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Mima Riera. Ens visita l'actriu Mima Riera, que aquests dies
Mima Riera. Ens visita l'actriu Mima Riera, que aquests dies
Mima Riera. Ens visita l'actriu Mima Riera, que aquests dies
Mima Riera. Ens visita l'actriu Mima Riera, que aquests dies
Mima Riera. Ens visita l'actriu Mima Riera, que aquests dies
Dr Hosung Choi has been an aesthetic surgeon for 12-years and is Chief Director of PIENA Aesthetic Medical Clinic in Gangnam, Seoul. As a domestically and internationally known clinical consultant & training instructor for various aesthetic institutes and manufacturers, Dr Choi is an expert in facial contouring using filler injections, fat grafts and threadlifting techniques. He also has been invited to participate all over the world at numerous conferences and workshops, as an expert of non-invasive facial rejuvenation and he looks forward to doing more of the same in the future.He chatted recently with Hanya Oversby about all this and more! For more information on Dr Hosung, please click on this linkhttps://www.imcas.com/en/academy/profile/dr-ho-sung-choiMore information about Hanya Oversby can be found onhttps://hanyaoversby.com.au/
Welcome back to the Pocha Playlist!Happy New Year everyone. This week we are back reviewing the final 4 episodes of Gangnam B-Side. Please join the Pocha Playlist discord and also leave us ratings and reviews on Apple Podcasts and let us know if you have any ideas for what you want as Pocha Playlist merch!2024 Playlist:Mr. PlanktonLovely RunnerThe TrunkQueen of TearsMarry my HusbandThe Atypical FamilyTyrantThe FrogThe Judge From HellThe Midnight Studio Parasyte: The GreyFamily By ChoiceThe Midnight Romance in HagwonGangnam B-SideWedding ImpossibleLove Next Door Doctor SlumpMy Sweet MobsterMiss Night and DayHierarchyA Shop for KillersKillers ParadoxSweet Homes S3Serendipity's EmbraceSupport the show
Annyeonghaseyo, čaka nas prav poseben pogovor, saj bomo pobliže spoznali Južno Korejo – državo, ki navdušuje s svojo bogato kulturo, okusno hrano, K-pop vročico in tehnološkim razvojem.
Welcome back to the syndrome! This week Ben is into muscled lawyer love, Tara dares to bring up Gangnam again and Helen will regret killing you. This week we talk about: Ishiko and Haneo My Hero Academia Kyoto Love Story No Good Deed Gangnam The Deliverance The Substance After Sun Priscilla We might regret this Until I kill you Podcast artwork Manami Watanabe: https://manamiw.com/ Twitter: @squareeyessyn Email us at: squareeyessyn@gmail.com Facebook group: https://www.facebook.com/groups/272033065809081 Ben's channel: https://www.youtube.com/user/Megabenny666 Tara's channel: https://www.youtube.com/user/AmethystIcelynn Tara's TikTok: https://vt.tiktok.com/ZSRg1Jesh/ Troy's channel: https://www.youtube.com/user/legendofold101 Alexandra's website: www.adeltoro.com Share, like and subscribe! Follow us on Spotify here: https://open.spotify.com/show/6oWAmQg Google podcasts: https://www.google.com/podcasts?feed= Pocket Casts: https://pca.st/yf8v9j1
Welcome back to the Pocha Playlist!This week we have a shorter episode where we review 4 episodes of Gangnam B Side. Please join the Pocha Playlist discord and also leave us ratings and reviews on Apple Podcasts and let us know if you have any ideas for what you want as Pocha Playlist merch!2024 Playlist:Mr. PlanktonLovely RunnerQueen of TearsMarry my HusbandThe Atypical FamilyTyrantThe FrogThe Judge From HellThe Midnight Studio Parasyte: The GreyThe Midnight Romance in HagwonWedding ImpossibleLove Next Door Doctor SlumpMy Sweet MobsterMiss Night and DayHierarchyA Shop for KillersKillers ParadoxSweet Homes S3Serendipity's EmbraceSupport the show
Kurz vor Mitternacht im affluenten Seoul Viertel Gangnam wird eine Frau von zwei Männern entführt. Das ganze wird von Sicherheitskameras festgehalten. Was geschah? Hört rein in unsere True Crime Folge, in der wir euch reale Fälle und gesellschaftliche Themen näher bringen!
Bitcoin Capital: https://erickimphotography.com/blog/wp-content/uploads/2024/11/Bitcoin-capital.m4a # Making Money vs Making Capital? https://erickimphotography.com/blog/2024/11/22/the-bitcoin-capitalist/ So a funny simple thought; country to popular belief, I think most people don't really care about making money, maybe people care more about spending money or *feeling* rich, not actually being rich?  ## True prosperity So the good news, assuming that you're on a bitcoin standard, your family is on a bitcoin standard which means all of your Roth IRA, IRAs, retirement accounts, or stocks, assuming all these things are in micro strategies stock, you're essentially set for life. And also obviously you want a huge huge huge bitcoin war chest; as long as you got this, you're pretty much set. ## The method So once again guys, let us not get distracted. The goal is to stack as many bitcoins as humanly possible before you die! The best analogy is like asking yourself, how many square blocks do I want to own in Manhattan, or Gangnam? Ideally all of it! ***
The number of aid trucks entering Gaza has hit an all-time low since the current war began there. The shortages are prompting new dire warnings from aid organizations. Also, a referendum in Moldova intended to put an end to decades of swerving between East and West yields a microscopic win for the pro-Western crowd. And, Italy considers reversing its ban on nuclear power plants. Plus, National Geographic Explorer Paul Salopek takes us through the Gangnam entertainment district in South Korea.Listen to today's Music Heard on Air.We aim to raise $67,000 by Dec. 31 to power our newsroom. Will you help us reach this goal? Donate today to keep The World going strong!And, we're looking for feedback on our website. Take our quick survey!
New kdrama tv show is Gangnam B-Side is coming to Disney plus on November 6. Also YouTube videos spoilers also No Gain No Love new kdrama tv show spoilers also New movie 2024 Jason Statham actor The BeeKeeper.
At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.
At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.
Get ready to dive into the hit-making machine as we untangle the myth that pop music hits are born from a top-secret algorithm.We chat with music maestro James North of James North Productions, who spills the tea on what a music producer really does (hint: it's not just pressing buttons and nodding to the beat). We'll explore whether there's a hidden formula behind those catchy tunes you can't get out of your head, and James will even share tips on how to create your own chart-topper. Spoiler: it involves more than just a catchy chorus and some auto-tune.We also delve into the phenomenon of Psy's "Gangnam Style" – how did that quirky track become a global sensation?Tune in to find out, and get ready to laugh, learn, and maybe even sing along.PS This interview was so jam-packed with juicy insights and hilarious anecdotes that we had to make it a two-parter! Don't miss the mini clip where we speculate wildly about AI's role in the future of music. Could robots soon be stealing James's job?
Luksusowy klub w dzielnicy Gangnam-gu w stolicy Korei - Seulu, którego założycielem był Lee Seung-hyun, znany bardziej jako Seungri z grupy BigBang. To właśnie tam miał miejsce proceder, który stał się jednym z najgłośniejszych i najbardziej przerażających skandali w historii k-popu. Pod przykrywką obsługi "klientów VIP" w klubie odbywał się... handel ludźmi. Na czym polega skandal Burning Sun, kto był w niego zamieszany, kto usłyszał zarzuty i wyroki, a także czym jest Molka? O tym wszystkim usłyszycie w wyjątkowym odcinku K-Castu.
Fluent Fiction - Korean: Sunset Tteokbokki: A Chopstick Love Affair in Seoul Find the full episode transcript, vocabulary words, and more:fluentfiction.org/sunset-tteokbokki-a-chopstick-love-affair-in-seoul Story Transcript:Ko: 제목: 서울의 젓가락 대장정서울의 노을이 붉게 번져 있던 그러한 날, 두 사람의 이야기가 시작되었다.En: Title: Chopstick Adventure in Seoul On a day when the sunset in Seoul spread in red hues, the story of two people began.Ko: 황홀한 노을 속에 섞여 스며드는 아로마틱한 떡볶이 향기는 강남 한복판의 작은 노점을 찾아갈 수밖에 없었다.En: The aromatic scent of tteokbokki, blending into the enchanting sunset, could only lead them to a small food stall in Gangnam.Ko: 지혜는 그녀의 간절한 소망을 석진에게 드러내기 위해 취향을 존중하며 어깨를 움켜쥔다.En: Ji-hye, wanting to reveal her earnest wish to Seok-jin, respectfully held his shoulders, respecting his preferences.Ko: 그녀는 "떡볶이는 맛있어 보여요?En: "Does tteokbokki look delicious?"Ko: "라며 조심스럽게 물었다.En: she asked cautiously.Ko: 석진의 눈이 환하게 밝아지며, 그는 지혜에게 향신료가 섞인 떡볶이를 가리키며 미소 짓는다.En: Seok-jin's eyes brightened, and he smiled, pointing to the tteokbokki with spices for Ji-hye.Ko: 그들은 작은 식탁에 앉아서 떡볶이를 앞에 두고 지혜는 젓가락을 뽐내는 데 결중했다.En: Sitting at a small table with the tteokbokki in front of them, Ji-hye struggled to show off her chopstick skills.Ko: 그의 안정된 면모가 그녀를 안심시켜주었다.En: His calm demeanor reassured her.Ko: 그러나 이상적인 상황이 영원히 이어지지 않는다는 것을 지혜는 잊지 않았다.En: However, Ji-hye did not forget that ideal situations do not last forever.Ko: 보랏빛 숙주를 집으려 했던 그녀의 젓가락이 갑자기 마치 커다란 철신처럼 밀어내었다.En: Her chopstick, aiming to pick up a purple bellflower, suddenly pushed it away like a huge magnet.Ko: 스프가 사방으로 튀어서 석진의 셔츠와 지혜의 두피로 쏟아졌다.En: Soup splattered everywhere, on Seok-jin's shirt and Ji-hye's scalp.Ko: 그녀는 창피함에 얼굴이 붉어졌다.En: She blushed in embarrassment.Ko: 약간의 부딪침과 미스는 어색함을 가져다주었지만, 석진은 웃으며 그냥 일어났다.En: Some clashing and misses brought awkwardness, but Seok-jin just laughed it off, stood up.Ko: 그는 떡볶이를 들어서 어딘가로 향하며, 그녀는 뒤따라 그를 따라가며 웃음 죽이려 노력했다.En: Holding the tteokbokki, he gestured somewhere, and she followed, trying to contain her laughter.Ko: "귀여운 오프닝"이라면서 석진은 말했다.En: "That was an adorable opening," Seok-jin remarked.Ko: 아무래도 지혜는 심쿵하게 보였다.En: Ji-hye seemed to be melting from within.Ko: 그들의 젓가락 대장정은 둘 사이에 더 깊은 우정과 이해를 심어주었다.En: Their chopstick adventure planted deeper friendship and understanding between them.Ko: 오히려 갑작스러운 벌레 같은 사건으로 인해 그들은 서로를 더 깊이 이해하게 되었다.En: Rather unexpectedly, the incident brought them to understand each other more deeply.Ko: 그리고 그 날 지혜는 별생각 없이 선택한 그 떡볶이 노점이 서울에서 가장 아름다운 추억을 만들어 줄 것이라는 것을 깨달았다.En: And on that day, Ji-hye realized that the tteokbokki stall she randomly chose without much thought would create the most beautiful memories in Seoul for them. Vocabulary Words:sunset: 노을aromatic: 아로마틱한blend: 섞다enchanting: 황홀한food stall: 노점earnest: 간절한cautiously: 조심스럽게brightened: 밝아지다spices: 향신료struggled: 노력했다chopstick: 젓가락calm demeanor: 안정된 면모ideal situations: 이상적인 상황purple bellflower: 보랏빛 숙주splattered: 튀다awkwardness: 어색함laughed it off: 웃음 씹다gestured: 제스처를 취하다adorable: 귀여운melting: 녹는friendship: 우정understanding: 이해beautiful memories: 아름다운 추억randomly: 무작위로deeper: 더 깊은unexpectedly: 갑작스럽게incident: 사건realized: 깨달았다create: 만들다
진행자: 김혜연, Kevin Lee Selzer Sephora exits Korea after years of losses 기사 요약: 글로벌 화장품 편집샵 세포라, 한국 시장 적자 끝에 철수 [1] French cosmetics retailer Sephora, owned by LVMH Group, on Tuesday declared its withdrawal from the Korean market, following years of financial losses. - declare 선언, 선포하다 - withdrawal 철회, 철수 [2] "With heavy hearts, we have decided to cease operations in Korea. From May 6, we will gradually wind down our presence across online platforms, mobile applications and physical stores, ultimately withdrawing completely from the market," a social media post by Sephora Korea announced Tuesday. - cease 중단되다, 그치다; 중단시키다 - wind down 서서히 멈추다 [3] Sephora said that it will fulfill pending orders within six days from the specified date and maintain customer service operations until mid August. The membership-based Beauty Pass points service is to expire on May 6. - fulfill 충족시키다, 수행하다 - pending 미결의, 미확정의 Despite the ambitious flagship opening of its first store at the Parnas Mall in Seoul's posh Gangnam neighborhood in October 2019, attracting long lines on its first day, Sephora's presence in Korea lasted less than five years. - ambitious (사람이) 야심 있는, (일이) 야심적인 - posh (값 비싸고) 우아한, 화려한 [4] First, the pandemic severely affected operations in Korea, rendering the strategy of experiential stores ineffective. - render (어떤 상태가 되게) 만들다[하다] - experiential 경험에 의한 기사 원문: https://www.koreaherald.com/view.php?ud=20240320050618 [코리아헤럴드 팟캐스트 구독] 아이튠즈(아이폰): https://itunes.apple.com/kr/podcast/koliaheleoldeu-paskaeseuteu/id686406253?mt=2 네이버 오디오 클립(아이폰, 안드로이드 겸용): https://audioclip.naver.com/channels/5404 팟빵 (안드로이드): http://www.podbbang.com/ch/6638 위 팟캐스트 에피소드에는 스포티파이의 후원광고를 포함하고 있습니다. 지금 바로 스포티파이 포 팟캐스터에서 팟캐스트를 만들어보세요! http://podcasters.spotify.com
Fluent Fiction - Korean: Seoul's Dialect Reunion: Rediscovering Lost Connections Find the full episode transcript, vocabulary words, and more:fluentfiction.org/seouls-dialect-reunion-rediscovering-lost-connections Story Transcript:Ko: 전혀 예상치 못한 이야기의 씨앗은 가장 평범한 순간에서 피어난다. 지훈은 서울의 크고 번화한 도시, 강남에 위치한 그의 카페에서 일상적으로 커피를 내리고 있었다. 수진, 그의 고등학교 동창이었던 그녀는 또한 다른 테이블에 앉아서 그의 모습을 바라보고 있었다.En: The seeds of completely unexpected stories bloom from the most ordinary moments. Jihun was brewing coffee as usual in his cafe located in Gangnam, a large and bustling area of Seoul. Su-jin, his high school classmate, was also sitting at another table, watching him.Ko: 때마침, 낯선 손님으로부터 케익 주문이 들어왔다. 그러나 문제는, 그의 말투가 특정 지방의 굵직한 방언이었다는 것이다.En: At that moment, an unfamiliar customer placed an order for cake. The problem was that his way of speaking was a distinct regional dialect.Ko: "신랑님이 바람 맞으러 와서 신부씨는 케익 주문하러 왔소이다." 고개를 메어지게 그 선생님은 물었다. 지훈은 당황했다. 그의 무늬방언은 경상도의 말투와 비슷하다고 생각했지만, 그들이 말하는 것을 이해하는 것은 큰 도전이었다.En: "My husband has come to enjoy the breeze, so the bride is here to order the cake." Tilting his head, the customer asked. Jihun was bewildered. He thought his mild dialect was similar to the Gyeongsang-do accent, but understanding what they were saying proved to be a challenge.Ko: 수진은 어딘가에서 들어본 것 같은 그 남자의 방언을 듣고 왠지 모르게 끌렸다. 그녀는 갑자기 민호의 얼굴을 떠올렸다; 그녀가 대학 시절에 만났던 그 사람, 그분은 경상도 남부에서 왔었다.En: Su-jin found herself strangely drawn to the man's dialect, which sounded familiar to her from somewhere. Suddenly, she remembered Minho's face; the man she had met in college who hailed from southern Gyeongsang-do.Ko: 그녀가 일어나 당황한 지훈에게 다가가, 지훈이 그의 주문을 올바르게 이해하게 도왔다. 평소에는 잘 사용하지 않던 수진의 경상도 방언이 그날 딱 맞았다.En: Approaching the perplexed Jihun, Su-jin helped him understand the order correctly. On that day, Su-jin's rarely used Gyeongsang-do dialect suited the occasion perfectly.Ko: 그 일로 인해 사람들 사이의 갈등은 해결되었고, 수진과 지훈은 다시 기억을 회상했다. 그들은 갑자기 민호에 대해 웃고 이야기하다가 간닷편 민호를 찾아 평생을 놓질 않기로 약속했다. 결론적으로 언어의 장벽은 그들이 잃어버렸던 그 사람을 찾지 않는데 방해가 되지 않았다. 그들의 서울 오디세이는 미스테리를 해결하고 잃어버렸던 우정을 다시 찾는 따뜻한 마무리로 끝났다.En: The incident resolved tensions between people, and Su-jin and Jihun reminisced. They suddenly laughed and talked about Minho, agreeing to find and never lose touch with him. Ultimately, the language barrier did not hinder them from finding the person they had lost. Their Seoul odyssey ended with a warm conclusion of solving a mystery and rediscovering a lost friendship. Vocabulary Words:Title: 제목Seeds: 씨앗Stories: 이야기Brewing: 내리고 있었다Cafe: 카페Customer: 손님Order: 주문Dialect: 방언Regional: 지방의Breeze: 바람Bride: 신부Tilting: 메어지게Accent: 말투Understanding: 이해College: 대학Approaching: 다가가Perplexed: 당황한Perfectly: 딱 맞았다Tensions: 갈등Reminisced: 회상했다Laughed: 웃고Finding: 찾기Language: 언어Barrier: 장벽Mystery: 미스테리Reddiscovering: 다시 찾는Friendship: 우정
Welcome Zombie Fans to the 33rd Edition of DEAD MAN STILL WALKING, starring your intrepid host, Dr. Walking Dead Kyle Bishop! During this episode, Dr. Bishop reviews two new zombie Horror movies: Herd (2023) and Gangnam Zombies (2023)! Hear Dr. Walking Dead's “zombie expert” analysis and hear his Rating and Recommendation for these two flicks! Enjoy! Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Season 1, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, Twitter: @DrWalkingDead, or by leaving him a voicemail: (801) 980-1375. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyGoogle PodcastsDeezer You are welcome to email our show at HauntingYourHeadphones@gmail.com, or call and leave us a voicemail at (801) 899-9798. You can also follow Jay of the Dead's New Horror Movies on Twitter: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin and Dave Zee! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!
Fluent Fiction - Korean: Seoul Subway Saga: A Journey of Friendship and Guidance Find the full episode transcript, vocabulary words, and more:fluentfiction.org/seoul-subway-saga-a-journey-of-friendship-and-guidance Story Transcript:Ko: 아침. 서울의 톱니바퀴처럼 시끄러운 도시가 슬슬 잠에서 깨어난다. 고요한 원룸에서 두 사람의 독특한 대화가 흐르고 있다. 지혜, 한국어 강사는 긴장한 눈빛으로 민규를 쳐다보며 말했다. "저 할 수 있을까요?"En: Morning. Like the noisy gears of Seoul, the bustling city slowly awakens from its slumber. In a quiet one-room apartment, a unique conversation between two people is flowing. Ji-hye, a Korean language instructor, looked at Min-gyu with a tense expression and said, "Can I do it?"Ko: 민규는 대답 대신 웃었다. 그는 처음 외국에서 사는 친구의 망설임을 이해했다. 그녀가 왜 거기에 있어야 하는지, 수진이 어쩌다 교통 정리의 일환으로 한국어를 말하지 않게 될 수 있는지. 그러나 민규는 그녀의 운명에 대해 믿음을 가지고 있었다.En: Instead of answering, Min-gyu laughed. He understood his friend's hesitation about living in a foreign country for the first time. Why she should be there, and how Su-jin could end up not speaking Korean as part of traffic control. However, Min-gyu had faith in her destiny.Ko: 다음 날, 가장 어려운 과제가 시작되었다. 지혜는 수진에게 서울의 복잡한 지하철이 어떤지 설명하려고 했다. 지혜는 붉은, 녹색, 노란색, 파란색 등의 선로가 서로 얽혀 있는 지도를 수진 앞에 놓았다. 그녀는 "이것은 미로처럼 보일지 몰라. 하지만, 이건 네가 생각하는 것보다 더 쉬워."라고 말했다.En: The next day, the most challenging task began. Ji-hye tried to explain to Su-jin what Seoul's complex subway system was like. Ji-hye placed a map in front of Su-jin with lines in red, green, yellow, blue, and so on, all tangled together. She said, "This may seem like a maze. But it's easier than you think."Ko: 이틀 동안, 두 사람은 강남, 홍대입구, 종로 등 서울의 주요 지하철 역을 돌며 수진은 이해와 적응을 해나갔다. 지하철에서 밝혀지는 전구조차 한국어를 말하지 않는 수진에게는 미로와 같았다. 그러나 지혜의 서투르지만 효과적인 지도해설 덕분에, 그는 만족스러운 실적을 얻을 수 있었다.En: For two days, the two of them traveled to major subway stations in Seoul like Gangnam, Hongdae Entrance, Jongno, and Su-jin gradually understood and adapted. To Su-jin, who did not speak Korean, the subway system seemed like a maze. But thanks to Ji-hye's clumsy yet effective map explanations, he was able to achieve satisfactory results.Ko: 나흘째 밤, 합정역에서 늦게 퇴근하는 민규는 우연히 지하철에 혼자 앉아 있는 수진을 보았다. 고개를 들어 보니, 미소를 띠며 지도를 쳐다보는 수진의 눈이 빛났다. 그곳에는 복잡함과 아늑함, 그리고 그에 대한 보람 있는 자신감이 가득 차 있었다.En: On the fourth night, Min-gyu, returning late from work at Hapjeong Station, coincidentally saw Su-jin sitting alone on the subway. When he looked up, Su-jin's eyes were shining as she looked at the map with a smile. There, he was filled with complexity and coziness, as well as a rewarding confidence.Ko: 민규는 미소짓며 대답했다. "지혜야, 아마도 너는 이 세상에서 가장 훌륭한 길잡이가 아닐까?"En: Min-gyu smiled and replied, "Ji-hye, perhaps you are the finest guide in this world." Vocabulary Words:Morning: 아침City: 도시Conversation: 대화Instructor: 강사Question: 질문Answer: 답변Friend: 친구Foreign: 외국Task: 과제Explain: 설명Map: 지도Subway: 지하철Lines: 선로Maze: 미로Travel: 여행Station: 역Adapt: 적응Achieve: 이루다Results: 결과Late: 늦은Work: 일Smile: 미소Eyes: 눈Confidence: 자신감Destiny: 운명Understood: 이해했다Hesitation: 망설임Effective: 효과적인Rewarding: 보람 있는
Fluent Fiction - Korean: Unveiling Seoul's Bus Chronicles: Lessons from an Unexpected Encounter Find the full episode transcript, vocabulary words, and more:fluentfiction.org/unveiling-seouls-bus-chronicles-lessons-from-an-unexpected-encounter Story Transcript:Ko: 서준은 어깨를 움츠리며 차가운 서울의 아침을 팽발하는 버스에 올랐다. 오늘은 그의 사당에서 종로까지 길은 평소보다 번잡했다. 버스는 지나치게 가득 차 있어, 사람들이 서로의 어깨를 가볍게 두들기며 서 있었다.En: Seojoon hunched his shoulders as he boarded the bus, cutting through the cold morning of Seoul. Today, the journey from his Sadang to Jongno was busier than usual. The bus was overly crowded, with people lightly nudging each other's shoulders as they stood.Ko: 창 밖에서 회색 빛 맑은 아침 햇살이 쏟아져 내렸다. 서준은 이르것을 좋아하지 않지만, 강남에서 종로로 걸어가기엔 너무 멀어 어쩔 수 없이 일찍 일어난 것이다.En: Outside the window, the grayish light of the clear morning sun poured down. Seojoon did not particularly enjoy early mornings, but walking from Gangnam to Jongno was too far, so he had no choice but to wake up early.Ko: "그렇게 오래 전화 하지 마라, 남들한테 방해가 된다구." 발칵 놀란 서준은 바로 옆자리 아줌마를 매우 놀란 표정으로 바라보았다.En: "Don't talk on the phone for so long, it bothers others," Seojoon was startled as he turned to the ajumma sitting next to him with a very surprised expression.Ko: 서준은 항상 스스로를 신경 쓰는 사람이었고, 누군가를 교육하는 것 같은 것을 굉장히 싫어했다. 심지어 그런 일이 버스에서 벌어지니 더욱 당황스럽다. 그는 심호흡을 한 숨 쉬고 아줌마에게 미안함을 표현했다.En: Seojoon was always someone who cared about himself, he disliked educating others, especially when it happened on a bus. He took a deep breath and expressed his apologies to the ajumma.Ko: 그러나 아줌마는 그의 용서를 받아들이지 않았다. 그녀는 계속해서 저의론을 토하며, 버스 안의 소리를 가득 채우기 시작했다. 이제는 주변 이용객들까지 눈치를 보기 시작했다.En: However, the ajumma did not accept his apology. She continued to voice her disapproval, filling the bus with her opinions. Now, even the surrounding passengers began to take notice.Ko: 서준은 내부의 갈등에 씨름하다가, 결국은 종로 3가 정류장에서 내릴 결정을 했다. 이 정거장에서 종로까지는 많이 멀지 않아, 걸어갈 수 있는 거리였다. 서준은 가벼운 달리기로 이 자유로움을 축하하며 빠르게 내렸다.En: Struggling with the internal conflict, Seojoon ultimately decided to get off at Jongno 3-ga stop. It wasn't too far to walk from this stop to Jongno. Seojoon hurriedly got off, celebrating his newfound freedom with a light run.Ko: 그러나 서준이 버스에서 발을 내딛는 순간, 아줌마의 강력한 손이 그의 팔을 잡았다.En: But the moment Seojoon stepped off the bus, the ajumma's strong hand grabbed his arm.Ko: "서쩍 물러나지 마라. 세상은 생각보다 작아서, 어디서 다시 마주칠지 몰라." 아줌마가 미소지으며 말했다.En: "Don't sneak away. The world is smaller than you think, you never know where you might meet again," the ajumma said with a smile.Ko: 서준은 참으로 놀란 표정이었다. 그는 아줌마에게 고개를 끄덕이고 버스에서 내려서 걸음을 옮기기 시작했다. 그의 마음속에는 자신도 모르게 아줌마의 말이 깊게 새겨져 있었다.En: Seojoon was truly surprised. He nodded at the ajumma, then got off the bus and began to walk. Unbeknownst to himself, the ajumma's words were deeply etched in his heart.Ko: 그런 아줌마도 사실은 그에게 좋은 의도로 말했지만, 서준은 그것을 인정하기 어려웠다. 그럼에도 불구하고 그의 심장에 남아있는 말들로 인해 서준은 서울의 그 버스와 아줌마를 잊지 못했다.En: Though Seojoon still didn't fully understand her wisdom, he knew that one day he might come to appreciate the wisdom of the ajumma.Ko: 그러나 서준은 그의 지혜를 완전히 이해하지 못한 서준이지만, 언젠가 그는 아줌마의 지혜에 감사하게 될 날이 올지도 모른다는 것이었다.En: Though Seojoon still didn't fully understand her wisdom, he knew that one day he might come to appreciate the wisdom of the ajumma. Vocabulary Words:Title: 제목Bus: 버스Seoul: 서울Wisdom: 지혜Ajumma: 아줌마Shoulders: 어깨Morning: 아침Journey: 여정Crowded: 번잡한Window: 창Sun: 해Phone: 전화Apologies: 사과Passengers: 이용객Conflict: 갈등Freedom: 자유Arm: 팔World: 세상Meet again: 다시 마주치다Surprised: 놀란Nodded: 고개를 끄덕이다Heart: 마음Understanding: 이해Appreciate: 감사하다Lightly: 가볍게Noticed: 눈치를 보다Choice: 선택Walking: 걷기Celebrating: 축하하다
Fluent Fiction - Korean: Kim of Seoul: A Journey to Inner Peace Find the full episode transcript, vocabulary words, and more:fluentfiction.org/kim-of-seoul-a-journey-to-inner-peace Story Transcript:Ko: 제목: 서울의 김En: Title: Kim of SeoulKo: 마당에 희미한 달빛이 내릴 무렵, 서울의 한 코너에 살고 있는 김은 의자에 기대어 잠들어 있었다.En: As the faint moonlight descended on the yard, Kim, living in a corner of Seoul, was dozing off in his chair.Ko: 거리는 시끄러울 것 없이 조용했다.En: The street was quiet, without any noise.Ko: 김이 잠든 건, 서울이라는 바쁜 도시에서 매일의 갈등과 힘겨운 삶으로 지쳐버렸기 때문이다.En: Kim fell asleep because he had grown tired of the daily conflicts and difficult life in the busy city of Seoul.Ko: 김이 살고 있는 아파트는 강남구에 위치해 있었고, 그래서 그의 삶은 부유하다고 말할 수 있었다.En: Kim's apartment was located in Gangnam-gu, making his life seem affluent.Ko: 그러나 돈이라는 요소가 사람의 삶을 완전히 행복하게 만드는 것은 아니었다.En: However, the element of money alone did not bring complete happiness to one's life.Ko: 김은 모든 것을 가진 것처럼 보였지만, 그의 마음속에는 아직도 가득 차있지 않은 공간이 있었다.En: Though Kim seemed to have everything, there was still a space in his heart that was not yet filled.Ko: 한번은 김이 한강에 와서 도시의 빛을 바라보면서 그의 공허함을 느꼈다.En: Once, Kim came to the Han River and gazed at the city's lights, feeling his emptiness.Ko: 도시의 밝은 불빛들이 어둠을 가르지만, 김의 마음속 어둠은 여전히 그대로였다.En: The bright city lights cut through the darkness, but the darkness in Kim's heart remained the same.Ko: 그는 모두가 잠든 도시를 바라보며 자신의 갈등을 이해하려 했다.En: He tried to understand his own conflicts as he looked at the city asleep.Ko: 어느 날, 김은 그의 어둠을 밝히기 위해 자신의 집을 떠나 다른 사람들을 위해 일하려고 결심했다.En: One day, Kim decided to leave his home to work for others in order to illuminate his darkness.Ko: 그는 어린이집에서 자원 봉사자로 일하기 시작했다.En: He began volunteering at a daycare center.Ko: 어린이들의 순수한 웃음 속에서 그는 점차 그의 공허함을 채워나갔다.En: In the innocent laughter of the children, he gradually filled his emptiness.Ko: 어느 순간, 김은 자신의 갈등이 사실은 자신만의 세상에 갇혀 있었던 것임을 깨닳았다.En: At some point, Kim realized that his conflicts were actually trapped in his own world.Ko: 그는 언제부턴가 큰 도시에서 일어나는 많은 일들을 보지 못하고 자신만을 위한 삶을 살았던 것이었다.En: He had been living a life for himself without seeing many things happening in the big city.Ko: 서울, 이 숨막히는 도시는 사실은 그에게 많은 기회를 줬지만, 그는 그 기회들을 보지 못했던 것이다.En: Seoul, this suffocating city, had actually given him many opportunities, but he had not seen those opportunities.Ko: 그러던 어느 날, 김은 결국 그의 갈등을 해결하는 길을 찾아낸다.En: Then one day, Kim finally found a way to resolve his conflicts.Ko: 그는 이제 매일 아침, 마당의 의자에 앉아서 달빛을 바라보며 하루를 시작한다.En: Now, every morning, he sits on his chair in the yard, looking at the moonlight to start his day.Ko: 그리고 그의 마음은 이제 더 이상 공허하지 않다.En: And his heart is no longer empty.Ko: "나는 서울의 김이며, 나의 삶은 나의 선택에 의해 결정된다." 그는 미소를 짓며 말했다.En: "I am Kim of Seoul, and my life is determined by my choices," he said with a smile.Ko: 그의 갈등은 이제 끝나고, 그의 새로운 삶의 이야기가 서울에서 펼쳐지기 시작했다.En: His conflict was now resolved, and the story of his new life began unfolding in Seoul. Vocabulary Words:moonlight: 달빛Seoul: 서울Kim: 김street: 거리conflicts: 갈등apartment: 아파트money: 돈happiness: 행복emptiness: 공허함volunteering: 봉사laughter: 웃음city: 도시darkness: 어둠volunteer: 자원 봉사자opportunities: 기회heart: 마음choices: 선택smile: 미소life: 삶yard: 마당despair: 절망children: 어린이들understand: 이해하다world: 세상morning: 아침resolve: 해결하다unfold: 펼쳐지다chair: 의자story: 이야기
An ice museum. An erotic museum. Easy access to suits in Gangnam. What more could Jesse Lingard possibly want in Seoul? Pete tells Marcus, Luke and Jim all about the wonders the city has to offer after one of the most surprising stories we've ever heard on deadline day. Plus, why footballers need to start freshening up their ‘projectile' celebrations, Piers Morgan positions himself in the away end at the Emirates, and there's the small matter of Wolves 3-4 Manchester United. WHAT a game. Join us!Follow us on Twitter, Instagram, TikTok and YouTube, and email us here: show@footballramble.com.Sign up to the Football Ramble Patreon for ad-free shows for just $5 per month: patreon.com/footballramble.***Please take the time to rate us on Spotify. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.
Fluent Fiction - Korean: Seoul's Serendipitous Phone Swap: A Comical Connection in a Chaotic Cafe Find the full episode transcript, vocabulary words, and more:fluentfiction.org/seouls-serendipitous-phone-swap-a-comical-connection-in-a-chaotic-cafe Story Transcript:Ko: "서울, 카페, 과 좌충우돌의 기기 교환 사건."En: "Seoul, Cafe, and the Chaotic Device Exchange Incident"Ko: 붐비는 서울의 한복판, 햇빛 넘실거리는 토요일 오후였다. 강남역 카페인 "루미네"는 사람들이 평소보다 더 많이 모여 있어 안에서는 책 여는 소리, 커피를 마시는 소리, 이야기를 나누는 소리가 뒤섞여 어우러지며 특유의 공간감을 자아냈다.En: It was a bustling Saturday afternoon in the heart of Seoul, with the sun casting its warm light. The "Lumine" cafe in Gangnam station was filled with more people than usual, creating a unique atmosphere with the sounds of opening books, sipping coffee, and conversations intertwining.Ko: 지현, 카페의 한 코너에 앉아있던 예쁜 여성은 활기찬 눈동자에 몰입하여 책을 읽고 있었다. 그런 도중 어딘가를 기다리는 듯 휴대폰을 움켜잡던 중, 고개를 들어 앞에 떨어져 있는 새롭게 들어온 고객을 바라봤다. 그 고객이 바로 민우, 세련된 스타일을 가진 친절한 청년이었다.En: Ji-hyun, a beautiful woman sitting in a corner of the cafe, was engrossed in her book, her vibrant eyes full of energy. While waiting for something, she tightly held her phone and then looked up, noticing a new customer who had just entered. It was Min-woo, a stylish and friendly young man.Ko: 타이밍이 딱 맞게 지현과 민우의 식사가 동시에 끝나, 걸어나갈 준비를 하였다. 그런데 이때 지현이 자신의 테이블을 떠나는 출렁임에 의해 민우와 자신의 휴대폰이 바뀌는 불상사가 발생했다. 둘 다 그 사실을 모르고 지현은 민우의 휴대폰을 챙겨 집으로 돌아갔고, 민우는 지현의 휴대폰을 챙겨 원래의 목적지로 향했다.En: As Ji-hyun and Min-woo finished their meals at the same time, they both prepared to leave. However, amidst the commotion, Ji-hyun unintentionally grabbed the wrong phone when she left her table, resulting in an unfortunate mishap. Unaware of the mix-up, Ji-hyun took Min-woo's phone and headed home, while Min-woo took Ji-hyun's phone and continued on to his original destination.Ko: 다음날 아침, 지현이 민우의 휴대폰을 통해 도착한 이메일을 확인하자 그들은 자신들의 핸드폰이 바뀌었다는 사실을 알게 되었다. "시바, 이거 뭐야? 민우 청소 도우미 서비스 임시 알림? 미쳤나" 라며 깜짝 놀라는 지현.En: The next morning, when Ji-hyun checked her email on Min-woo's phone, they both discovered that their phones had been exchanged. "What the... Min-woo's maid service temporary alert? Am I going crazy?" Ji-hyun exclaimed in surprise.Ko: 같은 시간, 민우는 지현의 핸드폰에서 와인 소믈리에 인증에 대한 이메일을 읽다가, "어우 이건 뭔가.."하며 헛웃음을 쳤다.En: At the same time, Min-woo was reading an email on Ji-hyun's phone regarding wine sommelier certification and burst into laughter, saying, "What is this?"Ko: 자신의 핸드폰에서 보이는 상하이 섬유 산업 박람회 초대장, 민우의 핸드폰에서 출장 일정, 그리고 사석 메시지 중 지현이 민우에게 보낸 "프랑스어를 배우고 싶다는 친구에게 프랑스어 사전 좀 보내줄 수 있을까요?"라는 메시지에 지현은 혹시 이 작업을 민우가 할지 모르겠다고 생각했다.En: Ji-hyun saw an invitation to a Shanghai Fiber Industry Exhibition on her phone, Min-woo saw a business trip schedule on his phone, and amidst personal messages, Ji-hyun wondered if Min-woo would be willing to send a French dictionary to her friend who wanted to learn French.Ko: 결국, 불편한 상황을 해결하기 위해서, 그들은 서로의 휴대폰을 찾아가기로 하고, 지현이 민우의 강남역 사무실로 찾아갔다. 바뀐 휴대폰을 다시 받은 그들은 서로의 생활에 대해 살짝 들여다본 것에 대해 애매한 미소를 지으며 이야기를 나누었다.En: In order to resolve the uncomfortable situation, they decided to meet and exchange their phones. Ji-hyun went to Min-woo's office in Gangnam station. Upon receiving their rightful phones back, they shared a vague smile and began talking as if they were longtime friends.Ko: 그렇게 기난이 담전이 된 그들은 오히려 그 경험을 기회로 발전시켜 좋은 인연이 되었고, 그 후로는 마치 오래된 친구처럼 어색함 없이 지낼 수 있었다. 그들의 이야기는 실수에서 시작돼 유쾌한 경험으로 끝이 났다. 따라서, 어떤 상황도 당신에게는 기회가 될 수 있다는 것을 가르쳐준 이야기였다.En: Thus, what started with a mistake turned into a pleasant experience, and they formed a good connection from then on, without any awkwardness. Their story began with an error but ended with an enjoyable experience, teaching them that any situation could become an opportunity.Ko: 그래서 이 가짜 소설을 지나가는 모든 사람들에게, 우리는 코믹한 이야기를 통해 무언가를 배울 수 있다는 메시지를 전하고 싶다. 어떤 상황에서도 유쾌함을 찾을 수 있으며, 그 상황을 이용하여 더 나은 상황으로 이어질 수 있다는 것을.En: Therefore, through this fictional story, we want to convey a message to everyone passing by - that we can learn something through comical stories. We can find joy in any situation and use it as a stepping stone to a better outcome. Vocabulary Words:Seoul: 서울Cafe: 카페Chaotic: 좌충우돌Device: 기기Exchange: 교환Incident: 사건Bustling: 붐비는Afternoon: 오후Heart: 한복판Sun: 햇빛Light: 넘실거리는Lumine: 루미네Gangnam station: 강남역People: 사람들Usual: 평소Unique: 특유의Atmosphere: 공간감Sounds: 소리Books: 책Coffee: 커피Conversations: 이야기Intertwining: 어우러지며Beautiful: 예쁜Woman: 여성Corner: 코너Engrossed: 몰입하여Book: 책Vibrant: 활기찬Eyes: 눈동자Energy: 에너지
Episode 1 part 2, we talk about which are the best and worst areas in Seoul. Is it Hongdae, Gangnam, Sinsa or Itaewon? Hosted on Acast. See acast.com/privacy for more information.
On Find Your Film Episode 172, I interview The Kill Room director Nicol Paone and Deep Rising filmmaker Matthieu Rytz. Bruce Purkey closes the episode with his Blu-ray review of Gangnam Zombie.1. Follow Find Your Film on Twitter, Facebook, and Instagram.2. Subscribe to our YouTube Channel Find Your Film3. For more movie coverage go to findyourfilms.com4. Find Your Film and CinemAddicts merch is available: https://www.findyourfilmpodcast.com/5. Join our CinemAddicts Facebook Group for daily movie talk and recommendations.: https://www.facebook.com/groups/cinemaddictspodcast/6. Members of our CinemAddicts Patreon receive a bonus episode per month and exclusive Movie spoilers (discussed by actors and filmmakers)Timestamps(0:00) - Intro - discussing The Kill Room and Deep Rising.(11:27) - The Kill Room trailer(13:51) - Interview with The Kill Room director Nicole Paone(23:30) - Filmmaker Matthieu Rytz on his documentary Deep Rising(35:43) - CinemAddicts co-host Bruce Purkey reviews Gangnam Zombie.You can rent/purchase Gangnam Zombie via Amazon. Purchase/rent The Kill Room on Amazon. ***We receive a slight commission if you purchase items using our Amazon links or use our SiteStripe. Thanks for your support! Buzzsprout - Let's get your podcast laun Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Review các phim ra rạp từ ngày 27/10/2023: ÂM HỒN ĐÔ THỊ - T18 Đạo diễn: Sang-hoon Ahn, Eun-kyung Yoon, Yong-gyun Kim, Im Da-woong và Chae Yeo-jun Diễn viên: Jang Seung-yeon, Oh Seung-hee, Jang Ye-eun, Kim Tae Hoon, Jo Jae-yoon, Yoon Hyeon-min, Lee Joo Young , Kim Ju-ryeong, Choi Soo-im… Thể loại: Kinh Dị Âm Hồn Đô Thị bao gồm 5 câu chuyện kinh dị: Ding-dong Challenge: Xoay quanh 3 người bạn Bora, Haeyul và Youngbi. Mỗi người đều có một mong muốn riêng và quyết định tham gia vào một cuộc thi nguy hiểm, chấp nhận thử thách thực hiện những vũ đạo trên một ứng dụng tên Ding-dong để biến ước mơ của mình thành sự thật. Jackpot: Câu chuyện về Jin-ho - anh chàng bất ngờ trúng số độc đắc khi chơi pachinko. Tưởng đây là điều may mắn nhất đời, nhưng Jin-ho bắt đầu trải qua những điều khủng khiếp cùng tài xế bí ẩn kể từ lúc anh bước lên chiếc taxi với một túi đầy tiền. Gold Tooth: Xoay quanh một người chăm sóc tử thi tại nhà tang lễ, vì lòng tham cá nhân nên anh ta đã lén nhổ những chiếc răng vàng để bán trục lợi. Mọi chuyện không thể kéo dài được mãi, bởi các oan hồn dần hiện về và đòi anh trả đủ những chiếc răng vàng của họ. Gluttony: Từ một buổi phát sóng trực tiếp biến thành một cuộc thi mukbang khắc nghiệt, những điều bất thường, kỳ lạ đã liên tiếp xảy ra khiến người xem không thể rời mắt khỏi màn hình. Resident-only Fitness Center: Tại một phòng tập thể dục sang trọng ở khu Gangnam bỗng xảy ra những sự kiện kỳ quái, mà phía sau đó là câu chuyện xúc động về Ji-yeon - cô gái chết oan muốn trả thù kẻ làm nhục mình. QUỶ MÔN QUAN: GỌI HỒN – T18 Đạo diễn: Nate Ki Diễn viên: Anson Kong, Bai Ling, Tai Bo, Helen Tam,… Thể loại: Kinh Dị Từ nhỏ, Hướng Vinh (Giang Diệp Sinh) đã có khả năng nhìn thấy ma quỷ. Bởi vì anh là người sở hữu “đôi mắt âm dương”. Để tránh rắc rối, Hướng Vinh thường vờ như chúng không tồn tại và anh quyết định rời Hong Kong và chuyển tới Canada. Một phần là bởi anh muốn quên đi thời thơ ấu đầy khốn khổ. Một ngày nọ, Hướng Vinh nghe tin người mẹ đang rơi vào hôn mê sau khi tử tự bất thành. Điều này buộc anh phải quay trở về quê nhà Hong Kong. Khi trở lại ngôi nhà cũ, mọi thứ dường như trở nên xa lạ. Nhưng điều đáng sợ nhất là, hàng loạt chuỗi tự sát của hàng xóm cùng sự xuất hiện trở lại của các hồn ma trước mắt Hướng Vinh. Mọi chuyện trở nên tồi tệ ngoài sức tưởng tượng của chàng trai trẻ… KHU VƯỜN QUỶ DỊ - T18 Đạo diễn: Hideo Nakata Diễn viên: Uika First Summer, Shinobu Hasegawa, Kanna Hashimoto Thể loại: Kinh Dị Thế lực quỷ dữ lợi dụng tình mẫu tử để sai khiến đứa con của Miyaki thực hiện tà thuật "trồng người". Người mẹ trở về từ cõi chết sẽ mang lại hạnh phúc hay bi kịch khi hàng loạt những vụ hiến tế bi thảm đã diễn ra? NĂM ĐÊM KINH HOÀNG – T13 Đạo diễn: Emma Tammi Diễn viên: Matthew Lillard, Josh Hutcherson, Mary Stuart Masterson,… Thể loại: Kinh Dị Nhân viên bảo vệ Mike bắt đầu làm việc tại Freddy Fazbear's Pizza. Trong đêm làm việc đầu tiên, anh nhận ra mình sẽ không dễ gì vượt qua được ca đêm ở đây. Chẳng mấy chốc, anh sẽ vén màn sự thật đã xảy ra tại Freddy's. --- Support this podcast: https://podcasters.spotify.com/pod/show/kim-thanh-duong/support
진행자: 홍유, Beth Eunhee Hong 1. From ‘Parasite' actor to chaebol scion, drug use back in spotlight 기사 요약: 마약 투약 혐의로 내사를 받고 있는 배우 이선균이 이번 주 중 경찰에 소환돼 조사를 받을 예정이다. [1] Lee Sun-kyun, known for his role in Oscar-winning movie “Parasite,” could be summoned for questioning sometime this week, reports said Sunday, citing police, as part of an expanding investigation into suspected drug use involving the actor and seven others. *summon: 소환하다, 호출하다, 소집하다 [2] According to the reports, police are also considering a warrant to take a hair sample from the 48-year-old for drug testing in case he refuses to comply. The police probe is still at an internal stage, a precursor to a formal criminal investigation, and is assessing whether to follow up on allegations of his involvement in illegal drug use this year. *warrant: 영장 *comply: 따르다 *precursor: 선도자 [3] Lee is reported to have used unspecified illicit substances at escort bars and residential areas in southern Seoul's Gangnam area on several occasions this year, according to reports. *unspecified: 명시되지 않은 *illicit: 불법의, 사회의 통념에 어긋나는 [4] Lee is one of eight people subject to the investigation. The others include Han Seo-hee, a K-pop trainee who came to public attention in 2017 for smoking cannabis with former Big Bang bandmate T.O.P at his apartment, and Hwang Ha-na, the granddaughter of the founder of Namyang Dairy Products. The two are also suspected of using drugs at adult entertainment facilities linked to the actor, according to reports. The names of others have not yet been revealed. *founder: 창립자 기사원문: http://www.koreaherald.com/view.php?ud=20231022000110 2. Samsung, Hyundai ink first EV battery deal 기사 요약: 삼성SDI는 오는 2026년부터 2032년까지 7년간 현대차의 차세대 유럽향 전기차에 들어갈 배터리를 공급한다. [1] Samsung SDI said Monday it has clinched a deal to supply electric vehicle batteries for Hyundai Motor Group – the first battery partnership between the two chaebol groups. *clinch: 성사시키다 [2] Under the deal, Samsung SDI will supply prismatic batteries produced at its Hungary plant for Hyundai EVs made in Europe for seven years, from 2026 through 2032. *prismatic: 각형 *plant: 공장 [3] Although the exact size of the deal was not disclosed immediately, industry sources predict that Samsung SDI could supply batteries to power up to 500,000 high-performance EVs. * predict: 예측하다 [4] The nickel, manganese and cobalt, or NCM, battery product, dubbed “P6,” is the sixth-generation prismatic battery under development. It boasts high energy density based on 91 percent nickel in cathode and silicon-based anode materials, Samsung SDI said. *be dubbed~: ~로 불리다 *boast: 뽐내다 *density: 밀도, 농도 기사원문: http://www.koreaherald.com/view.php?ud=20231023000614 [코리아헤럴드 팟캐스트 구독] 아이튠즈(아이폰):https://itunes.apple.com/kr/podcast/koliaheleoldeu-paskaeseuteu/id686406253?mt=2 네이버 오디오 클립(아이폰, 안드로이드 겸용): https://audioclip.naver.com/channels/5404 팟빵 (안드로이드): http://www.podbbang.com/ch/6638
Fluent Fiction - Korean: Restaurant Comedy Chaos: The New Shirt and Kimchi Stain Find the full episode transcript, vocabulary words, and more:fluentfiction.org/restaurant-comedy-chaos-the-new-shirt-and-kimchi-stain Story Transcript:Ko: 서울의 분주한 강남 거리는 들떠 있었다. 세련된 보석상점, 아름다운 유리창 뒤에 숨겨진 고급 레스토랑, 수많은 사람들이 모여든 이곳의 한복판에 ‘갈비루'라는 작은 파라다이스가 있었다. 그 곳은 웅장한 음식으로 고객들에게 감동을 선사하는 유명한 곳이었다.En: The bustling streets of Gangnam in Seoul were abuzz. Among the stylish jewelry shops and upscale restaurants hidden behind beautiful glass windows, there was a small paradise called "Galbiroo" in the heart of this place where numerous people gathered. It was a famous place that impressed its customers with magnificent food.Ko: 당일 오후, 지현은 갓 구입한 화려한 루이비통 가방을 들고 서울 식당 '갈비루'에 들어섰다. 반면, 마주한 민우는 이곳의 단골로, 그날은 흰색의 새 셔츠를 입고 고급식당의 분위기를 더했다. 그들이 식사를 즐기는 동안, 돌발상황은 민우의 흰색 셔츠와 지현의 재치 있는 멘트를 기다리고 있었다.En: On that afternoon, Ji-hyun entered the Seoul restaurant "Galbiroo" carrying her newly purchased flashy Louis Vuitton bag. On the other hand, Min-woo, a regular visitor to this place, added to the atmosphere of the upscale restaurant by wearing a white new shirt. As they enjoyed their meal, an unexpected situation awaited Min-woo's white shirt and Ji-hyun's witty remark.Ko: 지현이 식사를 하던 중에, 그녀의 손에서 신나게 뛰고 있는 김치가 민우의 새 흰 셔츠 쪽으로 날아갔다. 스테인은 셔츠 위로 퍼져, 김치의 적색이 민우의 새 셔츠를 장식했다.En: While Ji-hyun was eating, the kimchi happily jumped from her hand towards Min-woo's new white shirt. The stain spread over the shirt, decorating it with the reddish color of kimchi.Ko: 레스토랑은 잠시 숨을 죽였다. 지현의 얼굴은 빨개져 앙상한 표정을 지었다. 민우는 잠시 당황한 후에, 웃음을 터뜨렸다.En: The restaurant fell silent for a moment. Ji-hyun's face turned red with embarrassment. After a brief moment of confusion, Min-woo burst into laughter.Ko: "어이쿠," 지현이 민망해하며 말했다. "이게 왠일이에요, 제가 어떻게 이럴 수가 있죠?"En: "Oh my, excuse me," Ji-hyun said, feeling embarrassed. "What happened? How could I do such a thing?"Ko: 신사적으로 마주친 민우는 그녀의 손을 잡았다. "괜찮아요," 그가 웃으며 말했다. "새 셔츠였지만, 이런 일도 있죠. 우리 모두 인간이니까요"En: Elegantly, Min-woo held her hand. "It's okay," he said with a smile. "It was just a new shirt, but accidents like this happen. We're all human after all."Ko: 그들은 웃으며 서로의 실수를 용서하고, 이 고급 레스토랑에서의 간단한 식사는 훈훈한 미소와 함께 끝났다.눈앞에 펼쳐진 장면은 완벽한 코미디 소동이었다. 그리고 그들, 지현, 민우, 그리고 레스토랑의 모두는 그 매력적인 모습을 향해 웃음을 던지며 훌륭한 하루를 보냈다.En: They laughed, forgiving each other's mistakes, and the simple meal in this upscale restaurant ended with warm smiles. The scene before them was a perfect comedy chaos. And they, Ji-hyun, Min-woo, and everyone at the restaurant, threw laughter towards that charming sight, spending a great day. Vocabulary Words:Title: 제목Restaurant: 레스토랑Comedy: 코미디Chaos: 소동New: 새Shirt: 셔츠Kimchi: 김치Stain: 스테인Bustling: 분주한Streets: 거리Gangnam: 강남Seoul: 서울Abuzz: 들떠 있었다Jewelry: 보석Shops: 상점Upscale: 고급Hidden: 숨겨진Glass: 유리Windows: 유리창Paradise: 파라다이스Heart: 한복판Numerous: 수많은People: 사람들Gathered: 모여든Impressed: 감동을 선사하는Magnificent: 웅장한Food: 음식Afternoon: 오후Carrying: 들고Purchased: 구입한Flashy: 화려한Louis Vuitton: 루이비통Bag: 가방Regular: 단골Visitor: 손님Added: 더했다Atmosphere: 분위기Wearing: 입고White: 흰색Meal: 식사Unexpected: 돌발Situation: 상황Witty: 재치 있는Remark: 멘트Happily: 신나게Jumped: 뛰고 있는Spread: 퍼져Decorating: 장식했다Reddish: 적색Color: 색Silent: 숨을 죽였다Face: 얼굴Embarrassment: 당황Brief: 잠시Confusion: 당황Burst: 터뜨렸다Excuse: 어이쿠Excuse me: 어이쿠Embarrassed: 민망해하며How: 어떻게Elegantly: 신사적으로Held: 잡았다Accidents: 일들Forgiving: 용서하고Mistakes: 실수Meal: 식사Warm: 훈훈한Smiles: 미소Scene: 장면Perfect: 완벽한Laughter: 웃음Charming: 매력적인Sight: 모습Spending: 보냈다Great: 훌륭한Day: 하루
There had been rumors floating around that children were pulling their parents out of the high-end mall. Some of them reported seeing bloody ghosts trying to climb onto the backs of the employees. Parents brushed off their children because this was one of the most luxurious malls in the entire nation. A coat can easily sell for $1k here. This was not a place where there would be ghosts… especially not bloody ones. But maybe the children were being warned? Soon after, 502 people would die inside this very mall in Gangnam. And to this day, 40 people are still missing… Full Source Notes: rottenmangopodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Taekwondo Life Magazine presents a Blu-ray giveaway for the upcoming Well Go USA release, Gangnam Zombie. In the wealthy Gangnam district in the heart of Seoul, mass chaos ensues when previously normal people suddenly begin viciously attacking other citizens, leading an elite former taekwondo athlete to take on one final match against the walking dead in the horror film GANGNAM ZOMBIE, debuting on Digital, Blu-ray™ and DVD September 26 from Well Go USA Entertainment. GANGNAM ZOMBIE is directed by LEE Su-seong (Memories, House with a Good View) and stars Ji Il-ju (Blades of Blood), PARK Ji-yeon (Death Bell 2: Bloody Camp) from the chart-topping girl group T-Ara, and CHO Kyung-hoon (North Korean Guys). To enter just email: marc@tkdlifemagazine.com Be sure to mention "Gangnam Zombie Giveaway" *This episode is presented by Bet Online. Use the Prompt Code BLEAV to get your 50% welcome Bonus #GangnamZombie @WellGoUSA
Start your engines! Join the ladies as they deliver a very special car boy themed update! Gangnam style parody: https://youtube.com/shorts/TPePIFpystE?feature=shareMac Daddy (@ :58 seconds into video) https://youtu.be/FNDCcfI0eVsWrite us some of your cringe stories at nervouslaughterpodcast@gmail.comThe socials: Instagram | Facebook | Twitter
1. Tumultuous World Scout Jamboree comes to end with K-pop flair, apology 기사 요약: 말 많고 탈 많았던 제 25회 세계 잼버리 대회 K팝 콘서트와 함께 마무리 [1] The 25th World Scout Jamboree, after a tumultuous 12-day run, came to an end Friday at the Seoul World Cup Stadium. *tumultuous: 떠들썩한, 소란한 [2] Despite the frequent changes and troubles that plagued the Jamboree, around 40,000 participants gathered in Seoul for the closing ceremony and for the “K-pop Super Live” concert that followed. *frequent: 잦은 *plague: 전염병, 괴롭히다, 성가시게 하다 [3] Around 2,500 police officers were present at the stadium to manage the crowd. Some 400 traffic police officers and 30 police cars were placed near the venue for traffic control, as well as 70 multilingual volunteers. *venue: 장소 *multilingual: 여러 언어를 하는 [4] Ahmad Alhendawi, secretary-general of the World Organization of the Scout Movement, acknowledged the difficulties the delegates faced in his farewell speech, but said he was proud of all that they had gone through. *acknowledge: 인정하다 *delegate: 대표 기사 원문: http://www.koreaherald.com/view.php?ud=20230811000602 2. Bikinis in downtown Seoul spark 'indecent exposure' row 기사 요약: 서울 시내 대낮 비키니 차림 오토바이 질주 논란 [1] Incidents of women dressed in bikinis in central Seoul areas have sparked criticism online, with the authorities considering charging them with indecent exposure. *row: 열, 줄, 심각한 의견 대립 *indecent: 외설적인, 노출이 심한, 적절하지 못한 *exposure: 노출, 폭로 [2] On Friday, a woman riding an electric scooter dressed in a bikini was spotted in Hongdae district. Photos taken by citizens quickly spread across online communities and social media. *spot: 발견하다, 점, 얼룩, 위치 [3] On the very same day, a report was made to the police about four motorcycles carrying women in bikinis and helmets in Gangnam-gu, Seoul. *carry: 나르다, 휴대하다 [4] The police are currently considering whether to apply the indecent exposure offense under the Minor Offenses Act to these women who rode motorcycles in bikinis through the city. *currently: 현재 기사 원문: http://www.koreaherald.com/view.php?ud=20230814000452 [코리아헤럴드 팟캐스트 구독] 아이튠즈(아이폰):https://itunes.apple.com/kr/podcast/koliaheleoldeu-paskaeseuteu/id686406253?mt=2 네이버 오디오 클립(아이폰, 안드로이드 겸용): https://audioclip.naver.com/channels/5404 팟빵 (안드로이드): http://www.podbbang.com/ch/6638 위 팟캐스트 에피소드에는 스포티파이의 후원광고를 포함하고 있습니다. 지금 바로 스포티파이 포 팟캐스터에서 팟캐스트를 만들어보세요! http://podcasters.spotify.com
Hello and welcome to the 22nd episode of my trip! In today's episode, I will be covering my five days in Seoul and what a surprise this city was! You may read that it is a slightly boring city but it was the opposite! There are super happening areas such as Hongdae, Gangnam and Gwangjang Market and traditional areas such as Ihwa Mural Village and Bukchon Hanok. The coffee scene is superb with so many options for a trendy coffee (I recorded two episodes for my other podcast on this). There are fantastic free museums to check out such as the War Memorial Exhibition and The National Museum of Korea. A lot of walking, sightseeing, eating, drinking coffee and becoming an expert on the metro system. So much to tuck into in this episode.Enjoy! Be inspired!Winging It Travel PodcastHost/Creator/Writer/Composer/Editor - James HammondProducer - James HammondPodcast Art Design - Swamp Soup Company - Harry UttonPodcast SupportDiscovery Car Hire - https://www.discovercars.com/?a_aid=Jhammo89Merch Store - https://www.teepublic.com/stores/winging-it-travel-podcast?ref_id=25823Want some insurance whilst travelling and/or working remotely? Book below with SafetyWing.https://safetywing.com?referenceID=wingingittravelpodcast&utm_source=wingingittravelpodcast&utm_medium=AmbassadorBook Flights With Expedia Canadahttps://prf.hn/click/camref:1100lqfY7/creativeref:1100l68075/destination:https://www.expedia.com/Flights?siteid=1&langid=1033Book Hotels with Hotel.comhttps://hotels.prf.hn/click/camref:1101lqg8U/creativeref:1011l66932/destination:https://uk.hotels.com/?pos=HCOM_UK&locale=en_GBBuy Me A Coffee - https://www.buymeacoffee.com/wingingitEtsy StoreBuy my Digital Travel Planner - https://www.etsy.com/ca/listing/1220056512/digital-travel-planner?click_key=c580edd56767d7b03612dfae3b122f32e15fe1ec%3A1220056512&click_sum=80ff0159&ref=shop_home_recs_2Stickers - https://www.etsy.com/ca/listing/1216492546/winging-it-travel-podcast-stickers?click_key=ed1139c660585f268a8192aa8c136a5915118968%3A1216492546&click_sum=b8a8a048&ref=shop_home_recs_1&frs=1Contact me - jameshammondtravel@gmail.com or message on my social media on the links below.Social Media - follow me on:YouTube - Winging It Travel Podcast https://www.youtube.com/channel/UC173L0udkGL15RSkO3vIx5AInstagram - wingingittravelpodcast - https://www.instagram.com/wingingittravelpodcast/TikTok - wingingittravelpodcast - https://www.tiktok.com/@wingingittravelpodcastFacebook - Winging It Travel Podcast - https://www.facebook.com/jameshammondtravelTwitter - https://twitter.com/PodcastWingingReview - please head to Podchaser and leave a review for this podcast - https://www.podchaser.com/podcasts/winging-it-travel-podcast-1592244 or alternately you can leave a review and rating wherever you get your podcasts!MY SISTER PODCAST/YOUTUBE CHANNEL - The Trendy Coffee PodcastPlease follow and subscribe below.YouTube Channel - https://www.youtube.com/channel/UCgB8CA0tAk3ILcqEZ39a33gPodcast Links - https://linktr.ee/thetrendycoffeepodcastThanks for your support, James
What's the role of a music video today? In the 1980s, music videos flipped the industry thanks to MTV. Videos helped artists like Michael Jackson and Madonna become cultural icons. Record labels spent millions on music videos to promote their CD sales. Everyone was winning.Music videos don't hold the same power today in the streaming era. The budgets are smaller, but they still get made. To break it all down, I was joined by MIDiA Research analyst Tati Cirisano. Here's what we covered:0:52 What is the role of a music video today?2:15 MTV's role in music videos7:46 Comparisons to TikTok11:27 Music video budgets peaked in mid-90s14:30 Napster changed everything17:27 Music videos as career launchpads18:50 YouTube revitalizes music videos25:44 Range of video budgets 31:04 Big dollars going to documentaries and short films32:53 Rise of lyric videos41:42Does YouTube have a music video formula?44:09Measuring ROI of music videos in 2023Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Tati Cirisano, @tatianacirisanoThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Tati Cirisano: There's an argument to be made that MTV like almost invented the music video or almost like made music videos a thing because having that audience there and having that like cultural impact is what led to bigger budgets for music videos so I almost feel like MTV gets credit for like kind of inventing the music video. [00:00:19] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:47] Dan Runcie Guest Intro: This episode is all about music videos and what their value prop is in the industry today. Back in the MTV era, the role of a music video was clear. This was your four minute opportunity to sell the hell out of your artist and for your label to promote its artist. Yet fans bought into the lifestyle, the identity, the persona of this person, and get them to go to Sam Goody, go to Tower Records and buy the albums.It was a marketing channel and it was a marketing channel that the record labels were continuing to put money into, and as the effectiveness continued to grow, they put more and more. Into that and that budget exploded. By the time we got to the mid to late 90s, we saw music video budgets hitting millions of dollars, and artists were doing out of this world things in these videos.But we slowly started to see those budgets slash. Went at the introduction of Napster and the CD era started to decline and the money was no longer flowing the way that it once was. But we started to see music videos take a new turn in the YouTube era. And now in the TikTok era, what is the ROI of a music video?What role do they serve in today's industry? And to break it down, we're enjoying by Tati Cirisano, an analyst at MIDia Research. He's been on the podcast a bunch of times, and this topic was right up her alley. So we talked a bit about that and more. Hope you enjoy this episode. Here's our breakdown on the role of music videos in today's industry.[00:02:16] Dan Runcie: All right. Today we are going to take a trip down memory lane to the wonderful World of Music videos, how this art form has evolved over the years. And I'm joined by Tati Cirisano from MIDiA Research, Tati welcome. [00:02:28] Tati Cirisano: Thank you. Good to beback once again. [00:02:31] Dan Runcie: Yeah, definitely. Can I start with a story? You mind if I start with a story with this one? So, a couple weeks ago I was catching up with, CEO from one of the major record labels. This is someone that if you're probably listening to this household, if you're probably listening to this podcast, you probably know, and they run a label that is also a household name, and they were telling me about a conversation they had with an artist who is also a household name and how this artist wanted to have a million dollar plus seven plus figure, multi-million dollar music video budget because they wanted to make this big splash with what they were doing. And the CEO was like, no, I'm not giving you that. Like, what do you think this is? And for context, this is a artist who hasn't had a big hit since George Bush's first term. Let me say that roughly, just to give some context here. So,So it's been some time, but I also was a bit surprised because this is someone who seemed like they were up with the times in tech, and I remember asking the label exec, I was like, what's the deal? I thought this artist was with this. You see the movies they're making here, there, and this, that, and the third.And he was like, Hey. You would be surprised sometimes the egos get the best of these people and this is what they want. And that was a big inspiration for this conversation because I know you and I have talked about things like Spotify versus YouTube. YouTube, of course, having such a big focus in music videos and it's role.But that's what made me think it would be a great time to take a trip down memory lane and just revisit music videos themselves and. Going back to 1981, I feel like we could start music videos well before that. That obviously was there, but I think that was the origin place for a lot of what became known as the Modern Music Video and MTV itself.What's your take on how impactful MTV was? Because there was definitely a big shift of any music videos we saw before and any music videos we saw after.[00:04:36] Tati Cirisano: Yeah, I mean, you're right that like we could start this even further. Back in history, there were artists like the Beatles were making music films in like the 60s. David Bowie did the same but there wasn't really a place to showcase them the way that MTV, like, the one that MTV created. So I feel like it's not just that really iconic, amazing music videos, like those of, like Michael Jackson and, others made MTV a thing.I feel like there's an argument to be made that MTV like almost invented the music video or almost like made music videos a thing because having that audience there and having that like cultural impact is what led to bigger budgets for music videos and labels kind of focusing on this as an art form and a promotional piece.And that also led to more interesting creative videos. So I almost feel like MTV gets credit for like kind of inventing the video, the music video. [00:05:30] Dan Runcie: And inventing the video as a distinct art form that can live on its own in distinction from the music itself, because you mentioned The Beatles, you mentioned some of those other artists from that time. Music videos almost felt more like a utility. They were a commodity. Let's put the camera up while you're recording the tune, and maybe we'll add in some things.Maybe they'll add in some B-roll. And that's what it very much existed as for years. But then MTV takes it and makes it this unique thing. And we saw from the early days, whether it was Duran Duran, David Bowie, Michael Jackson, Madonna, they were some of the early people that really made it their own thing.And you saw more of those movies and that's where MTV being able to capture the eyeballs there, the growth of cable as well, and them becoming one of the more popular channels there. You see this platform having this type of impact, you invest more dollars into it, and this becomes a much stronger marketing channel, which then commanded and justified them putting more and more money over time into these videos.[00:06:35] Tati Cirisano: Yeah, and speaking of Madonna, I think it also made music a lot more visual where music videos kind of opened this pathway for artists to become not just music icons, but kind of like style and fashion and cultural icons. there's so many videos that. Are just kind of like etched into everyone's brains and so many iconic outfits like people still dress up as, Britney Spears and the Baby One More Time Video and like all these other iconic ones. I think it, started making music more of a visual thing. And in turn, that also helped drive fandom around artists. Cuz if there's one thing I've learned in all the studying of, fandom that I've done and how it develops, it's pretty much always about context.It's always maybe listening to a song makes you a fan or doesn't make you a fan. It makes you a listener of the artist. But it's only once you know more about, who they are and like what their style is and what their aesthetic is and all these other things that you become a true fan. I think a lot of fandom was formed by sitting around the TV with friends and like watching a video for the first time on MTV.It was just a more captivating way to get to know an artist and have that context around them. [00:07:47] Dan Runcie: It's a big point, and that's something I definitely related with too. Growing up in that era, you were able to see and interact with those artists. If I had just heard these artists on the radio, it would've been a very different relationship. But I know that for a lot of people, that's how they gravitated to music.That's how they captured this, and that wasn't the way that it, I grew up for me, whether it was watching them on MTV, watching them on BET, That was the experience, and especially as things started to take off in the CD era, we saw more artists having success with it. We also started to see more pushback as well.I think it was around the early 90s, even the late eighties, this was around the time MTV was really kicking into gear. And the sales and numbers, everything was just up and to the right from a growth perspective. But we started to hear more critiques, some of the more traditionalists in the music industry started to say things like, these music videos are turning artists into one trick ponies.It's no longer about the music anymore. It's about making, Music video. And that's clearly resonating with some of the critiques. We now hear about TikTok as well. But it makes me think about the patterns that music often follows and when there is a new art form that does allow some type of growth, there's critiques, but those critiques also do stem from bit of this.If you can't beat 'em, join 'em. And we've seen this time and time again where a lot of those artists that had. Had critiques about MTV, whether it was Mariah Carey in the very early days, or even groups like REM, they would go on to make some of the most iconic music videos from the 90s as well.And I think we've seen the same with whether it's streaming or TikTok music videos was one of the things that I remember as having a bit of that cyclical pattern.[00:09:32] Tati Cirisano: Yeah, and there's so many trends in music videos that I feel like now we're play, we're seeing play out on TikTok or have already seen like there was sort of the dance, video craze of like, single ladies and crank that and PSY with Gangnam style.There were all these music videos that were about getting everyone to do a dance. And that was the way, that was like the promotional thing of if you got people to do that, then they would do it at the club when the song came on, they would do it in public. It would sort of become this bigger moment. And then that was kind of the first phase of TikTok when it started to rise in the 2020 when in early 2020 was like all dance videos.and even. I remember there were some videos that people, I know we haven't gotten to YouTube yet, but when YouTube came into the equation, people were uploading their own versions of videos and now that's like a pretty common thing. But yeah, it's interesting how all this stuff is cyclical and I think like video to the stuff about, the criticisms and like being one trick ponies and that kind of thing.I think that video has kind of, with music, always been about creating a cultural moment, aside from it just being another art form that I think artists delight in taking part in. Cause it's just another way to be creative. But I think it's, it's, about creating a cultural moment and creating a cultural moment in this day and age has morphed into this concept of virality, but it's always been about the same thing.Like viral in the 90s was, people wanting to be Britney Spears in that music video I was just talking about, and it kind of like being, this thing everyone was talking about for months. The same thing is happening now on TikTok. It's just happening faster. so yeah, I think that a lot of this stuff is cyclical and those criticisms, the point is that it's a promotional tool, so of course it's gonna lead to kind of like flash in the pan moments.So, Yeah, I have complicated feelings about those criticisms, I guess.[00:11:28] Dan Runcie: Yeah, I do too. I understand and I think that what we saw in the next decade, especially with some of those artists that came around and ended up leaning in, said a lot about where it is. And not every artist needed to do the MTV thing. Not every artist needed to lean into it all the way. Granted, I do think that most artists had music videos to an extent, but there was clearly a wave of where things were going.And right around the mid to late 90s, We saw the peak, at least from a budget perspective, of how much money was being put into music videos. And when you're talking about creating moments and in the pre-internet era, there wasn't necessarily as much virality, but the thing that got people locked in was how visually stunning or something that you've seen that's never been seen before.It's almost this bigger was better era. And then we get to points where in the mid 90s, Both Madonna and Michael and Janet Jackson are having music videos that aren't just one or 2 million. That screen music video was rumored to be around five to 7 million depending on the source you look at, in 1995 dollars, and that's that black and white video.They're shape shifting and all this stuff. And we continued to see this over the next couple of years. Of course, hype Williams and everything that he did from music videos was always unique, is always futuristic and with all of the elements that he had there. But it took a lot of money to make those music videos the same way with NSYNC and all those no strings attached music videos.Those were multimillion dollar music videos too. And it brings me back to even the things that they would spend money on. I'm thinking about, Busta Rhymes and Janet Jackson, they had that once. It's gonna be a music video where you have the silver liquid that's like coming over. Both of them and Busta Rhymes took guitar lessons.Apparently that's what MTV's making the video thing had said in its, little popup that comes to the music video. But all of those things [00:13:24] Tati Cirisano: I missed those popups. [00:13:26] Dan Runcie: I know it was such a fun era, right? It was. It was such a, I guess a lot of that's been now disrupted by what we see on YouTube, which I know we'll get into in a minute, but that was such a moment.I think it spoke to, why people were willing to put in money at the time with just where things were with the era that was the marketing channel. Music videos were seen purely as an expense to be able to sell more CDs the same way that touring at the time was seen as an opportunity to try and sell more CDs.And the artists that sold the most often got the biggest budgets. And at the time, bigger was all often seen as better, especially when it came to the contemporary Pop X and that whole ecosystem of music, video culture, and everything around it made that take off the way it did.[00:14:13] Tati Cirisano: no, absolutely. I think the promotional power was worth it at the time. and like you said, you could justify spending that much on a music video if you were gonna make it back in CD sales if you were one of these superstars. So it made a lot of sense at the time. And then came master.[00:14:31] Dan Runcie: Yeah, that changed everything because and there was a fair amount of overlap there just with the way things were because so much of the industry was still focused where it was, I look at even the music video economy where there was a cyclical nature where because of the demand, The programs themselves or the channels themselves started launching programs dedicated to showcasing music videos, whether it was 106 and Park or TRL.They had different shows throughout the day, but all of them were some unique flavor of just trying to show you more music videos. And that's what was cool about it. You were able to have this whole ecosystem there, but then as you mentioned, Napster comes in, changes everything. The dollars are no longer flowing, and it.Is harder to justify spending millions of dollars on a music video if you can't confirm that that artist is gonna be able to do that. I think in a lot of ways, the peak was, we talked about them before in sync, Britney Spears, Nsync being able to sell, I think it was nearly 3 million units of an album the first week that it comes out.Like people skipping school in order to go buy, no strings attached. That just didn't happen any more to that level. I mean, we eventually saw examples like Adele and even this Taylor Swift album, but it wasn't the same way that it was then, and it shifted everything and I think it eventually Led to lower budgets.We still saw a lot of creativity. I still remember watching tons of music videos, especially in the mid to, especially in the mid two thousands. But it was definitely a different vibe cuz it was this pre and post Napster, but pre YouTube era where the budgets were still somewhat strong, but it wasn't quite what it was before.[00:16:13] Tati Cirisano: and there was this whole ecosystem before that, like, it's, kind of stunning me to remember how many different roles there were. Like music directors I feel like got a lot more shine because there were the VMAs and all these kind of things dedicated to them. But then there were the VJs of the time.and there were kind of like the. dancers and the other like characters in these videos, which kickstarted a lot of actors and actresses careers. Just being in these music videos, there was this idea of like the video vixen, which is a term I absolutely cringe to the n degree at, but like that was a role, like there was such an ecosystem around it. You're totally right and then it really so much since then. [00:16:54] Dan Runcie: When you think of the term video vixen, who's the first person that comes to mind?[00:16:58] Tati Cirisano: I think of people like Eva Mendez in the Miami video with Will Smith, I think of Scarlet Johansen. which one was she in? It was like some, [00:17:09] Dan Runcie: Justin Timberlake, what goes around comes around.[00:17:11] Tati Cirisano: Yeah, there were so many, I don't know. Alicia Silverstone I know was in a couple of music videos. Kim Kardashian was in Fallout boy, thanks for the Memories, which was a bit later and like she was already famous. But like that remembering that blows my mind. Like there were just so many of these examples. I don't know. [00:17:27] Dan Runcie: Yeah, there's a few that comes to mind. I think about someone like Vida Guerrera, like she was always in a bunch of them. Even male video vixen's too. I'm thinking [00:17:37] Tati Cirisano: Yeah. [00:17:38] Dan Runcie: Beckford and, Toni Braxton's Unbreak my heart, in that one. And then Tyrese and, what music video is that was that angel of mine with Monica.So you definitely had 'em back and forth. Even the artists themselves sometimes ended up being vixens and other ones. Terrence Howard was in a bunch of 'em. But I think that this too, it talks about just how music was a launchpad, right? You mentioned the VJs earlier. So many of these VJs started as those types of personalities, but then they went on to go do other things.I mean, Carson Daley is a media personality now doing his own thing. He got his roots in TRL. I feel like, aJ from 106 and Park still does media things suspense. Terrence Jay definitely does as well. So you see those, but you also saw it on the music video side too, where directors like Spike Jones is now doing, you know, Hollywood movies. Look at the Daniels, they directed turn down for what? the little John's music video, and then they just directed and won an Oscar for Best Picture and best Director with everything everywhere, all at once. So music continues to be a launchpad in [00:18:45] Tati Cirisano: What a pivot. Turn Down for What to Everything Everywhere All At Once.[00:18:50] Dan Runcie: Yeah, never would've guessed that one, never would've guessed that one. And I think with that, we should probably start now talking about the YouTube era because things took another turn here. You mentioned a little bit of this earlier where user-generated videos started to take off, but I think the success of YouTube started to tell people that, Hey, The things that are going viral and getting attention.It isn't just using the most amount of money possible to see outta this world stuff. As cool as it was to see Hype Williams creating action figures of Missy Elliot running around in space, we don't necessarily need to see that much out of this world to do it. It can be Soulja boy doing his type of dance and then having all this other user generated content on Crank that Batman, crank, that Spider-Man, crank that whoever, and we saw that time and time again.So I think YouTube, and this was before any of the licensing deals came. The fact that crank that blew up became the number one single in the country stuck out in a way. And I think that led to another evolution of what people were willing to spend money on and how they thought about the promotion of music videos as well.[00:19:59] Tati Cirisano: Totally like remember the okay go music video with the treadmills. Like remember how cool we all thought that was? I mean, I'll speak for myself, but like it's like funny to think about now. That was such a big deal. That they made this like really low budget video, just kind of like running around on treadmills.And I think that's the other thing that's interesting about YouTube is, so pre MTV, there was like not really any place to showcase music videos. Then there was this channel for it, but it was really limited to the major label signed artists. And then you got to YouTube where there wasn't any gatekeeping around music videos anymore.Anything could be uploaded and anything could be played. And there was just less of that gatekeeping. But then the flip side of that is it also means that it's a lot harder to stand out. And so YouTube has, kind of made any one of those videos a bit less impactful for that reason. Over time, I think, and that gets back to like the fragmentation that, you know, I love to talk about.[00:20:57] Dan Runcie: It's fascinating because I think that each time something goes viral or each time something breaks out on YouTube, You do get a lot of copycat behavior. You see a moment where things are happening. It isn't always rational, but that's kind of the beauty of it. And then you go on to something else. I was looking at things talking about the 10 year anniversary of Harlem Shake, of that whole video wave where people were doing all those crazy dances.The music then stops, and then a couple years later we saw Black Beatles and that saw reach a whole nother level because of the freeze challenge thing that people were doing. And that was a whole nother culture with it because again, we started to see less flashiness of them trying to do particular things.But once the licensing came, music videos then became revenue generating tools. On their own and it was no longer necessarily just about trying to have a song get retired on the charts, whether it was on a 106 and Park and TRL there became the subculture of how can we get this music video to hit this?Number of streams or this hit this number of views. And I know we start to see this now more where most of the services are publicly sharing how many streams and views their songs and music videos have. But I feel like we started to see this on YouTube first, and a lot of the chatter that you would once see started to live in the comments section.And you started to see these subcultures of fans that would gravitate and connect to songs in that way. And I felt like that was something that was unique.[00:22:29] Tati Cirisano: Yeah, and there were a lot music videos, over the past, like five years, over the past 10 years, like the single ladies video and like Childish Gambino with this is America. And even like more recently, like the Kendrick Lamar video with like the AI generated faces, I forget which song that [00:22:46] Dan Runcie: Oh yeah, the hard part five.[00:22:47] Tati Cirisano: Yes. But you're totally right that rather than the go, the virality of a music video. Just being about driving streams. they also, those videos also became revenue generated themselves. So going viral on YouTube, having a video that everybody was gonna be anxious to watch, was a big deal for that.And there, I feel like there were kind of less so today, but like pre TikTok in like 2016 to like 2020. It kind of feels like there was a bit of a mini revival of like, Music videos being this bigger promotional tool, like, do you remember all the promotion around the Thank you Next video for Ariana Grande?That was nuts, like, we were all waiting weeks for that video to come out and there was so much, conversation about it and so many clips and so many interviews in the press and I feel like there was kind of a moment before TikTok came around when music videos were once again, kind of this really big promotional tool and way to kind of break through the noise and generate revenue.[00:23:47] Dan Runcie: With Thank you, next. That was the one where they spoofed mean girls, right?[00:23:51] Tati Cirisano: Yeah, and like a bunch of other of those types of movies, like there was like a clueless scene in it. I feel like there [00:23:57] Dan Runcie: Oh yeah, yeah. [00:23:57] Tati Cirisano: I feel like there were a bunch, maybe I'm remembering it wrong, but I think they, they did that with like a bunch of different, like 90s and two thousands movies. And there were so many cameos. There were so many cameos. [00:24:08] Dan Runcie: Oh yeah, that's right. It did. It did. And I think a few of those music videos, you mentioned Salish Gambino as well. He's clearly someone that I think is calculated and knows what he's doing from a communication perspective, but with that video, it wasn't even necessarily about how much money was spent on this or something. It was more so here's this timely thing and there was a shock value that was linked to it, and I know that music videos have always had a bit of, have always had shock value, especially since the MTV area era think specifically about an artist like Madonna and then even Britney later on that leaned into this.But we started to see artists lean, lean into it even more from a. political standpoint, making statements and trying to say things that they wouldn't otherwise have said. And even thinking about artists like Joyner Lucas who had someone that was wearing a Make America Great again hat in their music video to then show that as some type of hypothetical conversation of what it could be like to talk to people that may think differently.I may be misremembering parts of the music video, but we started to see more of that integrate where. That then stems from how flexible this art form can be. You can have a music video like wp, which I do think was one of the more recent, you know, TikTok era music videos that created a moment. You could have them have these standalone things as well. [00:25:29] Tati Cirisano: Mm-hmm. That's exactly what I mean with how music videos give you so much more context like it's just another way for the artist to tell their story and express themselves. It's just another avenue for that, and there's so many different ways to do that. It is such a flexible art form. [00:25:44] Dan Runcie: Yeah, definitely. I have a few stats here that I think would be helpful just for some context setting. As we mentioned earlier, we talked about music video budgets in the late 90s and even the early two thousands where, top artists getting million dollars plus for their music video wasn't uncommon.But here, let me share some numbers. Cardi B had shared some self-reported public numbers of things she spent on music videos just over the years. This was from two years ago, so I'm sure she's done stuff then. But Bodak Yellow, that was the music videos that they had done. That one in Dubai, that was $15,000.Granted, she was much smaller at the time. People likely weren't charging her as much, but she did that for just $15,000 and then, Bar Cardi, that was $150,000. The money music video, which did look like a pretty elaborate and not cheap music video. That was 400,000, please Me. The one that she did with Bruno Mars, that was 900,000 and then WAP was a million dollars.But those are two artists coming together, and that was also another expensive looking music video with a bunch of cameos as well. So even WAP, something that I would consider on the highest degree. Of what, major record label might be willing to spend. Even that was just a million dollars or compared to how much more they were willing to spend a couple decades before.[00:27:02] Tati Cirisano: Yeah, yeah, I mean that, that kind of doesn't surprise me. Like I feel like the ROI for music videos has just gone down a lot and it just doesn't make sense to spend much more than that on a music video. Like you can still make a splash, it can still be, a good promotional tool. And a way to, generate more revenue, but they don't tend to last as long as they used to, and it's just really hard to get people's attention on one thing these days.I think short form is also being prioritized or that's kind of the sense that I'm getting and yeah, it doesn't totally surprise me, does it? What do you think about those numbers? [00:27:44] Dan Runcie: It doesn't surprise me either because of where so much music is consumed and how things go viral. But it is a bit interesting when I think about music videos as a visual art form and what tracks and what resonates compared to other forms of entertainment where I do feel like we've continued to see bigger and bigger com, bigger and better, at least from the money that's put into these productions for major film studios, for instance, what they're putting into superhero films, what they put into Fast and Furious films, or even what James Cameron had put into Avatar. Spending 300 million, not even on the marketing, just on the budget for these movies isn't even unheard of now. So there's clearly an attraction of doing that, even if it is one of these tent pole franchise movies, even for some of the things that have gone straight to video.But that didn't necessarily happen in the same way in music videos. It started to pull. We obviously know that the industry was hit harder than others, so it pulled back. But even as the industry continued to grow, and I think, I mean, I know now the numbers unadjusted for inflation have the highest, at least revenue on the recorded side.Bigger hasn't necessarily translated to better in that perspective. Even if you look at video games, the graphics, all the things that are stunning are the things that we continue to see. And granted in, video games, we've seen a few outliers, like when Nintendo, we blew up. Clearly that wasn't a graphics thing, but they were tapping into something that Xbox and PlayStation weren't at the time.But in music videos, the bigger, better graphics of artists doing crazy things just didn't resonate in the same way, the only music video I can think of is, Ed Sheeran, what's that music video he did? I think he's kind of floating around and stuff and moving. I think it's bad habits. But one of those, I think that's probably the most recent one, but even that one I don't think is like that expensive of a music video, but we just haven't seen better.I'm thinking back to in the 90s. Yeah, I mentioned the Hype Williams music videos or even, you know, Backstreet Boys like moving around in space and larger than life. We just haven't seen that translate in that same way in music videos. [00:29:51] Tati Cirisano: Yeah. Well the other thing that you just that just made me think of when you mentioned film is how do I put this? Like album promo cycles these days are so much less premeditated, right? It's more about putting songs out and seeing how people react, and then deciding which ones to push forward as a single, then deciding what to put music, video resources behind.So I think that the other difference with music versus something like film and TV is things are just getting decided on the fly. Like a song goes viral and then you're like, okay, now we're gonna make a video for this song, but you wouldn't decide that until you saw how the songs were performing. So I think that that's a big, big factor in it as well. But we've also seen some good, like low but lower budget music videos. Like I loved the Ice Spice Pink Panther for boys a Liar. And it was literally just them like hanging out on a fire escape. And I was like, this is perfect. So I think we've also seen like some good lower budget ones come out of this as well.But yeah, definitely doesn't feel like the same, you know, spending all this money on like these crazy graphics and like whatever it is, has as much of an impact or is, as worth it as it might be in film. [00:31:04] Dan Runcie: I feel like we've seen a few outliers here or there in music. Kanye West's music videos, especially in that, let's say 2007 to 2015, 16 range, it seemed like there was still a good amount of money that was being put into those. And even some of the extended ones that, that short form video, the short form film version of Runaway, still felt like a pretty expensive music video.And I'm pretty sure Hype Williams directed that. But I also wonder is. Is the definition of what we consider music video, and the expansion of that. Also shifting what people are putting money into and how it's categorized. And by that I'm talking about some of these documentaries that have come out and what bucket we put those in.I look at something like when Taylor Swift had recorded those pond sessions after the folklore evermore albums had come out. She essentially did an entire visual album of her at this pond or wherever. She wasn't that like Cottage and Sells and sold that to Disney, and then Disney then streams and puts that out and it's an hour or two hours or however long it is.Beyonce is recording her Coachella performance and then sells that to Netflix, and then Netflix puts that out. And you're essentially watching an alternate version of a Beyonce music video that is just over this two hour or two hour 15 minutes, however long it is. But when I think about that, I think about these visual albums and just how so many of them have spanned in, had different forms and ways they've gone about it. Is that where some of these more expensive projects are going? Is that where some of the more expensive dollars are going when looking at video as it relates to music, as opposed to just this music video bucket that we may have put it in?[00:32:53] Tati Cirisano: I think so, and I think I would also put in that category like the more. Like the short films that our music videos. And that's something that artists have been doing forever. But I mean, like, I don't know, like the Taylor Swift All Too Well video and even like, I feel like the SZA Kill Bill video was like longer than the song and like had, a lot of artists are starting to add more of a story and create more of like a short film. And I think part of that is a way to like just stand out from all the other music videos and actually grab people's attention because you are really telling a story, you're taking it to the next level. And even having parts where like the song isn't even playing, and I think you're probably right, that more of the budget that used to go to music videos, Is now going more sparingly to a few of those types of projects for the bigger artists. Whereas, l ike for what was traditionally a music video is now becoming lyric videos or sort of like these animated videos that I've seen come up that are so much cheaper to produce and often also involve AI generation, which is, an area that I feel like we haven't really touched on in all of the discourse about AI and music is like AI for music videos.And maybe that will end up lowering the cost to making these really fantastic crazy concepts that we used to see that used to cost 7 million. And now, well you can click a button. So I don't know, maybe we'll see like a reversal of what, of everything we're talking about, of like music videos kind of shrinking and instead becoming bigger. But yeah, I think you're right.[00:34:28] Dan Runcie: The point that you mentioned about music videos and just the storytelling, adding in the short film piece of it. I don't know if he was the first, but Michael Jackson Thriller is the one that comes to mind there, just with how that became this extended film. But again, not everyone was getting that much budgeter opportunity to do that in that way.Michael Jackson had built up the track record in order to make that happen, and then as you see, we continue to see that now with Taylor and others. I'm glad you mentioned the piece around lyric videos and AI, because lyric videos have long been the low-hanging fruit. Of YouTube, especially for artists.Yes, it's great to have your own music video, but sometimes people don't want that. They just wanna be able to have it there playing and Sure from a purely practical perspective, you could tell yourself. They can go listen to that and Spotify or they can just go listen to the audio version. That's what they want, but not necessarily.There are creative and unique things that you can do with music videos. It doesn't always have to be the text scrolling across the same way it would on a karaoke screen or something like that. Artists have had unique ways to go about it, and AI music videos isn't even necessarily something I necessarily thought of, but what's holding it back? You look at the same way that the images went viral of the Pope in, you know, wearing the bomber jacket or whatever it was. The same thing can happen with the music video. And when I'm thinking about this, I'm thinking again about like how we started this conversation around where some of the critiques are that people have had with music videos when they first came out. Some of the critiques, we hear now about this more user generated era of music, videos and content as well. The path and the journey. It seems that once music gets too derivative in some ways, two things happen. One, it expands and grows the pie for the overall industry, which is good because we wanna be able to see the impact in music.We wanna be able to see it grow. That's always gonna naturally attract detractors that wanna see the thing in the pure form, but nothing stopping them from seeing the thing in the pure form. But we do wanna be able to see the growth in evolution there. And AI is the next version of this where, what is the core piece that you have, whether it's the artist and the music that the rights holders have the control and ownership of, but whether it's music, video, or just other ways to do it, what are the ways that that can be unlocked? And if that can be done in a great way, that's where the potential comes.That's where you unlock all of the opportunity in the industry. And who knows, like you said, it doesn't even need to be as expensive as it was, but you're giving people the opportunity to do something unique. [00:37:06] Tati Cirisano: Yeah, and speaking of the SZA one, I don't know if this is something that she planned or if it's just something she's encouraged, but there's a whole culture on TikTok of fans making their own SZA music videos. Not copying the ones that have already been created, but making their own. And she'll repost them and comments on them and like talk about the ones that are her favorites. And that whole thing is really fascinating to me. And it even like brings me back to the lyric videos because the whole reason that the music industry started to realize, oh, we should release these music videos, was because fans were already making them and it was just revenue that the industry wasn't, and eyeballs that the industry wasn't capturing.So lyric videos were just a way to kind of formalize that, and I think we're seeing that in so many ways on TikTok with sped up songs that fans uploaded and then record labels formalized. So I don't really know where I'm going with this with music videos, but I feel like there's a connection there of like, How, video could potentially enter more of that. I mean, music videos could potentially enter more of that, UGC space. But the other thing I wanted to bring up before I forget, is that I did grab some stats from our research at MIDia about, both of those things. So just for context here. 59% of global consumers use YouTube to watch music videos weekly. And then we had another question where we asked how do you engage with music artists beyond listening to their music? And 35% of consumers said they watch lyric videos. and that's from our Q4 22 consumer survey and our Q1 23 respectively. So, both arepretty high. [00:38:41] Dan Runcie: Yeah, I would say so. I wonder for some artists, the numbers that they've had for the music videos and lyric videos are probably closer than they think, right? And sometimes a lot of it just depends on what you're in the mood for. Sometimes, there's just so many more opportunities to have a passive thing in the background, and sometimes I've done it myself without even thinking, I think what is the user experience that then causes me to go to a lyric video, even when I know the music video is there. And most of the time it's when I wanna have the thing in the background. Maybe I'll go to it, but I don't necessarily wanna stare at the screen for the next few minutes and it makes perfect sense and there's so many more use cases for that.So I wouldn't be surprised if for certain artists, they both serve a purpose, but they might actually be making more from the respective lyric song. And I think when you just think about it overall, the Lyric song does enable you to have your entire album up on the streaming services guy, I guess you could technically have a few versions where I've seen some artists have the music video, they have the lyric video, and then they just have the still with the cover art of the album there.So you have three different options and that could all be, revenue that goes back to the artist and the rights solar.[00:39:53] Tati Cirisano: Mm-hmm. There's also this interesting idea of like how all these things kind of play together. Like going back to the episode that we did on, that was about YouTube and, kind of contrasting these short form video platforms and how YouTube's whole pitch is that they're able to unite long form and short form so that, you know, there isn't that gap where people watch a TikTok video about, and then they don't actually go in and learn more about the artists. So, I don't know. I think there's something interesting there with YouTube being the main place where people watch music videos. The only, like the main place, I won't say the only. And also having the short form video platform. So I think that is a really strong proposition to be able to kind of marry the two. [00:40:35] Dan Runcie: Here's a question for you similar to that I actually don't know the answer to this myself, but thinking about how like audio and music itself, we see how music has adapted over time based on the mode and the medium that it is, whether it's CDs and streaming. And then we see the impact of TikTok and everything else.And music videos we've seen similar where we knew what a an MTV era music video looked like, especially if it was a music video that's trying to be on TRL. There's almost a certain formula that you saw to it. And we also see now what a TikTok video can look like where you see the types of dances and you see the way that the music video is made almost in a way to make it easily be replicated, whether it's a Drake, Lizzo, Doja Cat, Cardi B, plenty people have done this.Do you think this exists as well with YouTube? Was there a certain type of music video that stands out to you, is Yes. This is a YouTube music video. This is a music video that personifies the YouTube era of music videos.[00:41:38] Tati Cirisano: I love that question. that's a really good question.[00:41:42] Dan Runcie: As I'm thinking about it, there's one person that did come to mind. NBA Young Boy is a person that I do think speaks to the YouTube era of music videos because he approaches this the same way that. Someone like Mr. Beast approaches videos. There is a formula there, he has his hook, he has the things.There is a bit of the storytelling dynamic of what he is trying to do, or the challenge that they're trying to overcome, and then they do the thing. But it's definitely told in this way that has the hook and the elements that you naturally see. In YouTube and the way that the font for the name of the music video scrolls up, that is very much the formula.How quick it is for the beat to start. All those types of things, I think speak a lot to the YouTube era.[00:42:27] Tati Cirisano: Yeah, I also think, I'm thinking of artists who have sort of played into meme culture with their videos, like Drake has kind of done that. Remember how meme'd the Hotline Bling video was like. Even like the video for, what's that song you have with Justin Bieber? Pop Star was like, kind of playing into like the stereotypes about them in a way.Like I think artists like them who have sort of played into internet culture in their videos are maybe part of that YouTube era. Charli XCX, the boys video felt very YouTube, Yeah, I would say things like that. And then also videos that invited user participation, like the dance video craze, where it was kind of intended to get you to make your own version.And that was kind of like the early TikTok was being YouTube. So, yeah, that's a great question. [00:43:22] Dan Runcie: Yeah, and I think we saw some of this with Instagram as well, because I think about Drake in my Feelings. That was another one where there was clearly a Instagramable place where he's saying, please repeat this, because TikTok really wasn't blowing up the way that it was then, but he clearly made this video leading into that.And if anything, I think that the video came after we saw the viral instagram clips of, what was that guy? Shaggy that was doing the dances for that music video and then Danny Le as well. So there were a few people that had done that.[00:43:55] Tati Cirisano: Yeah, no, the correlation is so fascinating. I could do a whole nother podcast on how Drake lyrics invented Instagram captions, but we'll save that.[00:44:09] Dan Runcie: And no, we will definitely table that one. And I think as. Yeah. No. I have a few thoughts on that one, but as I think about this, I feel like a good way to, to close this one out is thinking about the ROI of these videos. And there's a number of ways to look at it, but with the way that a video is now, what do you think the best way is to measure the ROI?Because of course there's the hard dollars that the video could generate, the impact, but what's your take on that? [00:44:36] Tati Cirisano: Yeah, that's a good question. I mean, aside from the things like, aside from the things that are just like hard views and streams, I think it's also about cultural impact, which is kind of impossible to measure. it's about UGC, like how many videos was. I don't know, how many people kind of created their own version or did the dance in the music video, wherever it is.I guess that kind of depends on the video, but I think there's like some element of like creations related to the video that are part of it. and then did anyone dress up for Halloween as that music video? That's the biggest measure of cultural impact.[00:45:18] Dan Runcie: Like Lil Nas X dressing up as Ice Spice [00:45:21] Tati Cirisano: Yes. Yes. And I'm sure there were people that dressed up as Drake in the hotline bling video. the scene that that came out. So, look at Halloween costume sales, all you label executives. No, I don't know it's a really hard question to answer, but I think it's, mix of those and it's increasingly about, how fans are kind of like recreating their own versions of things. [00:45:42] Dan Runcie: Because there's a clear need to, water creates something that creates shock value, but you can't do those moments automatically cuz sometimes randomly it's gun just being gunna and then, Rihanna dresses up like him for her Halloween costume in like multiple settings and stuff, and it's like, oh, okay.I guess this is a thing. Like I don't think he knew that he was putting a fit out there, but you can't always guarantee that that's what's gonna come out, right? You have artists like Da Baby that I think have always tried to do stunty things to get cloud out there, but I don't know if, I've never necessarily seen people try to dress up like him for Halloween in that way.But that's a good one, and I think at first I was like thinking you're saying it in jest, but it's a hundred percent true. Like how are you able to capture zeitgeist? And I think that checking Instagram tags especially, or hashtags or just trending topics Twitter can tell you. Yeah. definitely. [00:46:36] Tati Cirisano: Well, many gift uses did you get of a clip from the music video?[00:46:41] Dan Runcie: Exactly. Or are people creating gifts of you in some type of way? [00:46:45] Tati Cirisano: Exactly. [00:46:46] Dan Runcie: Definitely. Well, Tati, this was fun. We have a couple of topics that I know we'll dig into eventually on this, but before we let you go, what are some things that you're digging into? What should the travel listeners stay looking out for?[00:46:59] Tati Cirisano: Yeah, that's a good question, let me think. So many things. I mean, we have a new report at MIDia that'll be out next month, for clients that's about live music consumers. We did a big survey, with bands in town asking people about their attitudes towards ticket prices and all sorts of things like that. So if you're listening and you're client of ours, look out for that. If you're not and you're interested in it, feel free to reach out. but yeah, that's the thing that I'm working on a lot right now and very excited about. [00:47:27] Dan Runcie: Nice. All right. We'll stay looking out for that. Thank you. [00:47:31] Tati Cirisano: Awesome. Thanks Dan.[00:47:32] Dan Runcie Outro: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend. Post it in your group chat. Post it in your Slack groups. Wherever you and your people talk, spread the word. That's how travel continues to grow and continues to reach the right people. While you're at it, if you use Apple Podcast, Go ahead.Rate the podcast, give it a high rating, and leave a review. Tell people why you like the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.
🟢 AQUÍ ESTAMOS en BILBAO: https://bit.ly/AquiEstamos_BILBAO 🟢 30/09 Los Nuevos Fenómenos LIVE en MADRID: https://link.dice.fm/N43faa9367a4 Adri Romeo e Ignasi Taltavull en el Laberint d'Horta, perdidos. Cirujanos borrachos. Bodas y el Gangnam style. El pride month y reencarnarse en una araña. Aventuras en el laberinto. Adri Romeo @adriromeo http://www.twitter.com/adriromeo http://www.instagram.com/adriromeo Ignasi Taltavull @ignasitf http://www.twitter.com/ignasitf http://www.instagram.com/ignasitf Redes de Aquí Estamos: http://www.twitter.com/aqui_podcast http://www.instagram.com/aqui_podcast SEGUID A LOS NUEVOS FENÓMENOS EN REDES: http://www.twitter.com/nuevosfenonemos http://www.instagram.com/losnuevosfenomenos
Chuyên đề Khi các chị đại sánh đôi “tình trẻ” trên màn ảnh Hàn với sự tham gia của đạo diễn Hằng Trịnh, biên kịch Nguyễn Mỹ Trang, biên kịch Huỳnh Đắc Thọ, biên tập viên Diệu Minh và biên tập viên Trần Quang Huy. Các bộ phim được đề cập theo chủ đề này là những bộ phim gây dấu ấn tốt tại thị trường Việt Nam trong vòng 5 năm trở lại đây (2018 đến nay) và các cặp đôi phải chênh nhau ít nhất 4 tuổi. Im Soo-hyang 1990 vs Cha Eun-woo 1997 (My ID Is Gangnam Beauty - Người Đẹp Gangnam 2018). Son Ye Jin 1982 vs Jung Hae In 1988 (Something in the Rain - Chị đẹp mua cơm ngon cho tôi 2018) Lee Na-young 1979 vs Lee Jong-suk 1989 (Romance Is a Bonus Book Phụ lục tình yêu 2019) Gong Hyo-jin 1980 vs Kang Ha-neul 1990 (When the Camellia Blooms - Khi hoa trà nở 2019) IU 1993 vs Yeo Jin-goo 1997 (Hotel Del Luna - Khách sạn ánh trăng 2019) Lee Se-young 1992 vs Yeo Jin Goo 1997 (The Crowned Clown - Quân vương giả mạo 2019) Kim Hee-ae 1967 vs Park Hae-joon 1976 (The World Of Married - Thế Giới Hôn Nhân 2020) Kim Ha-neul 1978 vs Lee Do-hyun 1995 (18 again - Trở lại tuổi 18 2020) Im Soo Jung 1979 vs Jang Ki-yong 1992 (Search: Www - Phẩm chất quý cô 2019) Im Soo Jung 1979 vs Lee Do Hyun 1995 (Melancholia - Góc khuất học đường năm 2021) Jeon Do Yeon 1973 vs Ryu Jun Yeol (Lost – Lạc lối 2021) Do-Yeon Jeon 1973 vs Jung Kyung-ho 1983 (Crash Course in Romance - Khoá Học Yêu Cấp Tốc 2023) Han Ji-min 1982 vs Kim Woo-bin 1989 (Blues - Nơi Đảo Xanh 2022) Seo Hyun Jin 1985 - Hwang In Yeop 1991 (Why Her - Tại sao lại là Oh Soo Jae? 2022) Park Min Young 1986 vs Song Kang 1994 (Forecasting Love and Weather - Dự báo tình yêu và thời tiết 2022) Park Min-young 1986 vs Go Kyung-pyo 1990 (Love In Contract - Hợp Đồng Tình Yêu 2022) Song Hye Kyo 1981 vs Park Bo-gum 1993 (Encounter – Gặp gỡ 2018) Song Hye Kyo 1981 vs Jang Ki-yong 1992 (Now, We Are Breaking Up - Bây giờ, chúng ta đang chia tay 2021) Song Hye Kyo 1981 vs Lee Do Hyun 1995 (The Glory - Vinh quang trong thù hận 2022-2023) --- Support this podcast: https://podcasters.spotify.com/pod/show/kim-thanh-duong/support
Viral megahit ‘Gangnam Style', by South Korean pop star Psy, became the first video to reach 2 billion plays on YouTube, on May 31st, 2014. The EDM/K-Pop banger, released in 2012 as the lead single from Psy's sixth studio album, parodied the nouveau riche lifestyles associated with the Gangnam region of Seoul. But it was the video, with its iconic horse dance, that became a cultural phenomenon, with United Nations Secretary-General Ban Ki-moon hailing it as a force for world peace. In this episode, Arion, Rebecca and Olly explain how the song literally smashed YouTube's views counter; reveal the health risks inherent in imitating its choreography; and reveal what Psy and Peter Kay have in common… Further Reading: ‘PSY's “Gangnam Style” Changed Pop Music, Whether You Like It Or Not' (Pitchfork, 2017): https://pitchfork.com/thepitch/psys-gangnam-style-changed-pop-music-whether-you-like-it-or-not/ ‘Psy's 'Gangnam Style': Celebrating 10 Years of YouTube's Billion Views Club' (YouTube, 2022): https://blog.youtube/creator-and-artist-stories/10-years-of-youtubes-billion-views-club-psy-gangnam-style • ‘PSY - GANGNAM STYLE(강남스타일)' (YG Entertainment, 2012): https://www.youtube.com/watch?v=9bZkp7q19f0 #2010s #Internet #Music #Korea Love the show? Join
Reisen Reisen - Der Podcast mit Jochen Schliemann und Michael Dietz
Seoul als hipste Metropole weltweit, die Insel Jeju als das Hawaii Nordostasiens, hochmoderne Ideen neben Jahrtausende alten Tempeln, die Grenzregion zu Nordkorea als bizarrer Schauplatz der Weltpolitik - all das haben wir für euch besucht in einem Land, das gerade die Welt erobert. Auch mit seinem Essen: Kimchi, Bulgogi, Bibimbap und unendlich gesundes Temple Food. Oder mit seiner Popkultur: die erfolgreichste Serie der letzten Jahre („Squid Game), der Oscar-Gewinner-Film „Parasite“, der Stadtteil Gangnam (ihr erinnert euch an dieses eine Lied…) oder K-Pop-Bands wie BTS. Allein Seoul hat so viele Facetten, dass unser Reise-Herz durchgehend frohlockte. An jeder Ecke warten neue, innovative Geschäfts-, Kulinarik- und Lebens-Ideen, während nur Meter entfernt - auf einem riesigen Tempel-Areal vor Bergketten - hochtraditionelle Zeremonien gefeiert werden. Südkorea hat alles. Auf relativ kleinem Raum und: Es ist leicht zu bereisen. Kommt mit! Unser Werbe-Partner bei dieser Folge: Das Hotel „Ling Bao“ - eines von drei Erlebnis-Hotels im Phantasialand! Das 4Sterne Superior Hotel begeistert durch seine atemberaubende asiatische Architektur. Ein Erlebnis für alle Sinne - im tropischen Garten, im Outdoor- und Indoor-Pool, im Wellness-Refugium oder in den asiatischen Restaurants und Bars. https://www.phantasialand.de/de/erlebnishotels/hotel-ling-bao/
A series of crypto crimes have shaken up South Korea, forcing the government to push for a crypto bill as soon as possible. In the latest development, a woman was killed on the streets of Gangnam, Seoul. Why? Cryptocurrency. In other news, Srichand Parmanand Hinduja, the chairman of the Hinduja group and the head of Britain's richest family passed away on Wednesday at the age of 87. But with his passing, the Hinduja family now finds itself entangled in a tussle over the $14 billion empire. In today's episode, we also talk about Taco Tuesday throwdown. Tune in to The Signal Daily to know more! The Signal Daily is produced in association with IVM.The episode was written and researched by Aditi and AkshayaEdited by Dinesh Narayanan and ShorboriProduced by Manaswini Mastered and mixed by Manas and Nirvaan You can listen to this show and other awesome shows on the IVM Podcasts app on Android, iOS or any other podcast app. You can check out our website at https://ivmpodcasts.com/. Do follow IVM Podcasts on social media. We are @IVMPodcasts on Facebook, Twitter, & Instagram. Follow the show across platforms: Spotify, Google Podcasts, Apple Podcasts, Amazon Prime Music.See omnystudio.com/listener for privacy information.
진행자: 간형우 / Beth Eunhee Hong 1. Police catch final suspect in drugged drinks case 기사 요약: 강남 학원가 '마약음료' 사건의 마지막 네번째 용의자 대구서 긴급체포 [1] The fourth and final suspect behind the narcotics scheme in Gangnam-gu, Seoul, was arrested Thursday in Daegu, according to Seoul Metropolitan Police Agency. *suspect: 용의자, 의심하다 *narcotics: 마약 *arrest: 체포하다 [2] On Wednesday, a woman in her 40s was arrested for offering high school students drug-infused drinks, claiming that they would increase their ability to concentrate. *infuse: 스며들다, 불어넣다, 우리다 *concentrate: 집중하다 [3] An accelerated police investigation was conducted and was later revealed that the suspect had approached various students on the street with three other accomplices. *accomplice: 공범 [4] Officers say the suspects also blackmailed the parents of the students who consumed the drink. *blackmail: 갈취하다, 공갈하여 돈을 빼앗다 기사 원문: http://www.koreaherald.com/view.php?ud=20230407000456&np=2&mp=1 2. BTS' Jimin tops Billboard Hot 100 as first K-pop soloist 기사 요약: BTS 지민, K팝 솔로 최초로 빌보드 '핫 100' 1위 [1] BTS member Jimin landed atop the Billboard Hot 100 chart with his song "Like Crazy," becoming the first K-pop solo artist to top the singles chart in history. *atop: 꼭대기에 *top: 맨 위, ~보다 높다, 1위를 하다 [2] Jimin, the latest BTS member to debut solo, placed his song "Like Crazy" on top of the Billboard Hot 100 Main Singles chart dated April 8. "Like Crazy" is the lead track of Jimin's first solo album "Face" which was released on March 24. *place: ~에 두다 [3] Jimin also made history with his solo debut EP, "Face," which entered the Billboard 200 Main Albums chart at No. 2 this week, marking the highest rank reached by any K-pop solo artist. *reach: ~에 이르다 [4] Through the album, the 27-year-old singer tells his own story as he embarks on a new journey as a solo musician. *embark: 승선하다, ~에 착수하다 기사 원문: http://www.koreaherald.com/view.php?ud=20230404000363&ACE_SEARCH=1 [코리아헤럴드 팟캐스트 구독] 아이튠즈(아이폰): https://itunes.apple.com/kr/podcast/koliaheleoldeu-paskaeseuteu/id686406253?mt=2 네이버 오디오 클립(아이폰, 안드로이드 겸용): https://audioclip.naver.com/channels/5404 팟빵 (안드로이드): http://www.podbbang.com/ch/6638
505 - Psy - Gangnam Style: Chris, Nick, and Andy break down "Gangnam Style" from the 2012 album Psy 6 (Six Rules), Part 1 by Psy.
Devin: What do you see as your superpower?Paul: I thought a little bit about this because I've obviously heard the podcast before. I'm going to go with the analogy, and I'm going to say x-ray vision. By that, I mean that I can see patterns and networks of people and organizations and see how you can connect them. Out of that connection will come something that's good for them, the people they serve, and society.Paul Katz, CEO and founder of Entertain Impact, describes his business as a “social impact agency, and we use popular culture for social change.”Polio EradicationSome of Paul's big wins have been working with Rotary International and the Gates Foundation on polio eradication. Impact Entertainment developed the “We're this close” campaign that engaged public figures around the world, signaling just how close we are to eradicating polio.This global campaign featured South Korea's Psy, who gained fame for his worldwide hit Gangnam style.Bill Gates also participated. (Bill was a guest on this show to discuss polio eradication.)Archie Panjabi, who starred in The Good Wife, also participated. (She was a guest on this show as a formal part of her work on this effort.)“If we can eradicate polio, it will be the only second human disease we've ever done after—I think smallpox was the first,” Paul notes.The work wasn't strictly limited to influencers. “We did some cool activities, activations, including what became a Guinness Book of World Records [record], where we had a certain number of influencers, whether it was Jane Goodall or it was a soccer player or an actor or whomever, just say ‘We're this close.' We eventually had, I think, over 130,000 people upload.”Paul says the goal isn't really in the activity. “What you're looking for is down the line is the impact.”Still thinking of polio, he lists the sort of questions he asks to determine whether the outreach has had an impact:* Does that have a bearing on persuading governments to continue the programs?* Does it give people in the field, the field workers, the very brave ones, especially in that corner where they're under threat—does it give them more motivation? * Do they get pride from seeing this, that they're acknowledged?Measurement“There are two different types of measurement,” Paul says. “There's the financial. Did you get a good return on investment? That's fairly easy to do.”“The social return on investment, which is what I'm very interested in—it's very difficult to measure that, but it's much, much better than it was ten years ago,” he says. “You can measure it in different ways.”By way of example, he offers, “We were doing a campaign for Europe where which gets people who have kind of graduated high school but haven't launched yet. It gets them internships and trains them. About 80% of them get jobs.”Of his firm's work, he says, “We have to be very careful to be accurate and credible in what we measure.” The thought applies almost universally to those working on and measuring impact.“If you take the Rotary campaign and the partners, you can say we were just the grain of sand on the beach of this,” Paul says. “I don't want to overstate it, but you can say they and polio are gone from Africa, and they're gone from India. So that's the big, big impacts that we're a very small part of.”Paul has strategically used his superpower for big impact over his career. He metaphorically calls it x-ray vision. He's talking about his ability to see strategic connections among people and situations—and then act on the vision.How to Develop X-Ray Vision As a SuperpowerPaul shared two specific examples of using his x-ray vision for significant impact.His first example:Very recently, I was chatting to these two organizations. I was involved through a friend of mine, Tom Chapin, with an organization called Whyhunger, which is founded by his brother Harry Chapin, who was a singer who died way, way too young. This wonderful organization deals with food insecurity. Under its new leadership, it has become much more of a social justice organization. So, I've been involved with them over the years. At the same time, we work very closely with SixDegrees.org, which is an organization that Kevin Bacon founded, based upon the game, and has done wonderful things under the leadership of Stacy Houston.Kevin was hosting a TV show that came out actually co-hosting with the precise TV show that came out in 2021. They were looking for a philanthropic partner. And because I knew both of them, I introduced them. So Six Degrees was kind of the executive producer of the show on CBS. Kevin and I were the hosts, and Whyhunger was one of the two partners. The other one is also an amazing organization called the NAACP Legal Defense Fund. They both were the partners.That raised about $7 million for the organization, which, you know, has a big impact on what the work that they can do. The reason it's so top of mind was I presented an award to Six Degrees on behalf of Whyhunger on Tuesday of this week. And that was very nice to see them acknowledged by their peers. So I think that's maybe one example of the connectedness. His second example:I come out of music, and I'm still involved in music. Some of that goes into the film business, especially with Participant Media, which is the company founded by Jeff Skoll that does documentaries like the Obama one or Malala or RBG and also Green Book and Spotlight—movies that are entertaining but have substance, which is what we do. We always try and wrap our stuff up in entertaining packages, so it gets on people's radar, but it has some seriousness in that. So because of my film music work, I know the guys at Pixar, so some of the guys, the marketing guy, and we put together a thing for the Grammys called the Grammy Music Education Coalition, which was basically a coalition of different organizations in the teaching music world. About 70 people, 70 organizations, I should say. We were all concerned with the lack of music in public schools, especially for what we now call BIPOC folk. I could go on a lot, but I know we have a short podcast, but suffice to say, music has social emotional benefits and intellectual benefits that we all know about in addition to academic ones. So, I reached out to Pixar. They were doing a movie—I don't know if you remember this movie called Coco. It was an animated movie about a kid whose grandfather was like the Elvis Presley of Mexico, but he wasn't allowed music. So that connection with the Grammys and the lack of music in the schools proved to be very powerful. Pixar was fantastic, and the Grammys were fantastic. We had 200,000 or 300,000 kids involved in the program, and donations and music platforms that were were utilized and broadened. I think it made some impact, especially in, I know, Nashville, for example, Chicago, Philadelphia and parts of California. So, this connecting people who've got amazing talent. In a way, it's in music. You do talent spotting, you know, you look for the next artist that's going to express themselves musically in a wonderful way. In a way, that's what I'm kind of doing in my philanthropic and social justice work.After hearing these illuminating examples of how he uses his x-ray vision to make strategic connections, I asked him for advice for developing this ability.Paul recently finished writing a book, Good Influence, How to Engage Influencers for Purpose and Profit, that will be published in February.He offered three tips for developing or strengthening x-ray vision:* Have empathy. “First of all, on a personal level, I need to learn to listen and make sure that I'm empathetic and other people's experiences I take into account.”* Be systematic. “Secondly, I'm involved with Made in Memphis Entertainment, a Black-owned, Black-run music business. Its social mission is to engage people who have got super talent, super character, just not the networks. Mentorship is a big part of what we do. So, I think that that's important that you're systemized about it—you think about it, and you implement some proper structures around it.”* Scale up. “What I'm trying to do [in the book] is inform people and give them confidence. Organizations of whatever size, anywhere in the world, can do this. So, that's trying to do it on a larger scale than just a one-on-one or within one organization. You've got individual, organizational and then hopefully a much broader perspective.”By following Paul's advice and his example, you can develop your x-ray vision into a superpower that will help you do more good in the world. Get full access to Superpowers for Good at devinthorpe.substack.com/subscribe
8-15 Segment 4 - Gangnam style - Disliking viral trends - Cat calls Charlie 'suspect' - Stella gets some love - Andy Van Slyke vs. Cam Janssen 1v1 - Toilet paper brands
Korea24 – 2022.08.09. (Tuesday) News Briefing: At least 8 people have died and 6 more are reported missing after downpours pounded the central region on Monday. Seoul saw the highest daily rainfall on record. (Eunice Kim) In-Depth News Analysis: North Korea reported zero suspected cases of COVID-19 for the 11th day in a row on Tuesday, according to the regime’s state media. A national meeting to review antivirus measures is reportedly set to take place this month, and there is speculation that Pyongyang could declare an end to the epidemic at the meeting. To learn more about the coronavirus situation in North Korea, reporter Ifang Bremer from NK News joins us on the line. Korea Trending with Jenny Suh: 1. A man clearing a clogged street gutter with his bare hands near Gangnam station to reduce flooding on Monday night has attracted attention online. (홀로 비 맞으며 배수관 청소… 침수된 강남역 등장한 ‘슈퍼맨') 2. The Korea Skating Union has suspended Olympic medalist speed skater Kim Min-seok for 18 months for a drunk driving accident last month. ('음주운전 사고' 김민석, 자격정지 1년6개월 징계) 3. A feature-length animated film of “Baby Shark” will be released next year, according to The Pinkfong Company. ('핑크퐁 아기상어' 극장판 애니메이션 내년 개봉) Touch Base In Seoul: How can we argue and disagree better to improve our relationships and society? That is the question that the two-time world debate champion, Korean-Australian Bo Seo explores in his book “Good Arguments”, which was published earlier this year. We connect with him via video to talk to him about the book and his experiences as a competitive debater. Morning Edition Preview with Richard Larkin: - In tomorrow’s Korea Herald, Kim Hae-yeon reports on a controversy over a promotional video for a sofa filmed at various locations in Cheong Wa Dae. - Tomorrow’s Korea Times features an interview by Jon Dunbar with Australian artist Casey Tosh who moved to South Korea in 2019.
Check out our sponsors! www.sleepterrorclothing.com Use promo code 'untrained' for 15% off your first order! www.ohfishl.com Use promo code 'untrained' to get 25% off your first order! - This week, DJ tries to go gloom and doom, but Beth is able to get him back on track! Putins war, new Gangnam style remix, honestly, we just recorded, and I already forgot what we talked about. But this was a really good episode! Thank you all for checking out the show! We love you! -Beth and DJ - Our recommendations this week: Angry Dad Podcast - Small business we support: @brickbodykids you can DM on Instagram to buy direct or find them on Ebay dot com the website https://www.ebay.com/usr/brickbodykids - DJ also does a solo podcast called Dragging The Table - We are a proud part of the ⭕Inner Circle Podcast Network⭕ Visit www.innercirclepn.com to subscribe, follow, and listen to all the shows! - Follow the link to these shows to check out our appearances on them! The All Bro's #NoOffense Married AF Drinks With Larry The Inner Circle Presents: The Winners Circle NE Podcast - Wanna send us something? Now you can! Our mailing address is: The Untrained Eye P.O. Box 6225 Sun City Center, FL 33571 - If you love our intro and outro music, please visit Cullah.com Don't forget to follow us on Instagram and Twitter We have stickers and buttons! DM our socials or send an email to untrainedeyepod@gmail.com and we'll send you some
Ep244 is OUT NOW!! This week, the gals channel their inner optimistic teenager to explore the world of Korean pop music. Topics include an elevator altercation, a scandalous band of bullies, and just what the heck Gangnam is. Treat yo'self to a glass of soju, curate a playlist, and tune in for K-pop Crimes!
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