Podcasts about Marvel Entertainment

Season 2 Episode 772 X-Manhunt Part 3: Sean and Jim are exploring the X-men crossover, X-Manhunt, in a multipart series continuing with Exceptional X-men 7, X-Force 9 and X-Manhunt Omega 1. Sean recently was a guest on Earth Station Who, wrapping up S2/S15 of the current series. Listen To the Podcast https://www.earthstationwho.com/series15wrapup Watch Us on YouTube https://youtu.be/2l6gzzZq2-I Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: Turtles of Grayskull, Superman Film and a current Superman : Superwoman Story Arc Future Topics : Miles Morales, Conan, Spectacular Spider-Man, Miracleman, The Boys, Radiant Black, Heartpiercer, Emperor Joker, Hush II, Batman Long Halloween: The Last Halloween, One World Under Doom, Creature Commandos, Man-Thing, Secret Wars II, The Cross Time Caper, and much much more because we are in constant planning. Show Topic Request Form: https://docs.google.com/forms/d/e/1FAIpQLSe5l4gZgdGrNpLXAN4NdcAI0WF7fM7yhjHJ3upZ3azEc31zuw/viewform?usp=sharing Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   3:04 X-manhunt Finale 2:23:30 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

Director Alex Marcus⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered all of Netflix's The Defenders Saga, the first four seasons of ABC's Agents of SHIELD, and all 14 films in Fox's X-Verse.Now they are diving into their Marvel Zombies Era, where they run down some of Marvel Entertainment's most notable and notorious films featuring characters the MCU would later reclaim! This month, it's all about Blade as they discuss 1998's Blade, 2002's Blade II and 2004's Blade: Trinity. Alex & Bill tackles the high highs and low lows of Marvel's most fearsome daywalker, including why Wesley Snipes still owns the mantle nearly 30 years after his debut, how the franchise balances 90s cheese with Snipes' effortlessly cool take on the character, and why Alex thinks Trinity is one of the worst films they've ever covered on the show.They also discuss whether Mahershalia Ali's Blade will ever happen and what they'd like to see from the project if it ever sees the light of day. Plus, they give their first thoughts on Thunderbolts* and that New Avengers reveal!Come back next month for their installment of their Marvel's Zombie Era, featuring reviews of 2005's Fantastic Four, 2007's Fantastic Four: Rise of the Silver Surfer, and 2015's Fantastic Four (all available on Disney+)!

Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. With us this week is artist extraordinaire Terry Dodson! With over 500 covers and 130+ books he's penciled, Terry has touched more X-books than most. He comes on the show to discuss a significant comic month and year for him - when Star Wars premiered - and we dive into what that might mean for his decades-spanning career. Also in this episode: how Terry got going in comics the X-Men are bad at renting a boat this group of X-Men have no idea who Magneto is Moira pretends to be a housekeeper instead of jailer for the most dangerous mutants Magneto was a baby (for his sins) Terry's advice on finding inspiration as an artist What does any of this mean for Terry's future? Tune in to find out! Terry Dodson has worked on such comic books and characters as Harley Quinn, Spider-Man, Star Wars, Superman, Wonder Woman, the X-Men, and the Avengers. His clients include Wizards of the Coast, Marvel Animation Studio, Lucasfilm, Riot Games, Hasbro, Mattel, DC Entertainment, Warner Brothers, ESPN, Electronic Arts, Hanna-Barbera, Marvel Entertainment, Sideshow Collectibles and many others. Terry was the Character Concept Artist on DC Heroes United video game from Genvid Entertainment and a Character Designer on What If…? Season 2 and 3 from Marvel Studios. He is co-creating ADVENTUREMAN, with writer Matt Fraction from Image Comics. Terry is a regular cover artist at DC Comics and Marvel Comics. Terry has worked in toy, statue, video game and animation design, art instruction and has had gallery exhibitions featuring his paintings. He remains a popular artist in the comics industry - a status he attributes in large part to the contributions of his wife, Rachel, who adds her talented inking to his work. More of Terry's work can be found here. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠ and⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered all of Netflix's The Defenders Saga, the first four seasons of ABC's Agents of SHIELD, and all 14 films in Fox's X-Verse.Now they are diving into their Marvel Zombies Era, where they run down some of Marvel Entertainment's most notable and notorious films featuring characters the MCU would later reclaim! This month, it's Frank Castle's time to shine as they discuss 2004's The Punisher and 2008's Punisher: War Zone. How do these iterations of the iconic avenging angel compare to the Jon Bernthal version we've seen on Netflix? Is the 2004 version as terrible as you remember? Will you learn more than you bargained for about Bill's college love life? All this and more will be revealed, but, before that, the guys dive into the recent news that Bernthal will be returning as both star and co-writer of a Disney Plus Punisher special, planned to air alongside Daredevil: Born Again S2, next year.Come back next month for their installment of their Marvel's Zombie Era, featuring reviews of 1998's Blade (available on VOD), 2002's Blade II (available on VOD), and 2004's Blade: Trinity (available on VOD)!

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠ and⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered all of Netflix's The Defenders Saga, the first four seasons of ABC's Agents of SHIELD, and all 14 films in Fox's X-Verse.Now they are diving into their Marvel Zombies Era, where they run down some of Marvel Entertainment's most notable and notorious films featuring characters the MCU would later reclaim! In this special emergency episode, Bill & Alex dive into the unexpected release of the cast for the upcoming 'Avengers: Doomsday' film during Marvel's ambitious marketing stunt revealed the cast through a live stream showing the backs of chairs, reaching over 10 million viewers. The episode discusses the excitement surrounding notable cast returns, including Anthony Mackie, Chris Hemsworth, Paul Rudd, and Letitia Wright. The surprise announcement features not only the Avengers but also the Thunderbolts, the Fantastic Four, and returning X-Men characters like Kelsey Grammer's Beast and Patrick Stewart's Professor X. The hosts delve into their experiences of this reveal, speculate on plot directions, and highlight missing characters and potential future announcements. Amid the speculation, they express cautious optimism for Marvel's future projects.Come back next month for their installment of their Marvel's Zombie Era, featuring reviews of 2004's The Punisher (available on VOD), and 2009's Punisher: War Zone (available on PlutoTV or VOD)!

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠ and⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered all of Netflix's The Defenders Saga, the first four seasons of ABC's Agents of SHIELD, and all 14 films in Fox's X-Verse.Now they are diving into their Marvel Zombies Era, where they run down some of Marvel Entertainment's most notable and notorious films featuring characters the MCU would later reclaim! This month, they break out they Nu Metal mp3s and cork open some major daddy issues in time to review Hulk (2003), Daredevil (2003), and Elektra (2005), three films with less than stellar reputations. In a moment when Hollywood couldn't get enough Marvel heroes, following the tremendous success of X-Men (2000) and Spider-Man (2002), why did these three films completely miss the mark with audiences, and how did Fiege and company at Marvel Studios redeem these iconic characters years later? Bill and Alex will get into that and so much more during this wild trip back to the mid 2000s.Come back next month for their installment of their Marvel's Zombie Era, featuring reviews of 2004's The Punisher (available on VOD), and 2009's Punisher: War Zone (available on PlutoTV or VOD)!

This week, the boys discuss the Sony Spiderman Movie Universe and where they went good and bad. They also discuss how they would have run the Sony SpiderVerse. Sony's Spider-Man Universe (SSU) is an American media franchise and shared universe centered on a series of superhero films produced by Columbia Pictures in association with Marvel Entertainment. Distributed by Sony Pictures Releasing, the films are based on various Marvel Comics characters and properties commonly associated with the character Spider-Man, who is not prominently featured in the franchise.Teladia PlaysTwitter:https://twitter.com/TeladiaPlaysYoutube:https://www.youtube.com/c/TeladiaPlaysInstagram: https://www.instagram.com/teladiaplays/Robert Willing: YouTube: https://www.youtube.com/@willin Twitter: https://twitter.com/staredcraftJJheat:Twitter:https://twitter.com/JJheat75Youtube: https://www.youtube.com/channel/UCmYlqETvh2B5pB3MbmMwoMwLike, comment, and subscribe for more content analyzing the greatest tales of DC and Marvel stories. Join this channel to get access to perks:https://www.youtube.com/channel/UCTtjdjM7N8_PLprDIdMJCWQ/join#Marvel#Spiderman#SonyFollow us on instagram: comicsleague2021Email us: comicsleague2020@gmail.comWebsite: https://comicsleague.com Subscribe to the Podcast on:Apple PodcastsGoogle PodcastsSpotifyand many other platforms.Music provided by taketones.com: https://taketones.com/track/hero

pWotD Episode 2873: Joe Quesada Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 217,536 views on Friday, 14 March 2025 our article of the day is Joe Quesada.Joseph Quesada (; born January 12, 1962) is an American comic book artist, writer, editor, and television producer. He became known in the 1990s for his work on various Valiant Comics books, such as Ninjak and Solar, Man of the Atom. He later worked on numerous books for DC Comics and Marvel Comics, such as Batman: Sword of Azrael and X-Factor, before forming his own company, Event Comics, where he published his creator-owned character, Ash.In 1998 he became an editor of Marvel Comics' Marvel Knights line, before becoming editor-in-chief of the company in 2000. He was named chief creative officer of Marvel Entertainment in 2010 and left his editor-in-chief role in January 2011, being replaced by Axel Alonso. His position was re-titled as executive vice president and creative director in October 2019. He left the company in 2022.This recording reflects the Wikipedia text as of 01:36 UTC on Saturday, 15 March 2025.For the full current version of the article, see Joe Quesada on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Kimberly.

This week, CEOs convened to discuss their relationship with the White House. Jeff Sonnenfeld from Yale's School of Management shares his thoughts on corporate America's dynamics with the administration, CEO sentiments, and policy impacts. Plus, Senate Minority Leader Chuck Schumer, D-N.Y., says he is supporting the Republican's six-month funding bill to prevent a government shutdown. Also, Ontario Premier Doug Ford described his meeting with Commerce Secretary Howard Lutnick as "positive" and "productive," following disputes over tariffs. Then, Compass is in advanced talks to acquire Warren Buffett's real estate brokerage and Marvel Entertainment is accelerating its production move out of China due to the ongoing trade war. Leslie Picker - 17:16Jeff Sonnenfeld - 18:47 Jeff Sonnenfeld, @JeffSonnenfeldLeslie Picker, @LesliePickerBecky Quick, @BeckyQuickJoe Kernen, @JoeSquawkAndrew Ross Sorkin, @andrewrsorkinKatie Kramer, @Kramer_Katie

Today's guest on the Cryptid Creator Corner has worked in comics as both an editor and a writer since 2008. He worked for Marvel Entertainment, Image Comics, Kodansha, Viz, Vault Comics, and Wizards of the Coast. In 2018, he helped launch TKO Studios as Editor-in-Chief. It's Sebastian Girner and he's now embarked on a new endeavor with Goats Flying Press! They've already launch The Dead and the Damned #1 and #2 and The Fables of Erlking Wood. Sebastian and Jimmy discuss those 2 projects, including the stunning artwork of Kelly Williams and the incredible artistry of Juni Ba. Sebastian talks about his hopes for Goats Flying Press and previews what is coming up in 2025, including Lake Yellowwood Slaughter, described as "The “official comic adaptation” of the most infamous Italian Giallo you've never seen!" Jimmy's brother Bobby is very excited about that one after seeing the cover at Baltimore Comic-Con.   Goats Flying Press website Follow Goats Flying on Bluesky Follow Sebastian on Instagram The Fables of Erlking Woods From the publisher From Juni Ba, the unforgettable artist of Robin: The Boy Wonder, Monkey Meat, and Djeliya, and lettering by Aditya Bidikar comes a most remarkable graphic novel—a meditation on life, death, joy, regret, and the great web of stories that connects all living things. PATREON We have a new Patreon, CryptidCreatorCornerpod. If you like what we do, please consider supporting us. We got two simple tiers, $1 and $3. I'll be uploading a story every Sunday about some of the crazy things I've gotten into over the years. The first one dropped last week about me relocating a drug lord's sharks. Yes, it did happen, and the alligators didn't even get in the way. Want to know more, you know what to do. Arkenforge Play TTRPG games? Make sure to check out our partner Arkenforge. They have everything you need to make your TTRPG more fun and immersive, allowing you to build, play, and export animated maps including in person fog of war capability that let's your players interact with maps as the adventure unfolds while you, the DM get the full picture. Use the discount code YETI5 to get $5 off your order. Global Comix Save on a subscription to GlobalComix with us. Visit the link below and use the discount code COMICBOOKYETI. https://globalcomix.com/lp/promos/af/comicbookyeti Learn more about your ad choices. Visit megaphone.fm/adchoices

Why I left Marvel Entertainment and won't look back. 

Directed by J. C. Chandor, Kraven the Hunter is the superhero film featuring the Marvel Comics character of the same name. Produced by Columbia Pictures in association with Marvel Entertainment, it is the sixth film in Sony's Spider-Man Universe. Sergai Kravinoff (Aaron Taylor-Johnson) is a man whose complex relationship with his ruthless gangster father, Nikolai Kravinoff (Russell Crowe), starts him down a path of vengeance with brutal consequences, motivating him to become not only the greatest hunter in the world, but also one of its most feared.

In this episode, we review Kraven the Hunter, the latest film from Marvel Entertainment starring Aaron Taylor-Johnson. We discuss whether the film delivers on the expectations of comic book fans who grew up reading about the character and debate whether this version of Kraven will appear in the next Spider-Man film led by Tom Holland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Winfree, Jason Teasley and Mark Radulich present their Kraven the Hunter 2024 Movie Review!Kraven the Hunter is a 2024 American superhero film featuring the Marvel Comics character of the same name. Directed by J. C. Chandor from a screenplay by Richard Wenk, Art Marcum and Matt Holloway, the film stars Aaron Taylor-Johnson as Kraven the Hunter, alongside Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, and Russell Crowe. Produced by Columbia Pictures in association with Marvel Entertainment, it is the sixth film in Sony's Spider-Man Universe (SSU). The film explores Kraven's relationship with his father and his path to becoming the greatest hunter.Kraven was considered for film appearances several times before Sony Pictures became interested in a standalone film for the character, as part of its new shared universe, in 2017. Wenk was hired in August 2018, with Marcum and Holloway joining later. Chandor entered negotiations to direct in August 2020 and was confirmed in May 2021 when Taylor-Johnson was cast. Additional cast members joined in early 2022 before filming took place from late March until mid-June in London, Iceland, and Glasgow.Following two years of delays, Kraven the Hunter was released by Sony Pictures Releasing in the United States on December 13, 2024. The film grossed $26 million worldwide against a budget of $110–130 million, and received mixed to negative reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

pWotD Episode 2783: Kraven the Hunter (film) Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 252,270 views on Saturday, 14 December 2024 our article of the day is Kraven the Hunter (film).Kraven the Hunter is a 2024 American superhero film featuring the Marvel Comics character of the same name. Directed by J. C. Chandor from a screenplay by Richard Wenk, Art Marcum and Matt Holloway, the film stars Aaron Taylor-Johnson as Kraven the Hunter, alongside Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, and Russell Crowe. Produced by Columbia Pictures in association with Marvel Entertainment, it is the sixth film in Sony's Spider-Man Universe (SSU). The film explores Kraven's relationship with his father and his path to becoming the greatest hunter.Kraven was considered for film appearances several times before Sony Pictures became interested in a standalone film for the character, as part of its new shared universe, in 2017. Wenk was hired in August 2018, with Marcum and Holloway joining later. Chandor entered negotiations to direct in August 2020 and was confirmed in May 2021 when Taylor-Johnson was cast. Additional cast members joined in early 2022 before filming took place from late March until mid-June in London, Iceland, and Glasgow.Following two years of delays, Kraven the Hunter was released by Sony Pictures Releasing in the United States on December 13, 2024. The film has grossed $4.7 million worldwide on a $110–130 million budget and received generally negative reviews, with criticism for the story, screenplay and visual effects, though some praised the action sequences and Taylor-Johnson's performance.This recording reflects the Wikipedia text as of 01:33 UTC on Sunday, 15 December 2024.For the full current version of the article, see Kraven the Hunter (film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Joey.

What does it take to rebuild a company from the brink of failure? In this conversation from 2020, Guy sits down with Peter Cuneo, the former CEO who famously guided Marvel Entertainment out of bankruptcy and onto a path that ultimately led to its $4.5 billion acquisition by Disney. They explore the career trajectory that got him, as he puts it “offically addicted to turn around challenges." And unpack some of the 32 leadership principles he has developed over the years. How Cuneo's turnaround philosophy, born from his experiences in the Navy and Vietnam, helped him identify Marvel's untapped potential, shift its focus toward intellectual property, and pave the way for its cinematic universe.

Get a 4-week trial, free postage, and a digital scale at https://www.stamps.com/nostalgia. Thanks to Stamps.com for sponsoring the show! When the film first came out, Nostalgia Critic liked it but didn't love it. Is it possible he might have missed something the first time around? Let's take another look at Logan. Logan is a 2017 American superhero film starring Hugh Jackman as the titular character. It is the tenth film in the X-Men film series, the third and final installment in the Wolverine trilogy, following X-Men Origins: Wolverine (2009) and The Wolverine (2013), and a standalone sequel to X-Men: Days of Future Past (2014). The film, which takes inspiration from the "Old Man Logan" comics storyline by Mark Millar and Steve McNiven, follows an aged Wolverine and an extremely ill Charles Xavier who must defend a young mutant named Laura from the Reavers led by Donald Pierce and Zander Rice. The film is produced by 20th Century Fox, Marvel Entertainment, TSG Entertainment and The Donners' Company, and distributed by 20th Century Fox. It is directed by James Mangold, who co-wrote the screenplay with Michael Green and Scott Frank from a story by Mangold. In addition to Jackman, the film also stars Patrick Stewart, Richard E. Grant, Boyd Holbrook, Stephen Merchant, and introduces Dafne Keen in her film debut as Laura. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast Venom is a 2018 American superhero film featuring the Marvel Comics character Venom. The first film in Sony's Spider-Man Universe (SSU), it was directed by Ruben Fleischer from a screenplay by the writing team of Jeff Pinkner and Scott Rosenberg, along with Kelly Marcel. Tom Hardy stars as Eddie Brock and Venom alongside Michelle Williams, Riz Ahmed, Scott Haze, and Reid Scott. In the film, struggling journalist Eddie gains superpowers after becoming the host of an alien symbiote, Venom, whose species plans to invade Earth. Following Venom's appearance in Spider-Man 3 (2007), Sony Pictures attempted to develop a spin-off film based on the Venom character, which was stalled due to issues with the company's ongoing Spider-Man franchise. In March 2016, work began on a new version that would start a new shared universe featuring the non-Spider-Man Marvel characters that the studio possessed film rights to. Sony also originally intended for the Venom film to share the world of the Marvel Cinematic Universe film Spider-Man: Homecoming (2017), but ultimately distanced the film from Spider-Man. Sony's Columbia Pictures produced the film in association with Marvel Entertainment.[5] In March 2017, Rosenberg and Pinkner were set to write, with Fleischer and Hardy added in May; Marcel subsequently joined to rewrite the script. Filming took place from October 2017 to January 2018 in Atlanta, New York City, and San Francisco. The film was primarily inspired by the comic book miniseries Venom: Lethal Protector (1993) and the story arc "Planet of the Symbiotes" (1995). Ludwig Göransson was hired to compose the film's score, marking his second Marvel film after Black Panther (2018). Venom premiered at the Regency Village Theater on October 1, 2018, and was theatrically released in the United States on October 5. Despite receiving generally negative reviews from critics, Hardy's performance and the character's relationship with Venom were praised, and the film became the seventh-highest-grossing film of 2018, earning over $856 million worldwide and setting several box office records for an October release. It is followed by two sequels: Venom: Let There Be Carnage, which was released on October 1, 2021, and Venom: The Last Dance, which is scheduled for release on October 25, 2024. Venom: Let There Be Carnage is a 2021 American superhero film featuring the Marvel Comics character Venom. The sequel to Venom (2018) and the second film in Sony's Spider-Man Universe (SSU), it was directed by Andy Serkis from a screenplay by Kelly Marcel. Tom Hardy stars as Eddie Brock and Venom alongside Michelle Williams, Naomie Harris, Reid Scott, Stephen Graham, and Woody Harrelson. In the film, Eddie and the alien symbiote Venom must face serial killer Cletus Kasady (Harrelson) after he becomes the host of an offshoot of Venom named Carnage. Venom was intended by Sony Pictures to be the start of a new shared universe, and plans for a sequel began during production on the first film. Harrelson was cast to make a brief appearance as Cletus at the end of Venom, with the intention of him becoming the villain Carnage in the sequel. Official work on the sequel began in January 2019, with Hardy and Harrelson confirmed to return along with Marcel as writer. Serkis was hired as director that August, partly due to his experience working with computer-generated imagery (CGI) and motion capture technology, which was an important part of portraying Venom and Carnage in the film. Filming took place at Leavesden Studios in England from November 2019 to February 2020, with additional filming in San Francisco in February. The title was announced in April 2020. Marco Beltrami was hired to compose the film's score, replacing Ludwig Göransson from the previous film.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Joanna Robinson and Dave Gonzales, coauthors of the book MCU: The Reign of Marvel Studios, out in paperback this week.I really loved the book, it dives into what is the main flywheel of mainstream entertainment, for better or for worse, and dives into the fascinating history of the MCU. Whether you're a fan of Marvel movies or just someone living in a world dominated by them, the book is a really interesting look into contemporary filmmaking and the pressures and economics and just simply human scale of these massive operations.We spoke about Marvel's journey from underdog to cultural icon, how its moviemaking process has changed over time, and what it was like covering a narrative that was developing in real time.Robinson and Gonzales can both be found on the podcast Trial by Content, and the book can be found wherever books are sold.This interview has been condensed and edited. Dave and Joanna, thank you so much for coming on.GONZALES: Absolutely.ROBINSON: Thanks for having us.I really, really love this book. So happy to see it out in paperback. I guess I'll just kick it off with an easy one: What were each of your first experiences with Marvel? How'd you get into this?ROBINSON: As in the comic books or the films?Anything.ROBINSON: Anything at all. Gosh, I think X-Men: The Animated Series was my introduction, back in my infancy. It really got into the world they created, the various characters, their character sets, the trading cards, and then everything spirals out from there. That was my introduction.GONZALES: Mine was probably with the comics. I might have had some X-Men: The Animated Series in there, but I got much more into the comics around late 1993, early '94, when I happened to buy a Spider-Man issue that was part of “The Trial of Peter Parker.” Suddenly I had questions: Why was Peter Parker on trial? How many different Spider-Man books were there? Because I bought an issue of The Spectacular Spider-Man, but the next part of “The Trial of Peter Parker” was The Amazing Spider-Man.That led me to get a cubby at my local comic book shop in Louisville, Colorado, which was Time Warp Comics at the time. That was my way in, just being a comic book fan. I also jumped in on one of the longest and mostly considered worst Spider-Man arcs, but loved it. So imagine how good “good” Spider-Man was to me as a child, because I got weaned in on “bad” Spider-Man.Amazing. One reason I really dug the book is that it's about the MCU, but it's also about Marvel, the history of this entire company, and its very different evolution over time, from the '60s to the period of the '90s. What was it like trying to cover not just a film series, but a big franchise with a lot of moving parts as part of an even bigger company with even more moving parts?ROBINSON: A good question we asked ourselves was both where to start and where to end, and where to end was a constant, ongoing question mark. I'll let Dave address that. But in terms of where to start, there were certain things we felt we had to backdate, because there were players involved in the major “How did Marvel Studios come to be?” question and you had to know who they were, why they were important, how did we get here and what were the stakes? Being able to loosely explain who's Stan Lee, who's Perlmutter, who's Avi Arad, who are all these people, helped us tell that story without losing the audience entirely by throwing a bunch of new names at them. Dave, what about ending the book?GONZALES: Oh, ending the book. That was super fun. We started right as Avengers: Endgame was in theaters. I remember seeing Endgame and knowing that Joanna and I were going to work on this, so we started off thinking, what a fantastic hill that Marvel climbed, this interconnected universe with three phases. Everything surely was planned out from the beginning and could only go up from here. The book was originally “The Rise of Marvel Studios,” because we thought surely this was just up and up and up.Then the pandemic hit — which was very good for us, having to write the book and just sit down and figure out what it was. It also gave us and a lot of sources a pause to regain our footing. As Marvel started rolling out, we tried to peg an end date. I wanted it to be Blade to Blade when we started, but Mahershala Ali's project has still not come out, so that became an impossibility. Then WandaVision premiered and suddenly there was this whole other aspect to the story we were trying to tell. So we wanted to do that and just tried to report things as they went along.We were blessed and cursed by the year that we published the hardcover, October 2023. As we were turning in the final part of the book in January and February, a whole bunch of Marvel news started breaking. Ike Perlmutter left Disney; Victoria Alonso, who was a big mover and shaker in Marvel Studios, was let go, so we had to report that out; Jonathan Majors went on trial.It was only in a panic over all those things that I really ended up appreciating what we had done just by thinking of all these topics so thoroughly for several years. Even though we were tacking new endings on, it wasn't that hard to make it feel like it was a whole arc because we were kind of working there anyway. I wouldn't say I'd've enjoyed releasing the first version of this book in one of Marvel's worst financial years and most critical years ever, but I do think it provided an interesting little tie-off or a fascinating ellipses that allowed us to be relevant and, more importantly, in the year 2024, look like we knew exactly what we were talking about in Marvel's rebounds.That's a really good point. When I met you on tour, a key thing you were getting at was that the idea that Marvel has not had a slump before is naive, and also ahistorical. A fun thing about the book is that you go through all these different eras, and sure, there's an easier story and probably a more polished, corporate story that's ever upward, toward Excelsior, all that crap.But you really do cover the pits and troughs of this. There was Iron Man 2; there was Thor: The Dark World; there was that period of time between the assorted Spider-Mans. What was that perspective like, particularly as it was coming out and as you were able to talk about the issues in 2023?ROBINSON: It was important for us, just on a basic journalistic level, to try to tell as much of the story as possible. We're fans of Marvel, of the movies, but as long as I've known Dave, both of us have been people who don't like to feel like we're not being told the whole story. We don't want the PR version of something — we want to know all the messy details as well. And it's not to knock Marvel or have any kind of “gotcha” moment. It's to say, “Okay, they had these various pitfalls, these various problematic people that they were working with, X, Y and Z. Look what they accomplished anyway.” That's the story in broad strokes. It was important for us to be able to acknowledge the stumbles along the way.When we found ourselves in a 2023 space where everyone was saying Marvel is cooked, or Marvel used to know exactly what it was doing from the beginning and now they're just making it up — no, they were always making it up. They just did it so well, you didn't notice. That gave us a better perspective to be able to say, let's just slow down. We were looking ahead to 2024, saying they're only putting out one movie and two shows next year. If those hit, then you'll start to hear that Marvel's back, baby. Then Deadpool & Wolverine makes a gajillion dollars and Agatha All Along is a pretty solid hit for them.So I think that “Marvel is over” narrative that was so prevalent a year ago is now the question, “Is Marvel back?” Looking even further forward at the next couple of big projects coming, I think Captain America: Brave New World is going to be a tough one for them. I don't know if that's going to hit the way a lot of people want it to. I think Thunderbolts is going to be hit for them, and I think The Fantastic Four: First Steps is going to be hit for them. They're still getting their bearings, but to your point, it was a bit naive to say they've been nothing but successful and now they've run off a cliff. Dave, what do you think?GONZALES: It was just a less interesting narrative, ultimately. I actually found myself getting less adversarial the more we learned, especially being a fan when all this started around 2008. There was this idea that Joanna was talking about, which is even a fan perspective today, that if something doesn't work out it's because we've been denied something at some creative step. Like, you know what, screw those guys; we want to do Harrison Ford as Red Hulk instead, or something like that.But it's not that at all. There are a whole bunch of different drama and production and business problems, and all these things come together to make these gigantic machines of a movie work. It was really important for us to drill down on Marvel Studios and get into those ups and downs, because a lot of times you can try to compare Marvel Studios to something through contrast, through Warner Brothers trying to do it with DC back in the early 2010s. Everybody started trying to launch an interconnected universe from the first movie, but all you could really say is that Marvel's worked and these others didn't. The details of the alchemy are in the tiny stories and little conflicts. That's why I think they were so important to track, be they how movie stars look or how we use CGI to make movie stars look. Tracking that over at Marvel Studios was just as important as how many movies Tony Stark was going to be in.Can you speak more to how much of this was on the fly? One of my big takeaways from your book was just how much things aren't necessarily set in stone during the production of a movie, and how sometimes one person's smart idea, regardless of where it comes from, can drastically alter what a lot of folks think was written in stone in 2007.ROBINSON: That idea of “best idea wins” — without ego; best idea from whomsoever — was a prevailing concept at Marvel. Kevin Feige was also this really interesting figure that has no comparison at any other studio. He's head of the studio, a creative producer, a storyteller in his own right and someone who wanted to make movies as a kid and thought he would be a director. He wound up an executive, but he has that storytelling sense. When Marvel was putting out fewer films and TV shows — or no TV shows at all and just a few films a year — the process was, “Go shoot your movie. Bring me, Kevin Feige, back the pieces and I'll tell you what you're missing.” They had this built-in reshoot window where you could go and add scenes where he felt like you hadn't really nailed this character, or cut this action out to bump up the action over here a bit more. They had this rough-drafting process with the master editor being Kevin Feige himself. There's no system like that at any other studio.That works so well for them, and in doing so, they're able to cement over the cracks and make it all feel like one smooth story that they're telling, because that refining process is built into their filmmaking process. Once the mandate comes from Disney, from Iger on his way out the door, from Chapek in his seat for a while, that they need to compete with Netflix and all these other streaming services, that they need more and more content — then the pace becomes untenable for that revision process that made them so solid in the first place.You talk about Feige not having an analog. I was really shocked reading the book because there's not even anything recent. You have to go back to Cecil B. DeMille for someone who has that producer, authorial presence. He's really a fascinating figure, and it's a key takeaway from the book that I loved. It really highlights the people who make these movies, not just the corporation. It's actual human beings who do this kind of stuff, often with long continuities. Do you want to speak about some of that?GONZALES: Definitely. Actually, while you were talking, I was wondering if part of the chip on Zack Snyder's shoulder was because someone at some point told him he was going to be a Kevin Feige and he's been chasing that ever since.A lot of the Marvel continuity that's been going on is still going on, even after our new chapter. It's been interesting to see how it's developed. It could be that the best idea wins, but then they also have that old school, in-house process where the starting team is very often the same people and has been since phase one. You put together a bullpen of concept artists, so you're constantly using concept art. Not only is that smart from a design standpoint for making a movie, but then you can have those things scanned and it goes directly into making toys. So at the beginning, there's no fight about bringing on these design creatives super early on.Where we start to see the wear and tear is, as Joanna was saying, with this output increase. All of the pressure starts being put on post-production, which is the place where you can't make more time. The solution is to hire more people, and because of that, the job of keeping things consistent falls to Victoria Alonso.She does a pretty good job considering that she's working a 24-hour, seven-days-a-week work schedule because the industry is so messed up. It was never built to do stuff like this. In a lot of ways, the way the VFX industry is structured is still from the '90s turn of the century, when you would bid on a number of shots to do and get money for that number of shots. You'd have to work those shots until they get approved by the director. There isn't an extra budget, and there isn't an overtime, which was a fine way to do it when there were three or four VFX shots in every movie. But now that we're in the 200s or some such, there's a natural strain put on that, and it's impossible to budget on the VFX side. They have to underbid because there's a limited amount of work. If Marvel decides they don't like you, as much as a third of your entire year's work can just not come to your company.As Marvel ages into it, we get a lot of people who are able to make their careers there, from Kevin Feige to Mary Livanos, who's doing great things on Agatha and seems really close to being ascendant. We have Brad Winderbaum, who's been made head of streaming now to take some of that pressure off Kevin. You have all these great continuities. You're less likely to see continuities in visual effects artists, just because of how they're going recently. When Joanna and I were interviewing people like ILM for Hulk, occasionally we'd do a person that was in three or four movies. Now, like for Guardians of the Galaxy Vol. 3, there was a team of about 12 people at Framestore who make animals look good. They just come in for that movie to make animals look incredibly good. They did it the whole time, but they're not as legacy as other parts of the Marvel development studios — which I hope will change, because there are some people who are really good at making Hulks. And if you've made Hulks for 20 years, shouldn't those be the people that are making Hulks in Brave New World? We'll have to see.ROBINSON: I love that you mentioned Cecil B. DeMille. As we were putting this whole story together and realizing that they bring all these teams in-house, Dave and our coauthor Gavin and I, we are to varying degrees students of old Hollywood history, and we had this realization that it's just the old Hollywood studio system. You're putting actors under contract for nine movies, all this other stuff, and we felt so smart. Then I was talking to someone who worked at Marvel and they were like, “Oh yeah, Kevin says that all the time.” I was like, oh, I thought we really put something together. But at least we were right! We were consciously doing this.I think that industrial element of it is really interesting. A key thing that changed the way I see the film industry was realizing that every movie is basically a corporation that briefly exists. Every movie is an entire apparatus, with a CEO operation and departments and all that. Then it folds and you move on to the next one.With Marvel, though, the circus never closes; it's just onto the next city. It was really interesting to see its place in the industry. Like Dave was saying, the limiting reactant for some of this is just the number of animators on the earth who are capable of making this kind of stuff. It's so cool to get a look inside this apparatus through the book.ROBINSON: Thank you.GONZALES: What an apparatus. It's really interesting to me, even now, as we are pending the return of the Russo brothers, who are just able to find this and also find the emotion in it.In Endgame, the Tony Stark “I am Iron Man” moment was the last insert. They had to go to dinner with Robert Downey Jr. and Joel Silver and have Silver be like, “You'd be dumb not to do it, Robert,” because Downey didn't want to go back there. He's a weird dude, but for him, it felt like in order to get to what he needed to do, he had to take off a scab that had formed and get back into the character. Whereas the Russo brothers are like, we built a workout system and we have our smoothies and every day is trying to make the machine work. Somehow, through the alchemy of those two things, the machine works, and occasionally we get these story moments that feel like they were created individually for that movie.That, I think, is the mystery that the book is trying to unravel. At the beginning, it's untapped storytelling potential. Everyone's like, if you don't have the X-Men, if you don't have Spider-Man, what do you have? There's so much in just proving that you have good stories. Now that you're the biggest game in town, that idea of, “Are you going to make me feel anything?” is so much different than what the initial promise was, that they're going to bring Thanos to the screen and you're going to understand who he is and what he wants. That was the big lift. Now there's a whole simultaneous saving of the industry, and bestowing status on different actors. There's just so much more mixed up in it now. It's amazing we got where we did.The book is also a really interesting look at the transition from being a super underdog. As you describe in the earliest chapters of the book, Marvel was bankrupt, and all the executives were folks who fell out of the toy industry or Revlon. The folks who were in charge came to it in the manner of somebody accidentally having to join a carnival, and then eventually it becomes the hegemonic juggernaut of everything, in many ways the thing that people stand against. In the book, watching the perception around it change and then internally having to adapt to that change in perception was a really cool tension.ROBINSON: My favorite indicator of that underdog status versus top-of-the-world status versus wherever we are now is the making of the first Iron Man movie. Marvel Entertainment in New York — who was, to your point, chiefly concerned with merchandising and toys — had the attitude, “Okay, go make your cute little movie. If it doesn't cost us any money, you can go do your little cinematic experiment in Hollywood and we don't really care that much. Just make sure you don't spend any of our money. Other than that, go have fun.”And they make Iron Man, and Iron Man is a massive, smash hit, and all of a sudden the people in New York are like, we're forming something called the Creative Committee. We would like a lot of intake. We want to be part of this. This is the big shiny thing, and everyone wants to weigh in on it. So it's really interesting to track this going from a weird little project they were doing out in Los Angeles to The Thing for Marvel. You can track it by who needs to have an opinion about what and when they start to care.GONZALES: One of my favorite moments — it's after the book chapter “Marvel vs. the Creative Committee” — is when Kevin Feige gets on stage himself to unveil the entirety of phase three, which includes Captain America: Civil War and Avengers: Infinity War and everything. That is such a telling moment for me. He had just won his battles with these behind the scenes. He's fully in full control. Black Panther is coming. Joss Whedon is in the edits for Avengers: Age of Ultron, in the audience, but they already know he's not coming back.There was a version of a chapter in the book that was just me going through that and being like, here's why each one of these announcements is like Kevin Feige spiking a football in the face of someone that told him he couldn't do it. That's still the purest creative energy I've seen. “We could finally do it!” burst out of Marvel. I think they've been more reserved since, even with some big announcements, but I like to go back and look at that just to see the pivot point when Marvel was the underdog. It was like, we want Black Panther, we want Captain Marvel, but the studio won't let us do it. Then Kevin Feige gets up and goes, “Here are the next 10 years of your life.” It's just such a joyous moment.ROBINSON: We love that moment. We talked to people behind the scenes who were working at Marvel at the time about it, and there's a reason that whole presentation wasn't at a Comic-Con. It wasn't at D23. It was its own thing at the El Capitan Theater in Los Angeles, and internally, they jokingly called it Kevin-Con. It was this whole thing, and part of it was that they weren't ready to announce certain things at Comic-Con.But part of it was this moment for Feige who fought various personalities across the various companies to get control of the narrative. And I agree, Endgame is of course in all of history going to be looked at as the pinnacle of achievement at Marvel. But I actually think it might be Kevin-Con at the El Capitan Theater, when Chadwick Boseman comes out and Robert Downey Jr. and Chris Evans are there to anoint him as the future of the franchise. That, of course, comes with its own terrible poignancy. We were really lucky to talk to Chadwick Boseman for the book before he passed away. These were things that happened while we were writing the book. History was constantly happening as we were trying to frame this entire narrative.If there's a protagonist in the book, it feels like it's Kevin, even in the earliest days when he was advising on the Fox products. Having read the book and then seen Deadpool & Wolverine — which, as you mentioned, went on to become a phenomenal financial success — it was really cool to come away with a little more admiration for the role that Kevin had in some of the Fox properties. Seeing that manifest in the MCU was just really nice.ROBINSON: I love that he got to have his Wolverine story, given that it all starts with him in a trailer with Hugh Jackman saying it needs to be bigger, it needs to be bigger, it needs to be bigger. I love that.GONZALES: I don't even know if it's still called that, but Joanna used to call that the “Feige fix-it.” Instead of developing these things by always going forward and introducing younger Avengers, he's actually much more interested in reaching back. There were good things there. Or, I guess the generous way to think about it is rewarding the fans that were around before it was the Marvel Cinematic Universe. Like, “You didn't waste your time with X-Men: The Last Stand. I know it might have felt like that occasionally, but here's this. Or Andrew Garfield. Yeah, maybe we treated him badly, but don't worry. You didn't waste your time with that because boom, here it is paying off in the Marvel Cinematic Universe.”Initially there was some hesitancy about Marvel homework. Do I need to have seen these things to do these things? But ultimately, if we're just talking dollars and cents, the nostalgia play has made them a billion dollars so many times that it doesn't surprise me that Deadpool & Wolverine is a huge hit just by being a swan song for the Fox movies.ROBINSON: I was personally incredibly gratified to finally get Channing Tatum as Gambit. That was a very important moment for me.My favorite version of the Feige fix-it was putting the storyline from Thor: The Dark World into Endgame and making Thor: The Dark World, the most universally mocked and reviled MCU film, an integral part of their biggest triumph. All of a sudden that's wrapped into the larger tapestry in a way so you can't just toss it in the garbage and say, oh, don't bother watching Thor: The Dark World — now you have to watch it to understand everything you're seeing in Endgame, which is certainly not a movie you're ever going to skip.It's a magic trick that really works and almost shouldn't work as well as it does. But even how they were able to get the Infinity Stones, almost taking elements of the first couple films that were dropped or introduced somewhat randomly and then doing that. It's a trick that they keep on pulling.GONZALES: Kevin Feige will say this, but we're coming up on 80 years of comic book history, and if there's one thing that comic books do more than any other medium, it's just use the same story. How could you have another angle on this story? They have so much A/B testing on what we like about this character, or what we'll buy about a certain character, it's interesting to see Marvel adapt that along with what sort of story you like on the Hollywood side of it.But yeah, we're going to see Captain America: Brave New World and finally see that Celestial that came out of the ocean in Eternals. Every Marvel property contributes something, we're told. Except the Inhumans; that never happens.The book is MCU: The Reign of Marvel Studios, and it's a fascinating look at the intersection of the humanity behind these movies and the technology of these movies. And if there's one figure that reminds me of that in particular, obviously, one of the most central people in the Marvel universe is Green Steve. Let's talk a little about him before we wrap this one up.ROBINSON: He's my favorite! Green Steve, a Chippendales dancer that was painted green in order to make sure they understood how the green light on skin would be captured accurately for the Hulk. Green Steve was one of my favorite anecdotes we got, and it was out of the book for a while before we worked it back in. Dave, what do you want to say about Green Steve?GONZALES: I love Green Steve. I love that this bodybuilder from Long Island can technically say he played the Hulk in a sort of way. In theory, because it's a whole CGI character, he might have played the Hulk close to how much Mark Ruffalo played the Hulk in that first movie. I love that story.Pretty early on, we brought in Gavin Edwards, our third author, to help us do a book, since Joanna and I had never done a book before. We were starting to put together the notes and I was like, can we please have a mid-credits scene? Can we just have a chapter in the middle of the notes?ROBINSON: That was Dave.GONZALES: I held onto that for as long as possible. I remember in one of the final meetings after we turned in the draft, we pitched it up to the editor and they were like, “That's really fun,” and I thought, oh thank god. That was a really early idea, and Green Steve fits that perfectly; it's a super interesting story that doesn't really belong anywhere else, but will stick in your mind as, Marvel literally tried everything to make the best Hulk. So I'm very happy that it's the mid-credits chapter — and remains the mid-credits chapter! Even when we added another chapter in, we were like, where does this go? Not before Green Steve.ROBINSON: He's got the final word for sure.Amazing. The book's out of paperback now. Where can folks find it? Where can they find you? And what's next?ROBINSON: “All good and evil news agents.” That's what the Empire Magazine folks say. All good and evil bookstores or any online book purveyor is where you can find our book. Dave does a tremendous podcast called Fighting in the War Room, which I love to listen to, so you should listen to that. And together we do a podcast called Trial by Content that y'all should listen to.GONZALES: Joanna's on a fantastic podcast called the House of R with Mallory Rubin over on The Ringer, where she covers lots of cool pop culture things. If you want to go to a bookstore and don't know exactly which one to go to, you could head to theMCUbook.com. That will forward you to our publisher's website, which has links to your Barnes and Nobles, your Amazons, your Bookshops.org, and will help you track down the book near you. And look for us in a couple more years with something similar.Thanks for coming on.ROBINSON: Thanks, Walt.GONZALES: Thank you.Edited by Susie Stark.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

This week Alex & Dan delve back into the vaults to bring you an episode from the TWRAD days - and it's the big one! From 23 films over 10 years, the south coast dynamic duo have a tough task this week, as they have to choose their favourite moments from the Marvel Cinematic Universe - and thanks to the power of social media, the listener's lend a hand and share some of theirs, too! From where it all began with Iron Man back in 2008 with RDJ uttering those most famous words, Samuel L Jackson walking out of the shadows in the post credit scenes - to a miniature battle from 2015's Ant-Man, dance off's in Guardians of the Galaxy and the reveal of Peter Parker's identity in Spider-Man Homecoming - the boys do their best to cover some of the most iconic scenes from the first three phases! The duo digress during this session, pitching their epic movie ideas with the pizza-fed New York rodent versus the mutant south coast Seagull (are you in?). Dan also discusses bootleg Dr Dre CD's in Time Square and some of the tourist trappings which he experienced during his time in the city.... but what does that have to do with the First Avenger? #GITS

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Join Nick and co-host Anas (@WarlionComics) as they dive into this week's movie news talking theories, thoughts, and excitement/disinterest around: - Thunderbolts teaser trailer leaks and looks awesome! - Sentry in the MCU - 2 untiled MCU movies: one in between Doomsday & Secrete Wars and one right after Secret Wars! - Where does Star-Lord fit into upcoming projects? - Spider-Man's villains cannot be used by Marvel Entertainment after a stupid Sony film?! - Doom is hopefully in Fantastic Four: First Steps!

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Geoffrey Thorne is an American screenwriter, television producer, novelist and actor.Thorne was born in Washington, D.C. After a successful career as a television actor including portraying police officer Wilson Sweet in the television series In the Heat of the Night from 1988 to 1993, Thorne began writing professionally, winning Second Prize in Simon & Schuster's sixth annual Strange New Worlds anthology with his story "The Soft Room." He went on to publish more stories in several media tie-in anthologies as well as the Star Trek: Titan novel Sword of Damocles.Other stories he has written include contributions to Flying Pen Press's anthology Space Grunts, MV Media's Steamfunk anthology, and Ellery Queen's Mystery Magazine.As a screenwriter, Thorne was a writer for season 9 of Law & Order: Criminal Intent, multiple episodes of the Ben 10 and Marvel's Ultimate Spider-Man franchises was a writer on season 3-5 of TNT's Leverage and a writer-producer on the Electric Entertainment's The Librarians.In 2014 Lion Forge Entertainment and NBC-Universal tapped Thorne to reboot the global fan favorite TV series, Knight Rider in comic book form. Thorne is also the co-creator of Phantom Canyon, an audio drama from Pendant Productions.In 2017 Marvel Entertainment tapped Thorne to be head writer and showrunner of the animated Avengers series, retitled Avengers: Black Panther's Quest, and in 2019 he became Co-Executive Producer of Ghost, the first spinoff of the STARZ network global smash hit, Power.Thorne is also a co-founder and writing partner of GENRE 19, a studio he formed with artist Todd Harris in 2008. For More from Comics Are Dope:Get This Week in Comics, our weekly e-mail newsletter: http://thisweekincomics.comSubscribe on YouTube: http://youtube.com/@comicsaredopeJoin our online Discussion Communities:Facebook - http://bjkicks.link/communityDiscord - http://bjkicks.link/discord

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Spider-Man: Across the Spider-Verse, es una película animada de superhéroes del 2023 protagonizada por el personaje de Marvel Comics Miles Morales/Spider-Man, producida por Columbia Pictures y Sony Pictures Animation en asociación con Marvel Entertainment, y distribuida por Sony Pictures Releasing. Es la secuela de Spider-Man: Into the Spider-Verse (2018), ambientada en un multiverso compartido llamado Spider-Verse. Plot: Miles Morales aventura a través del multiverso, donde se encuentra con un equipo de Spider-People encargado de proteger su existencia. Cuando los héroes chocan sobre cómo manejar una nueva amenaza, Miles debe decidir lo que significa ser un héroe. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

The fellas were graced with the presence of famed producer, host, writer, and casting agent extraordinaire Patrick Cotnoir. Patrick produces The George Lucas Talk Show where his fellow co-host Connor Ratliff aka George Lucas, along with their trusty sidekick Watto performed by Griffin Newman, conduct, you guessed it, a talk show. He's also worked on SNL, Sesame Street, Above Average, CNBC, UCB Theatre, Marvel Entertainment, among many more! He also recently produced a star-studded script read performance of The Phantom Menace for its 25th anniversary which is available on YouTube entitled "The Naboo Movie" on The George Lucas Talk Show (links below). Insta: http://instagram.com/cotnoir Bluesky: http://patrickcotnoir.bsky.social TikTok: http://tiktok.com/@cotnoirpatrick LinkedIn: https://linkedin.com/in/cotnoir/ Website: http://patrickcotnoir.com IMDb: http://imdb.com/name/nm6318137/ YouTube: http://youtube.com/channel/UCH1XwfxXB--rl_Nqxvun8zQ…321623K --- Send in a voice message: https://podcasters.spotify.com/pod/show/goodmorningalderaan/message

It's the latest in Sony's attempt to make Spider-Man movies without Spider-Man! Where the others failed though, this one spectacularly fails! Nostalgia Critic takes a look at Madame Web. Madame Web is a 2024 American superhero film featuring the Marvel Comics character of the same name. Produced by Columbia Pictures and Di Bonaventura Pictures in association with Marvel Entertainment and TSG Entertainment, and distributed by Sony Pictures Releasing, it is the fourth film in Sony's Spider-Man Universe (SSU). Directed by S. J. Clarkson from a screenplay she co-wrote with Claire Parker and the writing team of Matt Sazama and Burk Sharpless, it stars Dakota Johnson in the title role, alongside Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. In the film, the origin story of Cassie Webb (Johnson) is explored as she confronts her past while trying to save three young women (Sweeney, Merced, O'Connor) from Ezekiel Sims (Rahim), who wants to kill them before they become Spider-Women in the future and kill him.

WE ARE VENOM!! Visit http://www.gfuel.com/discount/REJECTN... for 20% off Select Tubs! Venom: The Last Dance - Official Trailer Reaction & Review! Having loved Tom Hardy's turn Spider-Man Rogues Gallery Favorite, Eddie Brock, after he had a stand off with Carnage in Let There Be Carnage, and after his cameo in Spider-Man No Way Home Post Credit Scene, it is time for the trilogy to come to an end! The fact this was uploaded on Marvel Entertainment youtube channel has us thinking that perhaps, this will tie into the Marvel Phase 5 Multiverse saga which will see the live action debut of X-Men, the return of Hugh Jackman & Ryan Reynolds in Deadpool & Wolverine, as well as the Fantastic Four.  Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian is a guy who uses his 15+ years of experience building ads, and writing shows for networks like MTV, SyFy and CMT, to help brands tell better stories. He's an ADWEEK Top 100 Creative and works across iconic cultural brands like HBO, Apple, Savage X Fenty, and Marvel Entertainment. --- Support this podcast: https://podcasters.spotify.com/pod/show/dylanconroy/support

With the explosive success of X-Men ‘97, the eager anticipation of Marvel Rivals and Marvel 1943, and the insane hype for Deadpool & Wolverine, Marvel seems to be entering a new era of their media. We'll be getting into the third episode of X-Men ‘97, trailers, rumors and news as we look at the expanding future of Marvel Entertainment. All this and more on an all new X Is For Show!  X Is For Show is your premiere place for web content where we discuss your favorite media, from comics to film & television to gaming and beyond! You can find the Action Pack here every week, so be sure to tune in and join us for all the fun.

In this episode, we share why we feel X-Men ‘97, the Disney Plus animated series from Marvel Entertainment, is hands down the best television series of 2024.Check out our print article: X-Men‘97 Is Top TV 2024Subscribe to the podcast via RSS, Apple Podcasts, Pocket Casts or Amazon Music.To subscribe to the newsletter, explore the podcast archive, support the podcast, and more, visitEYE ON SCI-FI Link Tree.

Join us for a lively conversation with B. Earl (the B stand for Ben!)  In this episode, we delve into the world of Marvel Comic Books, the primordial sources from which they spring, the myth-making process, Tarot, synchronicity, and the magic between frames! Ben is an American comic book writer and filmmaker who lives in Los Angeles. He has been working with Marvel Entertainment since 2017, writing MASTERS OF THE SUN, WEREWOLF BY NIGHT, GHOST RIDER: KUSHALA, DEADLY NEIGHBORHOOD SPIDER-MAN and most recently DAREDEVIL AND ECHO. He also contributed to the special MARVEL #1000 anthology. Ben is currently writing a graphic novel for the video game PLANETQUEST. When not writing comic books, Ben has a multi-project deal with Gaumont Entertainment along with his creative partner, Taboo of the Black Eyed Peas. They are currently developing several scripted and animated series with the studio. B.Earl is also a well-known voice in the web3/metaverse space, speaking on digital collectibles and storytelling. He recently oversaw the web3 strategy for the high-end collectible company Sideshow, where he focused on bridging the gap between digital and physical. Currently he is consulting with the AI creative company, Lore Machine, where they recently did a comic book for the HP Omen gaming system. For more- check out his website! https://iambearl.com/   Thanks-as ever- to Lucas Bakker, my producer, editor, and the musician who provides the glorious soundtrack for Blue Medicine Journal!    

Join Dom, Q, and ILL on this episode of Say What's Reel as they dive into a review of 'The Amazing Spider-Man 2'! From electrifying action to heartfelt moments, they break down what makes this web-slinging adventure a must-watch. Don't miss out - hit that play button nowThe Amazing Spider-Man 2 (internationally titled The Amazing Spider-Man 2: Rise of Electro)[6] is a 2014 American superhero film based on the Marvel Comics character Spider-Man. Produced by Columbia Pictures in association with Marvel Entertainment, Arad Productions, Inc., Matt Tolmach Productions, and Ingenious Film Partners[c], and distributed by Sony Pictures Releasing, the film was directed by Marc Webb from a screenplay by Alex Kurtzman, Roberto Orci, and Jeff Pinkner, based on a story conceived by the three alongside James Vanderbilt. It is the fifth theatrical Spider-Man film, the sequel to The Amazing Spider-Man (2012), and the final film in The Amazing Spider-Man series. The film stars Andrew Garfield as Peter Parker / Spider-Man, alongside Emma Stone, Jamie Foxx, Dane DeHaan, Campbell Scott, Embeth Davidtz, Colm Feore, Paul Giamatti, and Sally Field. In the film, Peter Parker tries to protect his girlfriend Gwen Stacy as he investigates his parents' death while also dealing with the supervillain Electro and the return of his best friend, Harry Osborn, who is dying from a deadly genetic disease.Find the Say Whats Reel CrewSay Whats Reel Socials - https://linktr.ee/rmhproductionsDOM CRUZE Instagram: https://www.instagram.com/itzdomw/Q Twitter: https://twitter.com/King_QuisemoeInstagram: https://www.instagram.com/king_quisemoe/iLL - https://twitter.com/illest_thrillerWe hope you enjoyed the video and the content we put out here at Say Whats Reel Thank you for watching!

In this episode, Morgan interviews Andrea Towers, an accomplished author, editor, and writer with extensive experience in the entertainment industry, having worked with TV Guide Magazine, Entertainment Weekly, Nerdist, and Marvel Entertainment. Andrea shares her journey through various fandoms, from her early obsession with The Phantom of the Opera and The X-Files to Rent and writing Geek Girls Don't Cry and the Gamer Girls series. She offers insights into the intersection of her professional life and nerdy interests, highlighting how her genuine fan perspective enriches her work. Andrea's story is a testament to how fandoms can impact one's identity and lead to fulfilling careers and lifelong friendships. 00:25 Meet Andrea Towers: Entertainment Journalist 02:06 Andrea's Professional Journey: From Marvel to TV Guide 03:08 Nerdy Identity: From Broadway to X-Files 08:38 The Transformative Power of Fandoms in Andrea's Life 16:54 Embracing Nerdiness: Mugs, Memorabilia, and More 21:39 Andrea's Professional Journey: Writing, Fandom, and Finding Her Path 26:08 Cosplay: A Creative Outlet for Fandom Love 33:22 Living the Dream: Reflecting on a Life Shaped by Fandom 36:13 Fandom Today: A Mix of Exhaustion and Fulfillment 45:21 Geeky Recommendations and Embracing Your Nerdiness Follow Andrea Towers: Website: http://www.andrea-towers.com/ Twitter/X: https://twitter.com/_atowers Instagram: https://www.instagram.com/_andreatowers/ Check out Andrea's books: http://www.andrea-towers.com/books Follow That Nerd Thing at: ⁠⁠TikTok: @thatnerdthingpod ⁠⁠⁠⁠Instagram: @thatnerdthingpod⁠⁠ YouTube: @thatnerdthingpod⁠⁠ Email: thatnerdthingpod@gmail.com Don't forget to share this podcast with your nerdy friends!

Ever felt like you were on the brink of uncovering the next big thing in geek culture? That's exactly where this episode takes you, straight into the heart of the action with a first look at Pocket Marvel's "Werewolf by Night" reboot and a salute to the iconic "Trek savior" John G. Tremble. We're not just talking about the latest and greatest in gaming and comics – though the "Star Wars Outlaws" controversy and Marvel Entertainment's shakeups are on the table – we're tackling the tough stuff too. Disney and Gina Carano's legal tangle gets unpacked, and I'll even share a slice of my life with a tale about seeking an allergy test that's as much about self-discovery as it is about sniffles.Strap in for a roundup that soars from the tempest of social media debates to the nostalgia of Star Wars' blue milk, without forgetting the real-time drama unfolding in the pop culture landscape. Join me as we explore what it means when personal expression collides with corporate ideals, and savor the excitement of fresh faces entering the DC universe. Plus, get the lowdown on what's happening with our beloved "Star Trek" series, Hollywood's latest offensive on digital piracy, and those casting bombshells that are lighting up the entertainment sky. It's not just a podcast episode – it's a journey through the multiverse of fandom, and you've got the best seat in the house.Support the showThanks for listening! Come visit the podcast at https://www.multiversetonight.com/ and the Pop Goes The Culture podcast network at https://popgoestheculture.com/

Season 2 Episode 1 : Spider-Man Kraven's Last Hunt: It's a new beginning for the podcast as Sean and Jim open up the show to a wider range of comics. This time they do an indepth look at the J.M. DeMatteis and Mike Zeck classic, Kraven's Last Hunt! Podcast Legacy Number 723 We are on Threads! https://www.threads.net/@ragingbulletspodcast Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Upcoming: Interview with Thom Zahler, Batman : Death in the Family and Robin Lives Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   3:05 Kraven's Last Hunt 2:17:40 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

Welcome to Multiverse News, Your one-stop-shop for Info about all your favorite fandoms. Captain America: Brave New World star Anthony Mackie broke the news that Sebastian Stan's character Bucky Barnes will not appear in the fourth Captain America movie. The duo garnered great accolades for their chemistry after the Disney+ show, The Falcon and the Winter Soldier, which saw Mackie's character Sam Wilson come into his own as the MCU's new Captain America. Mackie's comments also alluded to no return for Daniel Brühl's character of Baron Helmut Zemo. Things are heating up in the wild world of Disney's board of directors. Nelson Peltz, an investor with Trian Partners, is angling to flip two board seats at the entertainment giant. In an interview with the Financial Times, Peltz was quoted saying, “Why do I have to have a Marvel [movie] that's all women? Not that I have anything against women, but why do I have to do that? Why can't I have Marvels that are both? Why do I need an all-Black cast?” These incendiary comments don't come as a surprise upon the knowledge that former Marvel Entertainment boss Ike Perlmutter owns 79% of Trian Partners' $3.5 billion of Disney stock.  The dynasty of House of the Dragon will continue in season two and viewers got a taste last Thursday when competing trailers dropped for the show. The fictional civil war in the story extended to the trailers with a black trailer - focused on Rhaenyra - and a green trailer - focused on Alicent. Pirates of the Caribbean producer Jerry Bruckheimer told comicbook.com a sixth movie in the franchise is confirmed, but called it a reboot.  The first trailer dropped for Fede Alvarez's upcoming installment in the Alien franchise, Alien: Romulus, which currently has a release date of August 16. The film takes place between Alien, which debuted in 1979, and Aliens, which debuted in 1986. A new Marvel video game, “1943: Rise of Hydra,” is set for a 2025 release and dropped the first trailer last week. The title, which hails from Skydance New Media and Marvel Games, will focus on characters Captain America and Black Panther, who at that time was King T'Chanda, also known as Azzuri. The game will be set in World War 2 “The Neverending Story” — the beloved fantasy novel from late German author Michael Ende that was famously adapted into the cult 1984 film — will be revived with a new joint-venture partnership between Michael Ende Productions and See-Saw Films. The adaptation will span multiple live action films. A film based on the popular video game franchise The Sims is in early production with Loki director Kate Herron attached to direct. Margot Robbie's production company Lucky Chap will produce the feature. Last week, we reported a rumor that Scarlett Johansson was being circled to star in the upcoming Jurassic World film. This week, trades have reported that she is officially in talks for the film. The first trailer for Beetlejuice Beetlejuice has dropped. Michael Keaton, Winona Ryder, Catherine O'Hara are returning to the franchise, and Jenna Ortega, Willem Dafoe, Justin Theroux and Monica Bellucci are joining for the sequel. The film debuts in theaters on September 5. Jack Black recently told news outlet JOE that he is "ready" for a sequel to 2003's musical comedy School of Rock also noting that for a sequel, he would want The White Lotus creator Mike White, who wrote the first film, to return. Peaky Blinders creator Steven Knight confirmed that a film in the franchise is currently scheduled to begin filming this September and Cillian Murphy will return to star, reprising his role from the series. The first trailer has dropped for The Penguin, The Batman spin-off series starring Colin Farrell. The series is expected to debut on Max this fall. Ghostbusters Frozen Empire led the box office this weekend after a $45.2 million opening in North America. The new film catapulted the franchise total to more than $1 billion.

In this episode of Nerd's Talking The Podcast, the hosts Lafayette, Carlos, Johnny, and Hugh are joined by Marie, who updates them on her music classes. The episode kicks off with a discussion about the new trailer for the upcoming movie The Crow, starring Bill Skarsgard. The main segment of the podcast is dedicated to the review of Madame Web, a 2024 American superhero film featuring the Marvel Comics character of the same name. Produced by Columbia Pictures and Di Bonaventura Pictures in association with Marvel Entertainment and TSG Entertainment, and distributed by Sony Pictures Releasing, it is the fourth film in Sony's Spider-Man Universe (SSU). Directed by S. J. Clarkson from a screenplay she co-wrote with Claire Parker and the writing team of Matt Sazama and Burk Sharpless, the film stars Dakota Johnson in the title role, alongside Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. In Madame Web, the origin story of Cassie Webb (Johnson) is explored as she confronts her past while trying to save three young women (played by Sweeney, Merced, and O'Connor) from Ezekiel Sims (Rahim), who wants to kill them before they become Spider-Women in the future and kill him. The hosts delve into the film's storyline, characters, and performances, offering their thoughts and opinions. As always, the podcast wraps up with various other discussions and segments, providing a comprehensive and entertaining look at the world of movies, TV shows, and more. --- Support this podcast: https://podcasters.spotify.com/pod/show/nerdstalking/support

Welcome back to your favorite podcast about some of the biggest bombs in film history. In this week's episode, we discuss one of the biggest cinematic flops for 20th Century Fox and Marvel Entertainment, 2019's Dark Phoenix. This is the fourth installment of the prequel films and the 12th installment in the X-Men film series. Dark Phoenix had all the trademarks of a bomb such as numerous re-shoots based on test screenings, studio mergers, uninterested actors, a first-time director, shifting management, and poor marketing. Do all these factors make Dark Phoenix a bomb? Were audiences, critics, and comic book fans too harsh on this version of “The Dark Phoenix Saga?” Download the episode and hear our thoughts!Special thanks to our good friend Jose from Watch / Skip+ for stopping by and helping out with the discussion!Dark Phoenix is directed by Simon Kinberg and stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, and Jessica ChastainMake sure to check out Jose on Watch/Skip+ and make sure to drop them a review!Also, James, friend of the show, lost his beloved dog - Penny a little bit ago. If you would like to donate to the GoFundMe, please do so and help out a great guy during this most difficult time. If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy, Jose

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! The tragic film we are discussing in this Season 2 Episode is "Madame Web" Madame Web is a 2024 American superhero filmbased on Marvel Comics featuring the character of the same name. Produced by Columbia Picturesand Di Bonaventura Pictures in association with Marvel Entertainment and TSG Entertainment, and distributed by Sony Pictures Releasing, it is the fourth film in Sony's Spider-Man Universe (SSU). The film was directed by S. J. Clarkson from a screenplay she co-wrote with Claire Parker and the writing team of Matt Sazama and Burk Sharpless. It stars Dakota Johnson in the title role, alongside Sydney Sweeney, Celeste O'Connor, Isabela Merced, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. In the film, Cassie Webb (Johnson) confronts her past while trying to save three young women and their futures from Ezekiel Sims (Rahim). Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y= ALSO Follow the homie Dylan and Steven on their fantastic Podcast "The Talk No Justsu Poscast" https://open.spotify.com/episode/05FUyTQLzBHBjGA8EIAjRB?si=b3CkutraR-Wjj5Cr1GI0FQ

Robert Winfree and Mark Radulich present their Madame Web 2024 Movie Review!Madame Web is a 2024 American superhero film based on Marvel Comics featuring the character of the same name. Produced by Columbia Pictures and Di Bonaventura Pictures in association with Marvel Entertainment and TSG Entertainment, and distributed by Sony Pictures Releasing, it is the fourth film in Sony's Spider-Man Universe (SSU). The film was directed by S. J. Clarkson from a screenplay she co-wrote with Claire Parker and the writing team of Matt Sazama and Burk Sharpless. It stars Dakota Johnson in the title role, alongside Sydney Sweeney, Celeste O'Connor, Isabela Merced, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. In the film, Cassie Webb (Johnson) confronts her past while trying to save three young women and their futures from Ezekiel Sims (Rahim).Madame Web premiered at the Regency Village Theatre in Westwood, Los Angeles on February 12, 2024, and was released in the United States on February 14. The film was panned by critics and has grossed $52 million worldwide.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

Watch Part 4 here: https://www.patreon.com/posts/98002216   Making movies for toys is hard. Let's talk about how difficult it was to make Phase 2 of the Marvel Cinematic Universe, from Iron Man 3 changing scripts to sell more toys to Thor: The Dark World changing scripts to sell more toys or choosing to make Guardians of the Galaxy… to sell toys.   You can watch the full video version of this episode on YouTube!  

What does it truly take to lead an organization through massive change? How do you inspire a demoralized culture facing extreme challenges to come together as a team and achieve the impossible? Find out on this episode of The Business Growth Show, when our host, Ford Saeks, also the author of Superpower: A Superhero's Guide to Leadership, Business, and Life sits down for a highly engaging conversation with Peter Cuneo, host of the upcoming Superhero Leadership Podcast and former CEO of Marvel Entertainment! When Cuneo took the reins in the late 1990s, Marvel was nearly bankrupt. Fast forward 10 years from Cuneo's arrival, and Marvel Studios exploded onto the Hollywood scene with blockbusters like Iron Man and The Avengers, culminating in a $4.5 billion purchase by Disney. So how did Cuneo lead Marvel from the brink of disaster to incredible success? Listen in to find out! In this episode, they discuss: How to lead from the front Understanding that communication is oxygen How to take risks and make enemies Why to hire for fire and desire The importance of investing in face-time The story of Marvel's miracle turnaround stands as a remarkable example of the power of resilient leadership in the darkest of times. With courage, vulnerability and rock-solid conviction, leaders can inspire even extremely challenged teams to achieve the seemingly impossible. Catch these heroic insights and more right here on the Business Growth Show! Watch the Full YouTube Interview Here Ford Saeks has redefined the formula for business success. From start-ups to Fortune 500's, Saeks is widely recognized as a Business Growth Innovator. With over 20 years' experience (ranging from retail to wholesale), he has founded over ten companies, authored four books, been awarded three U.S. patents, and received numerous industry awards. As President and CEO of Prime Concepts Group, Inc., a digital marketing firm, Ford specializes in helping businesses attract loyal and repeat customers, monetize social media, and ignite innovation. Discover more about Ford Saeks at ProfitRichResults.com Peter Cuneo is an American businessperson known for serving as CEO and Vice Chairman of Marvel Entertainment. He is also the host of the upcoming podcast "Superhero Leadership" which will be available at PeterCuneo.com

MCU: The Reign of Marvel Studios by Joanna Robinson, Dave Gonzales, Gavin Edwards https://amzn.to/3SwQYwy INSTANT NEW YORK TIMES BESTSELLER "A superb chronicle of how Marvel Studios conquered Hollywood…. This definitive account of the Hollywood juggernaut thrills." ―Publishers Weekly, starred review The unauthorized, behind-the-scenes story of the stunning rise―and suddenly uncertain reign―of the most transformative cultural phenomenon of our time: the Marvel Cinematic Universe. Marvel Entertainment was a moribund toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. How did an upstart studio conquer the world? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe. For all its outward success, the studio was forged by near-constant conflict, from the contentious hiring of Robert Downey Jr. for its 2008 debut, Iron Man, all the way up to the disappointment of Ant-Man and the Wasp: Quantumania and shocking departures of multiple Marvel executives in 2023. Throughout, the authors demonstrate that the original genius of Marvel was its resurrection and modification of Hollywood's old studio system. But will it survive its own spectacular achievements? Dishy and authoritative, MCU is the first book to tell the Marvel Studios story in full―and an essential, effervescent account of American mass culture. Show Notes About The Guest(s): Joanna Robinson and Dave Gonzalez are authors and podcasters who have worked together for over a decade. Joanna has hosted podcasts about film and television for years and wrote for Vanity Fair for eight years. She is currently at The Ringer, where she continues to podcast about film and television. Dave has been writing about film for the internet for 15 years and has a passion for the business of storytelling in the entertainment industry. Summary: Joanna Robinson and Dave Gonzalez join Chris Voss on The Chris Voss Show to discuss their new book, "MCU: The Reign of Marvel Studios." The book provides a comprehensive overview of Marvel Studios, from its inception in 2008 with the release of "Iron Man" to its current status as a cultural and financial powerhouse in Hollywood. The authors delve into the business deals, creative decisions, and behind-the-scenes stories that have shaped Marvel Studios into the success it is today. They also explore the impact of Marvel Studios on the film industry and its ability to captivate audiences with its superhero movies. Key Takeaways: Marvel Studios started as a scrappy underdog, leveraging lesser-known characters like Iron Man and the Hulk to build its brand. The success of Marvel Studios can be attributed to its ability to push boundaries and take risks, such as casting Robert Downey Jr. as Iron Man. The creative committee at Marvel East Coast, led by Ike Perlmutter, initially had regressive ideas about representation in superhero movies, but Marvel West Coast eventually broke free from their influence. "Guardians of the Galaxy" was a turning point for Marvel Studios, proving that audiences were willing to embrace unconventional characters and stories. The future of Marvel Studios lies in its ability to continue pushing boundaries and telling fresh, engaging stories that resonate with audiences. Quotes: "We got as close as we could to current events as we could, including things that happened over the summer of this year into the book to try to explain how a superhero movie studio could take over Hollywood for well over a decade." - Joanna Robinson "Marvel Studios will finish up movies weeks before they release because that's what worked for them on the first Iron Man." - Dave Gonzalez

On this episode, McIntyre talks with a dynamic duo that will be presenting at the Echoes of Creation Conference.  Cary Solomon and Chuck Konzelman  have been in the entertainment industry for thirty years. They have done feature projects for Warner Brothers, Paramount, Sony-Columbia and Marvel Entertainment. They have also placed original-concept TV pilots with CBS,  Fox, New Line Television and Touchstone. . . and cable projects with TNT and HBO. Responding to a call from the Lord, Cary and Chuck left the secular entertainment field more than ten years ago. Since then, their filmed projects have included “What If?”, “The Book of Daniel”, “Do You Believe”, “God's Not Dead”, ‘God's Not Dead 2”, "Unplanned" and  "Nefarious". Their films have won numerous awards, and Pragerforce (the Millennial and Gen Z arm  of Prager University) voted Unplanned as the #1 and God's Not Dead as the #3 life-changing films of all time. Cary and Chuck are the co-CEO's of Believe Entertainment, and Soli Deo Gloria Releasing. They seek to conquer the culture for Christ through the media, believing there can be no evangelization without evangelization of culture.     Please send us any questions or comments about this episode to info@themichaelmcintyre.com. We'd love to hear from you.   Get your tickets for The Echoes of Creation Conference: https://echoesofcreation.life/   You can register for McIntyre's Next Level Life and Next Level Experience by visiting https://themichaelmcintyre.com/   Sing up now for your MBA: http://go.themichaelmcintyre.com/mba/     Check out the trailer for the first MBA Productions' ACCELERATOR: https://vimeo.com/user103164344/review/810986162/e8a07b3630   Get your copy of McIntyre latest book, NEXT LEVEL LIFE.   Check out the other shows from KB PODCAST PRODUCTIONS: Kingdom Bringer Podcast with Darin Eubanks Super-Natural Living with Beth Packard Cindy Stewart Podcast Kingdom Master Mind Podcast with Ann McDonald Fan the Flame Podcast with Scott Tilley   Podcast music from HOOKSOUNDS.COM

Hello, Hello!    In this edition of Indie Talk, we have a conversation with the President of QYOU Media, Inc., Glenn Ginsburg. Glenn provided valuable insights into influencer marketing strategies for major studios and independent films. He outlined how his company executes large-scale social media campaigns for studios using top creators to drive awareness and engagement. The conversation offered filmmakers valuable tips for crafting grassroots marketing approaches and understanding how major studios optimize influencer campaigns at massive scales.   Topics Include:   Discussion of recent WGA strike ending and deal being reached between writers and studios Impact the strike had on studios' ability to market and release new films  Debate around whether indie films/filmmakers truly benefited from "support indie" rhetoric during negotiations as claimed Overview of Q Media's work focusing on large-scale social media campaigns for studios using influencer marketing Differences in marketing approaches needed for indie films with smaller budgets versus studio CPM models Potential for indie cinema to utilize influencer marketing by finding relevant influencers and paying flat fees rather than CPM metrics  Importance for indies of growing organic audiences online through engaged communities Insights into how influencer marketing works at scale for studios through creators and turning that content into ad campaigns   Enjoy!   How you can continue to enjoy MAKE IT content:   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   More About Glenn   GLENN GINSBURG is the President of QYOU Media, Inc., an award-winning media and marketing agency whose client portfolio includes Universal Pictures, 20th Century Fox, Sony Pictures, DreamWorks, Warner Brothers, and other leading entertainment companies, as well as Activision, Hyundai, Nerf, MGA and more. Under Ginsburg's leadership, QYOU Media has also become the foremost authority on brand engagement on the popular short-form entertainment platform TikTok. Ginsburg joined QYOU as an SVP in 2015 and has grown the company to over 40. ‍ Ginsburg's oversight includes QYOU's Influencer and brand partnerships, content development, and social channel management. In addition, he supervises building new partnerships with clients, leading Influencers, talent managers, and agencies. ‍ Before joining QYOU, Ginsburg worked with top-tier brands such as Disney, Marvel, and Universal, among others, to help them harness the power of social media stars and develop leading Influencer marketing campaigns that generate buzz online. Previously with Alloy Media + Marketing, he helped structure, implement, and execute Alloy Digital's YouTube go-to-market sales strategy. He worked across cross-functional teams, including sales, integrated marketing, planning, pricing, ad operations, social media, PR, research, and talent. ‍ Ginsburg's extensive background in digital, social, and convergence media and branded entertainment also includes MTV Networks, where, as a VP for several years, he initiated, structured, and developed Comedy Central's Interactive Sales business. His career also includes work with prestigious entertainment brands like Walt Disney, USA Networks, and Marvel Entertainment. ‍ A dedicated "girl dad," Ginsburg recently joined his daughter for a Taylor Swift concert and takes pride in rooting her on at tennis matches. He earned his bachelor's degree from Boston University and resides in Los Angeles.

Jon Harris serves as Chief Executive Officer of AthLife®, which was initially established in 2004 to provide educational and career advising services to post-professional, professional and collegiate athletes. Current partners include the NFL Players Association, The Players Trust (powered by the NFL Players Association), NBA, National Basketball Retired Players Association, NBA Players Legacy Fund, MLS, MLB Players Association, and the NHL. On an average day, more than 650 current and former professional athletes are in service with AthLife advisors working on one-to one career fundamentals and educational advising. For more than 19 years, AthLife has also created and executed in-person programs for professional sports teams and more than 40 college and university athletic departments. In that time, AthLife Unlimited evolved as a division of AthLife to work with sport and entertainment brands to deepen their relationship with fans, including a now 15 year relationship with Marvel Entertainment, while also building and launching the company hustl. To create NIL opportunities in the world of sport and entertainment. Jon also serves as Board President of The AthLife Foundation, a non-profit aimed providing support and resources to kids in our nation's most challenged but promising communities. As of 2023, the Foundation has raised and distributed more than a million dollars to high schools, along with training and supporting the academic coaches in 15 states while annually impacting more than 10,000 deserving kids that play sports. He is also a founding member of the Foundation for Teamwork, home of the Joe Moore Award, that recognizes the best offensive line unit in college football, and recently joined the board of The Institute of Sport and Social Justice where he got his start in 1995 as an intern. Prior to forming AthLife, Jon served as Manager of Player Development for the National Football League, where he was hired to establish and manage the NFL's Continuing Education Program. The program was designed to assist active NFL players with all aspects of continuing education including degree completion, graduate school preparation, and guidance for continuing education as it relates to personal development. For six years previous to his time at the NFL, Jon helped build the NFL's education program while working for the National Consortium for Academics and Sports (now the Institute of Sport and Social Justice) where he rose from Intern to Associate Director. Jon earned a master's in management of Public Service from DePaul University in 2000, penning his thesis titled The Affects of Achievement in Higher Education on the Career Transition of Retired NFL Players. He is certified in the Strong Interest Inventory and a member of the National Career Development Association, and for more than 25 years he has been an active member of The National Association of Academic and Student-Athlete Development Professionals (N4A). He earned his bachelor's degree from DePaul in Political Science in 1995. While studying Political Science at DePaul, Jon was a four-year letterman in basketball and four times was named to the Conference All-Academic Team. His accomplishments were recognized by being named to the '14 Under 40' class by DePaul in 2012. He and his wife Keri are raising four remarkable children who undoubtedly will change the world for the better.   You can find Jon on LinkedIn and check out AthLife.   Remarkable Quote:   “One thing I noticed with me is that when I grab onto an idea that I'm really passionate about, whether it was playing college basketball or starting a company, it probably takes about nine years in my life for the idea to turn into something pretty meaningful.”   Find Us Online! Website: iamJulietHahn.com Instagram: @iamjuliethahn Twitter: @iamjuliethahn LinkedIn: Juliet Hahn FB: @iamjuliethahn Fireside: Juliet Hahn Clubhouse: @iamjuliethahn YouTube: Juliet Hahn

On this episode, Movie Mike dives into the world of visual artistry and shares his top 5 favorite movie posters, discussing the iconic designs and captivating imagery that have left a lasting impression.  That leads into an interview with acclaimed director Lee Cronin (@curleecronin) to talk about his latest movie ‘Evil Dead Rise' which is available to stream now on Max. He talks about the science behind movie posters / trailers, the creative writing process when dealing with dark subjects, and reveals just how much blood was spilled (and how much money it cost!) to bring the terrifying vision to life. In the Movie Review, Mike talks about Pixar's ‘Elemental,' which explores the interconnectedness of the natural world and human emotions. He shares why he thinks it underperformed at the box office despite being a good movie.  In the Trailer Park, Mike takes a sneak peek at 'Kraven the Hunter,' the upcoming anti-hero film from Sony's Spider-Man universe  in association with Marvel Entertainment. SEE the posters Mike talked about HERE New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on Twitter: @mikedeestro   Email: MovieMikeD@gmail.com  See omnystudio.com/listener for privacy information.

On this episode of X-Ray Vision, Jason Concepcion and Rosie Knight take off their helmets! In the Previously On (1:16) Jason and Rosie discuss the recent shake-ups at Disney, the dissolution of Marvel Entertainment, and why this is actually potentially massive news. In the Airlock (9:46), they dive deep (deeep) into season 3 episode 5 of The Mandalorian, recapping and discussing The Armorer, the powerful incentive of real estate, and more. Then in Nerd Out (47:45) Jason and Rosie discuss a listener theory about what the series finale of The Mandalorian might look like.Note: Imprecise timestamps are an unfortunate side effect of a new ads system. Thank you for your patience as we work to resolve this issue.Tune in every Wednesday & Friday and don't forget to Hulk Smash the Follow button!Nerd Out Submission Instructions!Send a short pitch and 2-3 minute voice memo recording to xray@crooked.com that answers the following questions: 1) How did you get into/discover your ‘Nerd Out?' (2) Why should we get into it too? (3) What's coming soon in this world that we can look forward to or where can we find it? If you're sending a theory, feel free to send only a summary of your theory (no audio needed) for Jason and Rosie to react to on air.Follow Jason: twitter.com/netw3rkFollow Rosie: IG, Letterboxd, & Rosie Recommends NewsletterJoin the X-Ray Vision DiscordFollow Crooked: twitter.com/crookedmediaThe Listener's Guide to all things X-Ray Vision!From a Certain Point of View (2017) – An anthology of 40 short stories, each story told from the perspective of a background character in A New Hope.Memories (1995) – an anthology anime film based on Katsuhiro Otomo's manga series.