Podcast appearances and mentions of lowell liebermann

durée : 00:59:15 - En pistes, contemporains ! du dimanche 28 avril 2024 - par : Emilie Munera - Coup de cœur pour le dernier disque de Kuniko qui consacre un nouvel album à la musique de Steve Reich. Autre américain ce soir, Lowell Liebermann dont vous pourrez découvrir le 2e trio pour flûte, violoncelle et piano, trop rarement enregistrement. - réalisé par : Céline Parfenoff

Susanna Mälkki conducts a thought-provoking program anchored by Gustav Mahler's Fourth Symphony. This celestial score, which includes a cryptic dance of death, is announced with sleigh bells and a rustic melody that ends with a child's view of heaven, delivered here by soprano Ying Fang. Principal Flute Stefán Ragnar Höskuldsson is the soloist in a newly commissioned concerto written for him by the esteemed Lowell Liebermann. Learn more: cso.org/performances/23-24/cso-classical/mahler-4

SynopsisIn recounting the life story of many composers, it's a familiar and perhaps romantic cliché that their work will be — as a matter of course — not appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences.In reality, we're happy to report, that isn't always the case.Consider, for example, American composer Lowell Liebermann, who was born in New York on today's date in 1961. When he was 16, his Piano Sonata No. 1 premiered at Carnegie Hall, resulting in a number of prizes and awards. By his 30s, Liebermann was being commissioned and championed by some of the leading performers of our time.For James Galway, Liebermann composed a flute concerto, and Liebermann's two-act opera The Picture of Dorian Gray was the first work the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February 2000, and, in a symbolic millennium gesture, simulcast their performance on the new-fangled worldwide web.Music Played in Today's ProgramLowell Liebermann (b. 1961) Flute Concerto; James Galway, flute; London Mozart Players; Lowell Liebermann, cond. BMG 63235Symphony No. 2; Dallas Symphony and Chorus; Andrew Litton, cond. Delos 3256

Our guest today, Michael Brofman, was seriously injured during undergraduate school. He tried various teachers and received much medical advice - some of which included chain smoking! That's not a typo. Stay tuned for that outrageous story.Michael came across Taubman Approach expert Robert Durso. Through lessons with Robert Durso, Michael experienced physical healing and a level of artistic freedom that was almost unimaginable during his academic study.  Today's episode is a story of healing and freedom through the Taubman Approach. www.golandskyinsitute.org Pianist Michael Brofman has earned a reputation as one of the finest vocal accompanists of his generation. He has performed over one thousand songs, from Schubert's earliest lieder to premieres of new songs by today's most-recognized composers. He was hailed by the New York Times as an “excellent pianist” and Feast of Music recently praised his “elegant and refined playing… exhibiting excellent touch and clean technique.”  Parterre Box Blog called Mr. Brofman a “master communicator at the piano,” and Voix des Arts praised his “finesse and flexibility.”  Seen and Heard International recently wrote “Brofman got to the core of each song…delving into their emotional depths.”  Opera News stated “Michael Brofman provided exquisite piano accompaniment.”Highlights from Mr. Brofman's 2023-2024 season include performances of Arnold Schoenberg's Das Buch der Hängenden Gärten with Kate Maroney, Poulenc's Tel Jour, Telle Nuit with Michael Kelly, and repeat or premiere performances of works written for him by Daniel Felsenfeld, Libby Larsen, Jessica Meyer, and Reinaldo Moya.  Mr. Brofman also performs works by Benjamin Britten, Johannes Brahms, Michael Djupstrom, Shawn E. Okempolo, Caroline Shaw, Clara Schumann, Anton Webern, Kurt  Weill, and Hugo Wolf.Mr. Brofman has championed new works and has fostered relationships with many living composers, including Katherine Balch, Lembit Beecher, Tom Cipullo, Michael Djupstrom, Daniel Felsenfeld, Herschel Garfein, Mikhail Johnson, Daron Hagen, Jake Heggie, James Kallembach, Libby Larsen, Lowell Liebermann, David Ludwig, James Matheson, Reinaldo Moya, Harold Meltzer, Russell Platt, Kurt Rohde, Glen Roven, Andrew Staniland, Carlos Simon, and Scott Wheeler. In all, he has premiered over 100 songs, many of them dedicated to him. Mr. Brofman is the founder and artistic director of the Brooklyn Art Song Society, an organization dedicated to the vast repertoire of poetry set to music now in its 14th  season. His first CD New Voices on Roven Records includes four world-premiere recordings and was number one on Amazon's new releases for Opera/Vocal and debuted in the top 10 of the Traditional Classical Billboard Chart.  Since then he has recorded world premiere recordings of Kurt Rohde on Albany Records and Herschel Garfein for Acis Records. An eloquent and passionate advocate for art song, Mr. Brofman has been interviewed by Russell Platt for Opera News, for Caught In the Act on Brooklyn Public Television, on the WQXR radio show Soundcheck, on Seattle KING FM 98.1, and for the Linked Music blog. He also hosts his own internet show Song and Wine.  Mr. Brofman has a reputation as a gifted educator and has presented masterclasses at the University of Chicago, Cornell, Ithaca College, the University of Notre Dame and University of South Carolina. Mr. Brofman holds a bachelor of Music from Northwestern University where he studied with James Giles. There he was awarded the Frida A. Pick Award for Piano and featured on Chicago's classical radio station. Mr. Brofman spent several summers at the Aspen Music Festival as a student of Rita Sloan and continues his studies with Robert Durso. He resides in Windsor Terrace, Brooklyn with his wife

Here is the second half of the episode with Mr. David Hackbridge Johnson, one of the prolific

I had the privilege of interviewing Mr. David Hackbridge Johnson, one of the prolific

Here is the trailer of The Piano Pod's upcoming episode, which will premiere tonight, June 20, 2023, at 8:00 pm ET! I had the privilege of interviewing Mr. David Hackbridge Johnson, one of the prolific

In this extended episode, we discuss new music: what it is, how it's made, and where it fits in with the symphonic literature. Also, composer Lowell Liebermann plays a round of our audio quiz "Find the Liebermann" and joins us for a discussion about his new cello concerto, which receives its world premiere with the Toledo Symphony this month.

We're joined by maverick cellist Julian Schwarz, who fills us in on the backstory for Lowell Liebermann's new cello concerto – which receives its world premiere this weekend with the Toledo Symphony.

Along with three of his own pieces, he presents music by Clara Schumann, Robert Nathaniel Dett, Maurice Ravel, and Lowell Liebermann. The post Bazyli Siwek, 17, piano and composer appeared first on WFMT.

TPP had the privilege of interviewing Dr. Lowell Liebermann, one of America's most frequently performed and recorded composers, and a multiple-award recipient. He has written over 140 works in all genres, several of which have become standard repertoires, such as Sonata for Flute and Piano, and Gargoyles for solo piano.Dr. Liebermann has been commissioned by many ensembles and instrumentalists, including the Philadelphia Orchestra, Emerson String Quartet, and flutist Sir James Galway.  Dr. Liebermann is a Steinway Artist, who has also written an extensive amount of piano solo and ensemble music. Last year, he released his debut solo-piano album, Personal Demons (https://www.steinway.com/music-and-artists/label/personal-demons-lowell-liebermann), under the Steinway & Sons label—the repertoire includes his compositions and works by Busoni, Liszt, and (Czech composer,) Kabelach.  Dr. Liebermann currently serves as a distinguished composition faculty member and the head of the composition department at Mannes School of Music, where he founded the Mannes American Composers Ensemble, devoted to performing works of living American composers.His latest project, a solo-piano album of world premiere recordings by contemporary British composer David Hackbridge Johnson, “The Devil's Lyre,” will be released on February 4, 2022, under the Steinway & Sons label. This recording will be available on all music streaming services and CDs. For more information, please visit https://www.lowellliebermann.com/. [Dr. Lowell Liebermann]

Meet Lowell Liebermann, composer, pianist, Juilliard friend and lover of all things music. We feature his Sonata for Flute and Piano published by Theodore Presser. Chia-Chi Hsu, piano.

Marek Romanowski recently released his first CD.  Titled Contemporary Sonatas for double bass and piano, this release features music by Sofia Gubaidulina, Lowell Liebermann, and Frank Proto. We talk about how he chose the pieces for this release, how the pandemic has been for Marek, plans for the future, and much more.  Enjoy, and be sure to follow along with Marek on his website, Facebook, and Instagram! Timestamps 1:29 segment 1 14:36 segment 2 25:20 segment 3 1:03:52 outro Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Ear Trumpet Labs - They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design -- the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It's durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion theme music by Eric Hochberg

Synopsis Stephen Sondheim was 32 years old when his musical “A Funny Thing Happened on the Way to the Forum” opened on Broadway on today’s date in 1962. The best seats would have cost you $8.60, but decent tickets were available for three bucks in those days–and, much to Sondheim’s relief, New Yorkers snapped them up in short order. The trial run of “Forum” in Washington had been a near disaster, and, as this was the first major musical for which Sondheim wrote both the lyrics and the music, he had a lot riding on the show’s success. Audiences and critics alike loved the over-the-top fusion of an ancient Roman comedy by Plautus with the kick-in-the-pants conventions of American Vaudeville, spiced up with a liberal dash of Burlesque beauties in skimpy Roman costumes. As the NY Times review put it, the cast included six courtesans who “are not obliged to do much, but have a great deal to show.” “Forum” won several Tony Awards in 1962, including “Best Musical.” Even so, while Sondheim’s lyrics were praised, his music was barely mentioned: Sondheim’s skill as a composer not yet fully appreciated. that would occur several years, and several shows, later. Music Played in Today's Program Stephen Sondheim (b. 1930) A Funny Thing Happened on the way to the Forum 1996 Broadway Cast Angel 52223 On This Day Births 1745 - Baptismal date of Bohemian violinist and composer Carl Philipp Stamitz, in Mannheim; He was the son of the composer JohannWenzel Anton Stamitz (b. 1717), and the brother of composer Johann Anton Stamitz (b. 1750); 1829 - American pianist and composer Louis Moreau Gottschalk, in New Orleans; 1945 - American pianist and composer Keith Jarrett, in Allentown, Pa.; Deaths 1829 - Italian composer and guitar virtuoso Mauro Giuliani, age 47, in Naples; 1944 - British composer and women's rights advocate Dame Ethel Smyth, age 86, in Woking; 1960 - Swedish composer Hugo Alfvén, age 88, in Falun; Premieres 1720 - Handel: opera "Radamisto" (1st version) (Julian date: April 27); 1736 - Handel: anthem "Sing unto God" (Julian date: April 27); 1749 - Handel: "Music for the Royal Fireworks" (Julian date: April 27); 1924 - Honegger: "Pacific 231," in Paris at a Koussevitzky Concert; 1938 - Stravinsky: "Dumbarton Oaks" Concerto, at Dumbarton Oaks, conducted by Nadia Boulanger; 1939 - Persichetti: Piano Sonata No. 1, at Philadelphia Conservatory, composer performing; 1946 - Menotti: "The Medium," at Columbia University in New York City; 1958 - Ligeti: String Quartet No. 1 ("Metamorphoses nocturnes"), in Vienna, by the Ramor Quartet; 1962 - Sondheim: Broadway premiere of musical "A Funny Thing Happened on the Way to the Forum"; Near-disasterous trial run performances in Washington DC and other cities preceded the show's Broadway premiere; This was the first major musical for which Sondheim wrote both the lyrics and the music; It won several Tony Awards in 1962, including "Best Musical"; 1965 - Rochberg: "Zodiac" (orchestral version), by Cincinnati Symphony, Max Rudolf conducting; 1970 - Gunther Schuller: children's opera "The Fisherman and His Wife," in Boston; 1973 - Rochberg: "Imago Mundi," by Baltimore Symphony, Sergiu Commisiona conducting; 1979 - Andrew Lloyd-Webber: musical "Evita," in Los Angeles; The musical opened on Broadway on September 25, 1979; 1985 - Frank Zappa: "Time's Beach" for winds, at Alice Tully Hall in New York, by the Aspen Wind Quintet; 1996 - Lowell Liebermann: opera "The Picture of Dorian Gray," at the Monte Carlo Opera, with tenor Jeffrey Lentz in the title role and Steuart Bedford conducting; The American premiere of this opera was staged in Milwaukee, Wis., by the Florentine Opera in Feb. of 1999; 1998 - Saariaho: Cello Octet, at the Beauvais Cello Festival in Beavais, France; Others 1747 - J.S. Bach performs an organ recital at the Heiligeistkirche in Potsdam; 1821 - Earliest documented American performance Beethoven's Symphony No. 2, in Philadelphia at Washington Hall, by the Musical Fund Society, Charles Hupfeld conducting; The finale only was performed by the Philharmonic Society in New York on December 16, 1824 and repeated at Castle Garden on April 21, 1825; The first complete performance in New York was apparently given on April 22, 1843, at the Apollo Room during the first season of the New York Philharmonic with George Loder conducting; 1874 - American premiere of J.S. Bach's "St. Matthew Passion," at the Music Hall in Boston, by the Handel and Haydn Society, Carl Zerrahn conducting; The performing forces included a chorus of 600, and orchestra of 90, and a 60-voice boy's choir; For this performance, the first 12 numbers of Part II were omitted; The complete Passion was not performed by the Society until 1879; About half of Bach's Passion was given its New York City premiere at St. George's Church on March 17, 1880, by the New York Oratorio Society under Leopold Damrosch; Theodore Thomas conducted the next documented performance in Cincinnati on May 17, 1882, during that city's May Festival; 1945 - Aaron Copland's Pulitzer Prize for Music for his "Appalachian Spring" ballet score is announced on V-E Day (the day the Allied Forces won the war in Europe). Links and Resources On Sondheim

Synopsis Stephen Sondheim was 32 years old when his musical “A Funny Thing Happened on the Way to the Forum” opened on Broadway on today’s date in 1962. The best seats would have cost you $8.60, but decent tickets were available for three bucks in those days–and, much to Sondheim’s relief, New Yorkers snapped them up in short order. The trial run of “Forum” in Washington had been a near disaster, and, as this was the first major musical for which Sondheim wrote both the lyrics and the music, he had a lot riding on the show’s success. Audiences and critics alike loved the over-the-top fusion of an ancient Roman comedy by Plautus with the kick-in-the-pants conventions of American Vaudeville, spiced up with a liberal dash of Burlesque beauties in skimpy Roman costumes. As the NY Times review put it, the cast included six courtesans who “are not obliged to do much, but have a great deal to show.” “Forum” won several Tony Awards in 1962, including “Best Musical.” Even so, while Sondheim’s lyrics were praised, his music was barely mentioned: Sondheim’s skill as a composer not yet fully appreciated. that would occur several years, and several shows, later. Music Played in Today's Program Stephen Sondheim (b. 1930) A Funny Thing Happened on the way to the Forum 1996 Broadway Cast Angel 52223 On This Day Births 1745 - Baptismal date of Bohemian violinist and composer Carl Philipp Stamitz, in Mannheim; He was the son of the composer JohannWenzel Anton Stamitz (b. 1717), and the brother of composer Johann Anton Stamitz (b. 1750); 1829 - American pianist and composer Louis Moreau Gottschalk, in New Orleans; 1945 - American pianist and composer Keith Jarrett, in Allentown, Pa.; Deaths 1829 - Italian composer and guitar virtuoso Mauro Giuliani, age 47, in Naples; 1944 - British composer and women's rights advocate Dame Ethel Smyth, age 86, in Woking; 1960 - Swedish composer Hugo Alfvén, age 88, in Falun; Premieres 1720 - Handel: opera "Radamisto" (1st version) (Julian date: April 27); 1736 - Handel: anthem "Sing unto God" (Julian date: April 27); 1749 - Handel: "Music for the Royal Fireworks" (Julian date: April 27); 1924 - Honegger: "Pacific 231," in Paris at a Koussevitzky Concert; 1938 - Stravinsky: "Dumbarton Oaks" Concerto, at Dumbarton Oaks, conducted by Nadia Boulanger; 1939 - Persichetti: Piano Sonata No. 1, at Philadelphia Conservatory, composer performing; 1946 - Menotti: "The Medium," at Columbia University in New York City; 1958 - Ligeti: String Quartet No. 1 ("Metamorphoses nocturnes"), in Vienna, by the Ramor Quartet; 1962 - Sondheim: Broadway premiere of musical "A Funny Thing Happened on the Way to the Forum"; Near-disasterous trial run performances in Washington DC and other cities preceded the show's Broadway premiere; This was the first major musical for which Sondheim wrote both the lyrics and the music; It won several Tony Awards in 1962, including "Best Musical"; 1965 - Rochberg: "Zodiac" (orchestral version), by Cincinnati Symphony, Max Rudolf conducting; 1970 - Gunther Schuller: children's opera "The Fisherman and His Wife," in Boston; 1973 - Rochberg: "Imago Mundi," by Baltimore Symphony, Sergiu Commisiona conducting; 1979 - Andrew Lloyd-Webber: musical "Evita," in Los Angeles; The musical opened on Broadway on September 25, 1979; 1985 - Frank Zappa: "Time's Beach" for winds, at Alice Tully Hall in New York, by the Aspen Wind Quintet; 1996 - Lowell Liebermann: opera "The Picture of Dorian Gray," at the Monte Carlo Opera, with tenor Jeffrey Lentz in the title role and Steuart Bedford conducting; The American premiere of this opera was staged in Milwaukee, Wis., by the Florentine Opera in Feb. of 1999; 1998 - Saariaho: Cello Octet, at the Beauvais Cello Festival in Beavais, France; Others 1747 - J.S. Bach performs an organ recital at the Heiligeistkirche in Potsdam; 1821 - Earliest documented American performance Beethoven's Symphony No. 2, in Philadelphia at Washington Hall, by the Musical Fund Society, Charles Hupfeld conducting; The finale only was performed by the Philharmonic Society in New York on December 16, 1824 and repeated at Castle Garden on April 21, 1825; The first complete performance in New York was apparently given on April 22, 1843, at the Apollo Room during the first season of the New York Philharmonic with George Loder conducting; 1874 - American premiere of J.S. Bach's "St. Matthew Passion," at the Music Hall in Boston, by the Handel and Haydn Society, Carl Zerrahn conducting; The performing forces included a chorus of 600, and orchestra of 90, and a 60-voice boy's choir; For this performance, the first 12 numbers of Part II were omitted; The complete Passion was not performed by the Society until 1879; About half of Bach's Passion was given its New York City premiere at St. George's Church on March 17, 1880, by the New York Oratorio Society under Leopold Damrosch; Theodore Thomas conducted the next documented performance in Cincinnati on May 17, 1882, during that city's May Festival; 1945 - Aaron Copland's Pulitzer Prize for Music for his "Appalachian Spring" ballet score is announced on V-E Day (the day the Allied Forces won the war in Europe). Links and Resources On Sondheim

This week, we start out with a rousing round of Classical Chronology and then we move on to our three topics:UNFINISHEDOrchestra comes back to bargaining table Met players invited to join Dallas for concerts Yo-Yo Ma's Post-Vaccine RecitalLondon plans for new concert hall scrapped Pappano takes LSOMUSIC FOR 420Could Weed Be Your Gateway to Classical Music?LOWELL LIEBERMANN'S “PERSONAL DEMONS”Listen to the album on Spotify CLASSICAL MIXTAPEThe full playlistLowellLiszt, Totentanz TiffanyRavel, Piano Trio in A minorKenshoErnst, The Last Rose of SummerWillJohn Eccles, The Mad LoverTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

In recounting the life story of many composers, it’s a familiar and perhaps Romantic cliché that their work will be—as a matter of course—NOT appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences. In reality, we’re happy to report, that isn’t always the case. Consider, for example, the American composer Lowell Liebermann, who was born in New York on today’s date in 1961. At the age of sixteen, the premiere of his Piano Sonata No. 1 at Carnegie Hall resulted in a number of prizes and awards. By his thirties, Liebermann was being commissioned and championed by some of the leading performers of our time. For James Galway, Liebermann composed a Flute Concerto and Liebermann’s two-act opera “The Picture of Dorian Gray” was the first work that the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February of the year 2000, and, in a symbolic Millennium gesture, simulcast their performance new-fangled World Wide Web.

In recounting the life story of many composers, it’s a familiar and perhaps Romantic cliché that their work will be—as a matter of course—NOT appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences. In reality, we’re happy to report, that isn’t always the case. Consider, for example, the American composer Lowell Liebermann, who was born in New York on today’s date in 1961. At the age of sixteen, the premiere of his Piano Sonata No. 1 at Carnegie Hall resulted in a number of prizes and awards. By his thirties, Liebermann was being commissioned and championed by some of the leading performers of our time. For James Galway, Liebermann composed a Flute Concerto and Liebermann’s two-act opera “The Picture of Dorian Gray” was the first work that the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February of the year 2000, and, in a symbolic Millennium gesture, simulcast their performance new-fangled World Wide Web.

Bethany Cagle welcomes three more musicians from the Rebecca Penneys Piano Festival to our Tampa studio to perform live on WSMR. The performances include: Jean Park, playing the first and third movements from Lowell Liebermann's Gargoyles, Op. 29; Sung-Soo Cho, playing Frederic Chopin's Nocturne in C-sharp Minor, Op. 27 No. 1; and Munkhshur (Shuree) Enkhbold, playing the fourth movement, "Young Juliet," from Sergei Prokofiev's Romeo and Juliet, Op. 75. They joined by Student Coordinator, Tabitha Boxerman.

The Depression-era novel Miss Lonelyhearts, by Nathanael West, has been called "the purest expression of despair that American literature has produced, in any era." As WNYC's Sara Fishko tells us in this Fishko Files, 80 years after the author's death, the book - about the descent into darkness of an advice columnist - still rings true. Miss Lonelyhearts is available to order online. Jonathan Lethem's upcoming novel, The Arrest, will be published this November. You can find more Lethem on West in "The American Vicarious" (The Believer, 2009). For more on Lowell Liebermann, visit his website. Thanks to Rex Doane for lending his voice to our excerpts from Miss Lonelyhearts. Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne ShulmisterEditor: Karen Frillmann

Welcome to the first Words On New Music for 2018!  Join Paul Muller and I, Jim Goodin, for a live Skype interview of inspired conversation and music with NYC based composer, Julian Bennett Holmes. Julian was born in New York City, in 1991.  After studying with Lowell Liebermann and Richard Danielpour, he currently studies with … Continue reading "From Experimental Rock and Roll Youth to an On-the-Rise composer of orchestral and chamber works, Julian Bennett Holmes"

We're joined by maverick cellist Julian Schwarz, who fills us in on the backstory for Lowell Liebermann's new cello concerto – which receives its world premiere this weekend with the Toledo Symphony.

In this extended episode, we discuss new music: what it is, how it's made, and where it fits in with the symphonic literature. Also, composer Lowell Liebermann plays a round of our audio quiz "Find the Liebermann" and joins us for a discussion about his new cello concerto, which receives its world premiere with the Toledo Symphony this month.

Ewan McGregor stars in Our Kind of Traitor, based on a John Le Carré novel. The plot follows a couple on holiday in Marrakech who strike up a friendship with a Russian man who turns out to be a mafia kingpin. Ewan McGregor describes how the author visited the set and gave his blessing to play his character as a Scot.Upstart Crow sees the comedic quill of Blackadder writer Ben Elton return to the Elizabethan era. Starring David Mitchell this new BBC comedy follows William Shakespeare as he tries in vain to write some of his most famous works. Natalie Haynes reviews.Artist Katie Paterson is busy right now with work showing at The Lowry and Somerset House, and a new public artwork called Hollow, made from 10,000 tree samples from across the world, about to be unveiled at the University of Bristol. She discusses her fascination with capturing time, distance, and space. Liam Scarlett is Artist in Residence at The Royal Ballet, and his latest work is a brand new ballet based on Mary Shelley's Frankenstein. He discusses what drew him to the gothic novel, and reveals how he choreographed such a complex emotional story to a brand new score by Lowell Liebermann.Presenter: Kirsty Lang Producer: Angie Nehring.

Celebrated for his innovative programming and exciting performances, conductor David Leibowitz has achieved international acclaim for his work on the concert, opera, and ballet stage. Mr. Leibowitz is the Music Director/Conductor and founder of the award-winning New York Repertory Orchestra. Some recent highlights of his tenure there have been a fully staged production of Mozart’s Abduction from the Seraglio and a landmark performance of Mahler’s epic Symphony No. 3. As an avid fan and champion of today’s music he has commissioned, worked with, and performed local and world premieres by some of today’s most important composers; such as Paul Moravec, Lowell Liebermann, Harold Farberman, Stephen Dembski, John Schwabe, Salvador Brotons, Michael Shapiro, and Steven Rosenhaus. From 2003-2013, Mr. Leibowitz held the post of Principal Conductor with the Massapequa Philharmonic Orchestra and has recently been guest conductor of the New York Opera Exchange, conducting performances of Mozart’s Don Giovanni, Gounod’s Romeo and Juliet, and Verdi’s La Traviata. He is currently on the conducting faculty of the Westchester Summer Vocal Institute and the International Opera Institute at the Maud Powell Music Festival. For many years, Mr. Leibowitz was on the conducting staff of the Rome Festival Opera (Italy), leading opera, ballet, and concert performances, and was the Orchestra Director of the Siena (Italy) Summer Music Festival. in 2012 he led the Weill Cornell Music and Medicine Orchestra and Chorus in a critically acclaimed performance of the Mozart Requiem. Throughout the United States and Europe, he has directed such ensembles as the Pleven Philharmonic (Bulgaria), the Orchester Pro Arte (Vienna), Illinois Valley Symphony Orchestra, the Bach Festival Orchestra (Princeton, NJ), and the University of Wyoming (Laramie) Symphony Orchestra. In the New York City area, he has conducted the Astoria Symphony, Manhattan Chamber Orchestra, Greenwich Village Orchestra, Brooklyn Symphony Orchestra, Centre Symphony Orchestra, New York Festival Singers, Litha Orchestra, and the Music at St. Paul’s Series at Columbia University. He has also worked with the Dance Theater of Harlem. A dedicated music educator, Mr. Leibowitz conducted the Third Street Philharmonia at the Third Street Music School Settlement in New York City from 2003-2006 and from 2009-2012 he was the Orchestra Director at the City College of New York. He has worked as a conductor and coach with many other student and youth orchestras, including the the orchestras of Brooklyn College, the InterSchools Orchestra of New York, and the Gemini Youth Orchestra. In 2011, Mr. Leibowitz was an award-winner of the American Prize in Orchestral Conducting and the American Prize in Orchestral Programming. He was given the “Gift to New York City” award from the Omega Ensemble of New York for his ongoing contributions to the musical life of New York City and is on the Board of Directors of the Conductors Guild, an international service organization of over 2,000 members, devoted to the advancement of the art of conducting and to serving the artistic and professional needs of conductors. Mr. Leibowitz received his Master of Arts degree in Performance Practice, Summa Cum Laude, from the City University of New York’s Conservatory of Music at Brooklyn College. His main studies were in performance, musicology, and composition. He was awarded a teaching fellowship and was named a Presidential Scholar of the University. OUTRO MUSIC: Dimitri Shostakovich - Symphony No. 10, mvt. 2, performed by the New York Repertory Orchestra, conducted by David Leibowitz, Oct. 18, 2014

The Virginia Symphony, directed by Joann Falletta, presented the world premiere of the Symphony No. 3 by American composer Lowell Liebermann in a series of concerts in November. WHRO-FM’s Anthony McSpadden spoke with Mr. Liebermann about this work.