Podcast appearances and mentions of Jeremy Brett

From the 2024 Brettcon event, we are joined on stage by director of photography Lawrence Jones, sound recordist Martin Kay, boom operator David Eve, and costume designers Kayt Turner and Esther Dean who discuss their work on the Granada series and their time with Jeremy Brett.  (Recorded on May 25, 2024 in Guildford, England.) FULL VIDEO:  https://youtu.be/QPFhFZMmkX0 *Brettcon attendees will remember the issues we had with the microphones at the event, especially this first panel.  The sound does improve. Please bear with us. Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Instagram: https://www.instagram.com/sherlockpod/ Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda  

In this week's episode, I take a look at the movies and streaming shows I watched in Winter and Spring 2025. This week's coupon code will get you 25% off the ebook versions of my anthologies at my Payhip store: JUNE25 The coupon code is valid through June 17, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 252 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 23rd, 2025, and today we are looking at the movies and streaming shows I watched in Winter and Spring 2025. We missed doing an episode last week for the simple reason that the day before I wanted to record, we had a bad thunderstorm that knocked down large portions of my fence, so my recording time was instead spent on emergency fence repair. However, the situation is under control, so hopefully we'll be back to weekly episodes for the immediate future. And now before we get to our main topics, let's have Coupon of the Week and then a progress update on my current writing projects.   So first up, Coupon of the Week. This week's coupon code will get you 25% off the ebook version of all my short story anthologies at my Payhip store and that is JUNE25. As always, the coupon code and links will be available in the show notes. This coupon code is valid through June the 17th, 2025, so if you need a new ebook for this summer, we have got you covered.   And now an update on my current writing projects. Ghost in the Corruption is finished. It is publishing right now. In fact, I paused the publishing process to record this and so by the time this episode goes live, hopefully Ghost in the Corruption should be available at all ebook stores. My next main project now that Ghost in the Corruption is done will be Shield of Power and as of this recording I am 15,000 words into it. My secondary projects will be Stealth and Spells Online: Final Quest and I'm 97,000 words into that, so hopefully that will come out very shortly after Shield of Power and I'll also be starting Ghost in the Siege, the final book in the Ghost Armor series as another secondary project and I'm currently zero words into that. So that is where I'm at with my current writing projects.   In audiobook news, Ghost in the Assembly (as excellently narrated by Hollis McCarthy) is now out and should be available at all the usual audiobook stores so you can listen to that if you are traveling for the summer. Recording of Shield of Battle (as excellently narrated by Brad Wills) is underway soon. I believe he's starting it this week, so hopefully we will have another audiobook in the Shield War series for you before too much longer. So that's where I'm at with my current writing projects.   00:02:17 Main Topic: Winter/Spring 2025 Movie Roundup   And now let's move on, without any further ado, to our main topic. Summer is almost upon us, which means it's time for my Winter/Spring 2025 Movie Roundup. As usual, the movies and streaming shows are listed in order for my least favorite to my most favorite. The grades are based upon my own thoughts and opinions and are therefore wholly subjective. With all of that said, let's get to the movies and our first entry is MacGruber, which came out in 2010 and in all honesty, this might be objectively the worst movie I have ever seen. The Saturday Night Live MacGruber sketches are a parody of the old MacGyver action show from the ‘80s. And so the movie is essentially the sketch stretched out to make a parody of an ‘80s action movie. It is aggressively dumb and crude. Its only redeeming feature is that the movie knows it's quite stupid and so leans into the stupidity hard. I'll say this in its favor, MacGruber has no pretensions that is a good movie and does not take itself seriously and then runs away hard with that fact. For that he gets a plus, but nothing else. Overall grade: F+   Next up is Down Periscope, which came out in 1996. Now the fundamental question of any movie is the one Russell Crowe shouted at the audience in Gladiator: “Are you not entertained?” Sadly, I was not entertained with Down Periscope. This wanted to be a parody of Cold War era submarine thrillers like The Hunt for Red October, I say wanted because it didn't really succeed. Kelsey Grammer plays Lieutenant Commander Thomas Dodge, an unorthodox US Navy officer who wants command of his own nuclear sub, but he's alienated a few admirals, which is not traditionally a path to career advancement in the military. Dodge gets his chance in a Navy wargame where he has to command a diesel sub against nuclear subs. Sometimes parodies are so good that they become an example of the thing they are parodying (Hot Fuzz and Star Trek: Lower Decks are excellent examples of this phenomenon). The trouble is that the movie takes itself too seriously and just isn't all that funny. A few funny bits, true, but not enough of them. In the end, this was dumb funny but didn't resonate with me the way other dumb funny movies like Dodgeball and Tropic Thunder did. Overall grade: D   Next up is Deadpool and Wolverine, which came out in 2024. Unlike Down Periscope, I was entertained with this movie, though both movies reside on the dumb funny spectrum. Deadpool and Wolverine is basically one long meta in-joke/love letter for the last 30 years of superhero movies. If you've seen enough of those movies, you'll find those movies funny, if occasionally rather tasteless. If you haven't seen enough of those movies, Deadpool and Wolverine will just be incomprehensible. The plot is that Wade Wilson AKA Deadpool gets pulled into some Marvel style multiverse nonsense. To save his universe from destruction, he needs to recruit a Wolverine since in his universe, Wolverine died heroically.   In the process, Deadpool stumbles across the worst Wolverine in the multiverse. Together they have to overcome their mutual dislike and attempt to save Deadpool's universe from destruction at the hands of a rogue branch of the Time Variance Authority. This means the movie can bring in a lot of cameos from past Marvel films. Hugh Jackman's performance really carries the movie on its back. Like I said, this movie is essentially one very long Marvel in-joke. I thought it was funny. I definitely think it can't stand on its own without having seen a sufficient number of the other Marvel movies. Overall grade: C   Our next movie is the Ministry of Ungentlemanly Warfare, which came out in 2024. This is very loosely (with an emphasis on “very”) based on Operation Postmaster during World War II, when British Special Forces seized some Italian ships that had been supplying parts for German U-boats. It was entertaining to watch but it couldn't quite make up its mind tonally if it was a war thriller or a heist movie about Western desperados recruited into a crew. It kind of tried to do both at the same time, which killed the momentum. Like, the first parts of the movie where the protagonists take out a Nazi patrol boat and then free a prisoner from a base were good thriller stuff, but then the plot fused with the heist stuff and really slowed down through the middle forty percent or so. It was also oddly stylized with a lot of spaghetti western-style music that seemed out of place and some stuff just didn't make sense, like at the end after pulling off the mission, the protagonists were all arrested. That just seems bizarre since if anything, Winston Churchill and a lot of the British wartime leadership were enthusiastic about special operations and probably had too much confidence in the effectiveness of covert operations. So I did enjoy watching this, but I can see why it didn't make a lot of money at the box office. Overall Grade: C   Next up is The Gorge, which came out in 2025. This was a peculiar mix of science fiction, romance, and horror. For the romance part, perhaps shooting zombies together is a good idea for a first date. Before I dig into the movie, a brief rant. In one scene, a character is using a chainsaw with no protective gear whatsoever and she's not fighting zombies or anything in a situation where she has to pick up a chainsaw without preparing first. She's trimming branches to pass time. If you're using a chainsaw, at a minimum you want protective eyewear and headphones. Ideally you'd want chainsaw pants as well to reduce the chance of serious injury if you slip and swing the saw into your leg. Since I became a homeowner, I've used a chainsaw a number of times and believe me, you definitely want good eye and ear protection. This has been your public safety announcement for this movie review.   Anyway, loner former sniper Levi is approached by a high ranking intelligence officer giving him a mysterious job. He needs to guard a tower overlooking a mysterious mist-filled gorge for one year. On the other side of the gorge is another tower, guarded by an elite Lithuanian sniper named Drasa. Like Levi, Drasa has a fair bit of emotional damage and they're officially forbidden to communicate. However, they're both lonely and they soon start communicating over the gorge using telescopes and whiteboard messages. Eventually Levi gets emotionally close enough to Drasa to rig a zipline to cross the gorge and speak with her in person.   Unfortunately, it turns out the gorge is full of twisted creatures that storm out and attack and the job of the two snipers is to keep them contained. If Levi and Drasa want to save their lives, they'll need to unravel the dark secret within the gorge. This movie was interesting and I enjoyed watching it, but it falls apart if you think about it too much (or at all). Like the chainsaw thing I ranted about above. The entire movie runs on that sort of logic. That said, I appreciate how the filmmakers were trying something new instead of something like Deadpool and Wolverine. Additionally, this was an Apple+ movie and it's interesting how Apple's approach to streaming is to just make a whole bunch of random stuff that's totally distinct, from Ted Lasso to Mythic Quest to Severance to The Gorge. It's like, “we have more money than most countries, so we're going to make Ted Lasso because we feel like it.” Then again, Apple+ is apparently losing a billion dollars every year, so maybe they'll eventually change their minds about that approach. Overall Grade: B-   Next up is Click, which came out in 2006. Cross It's a Wonderful Life with A Christmas Carol and the comedic style of Adam Sandler and you end up with Click. Basically Sandler plays Michael Newman, a workaholic architect with a demanding boss and increasingly strained relationship with his wife and children due to his workload. In a fit of exasperation with his situation, he goes to Bed Bath and Beyond, where he encounters an eccentric employee named Morty (played entertainingly by Christopher Walken). Morty gives him a remote control that lets him fast forward through time, which Michael then uses to skip the boring and tedious parts of his life, but he overuses the remote and goes too far into the future and sees the disastrous results of his current life choices. Definitely a story used in A Christmas Carol and It's a Wonderful Life but effectively told and I was entertained (rather on the crude side, though). Overall Grade: B- Next up is Mr. Deeds, which came out in 2002. This was actually one of Adam Sandler's better movies, in my opinion. It was a remake of the ‘30s movie Mr. Deeds Goes To Town. In this new version, Sandler plays Longfellow Deeds, a popular pizzeria owner in a small New Hampshire town. Unbeknownst to Deeds, his uncle is the owner of a major media mega corporation and when he dies, Deeds is his legal heir. When the company's CEO and chief lawyer arrive at the pizzeria to inform him of this fact, Deeds goes to New York and soon finds himself involved in the CEO's sinister machinations. Yet he happens to rescue an attractive woman from a mugger, but there is more to her than meets the eye. The movie was funny and not as crude, well, not quite as crude as some of Sandler's other stuff. It had good story structure and several great lines, my favorite of which was “he was weak and cowardly and wore far too much cologne.”   Sandler's movies, in a strange way, are often very medieval. Like various medieval fables had a savvy peasant outwitting pompous lords, greedy merchants, and corrupt clergymen. The best Adam Sandler protagonist tends to be a good natured everyman who defeats the modern equivalent of medieval authority figures- evil CEOs, arrogant star athletes, sinister bureaucrats and so forth. Overall Grade: B     Next up is House of David, which came out in 2025 and this is basically the story of King David from the Bible told in the format of an epic fantasy TV series. Like if someone wanted to do an epic fantasy series about Conan the Barbarian, it could follow the same stylistic format as this show. And of course Conan and David followed a similar path from adventurer to king. Anyway, if one were to pick a part of the Bible from which to make a movie or TV series, the story of David would be an excellent choice because David's life was so dramatic that it would hardly require any embellishments in the adaptation. The story is in the Books of First and Second Samuel. King Saul is ruling over the Israelites around 1000 BC or so, but has grown arrogant. Consequently, God instructs the prophet Samuel to inform Saul that the kingdom will be taken away from him and given to another. God then dispatches Samuel to anoint David as the new king of Israel. David is a humble shepherd but then enters Saul's service and undertakes feats of daring, starting with defeating the giant Goliath and leading Saul's troops to victory and battle against Israel's numerous enemies. (The Iron Age Middle East was even less peaceful than it is now.) Eventually, Saul's paranoia and madness gets the best of him and he turns on David, who flees into exile. After Saul and his sons are killed in battle with the Philistines. David returns and becomes the acknowledged king after a short civil war with Saul's surviving sons and followers.   If Saul's fatal flaw was his arrogance of pride, David's seems to have been women. While the story of David and Bathsheba is well known, David nonetheless had eight wives (most of them at the same time) and an unknown but undoubtedly large number of concubines. Naturally David's children from his various wives and concubines did not get along and David was almost deposed due to the conflicts between his children. Unlike Saul and later David's son Solomon, David was willing to repent when a prophet of God informed him of wrongdoing and to be fair to David, monogamy was generally not practiced among Early Iron Age Middle Eastern monarchies and dynastic struggles between brothers from different mothers to seize their father's kingdoms were quite common, but enough historical digression.   Back to the show, which covered David's life up to the death of Goliath. I thought it was quite well done. Good performances, good cinematography, excellent battles, good set design and costuming, and a strong soundtrack. All the actors were good, but I really think the standout performances were Stephen Lang as Samuel, Ali Sulaman is King Saul, Ayelet Zurer as Saul's wife Queen Ahinoam, and Davood Ghadami as David's jerkish (but exasperated and well-intentioned) eldest brother Eliab. Martyn Ford just looks extremely formidable as Goliath. You definitely believe no one in their right mind want to fight this guy.   Making fiction of any kind based on sacred religious texts is often tricky because no matter what you do, someone's going to get mad at you. The show has an extensive disclaimer at the beginning of each episode saying that it is fiction inspired by the Bible. That said, House of David doesn't really alter or deviate from the Biblical account, though it expands upon some things for the sake of storytelling. Queen Ahinoam is only mentioned once in the Bible as the wife of Saul, but she has an expanded role in the show and is shown as the one who essentially introduces Saul to the Witch of Endor. Goliath also gets backstory as one of the “Anakim,” a race of giants that lived in Canaan in ancient times, which is something that is only mentioned in passing in the Old Testament. Overall, I enjoyed the show and I hope it gets a second season.   What's interesting, from a larger perspective, is to see how the wheel of history keeps turning. In the 1950s and the 1960s, Biblical epics were a major film genre. The 10 Commandments and Ben Hur with Charlton Heston are probably the ones best remembered today. Eventually, the genre just sort of ran out of gas, much the way superhero movies were in vogue for about 20 years and began running out of steam around 2023 or so. Like, I enjoyed Thunderbolts (which we're going to talk about in a little bit), but it's not going to make a billion dollars the way Marvel stuff often did in the 2010s. The wheel just keeps turning and perhaps has come back around to the popularity of Biblical epics once more. Overall Grade: A   Next up is Chef, which came out in 2014. I actually saw this back in 2021, but I watched it again recently to refresh my memory and here are my thoughts. I quite liked it. It's about a chef named Carl Casper, who's increasingly unhappy with his work after he gets fired over a Twitter war with a writer who criticized his cooking. Carl is out of options and so he starts a food truck and has to both rediscover his love of cooking and reconnect with his ex-wife and 10-year-old son. In Storytelling: How to Write a Novel (my book about writing), I talked about different kinds of conflict. Carl's conflict is an excellent example of an entirely internal conflict. The critic is an external enemy, but he's basically the inciting incident.   Carl's real enemy is his own internal conflict about art versus commerce and a strained relationship with his son. I recommend the movie. It was rated R for bad language, but there's no nudity or explicit sexual content and honestly, if you've ever worked in a restaurant kitchen or a warehouse, you've heard much worse in terms of language. The movie also has an extremely valuable lesson: stay off social media when you're angry. Overall Grade: A     Next up is Thunderbolts, which came out in 2025 and I thought this was pretty good, both very dark and yet with quite a lot of humor to balance the darkness. Former assassin Yelena Belova has been working as a mercenary for the sinister director of the CIA, Valentina de Fontaine (now there's a villain name if there ever was one). Yelena has grown disillusioned with her life and career and is suffering from increasing depression since she never really dealt with the death of her sister. Valentina promises her one last job, only for Yelena to realize that Valentina decided to dispose of all her freelance contractors at once, which includes US Agent and Ghost (previously seen in The Falcon and the Winter Soldier and Antman and the Wasp). In the process of escaping Valentina's trap, Yelena stumbles across a mysterious man who identifies himself as Bob, who has no memory of how he got there, but shows increasingly unusual abilities. Yelena wants to deal with Valentina's betrayal, but it turns out one of Valentina's science projects has gotten out of control and is threatening the world. The movie was well constructed enough that it didn't rely too heavily on previous Marvel continuity. It was there, but you probably wouldn't be lost without it. It almost feels like Marvel looked at the stuff they did the last couple of years and said, okay, a lot of this didn't work, but makes great raw material for new things. It helped that the central conflict was in the end, very human and about the characters, not stopping a generic villain from getting a generic doomsday device. Overall Grade: A   Next up is The Hound of the Baskervilles, which came out in 1988. This is a movie length episode of The Return of Sherlock Holmes television series, which had Jeremy Brett as Sherlock Holmes and Edward Hardwicke as Dr. Watson. The plot deals with Sir Henry Baskerville, the American heir to an English manor set in the Windswept moors of Dartmoor. Apparently there's an ancestral curse laid over the Baskerville estate that manifests in the form of a spectral hound. Local rumors hold that the previous holder of the manor, Sir Charles Baskerville, was killed by the ghostly hound and many of the local people fear it. The local physician, Dr. Mortimer, is so worried about the hound that he comes to Sherlock Holmes for help. Holmes, of course, is skeptical of any supernatural explanation and soon becomes worried that an extremely subtle and sinister murderer is stalking Sir Henry.   Jeremy Brett's version of Holmes is, in my opinion, the best portrayal of the character and Edward Hardwicke's version of Watson is a calm, reliable man of action who sensibly takes a very large revolver with him when going into danger. Definitely worth watching, Overall grade: A   Next up is Sonic the Hedgehog 3, which came out in 2024. The 2020s have been a downer of a decade in many ways, but on the plus side, between Super Mario Brothers and Sonic the Hedgehog, people have finally figured out how to make good video game movies, so we've got that going for us. Sonic 3 was an excellent kids movie, as were the first two in the trilogy. In this one Sonic is living with Knuckles and Tails under the care of their human friends Tom and Maddy, but then a dark secret emerges. The government has been keeping a Superpowered hedgehog named Shadow in stasis and Shadow has broken out. It's up to Sonic, Knuckles, and Tails to save the day.   Meanwhile, Dr. Robotnik is in a funk after his defeat at Sonic's hands in the last movie, but then his long lost grandfather, Gerald Robotnik returns seeking the younger Dr. Robotnik's help in his own sinister plans. Keanu Reeves was great as Shadow (think John Wick if he was a superpowered space hedgehog in a kid's movie). Jim Carrey famously said he would retire from acting unless a golden script came along and apparently that golden script was playing Dr. Ivo Robotnik and his evil grandfather Gerald. To be fair, both the Robotniks were hilarious.   It is amusing that Sonic only exists because in the 1990s, Sega wanted a flagship video game character that won't get them sued by either Nintendo or Disney. It is also amusing that the overall message of the Sonic movies seems to be not to trust the government. Overall Grade: A   Next up is Paddington in Peru, which came out in 2024. This is also an excellent kids' movie. In this installment, Paddington has settled into London with the Brown family and officially become a UK citizen. However, he receives a letter from Peru that his Aunt Lucy has mysteriously disappeared into the jungle. Distraught, Paddington and the Browns set off for Peru at once. Adventures ensue involving mysterious lost treasure, a crazy boat captain, and an order of singing nuns who might not quite be what they appear. Anyway, it's a good kids' movie. I think Paddington 2 was only slightly better because Hugh Grant as the chief villain, crazy actor Phoenix Buchanan, was one of those lightning in the bottle things like Heath Ledger as the Joker in the Dark Knight. Overall Grade: A   Now for the two best things I saw in Winter/Spring 2025. The first of them is Andor Season Two, which came out in 2025. Star Wars kind of has an age range the way Marvel stuff does now. What do I mean by that? In the Marvel comics and some of the TV series like Jessica Jones, they get into some really dark and heavy stuff, very mature themes. The MCU movies can have some darkness to them, but not as much because they're aiming at sort of escapist adventures for the general audience. Then there are kid shows like Spidey and Friends that a relative of mine just loved when he was three. You wouldn't at all feel comfortable showing a 3-year-old Dr. Strange in the Multiverse of Madness, but Spidey and Friends is just fine.   Star Wars now kind of has that age range to its stuff and there's nothing wrong with that. Sometimes you want to see a dark meditation upon human nature. Sometimes you need something kid friendly to occupy the kids you're babysitting and sometimes you just want to relax and watch Mando and Baby Yoda mow down some space pirates or something. All that said, Andor Season Two is some of the darkest and the best stuff that Star Wars has ever done. It successfully shifts genres from Escapist Pulp Space Fantasy to a gritty Political/Espionage Thriller. We in the audience know that the emperor is a Sith Lord who can use Evil Space Magic and wants to make himself immortal, but that fact is totally irrelevant to the characters. Even though some of the characters are high ranking in their respective organizations, this is essentially a “ground's eye” view of the Rebellion and life under the Empire.   In some ways, this is like Star Wars' version of Wolf Hall (which we're going to talk about shortly), in that we know how it ends already, but the dramatic tension comes from the harrowing emotional journey the characters undertake on the way to their inevitable destinations. Cassian Andor is now working for the nascent Rebellion under the direction of ruthless spymaster Luthen Rael. Mon Mothma is in the Imperial Senate, covertly funneling money to the Rebellion and realizing just how much the Rebellion will require of her before the end. Syril Karn, the ineffective corporate cop from Season One, has fallen in love with the ruthless secret police supervisor Dedra Meero, but he's unaware that Director Krennic has ordered Meero to manufacture a false flag incident on the planet Gorman so the planet can be strip-mined for resources to build the Death Star and Dedra has decided to use Syril to help accomplish it. All the actors do amazing jobs with their roles. Seriously, this series as actors really should get at least one Emmy. Speaking of Director Krennic, Ben Mendelson returns as Orson Krennic, who is one of my favorite least favorite characters, if you get my drift. Krennic is the oily, treacherous middle manager we've all had to deal with or work for at some point in our lives, and Mendelson plays him excellently. He's a great villain, the sort who is ruthless to his underlings and thinks he can manipulate his superiors right up until Darth Vader starts telekinetically choking him. By contrast, the villain Major Partagaz (played by Anton Lesser) is the middle manager we wish we all had - stern but entirely fair, reasonable, and prizes efficiency and good work while despising office drama. Unfortunately, he works for the Empire's secret police, so all those good qualities are in the service of evil and therefore come to naught. Finally, Episode Eight is one of the most astonishing episodes of TV I've ever seen. It successfully captures the horror of an episode of mass violence and simultaneously has several character arcs reach their tumultuous climax and manages to be shockingly graphic without showing in a lot of actual blood. Andor was originally supposed to be five seasons, but then Peak Streaming collapsed, and so the remaining four seasons were compressed down to one. I think that was actually to the show's benefit because it generates some amazing tension and there's not a wasted moment. Overall Grade: A+   Now for the second of my two favorite things I saw, and that would be Wolf Hall: The Mirror and the Light, which came out in 2024, but I actually saw it in 2025. This is a dramatization of Hilary Mantel's Wolf Hall novels about the rise and fall of Thomas Cromwell, who is King Henry VIII's chief lieutenant during the key years of the English Reformation. The first series came out in 2015, but the nine year gap between this and between the second series and the first series actually works quite well since Thomas Cromwell looks like he ages nine years in a single year (which may be what actually happened given how stressful working for someone like Henry VIII must have been). Anyway, in The Mirror and the Light, Cromwell has successfully arranged the downfall and execution of Anne Boleyn, Henry's previous queen. Though Cromwell is haunted by his actions, Henry still needs a queen to give him a male heir, so he marries Jane Seymour. Cromwell must navigate the deadly politics of the Tudor Court while trying to push his Protestant views of religion, serve his capricious master Henry, fend off rivals for the King's favor, and keep his own head attached to his shoulders in the process. Since Cromwell's mental state is deteriorating due to guilt over Anne's death and the downfall of his former master Cardinal Wolsey and Henry's a fickle and dangerous master at the best of times, this is an enterprise that is doomed to fail. Of course, if you're at all familiar with the history of Henry's reign and the English reformation, you know that Cromwell's story does not have a happy ending. Rather, Wolf Hall is a tragedy about a talented man who didn't walk away from his power until it was too late and he was trapped. Anyway, in my opinion, Wolf Hall: The Mirror and the Light was just excellent. All the performances were superb. Mark Rylance is great as Cromwell and has some excellent “WTF/I'm SO screwed” expressions as Cromwell's situation grows worse and worse. Bernard Hill played the Duke of Norfolk in the first series, but sadly died before Series Two, so Timothy Spall steps in and he does an excellent job of channeling Hill's portrayal of the Duke as an ambitious, crude-humored thug.   Damien Lewis is amazing as Henry VIII and his performance captures Henry's mixture of charisma, extreme vindictiveness, and astonishing self-absorption. The real Henry was known for being extremely charming even to the end of his life, but the charm was mixed with a volcanic temper that worsened as Henry aged and may have been exacerbated by a severe head injury. Lewis's performance can shift from that charm to the deadly fury in a heartbeat. The show rather cleverly portrays Henry's growing obesity and deteriorating health by having Lewis wear a lot of big puffy coats and limp with an impressively regal walking stick.   Overall, I would say this and Andor were the best thing I saw in Winter/Spring 2025. I wouldn't say that Wolf Hall: The Mirror and the Light is an accurate historical reputation. In real life, Cromwell was rather more thuggish and grasping (though far more competent than his rivals and his master) and of necessity the plot simplifies historical events, but it's just a superb historical drama. Overall Grade: A+ As a final note, I should say that of all the 2024 and 2025 movies mentioned here, the only one that actually saw in the theater was Thunderbolts, and I hadn't actually planned to see it in theaters, but a family member unexpectedly bought tickets for it, so I went along. Which I suppose is the movie industry's biggest problem right now. The home viewing experience is often vastly superior to going to the theater. The theater has the big screen and snacks, but at home you can have a pretty nice setup and you can pause whatever you want, go to the bathroom, and you can get snacks for much more cheaply. That's just much more comfortable than the movie theater.   Additionally, going to the theater has the same serious problem as booking a flight in that you're an enclosed space with complete strangers for several hours, which means you're potentially in a trust fall with idiots. All it takes is one person behaving badly or trying to bring their fake service dog to ruin or even cancel a flight, and the theater experience has much of the same problem, especially since the standards for acceptable public behavior have dropped so much from a combination of widespread smartphone adoption and COVID. The difference between the movie industry and the airline industry is that if you absolutely have to get from New York to Los Angeles in a single day, you have no choice but to book a flight and hope for the best. But if you want to see a movie and are willing to exercise some patience, you just have to wait a few months for it to turn up on streaming. I'm not sure how the movie industry can battle that, but sadly, it is much easier to identify problems than to solve them.   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week.

datum: 13 mei 2025 gasten: Sven De Ridder en Hanco Kolk Happy Sherlock Holmes Day! Op de verjaardag van schrijver Arthur Conan Doyle (22 mei) vieren we zijn creatie: Sherlock Holmes. We bespreken met Sven heel veel acteurs die de bekende detective ooit speelden. En we praten met stripauteur Hanco Kolk over zijn favoriete Sherlock acteur: Jeremy Brett.

Hugh Bonneville, renowned for his roles in Downton Abbey and the Paddington films, speaks to Gus about his new collection of Sherlock Holmes audiobooks as well as an early acting credit as Victor Savage, opposite Jeremy Brett, in Granada's adaptation of The Dying Detective.  Find "Sherlock Holmes Short Stories" on Apple Podcasts or wherever you get your podcasts! https://podcasts.apple.com/us/podcast/sherlock-holmes-short-stories/id1784284807 Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

The bull pups are back to talk about CBS Watson's eleventh episode which brings up Watson's war service. Wait long enough and we might even mention Jeremy Brett, old school fans!

In 1985, Gary Leach sat down with Jeremy Brett for an impromptu interview on the Baker Street set.  What followed was an insightful conversation on wide-ranging topics including the actor's background and training, performance style, thoughts on playing the Great Detective, and his hopes and dreams for the future.  A sincere thanks to Gary for sharing this previously unreleased treasure with us and our listeners. Gary was also the original designer of the Secret of Sherlock Holmes tee-shirts which were only available at the Wyndham's Theater from 1988 to 1989 - but in collaboration with our podcast, these shirts have received a new run and are currently available exclusively at our website, while supplies last. Secret Of Sherlock Holmes Tee-Shirt:  www.etsy.com/listing/1870427276 Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

Join us for Hammer's Hands of the Ripper, a 1971 British horror film released as the second half of a double feature with Twins of Evil. Directed by Peter Sasdy, produced by Aida Young, and written by L.W. Davidson from a story by Edward Spencer Shew. Making good use of the large Baker Street set at Pinewood Studios—left over from The Private Life of Sherlock Holmes—the production was denied permission to film its final scenes at St. Paul's Cathedral, so a replica was constructed instead. If the Pritchards' home and staircase look familiar, it's because Hammer's ever-resourceful set designers reused elements from The Curse of Frankenstein years earlier (see episode 2 of our podcast for more on that classic). Director Peter Sasdy, who cited Hands of the Ripper as his favourite film, also directed the original Adrian Mole TV series (both The Secret Diary and The Growing Pains), three episodes of Hammer House of Horror, and two other Hammer features: Countess Dracula and Taste the Blood of Dracula (the latter coming to the podcast later this year, hopefully). Most monumentally, he directed the legendary BBC sci-fi thriller The Stone Tape (definitely check General Witchfinders number 5—our third most popular episode to date!). Eric Porter stars as Doctor Pritchard. Renowned for his work in film, television, and theatre, he famously played Professor Moriarty opposite Jeremy Brett's Sherlock Holmes and Soames Forsyte in The Forsyte Saga. Angharad Rees plays Anna, the daughter of the Ripper. She appeared in Boon (take a drink), starred as Demelza in 28 episodes of Poldark, and, the year after Hands of the Ripper, featured in Under Milk Wood alongside Richard Burton, Peter O'Toole, and Elizabeth Taylor. She was made a Fellow of the Royal Welsh College of Music & Drama, had a pub named after her in Pontypridd (sadly now a card shop), and founded a Knightsbridge jewellery company, Angharad. Pieces she designed were featured in Elizabeth: The Golden Age. Wikipedia also notes she was once in a relationship with Alan Bates, which we mention only to plug episode 35, where we talked about The Shout.Lynda "Nurse Gladys Emmanuel" Baron appears as Long Liz—a curious name choice considering Long Liz was an actual canonical Ripper victim. Here, she's depicted alive and well (at least initially), years after Saucy Jack's supposed demise. Baron appeared as a recurring character in both Coronation Street and EastEnders, and played three different characters in Doctor Who across three Doctors.Dora Bryan turns up as Mrs Golding, one of two clairvoyants in the film. You may know her from 50 episodes of Last of the Summer Wine, Boon (drink), or as Helen in A Taste of Honey (written by Jon's mum's mate Shelagh Delaney). She (Dora, not Shelagh) also appeared in both a Carry On and a St Trinian's.Lastly, Norman Bird pops up as the Police Inspector. If he looks familiar, it's because he had over 200 TV and 60 film roles. He was in Spywatch (as Mr Jenkins), Boon (drink), Woof!, Whack-O!, and Help! (with Stephen Mangan). He also did a stint in Jim Davidson's Up the Elephant and Round the Castle—only mentioned because Ross was convinced it was alongside Marina Sirtis, but IMDb says she was in just one episode?Anyway, back to Norman Bird. He appeared in The Adventure Game, Whistle Down the Wind, Steptoe and Son, Fawlty Towers, Please Sir!, and The Medusa Touch (on our long list since day one). He was Mr Braithwaite, the farmer, in Worzel Gummidge and voiced Bilbo in the 1978 Ralph Bakshi Lord of the Rings. Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Expect lots of Sherlock Holmes talk this week as Paul and I discuss 'The Speckled Band', an episode of the Jeremy Brett starring TV show, The Adventures of Sherlock Holmes.  We also find time to talk about the show / stage play Fleabag, Brett's love of smoking, and Paul spoils the end of Indiana Jones 5.

In part two of our Secret coverage, Gus and Luke dive even deeper into the play, sharing rare ephemera from the show, including previously unheard recordings of Jeremy Brett and Edward Hardwicke.  We also hear a formerly unreleased Secret discussion with the late author David Stuart Davies.  And, our producer David joins us for Mrs. Hudson's Housekeeping as we catch up on Sherlockian news after a long hiatus!  Plus, listener telegrams, Hound podcast feedback, and more!  Show notes: Secret Script PDF: https://docs.google.com/document/d/1jVerOa8hLhGXYi3CGoEaOtaYcIxZc8b_QvAq9zvf9D4/edit?tab=t.0 Secret Play Photos: https://goodnessgracious.co.uk/index.php/browse-our-catalogue/category/12-sherlock-holmes The Beekeepers Picnic (with Alison Skilbeck): https://impress.games/press-kit/afootgames/the-beekeepers-picnic 4K AI YouTube Episode Upscales: https://youtube.com/playlist?list=PLMD9ghErEvtwRx0Cspiim_GWPL5Mu18s8&si=1MoJLml7qqCqLSHk Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Instagram: https://www.instagram.com/sherlockpod/ Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda  

In part one of our investigation into the hit stage play (which ran between 1988 and 1989 in London's West End), we explore the secrets behind the making of this very special production - which was near and dear to the heart of Jeremy Brett.  We also share recollections from the creative team behind The Secret and examine the trials and tribulations that Jeremy and Edward overcame to meet the expectations of their adoring public. The Secret Of Sherlock Holmes Stage Play (Act 1): https://youtu.be/yykamX592AY?si=95pftWL4YWjhCRmF The Secret Of Sherlock Holmes Stage Play (Act 2): https://youtu.be/O3EBVWgFXns?si=L6rfVy7mjR6Wh2it Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Instagram: https://www.instagram.com/sherlockpod/ Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

In this panel from the 2024 BrettCon event, we are joined by on stage by actors Betsy Brantley (The Dancing Men), Alison Skilbeck (The Naval Treaty), Michael Carter (A Scandal in Bohemia), and Matthew Solon (The Norwood Builder) who discuss their work on the Granada series and their time with Jeremy Brett and David Burke.  (Recorded on May 25, 2024 in Guildford, England.)   Also, we discuss the upcoming 40th anniversary screenings of two classic Granada Sherlock Holmes episodes taking place at Riverside Studios in London.  The event (sponsored by the BFI) will feature cast and crew in attendance and will be hosted by Gus and Luke.  The celebration takes place on Sunday, December 15, 2024.  Tickets are available at https://riversidestudios.co.uk/see-and-do/sherlock-holmes-40th-anniversary-tv-showcase-special-guests-144770/  We'll be sharing more BrettCon panel videos on our Patreon page soon.  Visit us there, at patreon.com/sherlockpodcast . Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

A very sleepy Chris and a less sleepy Eddy are back talking about Sherlock Holmes, and the absolute best Holmes actor of all time: Jeremy Brett. Prepare for a long one, as they both really love this show! HEADS UP: Eddy says the next episode will cover "Sherlock Holmes and the Incident in Victoria Falls." That's wrong. It's the other set of movies with Christopher Lee as Holmes: "Sherlock Holmes and the Leading Lady." Don't worry -- all four movies are equally forgettable.

In this special trip report episode, we share our thoughts on the recent BrettCon event held in Guildford on May 25, 2024 which celebrated the 40th anniversary of the Granada series with its cast and creators (including clips from the panels).  We also discuss our further adventures in England which included meeting with friends of the podcast, a Sherlockian walking tour of London, visiting some additional Manchester-adjacent shooting locations (from Dancing Men, Shoscombe Old Place, Hound, and beyond), revisiting the Midland Hotel, and much more! Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

In this week's episode, I look back at the movies I saw in Spring 2024 and rate them from least to most favorite. To celebrate the arrival of CLOAK OF TITANS, this coupon code will get you 25% off any of the CLOAK MAGE ebooks at my Payhip store: MAYTITANS The code is valid through June 3rd, 2024. So if you're looking for a new book to start the summer, we've got you covered! PODCAST 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 201 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 17th, 2024, and today we are looking at the movies and streaming shows I watched in Spring 2024. Before we get to anything else, let's do Coupon of the Week. To celebrate the arrival of Cloak of Titans, naturally, this coupon code will give you 25% off any of the Cloak Mage ebooks at my Payhip store. That coupon code is MAYTITANS spelled MAYTITANS and of course, as always, the coupon code will be in the show notes for this episode. This code is valid through June 3rd, 2024, so if you're looking for a new book to start the summer, we've got you covered. Now for an update on current writing and publishing projects. I am pleased to report that Cloak of Titans is done and it is now out. It should at all the ebook stores and get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip store. It looks like it's off to a good start, so thank you everyone for that. In audio news, Ghost in the Veils is out, as excellently narrated by Hollis McCarthy. As of right now, it should be available at Audible, Amazon, Apple, Kobo, and my Payhip store. It should be showing up on Google Play, Spotify, and Chirp shortly. Now that Cloak of Titans is done, my next big main project will be Shield of Darkness, the second book in the Shield War series, picking up from Shields of Storms earlier in the year. I spent the last couple days writing the outline for that, and if all goes well, I should start on it on Monday the 20th or Tuesday the 21st. It depends on what the weather is, since there are some things I'd like to do outside if the weather is good, but anyway, that will be my new main project. Hopefully that will be out before the end of June. My secondary project right now is Half-Orc Paladin, the third book in the Rivah series, and I am currently about 14,000 words into that. That should come out fairly quickly after Shield of Darkness is done, so probably mid to late July for that book. 00:02:10 Question of the Week Now it's time for Question of the Week, which is designed to inspire interesting discussion of enjoyable topics. This week's question is inspired by the various comments whenever I post the picture related to grilling: specifically, what is your favorite thing to grill? And we had a variety of responses this week. Our first response is from Justin, who says: my favorite thing to grill is a well marinated sirloin. Garlic, pineapple juice, soy sauce, and herbs in a Ziploc bag for two to four hours, then on a hot grill for a couple minutes per side. Yum! Alas, nowadays it's mostly chicken legs and pork loin sliced up for chops. Even the cheapest hamburger meat is getting to be too expensive to buy on a regular basis. Sadly, this is definitely true, and I've seen that myself. Our next response is from ABM, who says: is it even camping in the Midwest if you're not grilling a pudgie pie over a fire? For those unfamiliar with this regional delicacy, either sandwich or pie fillings are put between bread in the special sandwich shaped iron before it goes over the fire. It really puts the grilled in grilled cheese sandwich. Jenny says: steak, but only because I have a charcoal grill now. I used to use gas. I think it is better because I find it to be slower and tastier. Bonnie says brats and burgers were my favorite when Hubby was around to grill. Gary says: a pork loin is one of my favorite things to grill. I prefer smoking stuff over grilling. Grilling and barbecue are definitely two different things. There is nothing better than a dry rub pork shoulder smoked for about 10 hours and then shredded. Mark says: we love good old-fashioned burgers and lately have been adding teriyaki grilled chicken thighs to the cooking plan. John says: Chinese style plum sauce ribs. Family recipe. Country style ribs, which is just pork butt cut onto thick strips, marinated 3 days. Catriona says: Lamb chops and sausages. A different Mark says: ribs are my favorite, followed by barbecued chicken. Jesse says: spicy Italian sausages for the most part. Michael says: I find the grilling post interesting because over here in the UK, we tend to call it barbecuing and the term itself is a barbecue. Grilling is what you do under grill in your oven indoors. But regardless, I would say hamburgers! Joseph says: Porterhouse and lobster tails on charcoal grill. Second would be shrimp, scallops, and fish fillets of any kind on charcoal. Breakfast on the griddle, pork and chicken on the smoker all year round. Jonathan says: steak and nothing but steak. A third Mark says: prisoners. I hope he meant that tongue in cheek. For myself, I think it's a good old-fashioned burger. I find half the battle in terms of flavor is to spend ninety seconds melting cheese onto the burger in the final phase of grilling. Toasting the bun separately also helps a great deal. It is remarkable how proper cooking can improve the flavor of many foods. Like, I had eggs for lunch. Eggs by themselves are kind of bland, but if you add some ham and cheese and some pepper to the eggs, it really tastes quite a bit better. I suppose the realization that food tastes better when you prepare it properly is the foundation of five and a half thousand years of cooking and civilization. 00:05:15 Main Topic: Spring Movie Roundup And it's now titled for my Spring Movie Roundup for 2024, our main topic of the week. As usual, everything is sorted from least liked to most liked, and just a reminder that my opinions are in no objective or qualified and are based solely on my own taste and whether or not I like something. The least favorite thing I saw this spring would be Hot Tub Time Machine, which came out in 2010. This is one of the very rare movies I didn't finish. It was just too stupid. Like sometimes if I don't like movie, I'll start playing Starfield or Skyrim or something with the movie still playing in the background, but Hot Tub Time Machine was too stupid even to merit that treatment. I don't object to crude humor on its face. Indeed, much of the absurdity of the human condition comes from the various indignities to which human bodies are inherently subjected. There is something both hilarious and egalitarian in the fact that an emperor and a peasant have to relieve themselves in the same way, and many jokes have made use of that truth. You can get away with a lot of crudity if you're actually funny. But the Hot Tub Time Machine movie, just threw crudeness on the screen in lieu of attempting actual humor. Besides, crude humor ultimately is to storytelling as garlic salt is to cooking: best used sparingly. Anyway, the protagonists were all unlikable. I simply got annoyed enough with movie that I gave up around 40 or 50 minutes into it. Overall grade: F Next up is Wish, which came out in 2023. I did not see that in the theater. I saw it when I turned up on Disney Plus a few months ago. I liked the animation and the voice acting was good, but the movie just did not make a lot of sense. Like there's this wizard-king and people give him their wishes, but then they forget what they wish for, and he does this to prevent civil unrest, or so he says. The protagonist gets mad that the wizard-king isn't handing out free stuff in the way that she likes, so she wishes really hard and then a magic star falls from the sky to help her. This upsets the wizard king, so he switches from using good magic, which is apparently blue and sparkly to evil magic, which is green and sparkly. I guess that that color makes all the difference. Then everyone in the Kingdom sings at the wizard-king until he turns into a mirror. I have to admit that made even less sense as I spoke it aloud. There are movies that don't make a lot of sense but work because it's like a dream or a magic trick since the movie suspends the viewer's disbelief during the tale, and it's only afterward that you realize it didn't make much sense, but that by then it doesn't matter because you're entertained. Unfortunately, Wish doesn't even make sense while you're watching it, and a benevolent wizard king who hoards wishes sounds a lot like the Disney Corporation. It would be hilarious if Disney made Wish as a parody of themselves, but I think their interpretation happened by accident. Overall grade: C-, maybe D+ if I'm in a really bad mood. Next up is Green Lantern, which came out in 2011. This turned up free on Tubi, so I gave it a watch. It was interesting because all the pieces were there to make it a great movie, strong cast with good performances, reasonable CG computer graphics for 2011, and a potentially compelling plot. However, it didn't really gel. I suspect Ryan Reynolds works better as a comic actor than a dramatic one. Additionally, the movie relied way too heavily on a lot of ponderous infodumping to explain the elaborate mythology of the Green Lantern Corps. The classic axiom of fiction writing is to show don't tell, and since movies are a visual medium, it's especially true in movies. The problem was that Green Lantern spent a lot of its runtime telling instead of showing, but I suspect the studio didn't want to take a lot of risks with a movie that cost $200 million to make in 2011 money (before a lot of inflation). Additionally, the movie leaned a little too heavily into its CG. So overall, I would give it a grade of C-. Next up is Avatar: The way of Water, which came out in 2022. The Avatar films are visually beautiful, but they're also profoundly misanthropic, which is sort of a “it would be better if humans were all dead” strain of environmentalism running through it. It's also unfortunate how the movies portraying “living in harmony with nature” as morally upright, because in real life, living with nature means dying before the age of 30 of sepsis, dysentery, various contagious diseases, endemic local warfare, and starvation, often all at the same time. Basically, the history of civilization is five and a half thousand years of humanity trying to find ways to get screwed less by nature. Of course, then we're getting into profound philosophical questions. Do you believe that humanity is made in the image of God with a soul, or is humanity particularly simply a particularly clever breed of destructive chimpanzee? Obviously one's worldview will diverge profoundly based on how you answer that question, which, let's be honest, is a rather deep philosophical/religious discussion for a movie about blue space elves made by the director of Terminator. On the other hand, maybe I'm just overthinking it and in the world of Avatar, the Na'vi are blue space elves and the humans are just space orcs. Anyway, incoherent philosophical questions aside, the movie is visually stunning, the apex of computer graphics. It's what you get with a $400 million budget overseen by a perfectionist director who directed three of the four top-grossing movies of all time. The plot is a straight continuation of the previous movie. The humans have returned to reconquer Pandora, including a clone of the charismatic Colonel Quaritch from the first movie. It's up to Jake Sully and his family to unite the squabbling Na'vi forest and water clans to fight off the invaders. Unlike the first movie, Way of Water is not a self-contained story, but helps tee up the third movie, which is definitely happening since this one made like two and half billion dollars. I also admire James Cameron's unswerving devotion to the Papyrus font, even after two Saturday Night Live sketches about it. Overall grade: B Next up is The Cutting Edge, which came out in 1992. I watched this because I was told it is considered a classic in some corners. Since it was also free on Tubi, I decided to give it a watch. It's basically the ideal form of the very popular enemies to lovers romance story trope. Olympic hockey player Doug suffers a head injury that damages his peripheral vision, which means he can't play hockey anymore. Meanwhile, Kate is a spoiled and demanding figure skater who alienates every single potential partner, thereby ruining her chances of winning Olympic gold. Kate's coach Anton seeking out a partner willing to put up with Kate's difficult personality, tracks down the desperate Doug and convinces him to give figure skating a try instead of hockey. As you might expect, sparks and conflicts immediately fly when Doug and Kate meet, and they must learn to overcome their initial mutual dislike (and their obvious mutual attraction) to win the Olympics. Enemies to lovers romance tends to follow a very specific story structure, and this movie nails it perfectly. The actors all did a good job with their parts. Fun fact, Anton was played by Roy Dotrice, who narrated the A Song of Ice and Fire audiobooks. Even more fun fact, the movie was written by Tony Gilroy, who also wrote several of the Jason Bourne movies and created Star Wars: Andor, which are about as totally different from The Cutting Edge as you can get. This man has some range. Overall grade: B. Next up is Ghostbusters: Afterlife, which originally came out in 2021. After the 2016 Ghostbusters reboot didn't work for a variety of reasons, it seemed that Sony they settled on a different tactic, instead decided to continue the original continuity of with the new movies, which in my opinion was a smarter choice. Single mom Callie is having a rough time with her teenage children, Trevor and Phoebe. Callie is out of options when her estranged father dies and leaves her a farm on the outskirts of Summerville, Oklahoma. With no better options at the moment, Callie and the kids pack up and move to Summerville and the bored Trevor and Phoebe began poking into their relics of their grandfather's life. However, it turns out that their grandfather was Egon Spengler, one of the original Ghostbusters, and he had moved to Summerville to keep an eye on a dangerous supernatural threat. With Egon dead, the threat is waking up once more, and it's up to Phoebe and Trevor to finish their grandfather's work and save the world. This was a very well-constructed comedy/horror action thriller. Admittedly, it starts a bit slow in the same style as the original Ghostbusters movie from 1984, but overall, it works. There's a gradual sense that something is increasingly wrong in Summerville. Unlike Green Lantern, this movie doesn't do a lot of infodumping, but instead uses the much better storytelling technique of gradually revealing the worldbuilding as the kids start to investigate the mysteries around their family and their new town. Phoebe and Trevor had the right combination of teenage brattiness and curiosity and Callie was believable as a single mom who had made some questionable life choices and was trying to hang on as best she could. Paul Rudd was also good as an incompetent summer school teacher/seismologist who has nonetheless figured out that something strange is happening in Summerville. The movie leaned a little too hard into to nostalgia, but I liked it. Overall, grade: B+. Next up is The Sign of Four, which came out originally in 1987. I finally had a chance to watch the Jeremy Brett version of the Sherlock Holmes adventure The Sign of Four. Brett was, in my opinion, the best Sherlock Holmes actor of all the actors who have played versions of the character. Amusingly, I think Mr. Brett would have made a good Grand Admiral Thrawn, which is funny because one of the inspirations for Thrawn was of course, Sherlock Holmes. But unfortunately, Brett died two or three years before Heir to the Empire was even written. Anyway, back to the main point. In The Sign of Four, Miss Mary Morstan calls upon Holmes and Watson asking for Holmes's help in unraveling a strange mystery. Her father disappeared soon after returning to England from India, and once a year since then, she has received an extremely valuable pearl in the mail. Her mysterious benefactor wishes to meet her at last and Morstan wants Holmes' advice as to what she should do. Naturally, there's quite a bit more going on beneath the surface, and Holmes soon finds himself investigating a case involving a pair of eccentric brothers, a one-legged man, a deadly assassin, and treasure that seems cursed to bring misfortune to whoever obtains it. All of the performances were excellent, though given the state of 1980s sound technology, I definitely recommend watching the movie with the captions on. The only thing that I didn't like was that the adaptation removed the fact that Morstan and Watson get engaged at the end but given that the actors wanted to deemphasize Sherlock's cocaine use (the original story has the famous line “for me there still remains the cocaine bottle”), that's probably why it was cut. Overall grade: A-. And now for the favorite things I saw in spring 2023 and for the first time, it came out to a three-way tie. The first of my three favorite things was Fall Guy, which came out this year, in 2024. I didn't intend to go see this initially, but then I saw the hilarious Saturday Night Live opening Emily Blunt and Ryan Gosling did about Barbie and Oppenheimer, and I decided to give it a shot. This is a romantic comedy action thriller and it nails all those genres excellently. The protagonist is a highly regarded film stuntman named Colt, in love with an assistant director named Jody, but Colt is seriously injured in an accident. In the aftermath of the accident, Colt abandons his career and breaks up with Jody. Eighteen months later, the producer of a big budget science fiction epic contacts Colt. It turns out that his ex, Jody, is directing the movie and her career is riding on its success. So he goes to do the stunts for the movie to help her out. However, things soon take a turn for the worse when the movie's egotistical lead actor disappears, and if Cole can't find him within 48 hours, the studio will shut down the movie and destroy Jody's career. What follows is a romantic comedy that remains funny and turns into a pretty good thriller movie. The running joke about seeing the unicorn was great and there's a bit with Colt crying in his truck that becomes absolutely hilarious. Definitely recommended. It's really regrettable that this movie apparently didn't do well in theaters, but I predict it will have a long and healthy life on streaming. Overall grade: A. The second of my three favorite things is Clarkson's Farm: Season Three, which also came out in 2024. This show has stumbled into a genius formula: display the extreme difficulties of the modern farmer through the lens of an unsympathetic comedy protagonist in the person of Jeremy Clarkson. Like, Jeremy Clarkson is not a terribly sympathetic figure because he's very rich and unquestionably prone to quarrelling because he got fired from one of his old jobs for punching a dude. But by having him run his own farm and deal with all the many, many headaches and heartaches of farming, he becomes a sympathetic figure because he suffers through the same things as every other farmer: failed crops, bad weather, badger-spread diseases, animals dying, government red tape, and so on. And it also demonstrates how hard farming is. If Clarkson's farm loses a lot of money, it doesn't really matter to him because he can rely on his media career. But that isn't true for most farmers, obviously, and Clarkson himself and the show go out of their way to point out that fact again and again. Anyway, if you're not familiar with the concept of the show, in 2019 Clarkson decided to run his farm himself rather than hiring a professional manager and since he was under contract to produce a show for Amazon, he figured he could make a documentary and get paid for working on his farm. In the first season, Clarkson was shocked when a year's work on his farm brought in a profit of about $150. In the second season, he battled local government to open a restaurant on his farm. In the third season, the team continues. Clarkson attempts to raise pigs and find new ways of making revenue from the farm. The show manages to be both entertaining and educational about the difficulties of farming at the same time. Definitely worth the watch. Overall grade: A. And now for the third of my three favorites: Dune Part 2, which came out in 2024. As a writer of novels, I really, really hate to admit it, but I think Dune Part 2 improved somewhat on the original book. This is rare in film adaptations, but it does happen. Goldfinger the movie is better than Goldfinger the book in my opinion, since Auric Goldfinger's plan makes much more sense in the movie than it does in the book and the movie also has James Bond's climatic showdown with the deadly Oddjob. The Godfather movie is pretty close to the Godfather novel, but it's tighter because it does omit some needless subplots that honestly I thought the author threw into the book to pad out the length. So as a writer, it really does pay me to admit this, but I think some of the changes to Dune Part 2 are an improvement over the book. It's a bit tighter, a little less deus ex machina. The novel Dune, beyond all doubt, is a very weird book. It's also very dense, with multiple interlocking themes. You can honestly say that Dune is about ecology, religion, politics, declining empires, the cyclical nature of history, oil-based politics, social dynamics, and of course, truly enormous quantities of mind altering drugs. Any movie adaptation would probably have to take just one of those themes and lean hard into them since there won't be enough time to address all of them. The director, Denis Villeneuve, chose to go with the mostly political themes. Anyway, I think Dune Parts One and Two combined are probably the best possible adaptation that could be made of the seminal (but still very weird) science fiction book. Various parts from the novel have been omitted, altered, or emphasized, but that's necessary in adaptation. The trick is to do it in a way that preserves the spirit of the original work, and I think Dune Parts One and Two have done it well. Part of the problem with the 1984 version of Dune was that the ending totally subverted the message of the book, which Frank Herbert himself said several times was “beware of charismatic leaders.”  Dune Part 2 most definitely does not subvert the message of the book. Indeed, Paula Atreides's final line in the movie is downright chilling. Part 2 picks up in the second half of the story when Paul joins the Fremen and embarks on his gradual transformation (or perhaps descent) from the son of a destroyed noble house to the blood drenched warrior prophet Muad'Dib. All the performances are good, the effects are excellent, the desert shots are sweeping, and you could tell Hans Zimmer and his team enjoyed cutting loose with the soundtrack. Overall, I think Dune Parts One and Two are probably the best possible adaptation of the Dune book in movie form, which is probably was the other problem with the Dune 1984, since there was just one movie and Dune Parts One and Two required over five hours of very expensive big budget movie to tell even a condensed adaptation of the complicated original book. Overall grade: A. So that's it for this week. On my writing podcasts this week, we talked about grilling and movies, so next week we will try to have a more writing themed topic. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com, often with transcripts. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

In the conclusion of our 3-part coverage of the Hound of the Baskervilles, we present a long-form, uncensored, Sherlockian Conversation with all the members of the cast and crew we spoke with in Part 01. James Faulkner who played our villain Stapleton, William Ilkley who played the escaped convict Seldon, costume designer Kayt Turner, writer Trevor Bowen, actor Kristoffer Tabori who portrayed Sir Henry Baskerville, Alastair Duncan who played Dr. Mortimer and Fiona Gilles who portrayed the tragic character of Beryl Stapleton. (Warning: Contains explicit language.)   Many of the cast and crew of Hound will be joining us at Brettcon. Don't miss your chance to meet them and hear their stories in person! Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com BRETTCON: https://www.tickettailor.com/events/thejeremybrettsherlockholmespodcast/1108881 Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

Gmail turns 20; Google isn't good; coding with ChatGPT; court bans "AI-enhanced" evidence; AI Goslings everywhere; NYC chatbot spews out dangerously inaccurate information; Amazon's mechanical turks; California right to disconnect bill; Elon Musk has hurt the Tesla brand; Constellation; Road House; Jon Stewart; Star Trek: Discovery; AI in music; DVDs; Sherlock Holmes; Super Monsters Ate My Condo, +; app feedback: Canva, Apple Vision Pro, Kagi; new Star Wars content; Avatar: the Last Airbender; the Muppets; down the AI personality cloning rabbit hole; AI generated sludge or world changing genius?Sponsors:1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordPrivate Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!Show notes at https://gog.show/643FOLLOW UPGmail is 20 years oldEudora (email client)Ten years later, Facebook's Oculus acquisition hasn't changed the world as expectedGoogle says it will destroy browsing data collected from Chrome's Incognito modeIN THE NEWSCourt Bans Use of 'AI-Enhanced' Video Evidence Because That's Not How AI WorksWaymo self-driving cars are delivering Uber Eats orders for first timeNYC's business chatbot is reportedly doling out ‘dangerously inaccurate' informationAmazon just walked out on its self-checkout technologyCalifornia introduces 'right to disconnect' bill that would allow employees to possibly relaxApple confirms layoffs affecting 700+ workers, including car teamAT&T resets millions of customers' passcodes after account info was leaked on the dark webElon Musk's unpleasant persona hurts Tesla brand: survey saysCybertruck Breaks Down After One Mile Of DrivingMEDIA CANDYBetter Call SaulConstellationThe RegimeRoad HouseJon Stewart says Apple asked him not to host FTC Chair Lina KhanAn executive who worked on '3 Body Problem' was sentenced to death for fatally poisoning the Netflix show's producerStar Trek: DiscoveryNew Matrix Movie in the Works from Drew GoddardSong Lyrics Today Are Less Sophisticated, Angrier, And More Self-Obsessed Than They Used To Be, Study SaysBillie Eilish, Greta Van Fleet, & Pearl Jam Among 200 Artists Calling for Responsible AI Music PracticesSuno AINew Bill in California Aims to Force Ticketmaster to Play Nice With OthersThe film fans who refuse to surrender to streaming: ‘One day you'll barter bread for our DVDs'40 Years Later, Jeremy Brett is Still the Best Sherlock HolmesThe Adventures of Sherlock Holmes w/ Jeremy BrettDownie via SetAppThe Labours Of HerculeAnthem Of LifeAPPS & DOODADSSuper Monsters Ate My Condo+Welcome to Canva, Affinity!KagiFriendship Ended With GOOGLE Now KAGI Is My Best FriendJon Stewart On The False Promises of AI | The Daily ShowAI Companies Running Out Of Training Data After Burning Through Entire InternetYahoo bought AI-powered news app Artifact from Instagram's co-foundersTHE DARK SIDE WITH DAVEThe CyberWireDave BittnerHacking HumansCaveatControl LoopStar Wars' Next Animated Anthology Explores the Shadows of the EmpireBreaking Down the Sithy Secrets of Tales of the Empire's New TrailerWillie Nelson and Kermit the Frog sing "Rainbow Connection"Navigating the Challenges and Opportunities of Synthetic VoicesWhat Went WrongA 65-IN-1 THE 2024 WAYAn eye-rolling example of the kind of AI generated sludge that's clogging up Google's search results.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"I sold flowers.  I didn't sell myself." My Fair Lady (1964) directed by George Cukor and starring Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White, Gladys Cooper and Jeremy Brett. Next Time: The Breakfast Club (1985)

The 40th anniversary of the Granada Sherlock Holmes series is upon us and what better way to celebrate than with your friends at the Jeremy Brett Sherlock Holmes Podcast!  We are planning something special and in this episode we briefly discuss our plans and ideas for celebration (which we have affectionately named BRETTCON) including a gathering of cast and crew members,  podcast listeners, a special screening, and more - in London!  Have a listen and let us know your thoughts on celebrating the 40th!  We hope to see you there! Link to the event: tickettailor.com/events/thejeremybrettsherlockholmespodcast/1108881

Join us behind the curtain for a festive trawl thru the disjecta membra of our minds as we discuss recording vomiting for posterity, St Winifred’s School Choir, Ghost Stories for Christmas, All Creatures Great and Small, Jeremy Brett as Holmes and have a difference of opinion over peeling mushrooms and Only Fools and Horses.

In this very special episode, we are thrilled to present our conversation with series producer and show-runner June Wyndham Davies.  At the request of Granada chairman David Plowright, June began producing the show in 1986 ("The Return") and shepherded an incredible 22 stories from page to screen.  Here, she recalls growing up in Cardiff, her history with Granada, and producing the Sherlock Holmes series.  She also shares many touching memories of her good friend, Jeremy Brett. Sherlockian Relics Vol. 2 (including the Napoleon Bust replica) is now available at https://tinyurl.com/SherlockRelicsVol2 ! Shooting Locations Database: locations.sherlockpodcast.com Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

Sherlock Holmes and Dr. Watson receive a mysterious letter in this rare video produced by Granada Television in 1988 for the Abbey National Bank. View full video of The Case of the Abbey Treasure (with Jeremy Brett and Edward Hardwicke) here:  https://youtu.be/JLFaqqpB7zE In this episode of the podcast, we welcome our friend and podcast producer David to the show as we examine the connections between Granada and the Abbey Building Group, we pause to remember “The Woman” Gayle Hunnicutt, we examine the biography of Robert Stephens (Sherlockian actor and one of Jeremy Brett's closest friends), we discuss more Sherlockian news that we missed while we were away, and we announce a very special upcoming podcast guest.  Plus, listener telegrams! Sincerest thanks to Stephan Weishaupt for sharing this video with us and our listeners. Sherlockian Relics Vol. 2 (including the Napoleon Bust replica) is now available at https://tinyurl.com/SherlockRelicsVol2 ! Shooting Locations Database: locations.sherlockpodcast.com Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

Welcome back to another thrilling episode of Bad Dads Film Review! Fellow Dads, it's time to cozy up, perhaps with a cup of your favorite brew, as we immerse ourselves in the captivating world of Sherlock Holmes, with a spotlight on one of Sir Arthur Conan Doyle's cheekiest tales: "The Red-Headed League."Imagine answering an advertisement because of the color of your hair! Jabez Wilson, a straightforward pawnbroker, finds himself caught up in such a bizarre scheme. At first, it all seems innocent enough—copying out the Encyclopedia Britannica for a handsome wage. But as the story unfurls, it's evident that things are not what they seem. And who better to unravel these threads of mystery than our iconic detective duo, Sherlock Holmes and Dr. John Watson?Conan Doyle's knack for blending humor with suspense is truly a treat in this story. The whole idea of forming a league just for red-headed men? It's equal parts absurd and brilliant! As Dads, we can't help but chuckle thinking about how many of us would've even qualified for such a league.Speaking of Holmes and Watson, their camaraderie is friendship goals, isn't it? They're the perfect pair, complementing each other's strengths and quirks. It's heartwarming to see, and it reminds us of the partnerships we cherish in our own lives. Whether it's with our co-parents, our buddies, or that one friend who's always up for a DIY challenge, there's a little bit of Holmes and Watson in all of us.And, of course, we can't forget Holmes' uncanny deductive skills. There's always that delightful 'aha' moment in every Holmes story, where he pieces everything together. It's moments like these that make us wonder: Could we perhaps channel a bit of that Sherlockian brilliance the next time we're trying to figure out which of our little rascals is responsible for the cookie jar heist?So, whether you're a seasoned Holmes aficionado or simply in the mood for a captivating tale, pull up a chair with us on Bad Dads Film Review. Dive into the mystery, relish the camaraderie, and enjoy the heartwarming blend of suspense and humor. The adventure awaits!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

In today's episode of Sherlock Says, Ansel and Rachael finally get to have fun and watch the first season of the Granada Television adaptation of Sherlock Holmes, starring the man, the myth, the (allegedly) bisexual disaster himself, Jeremy Brett.Contact the pod! Linktree at: https://linktr.ee/sherlocksayspod?fbclid=PAAaalIOau9IFlX3ixKFo3lsvmq6U1pYn8m3cf7N6aOqkqUGCljCO0R00KZ3E

“a cascade of children's bricks” [TWIS]    Sherlock Holmes has been given form thanks to artists like Sidney Paget, Frederic Dorr Steele, Howard Elcock, Frank Wiles, and Arthur Twidle. He has sprung to life from the stage and screen through the magic of William Gillette, Eille Norwood, Basil Rathbone, Peter Cushing, Jeremy Brett, and Benedict Cumberbatch. But James Macaluso has made a world where Sherlock Holmes is universally relatable: through the Re-Imagined Sherlock Holmes in LEGO building bricks. His imagination and ingenuity have combined to transform some of Sidney Paget's iconic illustrations into LEGO scenes that are remarkably faithful to the original. How did he do it? Where did he find the pieces? James tells us his story and takes us through his creations which include works inspired by Edward Gorey, other non-Sherlockian stories that he has similarly illustrated, and what we might expect next. We have a straightforward Canonical Couplet this time. You ought to play, because the winner, who'll be randomly chosen from all correct responses, will receive not only a copy of one of James's books, but also a Sherlockian LEGO figure. Send your answer to comment @ ihearofsherlock .com by July 14, 2023 at 11:59 a.m. EST. All listeners are eligible to play. Special bonus content: Our Patreon supporters can from James's books.   If you become a , not only will you help to ensure we can keep doing what we do, covering file hosting costs, production, and transcription services, but we have thank-you gifts at certain tiers and ad-free versions of the episodes for all patrons.       Sponsors  is the premier publisher of books about Sherlock Holmes and Arthur Conan Doyle.  brings the best in new Sherlock Holmes novels, biographies, graphic novels and short story collections every month. With over 400 books it's the largest catalogue of new Sherlock Holmes books in the world.   Would you care to advertise with us? You can find . Let's chat!   Links This episode:   (website) (website) Also available on , , and News about , , and Previous Episodes mentioned:  (with Rebecca Romney)   Many more links, articles, and images are available in our Flipboard magazine at   as well as through our accounts on , , , and .     And would you consider leaving us a rating and review? It would help other Sherlockians to find us.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at 5-1895-221B-5. That's (518) 952-2125.          

Joe & Mark attack the Ham Fam's questions and discuss everything from 7 parters, Mrs Slocombe, Hawthorne & Benton, double acts, Jeremy Brett as the Doctor and much more!

Leslie Klinger (author, scholar, and “the world's first consulting Sherlockian”) joins us to discuss his work on The New Annotated Sherlock Holmes, his encounters with Jeremy Brett and the Granada team, his “Free Sherlock” lawsuit against the Conan Doyle Estate, and his role as advisor on Enola Holmes, Elementary, the Robert Downey Jr. films, and more.  We also discuss Les' latest volume, The New Annotated Dr. Jekyll and Mr. Hyde, which is available now at fine booksellers everywhere, including the authors website:  lesliesklinger.com Sherlockian Relics Vol. 2 (including the Napoleon Bust replica) is now available for pre-order at https://tinyurl.com/SherlockRelicsVol2 ! Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

In this classic mystery, Holmes and Watson journey to Dartmoor to solve the case of the missing racehorse, Silver Blaze (and to find the murderer of poor John Straker, too)!  Also, we learn about director Brian Mills, cast members David John and Sally Faulkner reflect on their experiences with Jeremy Brett, and Luke and Gus examine numerous trifles (from wax vestas to cataract knives).  Plus, listener telegrams! Sherlockian Relics Vol. 2 (including the Napoleon Bust replica) is now available for pre-order at https://tinyurl.com/SherlockRelicsVol2 ! Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

In this special trip report episode, we recap our adventures in England which included visiting the childhood home of Jeremy Brett, returning to the Sherlock Holmes Museum, hunting down filming locations (from Abbey Grange, Musgrave Ritual, Dying Detective, Scandal in Bohemia, The Last Vampyre, and more!), scoping out the Langham Hotel (and the Midland Hotel), and spending a magical day with David Burke and Anna Calder-Marshall. Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com Sherlockian Relics: https://sherhttps://sherlockian-relics-collection.myshopify.com/ Merch: https://teespring.com/stores/sherlockpod

In this very special episode, we are honored to present our conversation with actor David Burke.  Burke portrayed Dr. John Watson in the first thirteen episodes of the Granada series and (together with Jeremy Brett and Michael Cox) helped to reinvent the character for a new generation.  Joined by his wife Anna Calder-Marshall, he shared stories of playing the good doctor, his departure from the show, and his friend Jeremy Brett. Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

Adapt or Perish is back, and with Episode 118, we're taking an extended look at the adventure classic The Three Musketeers! We've also got a new focus for the show, and we can't wait for you to see what we've got planned! In this episode, we discuss: Alexandre Dumas' original 1844 novel The Three Musketeers, the 1921 movie, directed by Fred Nibble, written by Edward Knoblock, Douglas Fairbanks, and Lotta Woods, and starring Fairbanks, Léon Bary, George Siegmann, and Eugene Pallette The Three Musketeers, the 1935 movie, directed by Rowland V. Lee, written by Lee and Dudley Nichols, and starring Walter Abel, Paul Lukas, Moroni Olsen, and Onslow Stevens The Three Musketeers, the 1939 movie musical, directed by Alan Dwan, written by William A. Drake, M.M. Musselman, Sam Hellman, Ray Golden, and Sid Kuller, and starring Don Ameche and the Ritz Brothers The Three Musketeers, the 1948 movie, directed by George Sidney, written by Robert Ardrey, and starring Gene Kelly, Lana Turner, June Allyson, Vincent Price, and Van Heflin The Three Musketeers, the 1966 series, directed by Peter Hammond, written by Anthony Steven, and starring Jeremy Brett, Brian Blessed, Jeremy Young, Gary Watson, and Richard Pasco The Three Musketeers and The Four Musketeers, the 1973 and 1974 movies, directed by Richard Lester, written by George MacDonald Fraser, and starring Michael York, Oliver Reed, Frank Finlay, Richard Chamberlain, Charlton Heston, Faye Dunaway, Raquel Welch, and Christopher Lee The Three Musketeers, the 1993 movie, directed by Stephen Herek, written by David Loughery, and starring Chris O'Donnell, Charlie Sheen, Kiefer Sutherland, Oliver Platt, and Tim Curry The Musketeer, the 2001 movie, directed by Peter Hyams, written by Gene Quintano, and starring Justin Chambers, Tim Roth, Mena Suvari, Jean-Pierre Castaldi, Stephen Rea, and Catherine Deneuve The Three Musketeers, the 2011 movie, directed by Paul W.S. Anderson, written by Anderson and Andrew Davies, and starring Logan German, Matthew Macfadyen, Ray Stevenson, Luke Evans, Mads Mikkelsen, and Milla Jovovich The Musketeers, the 2014–2016 series, created by Adrian Hodges, and starring Tom Burke, Santiago Cabrera, Howard Charles, and Luke Pasqualino Footnotes: History Tea Time with Lindsay Holiday "Voila" from The Three Musketeers (1939), but seriously, watch the whole thing, it's a delight Frock Flicks "All For Love" performed by Bryan Adams, Rod Stewart, and Sting You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

In celebration of the long-awaited re-issue of his book Bending The Willow, we spoke with author David Stuart Davies about this insightful volume covering Jeremy Brett's work on the Granada series and Davies' converations with the lengendary actor himself. Bending The Willow is now available for purchase at: www.tvbrain.info/shop Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

We discuss Arthur & George and Sherlock Holmes.Arthur & George is available on the PBS app or on Amazon Prime with the PBS Masterpiece add-on in the US.Sherlock Holmes is available on Britbox in the US.Discussion of  Arthur & George  begins at 5:55Discussion of  Sherlock Holmes  begins at 24:16  The music for our podcast is  Grand Dark Waltz Trio Allegro by Kevin MacLeodLink: https://filmmusic.io/song/7922-grand-dark-waltz-trio-allegroLicense: https://filmmusic.io/standard-licenseOur artwork is by Ilan Sheady of https://www.unclefrankproductions.comSupport the showSupport the show

In this fun-packed 50th edish we discuss psychotic sanding, the resentment of summer, the genius of Jeremy Brett, Robert Stephens and Michal Bryant, why we crave nice things and look at the moment Australia went colour.

Over on Waypoint I've spent about a month looking back at Sid Meier's Gettysburg and teaching the game to the rest of the crew (with varying levels of success). But since I was already hip-deep in 90s Civil War culture, Troy and I decided it was time to tackle one of the films that we've been intending to discuss for years: 1993's Gettysburg, directed by Ron Maxwell and bankrolled by Ted Turner. There are a lot of issues with Gettysburg. It's evasive on the subject of slavery, wanting both to ennoble is white Union heroes by reminding us that theirs was an army of liberation but to not think too deeply on who was being liberated or from what. Because it is also a product of Lost Cause traditions where the conflict was predominantly one about culture, or as the foppish British observer in this story declares, the root of the conflict is the “different dreams” of its antagonists. Not pictured: the Confederate dream. It's also a very incomplete military history of the battle of Gettysburg but this really stems from the decisions author Michael Shaara made with his novel The Killer Angels, which finds its central narrative drama in James Longstreets' prescience that Robert E. Lee is marching the army into a decisive defeat while on the Union side the story is told from the perspective of characters who do recognize the stakes and the dangers and have the agency to rise to the moment. It's the stuff of a great war novel but not of a comprehensive military history, and so Gettysburg ends up being a film where Union command is effectively invisible. However, within those choices Gettysburg remains, as Troy says, one of the all-time great battle films. The murkiness in which decisions are made, the clarity of a commander's intentions to his subordinates, the places where the rubber of generalship meets the road of combat… all of this is brilliantly rendered in Gettysburg and, for me and Troy, maintains it as a favorite even for all of its manifest flaws. We also decided that this episode, because it's so directly in dialogue with a ton of work I'm doing over at Waypoint and on streams there, is one we'd just make public instead of reserving it for the Patreon. Troy and I love having these monthly chats for our backers (and our last one on Knight's Tale and Marie Antoinette was another favorite) but here it felt like a useful place to show how we set these discussion about history movies in the context of all the other work we do as critics and professional strategy nerds. And by the way, after having tackled some heavier films of late, next month we're giving ourselves a break with Branagh's Death on the Nile as well as the 1978 version. Troy is trying to convince me to watch the Suchet one was well, and while Suchet is basically to Poirot what Jeremy Brett is to Sherlock Holmes, I've been warned that version is not one of the better Suchet adaptations. But we will at least be alluding to it in that conversation, even if we are focusing on the 2021 and ‘78 versions.

Leading lady Jenny Seagrove shares fond memories of playing Mary Morstan in The Sign of Four. She also discusses her humble beginnings, receiving career advice from Jeremy Brett, and her adventures with another Mr. Holmes – Sir Christopher Lee. The Sherlockian Relics Collection is now available! http://tinyurl.com/SherlockianRelics Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

It's not hard, not far to reach, we can hitch a ride to the Copper Beeches. "The Copper Beeches" is the premier of the second season of The Adventures of Sherlock Holmes, a televised adaptation of a short story from Sir Arthur Conan Doyle. It first aired on August 25, 1985, and stars Jeremy Brett as the famed detective, David Burke as his stalwart physician companion, as well as Joss Ackland, Lottie Ward, Patience Collier, Angela Browne, Peter Jonfield, Michael Loney, Rachel Ambler, Stewart Shimberg, and introducing Natasha Richardson.In this episode, Holmes and Watson work to puzzle out a governess's strange encounter with a new employer. Listen to Áine and Kevin regale one another with topics like the worst Sherlock Holmes stories, sketchy hiring practices, and swimming.Follow us on the usual social media suspects:FacebookTwitterInstagramAnd send your governess applications to mysterytomepodcast@gmail.com.Mystery to Me is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After our last episode's look at Hammer's “The Hound of the Baskervilles”, we take a deep dive into the great Grimpen Mire, and compare and contrast 3 further adaptations of the classic tale. We cover the 1988 adaptation from the impeccable Granada TV Series starring Jeremy Brett; in which we learn that the great detective was, at best, a mediocre chef. We then discuss “The Hounds of Baskerville” from the modern reimagining “Sherlock” with Benedict Cumberbatch and Martin Freeman; which leads us to the conclusion that, in modern times, Holmes comes over as much more of a prick than in the Victorian era. And we conclude with Peter Cook and Dudley Moore's 1978 comedy version; a film which sticks far more closely to the narrative than is strictly necessary for a silly spoof, and introduces the greatest non-Doyle character into the canon: Mrs Ada Holmes. Watch (or re-watch) to avoid spoilers, and join us. APOLOGIES FOR ANY SOUND/SPEECH QUALITY ISSUES - THIS EPISODE WAS RECORDED REMOTELY, UNDER THE INFLUENCE OF EXPERIMENTAL NERVE GAS.

The partially recovered chaps wax lyrical about Jeremy Brett’s Sherlock Holmes, CHiPs handcuffs and round it orf with a pitch for a new TV show starring Paul as ‘Internet Policeman’ DS Strong.

Leading man David Gwillim shares fond memories of playing Percy Phelps in The Naval Treaty. He also discusses performing Shakespeare for the camera, working with Prince Charles, and his adventures with Jeremy Brett - before and after Sherlock Holmes. The Sherlockian Relics Collection is now available! http://tinyurl.com/SherlockianRelics Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

It's hard to believe, but it's been an entire year since we aired the first chapters of A Study in Scarlet. Since then, we've followed Holmes and Watson on adventures ranging from slapstick to sinister, and we couldn't have done it without you. Thank you so much for listening this year! We took a moment to reflect back on our first experiences with Holmes - and think about why this character and the stories have such a hold on our imaginations. Plus, we share listener and narrator stories about the first Holmes adaptations they remember - from Barbie video games and The Great Mouse Detective to high school English teachers and Jeremy Brett. Thank you to Grace, Natalie, Vince, Rose, Monique, Kyle, Alaina, and Courtney for sharing your first encounters with Holmes for this episode! Find recommended reading, more stories, info about the show and more on our website: https://www.howeverimprobablepodcast.com/ https://twitter.com/improbablepod

“And why not Norwood?” [NORW]  Before there was Jeremy Brett, there was Anthony Edward Brett. Like the modern-day television actor, he played Sherlock Holmes in over 40 films. But you know him as Eille Norwood. Most of his Sherlock Holmes films from the 1920s remain hidden from the public, so when the British Film Institute announced a major restoration project, we called Russell Merritt, BSI ("The Trepoff Murder") to enlighten us. Russell is a silent film scholar, having recently retired from the University of California, Berkley as a professor of film. He was actively involved in the restoration of other recently discovered silent Sherlock Holmes films such as William Gillette's 1916 Sherlock Holmes and the German Der Hund der Baskervilles from 1929. Together, we go behind the scenes of the Norwood films — a drama itself — and cover the Clive Brook film, as well as Russell's Holy Grail of lost Sherlock Holmes films. And of course, we have another Canonical Couplet to challenge your acuity. If you are chosen as a winner, you'll get some mystery item from the IHOSE vaults. Answers are due by September 14, 2021 at 11:59 a.m. EDT. Information on sponsors, links, and notes available below.   Please do consider becoming a . Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and transcription services.      BONUS CONTENT: For our  supporters, we have from the 2016 Chautauqua conference, where we screened some Eille Norwood films. This additional material is just for our supporters. Become one for as little as $1 a month on .   Sponsors is the premier publisher of books about Sherlock Holmes and Arthur Conan Doyle, including .    has a number of new Kickstarters that need your attention: , , and .     Would you care to advertise with us? You can find . Let's chat!   Links This episode:  (BFI)   (YouTube)  (Wikipedia) Previous episodes mentioned:   Many more links, articles and images are available in our Flipboard magazine at  as well as through our accounts on , , , and .     And would you consider leaving us a rating and review? It would help other Sherlockians to find us.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323).   Transcript We are so grateful for your support , which makes our transcripts possible. A transcript for this episode will be available at .     --    

Actress Betsy Brantley shares fond memories of portraying Elsie Cubit in The Dancing Men and recalls her time working with the great Jeremy Brett.  She also discusses her roles in other films, including The Princess Bride and Who Framed Roger Rabbit. Please remember to like, rate, and subscribe! The Sherlockian Relics Collection, Vol. 1 is now available! http://tinyurl.com/SherlockianRelics Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/sherlocpod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

Brett picks Sherlock Holmes, one of his favourite things, and we watch Jeremy Brett's version of Arthur Conan Doyle's detective. The Speckled Band includes gypsies, a baboon and a remarkable feat of strength. There's music from the brilliant Delving and the hypnotic track of the same name. Listen to more here https://delving-music.bandcamp.com/album/hirschbrunnen See acast.com/privacy for privacy and opt-out information.

We're finally getting to one of our most requested episodes: Daphne du Maurier's romantic thriller Rebecca! This episode is truly putting the perish in Adapt or Perish. In this episode we discuss: Daphne du Maurier's original 1938 novel The 1940 movie directed by Alfred Hitchcock, written by Robert E. Sherwood, Joan Harrison, Philip MacDonald, and Michael Hogan, and starring Joan Fontaine, Laurence Olivier, and Judith Anderson The 1979 miniseries directed by Simon Langton, written by Hugh Whitemore, and starring Joanna David, Jeremy Brett, and Anna Massey The 1997 miniseries directed by Jim O'Brien, written by Arthur Hopcraft, and starring Emilia Fox, Charles Dance, and Diana Rigg The 2020 movie directed by Ben Wheatley, written by Jane Goldman, Joe Shrapnel, and Anna Waterhouse, and starring Lily James, Armie Hammer, and Kristin Scott Thomas Footnotes: Episode 23: Dial M for (A Perfect) Murder on Apple Podcasts, Spotify, and Overcast Episode 30: Sherlock Holmes on Apple Podcasts, Spotify, and Overcast Episode 43: Jane Eyre, Part 1 on Apple Podcasts, Spotify, and Overcast Alfred Hitchcock Presents (1955–1965) Psycho (1960) and Psycho (1998) Gosford Park (2001) You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

"He's far from aloof .... he'll often be crawling around on carpets sniffing things, licking things. He's terribly unhygienic.

This episode we discuss The Last Vampyre which stars Jeremy Brett as ... uh... Professor Van Helsing, Edward Hardwicke as ... um... Baron Frankenstein and Roy Marsden as Dracula... sort of. So definitely horror. Definitely.   It's Granada TV's Sherlock Holmes!   Contact us on Facebook  facebook.com/averybritishhorror Twitter: @verybrithorror Email: averybritishhorror@gmail.com

LBC Irregulars Episode 01: A Scandal in Bohemia Holmesians Jarrod Alberich and Gene Hendricks tackle "Sherlock Holmes" - the 1980's Jeremy Brett show, produced by Granada Television, episode by episode. Join them, and various guests, as Gene (the experienced viewer) guides Jarrod (who has never seen this incarnation) through 10 years of Holmes stories. Do they like the dramatizations? How do they compare to the originals? Who is the better Watson? Listen and find out! Time for the premiere! This episode it's "A Scandal in Bohemia." How will the lads react to this episode? How has the definition of "scandalous photo" changed over the years? Will anyone fall for Jarrod's clever disguise? Tune in and find out? #LBCIrregulars Let us know what you think! Email the show at contact@longboxcrusade.com Find Gene Hendricks on Twitter: https://twitter.com/PodcastnMachine or The Hammer Strikes! - Random Geeky Stuff: https://twitter.com/Hammer_Strikes This podcast is a member of the LONGBOX CRUSADE NETWORK: Visit the WEBSITE: http://www.longboxcrusade.com/ Follow on TWITTER: https://twitter.com/LongboxCrusade Follow on INSTAGRAM: https://www.instagram.com/longboxcrusade Like the FACEBOOK page: https://www.facebook.com/LongboxCrusade Subscribe to the YOUTUBE Channel: https://goo.gl/4Lkhov Subscribe to the podcast on iTunes at: https://itunes.apple.com/us/podcast/the-longbox-crusade/id1118783510?mt=2 Thank you for listening and we hope you have enjoyed this episode of LBC Irregulars. --- Send in a voice message: https://anchor.fm/longbox-crusade/message

This podcast focuses on a new fan to Dark Shadows and why it makes sense that would-be good fans to this 1960's television show don't speak up. Melissa discusses her enjoyment of my fanwork, Dark Shadows and Jonathan Frid as well as Barnabas Collins. Our continual friendship flows through this podcast which is much attributed to Lisa Weyenberg connecting us. (Love you, Lisa!!!)The interview displays what a new fan must contend with: Hate for Barnabas Collins, bizarre worship for Julia Hoffman. which has nothing to do with her strengths, feeling embraced on fan groups *at first* and then feeling like one must “stop talking”. Why Barnabas Collins is “the family guardian” and why Jonathan Frid is a class-act. Melissa's personal experiences with previous entertainers, such as David Warner and Sharon Lentz, and Melissa being able to talk to both of these wonderful people. Fun time with Melissa and I watching "Dark Shadows" as well as dealing with the new technology ruining all of our lives, and why. How social media destroys our relationships. Our watching an episode of "Dark Shadows" together, finally, and how fun it was. Wrapping up with how Melissa ended-up unknowingly buying a bootleg copy of “Dark Shadows” and how she dealt with that after purchasing a true copy of the coffin box. Also providing a comparison of our making fun of Victoria Winters always saying “I don't understand” into many fans becoming that very cliché. At the end, I share a celebration of Jeremy Brett as Sherlock Holmes, which is a show that is also provided by MPI Home Video. And a loving quotation for Melissa via all this.

Benedict Cumberbatch and Martin Freeman return for another rollercoaster season of SHERLOCK. We examine the history of the character, answer questions submitted by listeners, review the current season, and more. Did you like the current season? Let us know! Hosted by Lee Shackleford, Clarence Brown, and Kyle Jones. Additional Information See the images discussed in this episode by visiting Lee's article, Capturing Sherlock. Discussing Who is made possible thanks to the support from our listeners. Become a fan of the show by liking us on Facebook, following us on Twitter, find us on Instagram, and more! Subscribe to the show on iTunes, Google Play, PlayerFM, Stitcher, and others! Show you're fans of the show and help others discover us by recommending us using your favorite podcast player. Send your feedback via email to discussingwho@gmail.com or leave us a voicemail message on the Discussing Who Call Line. Simply dial (805)850-DWHO (3946). (Airtime and/or long distance rates apply, if applicable.) Like the show? Want to contribute?  Send us your feedback!  We want to hear from you! To find out more about Holmes & Watson by Lee Shackleford, visit Amazon.com.

Babes Curly, Kafers and Ardy chat to Roger Johnson and Jean Upton from the . We talk about the decades of their involvement with the Sherlockian world in Britain and the US, discuss new and old Holmes adaptations on screen, in the theatre, and on the radio, and take a detour into classic movies. They've met a lot of people involved in Sherlockian things, including Jeremy Brett and David Burke, so stay tuned for a bunch of charming stories and anecdotes across the ages. This episode was recorded in late 2012. You can buy Roger & Jean's book, A Holmes Miscellany, at the bookshop of your choice, or .