Podcast appearances and mentions of russell merritt

In today's interview, I speak with Andrew Stanley Kiste, a campus life director and life long lover of all things Disney. He has written articles and books including Walt Disney and the 1964-1965 New York World's Fair, and three volumes of A Historical Tour of Walt Disney World. He joins me today to talk about his new book, The Early Life of Walt Disney. Listen to hear how Walt Disney's father Elias impacted how Walt became the man we know, where Walt learned his storytelling and artistic abilities, and some of the early animated creations before Walt's famous mouse Mickey. Books mentioned in this episode include: The Early Life of Walt Disney by Andrew Stanley KisteThe Story of Walt Disney by Diane Disney MillerWalt Disney: an American Original by Bob ThomasBuilding a Company: Roy O. Disney and the Creation of an Entertainment Empire by Bob ThomasWalt Disney: The Triumph of the American Imagination by Neal GablerWalt Disney's Missouri: The Roots of a Creative Genius by Brian Burnes, Dan Viets, and Robert W. ButleWalt in Wonderland The Silent Films of Walt Disney by Russell Merritt and J. B. KaufmanOswald the Lucky Rabbit: The Search for the Lost Disney Cartoons by David A. BossertDisney War by James B. StewartThe Disney Revolt: The Great Labor War of Animation's Golden Age by Jake S. FriedmanThe Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History by Nathalia HoltHow Walt Disney Changed Animation Forever by Andrew Stanley Kiste (forthcoming in 2025)Films mentioned in this episode include:Cinderella directed by Wilfred Jackson, Hamilton Luske, and Clyde GeronimiSnow White and the Seven Dwarfs directed by David HandAlice in Wonderland directed by Ben Sharpsteen, Clyde Geronimi, Wilfred Jackson, and Hamilton Luske"Der Fuehrer's Face" directed by Jack Kinney"The Thrifty Pig" directed by Ford Beebe"Alice's Wonderland" directed by Walt DisneyOswald the Lucky Rabbit filmsSaving Mr. Banks directed by John Lee HancockNapoleon Dynamite directed by Jared HessForrest Gump directed by Robert ZemeckisToy Story directed by John LasseterFollow Andrew on Facebook (@Andrew Kiste-Author) and check out his website and Amazon Author Page for links to all of his books. Check out his articles in Walt Disney World Magazine.

“an event of extreme importance” [SIGN]    There seems to be an explosion of Sherlock Holmes events of late. And the second outing of Holmes in the Heartland is an excellent entry in that horse race. Rob Nunn, BSI ("Elementary") and Heather Hinson of the Parallel Case of St. Louis join us to talk about this pandemic-delayed event that is taking place July 28–30, 2023 at the Sheraton Westport Plaza Hotel in St. Louis, Missouri. The clever theme for this second entry in the Heartland series is "Arch Enemies," and features a wide array of Sherlockian speakers, vendors, and plenty of activities for all attendees. Listen to this funny and informative interview to hear what to expect and how to participate. This episode's Canonical Couplet is an easy one! If you can't solve this, you shouldn't call yourself a Sherlockian. We've got something special from the IHOSE Vaults for our winner. Send your answer to comment @ ihearofsherlock .com by June 29, 2023 at 11:59 a.m. EST. All listeners are eligible to play.   If you become a , not only will you help to ensure we can keep doing what we do, covering file hosting costs, production, and transcription services, but we have thank-you gifts at certain tiers and ad-free versions of the episodes for all patrons.   Sponsors  is the premier publisher of books about Sherlock Holmes and Arthur Conan Doyle.  brings the best in new Sherlock Holmes novels, biographies, graphic novels and short story collections every month. With over 400 books it's the largest catalogue of new Sherlock Holmes books in the world.   Would you care to advertise with us? You can find . Let's chat!   Links This episode:   -  Previous Episodes mentioned:  (interview with Rob Nunn)  (interview with Rob Nunn)  (interview with Rob Nunn & Peter Eckrich)  (interview with Brad Keefauver and Rob Nunn)  (discussion of Sherlockian societies) s (with Russell Merritt) (with Russell Merritt)     Many more links, articles, and images are available in our Flipboard magazine at   as well as through our accounts on , , , and .     And would you consider leaving us a rating and review? It would help other Sherlockians to find us.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at 5-1895-221B-5. That's (518) 952-2125.            

The Legends Of S.H.I.E.L.D. Agent Lauren, Agent Michelle, Consultant Chris, and Producer of the show Director SP discuss the 1992 Marvel Entertainment Group X-Men The Animated Series season two episodes “‘Till Death Do Us Part: Part 1,” “‘Till Death Do Us Part: Part 2,” “Whatever It Takes,” and “Red Dawn,” and “Repo Man.” They also discuss the top Marvel Studios news stories of the week including what Netflix is doing with the Marvel series, that Doctor Strange Superbowl Trailer and that Moon night Superbowl Trailer. The Team debriefs you on National Random Acts Of Kindness Day, a profile on Fox Kids Executive Sidney Iwanter, a Legends Of S.H.I.E.L.D. Previously On in honor of X-Men The Animated Series, episode synopses, Morph's return, the grandiose and fabulous Mr. Sinister, Xavier and Magneto's buddy comedy journey, Xavier's walking in the Savage Land, The Shadow King, Storm's character background and her two voice actors, Rogue and Storm Girl Power passing the Bechdel test, Colossus' return to the series as a Golden Retriever, Matt LeBlanc or Mr. Peanutbutter (from BoJack Horseman), Alpha Flight because Canada, Wolverine's Bone Claws and Len Wein, the noted mutant cameos , killing the Cyclops robot, and what Wolverine's type is. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   Marvel Entertainment's X-Men The Animated Series As Shown On Disney+ Discuss the 1992 X-Men Animated Series season 2 episodes 1-5 Some background into Fox Kids Network Developer Sidney Iwanter Weekly Marvel Studio News What Netflix is doing with the Marvel series That Doctor Strange Superbowl Trailer That Moon night Superbowl Trailer Your Feedback Your favorite Marvel Comics Base video games Your Multiverse Mutant and Avengers Team Ups Your Favorite Rocking Marvel Character on Tour   Tom Holland's Lip Sync Battle - Rhianna's Umbrella https://youtu.be/SgxEnEzJhBA?t=73   X-MEN THE ANIMATED SERIES S2E1 – S2E5 [3:50]   X-Men The Animated Series Fox Kids Network Executive Sidney Iwanter Profile   IMDB Credits 1 Developer Credits since 1985 https://www.imdb.com/name/nm2458358/?ref_=nv_sr_srsg_0 76 episodes of X-Men: The Animated Series Background Father fought in WWII (Lithuanian Jew) Polish Cavalry Joined the French - Captured at Dunkirk Liberated from Concentration Camp Fought in Battle Of The Bulge Degree in History from the University Of Wisconsin Accepted to UCLA film school but dropped out after a 1 ½ Got a job at channel 9 because he was a fast typist That job led to a job at Paramount pictures That led to a job at Hanna-Barbera in 1979 Same boss hired him in 1989 at Marvel Entertainment Same boss hired him at Fox Kids a year later Most proud of X-Men The Animated Series Was Fox Kids network Executive Director on X-Men The Animated Series Multi-leveled stories References to Voltaire and Shakespeare Show's premise, outlines, scripts, story writers, first cuts and final cuts Okays the show's writers Worked with Joe Calamari of Marvel to finalize premises Bringing Morph back in season two was to satisfy a promise to Avery Coburn, the Broadcast Standards and Practices Person that the show would bring Morph back like a Soap Opera X-Men The Animated Series was never designed for Adults. It was always designed for kids 6-11 years old Sidney's favorite X-Men was Beast Wishes that the animation was better and they had the same budget Warner Bros was able to spend for Batman The show was successful because: Multilayered stories and great writing Worked the characters backstories into their actions Understood the philosophies of characters Great voice talent Interviews Oral History: Sidney Iwanter https://mosseprogram.wisc.edu/2021/08/06/iwanter/ https://youtu.be/P5hIZaSq_qs 01:00:01 Tortorice: So, this brings up then your post-UW career. What did you do? How did you how did you end up in the entertainment business? Iwanter: I slept with all the wrong people. What happened was I went out to UCLA Film School. I got accepted to, I got accepted there. But I didn't like it. In fact, I basically dropped out after maybe a year, year and a half. Why? Because academically, it was the pits. Doney: Do you want a water? Iwanter: Oh, no. Thank you. I had… Tortorice: Especially when compared to UW, right? Iwanter: Yeah. No, I'm I'm being serious about that. I had my major professor and film was Russell Merritt. Tortorice: Fantastic teacher. Iwanter: PhD from Harvard in Comp Lit. And he used to say to me, He's now Berkeley, he's Berkeley emeritus now. He used to say to me, You don't study film. As. Unless, you don't study film, as film, it's part of an interdisciplinary study. So in other words, if you're going to study film, you study it through English Lit, French Lit, History, Comp Lit, you know, economics. It doesn't make any difference. But it's not. Film is an art form, but it also is as an art form. You, if, if you're studying Renaissance artists, you have to study Italian, you have to study the history. You have to know what's going on at, in Florence and Venice and Rome at the time. Okay. The teachers at UCLA at that time and maybe still there. All they did was study film. But they studied film as if it were in a vacuum. They might as well have just been reading Daily Variety. I hated it, hated it with a passion. There was no intellectualism. There was, it was, it was like a wasteland. And I was really pissed because I had also gotten accepted to NYU. And, you know, and but I couldn't afford NYU. And I could afford UCLA only because if you stayed there for a year, you'd become a California resident. 01:02:59 And so I basically dropped out after about a year, year and a half. And I thought to myself, should I go back to Madison? No, because I don't want my mother telling me. “Well, I told you so,” honest to God. So I stayed out in Los Angeles and I, weaseled my way into a job. My girlfriend, who I met here in Madison, we went out together to Los Angeles. And so she had gotten a job at J. Walter Thompson. And one day she says to me, Sidney, there's a job. I hear from a friend who's working at a TV station, Channel 9 (KHJ-TV), which was General Tire at the time, which is now owned by Disney. The station the there's a job available there as a teletypist, you can type. And maybe you can go get the job and get off your ass. I says okay. And I, I went there, I got the job. And the reason I got the job was that the person who had promised she wanted it had gone elsewhere and they just needed somebody. And so I actually had to take a typing test. And so and I had prior to that, I worked at the phone company for 18 months as a teletypist. So I was really quick at this. So I got the job at Channel 9 and I got it through a woman named Shelby Conti, whose husband was a struggling composer named Bill [William] Conti, who was the guy from Rocky eventually, you know, an Oscar winner, you know, and so on, and then but he's Bill Conti anyway. So that job led to a, because I like to talk to people. That job led to another job at Paramount Pictures Television, which was right across the street, which in research again, as a typist, which led to a job at Hanna-Barbera in 1979. I'm encapsulating all of this because there are all kinds of weird stories that go along with this stuff. A lot of one of them, I got the job working at Hanna-Barbera through drugs, but not I wasn't taking them, but the person who hired me was and this God as my witness that you know, and she got fired from Hanna-Barbera because she came out of the ladies room with a milk sign, but got milk. Well, it wasn't milk. So they fired her. They says, you can't  be taking coke. You work for Hanna-Barbera! You know, we do Scooby Doo. 01:06:00 What are you talking? And you know. Okay. Anyway, so and the but I had been doing some freelance work for Hanna-Barbera while I was at Paramount. And then I got fired because she had hired me, six weeks later. I say, man, I, I gotta I gotta get this this job, you know, because I'm losing too much money playing the horses at Santa Anita and Hollywood Park. That's what, I used to do that to make I used to make extra money, you know, trying to play the ponies as well as, you know, poker because they were poker parlors back then. I was a real reprobate. I had just, you know, I would have probably ended up as something straight out of Guys and Dolls if I hadn't gotten this job. So I, I called, I called up to get my Hanna-Barbera job back, which was just a freelance job. And the person who answered the phone was the person who had just, had replaced the woman who had a coke problem, because she answered the phone because her secretary was in the bathroom. And one thing led to another. And this woman hired me. And this woman became my like my Rabbi in a way, she hired me and fired me three separate times, all for insubordination over the years, different jobs. And so she hired me at Hanna-Barbera. She hired me ten years later at Marvel Entertainment. And then a year after that at Fox Kids, where I became, everybody got to know me because of the shows I worked on, like in animation like X-Men and Batman and Beetlejuice and Spider-Man and Silver Surfer and Goosebumps. And so I mean, you know, and that's basically, you know, Tortorice: So you kind of fell into it, it sounds like. Iwanter: Yeah. Oh, yeah. I fell into it because, and a lot of people fall into it. Tortorice: Right. Iwanter: Because those of us who didn't, you know, when I went to UCLA, I didn't want to become a production person. I think I wanted to, I wanted to be Harvey Goldberg or George Mosse and I knew I couldn't because I don't I don't speak like that, you know, and so and I just ramble on and I just, you know, my, my stories, most of them are, you know, except the ones I tell you, you know, that there's a lot of tall tale-isms about it, you know, that sort of stuff. But, but yeah, you do. I fell into it like a lot of people. And I've spent 40 years in kids programming. Tortorice: What are you most proud of in terms of your work in kids programming? Iwanter: The X-Men, the X-Men show. Because they still talk about it today. 01:09:00 Because this, what this show did, this is animation from, it basically revived the Marvel Universe. It proved you could do this. [Bryan] Singer, the, the, the Director of the first X-Men movie, never read a comic book. He said, I only watched the series to get my, you know, to, to understand that world. And I was the network executive on that show, which meant that everything passed by my desk. All concepts, all scripts, all storyboards, all the, all the, you know, the, the pre-, the post-production. I was there with the editors and all this other stuff. And to this day it's probably the most sophisticated storytelling. For a children's. I don't know if you've ever watched it? Doney: Yeah, I have. Iwanter: And, you know, it is, the animation might have sucked, but those stories, man, they were, they were multi-leveled. There was, there was, there, were, there was a character Beast who would always quote Voltaire and Shakespeare. I mean, you know, I got away with murder on this, because it was my show and nobody could touch it. And I did stuff that had never been done before in, you know, for kids programming. And yeah, I made, I made those kinds of references. And it's, that sort of stuff has been lost today because the people who make these decisions are stupid and they don't believe that kids are smart enough. And even though you know, you've got, you've got the six-month-olds with their computers in front of them and you know. But so yeah, that I'm, I'm, I'm, I'm also proud of surviving, you know, because it's not it was not an easy business. And because you're always fighting for tenure and that's your only as good as your, as you're not good at all. No matter forget about what you just did. What are you gonna do for me now type of thing. So yeah. Blast From the Past TV Interview http://www.blastfromthepasttv.com/siwanterinterview.html 15 year anniversary of the show Executive Director Of X-Men The Animated Series Show's premise, outlines, scripts, story writers, first cuts and final cuts Okays the show's writers Worked with Joe Calamari of Marvel to finalize premises Bringing Morph back in season two was to satisfy a promise to Avery Coburn, the Broadcast Standards and Practices Person that the show would bring Morph back like a Soap Opera X-Men The Animated Series was never designed for Adults. It was always designed for kids 6-11 years old Sidney's favorite X-Men was Beast Wishes that the animation was better and they had the same budget Warner Bros was able to spend for Batman The show was successful because: Multilayered stories and great writing Worked the characters backstories into their actions Understood the philosophies of characters Great voice talent https://thenostalgiaspot.com/tag/sidney-iwanter/                                   X-Men The Animated Series Season Two Episodes 1-5 Premiered on “Fox Kids” (Episode Order As Shown On Disney+, Premiere Dates As Shown On Fox) S2E1 “‘Till Death Do Us Part: Part 1” Saturday October 23rd, 1993 S2E2 “‘Till Death Do Us Part: Part 2” Saturday October 30th, 1993 S2E3 “Whatever It Takes” Saturday November 6th, 1993 S2E4 “Red Dawn” Saturday November 13th, 1993 S2E5 “Repo Man” Saturday November 20th, 1993 Produced By: Will Meugniot Larry Houston             X-Men The Animated Series Main Cast Cedric Smith                                        ...         Professor X / Charles Xavier 117 Credits, best known for X-Men Norm Spencer                                      ...         Cyclops / Scott Summers  31 Credits, best known for X-Men Catherine Disher                                  ...         Jean Grey / Phoenix 122 Credits, best known for X-Men Alison Sealy-Smith                              ...         Storm / Ororo Munroe 72 Credits, best known for X-Men Iona Morris                                          ...         Storm / Ororo Munroe 101 Credits Star Tek TOD (Little Girl) Claudian Grant on Robotech 2xStar Trek: Voyager Lenore Zann                                         ...         Rogue 110 Credits, best known for X-Men Cal Dodd                                              ...         Wolverine / Logan 34 Credits, best known for X-Men Alyson Court                                        ...         Jubilee / Jubilation Lee 100 Credits, best known for X-Men George Buza                                        ...         Beast / Dr. Henry 'Hank' McCoy  163 Credits, best known for X-Men Chris Potter                                         ...         Gambit / Remy LeBeau 58 Credits The Pacifier Heartland  Don Francks                                       ...         Sabretooth / Graydon Creed Sr.  191 Credits Johnny Mnemonic Heavy Metal Brett Halsey                                         ...         Bolivar Trask 154 Credits        Barry Flatman                                      ...         Henry Peter Gyrich (works with Trask) David Hemblen                         ...         Magneto / Erik Magnus Lehnsherr Lawrence Bayne                                   ...         Cable / Nathan Dayspring-Summers 127 Credits Randall Carpenter        (She)                ...         Mystique / Raven Darkholme (voice) 13 Credits          Lally Cadeau                                         ...         Dr. Moira MacTaggert  Stephen Ouimette                                ...         Angel / Warren Worthington III  John Colicos                                        ...         Apocalypse / En Sabah Nur Rick Bennett                                        ...         Colossus / Piotr Rasputin / Juggernaut / Cain Marko (voice) Philip Akin                                           ...         Bishop (voice) (as Phil Aiken) Marc Strange                                       ...         Forge (voice) Chris Britton                ...         Mr. Sinister / Nathaniel Essex  Ron Rubin                                ...         Morph Maurice Dean Wint                   ...         Shadow King Robert Cait                              ...         Colossus / Piotr Rasputin Tara Strong                             ...         Illyana Rasputin   NEWS [47:46]   UPCOMING MARVEL STUDIOS SLATE OF PROJECTS   Moon Knight will premiere March 30th, 2022 on Disney+ Confirmed During Disney+ Day 12 Nov 20211 Series Synopsis Released: https://www.cbr.com/moon-knight-marvel-synopsis-multiple-personalities/ First Trailer Released: https://www.superherohype.com/tv/510119-marvel-studios-debuts-the-first-trailer-for-moon-knight   Spider-Man: No Way Home premiered on December 17th, 2021. Will premiere streaming on Starz https://www.rollingstone.com/movies/movie-news/watch-spider-man-no-way-home-online-free-1273518/   Doctor Strange in the Multiverse of Madness (May 6, 2022)   Ms Marvel is supposed to premiere late in 2021 on Disney+ but no date has been announced.  The series was confirmed on Disney+ Day 12 Nov 2021 (Summer 2022) Series synopsis: https://www.cbr.com/ms-marvel-captain-marvel-shadow-synopsis/ Ms. Marvel introduces Kamala Khan--a 16-year-old Pakistani American from Jersey City. An aspiring artist, an avid gamer and a voracious fan-fiction scribe, she is a huge fan of the Avengers—and one in particular, Captain Marvel. But Kamala has always struggled to find her place in the world—that is, until she gets super powers like the heroes she's always looked up to Two reports confirm a 2022 date https://thedirect.com/article/marvel-mcu-shows-2022-release-slate https://www.thecosmiccircus.com/report-marvel-studios-2022-revealed/   She-Hulk is supposed to premiere late in 2022 on Disney+ It was confirmed the series was coming in 2022 on Disney+ Day  12 Nov 2021 Two reports confirm a 2022 date https://www.thecosmiccircus.com/report-marvel-studios-2022-revealed/ https://thedirect.com/article/marvel-mcu-shows-2022-release-slate   Thor: Love and Thunder (July 8, 2022)   Black Panther: Wakanda Forever (Nov. 11, 2022) https://comicbook.com/marvel/amp/news/black-panther-riri-williams-ironheart-mcu-debut-dominique-thorne/   I Am Groot is in development for release on Disney+ No date has been announced. Previous mentioned as a holiday special Series confirmed during Disney+ Day 12 Nov 21 as a series of shorts watching Groot grow up Two reports confirm a 2022 date https://www.thecosmiccircus.com/report-marvel-studios-2022-revealed/ https://thedirect.com/article/marvel-mcu-shows-2022-release-slate   Secret Invasion is in development for release on Disney+ No date has been announced.  Series confirmed during Disney+ Day 12 Nov 21 A report from Japan removed Secret Invasion from a 2022 premiere date https://www.thecosmiccircus.com/report-marvel-studios-2022-revealed/ https://thedirect.com/article/marvel-mcu-shows-2022-release-slate   What If…? Season 2 Confirmed during Disney+ Day 12 Nov 21 No premiere date indicated Possibly moved to 2023” https://www.thecosmiccircus.com/report-marvel-studios-2022-revealed/ https://thedirect.com/article/marvel-mcu-shows-2022-release-slate   Ironheart is in development for release on Disney+ No date has been announced.  Series confirmed on Disney+ Day 12 Nov 21   Armor Wars is in development for release on Disney+ but no date has been announced.    Echo is in development for release on Disney+ Confirmed on Disney+ Day 12 Nov 21 but no release/premiere date given.    Agatha: House of Harkness Announced/Confirmed on Disney+ Day 12 Nov 2021   An untitled Wakanda series is in development for release on Disney+ but no date has been announced.    X-Men ‘97 (2023) Written by Executive Producer Beau DeMayo. Announced Disney+ Day (12 Nov 2021)   The Marvels (Feb. 17, 2023)    Marvel Zombies Animated series announced on Disney+ Day 12 Nov 21 No date given   Also, we know there will be a Loki season two at some point.   Ant-Man and the Wasp: Quantumania (July 28, 2023)   Guardians of the Galaxy Vol. 3 (May 5th, 2023)   Fantastic Four  (???)   Guardians Of The Galaxy Holiday Special Confirmed during Disney+ Day 12 Nov 21 Different from I Am Groot   Spider-Man: Freshman Year Announced during Disney+ Day 12 Nov 2021 No premiere date given   Untitled (February 16th, 2024)   Untitled (May 3rd, 2024)   Untitled (July 26th, 2024)   Untitled (November 8th, 2024)   List of MCU films in production without premiere dates Fantastic Four Deadpool 3 Blade Avengers-Level Team up to end the phase (not confirmed in development) Could be linked to Russo Brothers story from last week Captain America Sequel Possible X-Men   Projects that have NOT been announced yet Young Avengers   TOP NEWS STORY OF THE WEEK   Netflix Is Removing Its Marvel Shows Next Month https://gizmodo.com/marvel-netflix-daredevil-leaving-streaming-march-1-1848523123    Quietly, Netflix has revealed that all six of its original Marvel streaming series will join a rare handful of Netflix Originals to leave the service, and it's not sure yet if, or when, they'll appear elsewhere. No news where Daredevil, Jessica Jones, Luke Cage, Iron Fist, The Punisher, and The Defenders will land. io9 has confirmed via UK and US accounts that in addition to the Marvel Netflix shows, Marvel's Agents of SHIELD will be leaving the platform at midnight on February 28.   MCU – MARVEL STUDIOS   Dr. Strange Trailer (Aired During The Superbowl). Marvel Studios' Doctor Strange in the Multiverse of Madness | Official Trailer https://www.youtube.com/watch?v=aWzlQ2N6qqg Captain Carter's Shield Spotted https://twitter.com/DrStrangeUpdate/status/1493006687397109761   DISNEY+   Big Game TV Spot | Marvel Studios' Moon Knight | Disney+ https://www.youtube.com/watch?v=KM3Yx-5Ymiw   ‘Echo' Gets A New Working Title (Exclusive) https://onetakenews.wordpress.com/2022/02/10/echo-new-working-title-exclusive/ One Take News has exclusively learned that Echo has a working title of Grasshopper. Now you may be saying “Echo already has a working title” and you're right. The good people over at The Cosmic Circus reported that the working title for Echo was Whole Branzino and while that was indeed the working title, Marvel Studios likes to have multiple working titles for their projects and they tend to shift over time. As of right now, Grasshopper is the title they're working with and I expect it'll stick until filming begins.   FEEDBACK [1:01:10]   TWITTER https://twitter.com/LegendsofSHIELD/status/1492129854006996997 Legends of S.H.I.E.L.D. @LegendsofSHIELD Our host @playcomicscast would like to know what has been your favorite Marvel Comics based video game of all time? Chris Ferrell @TheChrisFerrell Marvel's Spider-Man on PS4. Honorable mentions to X-Men Legends and Marvel Ultimate Alliance. aka LW Salinas @sithwitch I haven't played the PS4 Spider-Man or thr new GotG game yet. So right now my favorites are Squenix's Avengers and the Wolverine game from the early 2000s, the one with Mark Hamill as Wolverine. One Bachman A Day...#BlackLivesMatter #KamiGaming @anthonybachman Spider-Man on PS4 is the best so far with Miles Morales a close second. Dr. Gnome to you @MrParacletes Top 4: X-Men Arcade Spider-Man 2 Maximum Carnage X-Men on Sega   https://twitter.com/MrParacletes/status/1492852122920140800 Dr. Gnome to you @MrParacletes Did @StargatePioneer try to make Deanna Troi the Launchpad McQuack of Star Trek?

“And why not Norwood?” [NORW]  Before there was Jeremy Brett, there was Anthony Edward Brett. Like the modern-day television actor, he played Sherlock Holmes in over 40 films. But you know him as Eille Norwood. Most of his Sherlock Holmes films from the 1920s remain hidden from the public, so when the British Film Institute announced a major restoration project, we called Russell Merritt, BSI ("The Trepoff Murder") to enlighten us. Russell is a silent film scholar, having recently retired from the University of California, Berkley as a professor of film. He was actively involved in the restoration of other recently discovered silent Sherlock Holmes films such as William Gillette's 1916 Sherlock Holmes and the German Der Hund der Baskervilles from 1929. Together, we go behind the scenes of the Norwood films — a drama itself — and cover the Clive Brook film, as well as Russell's Holy Grail of lost Sherlock Holmes films. And of course, we have another Canonical Couplet to challenge your acuity. If you are chosen as a winner, you'll get some mystery item from the IHOSE vaults. Answers are due by September 14, 2021 at 11:59 a.m. EDT. Information on sponsors, links, and notes available below.   Please do consider becoming a . Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and transcription services.      BONUS CONTENT: For our  supporters, we have from the 2016 Chautauqua conference, where we screened some Eille Norwood films. This additional material is just for our supporters. Become one for as little as $1 a month on .   Sponsors is the premier publisher of books about Sherlock Holmes and Arthur Conan Doyle, including .    has a number of new Kickstarters that need your attention: , , and .     Would you care to advertise with us? You can find . Let's chat!   Links This episode:  (BFI)   (YouTube)  (Wikipedia) Previous episodes mentioned:   Many more links, articles and images are available in our Flipboard magazine at  as well as through our accounts on , , , and .     And would you consider leaving us a rating and review? It would help other Sherlockians to find us.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323).   Transcript We are so grateful for your support , which makes our transcripts possible. A transcript for this episode will be available at .     --    

Walt wraps up creation on the Alice Comedies and begins working on Oswald the Lucky Rabbit, and tensions with Charles Mintz come to a head!    Previous episode #6: Timeline- Disney Bros. Studio & Alice's Wonderland (1923-1925) https://www.disneyinreview.com/timeline/6-timeline-disney-bros-studio-alices-wonderland-1923-1925/    Check out my website for more episodes, along with dates and times discussed in this episode- www.disneyinreview.com   Follow the podcast on social media: Facebook- @disneyinreviewpodcast (https://www.facebook.com/disneyinreviewpodcast/) Twitter- @DisneyinRev (https://mobile.twitter.com/DisneyinRev) Instagram- @disneyinreview (https://www.instagram.com/disneyinreview/) I'd also love to hear from you via email at disneyinreview@hotmail.com!   Sources Cited: Walt Disney: The Triumph of the American Imagination by Neal Gabler  http://amzn.to/2EdjNYT  How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life by Pat Williams with Jim Denney  http://amzn.to/2EFWPY6  Walt in Wonderland- The Silent Films of Walt Disney by Russell Merritt and J.B. Kaufman https://www.amazon.com/gp/product/0801864291 Ink & Paint, The Women of Walt Disney’s Animation by Mindy Johnson https://amzn.to/2HTzKmq   I would like to give an enormous thank you to Zack Goldmann for designing this podcast’s logo. You can find more of his work at www.zackgoldmann.com.   The intro and outro, along with the transition music, of this podcast are public domain songs obtained from freemusicarchive.org. Intro- The Royal Vagabond by Jockers Dance Orchestra Outro- Hello Central, Give Me Heaven by Byron Harlan   Thanks for listening! As always please Rate and Review this podcast on Apple Podcasts, Facebook, or your favorite podcasting platform. Also, Subscribe to get all the latest episodes, and Share this episode with someone you think would enjoy it! Hope to see you real soon!    

"no ordinary merit" [REDH]  In 2014, the Sherlockian world was taken by complete and utter surprise when William Gillette's 1916 film Sherlock Holmes was discovered. It was the closest thing we'd ever have to seeing Gillette on stage, and Russell Merritt, BSI ("The Trepoff Murder") was part of the team that restored it.   We carried the news on our site, but now we're pleased to share the backstory of how it came to be, thanks to an interview with Russell Merritt, a University of California Berkeley film professor and an expert on silent films. In this episode, Russell also discusses the impact of Eille Norwood and the whereabouts of his 45 movies, the recently rediscovered 1929 German film Der Hund von Baskerville, and how he is likely the last person to first read A Study in Scarlet in an original Beeton's.   And don't forget to try your hand at the latest Canonical Couplet and win a prize – you don't need to be a  – now every listener is eligible to participate! (But we could still use your support.)   Information on sponsors, links, and notes available below.     Please do consider becoming a . Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and this year, transcription services.     Sponsors This episode includes our two longtime sponsors. Please support our sponsors by visiting their sites:   Would you care to become a sponsor? You can find .   Links This episode:  , the "Cool Ghoul"  (BFI)   Many more links, articles and images are available in our Flipboard magazine at  as well as through our accounts on , , and .   Please subscribe on the podcast provider of your choosing: , , , , , ,  or  — or perhaps another we haven't listed here — and be kind enough to leave a rating and review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323).

Walt and Roy Disney start their own company, Disney Bros., Margaret Winkler distributes the Alice’s Wonderland cartoons, and Romance is in the air!   Previous Timeline episode #3: Disney Timeline- Kansas City and the Laugh-O-Grams (1919-1923) https://www.disneyinreview.com/timeline/3-timeline-kansas-city-and-the-laugh-o-grams-1919-1923/   Previous episode #5: Highlight- History of Animation: Thaumatrope & Faraday’s Wheel https://www.disneyinreview.com/highlight/5-highlight-history-of-animation-thaumatrope-faradays-wheel/   Check out my website for more episodes, along with dates and times discussed in this episode- www.disneyinreview.com Sign up for the Email Newsletter for extra content- http://eepurl.com/dsunhP   Follow the podcast on social media: Facebook- @disneyinreviewpodcast (https://www.facebook.com/disneyinreviewpodcast/) Twitter- @DisneyinRev (https://mobile.twitter.com/DisneyinRev) Instagram- @disneyinreview (https://www.instagram.com/disneyinreview/) I'd also love to hear from you via email at disneyinreview@hotmail.com!   Sources Cited: Walt Disney: The Triumph of the American Imagination by Neal Gabler  http://amzn.to/2EdjNYT  How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life by Pat Williams with Jim Denney  http://amzn.to/2EFWPY6  Walt in Wonderland- The Silent Films of Walt Disney by Russell Merritt and J.B. Kaufman https://www.amazon.com/gp/product/0801864291 Ink & Paint, The Women of Walt Disney’s Animation by Mindy Johnson https://amzn.to/2HTzKmq   I would like to give an enormous thank you to Zack Goldmann for designing this podcast’s logo. You can find more of his work at www.zackgoldmann.com.   The intro and outro, along with the transition music, of this podcast are public domain songs obtained from freemusicarchive.org. Intro- The Royal Vagabond by Jockers Dance Orchestra Outro- Hello Central, Give Me Heaven by Byron Harlan   Thanks for listening! As always please Rate and Review this podcast on iTunes, Facebook, or your favorite podcasting platform. Also, Subscribe to get all the latest episodes, and Share this episode with someone you think would enjoy it! Hope to see you real soon!

  J Samuel "Sam" Blankenship and I reminisce about our time working together at Kilimanjaro Safari Ride in Disney's Animal Kingdom through the Disney College Program (DCP)! We also talk about why Walt Disney specifically filed for Chapter 11 bankruptcy in Kansas City. And finally, we get de-monorailed to talk about the upcoming live-action Lion King film and the excellence of the Hunchback of Notre Dame's soundtrack.    Chapter 7 bankruptcy- Debtors take ownership of and liquidate (sell) all assets of the company/person.  Chapter 11 bankruptcy- The bankrupt person/company is able to keep some of their assets and renegotiates the terms of the debt with his/her debtors.   J Samuel Blankenship also has almost released his new podcast, Stories Told by Me! Be sure to keep an eye out for it out on your podcasting platforms/apps!   Previous episode- 3. Disney Timeline- Kansas City and the Laugh-O-Grams (1919-1923) https://www.disneyinreview.com/timeline/3-timeline-kansas-city-and-the-laugh-o-grams-1919-1923/    You can find additional episodes, blog posts, and more at my website- www.disneyinreview.com! Follow the podcast on social media: Instagram- @disneyinreview (https://www.instagram.com/disneyinreview/) Facebook- @disneyinreviewpodcast (https://www.facebook.com/disneyinreviewpodcast/) Twitter- @DisneyinRev (https://mobile.twitter.com/DisneyinRev) I'd love to hear from you via email at disneyinreview@hotmail.com!   Sources Cited with Affiliate Links: Walt Disney: The Triumph of the American Imaginationby Neal Gabler  http://amzn.to/2EdjNYT  How to Be Like Walt: Capturing the Disney Magic Every Day of Your Lifeby Pat Williams with Jim Denney  http://amzn.to/2EFWPY6  Walt in Wonderland- The Silent Films of Walt Disney by Russell Merritt and J.B. Kaufman https://www.amazon.com/gp/product/0801864291 Animated Cartoons- How They Are Made Their Origin and Development by E.G. Lutz https://www.amazon.com/gp/product/1984201824       I would like to give an enormous thank you to Zack Goldmann for designing this podcast’s logo. You can find more of his work at www.zackgoldmann.com.   The intro and outro of this podcast are public domain songs obtained from freemusicarchive.org: Intro- The Royal Vagabond by Jockers Dance Orchestra Outro- Hello Central, Give Me Heaven by Byron Harlan   Thanks for listening! As always please Rate and Review this podcast on iTunes, Facebook, or your favorite podcasting platform. Also, Subscribe to get all the latest episodes, and Share this episode with someone you think would enjoy it! Hope to see you real soon!

How did Walt Disney get his start as an animator? What happened to his first few companies? Today we’ll find out!   Check out my new website- www.disneyinreview.com Follow the podcast on social media: Facebook- @disneyinreviewpodcast (https://www.facebook.com/disneyinreviewpodcast/) Twitter- @DisneyinRev (https://mobile.twitter.com/DisneyinRev) Instagram- @disneyinreview (https://www.instagram.com/disneyinreview/) I'd also love to hear from you via email at disneyinreview@hotmail.com!   Sources Cited: Walt Disney: The Triumph of the American Imaginationby Neal Gabler  http://amzn.to/2EdjNYT  How to Be Like Walt: Capturing the Disney Magic Every Day of Your Lifeby Pat Williams with Jim Denney  http://amzn.to/2EFWPY6  Walt in Wonderland- The Silent Films of Walt Disney by Russell Merritt and J.B. Kaufman https://www.amazon.com/gp/product/0801864291 Animated Cartoons- How They Are Made Their Origin and Development by E.G. Lutz https://www.amazon.com/gp/product/1984201824   I would like to give an enormous thank you to Zack Goldmann for designing this podcast’s logo. You can find more of his work at www.zackgoldmann.com.   The intro and outro, along with the transition music, of this podcast are public domain songs obtained from freemusicarchive.org. Intro- The Royal Vagabond by Jockers Dance Orchestra Outro- Hello Central, Give Me Heaven by Byron Harlan Transition- It Happened in Nordland by Victor Herbert Orchestra   Thanks for listening! As always please Rate and Review this podcast on iTunes, Facebook, or your favorite podcasting platform. Also, Subscribe to get all the latest episodes, and Share this episode with someone you think would enjoy it! Hope to see you real soon!

"that glamour of mystery and of experience" [VALL]  Generations of Sherlockians are the beneficiaries of the poems penned by Helene Yuhasova. Yet this enigmatic individual has remained something of a legendary, even ethereal presence in the history of the Baker Street Irregulars.   Who was Helene Yuhas(ova)? And were the poems, later ascribed to Edgar W. Smith of the Baker Street Irregulars, actually written by her? Whatever became of this this prolific poetess laureate, this Founding Mother?   Sonia Fetherston, BSI ("The Solitary Cyclist") and Julie McKuras, BSI ("The Duchess of Devonshire") edited the 2017 Baker Street Journal Christmas Annual, "A Woman of Mystery": Helene Yuhasova, Poetess Laureate of the Baker Street Irregulars and they joined us to give us a sense of the mighty detective work that went in to tracking down the full story of a woman who left the Sherlockian movement some 70 years ago, leaving a long but thin shadow.   For our Gas-Lamp this time around, Julie and Sonia treat us to some of Helene Yuhasova's Sherlockian poetry: "Sonnet: Mary Morstan to Dr. Watson" and "Ballade of the Bright Stair-Rods."   Information on sponsors, links, and notes available below.   Notes 3:32 Summing up our 24 episodes of the year (plus 52 from Trifles) 7:31 Wessex Press 9:06 Working out the pronunciation of "Helene Yuhasova" and her Sherlockian origins 15:14 What we know about Helene's early life, and how Julie and Sonia uncovered facts (including the common surname) 23:46 Conflicting opinions, unfair criticism 32:50 The Baker Street Journal 34:22 Sonnet: "John H. Watson to Sherlock Holmes" 35:31 Yuhas's ubiquitous job reference 37:55 Yuhasova and Smith: A Case of Identity 41:42 The curious meeting between Russell Merritt and Edgar Smith 46:18 Leaving the Sherlockian world behind 50:50 On the connection with Ben Weingart 59:22 Any big surprises? 1:02:40 One final question 1:07:48 The Editor's Gas-Lamp 1:11:36 Sherlock Holmes Brand   Links  (where one may subscribe, including the Christmas Annual)  for sale Sonia Fetherston on  Evening Fall Harp by Kevin MacLeod is licensed under a Creative Commons Attribution license ()       Many more links, articles and images are available in our Flipboard magazine at  as well as through our accounts on , , and .   Please , , , ,  or —or the podcast player of your choice—and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323).      

The film historian dedicated the Giornate's 2017 Jonathan Dennis Memorial Lecture to the late great film preservationist David Shepard. The post Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 appeared first on Fred Film Radio.

The film historian dedicated the Giornate's 2017 Jonathan Dennis Memorial Lecture to the late great film preservationist David Shepard. The post Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 appeared first on Fred Film Radio.

The film historian dedicated the Giornate's 2017 Jonathan Dennis Memorial Lecture to the late great film preservationist David Shepard. The post Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 appeared first on Fred Film Radio.

The film historian dedicated the Giornate's 2017 Jonathan Dennis Memorial Lecture to the late great film preservationist David Shepard. The post Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 appeared first on Fred Film Radio.

The film historian dedicated the Giornate's 2017 Jonathan Dennis Memorial Lecture to the late great film preservationist David Shepard. The post Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 appeared first on Fred Film Radio.

The film historian dedicated the Giornate's 2017 Jonathan Dennis Memorial Lecture to the late great film preservationist David Shepard. The post Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 appeared first on Fred Education Channel » FRED Education Podcast. Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 was first posted on October 10, 2017 at 6:08 pm.©2015 "Fred Education Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

The film historian dedicated the Giornate's 2017 Jonathan Dennis Memorial Lecture to the late great film preservationist David Shepard. The post Russell Merritt – David Shepard – Shadowing Silent Film for Fifty Years #GCM36 appeared first on Fred Film Radio.

"I had never heard of the institution" [GREE]    Every four years, the Baker Street Irregulars, the New York-based literary society dedicated to studying Sherlock Holmes, arranges an excursion somewhere in the United States. These events happen outside of the usual BSI Weekend, and like the weekend itself, are open to all interested Sherlockians.   The first in 2004 took the group to Salt Lake City on the trail of A Study in Scarlet; then in 2008, the group went to Jim Thorpe, Pennsylvania to the locales that inspired The Valley of Fear; in 2012, Los Angeles played host to a film-related conference. And in 2016, the group headed to the for "The Mind and Art of Sherlock Holmes."   And this time, we were there! We managed to not only listen to and see some wonderful presentations, but we gave one of our own on the future of our little publication. But in the meantime, we nabbed a few of the speakers and got their stories — stories that went beyond the presentations. We even have some audio (and video clips below) of Philip Carli at the piano during the silent showings of the William Gillette film and Eille Norwood shorts. We even have some breaking news on a newly-discovered silent Sherlock Holmes film — the last one ever produced, in 1929.   Join us to hear why this hobby is about more than the collective events and publications; it's about relationships.     Please consider becoming a regular supporter of us on . Won't you be part of this ongoing success story?   Notes 1:36 Intro 6:22 Sponsor: Wessex Press 7:34 On the ground in Chautauqua 9:12 Interview with computer science legend Alan Kay 12:39 Bonnie MacBird talks about the Vernet family 14:45 Glen Miranker takes us to the WWI trenches 20:30 Henry Boote, Sherlockian entertainer 24:09 Tim Greer on staging Sherlock Holmes 29:12 Sponsor: The Baker Street Journal 31:22 Silent films 34:30 Philip Carli at the piano during the Norwood films 37:15 Russell Merritt talks about the silent films — and a newly discovered one! 41:59 Philip Carli accompanies the Gillette film 44:42 Jeffrey Hatcher on his inspiration for Holmesian screenwriting and playwriting 53:12 Closing thoughts   Sponsors This episode includes our two longtime sponsors and we thank them. Please support our sponsors by visiting their sites: , where the future and the past come together. , where we can reflect, be part of the big tent and find a community.      Would you care to become a sponsor? You can find .       Links Bonnie MacBird on That  

Pinocchio is arguably Walt Disney's most triumphant achievement in animation. The charming, perilous and ultimately heroic story of the wooden boy who wanted to be real has delighted movie audiences for 75 years. It's a film that represents the absolute peak of Disney animation artistry and storytelling. How the movie came to life is as compelling as the story of Pinocchio himself, and author J.B. Kaufman has written an exquisitely detailed book about it: Pinocchio: The Making of the Disney Epic.   J.B. is always a welcome guest in the Lounge. You may recall a conversation Tim had with him a few years ago about two of his other amazing works of Disney history, Snow White and the Seven Dwarfs: The Art and Creation of Walt Disney's Classic Animated Film and its companion volume, The Fairest One of All. These are must-reads for any Disney enthusiast, just like J.B.'s meticulously researched book on Pinocchio. He's at the D23 Expo this weekend, but not because of Snow White or Pinocchio, mind you. Because of Silly Symphonies. In 2006, J.B. wrote a comprehensive history of Walt Disney's Silly Symphonies with co-author Russell Merritt. Drawing on that expertise, both historians were asked to contribute liner notes to the upcoming release of the Silly Symphony Collection on vinyl from the Disney Music Emporium. Tied to that release, you can catch both J.B. and Russell at the D23 Expo along with music producer Randy Thornton. They'll be inside the Anaheim Convention Center at the Disney Dream Store today at 4:30 p.m. and Sunday at 3:45 p.m. They''ll also be at the Expo's Autograph Central Saturday at 1:00 p.m..   For now, however, let's wish upon a star and go behind the scenes for a look at the making of Pinocchio with J.B. Kaufman, Tim's guest today in The Mouse Castle Lounge.   Enjoy!   www.TheMouseCastle.comRSS Feed: http://themousecastle.libsyn.com/rss

"a tremendous abyss" [FINA]   The BSI Manuscript series continues to churn out remarkable books on an annual basis. In 2015, we're pleased to see the manuscript for "The Empty House" printed, analyzed and opined in , edited by Robert Katz, BSI ("Dr. Ainstree"), Steven Rothman, BSI ("The Valley of Fear") and Andrew Solberg, BSI ("Professor Coram").   The trio of editors joined us for a discussion of how this project came about - including getting access to the MS from the famed  in Philadelphia. The inimitable Dr. A.S.W. Rosenbach (who is most decidedly NOT a physician), rare book dealer and bibliophile, owned the original manuscript and it has remained with his collection in the museum and library. Of course, seeing the story in Sir Arthur Conan Doyle's own handwriting is illuminating - particularly as one can look at the corrections (or lack thereof) and get a sense of the author's thought process. Seeing that in light of Holmes's resurrection in "The Empty House" is even more thrilling.   Contributors to this volume include Catherine Cooke, BSI ("The Book of Life"), who investigates the location of the Empty House, based on previous scholarship throughout the ages; Lyndsay Faye, BSI ("Kitty Winter") who contributes a short story; Russell Merritt, BSI ("The Trepoff Murder") with a look at the Col. Morans in film; Brent Morris on sleight of hand and card playing; Chris Redmond, BSI ("Billy") and Lindsay Colwell on the theme of resurrection; and more.   In addition to discussing everything that went into this volume, we have a sneak preview of the next volume that Bob and Andy are working on together. While they don't yet have a title, the topic is certainly one that will attract a number of readers.   Mental Exaltation We're pleased to bring you another entry in our "Mental Exaltation" quiz program, inspired by NPR's Wait Wait, Don't Tell Me! and written by IHOSE quizmaster Nick Martorelli. . "My mind," he said, "rebels at stagnation. Give me problems, give me work, give me the most abstruse cryptogram, or the most intricate analysis, and I am in my own proper atmosphere. I can dispense then with artificial stimulants. But I abhor the dull routine of existence. I crave for mental exaltation.   In this episode, we welcome James O'Leary of Natick, Massachusetts to the show as a contestant. James has a harrowing triumverate of math questions to answer (do we detect the hand of Prof. Moriarty, former math tutor and Col. Moran's boss?). Listen to see how he did.     We wrap up with our regular Gas-Lamp reading, this time taken from the General Editor's Preface from the BSI Manuscript Series.    [Save As] | File size 94.6 MB, 1:43:20   Links:  - available for sale on the BSJ website for $39.95 Be sure to check out  on Twitter  - and .  - audio recordings of the Sherlock Holmes stories  will be run in May.  discussion forum reopens       Many more links, articles and images are available in our Flipboard magazine at  and , as well as on the  on Google+ (still growing, now at over 2,300 members), as well as through our accounts on , and .     Please , ,  or  and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (ihearofsherlock AT gmail DOT com), call us at (774) 221-READ (7323).       Sponsors This episode includes two sponsors that deserve your attention:    (check out the new ) , where you should get  in now to secure all four issues and a very special Christmas Annual about The Seven Per-Cent Solution.   And special thanks to Hein & Co., James O'Leary and Mary Miller for your generous donations.     --        

The Friends of the Newman Library and the Postgraduate Center for Mental Health (PCMH) Library Advisory Committee present the Seventh Annual Evening In The Oak Room. The evening's featured speaker, Barbara Pizer, faculty and board member, and supervising analyst at the Massachusetts Institute for Psychoanalysis, reads from two papers and talks about how psychoanalysts may theorize the therapeutic action of reading and hearing poetry. A Q&A session follows. Russell Merritt, Chair of the Library Advisory Committee, makes the opening remarks. Ona Lindquist, Chair, Community Relations, Postgraduate Center for Mental Health, introduces the speaker. The event takes place on November 9, 2007, in the Oak Room of the Baruch College Newman Library.

The Friends of the Newman Library and the Postgraduate Center for Mental Health (PCMH) Library Advisory Committee present the Seventh Annual Evening In The Oak Room. The evening's featured speaker, Barbara Pizer, faculty and board member, and supervising analyst at the Massachusetts Institute for Psychoanalysis, reads from two papers and talks about how psychoanalysts may theorize the therapeutic action of reading and hearing poetry. A Q&A session follows. Russell Merritt, Chair of the Library Advisory Committee, makes the opening remarks. Ona Lindquist, Chair, Community Relations, Postgraduate Center for Mental Health, introduces the speaker. The event takes place on November 9, 2007, in the Oak Room of the Baruch College Newman Library.

The Friends of the Newman Library and the Postgraduate Center for Mental Health (PCMH) Library Advisory Committee present the Seventh Annual Evening In The Oak Room. The evening's featured speaker, Barbara Pizer, faculty and board member, and supervising analyst at the Massachusetts Institute for Psychoanalysis, reads from two papers and talks about how psychoanalysts may theorize the therapeutic action of reading and hearing poetry. A Q&A session follows. Russell Merritt, Chair of the Library Advisory Committee, makes the opening remarks. Ona Lindquist, Chair, Community Relations, Postgraduate Center for Mental Health, introduces the speaker. The event takes place on November 9, 2007, in the Oak Room of the Baruch College Newman Library.

The Friends of the Newman Library and the Postgraduate Center for Mental Health (PCMH) Library Advisory Committee present the Seventh Annual Evening In The Oak Room. The evening's featured speaker, Barbara Pizer, faculty and board member, and supervising analyst at the Massachusetts Institute for Psychoanalysis, reads from two papers and talks about how psychoanalysts may theorize the therapeutic action of reading and hearing poetry. A Q&A session follows. Russell Merritt, Chair of the Library Advisory Committee, makes the opening remarks. Ona Lindquist, Chair, Community Relations, Postgraduate Center for Mental Health, introduces the speaker. The event takes place on November 9, 2007, in the Oak Room of the Baruch College Newman Library.