studies, the role of language and nation in the construction of religion and race, W. E. B. Du Bois, theological anthropology, analyzing Australian aborigines, and the legacy of nineteenth-century German constructions of race and religion for Religious Studies today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The categories religion and race share a common genealogy. The modern understanding of these terms emerges within the European enlightenment but grasping their gradual production requires us to investigate further. In Modern Religion, Modern Race (Oxford University Press, 2016), Theodore Vial, Professor at Iliff School of Theology, argues that the intersection of religion and race can be better understood by looking at the work of nineteenth-century German romantics. In the post-enlightenment period religion becomes a racialized category. Vial examines the writings of Friedrich Schleiermacher, Friedrich Max Muller, and Johann Gottfried Herder in order to outline the linked nature of race and religion as social categories. He puts their definitions and positions to work to determine the conceptual framework these authors deploy for theorizing difference. In our conversation we discuss Immanuel Kant on race, Schleiermacher as theologian and scholar of religion, the symbolic power of Max Muller within contemporary Religious Studies, the role of language and nation in the construction of religion and race, W. E. B. Du Bois, theological anthropology, analyzing Australian aborigines, and the legacy of nineteenth-century German constructions of race and religion for Religious Studies today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The categories religion and race share a common genealogy. The modern understanding of these terms emerges within the European enlightenment but grasping their gradual production requires us to investigate further. In Modern Religion, Modern Race (Oxford University Press, 2016), Theodore Vial, Professor at Iliff School of Theology, argues that the intersection of religion and race can be better understood by looking at the work of nineteenth-century German romantics. In the post-enlightenment period religion becomes a racialized category. Vial examines the writings of Friedrich Schleiermacher, Friedrich Max Muller, and Johann Gottfried Herder in order to outline the linked nature of race and religion as social categories. He puts their definitions and positions to work to determine the conceptual framework these authors deploy for theorizing difference. In our conversation we discuss Immanuel Kant on race, Schleiermacher as theologian and scholar of religion, the symbolic power of Max Muller within contemporary Religious Studies, the role of language and nation in the construction of religion and race, W. E. B. Du Bois, theological anthropology, analyzing Australian aborigines, and the legacy of nineteenth-century German constructions of race and religion for Religious Studies today. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Die Frage ist sehr alt; mit ihr beschäftigten sich bereits die Philosophen im 18. Jahrhundert. Johann Gottfried Herder etwa, Goethes Freund, schrieb eine lange Abhandlung darüber.

18.12.1803: Am 18. Dezember 1803 starb Johann Gottfried Herder, seit kurzem doch noch als "von". Goethe hatte ihn nach Weimar geholt, den "Atheisten, Freigeist und Schwärmer", der dennoch ein Kirchenmann war. Tatsächlich riss der neue Oberhofprediger die Weimarer mit seinen Predigten hin. Nur bei Hofe war man nicht so begeistert.