Podcasts about Lyre

Tickets for our upcoming "Drunk Black History" shows in Boston, Detroit, and Brooklyn are available at https://www.drunkblackhistory.com/upcoming-showsComedian Brandon Collins (New York Comedy Festival) is joined by special guest co-host Charles McBee for this Brooklyn show!Host(s):Brandon Collins -   https://www.instagram.com/frodoblackinsCharles McBee -  https://www.instagram.com/charlesmcbeeTatiana Albandos - https://www.instagram.com/boricuacollinsGuests:Sarah Cooper - https://www.instagram.com/sarahcpr/Brittany Carney - https://www.instagram.com/brittany.goblin.carney/Bomani Jones - https://www.instagram.com/bomani_jones/Ben Ha Meen - https://www.instagram.com/djbenhameen/Nore Davis - https://www.instagram.com/noredavis/Sponsors:Spirit of '76 - https://shop.76fireworks.com/Lyre's Non-Alcoholic Spirits - https://www.instagram.com/lyresspiritco/

In this episode, Ivan Phillipsen takes listeners on an immersive journey into the strange and secretive world of birds in the family Caprimulgidae. These cryptically colored, nocturnal birds include nightjars, nighthawks, poorwills, and whip-poor-wills. Ivan reveals the fascinating biology of this group—everything from their frog-like gapes to their odd names and eerie calls.Listeners will learn about the distinctive physical traits and behaviors that define caprimulgids, including their specialized eyes for low-light vision, aerial insect-hunting strategies, and mating displays involving wing claps and booming dives. Ivan also explores their global distribution, evolutionary history, and conservation status, while highlighting standout species like the Lyre-tailed Nightjar, the Common Poorwill, and the elusive—and possibly nonexistent—Nechisar Nightjar.This deep dive into Caprimulgidae is packed with scientific insights and fun facts. Whether it's unpacking myths of goat-milking birds or listening to spooky vocalizations from around the world, the episode celebrates the mystique and diversity of these birds that thrive in the twilight.~~ Leave me a review using Podchaser ~~Link to this episode on the Science of Birds website Bird Conservancy of the Rockies [Learn More]Support the show

Enjoy an episode of Mondo Jazz that features old masters, new masters and future masters in an intergenerational playlist. The playlist features John Ellis; Claudio Fasoli; Adam O'Farrill; Anaïs Drago [pictured]; and Charles Mingus. Detailed playlist at https://spinitron.com/RFB/pl/20583581/Mondo-Jazz [from "Linus and the Lyre" to "For Harry Carney"]. Happy listening!

Since Donald Trump took office, there has been a deluge of news. Our correspondent considers what might happen next. Fifty years on from the fall of Saigon, we meet the Vietnamese who fled the country (10:47). And our obituaries editor celebrates the life of busker and star Alice Tan Ridley (18:06). Music credit: Seikilos Epitaph with the Lyre of Apollo by Lina PaleraListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Since Donald Trump took office, there has been a deluge of news. Our correspondent considers what might happen next. Fifty years on from the fall of Saigon, we meet the Vietnamese who fled the country (10:47). And our obituaries editor celebrates the life of busker and star Alice Tan Ridley (18:06). Music credit: Seikilos Epitaph with the Lyre of Apollo by Lina PaleraListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account.

Independent Councillor Jackser Owens, is shedding light on the delayed housing project at The Lyre. Originally set to begin last year, construction has now been pushed back to 2026, with homes not expected until 2028. In the midst of the ongoing housing crisis, Jackser shares his concerns about these significant delays and their impact on the local community.

Dans la mythologie grecque, Apollon est l'un des dieux les plus vénérés et les plus complexes. Fils de Zeus et de Léto, frère jumeau d'Artémis, il incarne à la fois la lumière du soleil, l'harmonie musicale, la beauté, la médecine, la prophétie, et même la justice. Il est donc naturel que les attributs qui lui sont associés — notamment la lyre et le dauphin — reflètent cette richesse symbolique. Et ces deux symboles, pourtant très différents, racontent chacun une histoire profondément ancrée dans les récits mythologiques.La lyre, tout d'abord, est sans doute l'attribut le plus emblématique d'Apollon. Elle incarne son rôle de dieu des arts et de la musique, mais aussi sa capacité à instaurer l'harmonie entre les hommes et les dieux. Selon la légende, l'instrument n'a pas été inventé par Apollon lui-même, mais par Hermès, le dieu farceur, alors qu'il n'était encore qu'un nourrisson. Pour se divertir, Hermès aurait tué une tortue, tendu des boyaux d'animaux morts sur sa carapace et ainsi créé la toute première lyre. Peu après, il vole le troupeau de vaches appartenant à Apollon. Lorsque ce dernier découvre le vol, il s'apprête à punir Hermès, mais ce dernier, pour se faire pardonner, lui offre la lyre. Séduit par la beauté de l'instrument et par les sons qu'il en tire, Apollon accepte l'échange.Dès lors, Apollon devient le dieu de la lyre, celui qui inspire les poètes, les musiciens et les chanteurs. Il dirige les neuf Muses, qui représentent les arts et les sciences, et joue de la lyre pour adoucir les cœurs, apaiser les conflits, et exprimer l'ordre du monde. La musique d'Apollon n'est pas simplement un art : elle est une manifestation de la logique, de la beauté parfaite et de l'équilibre cosmique.Mais Apollon est aussi lié à un tout autre univers : celui de la mer. C'est là qu'intervient un second symbole : le dauphin. Cet animal est associé à l'un des grands récits fondateurs du culte d'Apollon : la création de l'oracle de Delphes. Selon le mythe, Apollon, cherchant à établir son sanctuaire, repère un navire crétois au large. Pour guider ses futurs prêtres, il se transforme en dauphin et nage jusqu'au navire. Fascinés par l'apparition, les marins suivent le dauphin jusqu'au rivage, où Apollon reprend forme humaine et leur annonce qu'ils serviront désormais dans son temple.Ce geste donne à Apollon une autre dimension : celle du guide spirituel, capable de mener les hommes de la mer vers la terre sacrée, du monde matériel vers le monde divin. Le dauphin devient le symbole de cette fonction de passeur, de protecteur, mais aussi de lien entre les éléments : la mer, la terre et le ciel.Ainsi, qu'il soit représenté avec une lyre ou un dauphin, Apollon révèle toujours une facette de son immense pouvoir : celle qui unit les arts, la sagesse et la guidance divine. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dearly beloved, we are gathered here today to celebrate the enemies...turned lovers. In this mini-series, we'll dive into what makes the Enemies to Lovers tag tick. From loathing to lust, literature to fic, this first episode explores the background of what makes feuds change to fondness. Why do we love what we hate?  - Cocktail Pairing: The Lover & The Enemy “My love, your lover, the lover” - 1.75 oz dry gin, 0.5 oz St Germain, 0.5 oz Lillet Blanc, 1 oz grapefruit juice, 0.5 oz grapefruit simple syrup, and 1 dash of bitters "My enemy, your enemy, the enemy" - shot of Angostura bitters - Fine Pairings Podcast - A podcast about fanfiction: Where we pair ships with cocktails and reading with comedy. Got fanfic you'd like to share? Please email us at FinePairingsPodcast@gmail.com Remember to follow us on Tiktok, Tumblr, and Instagram @Finepairingspodcast and X (Twitter) @Finepairingspod - Additional Credits Title: "In Your Arms,” “Canon in D Major," “Ghost Dance,” “Gioachino Rossini: Ranz des Vaches,” “J. S. Bach: Brandenburg Concerto No4-1 BWV1049,” “Nothing Broken,” “Night on the Docks - Sax” Creator: Kevin MacLeod Source: https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500042 https://freemusicarchive.org/music/Kevin_MacLeod/Classical_Sampler https://freemusicarchive.org/music/Kevin_MacLeod/Oddities/Nothing_Broken/ https://freemusicarchive.org/music/Kevin_MacLeod/Jazz_Sampler/Night_on_the_Docks_-_Sax/ License: CC BY 3.0; https://creativecommons.org/licenses/by/3.0 Title: tabulation I. Creator: oji Source: https://freemusicarchive.org/music/oji/non-edible-sounds/tabulation-i/ License: CC0 1.0 Universal Title: starry night Creator: snoozy beats Source: https://freemusicarchive.org/music/snoozy-beats/single/starry-night/ License: CC BY 4.0; https://creativecommons.org/licenses/by/4.0/ Title: Seikilos Epitaph with the Lyre of Apollo Creator: Lina Palera (Lyre 2.0 Project player) Source: https://freemusicarchive.org/music/The_Music_of_Ancient_Greece/An_Appreciation/01_Seikilos_Epitaph_with_the_Lyre_of_Apollo/ License: CC BY-NC-SA 3.0; https://creativecommons.org/licenses/by-nc-sa/3.0/ Title: “Astroids,” “NPC Theme” Creator: HoliznaCC0 Source: https://freemusicarchive.org/music/holiznacc0/tiny-plastic-video-games-for-long-anxious-space-travel/astroids/ https://freemusicarchive.org/music/holiznacc0/chiptunes/npc-theme/ License: CC0 1.0 Universal Title: Bach - Aria Variata, BVW. 989 - Variation No. 2 Creator: Brendan Kinsella Source: https://freemusicarchive.org/music/Brendan_Kinsella/Bachs_Aria_Variata/Bach_-_Aria_Variata_BVW_989_-_Variation_No_2/ License: CC0 1.0 Public Domain Title: Cinematic Duduk Creator: SamuelFJohanns Source: https://pixabay.com/music/ambient-cinematic-duduk-192901/ License: pixel bay content license; https://pixabay.com/service/license-summary/ LightingMatch2.wav by HerbertBoland Source: https://freesound.org/s/29678/ License: Attribution 4.0 Pouring Glass of Wine from Bottle by nebulousflynn Source: https://freesound.org/s/220303/ License: Attribution 4.0 Pouring_Martini.aif by bhweber Source: https://freesound.org/s/148167/ License: Creative Commons 0 Martini_Shaker.aif by bhweber Source: https://freesound.org/s/148168/ License: Creative Commons 0 Cocktail Sounds.wav by KenRT Source: https://freesound.org/s/319994/ License: Creative Commons 0 Ambiance_Bar_People_Loop_Stereo.wav by Nox_Sound Source: https://freesound.org/s/495522/ License: Creative Commons 0 1600s.mp3 by outerandeventhorizon Source: https://freesound.org/s/488809/ License: Creative Commons 0 Viking Calls by PoundSoundUK Source: https://freesound.org/s/641220/ License: Attribution NonCommercial 4.0 Shakespeare "Lover and His Lass" Lute and Wood Flute by soundsandrebounds Source: https://freesound.org/s/769807/ License: Creative Commons 0 Additional AFX from Freesound.org           Title: "In Your Arms" Creator: Kevin MacLeod Source: Incompetech.com  License: CC BY 3.0; https://creativecommons.org/licenses/by/3.0/ Title: “Newsroom Theme” Creator: FoolBoyMedia Source: Freesound.org  License: CC BY-NC 3.0; https://creativecommons.org/licenses/by-nc/3.0/ Additional AFX from Freesound.org

I Am Saved! (Identity Series)2 Samuel 22:1-6 “David sang to the Lord the words of this song when the Lord delivered him from the hand of all his enemies and from the hand of Saul.  He said: “The Lord is my rock, my fortress, and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation. He is my stronghold, my refuge, and my savior— from violent people, you save me. “I called to the Lord, who is worthy of praise and have been saved from my enemies. The waves of death swirled about me; the torrents of destruction overwhelmed me. The cords of the grave coiled around me; the snares of death confronted me.”I heard this verse while typing up the minutes for my prayer group yesterday.  I was just going to use the first part, the part that ends with “my refuge and my savior —from violent people you save me.”  That was where I was going to stop, and yet I felt the Holy Spirit tell me to include the next few verses, too.  The thought came to me, “What if the Lord hasn't saved them yet?  What if they are still stuck in a rough time?  They will want to hear the next few lines. They will want to see that David knew the real dangers.  I will start at the beginning.  “David sang to the Lord the words of this song when the Lord delivered him from the hand of his enemies and from the hand of Saul.”  If you don't know the story of David's life you should read it sometime, he had a truly fascinating life.  Most people know about David and Goliath, and maybe that David is the author of many of the Psalms, and that's about it.  If you only know about David and Goliath, you might think that David has a pretty great life.  It seems like if he did something that amazing, he would be instantly famous.  In today's day and age, he would become an influencer and go all over the world talking about how we can all slay our giants.  However, this wasn't David's fate.  David killed the giant and then went back home to tend to his dad's sheep.  One day, the prophet Samuel got the word from God that he needed to go and anoint one of Jesse's sons as the next king.  Samuel saw David's older brothers and thought for sure they would be the anointed ones because they “looked like kings.”  God told Samuel that He will not judge by outside appearance but by inside appearance; he will judge by what is in their hearts.  David was not home when Samuel first got there to pick up a son.  Once the Lord ruled out all the other sons, Samuel asked if Jesse had any other sons and they sent someone to go get David.  David was now anointed with oil to be the next king.  After being anointed as the next king you would think that David's life was not going to get really interesting.  Maybe he would go to the palace and learn from the present king.  You might think that he was to become king right away.  Neither of these is what happened.  I believe David went back to taking care of his father's sheep.  From the time that David was anointed King to when he became king was 15 years.  During that time, David went to play the Lyre for the current king, Saul, got banished by Saul, hid in the desert, lived on the run, was forced out of the nation, and fought many battles.  This was all in the 15 years before David became king.  I didn't intend to go into so much detail about David, and yet I think the Holy Spirit wanted to let us know that life is not linear.  It is not that things in life always work out at the time that we want them to.  It is not always moving forward.  Sometimes you will get great news, like a job promotion is coming and yet that promotion might be three years in the future.  You might pray for God to save you from your current boss, and He is, just not yet.  You might take three steps forward and two steps back.  This is how it was for David.  He would have something amazing happen and then nothing.  He would be doing great and then find himself hiding in a cave.I feel what the Holy Spirit is trying to tell us this morning is that this verse is absolutely true.  The Lord is our rock, our fortress, and our deliverer; Our God is our rock, in whom we take refuge, our shield and the horn of our salvation. He is our stronghold, our refuge, and our savior. This is all true and on good days, in good times, we know this, we say this, we tell others this.  What about the bad times?  Do you still know this?  Do we still tell others that God is our rock and our savior when we are in the middle of a really hard time?  Do we tell ourselves?  Is there a way to rely on the Lord in these hard times?You might be thinking when you first hear David's songs to the Lord, as he has many, that David is different because he was anointed.  Of course, he can rely on God, or, of course, he is taken care of by God; he is anointed.  I've got news for you my friend, so are you!  You were anointed in your baptism as priest, prophet, and king.  David was anointed as king, you've been anointed for all three.  One thing I really admire about David is that he was never too proud to turn back to God.  If you read about David, you can see how much he was loved by God and how much he loved God.  God loved David and anointed him to be king and yet did not spare him from hardships.  David did not have an easy life. He struggled a lot.  Just look at how David describes the hard times in his life, “The waves of death swirled about me; the torrents of destruction overwhelmed me. The cords of the grave coiled around me; the snares of death confronted me.”How many of us know exactly what David is talking about here?  How many of us hear that and are brought right back into a really difficult time in our past, or maybe this describes what we are going through right now?  This is a pretty descriptive language, and it lets us know exactly how bad things were for David.  It shows us that he did not have an easy life.  God loves us just as much as he loved David and yet he is not going to spare us from trial.  Trials are where we grow. Trails are when we turn to God the most.  These trials are what transformed David from a shepherd boy into a king.  The same is true for us, for you and me.  The trials we go through transform us into the person we need to become.There is one line in the verse that I haven't talked about yet and I think it is the key to how David was able to persevere for so long without losing his faith in our Lord God and Savior.  “I called to the Lord, who is worthy of praise, and have been saved from my enemies,” David called out to the Lord every single time.  We might think because David was anointed and because he was so loved by God that, he was a really good person and didn't really mess up too much.  It was easy for David to call on the Lord because the Lord loved him and because he followed the Lord's ways, so, of course, the Lord would help him.  Yes, David did try to follow the Lord's ways, just like we do, and yet he messed up a lot, just like we do.  One of David's biggest mess-ups that I know of is when he saw a woman bathing while he was on top of his house and had the woman brought to him.  She was married, and he had his way with her anyway.  Then he later found out that she was pregnant and knew that everyone would know it was not her husband's because he was a soldier away at war, so he had her husband killed and took her as his wife.  Ok, you may have done some pretty bad things, but do they compare to that?  We often think we can't go to the Lord; we can't call on the Lord because we have sinned and we are not worthy of His help.  This is garbage, and it comes straight from the enemy.  The reason God helped David so much was because David asked.  I believe it is that simple.  When David disobeyed the Lord when he messed up, he always repented, said sorry, and then went to the Lord to get him out of the situation he found himself in.  David knew he could always go to the Lord.  He knew God wouldn't always be happy with him, that is why he repented but he trusted that he could always go to Him when needed.  God is there for you, too.  There is nothing you can do that would cause God to turn his back on you.  There is nothing you could do that would make you less loved.  There is nothing you can do that would make it so you can't go to the Father for help.  Go to the Lord; look how much trouble David got out of by simply calling to God.  One last thing I want to remind you of is that praise is so important as well.  If you are feeling unworthy, if you are feeling stressed or worried, if you are feeling spiritually empty or dry, praise God through it.  When we praise God, the enemy flees.  He can't stand to hear us worship God.  You don't have to know the right things to say, and you don't even have to say anything.  You can just put on Christian music and listen to the words. Let the words penetrate your heart and mind.  I know you will feel increasingly better the more you praise the Lord in the tough times!Dear heavenly Father, I ask you to bless all those who listen to this episode.  Lord, we love you, and we praise you.  You are worthy of praise.  We ask you to be our rock and our stronghold.  Lord we ask you to help us turn to you, even when we don't feel worthy, even when we don't think we deserve your help. Lord, if we have done something to offend you, please put it on our hearts, and please help us to repent.  We thank you, Lord, for always being there for David, and we thank you for always being there for us.  Help us to see how you have been there for us over the years.  We love you, Lord, and we ask all of this in accordance with your will and in Jesus' holy name, Amen!Thank you so much for joining me on this journey to walk boldly with Jesus.  My book is for sale on my website right now.  If you buy from my website I will write a personal message and sign it before sending it to you.  I will put a link for my website and book in the show notes. Click Here for the book and Click Here for my website in the show notes.  Thank you for all your support, I really appreciate it! I look forward to meeting you hear again on Monday.  Remember, Jesus loves you, and so do I!  Have a blessed weekend!Today's Word from the Lord was received in August 2024 by a member of my Catholic Charismatic Prayer Group. If you have any questions about the prayer group, these words, or how to join us for a meeting, please email CatholicCharismaticPrayerGroup@gmail.com. Today's Word from the Lord is, “Love. Love is the light within you.” www.findingtruenorthcoaching.comCLICK HERE TO DONATECLICK HERE to sign up for Mentoring CLICK HERE to sign up for Daily "Word from the Lord" emailsCLICK HERE to sign up for my newsletter & receive a free audio training about inviting Jesus into your daily lifeCLICK HERE to buy my book Total Trust in God's Safe Embrace

In this episode of 'The Wisdom Of' Show, host Simon Bowen explores entrepreneurial wisdom with Carl Hartmann, a multi-award-winning Australian serial entrepreneur known for co-founding Temando, Compono, and Lyre's Non-Alcoholic Spirit Co. From leading distributed teams to creating companies capable of deca-million-dollar exits, Carl shares invaluable insights on scaling businesses and fostering innovation while maintaining unwavering optimism through challenges.Ready to unlock your leadership potential and drive real change? Join Simon's exclusive masterclass on The Models Method. Learn how to articulate your unique value and create scalable impact: https://thesimonbowen.com/masterclassEpisode Breakdown 00:00 Introduction and background 05:13 Looking for overlooked opportunities 10:46 Managing distributed teams across countries 18:58 Output over hours: New paradigm for success 25:44 Unwavering belief in entrepreneurship 33:44 Post-exit wisdom and team dynamics 38:35 Health and leadership performance 45:13 Future implications and conclusionsAbout Carl Hartmann Carl Hartmann is a prominent Australian serial entrepreneur who has revolutionized multiple industries through his innovative companies. As co-founder of Temando, he raised over $56M in funding before a successful acquisition by Neopost S.A. His data-driven talent platform Compono has raised $30M, while Lyre's Spirit Co has secured over $80M in funding and become the most awarded non-alcoholic spirit company globally, available in over 100 countries.As an adjunct Professor of Entrepreneurship & Innovation at the University of Queensland, Carl continues to share his expertise while serving as a Non-Executive Director on several boards. His achievements include being named IBM Global Entrepreneur of the Year Australia and Asia Pacific winner, as well as EY Entrepreneur of the Year Regional Winner.Connect with Carl HartmannLinkedIn: https://www.linkedin.com/in/carlhartmann/About Simon Bowen Simon has spent over two decades working with influential leaders across complex industries. His focus is on elevating thinking in organizations, recognizing that success is directly proportional to the quality of thinking and ideas within a business. Simon leads the renaissance of thinking through his work with global leaders and organizations.Connect with SimonLinkedIn: https://www.linkedin.com/in/simonbowen-mm/Instagram: https://www.instagram.com/officialsimonbowen/Website: https://thesimonbowen.com/Get Simon Bowen's Personal Newsletter for Leaders, Thinkers, and Entrepreneurs!

Thank you to our sponsors at Petivity! Click here to save money - USE CODE CC15 AT CHECKOUThttps://www.amazon.com/stores/page/F78DCCEE-26B8-48EF-AB5D-155C28106611?ingress=2&visitId=0a9f2d60-73f9-493e-ae2e-1746ac5f8e5a&ref_=ast_bln&utm_source=PodCo&utm_medium=Audio&utm_campaign=PodCoQ4&utm_content=ChristyRomanoThis week on Big Names, we're joined by content creator and podcaster, Coco Mocoe! Coco blew up on TikTok predicting social media and industry trends - she's basically psychic! The ladies chat all about canceled celebrities, alcoholism and reality TV, and whether or not social media stars are actually authentic. Coco also shares her predictions about the future of TikTok and podcasts.Which A-list celebs follow Coco? Did Disney pit Christy and Anneliese against each other?? What is Mark Cuban really like in person? Tune in now!You can follow Coco @cocomocoe on Instagram and TikTok, and subscribe on YouTube.Follow us at @BigNamespod on Instagram and TikTok, and subscribe on YouTube.Follow Christy Carlson Romano at @thechristycarlsonromano on Instagram and @christycarlsonromano on TikTok.Follow Anneliese van der Pol at @anneliesevanderpol on Instagram and @anneliesevdp on TikTok. You can watch the video version of this podcast on YouTube.Mocktail Recipe:‘Coco Moo'1 oz. Lyre's Dark Cane.50 oz. Maple Syrup (1:1, one part water to one part maple syrup)1 Heaping Spoon of Spiced Butter Mix4 -5 oz. Boiling WaterPlace ingredients into stemmed hot beverage glass, fill half way up with boiling water, stir to combine, add remaining hot water, garnish with a clove studded orange peel.Find our mixologist LP O'Brien @lpdrinksdc on Instagram, and check out her website at https://www.lpdrinks.orgSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's crossword is by Parker Higgins, and it was a joy. We had a lot of fun -- some might argue too much, but not us! -- digging through the grid, as you'll discover when you check out today's episode.Show note imagery: A LUTE (left) and a LYRE (right)We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

durée : 00:15:13 - Carnets de campagne - par : Dorothée Barba - La compagnie "le Tir et la Lyre", basée dans le Loiret, se déplace en zone rurale pour proposer des spectacles singuliers, pendant lesquels sont diffusés des odeurs. Du théâtre olfactif pour susciter l'émotion.

You've probably heard that nothing is new under the sun, and it's true! But I've noticed something that has become normalized that we have to talk about in this chat.Have you heard about the lyrebird? It's an Australian bird that mimics other birds and sounds for protection and mating. Well friend, there is a striking resemblance to what is happening on the internet today and lyrebirds.In this chat we're talking about how to spot a lyrebird and how giving credit where credit is due is so simple and necessary.Friend I think this chat is going to add context to something you're already aware of so hit play so we can chat!Thanks for being here! Watch this chat on YouTube at https://nicolewalters.com/youtube and let me know your thoughts over on IG at https://instagram.com/nicolewaltersGet the rest of the links and resources from this episode at https://nicolewalters.com/episode452Episode Sponsors:Use code NICOLE at checkout for 15% off your entire order at www.vionicshoes.com when you log into your account. 1 time use only.Listeners of The Nicole Walters Show can claim an exclusive three-month free trial, with no credit card required at www.YNAB.com/nicole.Go to claratin.com right now for a discount so you can Live Claritin Clear.Download the EarnIn app, and type in Nicole Walters under PODCAST when you sign up – it'll really help the show.Donate to CUDDLY today! Head to cuddly.com/NICOLE and help make a difference! Produced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The NETwork leaves Kelpie's Landing. This time headed to the small deserted island, Barrier Point. Frey does a spit take, Uther plays the Lyre, and Stynexx plays accountant. Find us on the The Actual Playce Discord ServerHit us up with any questions or comments:Insta @crittalkerspodcastFacebook: crittalkerspodcastX: @Crittalkerspodor drop us an emailthecast@crittalkerspodcast.comMusic/Sound Effects Include:Recap voice acting by Jennifer Millard, written by Jake Prewitt"Camera Flash" by MalarBrush"The Details Intro" by Ryan S."The Details Long" by Ryan S."Rest of The Fallen" by GuilhermeBernardes via Pixabay"Comedy - Detective" by Onoychenkomusic via Pixabay"Chamber Strings" by SigmaMusicArt via Pixabay"Dizzy ellectric bolt spell 1" by FxProSound via PixabayCreepy Party by Hot_Dope via Pixabay"dockside soudscape" by Pixabay"Suspense Adventure Loop - Positive Cartoon Music" by Cyberwave-Orchestra via Pixabay"Fading Thoughts" by Ryan S. "tea tray down" by freesound_community via Pixabay"boat footsteps soft" by freesound_community via Pixabay"Opening and closing a small metal hatch" by freesound_community via Pixabay"engine-start" by freesound_community via Pixabay"Medieval Ambient" by DeusLower via Pixabay"Knife Sharpening" by freesound_community via Pixabay"Suspense Creepy Ominous Ambience" by freesound_community via Pixabay"Critical Tension - Cinematic BRAAM Impact" by BryanSantosBreton via Pixabay"Paddle boat on water.wav" by freesound_community via Pixabay"Beach Ambiance" by freesound_community via Pixabay"Opening Metal Door" by freesound_community via Pixabay"open the iron door" by freesound_community via Pixabay"Modern Jersey Club EDM Hip Hop Type Beat - No Apology" via Pixabay"connecting the loose ends / unnikrishnan__ck/ royaltyfree" music by u_z9ybcd0rtw via Pixabay"Trap Motivation Music |No Copyright Music | Street Hustle" by SigmaMusicArt via Pixabay"Opening and Closing of a Fridge" by freesound_community via Pixabay"dubpreset" by freesound_community via Pixabay"Portal_Idle" by freesound_community via Pixabay

Ca y est, c'est la fin du run des années 70 et nous tournons cette page en décortiquant l'épisode 5 de la saison 7 : Des sourires et des armes. Outre l'abondance de folklore irlandais, nous prendrons le temps de parler de ricochets, des fruits endémiques, des armes à feu, des piscines, des flippers et des jeux d'arcade, des yoyos, des fléchettes et des camping-cars. Après ça, on entrera dans la DeLorean et rendez-vous en 1989 !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ryan and Cece have stumbled into a musical mystery! The whole town is under a magic spell that causes everyone to break out into song, and not everyone is happy about it! Can you help Ryan and Cece find the culprit and reverse the spell? In this episode the culprit is revealed, so make sure you listen to Part 1 before listening to this one. Good luck and break a leg, singing detectives!Support the show

Ryan and Cece have stumbled into a musical mystery! The whole town is under a magic spell that causes everyone to break out into song, and not everyone is happy about it! Can you help Ryan and Cece find the culprit and reverse the spell? In this episode, we meet all of the suspects and collect all of the clues. Good luck and break a leg, singing detectives!Support the show

David And The Lyre 11-24-2024 Spencer Teal

Vikki C. is a London-born award-nominated writer, poet, musician and author of ‘The Art of Glass Houses' (Alien Buddha Press, 2022) and 'Where Sands Run Finest' (DarkWinter Press, 2024).   Vikki's poetry and fiction are published/forthcoming in Psaltery & Lyre, The Inflectionist Review, Amethyst Review, EcoTheo Review, Dust Poetry Magazine, Stone Circle Review, Ballast Journal, ONE ART Poetry, Sweet Literary, Emerge Journal, The Hyacinth Review, Harpy Hybrid Review, Cable Street, Boats Against The Current, Salò Press, The Belfast Review, Jerry Jazz Musician, Ice Floe Press, Black Bough Poetry, DarkWinter Lit,  The Broken Spine, Acropolis Journal, The Winged Moon, New Feathers Anthology, Nightingale & Sparrow, Ellipsis Zine, Origami Poems, Lazuli Literary Group, Across The Margin and Igneus Press among others.   Her writing has been nominated for ‘Best of the Net' and the ‘Orison Best Spiritual Literature'.    Twitter: @VWC_Writes Linktree: https://linktr.ee/vikki_c._author Soundcloud: Vikki C. Music https://on.soundcloud.com/TJcu1  

*REWIND*Thank you to our sponsors at Thrive! Brighten up your fall look with Thrive Causemetics. Luxury beauty that gives back. Right now, you can get an exclusive 20% off your first order at thrivecausemetics.com/BIGNAMEThis week on Big Name B*tches, we're chatting with actress, comedian, and content creator Manon Mathews. Manon was an early star on Vine, where her hilarious videos reached over 1 billion views. She opens up about everything from her love of self-help programs (or are they cults?), experiences with ayahuasca, and getting clear on what she wants right now. Plus, the ladies discuss what it's really like to work on SNL, the time Christy tried Scientology, and Manon's book Funny How It Works Out. Did Anneliese go to school with NXIVM leader Allison Mack? Did Christy's OBGYN tell her she was fat? What's it like to work on a Disney cruise? Tune in now! Follow Manon Mathews at @ManonMathews on Instagram and TikTok.Follow us at @BigNameBitches on Instagram and TikTok, and subscribe on YouTube.Follow Christy Carlson Romano at @thechristycarlsonromano on Instagram and @christycarlsonromano on TikTok. Follow Anneliese van der Pol at @anneliesevanderpol on Instagram and @anneliesevdp on TikTok. You can watch the video version of this podcast on YouTube.Mocktail Recipe:“Funny How It Works”2 oz Ceder's Classic0.5 oz Lyre's Aperitif Dry0.5 oz Housemade BrineHousemade Brine:2,500g water225g salt25g sugar250g cider vinegarShort hard shake, strain chilled into a coupe with a skewered Castelvetrano Olives. Find our mixologist LP O'Brien @lpdrinksdc on Instagram, and check out her website at https://www.lpdrinks.orgSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey, everyone! Bard Lyre joins me on The Picky Bookworm this week to talk about tons of things. I tried not to, but I kind of fixated on his experiences as an English Teacher in the UK, but definitely got to talk about books, too! I hope you enjoy this episode as much as we did! Bard's book recommendations: Dungeon Crawler Carl by Matt Dinniman Ten Realms series by Michael Chatfield Defiance of The Fall by J.F. Brink (aka The First Defier) He Who Fights with Monsters by Shirtaloon (aka Travis Deverell) Bard is a LitRPG author who has written his own book series, started on Royal Road, called Tales of Shattered Glass. It's part of the Darkhelm series, and you can find it on amazon, at the link below: Tales of Shattered Glass (2 book series) Kindle Edition (amazon.com) Be sure to head over to social media and follow Bard, because he's such a fun human, and I had a ton of fun chatting with him! bardlyre Linktree Thanks so much for joining us this week! Be sure to leave a comment with your thoughts on this week's episode, and follow The Picky Bookworm on Spotify or Apple so you'll get notified of new episodes! Until Next Time, Friends! --- Support this podcast: https://podcasters.spotify.com/pod/show/pickybookworm/support

Sometimes hope feels as tenuous as a lyre string about to snap. In today's Gospel lesson from Mark chapter 9, we find Jesus helping a desperate father in his unbelief and his hope is kept from snapping.

Straight talk can be hard to come by. Speak with Taylor Foxman, however, and the veteran beverage executive and industry advisor will give you the unvarnished truth, or, as she does in this episode, declare something an outright falsehood. Taylor has over a decade of experience in beverage alcohol and beyond, having worked for globally recognized wine, beer and spirit companies including Pernod Ricard and Gruppo Campari.  She's currently the founder and CEO of The Industry Collective, a leading beverage and cannabis advisory firm and is also a board member/board advisor with investment firms Alethia Ventures and MacArthur Capital. In this episode, we speak with Taylor for a conversation framed as a series of statements that she addresses as true or false, including those about the value of great taste, the impact of bad PR, the sober-curious movement, the future of cannabis beverages and Gen Z consumers' relationship with alcoholic drinks. Show notes: 0:35: Taylor Foxman, Founder & CEO The Industry Collective – Taylor chats with Taste Radio editor Ray Latif about her home office in New York before discussing her career experience and work with fast-growing beverage companies. Taylor then shares her take on a range of statements related to beverage brands and CPG in general, beginning each response with true or false. Her replies incorporate her perspective on public relations, personal investment strategy (and how it relates to her fridge game), why she's bullish on moderation, a certain reality TV show, the power of one's network in their ability to raise money and whether great brands always have a great founder story. Brands in this episode: Ponyboy Slings, Boston Beer Co., Lyre's, Athletic Brewing Co., Poppi, Dio Cocktails

In this episode of the Food About Town podcast, Chris Lindstrom (@stromie) welcomes Chris Clemens (@cpclemens) from the NonROCaholic (@nonrocaholic) Instagram feed to delve into the world of non-alcoholic beverages. Clemens, known for his deep dives into the beverage scene, shares his journey through a variety of non-alcoholic options, from de-alcoholized wines to zero-proof spirits.The duo explores the evolution of non-alcoholic drinks, noting the significant advancements in quality and variety over the past decade. They kick off the tasting with Lyre's (@lyresspiritco) Dark and Spicy, a ready-to-drink (RTD) option that mimics the flavors of a dark and stormy cocktail with a ginger-forward profile and hints of vanilla.Next up is the Hella Cocktail Company's (@hellabittersandsoda) Bitters and Soda, an assertively bitter drink that challenges the palate with its complex blend of spices and aromatic bitters. Chris Lindstrom appreciates its boldness, while Clemens suggests it could be an excellent mixer for those who prefer a touch of sweetness.Finally, they taste Grüvi's (@getgruvi) Bubbly Rosé, a non-alcoholic wine that surprises with its strawberry candy aroma and Granny Smith apple notes. While Lindstrom finds it a bit too sweet for his taste, he acknowledges its potential as a mixer in non-alcoholic cocktails.Mentioned in this episode:NonROCaholicWebsite: nonrocaholic.comInstagram: @nonrocaholicLyre's Non-Alcoholic SpiritsWebsite: lyres.comHella Cocktail Co.Website: hellacocktail.coGruviWebsite: getgruvi.comDon't miss out on this fascinating exploration of non-alcoholic beverages on Food About Town!Mentioned in this episode:Pauly Guglielmo ShowPauly Guglielmo is a former radio guy turned food business entrepreneur. While running a manufacturing facility is his day job, he likes to dust off his broadcasting skills once a week on this podcast and talk to entrepreneurs and other influencers. https://pauly-guglielmo-show.captivate.fm/Refined Taste with Dario & ChrisWeekly Live show where comedians Dario Joseph and Chris Thompson talk and laugh with representatives of Rochester, New York's food and drink scene.Joe Bean RoastersJoe Bean Coffee - Coffee that lifts everyone. https://shop.joebeanroasters.com

Join host Justin Gammella on this episode of Producer Points as we spotlight the exceptional music producer and songwriter, Alina Smith. As a key member of the renowned LYRE team, Alina has crafted hits for global artists like ITZY, Red Velvet, Kenzie, Betty Who, PURPLE KISS, Kep1er, and Lexi Jayde. Known for her remarkable production speed and precision, Alina's talent shines through in every project she undertakes. In this episode, we delve into Alina's musical background, exploring the key moments and turning points that shaped her career. Alina shares her experience working with K-Pop and J-Pop artists, discussing the unique production styles and rewarding moments in these collaborations. We also talk about her favorite local eateries and memorable food experiences related to her music career. Our conversation includes an in-depth look at the making of “Sweet Juice” by PURPLE KISS and “Giddy” by Kep1er, revealing the stories behind these tracks and the creative processes involved. Alina also provides insights into her workflow, mixing techniques, and the tools she uses to create her signature sound. Tune in for an inspiring conversation with Alina Smith as she shares her journey, her approach to music production, and her role as a mentor guiding the next wave of music talents. Don't miss this episode, available on all major podcast platforms. Be sure to check out the official Producer Points playlist, featuring all the songs discussed in our episodes. Listen here. --- Support this podcast: https://podcasters.spotify.com/pod/show/producerpoints/support

How is Watson connecting with Star Trek this week, and why is he singing? Was that the reason he had (Spoiler Alert!] sex with so many clients? And what was his literary agent up to in 1914? Do you really want the answers? Do you? Okay.

Join Lucy Allon as she sits down with David Murphy from Lyre's Non-Alcoholic Spirit Co., the world's most awarded non-alcoholic spirit company. From humble beginnings in Australia, Lyre's has revolutionised the drinks industry by creating non-alcoholic versions of the world's most popular cocktails, closely mirroring the original premium spirits. Whether you're a cocktail enthusiast, a spirit's connoisseur, or curious about the non-alcoholic trend, this episode offers a fascinating glimpse into the future of drinking. Tune in for an inspiring conversation about innovation, flavour, and the rise of non-alcoholic spirits with one of the masterminds behind Lyre's success.   This episode is supported by Fine Food Australia, the southern hemisphere's ultimate B2B food event.   Learn more about Lyre's Non-Alcoholic Spirit Co.  Find out about Dry July Read about Lyre's support of the Dry July Foundation IG: @LyresSpiritCo   Check out the Fine Food Expo at: IG: @FineFoodExpo Website: www.finefoodaustralia.com.au   Follow us on: IG: @straight_to_the_source  FB: @StraightToTheSource  TW: _straight_to_source  LI: Straight To The Source  YT: Straight To The Source Find out more about Straight To The Source: Read about your hosts Tawnya Bahr and Lucy Allon here  Join the Straight To The Source community here  Learn more about Straight To The Source here #sttspodcast #straighttothesource #knowyoursource #podcast #interview #hospitality #FoodViewsandBigIdeas #nonalcoholic #MakeItALyres #DryJuly #FineFoodAustraliaSee omnystudio.com/listener for privacy information.

Gretchen on the spinning wheelJohann Wolfgang von GoetheThe Lyre ManWilhelm MüllerInfant JoyWilliam BlakeMusic when Soft Voices DieBy Percy Bysshe ShelleyA Dream Within A Dream by Edgar Allan Poe

Our first episode of season 2! In a way this is episode 0 because it is an introduction to the members of the Greek pantheon and some of our opinions on them. This season we will be reading from: Our intro/outro music a sample of Seikilos Epitaph with the Lyre of Apollo, by Lina Palera, under […] The post Jungian Ever After | Introducing the Greek Pantheon appeared first on C. G. Jung Institute of Chicago.

D-Don't look at the date of the last episode release. It's been a totally normal amount of time. Just don't- don't worry about it. We're here to talk about Hermes, ok?

The guys continue to expand the scope of the premiere spirits podcast by tackling a new category, non-alcoholic spirits. This week they check out N/A juggernaut, Lyre's. They taste through 3 of their premix drink varieties and discuss this ever growing category.

The luck of the Irish brought Gail Tyson to Knoxville, Tennessee, in fall 2021, where she belongs to the Knoxville Writers Guild and the Pre-Pulitzer Critique Group. In 2020 Shanti Arts published her chapbook, The Vermeer Tales. Current and upcoming work appears in Rockvale Review, Still: the Journal, Psaltery & Lyre, and Thimble Literary Magazine. Gail serves as president of the board of Knoxville's Flying Anvil Theatre, where she paints sets and avoids giving curtain talks.

that little time with lyre and rhyme - #3742 (82R50 percent 794 left) by chair house 240313.mp3that little time with lyre and rhyme〓240312：新しい週刊ピアノ万葉集第8巻動画を公開しました。今回もなんか１日遅れたので８曲となりました。今回は動画内で曲名を紹介しています。背景映像は昔に伊勢神宮とかに行ったときに撮影した写真たちですAIは無し…〓..

#3742 (794 left): Mar. 13, 2024:That little time with lyre and rhyme (from Edgar Allan Poe Poems from Mar. 5, 2024) Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : ) Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536 and 3742(82.50%) (Only 794 pieces remain) achieved today. Find my project.. : ) This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece. My new message: "Does it make sense to preserve it for 1000 years? Today's cover ART is created by #Midjourney (Art Generating #AI), according to my wish. Happy if you like it. spotify playlist 18 hours 449 songs, makes you fully relaxed. https://open.spotify.com/playlist/0RCxA8SaySzoFzpQmTCLfo?si=92c44191513340ff I'm now making Archive site of Piano Ten Thousand Leaves project by utilizing #wordpress. Basically nice direction I've already gotten.. : ) Currently 1100 pieces already achieved. But this week I need to do something else, so I'm going to stop this task for a bit. ######## NEW 25th SELECTION ALBUM JUST RELEASED ######## "Blue Reflection" - the 25th selection album of piano ten thousand leaves youtube: FULL VIDEO with 20 full songs in very high quality sounds https://youtu.be/pjLlUyyLn4k?si=S4I-kavN3h-ISxty spotify: https://open.spotify.com/intl-ja/album/7CQvJQSJZdCVD66x8V6O2Y appleMusic: https://music.apple.com/jp/album/blue-reflection/1730008075 amazonMusic: https://www.amazon.co.jp/music/player/albums/B0CVBCB84V?&_encoding=UTF8&tag=tcjaz-22&linkCode=ur2&camp=247&creative=1211 all music streaming services: https://linkco.re/eU6sYdyZ?lang=en

Phelan finds Embrosk in posession of a strange lyre made of bone. Aio approaches the Wall of Ruins in the company of Kyana. As the end approaches and friends reunite, important secrets are revealed. For podcast art and more info go to ⁠⁠⁠⁠https://bensbookshack.com⁠⁠⁠⁠ For Celeste's art portfolio, go to ⁠⁠⁠⁠https://celesteshiflett.wixsite.com/portfolio-de-celest⁠⁠⁠⁠⁠⁠⁠⁠e⁠⁠⁠⁠ Check out Madison Siwak's instagram ⁠⁠⁠⁠https://www.instagram.com/madison_siwak/⁠⁠

Unseen resonances, John Keel's early work, nefarious tendencies in the UFO subculture, and more in this conversation. Susan Lepselter's poetic-ethnographic book and John Keel's classics Jadoo and Operation Trojan Horse are consulted. Hermes fashions his lyre from a turtle. What's that mean for our turtle synchs? We discuss our newest exquisite corpse experiment and perform a new randonaut generation for the first time in a few years.  Hear the full episodes, unlock the full archive and tons of exclusive episodes, written content and more at https://www.patreon.com/consensusunreality Merch: https://consensus-unreality.printify.me Intro song by Treatment https://treatmentforu.bandcamp.com/album/pond-life

Why does Achilles, slaughterer of men, play the lyre?  A conversation with Spencer Klavan of the Young Heretics podcast. Check out the Cost of Glory Men's Leadership Retreat: costofglory.com/retreatIn this conversation, we discuss:-Spencer & Alex's common ground training as classicists-How one gets into these ancient books in the first place-The theory of "Art for Art's Sake": Why it's interesting, plausible, and wrong.-Epic heroes singing Epic Poetry-Great books for busy dadsAnd much, much more...

We went off on such a tangent this week I figured what better way to come up with a description than to let AI do it, so after feeding it the transcript this is what it came up with.. In this episode of the Pro Audio Suite, the hosts dive into a wide-ranging discussion covering the impact of AI on voiceover work, the intricacies of voice licensing in the digital age, and the challenges of maintaining digital identity and content integrity. From concerns about AI-generated voices and the protection of voice actors' rights to the potential theft of intellectual property and the evolving landscape of digital transactions, the hosts explore the multifaceted aspects of the audio industry and beyond. As the conversation takes unexpected turns, they touch on topics like the future of cash, online security, and the unique dynamics of holiday seasons in different parts of the world. Buckle up for a lively and insightful conversation that meanders through various aspects of the modern audio landscape and its broader implications. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Transcript Speaker A: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi.,Speaker C: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi. Hello, everyone to the pro audio suite.,: These guys are professional. They're motivated with tech. To the Vo stars, George Wittam, founder of Source elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, austrian audio making passion heard source elements George the tech wisdom and Robo and AP's international demo. To find out more about us, check Thepro audiosuite.,Speaker B: Com line up learner. Here we go.,Speaker C: And of course, don't forget the code. Trip a p two hundred and that will get you two hundred dollars off your tribooth. Now, we're going to talk microphones today because there's one thing I don't think we've ever discussed, or not in depth anyway. Is RF on a shotgun mic? Now I'm assuming rf is radio frequency, but for anybody like me, what does it actually really mean? And should it be something that we consider when we're buying a shotgun mic?,Speaker A: You mean the fact that the microphone uses what they call an RF technology? Is that what you're referring? Sure. I'm sure Robert would know more about the details without me having to google it. I read about RF microphones for a few times and I think one of the side effects of a mic being RF technology, which by the way, has nothing to do with transmitting a radio signal, right. It's the ability for the microphone to reject noise. I don't know if I've ever heard of a four hundred and sixteen, for example, which is using this RF technology as having an issue. Picking up radio frequency noise. If anybody else has heard of that, if you've had a mic, a four hundred and sixteen picking up RFI, let me know. But one of the advantages of that technology is it's very highly immune to humidity.,Speaker C: Yeah, that's what I heard.,Speaker A: And why that exactly is, is definitely beyond my pay grade.,Speaker C: Isn't it something to do with the way inside the microphone? Each part talks to itself, like talks to each other. It uses like a radio frequency inside the microphone to communicate with itself. That's my vague recollection of what it actually is.,Speaker A: That is certainly plausible. I just wish I was more understanding of the technology.,: So we're talking about it rejecting radio frequencies, is that what you're saying? Like a shielded cable would reject?,Speaker C: Yeah, I think that's what it does. And if anyone's listening, we should do what everybody else does on their YouTube things. Leave us a comment in the comments section.,Speaker A: Can I do story time and read it to you?,Speaker C: Yes, do story time. Oh, I'm sitting comfortably, George.,: But read it in your best bedtime story voice, George.,Speaker A: Okay, yeah, well it would have to be in a german accent.,Speaker C: I'm not going to do that.,Speaker A: A bedtime german accent?,: No, that's scary.,Speaker C: That's really scary actually.,Speaker A: But there is a whole white paper from Senheiser and it's written by Manfred Hibbing and it's Sennheiser's professor. MkH condenser microphone sorry everybody, I'm sorry, but basically what it says is that high rf frequency solves a problem. So when the replacement of electronic valves by transistors commenced at the end of the fifty s, this change was also under consideration for condenser microphones. Reduced size, low supply voltages and lower power consumption were regarded as great benefits as well as being able to use simpler microphone cables. However, there was a basic problem. Direct replacement of the valve by a transistor was not possible due to the mismatch between the high impedance of the condenser capsule and the low input impedance of the transistor. Hence, for optimal matching, the capsule impedance needed to be drastically reduced. And then they go on to explain the impedance of capsules, et cetera, et cetera. So down to the next paragraph. How does RF microphone technology actually work? The principle is simple. After all that.,Speaker C: Yeah, sure it is.,Speaker A: Sound waves deflect the diaphragm of the condenser capsule and change the capacitance between the diaphragm and the nearby back electrode, or backplate. Contrary to the more common low frequency AF condenser method, the capacitance variations are not converted directly into audio signals, but modulate a high frequency radio frequency signal generated by an oscillator inside the microphone. This signal is then immediately demodulated inside the microphone, thus recreating the audio signal, but with a very low source impedance that is well suited for driving a transistor amplifier. Thusly, an RF condenser microphone is basically comprised of a transmitter and a receiver that are directly wired together. The RF signal is therefore kept inside the microphone only the audio signal is supplied to its output just like all other microphones. So yeah, what you were saying was pretty much usual for me.,Speaker C: What happened?,Speaker A: He picked it up through osmosis somewhere along the way.,Speaker C: That's right.,: Can I just say, Robert would make that a lot.,Speaker C: Yes.,Speaker A: Yeah, sure. The thing with humidity, and here's a little paragraph about this, there is no other important benefit of the RF principle for practical use, the low electrical impedance of the capsule provides outstanding immunity against detrimental effects due to humidity, because even then, the leak resistance is very much larger than the capsule impedance. Thus, Mkh microphones, which I understand, all of those, all Mkh mics are RF mics. They're well suited for outdoor use. So this is why mkh mics, no matter whether they are the mkh four one five, forty one six, and I'm paraphrasing here, or any of the mkh stuff like the mkh forty. There's the eight thousand series, right? They have the eighty third. Eighty, twenty, eighty, thirty, eighty, forty, fifty, eighty, sixty. They have a whole new line. All of them are using this technology. And the reason for why it still persists to this day is it's excellent outside and thereby it's also excellent in a sweaty, hot, muggy voiceover booth.,Speaker C: If it's four x three x six. Yes, indeed.,Speaker A: Especially if it's four x three x six. Absolutely.,: Yeah.,Speaker C: Talk about that outdoors, though, because this was something else where I got stuck in the rabbit hole that I mentioned before we started recording. Then there was a discussion about using shotgun mics inside. Now, this is basically for drama and stuff like that. So a boom op using a mic where they wouldn't use a shotgun inside, they would use a pencil. Small diaphragm, pencil condenser.,Speaker A: Yeah.,Speaker C: Now, if that's the case, if you're a field audio guy, why would you not use a pencil condenser as a voiceover person inside?,Speaker A: I don't know. I did have a pair, and I still do have a pair of pencil condensers, the classic octava mics that are so popular. And I used to use them to try to do field recordings. And I didn't know that much about mics at the time. And I would get the dreaded, we sometimes call it motorboating. It was like this.,: Yeah.,Speaker A: Fluttering sound. And I didn't know why it was happening. I just knew it would happen. And it would always happen if I was outdoors and sometimes I was like, in a really humid environment and it would get really bad. And I was like, oh, no, the mic's bad. And then I'd bring the mic home and I'd pull it out of the box later and would be perfectly fine.,: Yeah.,Speaker A: So because with af microphones or audio frequency condensers, because they store a charge on a high impedance capsule, it's easy for that charge to find a way and leak across the insulation by riding on water molecules which cause those motorboat or crackling effects. So I don't know. I mean, I think it's just another added benefit of an RF mic is that you're just never going to have that problem. But Neumann, large diaphragm condenser mics where you have two diaphragms extremely close to each other, even if it's a cardioid, there's still two. There's the diaphragm in the front that takes the sound wave and then there's one on the back that picks up the signal, creating the changes in capacitance, blah, blah, blah. And those are so close together that water molecules actually transmit the electricity.,: Yeah.,Speaker C: It's amazing.,Speaker A: And create the static.,: Yeah.,Speaker C: Do you know anybody who does use any pencil Mic for doing voiceover in their. I do.,Speaker A: I know people that use the eighty series or the eight thousand series, but those are MKh mics. So I believe all the eight thousand series Mkh mics are also rf.,Speaker C: Is that the eighty fifty?,Speaker A: Is that like the eighty fifty? The eighty twenty, eighty thirty are tiny little stubby capsules. I mean, they're mini because I guess they have the most condensed electronics and boy, are they expensive.,: Yes.,Speaker A: This is a stereo set. So I'm looking at two thousand eight hundred for a stereo set.,Speaker C: Don't look at the chefs then.,Speaker A: Yeah, I know. Chef takes to another level, right?,Speaker C: Yes.,Speaker A: But yeah, the MKH forty is going to be about one thousand four hundred us. So if somebody's comparing mics and they look at this minuscule, laughably small mic and then they think, why would I ever use that over a four hundred and sixteen? Well, that's because it doesn't have the negative effects of a shotgun microphone.,: Yeah.,Speaker A: Doesn't have any of the negatives. It doesn't have the negatives in terms of off axis phase problems.,: Yes.,Speaker A: You get a way more accurate pattern as you go off axis. Right. So that's one reason it's certainly very nice to work with, because it's so small.,: Yeah.,Speaker A: So it's never going to get in the way. But they're going to be extremely pop sensitive. Right. Because the capsule is right there at the grille. It's right in the front. Like any pencil mic. They work great on voice, but they pop like a mofo. Yeah, they pop really bad. So you have to have good mic technique and maybe a good pop screen. But they are quite an upgrade. Some really have found them to be quite an upgrade. Like an eighty forty from a forty one six.,Speaker C: Yeah.,Speaker A: I would go with the eighty fifty because that's a super cardioid. That would be my choice if I was going this direction.,Speaker C: Yeah, it's interesting. It's funny with shotguns and we were talking about this also before we jumped on because the road kit I set my daughter up with for her travels, I gave her the NTG three and we were just doing some testing a few hours ago just to make sure.,Speaker A: That is an RF mic too.,Speaker C: I believe it is an RF mic, but also it's quite bottom end.,Speaker A: It's eqed very differently. It is a very different tone from.,Speaker C: The forty one six, which I think for location is perfect because the further you get away from the source, the sound source, the thinner the audio gets. But if they've got that sort of hype bottom end, it actually keeps some of that in there in the sound, which is great for that kind of work. But it also sounds really good on a female voice. I mean, she sounds great on that ntG three. But when I put it up in front of me, I had one for a while, mud central. It just didn't work.,Speaker A: Muddy?,Speaker C: Oh yeah, it wasn't good.,Speaker A: You lose articulation. It doesn't have a crisp attack. It's very, yeah. There's another mic that's really popular because of its price point and that's the Cinco d two. Have you heard of that one?,Speaker C: No.,Speaker A: Very cheap shotgun mic. And of course it looks a lot like a forty one six. Of course, same color, same shape, same size, same everything. So of course it gets sold all over the Amazons and stuff as a cheap forty one six. But it sounds nothing at all like a forty one six. Nothing at all. Yeah, it's a very flat mic. Very flat, very dull. So when somebody sends me that sample, I know immediately I'm going to have to help the top end. And when I do that, up comes the noise. And that's the other problem with small diaphragm mics. Making a small diaphragm pencil or shotgun mic sound as low noise as a large diaphragm mic is no small feat. No, it's very difficult to do. So. That's another problem. You're never going to get a small capsule mic to be as quiet from a self noise perspective as you will a large diaphragm mic, even a cheaper diaphragm. Well, let's look at the rode nt one four or so db self noise. You're never ever going to find a small diaphragm mic with that kind of a measurement.,: Yeah.,Speaker A: What's funny is I'm reading the specs right now from the Senheiser mkh. Eighty fifty. They don't even quote the self noise.,Speaker C: Interesting.,Speaker A: Which to me is a way of saying it ain't so great, but it doesn't matter. This is a location mic. You're going to use it outside so it doesn't need to be that quiet.,: Yeah.,Speaker A: But still, it's a one thousand four hundred dollars mic and they don't quote the spec. So I find that kind of fascinating.,Speaker C: Yeah, but if you're buying a shotgun, and I know we've banged on about this before, but I still reckon the best value, the best bang for buck in any shotgun mic is the NTG five from road.,Speaker A: Yeah, it sounds once they got over there they had some growing pains with that. They did. We definitely had a few people with some issues and it seems that that has been sorted because I haven't heard of any of those kind of complaints of noise or whatever for well over a year now. It's been more than a year or two.,: I was a victim of one of those. The first one they sent me I had problems with, but sent it back and got a brand new one and haven't had any problems with it since. Full credit to road all.,Speaker A: I never ever had a problem replacing a mic.,: Yeah, and full credit to road. All I sent back was the actual mic and I got a whole new, whole new kit when they sent me back the new one. Typical of road.,Speaker A: Really.,Speaker C: So you got a nice little shock mount for your forty one sixes?,: Yeah, I've now got two of their shock mounts, which is kind of nice.,Speaker A: Well those are cool, man. If you were to go buy those pistol grip shock mounts with the rycoat style Lyre mount and everything, those are going to be one hundred dollars plus easily.,Speaker C: Easily.,Speaker A: And then the windscreen and everything else. I mean it's like one hundred and fifty dollars kit plus the mic.,: Yeah.,: And I do like it. It's standard fare in my room here. That or the austrian audio one or.,Speaker C: The other of the two. Yeah.,Speaker A: Mine pretty much lives permanently in my kit for going on the road and traveling. I have a pelican hard case and the ten TG five lives in there. It's just always there, ready to go.,: Yeah. Well, you know what I need to figure out now, thinking about that is cutting the foam in the road kit for my english channel so that the NTG five fits in there and then I've got it all in one case that's what I need to figure out.,Speaker A: Oh yeah. It seemed that there was enough space in there to squeeze in a shotgun mic.,: Absolutely. Just pick up the bag and away you go.,Speaker A: That'd be a sick kit, wouldn't it? Oh, man.,Speaker C: Fantastic.,Speaker A: I did actually dig around and I went on the recording hacks website, which is a great database of microphones recordinghacks. Com. And while it's missing mics here and there for sure, it does have pretty much all the Neumans and Sennheisers and the bigger brands and stuff. And I found the eighty fifty and they actually do list a self noise rating of thirteen DBA weighted. So the Sennheiser four hundred and sixteen is like sixteen, I believe. Okay, so they managed to shave three db of the self noise.,Speaker C: I think the NTG three is about the same. About twelve or thirteen from memory.,Speaker A: Yeah. That's good. I mean, it's going to be hard to find a lower value than that. I haven't seen. I mean, maybe Sheps has something quieter. Possibly. I haven't looked, but. S-C-H-O-E-P-P-S. Is that how you spell.,: Am I thinking of the engineer or the. Is it double P?,Speaker A: Well, yeah, it's confusing because you have the mic called sheps.,: Yes.,Speaker A: And you have the engineer, and I.,: Can'T remember whether it's double P for the engineer or double P for the mic. One of them has two.,Speaker A: I guess I kez guessed it right. It's S-C-H-O-E-P-S. So the CMC five, which is one of the quintessential chefs shotgun mics, is. It's got one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen. Different capsule options.,: Wow.,Speaker C: Bloody hell.,: Wow.,Speaker A: They have this huge array of capsules that thread onto the body depending on what you're doing. So let's look at a cardioid. Let's look at a super cardioid, the mk forty one. It does not list a noise spec.,: Right?,Speaker A: There's no noise spec listed anywhere. There.,Speaker C: Kind of old school, isn't. It's like the old cmv microphones from Neumann back in the. Would have been thirty s. Forty s where you got the bottle. And instead of having a switch to go from cardioid figure eight to omni or whatever, you unscrewed the capsule and put new capsule on the top.,Speaker A: Yeah. Right. Yeah. Well, actually my mkhs. Sorry, my octavus. Same deal. I have three capsules per mic, but that whole kit with two mics and all the capsules costs less than one of these capsules.,Speaker C: Yes.,Speaker A: You start realizing the difference in cost is pretty stark. I mean, they said the capsules are anywhere from eight hundred dollars to one thousand four hundred dollars for one capsule.,: Yeah.,Speaker C: I do like the idea of the ships. The shotgun, that's blue. I mean if you had that in the booth and as soon as you see that color, you go, oh, okay, somebody's serious.,: Yeah.,Speaker A: Have you ever seen their v four u model? It has a blue bottle and then the grille has this very cool deco style grille. It's very cool looking. Look it up sometime for you. And it's a neat looking mic and it has a quirky thing. It's that the capsule has a slightly hinged head so you can tilt the capsule forward and back a little bit. Like ten degrees, twenty degrees.,Speaker C: Oh God, that looks good.,Speaker A: But it's a cool looking mic.,Speaker C: That is very tasty. Yeah, don't Google Robbie, you'll get blow your machine up.,: Well, I'm doing it on my iPad, but it's saying there's some problem with the website and I can't get on there. So I don't know what's going on.,Speaker A: V four U is three thousand dollars retail. And then it has a pretty flat response curve. I mean it has a small presence rise at four k, which is typical, but it's only like two or to three db rise. So it's pretty flat.,Speaker C: That is insane.,Speaker A: I remember trying it at one of the nams or whatever and being like, wow, that's a cool sounding mic.,Speaker C: It looks really neat, very tasty.,Speaker A: Oh, that's how much it costs.,Speaker C: Okay. Yeah, I might get one in the next lifetime. Yeah, I was in Tokyo and I saw a dunhill store and I went in there and they had these linen bucket hats and caps and stuff. I thought, wow, they're really cool. And I was looking at the price and tried on the bucket hat and it's like, yeah, I'll get that. So I said, yeah, I'll take this one. I said, actually, I might even get the cap as well. And the guy's looking at me going, no, you don't need the cap as well. Just take this hat. That's all you need. I'm like really doing yourself out of a sale here.,: Okay, whatever.,Speaker C: So I bought the thing and I'm walking back to the hotel and then I'm doing the calculation in my head and thinking I just got a bargain of thirty five dollars. I sort of went, hang on a minute. I got the digital point in the wrong spot.,Speaker A: I just paid three off of zero.,Speaker C: Three hundred and fifty bucks for a bucket hat?,: Yeah, right.,Speaker C: Dear, oh dear, oh dear. Anyway, yeah, well, that was fun.,Speaker B: Is it over?,: The pro audio suite with thanks to tribut and austrian audio recorded using source Connect, edited by Andrew Peters and mixed by Robo. Got your own audio issues? Just askrobo. Com tech support from George the tech don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say g'day. Drop us a note at our websiteproudiosuite. Com.     

This week on Big Name B*tches, we're joined by content creator and podcaster, Coco Mocoe! Coco blew up on TikTok predicting social media and industry trends - she's basically psychic! The ladies chat all about canceled celebrities, alcoholism and reality TV, and whether or not social media stars are actually authentic. Coco also shares her predictions about the future of TikTok and podcasts. Which A-list celebs follow Coco? Did Disney pit Christy and Anneliese against each other?? What is Mark Cuban really like in person? Tune in now! You can follow Coco @cocomocoe on Instagram and TikTok, and subscribe on YouTube. Follow us at @BigNameBitches on Instagram and TikTok, and subscribe on YouTube. Follow Christy Carlson Romano at @thechristycarlsonromano on Instagram and @christycarlsonromano on TikTok. Follow Anneliese van der Pol at @anneliesevanderpol on Instagram and @anneliesevdp on TikTok. You can watch the video version of this podcast on YouTube. Mocktail Recipe: ‘Coco Moo' 1 oz. Lyre's Dark Cane .50 oz. Maple Syrup (1:1, one part water to one part maple syrup) 1 Heaping Spoon of Spiced Butter Mix 4 -5 oz. Boiling Water Place ingredients into stemmed hot beverage glass, fill half way up with boiling water, stir to combine, add remaining hot water, garnish with a clove studded orange peel. Find our mixologist LP O'Brien @lpdrinksdc on Instagram, and check out her website at https://www.lpdrinks.org Learn more about your ad choices. Visit podcastchoices.com/adchoices See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Big Name B*tches, we're joined by content creator and podcaster, Coco Mocoe! Coco blew up on TikTok predicting social media and industry trends - she's basically psychic! The ladies chat all about canceled celebrities, alcoholism and reality TV, and whether or not social media stars are actually authentic. Coco also shares her predictions about the future of TikTok and podcasts. Which A-list celebs follow Coco? Did Disney pit Christy and Anneliese against each other?? What is Mark Cuban really like in person? Tune in now! You can follow Coco @cocomocoe on Instagram and TikTok, and subscribe on YouTube. Follow us at @BigNameBitches on Instagram and TikTok, and subscribe on YouTube. Follow Christy Carlson Romano at @thechristycarlsonromano on Instagram and @christycarlsonromano on TikTok. Follow Anneliese van der Pol at @anneliesevanderpol on Instagram and @anneliesevdp on TikTok. You can watch the video version of this podcast on YouTube. Mocktail Recipe: ‘Coco Moo' 1 oz. Lyre's Dark Cane .50 oz. Maple Syrup (1:1, one part water to one part maple syrup) 1 Heaping Spoon of Spiced Butter Mix 4 -5 oz. Boiling Water Place ingredients into stemmed hot beverage glass, fill half way up with boiling water, stir to combine, add remaining hot water, garnish with a clove studded orange peel. Find our mixologist LP O'Brien @lpdrinksdc on Instagram, and check out her website at https://www.lpdrinks.org Learn more about your ad choices. Visit podcastchoices.com/adchoices

RF noise rejection is a pretty complicated thing. We try to make sense of it... A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Summary In this episode of The Pro Audio Suite, professional audio experts George Wittam, Robert Marshall, Darren Robertson, and Andrew Peters explore the concept of RF technology in microphones and its benefits like noise rejection and immunity to humidity. They consider whether RF technology should factor into buying decisions when it comes to shotgun mics. The team also discuss the advantages and disadvantages of different types of mics including small diaphragm and pencil condenser mics. They share their top pick for the best value shotgun mic—the NTG 5 from Road—and discuss the impressive feats of engineering that go into manufacturing low noise mics. Lastly, they discuss the stark cost differences between mic capsules and complete kits before considering the features of the V4U model. #ProAudioSuite #ShotgunMicTechnology #RFMicrophone    Timestamps (00:00:00) Introduction (00:00:44) RF Microphone Technology (00:07:04) Shotgun Mics for VO (00:12:42) Small vs Large Mic Models (00:17:55) Mic Capsules & Their Uses    Transcript Speaker A: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi.,Speaker C: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi. Hello, everyone to the pro audio suite.,: These guys are professional. They're motivated with tech. To the Vo stars, George Wittam, founder of Source elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, austrian audio making passion heard source elements George the tech wisdom and Robo and AP's international demo. To find out more about us, check Thepro audiosuite.,Speaker B: Com line up learner. Here we go.,Speaker C: And of course, don't forget the code. Trip a p two hundred and that will get you two hundred dollars off your tribooth. Now, we're going to talk microphones today because there's one thing I don't think we've ever discussed, or not in depth anyway. Is RF on a shotgun mic? Now I'm assuming rf is radio frequency, but for anybody like me, what does it actually really mean? And should it be something that we consider when we're buying a shotgun mic?,Speaker A: You mean the fact that the microphone uses what they call an RF technology? Is that what you're referring? Sure. I'm sure Robert would know more about the details without me having to google it. I read about RF microphones for a few times and I think one of the side effects of a mic being RF technology, which by the way, has nothing to do with transmitting a radio signal, right. It's the ability for the microphone to reject noise. I don't know if I've ever heard of a four hundred and sixteen, for example, which is using this RF technology as having an issue. Picking up radio frequency noise. If anybody else has heard of that, if you've had a mic, a four hundred and sixteen picking up RFI, let me know. But one of the advantages of that technology is it's very highly immune to humidity.,Speaker C: Yeah, that's what I heard.,Speaker A: And why that exactly is, is definitely beyond my pay grade.,Speaker C: Isn't it something to do with the way inside the microphone? Each part talks to itself, like talks to each other. It uses like a radio frequency inside the microphone to communicate with itself. That's my vague recollection of what it actually is.,Speaker A: That is certainly plausible. I just wish I was more understanding of the technology.,: So we're talking about it rejecting radio frequencies, is that what you're saying? Like a shielded cable would reject?,Speaker C: Yeah, I think that's what it does. And if anyone's listening, we should do what everybody else does on their YouTube things. Leave us a comment in the comments section.,Speaker A: Can I do story time and read it to you?,Speaker C: Yes, do story time. Oh, I'm sitting comfortably, George.,: But read it in your best bedtime story voice, George.,Speaker A: Okay, yeah, well it would have to be in a german accent.,Speaker C: I'm not going to do that.,Speaker A: A bedtime german accent?,: No, that's scary.,Speaker C: That's really scary actually.,Speaker A: But there is a whole white paper from Senheiser and it's written by Manfred Hibbing and it's Sennheiser's professor. MkH condenser microphone sorry everybody, I'm sorry, but basically what it says is that high rf frequency solves a problem. So when the replacement of electronic valves by transistors commenced at the end of the fifty s, this change was also under consideration for condenser microphones. Reduced size, low supply voltages and lower power consumption were regarded as great benefits as well as being able to use simpler microphone cables. However, there was a basic problem. Direct replacement of the valve by a transistor was not possible due to the mismatch between the high impedance of the condenser capsule and the low input impedance of the transistor. Hence, for optimal matching, the capsule impedance needed to be drastically reduced. And then they go on to explain the impedance of capsules, et cetera, et cetera. So down to the next paragraph. How does RF microphone technology actually work? The principle is simple. After all that.,Speaker C: Yeah, sure it is.,Speaker A: Sound waves deflect the diaphragm of the condenser capsule and change the capacitance between the diaphragm and the nearby back electrode, or backplate. Contrary to the more common low frequency AF condenser method, the capacitance variations are not converted directly into audio signals, but modulate a high frequency radio frequency signal generated by an oscillator inside the microphone. This signal is then immediately demodulated inside the microphone, thus recreating the audio signal, but with a very low source impedance that is well suited for driving a transistor amplifier. Thusly, an RF condenser microphone is basically comprised of a transmitter and a receiver that are directly wired together. The RF signal is therefore kept inside the microphone only the audio signal is supplied to its output just like all other microphones. So yeah, what you were saying was pretty much usual for me.,Speaker C: What happened?,Speaker A: He picked it up through osmosis somewhere along the way.,Speaker C: That's right.,: Can I just say, Robert would make that a lot.,Speaker C: Yes.,Speaker A: Yeah, sure. The thing with humidity, and here's a little paragraph about this, there is no other important benefit of the RF principle for practical use, the low electrical impedance of the capsule provides outstanding immunity against detrimental effects due to humidity, because even then, the leak resistance is very much larger than the capsule impedance. Thus, Mkh microphones, which I understand, all of those, all Mkh mics are RF mics. They're well suited for outdoor use. So this is why mkh mics, no matter whether they are the mkh four one five, forty one six, and I'm paraphrasing here, or any of the mkh stuff like the mkh forty. There's the eight thousand series, right? They have the eighty third. Eighty, twenty, eighty, thirty, eighty, forty, fifty, eighty, sixty. They have a whole new line. All of them are using this technology. And the reason for why it still persists to this day is it's excellent outside and thereby it's also excellent in a sweaty, hot, muggy voiceover booth.,Speaker C: If it's four x three x six. Yes, indeed.,Speaker A: Especially if it's four x three x six. Absolutely.,: Yeah.,Speaker C: Talk about that outdoors, though, because this was something else where I got stuck in the rabbit hole that I mentioned before we started recording. Then there was a discussion about using shotgun mics inside. Now, this is basically for drama and stuff like that. So a boom op using a mic where they wouldn't use a shotgun inside, they would use a pencil. Small diaphragm, pencil condenser.,Speaker A: Yeah.,Speaker C: Now, if that's the case, if you're a field audio guy, why would you not use a pencil condenser as a voiceover person inside?,Speaker A: I don't know. I did have a pair, and I still do have a pair of pencil condensers, the classic octava mics that are so popular. And I used to use them to try to do field recordings. And I didn't know that much about mics at the time. And I would get the dreaded, we sometimes call it motorboating. It was like this.,: Yeah.,Speaker A: Fluttering sound. And I didn't know why it was happening. I just knew it would happen. And it would always happen if I was outdoors and sometimes I was like, in a really humid environment and it would get really bad. And I was like, oh, no, the mic's bad. And then I'd bring the mic home and I'd pull it out of the box later and would be perfectly fine.,: Yeah.,Speaker A: So because with af microphones or audio frequency condensers, because they store a charge on a high impedance capsule, it's easy for that charge to find a way and leak across the insulation by riding on water molecules which cause those motorboat or crackling effects. So I don't know. I mean, I think it's just another added benefit of an RF mic is that you're just never going to have that problem. But Neumann, large diaphragm condenser mics where you have two diaphragms extremely close to each other, even if it's a cardioid, there's still two. There's the diaphragm in the front that takes the sound wave and then there's one on the back that picks up the signal, creating the changes in capacitance, blah, blah, blah. And those are so close together that water molecules actually transmit the electricity.,: Yeah.,Speaker C: It's amazing.,Speaker A: And create the static.,: Yeah.,Speaker C: Do you know anybody who does use any pencil Mic for doing voiceover in their. I do.,Speaker A: I know people that use the eighty series or the eight thousand series, but those are MKh mics. So I believe all the eight thousand series Mkh mics are also rf.,Speaker C: Is that the eighty fifty?,Speaker A: Is that like the eighty fifty? The eighty twenty, eighty thirty are tiny little stubby capsules. I mean, they're mini because I guess they have the most condensed electronics and boy, are they expensive.,: Yes.,Speaker A: This is a stereo set. So I'm looking at two thousand eight hundred for a stereo set.,Speaker C: Don't look at the chefs then.,Speaker A: Yeah, I know. Chef takes to another level, right?,Speaker C: Yes.,Speaker A: But yeah, the MKH forty is going to be about one thousand four hundred us. So if somebody's comparing mics and they look at this minuscule, laughably small mic and then they think, why would I ever use that over a four hundred and sixteen? Well, that's because it doesn't have the negative effects of a shotgun microphone.,: Yeah.,Speaker A: Doesn't have any of the negatives. It doesn't have the negatives in terms of off axis phase problems.,: Yes.,Speaker A: You get a way more accurate pattern as you go off axis. Right. So that's one reason it's certainly very nice to work with, because it's so small.,: Yeah.,Speaker A: So it's never going to get in the way. But they're going to be extremely pop sensitive. Right. Because the capsule is right there at the grille. It's right in the front. Like any pencil mic. They work great on voice, but they pop like a mofo. Yeah, they pop really bad. So you have to have good mic technique and maybe a good pop screen. But they are quite an upgrade. Some really have found them to be quite an upgrade. Like an eighty forty from a forty one six.,Speaker C: Yeah.,Speaker A: I would go with the eighty fifty because that's a super cardioid. That would be my choice if I was going this direction.,Speaker C: Yeah, it's interesting. It's funny with shotguns and we were talking about this also before we jumped on because the road kit I set my daughter up with for her travels, I gave her the NTG three and we were just doing some testing a few hours ago just to make sure.,Speaker A: That is an RF mic too.,Speaker C: I believe it is an RF mic, but also it's quite bottom end.,Speaker A: It's eqed very differently. It is a very different tone from.,Speaker C: The forty one six, which I think for location is perfect because the further you get away from the source, the sound source, the thinner the audio gets. But if they've got that sort of hype bottom end, it actually keeps some of that in there in the sound, which is great for that kind of work. But it also sounds really good on a female voice. I mean, she sounds great on that ntG three. But when I put it up in front of me, I had one for a while, mud central. It just didn't work.,Speaker A: Muddy?,Speaker C: Oh yeah, it wasn't good.,Speaker A: You lose articulation. It doesn't have a crisp attack. It's very, yeah. There's another mic that's really popular because of its price point and that's the Cinco d two. Have you heard of that one?,Speaker C: No.,Speaker A: Very cheap shotgun mic. And of course it looks a lot like a forty one six. Of course, same color, same shape, same size, same everything. So of course it gets sold all over the Amazons and stuff as a cheap forty one six. But it sounds nothing at all like a forty one six. Nothing at all. Yeah, it's a very flat mic. Very flat, very dull. So when somebody sends me that sample, I know immediately I'm going to have to help the top end. And when I do that, up comes the noise. And that's the other problem with small diaphragm mics. Making a small diaphragm pencil or shotgun mic sound as low noise as a large diaphragm mic is no small feat. No, it's very difficult to do. So. That's another problem. You're never going to get a small capsule mic to be as quiet from a self noise perspective as you will a large diaphragm mic, even a cheaper diaphragm. Well, let's look at the rode nt one four or so db self noise. You're never ever going to find a small diaphragm mic with that kind of a measurement.,: Yeah.,Speaker A: What's funny is I'm reading the specs right now from the Senheiser mkh. Eighty fifty. They don't even quote the self noise.,Speaker C: Interesting.,Speaker A: Which to me is a way of saying it ain't so great, but it doesn't matter. This is a location mic. You're going to use it outside so it doesn't need to be that quiet.,: Yeah.,Speaker A: But still, it's a one thousand four hundred dollars mic and they don't quote the spec. So I find that kind of fascinating.,Speaker C: Yeah, but if you're buying a shotgun, and I know we've banged on about this before, but I still reckon the best value, the best bang for buck in any shotgun mic is the NTG five from road.,Speaker A: Yeah, it sounds once they got over there they had some growing pains with that. They did. We definitely had a few people with some issues and it seems that that has been sorted because I haven't heard of any of those kind of complaints of noise or whatever for well over a year now. It's been more than a year or two.,: I was a victim of one of those. The first one they sent me I had problems with, but sent it back and got a brand new one and haven't had any problems with it since. Full credit to road all.,Speaker A: I never ever had a problem replacing a mic.,: Yeah, and full credit to road. All I sent back was the actual mic and I got a whole new, whole new kit when they sent me back the new one. Typical of road.,Speaker A: Really.,Speaker C: So you got a nice little shock mount for your forty one sixes?,: Yeah, I've now got two of their shock mounts, which is kind of nice.,Speaker A: Well those are cool, man. If you were to go buy those pistol grip shock mounts with the rycoat style Lyre mount and everything, those are going to be one hundred dollars plus easily.,Speaker C: Easily.,Speaker A: And then the windscreen and everything else. I mean it's like one hundred and fifty dollars kit plus the mic.,: Yeah.,: And I do like it. It's standard fare in my room here. That or the austrian audio one or.,Speaker C: The other of the two. Yeah.,Speaker A: Mine pretty much lives permanently in my kit for going on the road and traveling. I have a pelican hard case and the ten TG five lives in there. It's just always there, ready to go.,: Yeah. Well, you know what I need to figure out now, thinking about that is cutting the foam in the road kit for my english channel so that the NTG five fits in there and then I've got it all in one case that's what I need to figure out.,Speaker A: Oh yeah. It seemed that there was enough space in there to squeeze in a shotgun mic.,: Absolutely. Just pick up the bag and away you go.,Speaker A: That'd be a sick kit, wouldn't it? Oh, man.,Speaker C: Fantastic.,Speaker A: I did actually dig around and I went on the recording hacks website, which is a great database of microphones recordinghacks. Com. And while it's missing mics here and there for sure, it does have pretty much all the Neumans and Sennheisers and the bigger brands and stuff. And I found the eighty fifty and they actually do list a self noise rating of thirteen DBA weighted. So the Sennheiser four hundred and sixteen is like sixteen, I believe. Okay, so they managed to shave three db of the self noise.,Speaker C: I think the NTG three is about the same. About twelve or thirteen from memory.,Speaker A: Yeah. That's good. I mean, it's going to be hard to find a lower value than that. I haven't seen. I mean, maybe Sheps has something quieter. Possibly. I haven't looked, but. S-C-H-O-E-P-P-S. Is that how you spell.,: Am I thinking of the engineer or the. Is it double P?,Speaker A: Well, yeah, it's confusing because you have the mic called sheps.,: Yes.,Speaker A: And you have the engineer, and I.,: Can'T remember whether it's double P for the engineer or double P for the mic. One of them has two.,Speaker A: I guess I kez guessed it right. It's S-C-H-O-E-P-S. So the CMC five, which is one of the quintessential chefs shotgun mics, is. It's got one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen. Different capsule options.,: Wow.,Speaker C: Bloody hell.,: Wow.,Speaker A: They have this huge array of capsules that thread onto the body depending on what you're doing. So let's look at a cardioid. Let's look at a super cardioid, the mk forty one. It does not list a noise spec.,: Right?,Speaker A: There's no noise spec listed anywhere. There.,Speaker C: Kind of old school, isn't. It's like the old cmv microphones from Neumann back in the. Would have been thirty s. Forty s where you got the bottle. And instead of having a switch to go from cardioid figure eight to omni or whatever, you unscrewed the capsule and put new capsule on the top.,Speaker A: Yeah. Right. Yeah. Well, actually my mkhs. Sorry, my octavus. Same deal. I have three capsules per mic, but that whole kit with two mics and all the capsules costs less than one of these capsules.,Speaker C: Yes.,Speaker A: You start realizing the difference in cost is pretty stark. I mean, they said the capsules are anywhere from eight hundred dollars to one thousand four hundred dollars for one capsule.,: Yeah.,Speaker C: I do like the idea of the ships. The shotgun, that's blue. I mean if you had that in the booth and as soon as you see that color, you go, oh, okay, somebody's serious.,: Yeah.,Speaker A: Have you ever seen their v four u model? It has a blue bottle and then the grille has this very cool deco style grille. It's very cool looking. Look it up sometime for you. And it's a neat looking mic and it has a quirky thing. It's that the capsule has a slightly hinged head so you can tilt the capsule forward and back a little bit. Like ten degrees, twenty degrees.,Speaker C: Oh God, that looks good.,Speaker A: But it's a cool looking mic.,Speaker C: That is very tasty. Yeah, don't Google Robbie, you'll get blow your machine up.,: Well, I'm doing it on my iPad, but it's saying there's some problem with the website and I can't get on there. So I don't know what's going on.,Speaker A: V four U is three thousand dollars retail. And then it has a pretty flat response curve. I mean it has a small presence rise at four k, which is typical, but it's only like two or to three db rise. So it's pretty flat.,Speaker C: That is insane.,Speaker A: I remember trying it at one of the nams or whatever and being like, wow, that's a cool sounding mic.,Speaker C: It looks really neat, very tasty.,Speaker A: Oh, that's how much it costs.,Speaker C: Okay. Yeah, I might get one in the next lifetime. Yeah, I was in Tokyo and I saw a dunhill store and I went in there and they had these linen bucket hats and caps and stuff. I thought, wow, they're really cool. And I was looking at the price and tried on the bucket hat and it's like, yeah, I'll get that. So I said, yeah, I'll take this one. I said, actually, I might even get the cap as well. And the guy's looking at me going, no, you don't need the cap as well. Just take this hat. That's all you need. I'm like really doing yourself out of a sale here.,: Okay, whatever.,Speaker C: So I bought the thing and I'm walking back to the hotel and then I'm doing the calculation in my head and thinking I just got a bargain of thirty five dollars. I sort of went, hang on a minute. I got the digital point in the wrong spot.,Speaker A: I just paid three off of zero.,Speaker C: Three hundred and fifty bucks for a bucket hat?,: Yeah, right.,Speaker C: Dear, oh dear, oh dear. Anyway, yeah, well, that was fun.,Speaker B: Is it over?,: The pro audio suite with thanks to tribut and austrian audio recorded using source Connect, edited by Andrew Peters and mixed by Robo. Got your own audio issues? Just askrobo. Com tech support from George the tech don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say g'day. Drop us a note at our websiteproudiosuite. Com.     

This week on Big Name B*tches, we're chatting with actress, comedian, and content creator Manon Mathews. Manon was an early star on Vine, where her hilarious videos reached over 1 billion views. She opens up about everything from her love of self-help programs (or are they cults?), experiences with ayahuasca, and getting clear on what she wants right now. Plus, the ladies discuss what it's really like to work on SNL, the time Christy tried Scientology, and Manon's book Funny How It Works Out.  Did Anneliese go to school with NXIVM leader Allison Mack? Did Christy's OBGYN tell her she was fat? What's it like to work on a Disney cruise? Tune in now!  Thank you to this episode's sponsor! • BetterHelp: In the season of giving, give yourself what YOU need – with BetterHelp. Visit betterhelp.com/BIGNAME  today to get 10% off your first month. Follow Manon Mathews at @ManonMathews on Instagram and TikTok. Follow us at @BigNameBitches on Instagram and TikTok, and subscribe on YouTube. Follow Christy Carlson Romano at @thechristycarlsonromano on Instagram and @christycarlsonromano on TikTok. Follow Anneliese van der Pol at @anneliesevanderpol on Instagram and @anneliesevdp on TikTok. You can watch the video version of this podcast on YouTube. Mocktail Recipe: “Funny How It Works” 2 oz Ceder's Classic 0.5 oz Lyre's Aperitif Dry 0.5 oz Housemade Brine Housemade Brine: 2,500g water 225g salt 25g sugar 250g cider vinegar Short hard shake, strain chilled into a coupe with a skewered Castelvetrano Olives.  Find our mixologist LP O'Brien @lpdrinksdc on Instagram, and check out her website at https://www.lpdrinks.org Learn more about your ad choices. Visit podcastchoices.com/adchoices See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Big Name B*tches, we're chatting with actress, comedian, and content creator Manon Mathews. Manon was an early star on Vine, where her hilarious videos reached over 1 billion views. She opens up about everything from her love of self-help programs (or are they cults?), experiences with ayahuasca, and getting clear on what she wants right now. Plus, the ladies discuss what it's really like to work on SNL, the time Christy tried Scientology, and Manon's book Funny How It Works Out.  Did Anneliese go to school with NXIVM leader Allison Mack? Did Christy's OBGYN tell her she was fat? What's it like to work on a Disney cruise? Tune in now!  Thank you to this episode's sponsor! • BetterHelp: In the season of giving, give yourself what YOU need – with BetterHelp. Visit betterhelp.com/BIGNAME  today to get 10% off your first month. Follow Manon Mathews at @ManonMathews on Instagram and TikTok. Follow us at @BigNameBitches on Instagram and TikTok, and subscribe on YouTube. Follow Christy Carlson Romano at @thechristycarlsonromano on Instagram and @christycarlsonromano on TikTok. Follow Anneliese van der Pol at @anneliesevanderpol on Instagram and @anneliesevdp on TikTok. You can watch the video version of this podcast on YouTube. Mocktail Recipe: “Funny How It Works” 2 oz Ceder's Classic 0.5 oz Lyre's Aperitif Dry 0.5 oz Housemade Brine Housemade Brine: 2,500g water 225g salt 25g sugar 250g cider vinegar Short hard shake, strain chilled into a coupe with a skewered Castelvetrano Olives.  Find our mixologist LP O'Brien @lpdrinksdc on Instagram, and check out her website at https://www.lpdrinks.org Learn more about your ad choices. Visit podcastchoices.com/adchoices

Philip Lufolk is a blacksmith in Storvik, Sweden inspired by the archeology & mythology of Scandinavia. We begin on the role of the Viking blacksmith & how bog iron was processed.  Philip describes objects & jewelry that he forges based on historical artifacts: the seeress' völva staff; a charm known as a Thor's hammer; a landowner's Viking key; and oath rings inscribed with law. We switch to mythology with the tale of Mjölnir [Thor's hammer] & the rest of the gods' treasures, fashioned by the industrious & highly-skilled dwarves. Then there's the vengeful blacksmith, Völund. We discuss burial mounds & rock art: picture stones, rune stones & a petroglyph just outside of Oslo's city center. Approaching the end Philip tells an archaic divination technique called Årsgång or "The Year Walk." Follow Lufolk on Instagram and check out his wares at Lufolk.com. Reading excerpts from The Viking Spirit: An Introduction to Norse Mythology & Religion by Daniel McCoyMusic provided by Lyre of the Crossroads"Sigurd and Fafnir'"Written & Performed by Lyre of the Crossroads"Bass Jouhikko / Basssharpa / Bass Tagelharpa"Written & Performed by Lyre of the Crossroads"Helm of Awe"Written & Performed by Lyre of the Crossroads"Talharpa/Tagelharpa/Stråkharpa"Written & Performed by Lyre of the CrossroadsSupport Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com

Anna Björg Þórarinsdóttir is the manager of The Museum of Icelandic Sorcery & Witchcraft in The Westfjords region of Iceland.  We begin on the country's origins as a Viking settlement, followed by life in the traditional turf houses. From there we learn that belief in elves is still relevant today and how spirits in the land have shaped not only Icelandic legends, but the ethos. We hear of a nearby farm built over a heathen temple where an ominous Viking-era stone was discovered. In story form, Anna tells the rich history of the island's 16th-to-17th-century sorcerers: the religious temperament of the time, their persecution, and her own ancestral involvement. This opens up further synchronicities around her position at the museum & growing up in a New Age household. For the remaining time, it's an all out deluge of folklore and magic: spirit guides called Fylgja, hunting & farming folk magic, The Helm of Awe, the Yule Lads, a pair of human skin pants, and finally, a grotesque milk-stealing wool-worm known as the Tilberi! Learn more about The Museum of Icelandic Sorcery & Witchcraft & follow Anna on Instagram.Reading excerpt from Icelandic Folk Legends: Tales of Apparitions, Outlaws and Things Unseen by Alda Sigmundsdóttir  Music Credit:"Ragnarok" [The End of the Gods]Performed by Ensemble: SequentiaCourtesy of

In this episode of the Dealmakers' Podcast, we had the pleasure of sitting down with Carl Hartmann, an Australian entrepreneur who has taken his innovative ideas and turned them into two successful businesses. His latest venture, Lyre's Spirit Co has attracted funding from top-tier investors like Futurecraft Ventures, VRD Investment, Doehler Ventures, DLF Venture, and DLF Venture.

Amurru (Part 4): Reconquista. The land of Amurru, and its leaders, have been a noteworthy part of the story in recent decades. Since the reigns of Amunhotep III and Akhenaten, the lords of Amurru have caused great trouble in Egypt's northern empire. They have raided, plundered, and even murdered their way to regional prominence. Now, a couple decades after their betrayals, King Sety I is bringing vengeance… Note: This episode includes new content and old material from episodes 123, 124, 142c. See timecodes for relevant chapters. Timecodes: 00:00 Introduction. 02:25 The Land of Amurru. 12:25 How Science Uncovered Amurrite Expansion. 24:04 The Amurru – Hittite Alliances. 35:44 The Battle of Amurru. 46:28 Can We Trust Sety's Story? 51:15 Conclusion. 53:50 Episode 123, Amurrites and Where to Find Them. 2:07:17 Episode 124, The Crimes of Aziru. 3:07:45 Episode 142c, Aziru's Betrayal. Episode Details: Date: c. 1300 BCE. Music: Michael Levy - Composer for Lyre (ancientlyre.com). Interludes: Keith Zizza and Luke Chaos. Logo image: Warriors of Kadesh, near Amurru, falling before Sety I's assault. Battle reliefs at Karnak, via the University of Chicago (below). Goren, Finkelstein, and Na'aman: The Expansion of the Kingdom of Amurru According to the Petrographic Investigation of the Amarna Tablets | Yuval Goren and Nadav Na'aman - Academia.edu. Sety's Battle Reliefs, including the possible scenes of Amurru, at the University of Chicago: Reliefs and Inscriptions at Karnak, Volume IV: The Battle Reliefs of King Sety I | Institute for the Study of Ancient Cultures (uchicago.edu). Peter Brand, Ramesses II: Egypt's Ultimate Pharaoh, out now from Lockwood Press. Support The History of Egypt Podcast by shopping at RA EGYPTIAN, the clean skincare line inspired by ancient Egyptian ingredients! Visit www.ra-egyptian.com and use code EGYPT at checkout for 30% off your order! Learn more about your ad choices. Visit megaphone.fm/adchoices