Podcasts about chast

Staff writers and contributors are celebrating The New Yorker's centennial by revisiting notable works from the magazine's archive, in a series called Takes. The writer Jia Tolentino and the cartoonist Roz Chast join the Radio Hour to present their selections. Tolentino discusses an essay by a genius observer of American life, the late Joan Didion, about Martha Stewart. Didion's profile, “everywoman.com,” was published in 2000, and Tolentino finds in it a defense of perfectionism and a certain kind of ruthlessness: she suggests that “most of the lines Didion writes about Stewart, it's hard not to hear the echoes of people saying that about her.” Chast chose to focus on cartoons by George Booth, who contributed to The New Yorker for at least half of the magazine's life. You can read Roz Chast on George Booth, Jia Tolentino on Joan Didion, and many more essays from the Takes series here.  

Since 1978, when her very first cartoon appeared in The New Yorker Magazine, Roz Chast has been chronicling modern life's anxieties and absurdities. Neurotic characters with frizzy hair and mouths agape sit on sofas or walk along New York sidewalks worrying, observing, and making us laugh. Her more than a dozen books include Can't We Talk about Something More Pleasant?, a memoir about her parents aging, and a collaboration with Steve Martin called The Alphabet from A to Y with Bonus Letter Z!.  On November 2, 2023  Chast came to The Sydney Goldstein Theater in San Francisco to share stories from her newest book, I Must Be Dreaming. 

Tgi che vul bajegiar ubain renovar in bajetg en nossas valladas dovra adina dapli cletg per chattar in object, ma er in budget adina pli grond per pudair cumprar el. Spazi d'abitar è daventà rar. En questa «Marella» guardain nus sin las raschuns e dumandain: tge fa quai cun noss bajetgs e lur substanza? Persunas dal fatg èn perina ch'igl è da princip d'avantatg sche tut las chasas vegnan renovadas e mantegnidas per generaziuns futuras. La dumonda co che quellas renovaziuns duain capitar dat però da discutar. Nus discurrin en questa «Marella» cun differentas partidas involvidas en renovaziuns da chasas istoricas en nossas vischnancas.

« Ne pas utiliser les formes orales des médicaments vasoconstricteurs pour soulager les symptômes du rhume » : c'est l'Agence Nationale du médicament et des Produits de Santé (ANSM) qui a émis le 1er décembre cet avis, à l'issue d'un rapport en matière de pharmacovigilance, une recommandation liée au risque d'effets indésirables possiblement graves pour les patients. (Rediffusion) Inscrite sur la notice d'un médicament, la liste des effets indésirables est élaborée avant même que le médicament ne soit mis sur le marché, et après avoir fait l'objet de tests d'efficacité et de toxicité. Si cette liste peut paraître longue, il n'est cependant pas systématique de développer des effets indésirables à la suite de la consommation de médicaments.Mais que se passe-t-il lorsque le médicament censé soulager le patient déclenche de nouveaux symptômes ? Que faire quand on observe un effet indésirable qui n'est pas recensé ? Pr François Chast, pharmacien des Hôpitaux, président honoraire de l'Académie nationale de Pharmacie. Président du Comité opérationnel « Qualité des soins, vigilances, gestion des risques sanitaires, relations avec les usagers » de l'Hôpital Universitaire Necker - Enfants malades Dr Prosper Hiag, vice-président de la Fédération internationale pharmaceutique (FIP) et ancien président du Conseil National de l'Ordre des Pharmaciens du Cameroun Georges Alexandre Imbert, président de l'Association nationale de défense des intérêts des victimes d'accidents des médicaments (AAAVAM) Michel Sidibé, envoyé spécial de l'Union Africaine pour l'Agence Africaine du Médicament et ancien directeur exécutif de l'ONUSIDA. Programmation musicale :► Christine Salem – Mikonépa► Ann Shirley – Ayo.

« Ne pas utiliser les formes orales des médicaments vasoconstricteurs pour soulager les symptômes du rhume » : c'est l'Agence Nationale du médicament et des Produits de Santé (ANSM) qui a émis le 1er décembre cet avis, à l'issue d'un rapport en matière de pharmacovigilance, une recommandation liée au risque d'effets indésirables possiblement graves pour les patients. (Rediffusion) Inscrite sur la notice d'un médicament, la liste des effets indésirables est élaborée avant même que le médicament ne soit mis sur le marché, et après avoir fait l'objet de tests d'efficacité et de toxicité. Si cette liste peut paraître longue, il n'est cependant pas systématique de développer des effets indésirables à la suite de la consommation de médicaments.Mais que se passe-t-il lorsque le médicament censé soulager le patient déclenche de nouveaux symptômes ? Que faire quand on observe un effet indésirable qui n'est pas recensé ? Pr François Chast, pharmacien des Hôpitaux, président honoraire de l'Académie nationale de Pharmacie. Président du Comité opérationnel « Qualité des soins, vigilances, gestion des risques sanitaires, relations avec les usagers » de l'Hôpital Universitaire Necker - Enfants malades Dr Prosper Hiag, vice-président de la Fédération internationale pharmaceutique (FIP) et ancien président du Conseil National de l'Ordre des Pharmaciens du Cameroun Georges Alexandre Imbert, président de l'Association nationale de défense des intérêts des victimes d'accidents des médicaments (AAAVAM) Michel Sidibé, envoyé spécial de l'Union Africaine pour l'Agence Africaine du Médicament et ancien directeur exécutif de l'ONUSIDA. Programmation musicale :► Christine Salem – Mikonépa► Ann Shirley – Ayo.

« Ne pas utiliser les formes orales des médicaments vasoconstricteurs pour soulager les symptômes du rhume » : c'est l'Agence Nationale du médicament et des Produits de Santé (ANSM) qui a émis le 1er décembre cet avis, à l'issue d'un rapport en matière de pharmacovigilance, une recommandation liée au risque d'effets indésirables possiblement graves pour les patients.  Comment réagir lorsque l'on ressent un effet indésirable après avoir pris un médicament ? Comment savoir si l'on doit continuer le traitement ?  Pr François Chast, Pharmacien des Hôpitaux, Président honoraire de l'Académie nationale de Pharmacie. Président du Comité opérationnel « Qualité des soins, vigilances, gestion des risques sanitaires, relations avec les usagers » de l'Hôpital Universitaire Necker - Enfants malades(Rediffusion) Retrouvez l'émission en intégralité ici :Médicaments : effets secondaires et indésirables

FLCL is most well known for being confusing and too interpretive making the plot hard to follow. But we're here to help guide you through your coming of age moment from being a noob who doesn't understand FLCL to understanding what FLCL means down to it's bare soul, so that you too can be on your way to being the smooth brained adult society wants you to be. In this episode, we break down every episode of FLCL the Original Series and give you all the metaphors and significant moments that make FLCL one of the greatest anime ever made. We also answer FLCL frequently asked questions! Check us out on our website: Https://www.otakuhostclub.com (Https://www.otakuhostclub.com) CHast with us in between episode on our Discord server: https://discord.gg/VZWCpsMvmR (https://discord.gg/VZWCpsMvmR) and check us out on our Instagram @otakuhostclub --- Support this podcast: https://podcasters.spotify.com/pod/show/the-otaku-host-club/support

Host Meg Wolitzer presents three works from an evening with author and New Yorker cartoonist Roz Chast, inspired by Chast's new book I Must be Dreaming. “The Wife on Ambien,” by Ed Park, is a sort of late-night fever dream. It's read by John Fugelsang. In Tessa Hadley's “Bad Dreams,” images that begin in books envelop a family in real life. The reader is Rita Wolf. Tom Barbash's “Stay Up With Me” charts the rocky path of an old love affair. It's read by Jason Ralph. And throughout the episode, Chast describes her cartoons based on her own weird and hilarious dreams.

Ce qu'on appelle la théorie des humeurs, ou le modèle humoral, permet d'expliquer toutes les maladies et la manière de les guérir. ERRATUM: le FOIE, l'organe bien sûr, mais gardons la FOI!! Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com 00:00 Introduction 04:18 Dieux guérisseurs 05:57 Nouveau regard sur le corps 08:16 Les humeurs d'Hippocrate 12:50 Vraies humeurs 16:51 Guérir les humeurs ? 19:34 La médecine galénique 24:43 Conclusion Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: N. Arikha, Passions and Tempers. A History of the Humours, New York, Harper Collins Publisher, 2007. J. Jouanna, « La naissance de l'art médical occidental », dans Mirko D. Grmek (dir.), Histoire de la pensée médicale en Occident, 1. Antiquité et Moyen Âge, Paris, Seuil, 1995, p. 25-66. J. Jouanna. « La théorie des quatre humeurs et des quatre tempéraments dans la tradition latine (Vindicien, Pseudo- Soranos) et une source grecque retrouvée » Revue des Études Grecques, tome 118, Janvier-juin 2005. pp. 138-167. D. Gourevitch, « Les voies de la connaissance : la médecine dans le monde romain », dans Mirko D. Grmek (dir.), Histoire de la pensée médicale en Occident, 1. Antiquité et Moyen Âge, Paris, Seuil, 1995, p. 95-122. G. Verbeke, L'évolution de la doctrine de pneuma du Stoïcisme à Saint Augustin : Étude philosophique, Paris et Leuwen, Desclée de Brouwer, 1945. A. Thivel, « Hippocrate et la théorie des humeurs », Noesis [En ligne], 1 | 1997, mis en ligne le 02 mars 2009, consulté le 21 septembre 2021. URL : http://journals.openedition.org/noesis/1419 V. Nutton, Ancient Medecine, New York, Routledge, 2013 (2004). https://books.google.ca/books?hl=fr&lr=&id=zM-qS6Sv_JQC&oi=fnd&pg=PP2&ots=wj_mleSwuE&sig=xAFRxAOLpljhbOZFT1xgfiXhkv0&redir_esc=y#v=onepage&q&f=false F. Chast, « Corpus hippocratique », Encyclopædia Universalis [en ligne], consulté le 18 avril 2023. URL : https://www.universalis.fr/encyclopedie/corpus-hippocratique/ S. Spitz, « Théorie des humeurs », Encyclopædia Universalis [en ligne], consulté le 18 avril 2023. URL : https://www.universalis.fr/encyclopedie/theorie-des-humeurs/ J.C. Courtil, « La théorie des humeurs chez Sénèque : un exemple d'éclectisme médical ? », Pallas, vol. 113,‎ 2020, p. 41-57 « Théorie des humeurs », Excalibur Dauphiné, avril 2020. http://excalibur-dauphine.org/IMG/pdf/THEORIE_DES_HUMEURS_-_XK_-_Avril_2020.pdf S. Jahan, Les Renaissances du corps en Occident (1450-1650), Paris, Belin, 2004. S. Beauvalet-Boutouyrie et Emmanuelle Berthiaud, Le rose et le bleu. La fabrique du féminin et du masculin, Paris, Belin, 2016. A. Gragam et B. Lançon, Histoire de la misogynie, le mépris des femmes de l'Antiquité à nos jours, Paris, Arkhé, 2020. « Quand Aristote invente le mythe scientifique du sexe faible », Arkhé. https://www.arkhe-editions.com/magazine/femme-homme-science-du-sexe-faible/ V. Danel, « Petite histoire de la Médecine Occidentale », Université Joseph Fourier de Grenoble, 2010-2011. https://archives.uness.fr/sites/unf3s/media/paces/Grenoble_1112/danel_vincent/danel_vincent_p01/danel_vincent_p01.pdf P. Mercié, « Histoire de la médecine », Université Bordeaux Segalen, 2011-2012. http://apprentoile.u-bordeaux.fr/ressources/medecine/l1paces/2012_2013/ue07b_shs/merciehistmed.pdf J. Bourquin, « Quand la médecine reposait sur "la théorie des humeurs" du médecin antique Hippocrate », Radio France, 24 février 2021. https://www.radiofrance.fr/franceinter/quand-la-medecine-reposait-sur-la-theorie-des-humeurs-du-medecin-antique-hippocrate-8289260 S. Viguier-Vinson, « Les humeurs : toute une histoire ! », Cercle Psy, N° 28 - Mars/avril/mai 2018. O.D. Messier, « Soigner au XVIIe siècle : l'équilibre des humeurs », Cap-aux-Diamants, 1989, p. 43–44. Y. Ferroul, « Théorie des humeurs et sexualité », Andrologie, 6, no 3, 1996, p. 311-319. https://theherbalacademy.com/four-humours/ Gill, N.S. « Hippocratic method and the four humors ». 2019. Retrieved from https://www.thoughtco.com/four-humors-112072 H.G. Liddell, et al. A Greek-English lexicon. Oxford, England: Clarendon Press. 1940. J.C. McKeown, A cabinet of ancient medical curiosities: Strange tales and surprising facts from the healing arts. Oxford, England: Oxford University Press. 2017. D. Osborn, Principles of treatment [Blog Post]. 2015. Retrieved from http://www.greekmedicine.net Porter, R. The greatest benefit to mankind: A medical history of humanity. New York, NY: W.W. Norton. 1997. Autres références disponibles sur demande.   #histoire #documentaire #medecine #humeurs #hippocrate #galien

Roz Chast started at the New Yorker in 1978, when there was only one other woman cartoonist at the magazine. Decades later, she is a celebrated figure in the cartoon world and has become well-known for her distinctive style and humor. Her latest book, I Must Be Dreaming, is an illustrated guide to Chast’s dreams and the inner workings of her mind. Chast spoke with Apple News In Conversation host Shumita Basu about following her artistic intuition, the popularity of New Yorker cartoons, and her collection of canned goods.

« Ne pas utiliser les formes orales des médicaments vasoconstricteurs pour soulager les symptômes du rhume » : c'est l'Agence Nationale du médicament et des Produits de Santé (ANSM) qui a émis le 1er décembre cet avis, à l'issue d'un rapport en matière de pharmacovigilance, une recommandation liée au risque d'effets indésirables possiblement graves pour les patients.  Comment réagir lorsque l'on ressent un effet indésirable après avoir pris un médicament ? Comment savoir si l'on doit continuer le traitement ?  Pr François Chast, Pharmacien des Hôpitaux, Président honoraire de l'Académie nationale de Pharmacie. Président du Comité opérationnel « Qualité des soins, vigilances, gestion des risques sanitaires, relations avec les usagers » de l'Hôpital Universitaire Necker - Enfants maladesRetrouvez l'émission en intégralité ici :Médicaments : effets secondaires et indésirables

« Ne pas utiliser les formes orales des médicaments vasoconstricteurs pour soulager les symptômes du rhume » : c'est l'Agence Nationale du médicament et des Produits de Santé (ANSM) qui a émis le 1er décembre cet avis, à l'issue d'un rapport en matière de pharmacovigilance, une recommandation liée au risque d'effets indésirables possiblement graves pour les patients.  Inscrite sur la notice d'un médicament, la liste des effets indésirables est élaborée avant même que le médicament ne soit mis sur le marché, et après avoir fait l'objet de tests d'efficacité et de toxicité. Si cette liste peut paraitre longue, il n'est cependant pas systématique de développer des effets indésirables à la suite de la consommation de médicament.Mais que se passe-t-il lorsque le médicament censé soulager le patient déclenche de nouveaux symptômes ? Que faire quand on observe un effet indésirable qui n'est pas recensé ? Pr François Chast, Pharmacien des Hôpitaux, Président honoraire de l'Académie nationale de Pharmacie. Président du Comité opérationnel « Qualité des soins, vigilances, gestion des risques sanitaires, relations avec les usagers » de l'Hôpital Universitaire Necker - Enfants malades Dr Prosper Hiag, Vice-président de la Fédération internationale pharmaceutique (FIP) et ancien président du Conseil National de l'Ordre des Pharmaciens du Cameroun Georges Alexandre Imbert, Président de l'Association nationale de défense des intérêts des victimes d'accidents des médicaments (AAAVAM) Michel Sidibé, envoyé spécial de l'Union Africaine pour l'Agence Africaine du Médicament et Ancien directeur exécutif de l'ONUSIDA Programmation musicale :► Christine Salem – Mikonépa► Ann Shirley – Ayo

« Ne pas utiliser les formes orales des médicaments vasoconstricteurs pour soulager les symptômes du rhume » : c'est l'Agence Nationale du médicament et des Produits de Santé (ANSM) qui a émis le 1er décembre cet avis, à l'issue d'un rapport en matière de pharmacovigilance, une recommandation liée au risque d'effets indésirables possiblement graves pour les patients.  Inscrite sur la notice d'un médicament, la liste des effets indésirables est élaborée avant même que le médicament ne soit mis sur le marché, et après avoir fait l'objet de tests d'efficacité et de toxicité. Si cette liste peut paraitre longue, il n'est cependant pas systématique de développer des effets indésirables à la suite de la consommation de médicament.Mais que se passe-t-il lorsque le médicament censé soulager le patient déclenche de nouveaux symptômes ? Que faire quand on observe un effet indésirable qui n'est pas recensé ? Pr François Chast, Pharmacien des Hôpitaux, Président honoraire de l'Académie nationale de Pharmacie. Président du Comité opérationnel « Qualité des soins, vigilances, gestion des risques sanitaires, relations avec les usagers » de l'Hôpital Universitaire Necker - Enfants malades Dr Prosper Hiag, Vice-président de la Fédération internationale pharmaceutique (FIP) et ancien président du Conseil National de l'Ordre des Pharmaciens du Cameroun Georges Alexandre Imbert, Président de l'Association nationale de défense des intérêts des victimes d'accidents des médicaments (AAAVAM) Michel Sidibé, envoyé spécial de l'Union Africaine pour l'Agence Africaine du Médicament et Ancien directeur exécutif de l'ONUSIDA Programmation musicale :► Christine Salem – Mikonépa► Ann Shirley – Ayo

Since 1978, when her very first cartoon appeared in The New Yorker Magazine, Roz Chast has been chronicling modern life's anxieties and absurdities. Neurotic characters with frizzy hair and mouths agape sit on sofas or walk along New York sidewalks worrying, observing, and making us laugh. Her more than a dozen books include Can't We Talk about Something More Pleasant?, a memoir about her parents aging, and a collaboration with Steve Martin called The Alphabet from A to Y with Bonus Letter Z!.  On November 2, 2023  Chast came to The Sydney Goldstein Theater in San Francisco to share stories from her newest book, I Must Be Dreaming.

Roz Chast's first New Yorker cartoon was published in 1978, and she has since published more than one thousand. Chast is the author of the graphic memoirs “Going Into Town” and “Can’t we Talk About Something More Pleasant.” Chast spoke about latest book, “I Must be Dreaming” with Dave Miller at the 2023 Portland Book Festival.

Watch the video here. Renowned for her ''extraordinarily honest, searing and hilarious'' (San Francisco Chronicle) takes on modern life, Roz Chast has published more than 1,000 cartoons in The New Yorker since 1978. She has written or illustrated more than a dozen books, including Can't We Talk About Something More Pleasant?, a bestselling multi-genre narrative about her aging parents that won the National Book Critics Circle Award and was a National Book Award Finalist; Going into Town: A Love Letter to New York, an illustrated paean/guide/thank-you note to New York City; and several collected volumes of her published cartoons. Most recently, she illustrated New Yorker writer Patricia Marx's Why Don't You Write My Eulogy Now So I Can Correct It?: A Mother's Suggestions. In I Must Be Dreaming, Chast takes an illustrated journey to the enduring and elusive land of Nod to explore the secrets of the sleeping yet active mind. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! (recorded 10/30/2023)

Roz Chast is an award-winning cartoonist who started working for the New Yorker 45 years ago. Her comics examine our everyday neuroses and anxieties. As an only child growing up in Brooklyn, Chast worried that a fire could break out in the wall and burn up her family. Or that she'd suddenly have an appendicitis attack and wind up in the hospital like Madeleine in that children's story. Chast hates to drive and is terrified of changing lanes. Now, she's written a book called I Must be Dreaming about her nightmares and all the wacky things that go on in our heads while we're asleep. “Now What?” is produced with the help of Steve Zimmer, Lucy Little and Patrick McAndrew. Audio production is by Nick Ciavatta.

The cartoonist and the funnyman. Roz Chast has been a fixture among New Yorker cartoonists for many years. In 2007. She collaborated with comedian Steve Martin on a children's book. In this 2007 interview, Chast explains how their partnership worked. And why the book is as much for the parents as it is for the children. Get The Alphabet from A to Y With Bonus Letter Z by Roz Chast and Steve Martin You may also enjoy my interviews with Berke Breathed and Caroline Kennedy For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. or wherever you listen to podcasts. Photo by Larry D. Moore #RozChast #SteveMartin #cartooning #NewYorker

Si les engagements du ministre de la Santé, François Braun, se concrétisent, la pénurie d'amoxicilline devrait cesser en France au cours du mois de février. Le pays fait face régulièrement à des ruptures de stocks, qui ont concerné récemment cette classe d'antibiotiques, comme le paracétamol ; des médicaments essentiels, surtout en période d'infections hivernales chez les enfants. Cette pénurie a conduit à ce que les pharmacies soient à nouveau autorisées par l'Agence Nationale de Sécurité du Médicament à fabriquer en officine certains produits manquants, comme ces antibactériens pédiatriques. Le ministre François Braun a également annoncé le lancement d'un « plan blanc médicaments », pour éviter le renouvellement de ce type de crise d'approvisionnement, qui est loin d'être ponctuelle. Pourquoi ces pénuries ? Quels risques potentiels pour la santé ? Pourquoi la relocalisation, dont on avait beaucoup parlé durant la crise sanitaire, n'est-elle toujours pas d'actualité ? Priorité-Santé fait le point. Pr François Chast, pharmacien des hôpitaux de Paris, ancien chef de service à l'hôpital Necker-Enfants malades. Préside le comité des vigilances et risques sanitaires. Président honoraire de l'Académie Nationale de Pharmacie. Auteur du livre : Les médicaments en 100 questions aux éditions Tallandier Dr Thomas Borel, directeur scientifique du Leem, principal lobby français du secteur pharmaceutique. Catherine Simonin, administratrice de France Assos Santé.  Reportage de Raphaëlle Constant dans la pharmacie Delpech à Paris qui s'est mise à fabriquer des gélules d'amoxicilline, sur place, pour pallier la pénurie de cet antibiotique. 

Si les engagements du ministre de la Santé, François Braun, se concrétisent, la pénurie d'amoxicilline devrait cesser en France, au cours du mois de février 2023. Le pays fait face régulièrement à des ruptures de stocks, qui ont concerné récemment cette classe d'antibiotiques, comme le paracétamol ; des médicaments essentiels, surtout en période d'infections hivernales chez les enfants. Cette pénurie a conduit à ce que les pharmacies soient à nouveau autorisées par l'Agence Nationale de Sécurité du Médicament à fabriquer en officine certains produits manquants, comme ces antibactériens pédiatriques. Le ministre François Braun a également annoncé le lancement d'un « plan blanc médicaments », pour éviter le renouvellement de ce type de crise d'approvisionnement, qui est loin d'être ponctuelle. Pourquoi ces pénuries ? Quels risques potentiels pour la santé ? Pourquoi la relocalisation, dont on avait beaucoup parlé durant la crise sanitaire, n'est-elle toujours pas d'actualité ? Priorité Santé fait le point. Pr François Chast, pharmacien des Hôpitaux de Paris, ancien chef de service à l'Hôpital Necker-Enfants malades. Préside le comité des vigilances et risques sanitaires. Président honoraire de l'Académie Nationale de Pharmacie. Auteur du livre : Les médicaments en 100 questions, aux éditions Tallandier Dr Thomas Borel, directeur scientifique du Leem, principal lobby français du secteur pharmaceutique Catherine Simonin, administratrice de France Assos Santé.  Reportage de Raphaëlle Constant dans la pharmacie Delpech à Paris qui s'est mise à fabriquer des gélules d'amoxicilline, sur place, pour pallier la pénurie de cet antibiotique. 

·✨Doc has a Bull to Cuck Talk w/ Poor Little White Boy & Chast Dub of Good Luck Cuck ·✨SPONSORED BY DOC CHOCOLATE'S VIP ONLYFANS PAGE ✨ | Doc's OnlyFans account which has WEEKLY full length videos of Doc's fun times with hotwives of cuckolds, MILFs, vixens and QOS.... Join the VIP now at SWIY.CO/chocolatedoc · Chast Dub. Twitter is https://twitter.com/chastdub | Website is https://GoodLuckCuck.com · Poor Little White Boy. Twitter is https://twitter.com/poorlittlewhit1 ·MENTIONED ON THIS EPISODE: Boneslinger @bobbyakin1999 ·About the Bulls and Queens Swinging Lifestyle Experience: ·Doc Chocolate is a Las Vegas BBC (big black cock) gentleman that queen of spades, hotwives, stags, vixens and cuckold couples run to when they are looking for a special FUN swinger playtime in Las Vegas. ·Doc Chocolate is also an Adult Content Creator who is always looking for sexy ladies to collab with and make content with. ·His lovely wife, Karamel, is a Las Vegas Hotwife who makes sure she keeps his crazy black ass in line. ·The BULLS & QUEENS SWINGER PODCAST is a black swinger podcast | black bull podcast | queen of spades podcast | cuckold podcast ·Doc currently helps those who are NEW or veteran swingers in the Lifestyle experience more fun -- either through fun and kinky swinger parties, lifestyle meetups, nude or semi-nude sip & paint parties, bachelorette parties AND much, much more! ·Doc loves listening to Sex with Emily | Pillow Talks | Sydnee in the Sheets | Shameless Sex | Dan Savage - Savage Lovecast | Sex Stories by Wyoh Lee | Consenting Adults | Venus Cuckoldress | Black N Kinky Lifestyle | The Love Hour | That Couple Next Door | In Bed with Nikki | Sex with Dr. Jess | We Gotta Thing | Friends with a Twist | Room 77 | Wanderlust | Front Porch Swingers ·Learn more about Doc, set up a sexy play session with him for the hotwife and how he can help you have more swinging lifestyle fun on the following platforms: ·VIP OnlyFans: swiy.co/chocolatedoc ·Website: https://BullsAndQueens.com ·Doc's Twitter: @bullsandqueens ·Karamel's Twitter: @KaramelKissesLV ·RedGifs: https://www.redgifs.com/users/bullsandqueens ·Reddit: https://www.reddit.com/user/bullsandqueens/ ·Email: bullsandqueens@gmail.com ·KIK: bullsandqueens

Objectif santé, émission médicale présente par Karen Taieb qui reçoit le Docteur François CHAST Thème : Le diabète à l'occasion de centième anniversaire de l'insuline.  Pharmacien, docteur ès sciences, membre du conseil de la Société d'histoire de la pharmacie, membre de l'Académie nationale de pharmacie, exerce la pharmacie hospitalière depuis 1970 dans les hôpitaux de Paris.  Il dirige le service de pharmacie-pharmacologie-toxicologie de l'Hôtel-Dieu.

EPIC HOUSE MUSIC!!!!!!!!!!!! A real vocal uplifting treat.... full of funk & EUPHORIC sounds .. :)

durée : 00:49:08 - Le Temps du débat - par : François Saltiel - Le passeport vaccinal sera-t-il indispensable pour voyager en Europe ou même pour avoir accès à certains lieux ou services au sein de nos frontières ? - réalisation : Vanessa Nadjar - invités : Gaspard Koenig Philosophe, enseignant à Science Po, président du think-tank GenerationLibre; François Chast pharmacien des hôpitaux; Karine Lefeuvre Professeur de droit privé à l’Ecole des Hautes Etudes en Santé Publique, présidente par intérim du CCNE pendant la crise du COVID-19

Thelma and Louise, Ponch and John, Pancho and Lefty, Quixote and Sancho Panza, Marx and Engels, Marx and Chast…history and literature are full of magical buddy stories. Every now and then, for reasons no one can explain, Two people come together and produce something greater, or at least very different, from the sum of their parts. I’m here today with one such team: the writer-cartoonist duo of Patricia Marx and Roz Chast. They’re both longtime contributors to the New Yorker and fearsome humorists in their own rights. But together they form a third fearsome thing, a thing which has created books such as Why Don’t You Write My Eulogy Now So I Can Correct it: A Mother’s Suggestions, And their latest: You Can Only Yell At Me For One Thing At A Time: Rules for Couples. They’re also the enigmatic figures behind yet a fourth thing, the legendary ukulele band Ukelear Meltdown.  – Jason Gots Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, a discussion between acclaimed cartoonist Roz Chast and Rabbi David Ingber, founder and spiritual leader of Romemu. Since joining the New Yorker in 1978, Chast has established herself as one of our greatest chroniclers of the anxieties, superstitions, furies, and insecurities of modern life. In this conversation, Chast references her best-selling book Can't We Talk About Some­thing More Pleasant?, which chronicles her relationship with her aging parents as they shift from independence to dependence. (While you don’t need the book to follow what Chast is referencing, you can view some of her cartoons here https://bit.ly/2DgFAx1) The talk was recorded in front of a live audience on October 29, 2018, and was cosponsored by What Matters: Caring Conversations About End of Life (https://bit.ly/2K5T8wO), as part of Reimagine End of Life (https://letsreimagine.org), a citywide exploration of death and celebration of life through creativity and conversation.

A 30-year contributor to The New Yorker, Patricia Marx is the author of several books including Starting From Happy and Him Her Him Again the End of Him, both of which were Thurber Prize finalists. A former writer for Saturday Night Live and Rugrats, she has taught screenwriting and humor at a number of universities, and is the recipient of a 2015 Guggenheim Fellowship. Her new book, illustrated by Roz Chast, is a collection of bon mots passed down from her mother. Chast has published more than 800 cartoons in The New Yorker since 1978. She has written or illustrated more than a dozen books, including several collected volumes of her published cartoons, an illustrated love note to Manhattan titled Going into Town, and the memoir Can't We Talk About Something More Pleasant?, winner of the National Book Critics Circle Award and a National Book Award Finalist. Natalie Cohn Memorial Lecture (recorded 4/11/2019)

In this episode, Curt and Kevin put superhero slugfests aside to confront a subject far more frightening than Doomsday, Thanos or the Annihilation Wave! That's right: We're talking about the award-winning graphic memoir Can't We Talk About Something More Pleasant?, written and drawn by Roz Chast and published by Bloomsbury! Chast, a critically acclaimed cartoonist for the New Yorker, paints an unflinching portrait of the final years of her nonagenarian parents, anxious George and overbearing Elizabeth, as they come to grips with physical frailty, encroaching dementia, and leaving their cluttered Brooklyn apartment for an assisted living facility. Can Chast, an only child suddenly forced to become a parent to her parents, successfully navigate the thorny thicket of managing their care and finances and prepare herself to say goodbye? And can this funny and heart-wrenching book earn a spot in that eternal resting place known as … The Comics Canon? Things Discussed in This Episode: Content warning The Poky Little Parkway Ozymandias Reliving high school as a senior citizen The fine T-shirts available at our new TeePublic store Michael Haneke's Amour Our Cancer Year God Country Join us in two weeks as we return to more familiar territory (and prepare for the upcoming Venom movie) with a look at Ultimate Spider-Man: Venom! Until then, please rate us on iTunes, send us an email, or hit us up on Twitter or Facebook, and  we may read your comments in an upcoming episode. And as always, thanks for listening!

This week, we celebrate the end of the year by sitting down with Roz Chast, who has been contributing cartoons to the New Yorker Magazine since 1978. Chast is out with a new book, "Going into Town: A Love Letter to New York", which is a guidebook to living in -- and loving -- New York. We discuss her childhood in Brooklyn, life on the Upper West Side in the '70s and '80s, her favorite diner (which is still open!), working at the New Yorker, and much more. Support the show.

New York Times bestselling author Roz Chast returns to ALOUD with her hilarious new graphic memoir, Going Into Town: A Love Letter to New York. Chast is a native Brooklynite and quintessential New Yorker whose street cred is regularly on display in The New Yorker, where she’s published over 1,000 cartoons. But when she moved to the suburbs, navigating life filled with trees instead of garbage was surreal— although her kids would grow-up thinking the opposite was true. On the occasion of her daughter leaving the suburbs to attend college in the city, Chast was inspired to create a city guide to her beloved home turf to help ease her daughter’s cultural shock. Filled with laugh-out-loud drawings, stories, maps, and more, Chast will take us on her personal tour of Manhattan.Many of the wonderful cartoons referenced by Chast in this podcast recording can be perused on her website, at rozchast.com.

Time Codes: 00:00:24 - Introduction 00:02:38 - Setup of interview 00:04:40 - Interview with Roz Chast 01:12:04 - Wrap up 01:13:54 - Contact us Paul and Derek are pleased to have on The Comics Alternative the great cartoonist, Roz Chast. Her new book, Going into Town: A Love Letter to New York, was recently released by Bloomsbury Publishing. The Two Guys have been longtime fans of Chast's offbeat and hilarious New Yorker strips for years, and they spend a good bit of time talking with their guest about how she has translated that sense of humor into a long-form narrative. They also talk with Chast about her previous book, Can't We Please Talk about Something More Pleasant?, her memoir on living with aging parents, and how her mother and father find prominent places in the latest work. Along the way, Chast discusses her process of writing -- she indiscriminately explores narrative paths to see what does and doesn't work -- her unique non-comic-book community of cartoonist colleagues, and her experiences editing last year's Best American Comics volume. And of course, she spends a lot of time talking about her experiences and love of Manhattan, complete with its mind-blowing variety of restaurants, its subway system, its out-of-the-way specialty shops, its giant waterbugs, and the annoyance of rat afterbirth. Yes, rat afterbirth.

Our fear-oes begin their extra spooky Halloween series on Ray Bradbury's Something Wicked This Way Comes. Brandon Chast-fiend offers some much needed context on Bradbury's life (7:52), even including a die-scription of the "slush" pile from which short stories were selected by magazines like the New Gore-ker in those days (17:45). Our heroes admit to mixed feeling about Scare-en-heit 451 (20:00), discuss whether Bradbury was really a die-ence fiction writer (24:15). Chast-fiend gives us a run-down on said genre (33:15). Nathan gives us a run-down on the pulps and horror at the time. (40:45). Meanwhile Jake Mentzkiller keeps threatening to lie down on the floor and go to sleep if a certain other fear-o won't stop it with the Halloween puns.★ Support this podcast on Patreon ★

Time Codes: 00:01:30 - Introduction 00:03:21 - News and updates 00:12:05 - Best American Comics 2016 01:07:29 - Wrap up 01:08:37 - Contact us Every year the Two Guys with PhDs use the final two episodes of the year as a respective, a look back at some of the best comics out there. Next week they'll release their own favorites of the past twelve months, but for this, their penultimate show of the year, Andy and Derek discuss what others consider outstanding. The 2016 volume Best American Comics, edited by cartoonist Roz Chast (and with series editor Bill Kartalopoulos), includes thirty contributions from a variety of creators and displaying a wide range of styles and storytelling strategies. These comics were originally published between September 1, 2015 and August 31, 2015, and in many cases they include titles that the guys have discussed on past episodes. (For insights into the selection process for this volume, check out the previously published interview with Bill Kartalopoulos.) As the guys point out, there are entries in this collection that should come as no surprise to comics readers -- e.g., Adrian Tomine's "Killing and Dying," Drew Friedman's "R. Crumb and Me," various Kate Beaton strips, and excerpts from Richard McGuire's Here and Chris Ware's The Last Saturday -- but some of the most notable contributions are from artists with whom the guys weren't yet familiar, or are selections that might not be on most readers' "Best of" lists. As you'll hear on this episode, Derek and Andy are excited to discover the work of Taylor-Ruth Baldwin, Sophia Zdon, Lance Ward, and Char Esmé, while at the same time they are glad to see recognition of works by Joe Ollmann, John Porcellino, Keiler Roberts, and Nina Bunjevac. But every piece in this anthology is worthy of attention, as are the various titles listed in its "Notable Comics" section at the very end. With a new year on the horizon, it's always useful to look back at those comics that have helped define where we are today. And as the guys point out, the annual Best American Comics volumes are some of the gauges out there.

Time Codes: 00:01:20 - Introduction 00:03:07 - Setup of interview 00:04:13 - Interview with Bill Kartalopoulos 01:17:31 - Wrap up 01:18:53 - Contact us Andy and Derek are pleased to have back on their podcast Bill Kartalopoulos, the general editor of Houghton Mifflin Harcourt's Best American Comics series. He was on the show two years ago to discuss the 2014 volume of Best American Comics, that one guest-edited by Scott McCloud and Bill's first after assuming editorship. This time around the Two Guys talk with him about the latest volume guest edited by Roz Chast. They specifically ask Bill about his experiences in working with Chast, a cartoonist who brings a very different sensibility to anthology. Most of the conversation is devoted to the process of pulling together each year's volume, and Bill goes into great detail in explaining both his and his guest editors' roles. But they also discuss the specific contributions to the 2016 edition, the decision-making behind those selections, and the many discoveries Bill and Roz made along the way.

Interview with New Yorker Magazine cartoonist, Roz Chast author of "Can't We Talk About Something More Pleasant?" My guest today is New Yorker Magazine cartoonist, Roz Chast.  I've seen her speak here in Washington DC, and on May 13, Chast will appear in Reston, Virginia to discuss her graphic memoir, “Can't We Talk About Something More Pleasant?”   As an only child, Roz Chast found herself as the sole caretaker for her parents, George and Elizabeth Chast, when they reached old age. As she cared for her parents, and following her father's death, it became clear Chast wanted to, and needed to tell their story. If you've never seen Roz Chast, but have seen her cartoons, you might imagine her to be one of the cartoons she so ably draws: frizzy hair, frazzled demeanor, eyes crossed, with exclamation points swirling around her head inside the cartoon bubble she's drawn for her clever one liner response.  But, the real life Roz Chast is a lovely, generous, sincere, funny, observer of life, which she depicts brilliantly in her cartoons. After talking with her for this interview for nearly an hour, even more appealing aspects of her personality are revealed:  for one, she has many comic voices. As you'll hear in today's wonderful interview, many of Roz' impressions sound like she's poking fun at her very challenging up-brining, as only child of quirky parents, when in reality she's very nobly caring for her parents at a time when they truly needed her.      Roz very much personalized our interview and conversation, asking about me, my parents, my father's illness and my own children.  And, unlike, other interviewees, who want to portray themselves, themselves, and oh, by the way, themselves, Roz genuinely cares about the connection, which likely deepens her understanding of her touching, and hilarious cartoons. Roz Chast's cartoons exude warmth and whimsy, but often share more in common with the dark humor of cartoonists like Charles Addams or Gahan Wilson than they do with "Peanuts." I mention that my own parents owned the Charles Addams book “Monster Rally,” which I loved, and apparently influenced Roz, too.   When she broke into a regular gig as a cartoonist for The New Yorker magazine in the 1970s, at age 23, she had already cultivated the eccentricities that became the hallmark of her work. As proof, an adult Chast drew a cartoon that shows a woman holding what is clearly a very “war torn” oven mit, saying to her mom, “Mom, what is it with this oven mit?  It''s from year one!”  “It's disgusting!  It's all burnt and cruddy.  And, it's got patches on it!  Oh my god, these patches come from a skirt I made 40 years ago in Home Ec!  Directing her comments to her mother, at the sink, washing dishes, she says, “Please let me buy you a new over mit.”  Without missing a beat or in this case, a frame, her mom replies, “Why waste your money?  That one still works.”   Chast has illustrated more than 800 cartoons for The New Yorker, as well as a number of books. Her book, “Can't We Talk About Something More Pleasant?,” is a New York Times best seller and a National Book Award Finalist, and is a sharply-observed memoir of her parents at the ends of their lives.    

As has become an annual event, Andy and Derek use their penultimate show of the year to discuss the current volume of Houghton Mifflin Harcourt's The Best American Comics. The series is overseen by Bill Kartalopoulos -- whom the guys interviewed on the show last year -- and this year's collection is edited by novelist Jonathan Lethem. The entries collected in The Best American Comics 2015 represent what both Lethem and Kartalopoulos consider to be the most outstanding comics published between September 1, 2013, and August 31, 2014. The guys begin by highlighting the organization of this year's volume, pointing out that Lethem has retained the topic- or theme-based approach used by Scott McCloud in last year's collection. The editor breaks down his entries into ten different chapter topics, ranging from the self-evident "Storytellers" and "Biopics and Historical Fictions" to more obscurely intriguing groupings such as "Brainworms" and "Raging Her-Moans." The guys are familiar with most of the contributions included this year -- to paraphrase Andy, The Best American Comics volumes just seem to reinforce their tastes in comics-- and many of them have been the subject of previous Comics Alternative reviews and interviews. They comment on the sheer number of entries that are excerpts from longer works, including Roz Chast's Can't We Talk about Something More Pleasant?, Jules Feiffer's Kill My Mother, Farel Dalrymple's The Wrenchies, Gabrielle Bell's The Colombia Diaries, Sept 14-16, Cole Closser's Little Tommy Lost, Matthew Thurber Infomaniacs, Anya Ulinich's Lena Finkle's Magic Barrel, Jim Woodring's Fran, Anya Davidson's School Spirits, and Josh Bayer's Theth. Most of these selections easily stand on their own, but some could have benefited from more content or additional editorial context (examples being the excerpts from Anders Nilsen's Rage of Poseidon and Joe Sacco's The Great War.) Some of the highlights in this year's volume include works by creators that either Derek or Andy have never read before, such as Mat Brinkman and his darkly surreal Cretin Keep on Creep'n Creek, or Gina Wynbrandt and her hilariously self-deprecating Someone Please Have Sex with Me. This is another must-read book for the Two Guys, but their discussion isn't without its disagreements. In good Siskel and Ebert fashion, the guys spar over the nature of the Best American Comics volumes and, specifically, over the curious “Notable Comics” list in the very back of the book. (This is a list of other significant comics published between September 1, 2013, and August 31, 2014, but not making it into the volume proper.) Derek mentions the almost complete absence in this list of any titles reflecting mainstream (in a broad sense) sensibilities -- the one exception to this is Geoff Darrow's Shaolin Cowboy from Dark Horse Comics -- and scratches his head over these choices that come with no permission or copyright obstacles. And he argues that discussing a text by what it is not can actually give a firmer grasp of what it actually is. Andy, on the other hand, is completely OK with the totally subjective approach to anthologies such as this, and he questions Derek's assumptions of the book's readership. The guys also discuss the notion that, in many ways, these selections are also political choices, especially when published by a major trade house such as Houghton Mifflin Harcourt. But these are the kinds of debates that should sound familiar to Comics Alternative listeners, especially when it comes to matters of awards, essential readings, and “Best of” collections. The bottom line, though, is that both Andy and Derek agree that The Best American Comics 2015 is yet another important contribution to our ever-expanding understanding of the medium. “Best” or not, these comics are definitely well worth reading.

The Satellite Sisters talk to New Yorker Cartoonist and National Book Award winner Roz Chast upon the publication of Theories of Everything. Sheila, Monica and Lian Dolan in studio with the brilliant and hilarious cartoonist. We heart Riz Chast.    Roz Chast has loved to draw cartoons since she was a child growing up in Brooklyn. She attended Rhode Island School of Design, majoring in Painting because it seemed more artistic. However, soon after graduating, she reverted to type and began drawing cartoons once again. Her cartoons have also been published in many other magazines besides The New Yorker, including Scientific American, the Harvard Business Review, Redbook, and Mother Jones. Her most recent book is a comprehensive compilation of her favorite cartoons called Theories of Everything: Selected, Collected, and Health-Inspected Cartoons of Roz Chast, 1978-2006. She also illustrated The Alphabet from A to Y, with Bonus Letter, Z, the best-selling children's book by Steve Martin.   Her book Can't We Talk About Something More Pleasant? is a graphic memoir, combining cartoons, text, and photographs to tell the story of an only child helping her elderly parents navigate the end of their lives. It won the National Book Award fro Biography in 2014. 

THOROUGHBRED SUNDAY Turning the clock back to the golden era of the Goodwood Motor Circuit, this is the big day for pre-1966 cars and bikes. Motoring nostalgia doesn’t get better than this, and like every other Breakfast Club it’s free to join the fun!

Roz Chast's cartoons exude warmth and whimsy, but often share more in common with the dark humor of cartoonists like Charles Addams or Gahan Wilson than they do with "Peanuts." When she broke into a regular gig as a cartoonist for The New Yorker magazine in the 1970s, she had already cultivated the eccentricities that became the hallmark of her work. As proof, an adult Chast drew a cartoon that shows a young girl with her head stuck in the "Big Book of Horrible Rare Diseases." It's labeled "Me, Age 9." Chast has illustrated more than 800 cartoons for The New Yorker, as well as a number of books. Most recently, she published Can't We Talk About Something More Pleasant?, a sharply-observed memoir of her parents at the ends of their lives. In this episode of Here's The Thing, Roz Chast talks to Alec Baldwin about life with her parents, growing up in New York, and her neurotic pet birds.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Can’t We Talk About Something More Pleasant isn’t as easy book. As the title implies, in deals in topics few are equipped to candidly discuss: family, aging, mortality. But long time New Yorker cartoonist Roz Chast valiantly marches headfirst into a memoir of her parents’ decline armed with humor, insight and desk full of watercolors. The result is one of the best comics of 2014. I met Chast in a strange cavernous room below a luxury hotel in Williamsburg, Brooklyn, following a talk and signing. We sat on a bench, discussing her work as a fascinating collection of fellow comics luminaries like Art Spiegelman and Charles Burns milled about between appearances. Given the subject matter of her most recent book, I wasn’t entirely sure what tone the conversation would take, but quickly realized that as with her work, Chast has a knack for making even the heaviest of conversational topics immensely entertaining. During our 40 minute interview, we spanned the cartoonist’s entire career, beginning with an envelope dropped off at the New Yorker in 1978, stuffed with 60-odd submissions. All of these years later, the artist The Comics Journal called, “the first truly subversive New Yorker cartoonist” has had well over 1,000 cartoons run in that most prestigious of periodic institutions and one of the most touching graphic memoirs in recent memory.

Richard Gehr's new book, I Only Read It for the Cartoons: The New Yorker's Most Brilliantly Twisted Artists, profiles a dozen of the great cartoonists at The New Yorker. We talk about his lifelong love for the magazine, making a career out of his weird enthusiasms, being in the Boy Scouts with Matt Groening, discovering Bob Mankoff's Database of Humor and the evil experiment of The Caption Contest, and the all-time best "celebrity I plotzed over" story in the history of this podcast!

On this episode of The Comics Alternative, Derek is joined by Gene to review two new books. First, they look at Can't We Talk about Something More Pleasant?: A Memoir by New Yorker cartoonist Roz Chast (Bloomsbury). This is Chast's account of her parents' failing health, the process of dying, and the author's complicated relationship with both her mother and father (especially her mother). It is a moving, and at times heartrending, story about George and Elizabeth Chast, their physical decline, their growing dementia, and their eventual passing. The guys discuss Chast's style, heavily influenced by her New Yorker work, and how it's essential to her storytelling. Whether or not you have had similar experiences, dying parents or loved ones suffering from long bouts of illness, this book is one that will greatly affect you. From there Gene and Derek move on to the first graphic novel from Shaun Manning and Anna Wieszczyk, Interesting Drug (Archaia/BOOM! Studios). Both feel that the concept is intriguing — the development of a drug that allows you to travel back along your own timeline — but they're unsure about the story's ultimate execution. For Gene, the art, while highly engaging, is at times unclear when it comes to narrative particulars (who is who in a certain panel, what's going on with the action, etc.). For Derek, there's not enough exposition on several key plot points, and as a result, some of the character motivations are confusing. Still, Interesting Drug is worth reading for the premise and the art.