Podcasts about eszter balint

Conversation avec la musicienne, autrice/compositrice, productrice et chanteuse Armelle Pioline qui s'est fait connaître avec le groupe Holden de 1998 à 2012 et qui a formé depuis le groupe Superbravo. L'occasion d'évoquer ses différentes apparitions au festival sur 4 décennies de 1999 à 2023, de son lien aux artistes femmes et de l'évolution de leur place dans la musique. Un podcast produit par Les Femmes S'en Mêlent et réalisé par Inbar dans le studio d'enregistrement de La Gaîté Lyrique. À écouter chaque mardi, du 5 novembre au 26 novembre à 11h, sur Tsugi Radio et sur toutes les plateformes. Écrit par Stéphane Amiel Directrice de création : Marine Rivollet Montage, Sound Design et Mixage : Valentin Lavoillotte Voix off : Marine Rivollet Remerciements particuliers aux personnes ayant témoigné Nicolas d'Aprigny (Directeur et programmateur du Normandy à Saint-Lô), Christine Lidon (Artiste, autrice-compositrice-interprète, présidente de la SACEM), Cléa Vincent (Artiste et musicienne), Marion Gabbaï (Agent artistique chez Vedettes Agency), Vale Poher (Artiste et musicienne), Corinne Sadki (Présidente de la commission égalité femmes/hommes CNM), Cécil Mathieu (Photographe), Emmanuelle Jeanne (Spectatrice). Archives Thierry Ardisson – "Le casting de potiches pour 'Ardimat'" (INA, 1993) YouTube Flore Benguigui – "Cherchez la femme | Carte Blanche" (YouTube, 2020) INA – "L'histoire du féminisme et du MLF" (YouTube, 1982) Archive Les Femmes S'en Mêlent Elysian Fields – Live LFSM Café de la Danse (Enregistrement en direct, 2002) Shannon Wright – Café de la Danse 2002 Live LFSM (Enregistrement en direct, 2002) Musique Holden – "La Machine" Holden – "C'est Plus Pareil" Edith Frost – "Temporary Loan" Holden – "Ce Que Je Suis" Sheila & B. Devotion – "Spacer" Élisa Point – "Toi Mon Toit" The Dixie Cups – "Iko Iko" The Velvet Underground – "I'm Waiting for the Man" Eszter Balint – "Un Poison Violent" Cat Power – "The Greatest" Holden – "Dans la Glace" Lonelady – "Nerve Up" Sonic Youth – "Incinerate" Sonic Youth – "Bull in the Heater" Gina Birch – "Feminist Song" Ela Orleans – "Neverend" Scott Buckley – "Petrichor" Au Revoir Simone – "Hurricane" Micachu – "Just in Case" Wildbirds & Peacedrums – "Bleed Like There Was No Other Flood"

A gambler's cousin shows up from Hungary and suddenly turns his dirtbag life upsidedown, sending them on a roadtrip around America.  Starring John Lurie, Eszter Balint, and Richard Edson. Written and directed by Jim Jarmusch.

Multi- Instrumentalist/Songwriter Releases New Album "Fever Dreaming In Lo-Fi"#newmusic #multiinstrumentalist #percussion #guitarist #newalbum “Fever Dreaming In Lo-Fi” is the fifth solo release by NYC based multi-instrumentalist/songwriter, Marlon Cherry. This collection of music is an eclectic mix of styles, ranging from Rock, Dream Pop, Jazz, Experimental, World Beat, and even a splash of A Cappella R & B. Marlon handles all of the instruments and vocals on the bulk of the pieces, with some wonderful guest contributions from Terre Roche (The Roches), Susan Hwang, Paul Brantley, Christina Schneider, and poet/actress, Sophie Malleret. The project was co-produced by Marlon and Zach Phillips (Fievel Is Glauque), who also engineered the recording. Marlon has worked and continues to work with a wide range of artists including Stew & The Negro Problem (Tony Award winners for Passing Strange), Stew's current side project, Baba Bibi, Syd Straw, actress/songwriter, Eszter Balint, Chris Cochrane (Marc Ribot, Zeena Parkins), and Terre Roche (solo and as part of the trio, Afro-Jersey with Sidiki Conde), among others.Previous solo releases by Marlon are “Life After Théâtre” (1986), “Pete” (1990), “Elsewhere” (2001), and “Ancient Sound, Modern Dance” (2006).“Fever Dreaming In Lo-Fi” is available for streaming/download at Spotify, Amazon, iTunes, Bandcamp, Hear Now, and other sites and is available in cd format via CD Baby. https://marloncherry1.bandcamp.com/album/fever-dreaming-in-lo-fiInstagram: https://www.instagram.com/marlon.cherry/Facebook: https://www.facebook.com/marlonecherryThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Welcome to another episode of Side Projects. Today we welcome back Eszter Balint and Charming Disaster's Ellia Bisker & Jeff Morris. If you listen on a fairly regular basis, you might notice that I like many different genres of music. One area that I was never drawn to was musical theater. Most of it seemed too campy and over the top. That's why I asked these specific guests to join me for this episode. Eszter has a production in the works, based on her story and Charming Disaster use some theatrical elements in their performances. So if any of my past guests could ease me into this, it would be these guys. WHat I learned is that THEY aren't exactly huge fans of musical theater, either; BUT…that there is a distinction between musical theater and music AND theater. This show is full of a lot of things, like information, fun, and also extra noises. Some of it was ambient, some was me forgetting to turn off my notifications when we all connected.  Check out the latest Charming Disaster album Super Natural History. Go to charmingdisaster.com to pick it up or check out their socials. Follow Eszter Balint on Instagram @eszter.balint for updates on her music and her production of I Hate Memory. Check us out @PerformanceAnx on socials, ko-fi.com/performanceanxiety to send the gift of caffeine, or performanceanx.threadless.com for caffeine holders, shirts, shower curtains, & such. And I hope you enjoy our not over the top or campy at all episode of Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show, Charley Deppner talks with incredible violinist and actress (Stranger than Paradise, The Dead Don't Die) Eszter Balint and Orlando, Florida Public Art Coordinator Pat Greene, who enjoy a discussion of terror, punk rock, and the duality of musical genius. Listen for new tracks from Osees' album A Foul Form and Tianna Esperanza's Terror, two songs from Habibi's Anywhere But Here re-release, and "The First Day" and "Second Avenue" from Eszter Balint's I Hate Memory!, — with the exclamation point!

“I Hate Memory” Born in Budapest, Eszter Balint relocated to the United States and as a ten year old and found herself in New York living with the avant-garde Squat Theatre troupe, which was founded by her dad. Being surrounded by artists was no new thing for the violin-playing actress, who came from generations of artists. Her father was also a poet, her grandfather was a renowned visual artist and her great grandfather was one of the premier intellectuals and art critics at the turn of the century in Hungary. Balint acted in the troupe and living amongst writers, painters, actors and visual artists had an instant effect on her sensibility and her career path. In other words, it wasn't likely she was going to be a realtor. By 15 she played violin on a song produced by Basquiat and not long after, she started appearing in movies like Jim Jarmusch's Stranger Than Paradise, Woody Allen's Shadows and Fog, Trees Lounge and The Linguini Incident. She also had a several episode arc on Louie CKs sitcom “Louie." She's put out a handful of staggeringly great solo albums, including classics like Mud and Airless Midnight and her new one, I Hate Memory is a song cycle that explores Balint's trajectory from communist Hungary to the vibrant non-stop life of lower Manhattan in the early '80s. This is such a stirring song cycle it gave rise to the anti-musical version that was staged at Manhattan's beloved Joe's Pub. The record rings with poeticism, artistry and conviction. It's evocative, sonorous and truly unforgettable work. www.eszterbalint.com www.bombshellradio.com Stereo Embers www.stereoembersmagazine.com www.alexgreenonline.com IG: @emberspodcast

My guest is Eszter Balint and her story is really unusual. It's so unusual, in fact, that her latest project is a memoir. She was born in Hungary and lived there until she was about 10 years old. But the rise in communism at that time forced artists who were more avant garde, like Eszter's family, to leave the country. She found herself in New York City with her immediate and extended family, creating the Squat Theater where some of the most amazing artists created their work. Eszter worked with a diverse array of people. Sometimes she was behind the scenes with sun Ra, while other times she was right in the middle of it all, from acting in Jim JArmusch movies to playing violin in a Jean Michel Basquiat production. So it shouldn't be a surprise that she began writing and performing her own material. And when the acting bug reappeared, she went to LA. But she eventually came back to New York, raised a family and got back to music. Her aforementioned new project is a combination theater production and accompanying album, called I Hate Memory that pairs her with Stew from Stew & The Negro Problem. She's got shows coming up in NYC, so check out her Instagram page @eszter.balint. Pick up I Hate Memory on Bandcamp or wherever you get music. Follow us @PerformanceAnx on Instagram & Twitter. Reach out there or theperformanceanxietypod@gmail.com. We have merch at performanceanx.threadless.com. We accept cups of coffee at ko-fi.com/performanceanxiety. Now let's dive head-first into this chat with Eszter Balint on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eszter is an actor/musician, gaining initial fame starring in Jim Jarmusch's first major film Stranger Than Paradise (1984). She has released four albums of often autobiographical songs since 1998. We discuss "The First Day" (and end by listening to "Freaks") from I Hate Memory (2022) feat. Stew and Syd Straw; this album has been made into a stage show. We then turn to "Exit at 63" from Airless Midnight (2015) and "Almost Gone" from Flicker (1998). The introduction is the theme from her debut film, Screamin' Jay Hawkins' "I Put a Spell on You." For more, see eszterbalint.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsors: Upgrade your showering at nebia.com/nem (code NEM). Check out Jughead's Basement (a punk music interview podcast) at jugheadsbasementpodcast.com

Eszter is an actor/musician, gaining initial fame starring in Jim Jarmusch's first major film Stranger Than Paradise (1984). She has released four albums of often autobiographical songs since 1998. We discuss "The First Day" (and end by listening to "Freaks") from I Hate Memory (2022) feat. Stew and Syd Straw; this album has been made into a stage show. We then turn to "Exit at 63" from Airless Midnight (2015) and "Almost Gone" from Flicker (1998). The introduction is the theme from her debut film, Screamin' Jay Hawkins' "I Put a Spell on You." For more, see eszterbalint.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.p> Eszter is an actor/musician, gaining initial fame starring in Jim Jarmusch's first major film Stranger Than Paradise (1984). She has released four albums of often autobiographical songs since 1998. We discuss "The First Day" (and end by listening to "Freaks") from I Hate Memory (2022) feat. Stew and Syd Straw; this album has been made into a stage show. We then turn to "Exit at 63" from Airless Midnight (2015) and "Almost Gone" from Flicker (1998). The introduction is the theme from her debut film, Screamin' Jay Hawkins' "I Put a Spell on You." For more, see eszterbalint.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsors: Upgrade your showering at nebia.com/nem (code NEM). Check out Jughead's Basement (a punk music interview podcast) at jugheadsbasementpodcast.com

Eszter Balint é uma imigrante húngara que se tornou atriz nos EUA e de vez em quando lança um disco, são 4 na carreira, e o mais recente fala justamente da imigração dela da Hungria para os EUA no fim dos anos 70. Nesse episódio a gente conta tudo do disco e da carreira dela. --- Send in a voice message: https://anchor.fm/musicacronica/message

From the Avant-Garde tribe of New York City, if you ever needed to know if the movement of performance art is still alive, well, Eszter Balint is proof of that. Born in Hungary, she has lived in New York City for decades, and has been "boots on the ground" making music to inspire you. She considers the violin her "Weapon of choice" as she delivers sometimes dark, but ever inpsiring music, just making you think, where you have been and what significant thing you can do today with what you know. We bantered about Hungarian History, performing with David Bowie, and her lack of interest in science fiction. Her new album "I Hate Memory" is a powerful reflective piece that will be performing live at the "Under The Radar" festival in January at Joes Pub (with plenty of other artists as well). Dig in, there is a lot to unpack with Eszter Balint, no looking back. soundcloud youtube facebook twitter Under the radar #eszterbalint #davidbowie #jimjarmusch #stevebuscemi #thechelseahotel #jeanmichellebasquiat #postpunk

Interview with Eszter Balint. Eszter Balint released her new album Airless Midnight in late 2015. It was recorded at New York's Brooklyn Recording and Richmond's Montrose Recording, produced by JD Foster, and features Chris Cochrane, Marc Ribot, Dave Schramm on guitar as well as well as singer songwriter Sam Phillips on harmonies. Eszter has been very busy for the past few years. In 2014 she was making progress gathering material for the new album when out of the blue-after a long hiatus from acting she was offered a part she couldn't refuse. She agreed to star in a six-episode arc of Louis C.K.'s F/X series Louie, Season 4, a performance which would earn her considerable critical praise. Eszter also improvised compositions, sang and played violin for the episodes which featured her performance. As soon as filming wrapped, Eszter returned to work on her album. Eszter starred in Jim Jarmusch's classic Stranger than Paradise, and was featured in Steve Buscemi's Trees Lounge,and worked alongside Mia Farrow and John Malkovich in Woody Allen's Shadows and Fog, among other film appearances. She continues, “In 1995, while living in Los Angeles, I decided to fully devote my artistic energies to music-making and words writing, more specifically to becoming a performing and recording songwriter. I have two albums out, Flicker (1999) and Mud (2004), both produced by JD Foster, who has made wonderful records with Richard Buckner and Marc Ribot among many others, which were both received with critical praise. “I have since been fortunate enough to have been asked to lend my violin playing and singing to works by people I consider true artists, most notably guitarist Marc Ribot, and Michael Gira of Swans fame,” Eszter can be heard on violins on two Angels of Light albums as well as Swans' The Seer, and on vocals and other instruments on multiple Marc Ribot projects including Ceramic Dog's Your Turn, – a band she was a guest member of through 2009 – and on an upcoming album of Mr. Ribot's songs. Eszter's info https://eszterbalint.com  

Big Gulps, huh? Alright...well, why you're here, you might as well get comfy, settle down for a spell, and catch up with old friends. This edition of Overlapping Dialogue has us hitting the highway for two road classics, Stranger Than Paradise & Dumb and Dumber! But before we arrive there, we take a few detours with a Blue Plate Special discussion of the surprisingly adequate Halloween Ends, the wickedly talented (iykyk) The Devils, and the considered brilliance of Tár, Todd Field's long awaited return to filmmaking. This week's duo is just as offbeat and eclectic: listen as we discuss Jim Jarmusch's 1984 portrait of hipster malaise, the Farrelly Brother's 1994 idiotic odyssey, and the curious connections both films have in depicting the joys and pitfalls inherent to the open road. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 61 Sam is joined by film journalist, programmer, and video essayist Leigh Singer.  Leigh has chosen Jim Jarmusch's second feature film Stranger Than Paradise (89 mins). The film won the Camera d'Or at the 1984 Cannes Film Festival, and stars John Lurie, Eszter Balint and Richard Edson. Sam and Leigh discuss how he got into video essays, how the movie started life as a short film, and the powerful use of Screamin' Jay Hawkins.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm We are a proud member of the Stripped Media Network. Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @Leigh_Singer. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey.  If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus Link: The Levi's advert with Screamin' Jay Hawkins's cover of Heartattack and Vine by Tom Waits.

In the forty-eighth episode of Season 1, Cult Flicks & Trash Picks, Kyle is joined by screenwriter Kelcie Gruenberg and podcaster Ben Thelen (of the Popcorn Optional podcast) to discuss the bone dry comedic rumination on slacker malaise and the elusive American Dream in Jim Jarmusch's breakout cult hit Stranger Than Paradise.

It's not your average episode this week, we're talking about a black-and-white deadpan comedy. It's Jim Jarmusch's groundbreaking film Stranger Than Paradise, released October 1st, 1984. Did it have a story? Not really. Is that going to stop us from reviewing it for over an hour? No way! Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Listen to Sandro's other podcast: Nerd-Out! https://omny.fm/shows/nerdout  See omnystudio.com/listener for privacy information.

On our latest episode host Peter Agoston sat with the Hungarian singer, actress, violinist Eszter Balint. In the acting word many know her work from such acclaimed works as 'Stranger Than Paradise' (where we learn how she is responsible for the incredible Rammellzee cameo). and 'Tree's Lounge', she also was a major stand-out on Season 4 of 'Louie', as Amia. She's also an accomplished recording artist, having collaborated with the likes of Swans and Marc Ribot. We talk about that + growing up at The Squat Theater, Louie, Bowie, Sun Ra, Warhol, Susan Sontag, and muuch more. But most importantly we talk about being Hungarian. If you enjoy this conversation please take a moment to subscribe to 'The House List' whereever you listen to podcasts. Köszönöm! Learn more about your ad choices. Visit megaphone.fm/adchoices

New music from Deerhoof and Deer Tick, plus two tracks from the great Talk Talk record Spirit of Eden, and more. Original air date: September 8th, 2017 Eszter Balint “Let’s Tonight It”from Airless Midnight (Red Herring Records 2015) Collapsible Shoulder “No Justification”from Everywhere (DistroKid.com 605772 2016) Thalia Zedek Band “360”from Eve ALBUM (Thrill Jockey Records 2016) Deer Tick “Card House”from Deer Tick Vol. 1 (Pod / Inertia under exclusive licence from Partisan Records 2017) Announcement break Ry Cooder “Brothers”from Paris, Texas (Original Motion Picture Soundtrack) (Warner Bros.) Ry Cooder “Nothing Out There”from Paris, Texas LP ALBUM (Warner Bros. 1985) Talk Talk “The Rainbow”from Spirit of Eden MP3 ALBUM (EMI 1988) Talk Talk “Eden”from Spirit of Eden MP3 ALBUM (EMI 1988) Damon and Naomi “Forgot to Get High”from The Wonderous World of Damon and Naomi (Sub Pop www.subpop.com/ 1995) Deerhoof “Slow Motion Detonation (feat. Juana Molina)”from Mountain Moves MP3 ALBUM (Joyful Noise Recordings www.keinundaber.ch 2017) Deerhoof “Con Sordino”from Mountain Moves MP3 ALBUM (Joyful Noise Recordings www.keinundaber.ch 2017) Announcement break Chilly Gonzales “Sample This”from Chambers (Gentle Threat / Fontana North 2015)

Music from Eszter Balint, Juanita Stein, Sam Amidon, Big Lazy, Calexico, and Ry Cooder in a set of film noir and dark Americana. Original air date: August 11, 2017 Juanita Stein “Dark Horse” from America CD ALBUM (Nude 2017) Announcement break Big Lazy “Minor Problem” from Don’t Cross Myrtle (Tasankee Records 2014) Eszter Balint “Trouble You Don’t See” from Airless Midnight (Red Herring Records 2015) Calexico “Woven Birds” from Feast of Wire CD ALBUM (Quarterstick Records 2003) Sam Amidon “Juma Mountain” from The Following Mountain (Nonesuch 2017) Announcement break Ry Cooder “Paris, Texas” from Paris, Texas (Original Motion Picture Soundtrack) (Warner Bros.) Ry Cooder “Brothers” from Paris, Texas (Original Motion Picture Soundtrack) (Warner Bros.) The Carter Family “John Hardy Was a Deperate Little Man” from Anthology of American Folk Music Gun Club “John Hardy” from miami LP ALBUM (Animal Records 1982)

I didn’t recognize Eszter Balint’s name when I got a PR pitch about her Airless Midnight, but I the record a quick listen anyway and shot her representation a note about getting her on the show. Lucky for me, the musician has the sort of backstory press release writers kill for, the daughter of experimental theater troupe members who moved her and the theater from Budapest to New York at an early age, putting her at the epicenter of the city’s late-70s avant garde scene. In 1984, friendships with musicians John Lurie and Richard Edson led to a leading role in Jim Jarmusch’s pioneering Stranger Than Paradise, with roles in Woody Allen’s Shadows and Fog and Steve Buscemi’s Trees Lounge following (along with a lesser-cited Miami Vice appearance). Disillusioned with acting, Balint dove headfirst into a musical career that found her collaborating with a wide range of musical visionaries, from Michael Gira to Marc Ribot, along with the release of two critically acclaim solo records more than a decade apart. 2014 also saw an unexpected return to acting, as Louis CK cast Balint as his violin-playing Hungarian neighbor in Louie. Balint was kind enough to sit down at a Manhattan cafe to cram as much of her fascinating life as possible into an hour-long interview.

New York songwriters and composers, including new music from Eszter Balint and Steve Reich plus Angels of Light, John Zorn, Henry Threadgill, Philip Glass, Lou Reed, and Talking Heads.

All new music from:
Eszter Balint, Howe Gelb, Don Piper, Victoria Williams, Peter Holsapple, Kate Jacobs, Dave Schramm, Franklin Bruno, Chris Cochrane, Amy Allison and Freedy Johnston Presented by: Nicholas Hill The Radio Free All Stars: Konrad Meissner, JD Foster, Don Piper, Franklin Bruno, Chris Cochrane, Dave Schramm and Eszter Balint We recorded this show [...]