Podcasts about dragset

Michael Elmgreen and Ingar Dragset talk to Ben Luke about their influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. This is the first episode of A brush with featuring an artist duo. Over the past 30 years Elmgreen and Dragset have consistently created unexpected scenarios within and outside of the museum and gallery structure. Playful, even mischievous at times, and yet shot-through with searing critique and sincere expression, their sculptures and environments are fundamentally concerned with space, both private and public, and the people and communities that occupy it. Elmgreen was born in 1961 in Copenhagen and Dragset in 1969 in Trondheim, Norway. They now live and work in Berlin. They discuss the influence of Hannah Ryggen and Vilhelm Hammershøi, Michael's meeting with Felix Gonzalez-Torres and his effect on their work, and how they feel their work relates to Samuel Beckett's writing, and the final, moving scene of Wim Wenders' film Paris Texas. Plus, they give insight into their lives in the studio and answer our usual questions, including: what is art for?Elmgreen & Dragset: L'Addition, Musee d'Orsay, Paris, until 2 February 2025; Elmgreen & Dragset: Spaces, Amorepacific Museum of Art, Seoul, 23 February 2025; K-BAR is open now at Khao Yai Art Forest, Thailand; Nurture Gaia, Bangkok Art Biennale, Bangkok, Thailand, until 25 February 2025. Hosted on Acast. See acast.com/privacy for more information.

At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.

At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.

In unserer 43. Folge der KUNSTPAUSE sprechen Felix von Boehm und Charlotte Paulus mit Klaus Lederer über die Skulptur „Statue of Liberty“ aus dem Jahr 2018. Es handelt sich um ein Originalstück der Berliner Mauer, in das ein heute nicht mehr funktionierender Geldautomat eingelassen wurde. Das Werk steht im Innenhof des Hamburger Bahnhofs - Nationalgalerie der Gegenwart als permanente Außenskulptur und wurde von dem Sammler Heiner Wemhöner an die Stiftung der Freunde der Nationalgalerie für zeitgenössische Kunst geschenkt. Die oftmals spielerischen Installationen und Skulpturen des skandinavischen Künstlerduos adressieren Themen wie Identität, Machstrukturen und Konsumkultur. In Berlin ist das Künstlerduo bekannt für das von ihnen entworfene Denkmal für die im Nationalsozialismus verfolgten Homosexuellen.

We meet stand up comedian, actress and author Grace Campbell to discuss her experiences with art! We discover that in spite of growing up with artist friends, she had a childhood fear of galleries, her admiration for artists Tracey Emin, Judy Chicago, Marilyn Minter, Elmgreen & Dragset and living with artworks by Marcelina Amelia, Mr Brainwash, and more. Plus we learn about her close friendship with art historian Katy Hessel, her collaborations with illustrator Alice Skinner, and we discuss a new documentary about sex educator and feminist Shere Hite.Grace Campbell is a riotous force of nature. The stand up comedian, author, and actor, is on a constant, rebellious mission to undermine most of the bullshit we are taught by society. An acclaimed stand-up, and host of the popular comedy night the Disgraceful Club, currently holding a residency at Bush Hall, Grace's comedy is wild, glamorous, fiery, and provocative.Grace has just announced a UK tour Grace Campbell Is On Heatfrom October to December 2024. Buy tickets now via TicketMaster: https://www.ticketmaster.co.uk/grace-campbell-tickets/artist/1832543 or visit Grace's website.Follow @DisGraceCampbell on Instagram and visit https://www.disgracecampbell.com/

Since 1995, Michael Elmgreen and Ingar Dragset have worked together as the artist duo Elmgreen & Dragset. They work in the fields of sculpture, performance and large-scale installations, pushing against normal modes of displaying art. Their work often draws attention to the institutions that host them and their attendant politics. In this episode, they talk about Danish painter Vilhelm Hammershøi. In The Love of Art podcast, artists are invited to speak about other artists that fascinate them (musicians, writers, filmmakers, actors, designers…) in a very personal way.   The Love of Art(L'Amour de l'Art) is a podcast by Perrotin    The episode with Elmgreen & Dragset was recorded on October 20, 2023 at Perrotin gallery, Paris.    Interview conducted by: Vanessa Clairet Stern    Production and sound design: Seb Lascoux   Language: English   Graphic design: Perrotin   Photograph: Claire Dorn    Music: CDM Music

Artist duo Michael Elmgreen and Ingar Dragset are two of the most influential artists in the world, and has been flying the flag for witty and political art under the name Elmgreen & Dragset for the last two decades.Sculptures and installations include the Prada Marfa, Powerless Structures at Trafalgar Square, The Collectors at Venice Biennale, and most recently, Life Rings located at Djurgården in Stockholm. In this episode, we talk about:— Being a two-headed monster as an artist duo.— If NFTs are future proof.— Taking the surrounding into consideration when raising a sculpture.— Using the Scandinavian heritage in a global message.— The problems and benefits of doing commercial collaborations.— Balancing the pros and cons of using outside help to produce their art, or making everything from scratch.The Scandinavian Mind podcast a bi-weekly show, about the intersection of lifestyle and technology. Every Wednesday, we publish an in-depth interview with an innovator from the worlds of design, fashion, beauty, mobility or tech. And every Friday, we publish a panel talk or other behind the scenes content from the world of Scandinavian MIND.Don't forget to sign up to our newsletter, to stay updated on the latest news and learn about upcoming talks and events. Visit scandinavianmind.com/newsletter. See acast.com/privacy for privacy and opt-out information.

I år åpnet Norge for første gang opp for eggfrysing. I siste del i denne miniserien følger vi reporter Synne Søhoel Dragset som tar en nærmere titt på hva dette faktisk innebærer og hvordan fremtidens reproduksjon vil bli.

I år åpnet Norge for første gang opp for eggfrysing. I første episode av to i denne miniserien følger vi reporter Synne Søhoel Dragset som tar en nærmere titt på hva dette faktisk innebærer. Kan eggfrysing være løsningen på statsministerens ønske om at det fødes flere barn?

Dirk Boll betrachtet mit dem Stoberkreis das Werk "Statue of Liberty" (2018) von Elmgreen & Dragset aus der Sammlung der Nationalgalerie. Dabei geht es um Veränderungen im Auktionswesen und Motivationsgründe zum Kunstkauf, aber auch um wechselwirkende Einflüsse zwischen künstlerischem Schaffen und dem Kunstmarkt.

Når kan du vente at eggstokkene til kua våkner til liv igjen etter kalving? Knut Ingolf Dragset og Vilde Kvale deler av sin erfaring fra veterinærpraksis og fra å kurse bønder og andre innen brunst og fruktbarhet. Kanskje har de her i Genopodden sagt ett eller annet gullkorn som er nyttig både for den som er fersk i kufjøset og for den mer erfarne. Holdvurdering og brunstkontroll er gode hjelpemidler i fruktbarhetsarbeidet i tillegg til aktivitetsmåleren. Brunstkalenderen er fortsatt uunnværlig og vi håper du finner noen nye tips i podden her! See acast.com/privacy for privacy and opt-out information.

Avajaiset valitsi vuoden parhaan nykytaidenäyttelyn. Miksi 2020-näyttely kolahti kovaa, vaikka sitä on sanottu niin vaikeaksi, ettei siitä selviä ilman opasta? Toinen meistä kävi opastetulla kierroksella, toinen ei. Miten kävi? Elmgreen & Dragset: 2020-näyttely Emma-museossa Espoossa 17.01.2021 asti. emmamuseum.fi

Talk Art Season 7 continues!! For episode 6, Russell and Robert meet the creative power couple of singer/songwriter DENAI MOORE & film director NADIRA AMRANI!!!!Denai's new album 'Modern Dread', with sleeve art by Nadira, is Talk Art's FAVOURITE album of 2020!!!We discuss the influence of art on both of their creative disciplines and their favourite contemporary artists including Joy Yamusangie, Isaac Julien, Sarah Lucas, Elmgreen & Dragset and the architect Zaha Hadid. We explore colour theory, the importance of silence and how art galleries help us to slow down, their passion for decorating their Margate home with bright contrasting colours, their admiration for film makers such as Iggy London, and the artworks Denai's father made and introduced her to during her childhood in Jamaica. We learn about the influence of Stanley Kubrick's 'The Shining' 1980 movie on Denai's music videos for Modern Dread as well as a blue room installation by the artist Adrián Villar Rojas, as well as Sci Fi and a dystopian modern aesthetic that runs throughout her album campaign.Plus we learn about Denai's forthcoming live concert film, shot & directed by Nadira at Carl Freedman Gallery, Margate. Their inspiring new film will be available to stream via Denai Moore's YouTube channel from the end of October 2020, and will include exclusive live performances of recent standout singles 'Cascades' and 'To The Brink'.Denai Moore is a British-Jamaican artist and singer. Her most recent album Modern Dread was released in July 2020. Moore's musical style is a mix of soul, folk, electronic, and other styles, and she has said she takes influence from Paramore, Lauryn Hill, Kanye West and Bon Iver. She refers to her own music as "genre free".Nadira Amrani is a British Algerian Director interested in directing diverse and innovating commercials and music videos. Having directed and created films for the Tate, as well as the V&A, Nadira’s work has been shown in art Galleries and functioned in the art world and the film industry. Nadira is the founder of the collective POC, The People of Colours and is passionate about diversity in directing and curates regular events showcasing VR and work by queers artists and film directors of colour. This special episode was recorded at Carl Freedman Gallery, Margate on 13th September 2020. Denai Moore's new album Modern Dread is OUT NOW!!! Stream it at Apple Music, Spotify or buy the vinyl from Rough Trade. Follow Denai & Nadira on Instagram @DenaiMoore and @NadiraAmrani, visit Denai's website www.denaimoore.com... See acast.com/privacy for privacy and opt-out information.

If you ever get lost in the Texas desert and your weary eyes spot a miniature Prada store amidst the dunes, worry not, it's not a mirage. Today the chART squad will take you to the middle of nowhere, which is precisely where artistic duet Michael Elmgreen & Ingar Dragset installed the work Prada Marfa. Leaving a bunch of expensive high-heeled shoes and purses out in the open can have far more consequences than intended, so this journey will be packed with vandalism, commodified art and cringy traditions involving padlocks and initials. You can't miss it! Make sure to follow us on our socials! INSTAGRAM: https://www.instagram.com/chartpodcast/ TWITTER: https://twitter.com/ChartPodcast Here you can see on which different platforms you can listen to our podcasts! https://pod.link/1517293067 That's it for now! Hope to see you again in our next episode! chART out! (Love you, bye)                      

In this episode of '74PODCAST Series "How Can We All Make it into the Future?", artist duo Michael Elmgreen and Ingar Dragset talk to art writer Osman Can Yerebakan about how we all need human interaction, their latest exhibition recently opened in Koenig Gallery, Berlin, and the strategy of displacement.

Agustin Pérez Rubio was born in Valencia, Spain in 1972. He has a degree in art history from the Universidad de Valencia . He has curated over one hundred and fifty exhibitions at important museums and art centres, biennales, etc. mainly in Europe and Latin America. Before he was Chief curator and Director of MUSAC 2003- 2013, he organized monographic exhibitions of major artists like Pierre Huyghe, Julie Mehretu, Dora García, Pipiloti Rist, Sejima + Nishizawa / SANAA, Elmgreen and Dragset, Harun Farocki, Dave Muller, Ana Laura Aláez, Ugo Rondinone, Azucena Vietes and Lara Almarcegui. Later, as an independent curator, he curated projects that include solo shows by artists such as SUPERFLEX, Sophie Calle, Nestor Sanmiguel Diest, Rosangela Rennó, Carlos Garaicoa, and many group shows thematically related to gender, linguistics, architecture and politics. He is currently a member of the board of Istanbul Biennial and CIMAM for the period 2017-2019. He has been the Artistic Director of MALBA, Museo de Arte Latinoamericano de Buenos Aires since May 2014, where he developed a socio-political programme dedicated to female Latin- American artists that already included the exhibitions of Teresa Burga, Annemarie Heinrich and Claudia Andujar plus the ones planned for the future. In addition, Pérez Rubio worked together with Andrea Giunta, on a new curatorial script of MALBA’s collection titled VERBOAMERICA a postcolonial revision of the Collection. He curated solo shows of artists such as Jorge Macchi, Yoko Ono, Voluspa Jarpa, Carlos Motta, Alexander Apóstol and the retrospective show of the collective “General Idea: Broken Time” which will tour though Latin America. He is the curator of the Chilean Pavillion at 58th Venice Biennale with the decolonial project of the female artist Voluspa Jarpa and one of the curators for the 11th Berlin Biennale 2020. Charcot’s Hysterical Women  ©farrenkopf Hegemonic Museum ©farrenkopf

I en ny udstilling på Statens Museum for Kunst udforsker kunstnerduoen Elmgreen & Dragset forestillinger om ”hjemmet” med udgangspunkt i en af duoens store forbilleder: den danske maler Vilhelm Hammershøi. I denne anledning genudgiver jeg podcasten ‘Hjemme hos Hammershøi’. Kurator på Ordrugaard, Jacob Riis, fortæller om udstillingen, der inviterede dig ind i de stille stuer i Strandgade 30. Lejligheden på Christianshavn, hvor Hammershøi levede og malede i en årrække, og hvor nogle af hans bedste værker blev til. Vilhelm Hammershøi (1864-1916) anses for at være et af sin samtids mest originale talenter, og hans værk appellerer i høj grad til den nutidige betragter. Han er især kendt for sine poetiske, stemningsfulde og underspillede interiørmalerier, hvor lys og tid synes at stå stille.

In this podcast we meet with Elmgreen & Dragset, the deadpan artistic duo behind Prada Marfa, the bogus luxury shop located in the middle the desert in Texas, USA. Michael Elmgreen and Ingar Dragset talk to us about their latest exhibition in London, the problem with gentrification, the art market, and giving guns to little boys. More info and podcasts wwwculturealt.com

An entire disused swimming pool has been built on the ground floor of the Whitechapel Gallery in London for the new exhibition from the Scandinavian duo Elmgreen & Dragset. The artists discuss how they have been inspired by the work of David Hockney and Ed Ruscha. Then film critic Mark Eccleston art critic Jacky Klein and artist and former Canadian national competitive swimmer Leanne Shapton reflect on the swimming pool in the arts. Kwame Kwei-Armah opens his first season as the Artistic Director of London's Young Vic with a musical adaptation of Twelfth Night. This reworking of Shakespeare's comedy, which includes soul music and show tunes from songwriter Shaina Taub, has already impressed audiences in New York. Theatre critic Sam Marlowe gives her verdict.Green Noise is the title of poet Jean Sprackland's new collection which encapsulates her concerns with the natural world on which she focuses minutely, as well as the sounds of the street, the wind, and resonating history. She reads her work and talks about writing poems that listen to the green noise of life.Presenter: Samira Ahmed Producer: Edwina Pitman

Benjamin spricht über das skandinavische Künstlerduo Elmgreen und Dragset, deren Werke sich humorvoll und vielschichtig mit der Kunst selbst sowie dem Sammeln und Handeln von Kunst auseinandersetzen. Ab 56:15 redet Markus, ausgehend von Tim Burtons Film „Big Eyes“, über Leben und Werk der US-amerikanischen Malerin Margaret Keane, deren Schaffen sich in einem Spannungsfeld zwischen Kitsch, Kommerz … Folge 041 – Elmgreen und Dragset & „Big Eyes“ weiterlesen

Hva skal det nye museet for vikingskipene hete? Navnet Vikingtidsmuseet er for kronglete og sender feil signaler, mener kritikere. De norske danske kunstnerne Elmgreen og Dragset har laget skulptur på Rockefeller Center i New York... som gleder lokalbefolkningen: Ingen visste at den kjente jusprofessoren og forfattren Jon Bing hadde en bok på lur da han døde for to år siden... nå kommer den! Og filmen EL Classico - er en ussansynlig historie om fotball og kjærlighet fra Irak til madrid! Nå skal den på kino og Robert det noriso versival Og en roadtrip fra Irak til Madrid er blitt til film som er tatt inn på filmfesittlvan i Tribedca og harpremiere denne uken i Norge - regissøren kmommer hit.

With Kirsty Lang. The romantic comedy Austenland, based on a novel of the same name, centres on a single 30-something American woman who travels to Britain to visit a resort where the Jane Austen era is recreated, hoping to find her very own Colin Firth version of Mr Darcy. Critic Viv Groskop - who was born a stone's throw away from Chawton, where Austen wrote Pride and Prejudice - reviews. Stephen Poliakoff, writer of Caught On A Train and Shooting The Past, reflects on his controversial debut TV drama Hitting Town, which was made in 1975 and is released on DVD for the first time. Written when he was 23, the TV play made headlines when Mary Whitehouse campaigned for it to be banned, appalled by its storyline about a brother and sister who embark on an incestuous affair. Poliakoff reveals his own sister's reaction to Hitting Town and his other incest drama Close My Eyes. Australian author Hannah Kent's debut novel Burial Rites tells the story of the last woman executed in Iceland. Set in the winter of 1829 and including real court documents, the book combines Nordic noir with cold case fiction. Kent describes how she first heard about the story when visiting Iceland as a teenager and what drew her to write about the case a decade later. Artists Elmgreen and Dragset have turned five former textile galleries at the Victoria and Albert Museum into an apartment belonging to a fictional retired architect, using objects from the museum's collection alongside items from antique markets. Kirsty and architecture critic Hugh Pearman visited the apartment to see if they could decode its secrets. Producer Jerome Weatherald.

Elmgreen og Dragset i Bergen

With Mark Lawson. Mark reports on the latest art-work to adorn the Fourth Plinth in Trafalgar - a golden boy on a rocking horse designed by Elmgreen and Dragset. and unveiled today by Joanna Lumley, who discusses the work. Peter Ackroyd reflects on his biography of Wilkie Collins, author of the Moonstone and The Woman in White, and friend of Charles Dickens, whose personal life was full of secrets. In Basildon is a new play by David Eldridge about a close knit Essex family coming to terms with a recent death. Writer Tim Lott gives his verdict. And Mark speaks to two of the ten composers taking inspiration from Handel's Water Music for the Queen's Diamond Jubilee celebrations. The new works will be performed as part of the 1000 boat flotilla travelling down the Thames on June 3. Debbie Wiseman, whose film scores include Tom and Viv and Wilde, and Christopher Gunning, whose music includes the theme for Poirot, talk about the challenges of re-imagining Handel's famous score. Producer Timothy Prosser.

Opening Night Benefit Featuring World Premiere of Elmgreen & Dragset's Happy Days in the Art World and Special Live Retrospective * Tuesday, November 1, 2011 Skirball Center for the Performing Arts Opening Night of the Performa Biennial is one of the most anticipated events on New York’s winter cultural calendar. Performa will celebrate the start of our fourth international biennial with the premiere performance of a new work by the artists Elmgreen & Dragset. This is the first large performance piece the internationally acclaimed artists have presented in New York City. The performance will be followed by an exceptional party featuring a retrospective of live performances by Elmgreen & Dragset.

Christine Buhl Andersen og kunstneren og kurator Michael Elmgreen fortæller om den fælles danske og nordiske deltagelse på Venedig Biennalen 2009. http://www.kunst.dk/statenskunstraad/kunst-globalisering/kunst-i-fokus-kunst-globalisering/venedig-biennalen-2009/

Michael Elmgreen fortæller om den nordiske pavillion og den mystiske Mr. B på Venedig Biennalen 2009. http://www.kunst.dk/statenskunstraad/kunst-globalisering/kunst-i-fokus-kunst-globalisering/venedig-biennalen-2009/

Michael Elmgreen fortæller om den danske pavillion på Venedig Biennalen 2009. http://www.kunst.dk/statenskunstraad/kunst-globalisering/kunst-i-fokus-kunst-globalisering/venedig-biennalen-2009/

Elmgreen and Dragset's close and playful relationship with architecture is underscored by the site-specific environments they often create for exhibitions, particularly their Powerless Structures series of installations.

The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Elmgreen and Dragset's Too Late, 2008