Podcasts about Apia

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

Na fesiligia e Miriama Pomare nisi o tagata i le taulaga i Apia i ni manatu ae o sauni atu le atunu'u mo lana faigapalota i le faai'uga o le masina nei.

Na lipotia e le Samoa Observer mai Apia se sui tauva na fa'ate'ia le 'aulotu EFKS i Aleisa ua auai atu i le sauniga ma saunoa i le 'aulotu.

Primul pachet de masuri fiscale adoptat de Guvern continua sa aiba ecouri. Salariaţi din mai multe instituţii au protestat în Piaţa Victoriei, faţă de măsurile fiscale din primul pachet, despre care afirmă că ”afectează grav capacitatea de administrare a fondurilor europene”. Pe de alta parte, ministrul de resort, Dragoş Pîslaru, spune ca Bruxelles a confirmat că primul pachet adoptat de guvern şi al doilea, care urmează, rezolvă problema traiectoriei fiscale. AUR a atacat la CCR pachetul austerităţii, apreciind că este ”o lege toxică” şi reprezintă un abuz de putere. Masurile sunt prevazute sa intre in vigoare la 1 august.   Sunt reacţii la Moscova după anunţul lui Donald Trump că va da arme Ucrainei Kremlinul transmite ca va analiza declaratiile dar considera că Ucraina la va percepe ca pe un semnal de război. In plus, Rusia sustine ca este dispusa sa negocieze un acord cu Kievul.  Presedintele american s-a aratat dezamagit de Rusia si a anunţat că Washingtonul a decis să continue transferul de arme şi echipamente militare către Kiev, dacă Europa va plăti pentru aceste livrări.   Interviu RFI cu unul din sponsorii campaniei lui Nicușor Dan Numele celor care au sponsorizat cu sume importante în campania electorală a lui Nicușor Dan au fost făcute publice de actualul președinte. Printre acestea și un clujean, de etnie ucraineana, care a împrumutat echipa lui Dan, în două tranșe, corespunzătoare celor două tururi de scrutin, cu 800.000 de lei. Acum om de afaceri, el a explicat de ce s-a implicat în campania prezidentiala.        

Check out our latest episode of the New Zealand Property Podcast featuring where Sarina Gibbon, General Manager of Auckland Property Investors Association interviews Mark. With vendors making concessions, prices softening, and listings sitting longer, conditions are clearly tilting in favour of the buyer. But power alone doesn't build wealth—strategy does. This webinar is your blueprint for turning today's favourable conditions into tomorrow's strong returns. Join seasoned investor and Harcourts Property Ventures principal and property podcaster Mark Honeybone as he unpacks how to buy better in this market—not just because you can, but because you know how. In this session, Mark will cover: ✅ How to identify real growth potential in a slow market ✅ Why buying strategically now can supercharge your long-term gains ✅ What separates an OK deal from a truly great one ✅ Real examples of smart acquisitions made in soft conditions ✅ The habits and filters successful investors use to stay ahead This is not about rushing into the first discounted listing you see. It's about making elevated, confident, and future-focused decisions while the power is in your hands.

Hear about travel to the island nation of Samoa as the Amateur Traveler talks to Jonty Crane from Jonty Travels about his recent trip biking around the country. Why should you go to Samoa? Jonty says, "Samoa is a small island in the Pacific. If you imagine a tropical Pacific paradise, then something like Samoa would probably spring to mind in terms of palm trees along a beautiful sandy beach with snorkeling opportunities and some diving opportunities. The Samoan culture is very interesting. It is very much the heart of Polynesia, and they've done a very good job at maintaining their culture. It's touristy enough that it's got the infrastructure that you need as a tourist to get around and do things. But it's not particularly touristy." Jonty recommends a one-week itinerary for Samoa that allows travelers to experience much of what the country has to offer, but he notes that a 10- to 14-day trip would be ideal to allow for rest, deeper exploration, and a more relaxed pace. Here's how he breaks it down: Begin your trip in Apia, the capital and only real city in Samoa. Jonty suggests spending at least a day, preferably two, exploring both the downtown and the surrounding hills. In central Apia, highlights include: Start with Apia (1–2 days) ... https://amateurtraveler.com/travel-to-samoa/ Learn more about your ad choices. Visit megaphone.fm/adchoices

As artificial intelligence (AI) transforms modern life, we're understanding more about the benefits and tradeoffs of its use in generating content. New alum Paul Kim wrote his master's thesis about how generative AI (genAI) perpetuates false narratives about Asian and Pacific Islander Americans (APIA), and how communities can use genAI to reclaim those narratives.In this episode, producer Willa Seidenberg talks with Paul about his thesis, Encoding Counter Memories: Artificial Intelligence as a Tool for APIA Community Empowerment. He completed it for his dual master's degree in heritage conservation and landscape architecture and urbanism.They discuss ethical concerns like misinformation and data privacy, how bias affects APIA heritage, and how communities can—and must—use it to share their stories and amplify accurate history. Paul's already on the case as a Past Futures Fellow for Asian and Pacific Islander Americans in Historic Preservation (APIAHiP)!See episode page for photos, resources, and transcript.Connect with us on Instagram, Facebook, and LinkedIn!

Este episodio arranca con un fascinante hallazgo en la Vía Apia de Roma que nos sirve de excusa para sumergirnos en los rituales funerarios de la antigua Roma: libaciones, banquetes, ofrendas y el papel de la comida en el tránsito hacia el más allá. ¿Qué se comía en los funerales romanos? ¿Qué simbolizaban esas ofrendas? ¿Qué vínculos conservamos hoy con aquellas prácticas? Desde las cerditas asadas ofrecidas a Ceres hasta los alimentos sencillos compartidos en los nouendialis, repasamos cómo los romanos despedían a sus muertos entre pan, vino, leche, flores y silencio. También hablamos de triclinia funerarios, festividades como las Parentalia y tumbas como la del Elefante en Carmona. En la segunda parte del programa, seguimos preparando nuestra despensa con calma: recetas prácticas con productos deshidratados para emergencias o días con prisas. Y en el cierre, analizamos el sorprendente nombramiento de Casey Means como directora de Salud Pública de EE. UU. por Donald Trump y su radical crítica al sistema alimentario y sanitario actual. Un episodio para mirar la muerte —y la comida— desde la historia, la supervivencia y la política contemporánea.

Emil Turdean ne-a povestit direct despre problemele agriculturii românești, de la birocrație și lipsa de finanțare pentru proiecte serioase, la risipa subvențiilor europene pe "găinării" și importul masiv de alimente de bază. Am înțeles că se poate face performanță și calitate prin asociere și investiții inteligente, dar ne lovim de mentalități vechi și legi neclare, deși ar trebui să fim recunoscători că putem face agricultură într-o țară liberă.IGDLCC înseamnă Informații Gratis despre Lucruri care Costă! Totul ne costă dar mai ales timpul așa că am făcut această serie pentru a mă informa și educa alături de invitați din domeniile mele de interes. Te invit alături de mine în această călătorie. Mi-am propus să mă facă mai informat și mai adaptat la schimbările care vin. Sper să o facă și pentru tine.

Cerimônia de Posse da Nova Diretoria do Consórcio de Desenvolvimento das Regiões Sul e Sudeste do Estado de São Paulo - CONDERSUL.

Cerimônia de Posse da Nova Diretoria do Consórcio de Desenvolvimento das Regiões Sul e Sudeste do Estado de São Paulo - CONDERSUL.

Aperila 22…Tala mai Samoa fofogaina e Jack Seumanutafa.

Rodolfo Games, presidente de APIA @conexionparques 13-2-2025

In this episode, we're joined by Adam Farrell, Director of Lighthouse Property, to break down what smart investors always look for in properties. From understanding property titles to identifying high-growth areas and making confident buying decisions, Adam shares expert insights to help you maximise your property investments.Register for Adams upcoming property investment webinar hereRegister for APIA's ‘Power Skills for Investment Success' workshop.Get your FREE ticket with code ‘BESTPOD' at checkout.Date: 11th March 2025 | Location: Parnell, Auckland Register nowThis episode is proudly sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Partners Life⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.For more money tips follow us on:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The content in this podcast is the opinion of the hosts. It should not be treated as financial advice. It is important to take into consideration your own personal situation and goals before making any financial decisions

In our latest episode, we sit down with Sarina Gibbon, Head of the Auckland Property Investors Association, to break down the latest updates to New Zealand's tenancy laws. From 90-day no-fault termination notices to the introduction of pet bonds, Sarina explains what these changes mean for landlords. Don't miss this essential guide to navigating the evolving rental market in 2025. Join the Auckland Property Investors Association today! Use code JAMESANDMIKE at APIA for a free one-month membership. This episode is proudly sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Partners Life⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. For more money tips follow us on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The content in this podcast is the opinion of the hosts. It should not be treated as financial advice. It is important to take into consideration your own personal situation and goals before making any financial decisions.

Bài của Anh Posenai Patu, một tín hữu của Giáo Hội Các Thánh Hữu Ngày Nay của Chúa Giê Su Ky Tô đang sống tại Apia, Samoa Tôi đang tham dự một buổi đại hội tôn giáo với chị gái tôi thì chị ấy nhờ tôi trèo lên cây và hái một chùm dừa cho […] The post Podcast số 416 – Liahona tháng 7, 2024 – Thượng Đế Cho Tôi Thấy Rằng Tôi Có Một Mục Đích – Posenai Patu appeared first on Thánh Hữu Việt Nam.

The Daily Quiz - Geography Today's Questions: Question 1: Which of these cities is in Latvia? Question 2: Which region of the world uses '.sk' at the end of its web addresses? Question 3: What is the smallest Canadian province? Question 4: Apia is the capital city of which country? Question 5: Which country is also known as Suomi? Question 6: Which country owns the Galapagos Islands? Question 7: Which world capital is home to Plaza de Garibaldi, near the Avenida Juarez? Question 8: Which Bridge Connects Europe With Asia? Question 9: What is the second highest mountain in Africa? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest news and analysis from Apia where leaders from across the commonwealth have gathered for their bi-annual gathering CHOGM.

Deputy Prime Minister Winston Peters said New Zealand should not apologise to Samoa for the environmental impact from the HMNZS Manawanui sinking and ongoing fuel leaks. Mr Peters made the comments in the capital Apia, where he has just arrived for the Commonwealth Heads of Government Meeting - or CHOGM. Questions surrounding Winston Peters' attack on a public servant have followed him all the way to Samoa, political reporter Russell Palmer spoke to Lisa Owen from Apia.

King Charles and Queen Camilla have touched down in Apia for the Commonwealth Heads of Government Meeting, also known as CHOGM. Local villagers have lined the streets with lanterns to welcome the monarch along with delegations from 56 other countries, including our own Prime Minister. But first, while those world leaders gather one side of the island of Upolu, off the coast of the otherside lies the wreck of the HMNZS Manawanui which is still leaking fuel. As a result, the livelihoods of people living along the idyllic coastline hang in the balance as the risk of further contamination from the wreck continues. Susana Lei'ataua has the story.

Prime Minister Christopher Luxon is among the world leaders who have arrived in Samoa. Political reporter Russell Palmer is in Apia and and spoke to Lisa Owen.

World leaders who represent member countries of the Commonwealth have descended into Samoa for the 27th Commonwealth Heads of government meeting or CHOGM. RNZ Pacific's Susana Suisuiki is in Apia.

In Pacific Waves today: University of the South Pacific staff are on strike, calling for the removal of Vice-Chancellor Pal Ahluwalia; Susana Suisuiki is in Samoa for CHOGM and shares what leaders, dignitaries and locals in Apia are saying ahead of King Charles III visit on Friday; This week New Caledonia, torn apart by violent riots over the past five months is to receive a high level Pacific Islands Forum fact finding mission; Pasifika Opera singers say there is a demand for Polynesian talent in the prestigious art form following a two night show in Rarotonga.

In today's episode, Interior Minister Constantinos Ioannou will be travelling to Apia, Samoa for the Commonwealth Heads of Government meeting taking place between 21 and 26 October, an announcement said on Sunday. Elsewhere, Cyprus' government portal was the victim of a cyberattack Sunday but the authorities coped with the incident successfully, the Deputy Ministry of Research, Innovation and Digital Policy said in a statement. Also, Firefighters rescued three people stuck in their car at the Larnaca Salt Lake, fire services spokesman Andreas Kettis said on Sunday. All this and much more in today's Daily News Briefing brought to you by The Cyprus Mail.

San Calixto I, papa y mártir, que, cuando era diácono, después de un destierro en la isla de Cerdeña tuvo a su cuidado el cementerio de la vía Apia que lleva su nombre, donde dejó para la posteridad las memorias de mártires, y elegido papa, promovió la recta doctrina, reconcilió benignamente a los apóstatas, terminando su intenso pontificado con la gloria del martirio. En este día se conmemora su sepultura en el cementerio de Calepodio, en la vía Aurelia, en Roma (c. 222).

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Divers will go into the water again this morning at the wreck of the sunken HMNZS Manawanui off the south coast of Upolu in Samoa. Its their eighth day at the wreck since the Manawanui ran aground on the Tafioala Reef and divers from New Zealand Navy and Samoa have been assessing how to stop the three leaks and remove the vessel's fuel tanks. RNZ Susana Lei'ataua spoke to Infrid Hipikiss from Apia.

Divers from New Zealand and Samoa have been at the sunken HMNZS Manawanui all day working out how to seal three diesel leaks on the underside of the warship. The Manawanui ran aground on the Tafitoala Reef on the south west coast of Upolu on Saturday night then sank on Sunday morning and diesel has been leaking into the water ever since. Samoa's Marine Pollution Advisory Committee chair Fui Tupa'i Mau Simanu met with Maritime New Zealand and the NZDF this morning to confirm the next steps for stopping the leaks, RNZ's Susana Lei'ataua is in Apia and spoke to Lisa Owen.

O le misa talu ai nei i le va o tamaiti a'oga i le maketi faatali pasi i Savalalo ua manatu ai le komesina o leoleo i Samoa, Auapa'au Logoitino Filipo, ua tatau ona tapunia nisi o a'oga.

AP correspondent Julie Walker reports a new poll shows Harris is more popular than Trump among AAPI voters.

Ua talosaga le matagaluega o le soifua maloloina i le World Health Organisation mo ni tests faavave (rapid tests) o le mpox i le taimi o le fonotaga a le CHOGM i Apia.

Ua toe faia se galuega e lipea ai vaega o le uati i Apia e aofia ai se GPS ia mautinoa ai le sa'o o le taimi.

En breve reabrirán estaciones de la L9 del Metro La Vía Apia es incluida en la lista de Patrimonio de la HumanidadMás información en nuestro podcast

This audio is the recording of an in-person event, hosted by the Auckland Property Investors Association titled "The Elephant in the Housing Room: What the Experts See When the Rest of Us Aren't Looking".Moderated by Nick Goodall, Head of Research at CoreLogic NZ, featuring a panel of Opteon MD, Richard Vaughan, Chief Executive of the Property Council, Leonie Freeman and Chief Economist at CoreLogic NZ, Kelvin Davidson.This covers a number of topics that haven't generally got as much coverage as they deserve, such as the impacts of climate change on housing, the opportunity of build-to-rent, the difficulties of infrastructure investment and the generational changes which will have an influence over the next few decades.Sign up for news and insights or contact on LinkedIn, Twitter @NickGoodall_CL or @KDavidson_CL and email nick.goodall@corelogic.co.nz or kelvin.davidson@corelogic.co.nz

En este episodio nos acompaña Renée Carvajal de @escape_de_letras para comentar el libro "Apia de Roma" de Viviana Rivero. Una novela que nos lleva al apogeo del Imperio Romano, donde Apia Pópulus, una joven que enfrenta la pérdida de su madre y un matrimonio forzado, lucha por sobrevivir en un mundo lleno de intrigas y violencia. Con su esclava Furnilla, Apia encuentra fuerza y resistencia, mientras el centurión Manius Marcio despierta en ella sentimientos desconocidos. Acompáñennos a explorar esta apasionante historia de superación y amor en una Roma llena de desafíos.

This week, we're LIVE from New York, with an up-close-and personal look at the brand new Dyson Supersonic “Nural” Hair Dryer – Is it really worth the $499 USD price tag?? Tune in as we get the 411 on the scalp-protecting blow-dryer from Dyson Global Styling Ambassador Matthew Collins. Then, is the beauty industry experiencing a slowdown? Or is good news hiding between the headlines? Plus you'll hear about:Jill's Bravo dreams coming true, live in the Watch What Happens Live ClubhouseWhy the beauty industry is betting big on the next Gen of sports superstarsBeyoncé's vlogging era! Our musings on who's winning big in beauty right now, and who's in a slumpStay tuned till the end where Carlene shares some very exciting news (Sign up here to be the first to know and follow your girl on Instagram for more updates!) For any products or links mentioned in this episode, check out our website: https://breakingbeautypodcast.com/episode-recaps/ Get social with us and let us know what you think of the episode! Find us on Instagram, Tiktok, Twitter. Join our private Facebook group, or give us a call and leave us a voicemail at 1-844-227-0302. Related episodes like this: The #DamnGood Indie Brands We're Obsessed With Right Now: A NYC Facialist's Debut, Ayurvedic Skincare FTW and Did We Just Discover The Next Charlotte Tilbury?The Power of “Midlights,” Why Demi-Colour Is Your New BFF & The Hottest 2024 Hair Colour Trends We're About to See Everywhere With Celebrity Hair Colourist Matt RezWhat's *Not* #DamnGood? Our Anti-Haul Episode is Here! PROMO CODES: When you support our sponsors, you support the creation of Breaking Beauty Podcast! BONCHARGEIf you wanna try the BONCHARGE Red Light mask for yourself, they offer worldwide shipping with easy returns and exchanges, and there's a 12 month warranty on all red-light therapy devices. Be sure to use our promo code. Go to boncharge.com and use coupon code BEAUTY to save15%.ImPRESSImPRESS No Glue Manis and imPRESS Press-On Falsies Lashes are getting ready game-changers. Both require no glue – so there is no damage to your natural nails and lashes, no annoying dry times and no mess. Visit impressbeauty.com/breakingbeauty and use code “BREAKINGBEAUTY” at checkout for 25% off imPRESSManicure and Press-On Falsies. Macy'sMay is officially Asian American Pacific Islander Heritage Month and our good friends at Macy's are highlighting AAPI-owned brands all month. Round up your purchase to the nearest dollar at checkout to support APIA scholars, in-store and online at macys.com*Disclaimer: Unless otherwise stated, all products reviewed are gratis media samples submitted for editorial consideration.* Hosts: Carlene Higgins and Jill Dunn Theme song, used with permission: Cherry Bomb by Saya
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O le a auai atu nisi o sui sinia o militari a Ausetalia ma Niu Sila i sauniga faamanatu o le ANZAC i Apia.

The Commonwealth Secretary-General Patricia Scotland is raising the alarm about disappearing Pacific Islands, and the potential for larger Commonwealth nations to become the new homes for climate refugees. She's upped the ante on the need for developed Commonwealth countries to cut emissions and spend more on climate adaption in an interview from Samoa with SBS. Baroness Scotland has made an appeal for developed nations like Australia to speed up the clean energy transition, as federal budget deliberations here reach their final stages. Ahead of a Commonwealth heads of government meeting in Samoa later this year, Baroness Patricia Scotland has also warned some Commonwealth countries in the Pacific could soon cease to exist... and it would be inconscionable not to act. She's speaking to SBS Chief Political Correspondent Anna Henderson from the Samoan capital Apia.

Na fesiligia e le ta'ita'i o le itu-agai o le palemene o Samoa, Tuila'epa Sailele Malielegaoi, le palemia i le moni o ni faamatalaga na ia maua i le fono faitulafono a Amelika Samoa o loo ta'ua ai le faamatu'u atu e le malo Samoa o se 400 'eka i Togitogiga mo se faato'aga lafu povi a le teritori. Na tali le palemia, Fiame Naomi Mata'afa, masalo o se fake news, ona pau 'ele'ele o loo aofia i feutaga'iga a Samoa e lua, o le fanua i Tafuna mo le ofisa o le konesula o Samoa, ma se fanua i Moata'a mo le ofisa o Amelika Samoa i Apia.

Ua faaalia e le sui faipule o le itumalo palota o Salega Numera Muamua, Fepulea'i Faimata Su'a, lona te'ena uma o moliaga o loo molia ai o ia e leoleo i Samoa. O se vaega lenei o le ripoti mai le sui o le SBS Samoan i Apia, Galumalemana Autagavaia Tipi.

It's a simple equation facing New Zealand in Apia today, beat the Solomon Islands, and qualify for Paris. Sports reporter Jonty Dine speaks to Lisa Owen. [embed] https://players.brightcove.net/6093072280001/default_default/index.html?videoId=6347178711112

I le ripoti lenei a le sui o le SBS Samoan i Apia, Galumalemana Autagavaia Tipi, o loo aofia ai se faamatalaga tusitusia a le fofoga fetalai o le palemene i le faai'uga ua aumaia e le faamasinoga o faai'uga toe iloilo, le Court of Appeal i Samoa.

E ono faasalaina le kamupani e ona le va'a fagota lea o loo pa'ulia i le matafaga o Apia ina ua motu mai le taula i le uafu i Matautu ona o le malosi o le galu. O loo iai popolega i le a'afia o le si'osi'omaga o le gataifale pe a mama ma liki le suau'u mai le va'a.

Na maua i le osofa'iga a leoleo le to'aga mariuana a se taule'ale'a i le afio'aga o Vailoa i Palauli. atoa ai ma nisi talafou mai Samoa i le ripoti a Galumalemana Autagavaia mai Apia.

I lana saunoaga faamanuia mo le Tausaga Fou, na faamanatu ai fo'i e le palemia o Samoa le taligamalo a le atunu'u i le fonotaga a ta'ita'i o malo o le taupulega lea o loo faamoemoe e usuia i Apia i le masina o Setema.

I se faatalanoaga ma le sui o le SBS Samoan i Apia, na faaalia e le leoleo asiasi Li'o Faataumalama lona tete'e i tuua'iga e pei ona faate'a le tumau ai o ia ma se tasi leoleo i le faia o se su'esu'ega i le maliu o se tama talavou i le 2 tausaga ua mavae e aunoa ma se faatagana mai le Komesina. Ua 2 tausaga talu ona maliu le taule'ale'a i se faalavelave na so'a ai e se taavale, ae o'o mai i le taimi nei, e le'i maua e leoleo ma su'esueina pe molia le tagata na 'aveina le taavale.

O se faalavelave na tupu ina ua sa'e le va'a na alu ai se faiva taga palolo a ni taulele'a o Poutasi Falealili, na maliu ai Toetu Aoina ma e le'i toe maua lona tino maliu. Faafofoga i le ripoti a Galuemalemana Autagavaia mai Apia.

Ripoti a Galumalemana Autagavaia mai Apia.

Se talanoaga a le ta'ita'ifono o le Lakapi Liki Samoa, Fiu Ponifasio Vasa, ma le sui o le SBS Samoan i Apia, Galumalemana Autagavaia Tipi Autagavaia.

Na faia i le vaiaso nei le sauniga e suaina ai le 'ele'ele o se fanua o le malo Samoa i Taumeasina ua faasino e fausia ai se ofisa o le faigamalo teritori i Amerika Samoa.