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Lil' Ed and The Blues Imperials (My Mind Is Gone); B.B. King (Love You Baby (aka Take A Swing With Me)); Mark Margolies (Jump With You Baby); Robin Rogers (Time For Myself); Peg Leg Howell (New Prison Blues); Willie Nix (Prison Bound Blues); Eddie Taylor Jr. (Why Can't You Be True); Delbert McClinton (I'm With You); Greg Nagy (Be With You); Bobby Parker (Man's Gotta Do What A Man's Gotta Do); Bo Carter (Backache Blues); Fruteland Jackson (My Pencil Don't Write No More); Guy Tortora (Live Fast); David Maxwell and Louisiana Red (Going Back To Memphis); Reverend Sexton (Sister Blues).
In Need to Know, "Rest Is Resistance: A Manifesto" by Tricia Hersey (founder of The Nap Ministry) is reviewed as part of the W&W Better You Book Club. In All the Feels, work spouses are discussed; Isaiah has two, but Bianca doesn't have any! In Gotta Do, Isaiah encourages listeners to document their dreams over the next month. Plus, the co-hosts reveal a new month-long series: Fit February! Throughout the month of February, each Gotta Do segment will focus on the personal, physical and cultural side of fitness.
Mary Sullivan, a straight-A biochemistry major while at Loyola University, thought she wanted to be a doctor but came to the realization that medicine wasn't for her. She chose law instead, studying at Georgetown University. Upon graduation, she accepted a position at a full-service law firm in Los Angeles, learning the trade and transitioning to the entertainment arm. Mary came to realize that not growing up in the entertainment industry allowed her to think differently and push back on industry standards that didn't make sense. In 2005, as a senior partner at her thriving boutique entertainment law office, she received a call from Mike Rowe, who needed an attorney. Mike arrived at Mary's corner office three weeks later, covered in dust from working at a rock quarry while filming his soon-to-be hit television series, Dirty Jobs. At the time of their meeting, her filthy-by-design client had no representation, agent, manager, or accountant. So, there was work to be done; Mary accepted the challenge. Mary is president of the mikeroweWORKS Foundation - a foundation co-created by both she and Mike - focused on promoting the skilled trades. Today student loan debt is the second highest debt category nationwide, with over 44 million borrowers owing an excess of $1.5 trillion dollars. Mary and Mike's foundation have funded over five million dollars in scholarships for their Work Ethic Scholarship Program, providing training for the 7 million available jobs that don't require a four-year college degree. Embracing a mission larger than herself, this powerhouse is the executive producer of many of Mike's shows, including How Booze Built America, Six Degrees, Dirty Jobs, Somebody's Gotta Do it, Returning the Favor, as well as The Way I Heard it with Mike Rowe podcast. It was a privilege to catch up with Mary, we warmly welcome her to this episode of Intrinsic Drive™.
Date: October 19, 2022Name of podcast: Backstage Pass RadioEpisode title and number: S3: E13: Kirstie Kraus - Flowers Bloom Where They Are PlantedArtist Bio -She's thirsty for love and magic, for joy and sunshine. She's thirsty for compassion and authenticity. And more than anything, she's thirsty for anything that sets her soul on fire.Kirstie Kraus carries her thirst in her songwriting, in her live shows, and in her everyday connection with other kindred spirits. Nowhere is her appetite more quenched than on a stage in front of her fans, appropriately named “Thirsties”. Her confidence naturally shines under the bright lights, taking concertgoers on a well-defined path of self-discovery and bliss. Her writing infuses her own transparent journey with others' experiences to create sustainable lyrics and catchy melodies.The result is a perfect blend of country, funk, blues, and rock because, with Kirstie, there are no boundaries. There's only the process of “letting go” and letting the song tell you what it wants to be. It will also tell you WHERE it wants to be and for an intuitive deep thinker like Kirstie, that place is Nashville. Three years ago, the Wisconsin native made the move to Music City and having heavily toured the summer before with her Midwest band, Thirsty Jones, Kirstie made the decision to really focus on honing her craft in town. She immediately began demoing out songs for her upcoming full-length record and playing established Nashville venues, like the Listening Room Café and the Bluebird. She also leaned into the production side of her album, gaining great insight from her then producer about arrangements, vocal styling, and mixing. Her first Nashville based single, “Delusional” (2018) fancies a sassy 80s funk groove while 2019's “Gotta Do” pulls in early 2000s Shania vibes. “Silver”, her July 2020 release, possesses the licks of Joan Jett and attitude of Avril Lavigne, proving that she's not a one lane roadmap.Sponsor Link:WWW.ECOTRIC.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist Media Handles:Website - www.kirstiekraus.comInstagram - https://www.instagram.com/kirstiekrausFacebook - https://www.facebook.com/kirstiekrausTwitter - https://twitter.com/kirstiekrausCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey
WISCONSIN MUSIC PODCAST AMPLIFYING WISCONSIN MUSICIANS EPISODE 87 KIRSTIE KRAUS https://www.kirstiekraus.com/ Kirstie Kraus carries her thirst in her songwriting, in her live shows, and in her everyday connection with other kindred spirits. Nowhere is her appetite more quenched than on a stage in front of her fans, appropriately named “Thirsties”. Her confidence naturally shines under the bright lights, taking concert goers on a well-defined path of self-discovery and bliss. Her writing infuses her own transparent journey with others' experiences to create sustainable lyrics and catchy melodies. The result is a perfect blend of country, funk, blues, and rock because with Kirstie, there are no boundaries. There's only the process of “letting go” and letting the song tell you what it wants to be. It will also tell you WHERE it wants to be and for an intuitive deep thinker like Kirstie, that place is Nashville. Three years ago, the Wisconsin native made the move to Music City and having heavily toured the summer before with her Midwest band, Thirsty Jones, Kirstie made the decision to really focus on honing her craft in town. She immediately began demoing out songs for her upcoming full length record and playing established Nashville venues, like the Listening Room Café and the Bluebird. She also leaned into the production side of her album, gaining great insight from her then producer about arrangements, vocal styling, and mixing. Her first Nashville based single, “Delusional” (2018) fancies a sassy 80s funk groove while 2019's “Gotta Do” pulls in early 2000s Shania vibes. “Silver”, her July 2020 release, possesses the licks of Joan Jett and attitude of Avril Lavigne, proving that she's not a one lane roadmap. In fact, the roadmap has always been paved with perseverance and unwavering support of her close knit family back home. Her strong Catholic upbringing relayed the importance of a greater plan from early on. Growing up in an industrial, blue collar area instilled hard work, community involvement, and social interaction. The popular powerhouse vocals of Mariah, Celine, Gloria Estefan, and Amy Grant nudged the precocious six year old to declare that she too wanted to be a singer, in the form of a homework drawing. Her mother then enrolled her ambitious daughter into every opportunity and outlet she could find. By 12, she was writing songs and by the age of 15, she had picked up a guitar and joined NSAI, which meant frequent trips to Nashville for the next several years to be mentored by the best in the business. Kirstie did what most successful artists of longevity will tell you to do: she built her fan base and relationships back home AND in Nashville before making the big leap. https://www.kirstiekraus.com/ Wisconsin Music Podcast Link tree : linktr.ee/WI_Music_Podcast ZTF Studio: www.ztfStudio.com
"Whoa Mama!" This episode we're going to Kat and SLee's home state with Bright Star. But only after SLee finally reveals her big news! Listen along as Kat and SLee discuss Blue Grass, Babies, and Briefcases.Additionally there are some spoilers for the book 'Verity' by Colleen Hoover, to skip them jump from 8:44 to 12:58Performance Links:https://youtu.be/sIoBHl0O3pE - ‘If You Knew My Story' performed by Carmen Cusack and the Original Broadway Cast on the 2016 Tony Awardshttps://youtu.be/QRyqi_ZJK20 - ‘Sun is Gonna Shine Again' preformed by Carmen Cusack at 54 Belowhttps://youtu.be/mSZE_4eQgpI - Show Clips from the Original Broadway Productionhttps://youtu.be/CwqM0S3YAd8 - ‘Bright Star' preformed by the Original Broadway Casthttps://youtu.be/Da-8OK7KHwQ - ‘Man's Gotta Do (reprise) performed by the Pelham Memorial High School CastFollow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweekGet Your Tickets to Stranger Sings Here! Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platforms Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by:Adele Simms, @artsyadele on instagramSupport the show
In this episode, Em and Caz turn their attention to a particularly bloody narrative - Judges 19-21 - which depicts gang rape, murder, dismemberment, and sex trafficking. By making connections with some contemporary cases of violent crime, they shine a light on the ways that toxic masculinity and patriarchy shape the horrific gender violence that's portrayed in this biblical story. Show notesFind us on Twitter @BloodyBiblePod, on Facebook @TheBloodyBiblePodcast, and on Instagram @bloodybiblepodcast. You can also email the podcast at BloodyBiblePodcast@gmail.com.Our podcast music is ‘Stalker' by Alexis Ortiz Sofield, courtesy of Pixabay music https://pixabay.com/music/search/stalker/ Our podcast art was created by Sarah Lea Westhttps://www.instagram.com/sarahleawest.art/?fbclid=IwAR0F4i-R7JpRePmm8PmGta_OkOCWa-kMjR3QGSSeOKi6SWNrCk3rA5VuIZk Resources for this episodeWill Briggs, “‘A Man's Gotta Do What a Man's Gotta Do?' The Criticism of Hegemonic Masculinity in Judges 19:1-20:7.” Journal for the Study of the Old Testament 42, no. 1 (2017): 51-71. Brandon Hurlbert, “Cut & Splice: Reading Judges 19 Cinematically.” Biblical Interpretation (2020): 1-25. Ryan Kuja, “Remembering the Body: Misogyny Through the Lens of Judges 19.” Feminist Theology 25, no. 1 (2016): 89–95.Sharmila Lodhia, “From “living corpse” to India's daughter: Exploring the social, political and legal landscape of the 2012 Delhi gang rape.” Women's Studies International Forum 50 (2015): 89-101Murderpedia, “Richard B. Crafts.”https://murderpedia.org/male.C/c/crafts-richard.htmVictor G. Petreca et al., “Dismemberment and Mutilation: A Data-Driven Exploration of Patterns, Motives, and Styles.” Journal of Forensic Sciences 65, no. 3 (2020): 888-96.Teresa da Silva, Jessica Woodhams and Leigh Harkins, “Multiple perpetrator rape: A critical review of existing explanatory theories.” Aggression and Violent Behavior 25 (2015): 150-58.Mitzi J. Smith, “Dis-membering, Sexual Violence, and Confinement: A Womanist Intersectional Reading of the Story of the Levite's Wife (Judges 19).” In Insights from African American Interpretation, edited by Mitzi J. Smith and Mark Allen Powell, 99-121. Augsburg Fortress, 2017.RedHanded podcasthttps://redhandedpodcast.com/ True Crime Brewery podcast, episode 231, “The Disappearance of Helle Crafts.” https://tiegrabber.com/podcasts/the-disappearance-of-helle-crafts/ Support ServicesShine (NZ) - https://www.2shine.org.nz/ Family Violence - It's Not Okay (NZ) - https://www.areyouok.org.nz/ List of sexual assault support services (NZ) - https://sexualabuse.org.nz/resources/find-sexual-assault-support-near-you/ Full Stop (Australia) - https://fullstop.org.au/ National Domestic Violence Hotline (USA) - https://www.thehotline.org/ RAINN (USA) - https://www.rainn.org/ Women's Aid (UK) - https://www.womensaid.org.uk/ Rape Crisis (UK) - https://rapecrisis.org.uk/ Rape Crisis Scotland - https://www.rapecrisisscotland.org.uk/ International list of hotlines, crisis centers, and other resources organized by location - https://pandys.org/forums/index.php?/forum/42-public-resources/
In Need to Know, Isaiah wonders if the Supreme Court will continue to erode its credibility to the point where nobody even listens to it anymore. Could the further decay of America's institutions lead to another civil war? Now that the court is taking rights away -- it may not be as far-fetched as you think. In All the Feels, the co-hosts share the top destinations for Black Americans looking to relocate to another country. And in Gotta Do, National Independent Retailers Month is celebrated.
10:00 PM | Whirling Dervishes | Theme From Love Song 10:04 PM | Editors | Heart Attack10:07 PM | The First Edition | Just Dropped In (To See What Condition My Condition Was In) 10:12 PM | Toro y Moi | Ordinary Pleasure10:15 PM | 13th Floor Elevators | You're Gonna Miss Me 10:17 PM | Surf Curse | Sugar 10:21 PM | Pixies | Gigantic 10:24 PM | Frightwig | A Man's Gotta Do What a Man's Gotta Do 10:28 PM | Razzy Bailey | I Hate Hate 10:32 PM | Cocteau Twins | Iceblink Luck 10:36 PM | Bruce Springsteen | Gotta Get That Feeling (Live at The Carousel, Asbury Park, NJ - December 2010) 10:39 PM | D..B. Caulfield | The One That Got Away 10:43 PM | The Waterboys | Blackberry Girl 10:46 PM | ICEHOUSE | Icehouse 10:50 PM | Wavves | Sinking Feeling 10:55 PM | The Beatles | All Together Now
In Need to Know, "Single Black Female" by Tracy Brown is reviewed as part of the W&W Beauty Shop Book Club; Isaiah determines that it is the perfect book for mothers, while Bianca was taken by many of the book's well-defined characters. In All the Feels, the co-hosts recall how the civil rights movement gave birth to the gay rights movement, and debate whether Pride is a protest or a celebration. In Gotta Do, Isaiah offers a list of the best gayborhoods to visit in the United States, and the best gay destinations to visit around the world -- all part of the 22 things you Gotta Do in 2022. "100 Boyfriends" by Brontez Purnell is unveiled as the W&W Book Club selection for June 2022.
On this episode of Roger the Wild Child Show, we are joined by country music artist, Kirstie Kraus and singer/songwriter/producer, Craig Wilson!KIRSTIE KRAUSShe's thirsty for love and magic, for joy and sunshine. She's thirsty for compassion and authenticity. And more than anything, she's thirsty for anything that sets her soul on fire.Kirstie Kraus carries her thirst in her songwriting, in her live shows, and in her everyday connection with other kindred spirits. Nowhere is her appetite more quenched than on a stage in front of her fans, appropriately named “Thirsties”. Her confidence naturally shines under the bright lights, taking concert goers on a well-defined path of self-discovery and bliss. Her writing infuses her own transparent journey with others' experiences to create sustainable lyrics and catchy melodies.The result is a perfect blend of country, funk, blues, and rock because with Kirstie, there are no boundaries. There's only the process of “letting go” and letting the song tell you what it wants to be. It will also tell you WHERE it wants to be and for an intuitive deep thinker like Kirstie, that place is Nashville. Three years ago, the Wisconsin native made the move to Music City and having heavily toured the summer before with her Midwest band, Thirsty Jones, Kirstie made the decision to really focus on honing her craft in town. She immediately began demoing out songs for her upcoming full length record and playing established Nashville venues, like the Listening Room Café and the Bluebird. She also leaned into the production side of her album, gaining great insight from her then producer about arrangements, vocal styling, and mixing. Her first Nashville based single, “Delusional” (2018) fancies a sassy 80s funk groove while 2019's “Gotta Do” pulls in early 2000s Shania vibes. “Silver”, her July 2020 release, possesses the licks of Joan Jett and attitude of Avril Lavigne, proving that she's not a one lane roadmap.And now, here she is, proving to the world that if you truly set your mind to something, “Yes You Can” do it! Taken from the bridge of her song, “Gotta Do”, the words “Yes You Can” will also serve as the title to her debut album, looking to drop in 2021. And in prelude to the highly anticipated 11 song record, the world gets to learn just how “thirsty” Kirstie is with her new song of the same name. Written solely for her by a close friend, “Thirsty” serves as the “ultimate biography of what goes on inside of me when I'm in a relationship—the fear of allowing yourself to actually fall in love and trust somebody.”CRAIG WILSONCraig Wilson is a top 10 Billboard charting, #1 iTunes singer, songwriter and producer living in Nashville TN. His music crosses Country, Pop, Christian and Sync genres and has aired on major market radio and SiriusXM, cracked the top 100 in the Rhythmic and Top 40 Mediabase FM, and has millions of streams on digital platforms.Career Highlights:Co-wrote and produced #1 iTunes "My Heart Beats For You" by Paul Cardall and David Artchuleta, “Wildcard” by Lucky Harmon featuring Lil Wayne and has over 65 artist cuts and singles. His songs considered for Grammys include “Ones That Leave” by Peyton Gilliland and “Heart Needs You Back” by DJ Afterprty featuring Wilsn.A big part of the Nashville songwriting community, Craig has written with Jimmie Allen, Charles Esten, Tennille Towns, Tennille Arts, Catie Offerman, Harper Grae (CMT Next Women Of Country), Michael Logan (Grammy Winner), Matt Wynn, Sarah Jones, Cassidy Daniels.Craig has played on the Grand Ole Opry stage, Bridgestone Arena, Madison Square Garden, at the Indy 500 and many other venues. He has performed alongside Taylor Swift, Chris Stapleton, Rachel Platten, Luke Bryan, and Norah Jones.
Jon goes back into the Whedonverse with Words of the Witches podcast host Kevin and delve into Dr. Horrible’s Sing-Along Blog. They speculate as to what the stage version of the web series will be, and kinda shit on Captain Hammer’s song “Man’s Gotta Do.”Kevin’s Instagram: @kjeezy87Hanging with the Halliwells Instagram: @hangingwiththehalliwellsWords of the Witches Instagram: @wordsofthewitchesPodcast Socials -Email: butasongpod@gmail.comInstagram: @butasongpodTwitter: @butasongpodFacebook: @butasongpodNext episode: Riverdale - “Chapter Fifty-One: Big Fun”
This week's guest made a name for himself in the grappling world by winning a 250 man qualifying tournament for Kasai's Elite Grappling Championship. A purple belt at the time, he defied the odds by not only winning but submitting four black belts along the way.But overcoming the odds is nothing new for him. Child abuse, drug abuse, and injury are just some of the obstacles he has overcome on his way to achieving his goals of becoming a fighter and Jiu Jitsu black belt. On this episode, he discusses his incredible journey and what it took for him to overcome many of the things that would break most people. Here is RŌL Radio with BJJ black belt under Murilo Santana, an instructor at Unity Jiu Jitsu, multi-time IBJJF 1st Place winner, and 2020 F2W bantamweight Champion, Edwin “Junny” Ocasio.http://www.therolradio.comhttps://www.instagram.com/therolradio/https://www.facebook.com/therolradio/https://www.instagram.com/junny_bjj/https://unityjiujitsu.com/https://www.facebook.com/edwin.ocasio.56Episode Highlights:3:25 Discipline Over Motivation14:27 Killing the Negative Thoughts20:50 Turning Goals into Reality39:58 Gotta Do the Work59:12 The Rewards of Teaching1:02:45 Five Questions
This week on Pop Uncultured, we revisit an old classic with a new perspective. Draque joins me and JY on a journey into the life and times of Amy Smith, and grants us a fresh set of eyes on this chuffed lump of tummy flesh. What can I say about Amy Smith that hasn't already been said in this - or any of the past - episode(s). This lady is our golden goose, with a 100% entertainment rate on every video we've watched so far. Join us as we lovingly dissect this lost daughter of the Kardashian family one more time, and perhaps she'll stumble and bumble her way into your heart too.Please be alive, Amy. Please. I need you, don't you see that? Don't you see that I love you?Don't leave me this way...I can't survive, I can't stay alive, without your loooooove, oh baby, don't leave me this way....I can't exist, I'll surely miss, your tender kiss, don't leave me this wayyyy....AWWWWWW BABY! My heart is full of love at the SIGHT OF YOU! So come on down and do what you GOTTA DO! You've started this fire down IN MY SOUL! Now can't you see it's burning OUTTA CONTROL! So come on satisfy the NEED IN ME! 'Cause only your good loving can SET ME FREE (set me free set me free)Rate.Timestamps00:00 AMY'S CANDY GRAHAM CRACKERS by Amy Smith https://youtu.be/mqD-4Uie4tk44:30 AMY'S FAVORITE DORITOS CASSEROLE by Amy Smith https://youtu.be/QpC7c7TSmpc01:30:59 POOR FOLKS CROCK POT APPLE CINNAMON OATMEAL by Amy Smith https://youtu.be/IwKFrPEh2pE01:38:04 ^ video begins02:14:43 The BEST Single Serve CrockPot Oatmeal by Jennifer Wasylenko (we briefly comment on her) https://youtu.be/zdShrUSHe7U
The co-hosts introduce the three segments of the show: Need to Know; All the Feels; and Gotta Do. In the inaugural Need to Know, Bianca and Isaiah ask each other fun, silly and serious questions, which leads to the discovery of an underwear fetish. The groundbreaking Kamala Harris and Pete Buttigieg are featured in All the Feels; and supporting Black businesses year-round is what you Gotta Do.
Ce mois-ci sort "L'Art du pixel : SNES", notre ouvrage dédié aux châtoyants sprites de la Super Nintendo. Du coup, après vous avoir proposé un Third Song spécial NES et un autre spécial Saturn, on s'est dit que le moment était plus qu'opportun pour vous proposer un épisode dédié à la 16-Bit de Nintendo. Pour cet épisode, tout le monde a mis la main à la pâte. Des licences les plus connues de Nintendo aux sombres séries disparues depuis, vous ne vous ennuierez pas une seconde pendant l'heure qui suit ! Tracklist 1 - 00:00 Mario Paint - Creative Exercise - Ryoji Yoshitomi 2 - 02:59 F-Zero - Port Town - Yumiko Kanki 3 - 05:13 Trials of Mana - Meridian Child - Sachiko Miyano 4 - 08:38 Chrono Trigger - Frog's Theme - Yasunori Mitsuda 5 - 10:30 Valken - Ready~We've Gotta Do it - Masanao Akahori 6 - 12:59 Bahamut Legend - JOJO's Theme - Noriko Matsueda 7 - 15:07 Megaman X – Night in the White (Arranged) - COMP : Yuki Iwai | ARR : Toshiaki Ohtsubo 8 - 20:50 Starwing – Corneria - Hajime Hirasawa 9 - 23:45 Secret of Evermore - Puppet Song - Jeremy Soule 10 - 26:07 Super Metroid - Space Warrior, Theme of Samus Aran - COMP : ??? | ARR : Yoshiyuki Ito et/ou Masumi Ito 11 - 29:14 Super Mario Kart - Rainbow Road (Mario Kart 8 version) - COMP : Soyo Oka | ARR : Atsuko Asahi 12 - 32:10 Super Castlevania IV - Simon Belmont's Theme - Masanori Adachi et/ou Taro Kudo 13 - 35:49 Final Fantasy VI - Forever Rachel - Nobuo Uematsu 14 - 38:55 Super Mario World 2: Yoshi's Island - Athletic (Super Smash Bros. version) - COMP : Koji Kondo | ARR : Shota Kageyama 15 - 43:23 Donkey Kong Country 2: Diddy Kong's Quest – Stickerbush Symphony - David Wise 16 - 47:52 ActRaiser – Birth of the People (Symphonic suite version) - COMP : Yūzō Koshiro | ARR : Yūzō Koshiro & Kaoru Wada 17 - 52:55 Super Bomberman 3 - Password - June Chikuma 18 - 56:57 Killer Instinct – Tooth & Claw - Robin Beanland 19 - 1:00:02 Illusion of Time – Sky Garden – Yasuhiro Kawasaki 20 - 1:01:52 Dragon Ball Z Super Butouden 2 – Trunks' Theme - Kenji Yamamoto
Episode 06 Summary 0:00 - Intro If this is your first time listening, feel free to start with this episode if you’d like, but we’d recommend checking out some of our earlier episodes first Melody Harmony Rhythm & Meter Timbre Dvorak’s 9th Symphony (Exploring all of the above) Texture may be a slightly difficult episode to start on because it’s a little more abstract 1:35- Defining Texture Texture tells you how many melodic lines are present and whether there are accompaniment lines supporting the melodic line(s) It’s like a job board that tells you how many melodic roles and accompaniment roles are available for a given piece of music Garrett makes a comparison to a variety of fabric textures music works the same way To make it even simpler, try using these words: Thick or thin Busy or sparse An even simpler definition: How much is going on in the music Texture doesn’t tell you how many players there are… just how many melodic lines there are and whether they are accompanied 4:18 Texture Classifications Three common ones and one uncommon one Common: Monophonic Homophonic Polyphonic Uncommon: Heterophonic Don’t be scared of these words! Knowing that’s what you don’t like can help you either avoid music that won’t appeal to you or help you develop an appreciation for it You probably have favorite textures! You probably have least favorite textures… 6:03 - Monophonic Texture (Monophony) Literal translation: “one sound” A single melodic line with no accompaniment If you’re unsure what a melody is, head to Episode 01! Monophonic doesn’t necessarily mean solo Texture doesn’t tell you about the performance forces (number of performers, what they’re performing on) Can be achieved by a soloist or by a children’s choir singing in unison Monophonic examples: Singing in the shower without any accompaniment (no phone/bluetooth speaker/waterproof ukulele) Coworkers singing "Happy Birthday" in unison Played example: "Twinkle, Twinkle Little Star" (Monophonic) 8:57 - Homophonic Texture (Homophony) Not “Homophobic!” Literal translation: “same sound” Most popular texture used in most music One melodic line supported by any number of accompaniment lines Accompaniment lines don’t pull for your attention nearly as strong as the main melody does If there were two competing lines, that would be a different texture Often you’ll hear a simple melody with basic chords underneath Played example: "Twinkle, Twinkle Little Star" (Homophonic) A lot of choir music is homophonic One voice type will have the melody (often sopranos) and everyone else’s lines will be slightly less interesting Played example: “My Country ’Tis of Thee” (Soprano line) Played example: “My Country ’Tis of Thee” (Alto line) The alto line has less movement and interest (melodically) but it supports the soprano part A lot of choir music is also homorhythmic When the lines use different notes but the same rhythms They’re on the same words at the same time, and they change to new words together Played example: “My Country ’Tis of Thee” (Soprano and alto line together) Remember: Homophony can be achieved by a soloist, not just a group A guitarist playing a melody and chords beneath it (or singing a melody and playing chords underneath it) This is the most popular texture in both popular styles and classical music Doesn’t pull your as much as polyphony More substance than monophony You can see all of your notes neatly organized in front of you on the score Multiple melodic lines get a little hairier on paper In Garrett’s opinion, it’s easier to listen to It’s easier to write 13:47 Polyphony Literal translation: “Many sounds” Multiple melodies happening at once If you’ve ever heard of a “countermelody…” counter means “against,” so it’s a melody against another melody Both melodies compete for your attention You have to pick your moment with this texture because it can be overwhelming! Played example: “Twinkle, Twinkle Little Star” (Polyphonic) Polyphony is often saved for the end of pieces after homophony or monophony to build tension or to give a big ending where everything comes together Musical theater loves to use polyphony! It doesn’t annoy in that moment you because you’ve heard the tunes (and often the lyrics) before If you try to listen to all the singers at once, it can overwhelm you They often won’t say anything that hasn’t been said already "One Day More" from Les Miserables "Christmas Bells" from RENT These each close Act I respectively They’ll play many different melodies throughout the musical In key moments, they’ll combine them Two examples: There are a set of rules for how to write polyphony well: Polyphony is the type of writing Counterpoint refers to the rules of how to write it well This is called counterpoint Music majors learn these rules in rules Adjective form: contrapuntal For our purposes, you can think of them as the same thing 17:28 Heterophonic Texture (Heterophony) Literal translation: “Different Sound” (not that helpful, really) Popular in lots of Asian, Middle Eastern, and even Gaelic music When a melody is doubled but ornamented and changed up very slightly by one of the players Garrett brings up an example from “The Jerk” (a great movie!) Rare in both popular styles and classical styles Link: https://www.sweetwater.com/insync/heterophony/ Debussy and Stravinsky took a whack at it Sweetwater article recommends the “The Wind That Shakes the Barley” by The Chieftains Amanda calls upon musical theater to start using this texture more often 20:02 Considerations to make about texture Texture shifts multiple times in a single piece of music Even in a 3 minute pop tune! If you keep the same texture for too long, you get bored It takes a lot of practice to get good at identifying different textures Garrett points out that a lot of bass lines in pop music are very melodic, so that’s an example of a common musician texture argument See: "Billie Jean" by Michael Jackson Music students often struggle to learn these classifications Musicians sometimes argue about these classifications Don’t expect to master this in one day… but listening for texture differences can help you appreciate different pieces (especially longer ones) Types of music can have characteristic textures Earliest type of jazz Not all styles of jazz sound like Dixieland, but it’s a very important style of jazz Lullabys won’t include really busy accompaniment parts or multiple melodies because that won’t soothe babies Rhythm guitar parts in rock music are another example of a characteristic texture Dixieland jazz is characteristically polyphonic The inclusion of non-tonal percussion is not figured into texture “Sing, Sing, Sing” by Benny Goodman features a very important drum texture, but there’s no classification for it One sustained low note under a melody that either never changes or changes very rarely Music featuring a drone can still be considered monophonic Garrett’s example is Amazing Grace on bagpipes (which you can simulate using a microwave… thanks, Joseph!) Amanda calls this percussive erasure Definite pitch instruments such as xylophone or vibraphone DO count towards texture Another device that gets left out is a drone If at the end of the episode, you don’t feel confident about the classification names, that’s okay! “Thick or thin,” “Lots going on,” or “Not much accompaniment” are all fine ways to describe texture This is something to add to your toolkit when you want to describe music You can also impress music majors at parties by using these words Listeners don’t necessarily need to understand texture really deeply… just enough to appreciate composers and musicians Like of a musician “rises out of the texture” Or if someone “can’t bend” (doesn’t fit the texture) For everything texture tells you, there’s a lot of stuff it doesn’t tell you Percussion How many performers What instruments How they’re playing their instruments Dynamics (volume) Timbre (tone color) Much more! Amanda compares this to gravity because everyone has sort of a practical knowledge of it, but not all of us can explain how it works in depth Does not include: Hopefully you see why performers, composers, and conductors need to know all about it 32:02 - Recap Texture tells us how many melodic lines there are in music and whether or not they are accompanied Three common classifications: Monophonic, homophonic, polyphonic One uncommon texture: heterophonic Textures usually shift in pieces of music multiple times 32:34 - Listening Recommendations: (32:48) Garrett’s 1st Monophonic Example: “Die Easy” by Rag’n’Bone Man (2017) (33:47) Amanda’s 1st Monophonic Example: “I See Fire” by Ed Sheeran (2013) from the Hobbit soundtrack (34:48) Garrett’s 1st Homophonic Example: “Taking Care of Business” Bachman Turner Overdrive (1974) (36:12) Amanda’s 1st Homophonic Example (also homorhythmic): “Come and Get Your Love” Redbone (1973) (38:06) Garrett’s 1st Polyphonic Example: “A Man’s Gotta Do” from Dr. Horrible’s Sing-Along Blog (2008) Also we did realize it’s Captain Hammer, not Hammer Man Also also, her name is Felicia Day, and she’s awesome (39:45) Amanda’s 1st Polyphonic Example: “Tiger Rag” recorded by the Preservation Hall Jazz Band (2009) First recorded by the ODJB (Original Dixieland Jazz Band) in 1917 Louis Armstrong and His Allstars “Tiger Rag” is great, too (YouTube) Amazing Bob Havens rendition of “Tiger Rag” (YouTube) (41:16) Garrett’s 2nd Polyphony Example: “The Cleaner” from the Toy Story 2 soundtrack (Randy Newman, 1999) (43:33) Amanda’s 2nd Polyphony Example: “Ave Maria… Virgo Serena” by Josquin des Prez (ca. 1475) 46:48 Listener Question from Michael M: What are our goals for the podcast and why did we start it? Garrett: Wants to support Amanda, wants to have fun, and misses talking about music Amanda: Thinks a lot of musicians are bad at talking about music and wants to help with that Amanda: Wants everyday people to be able to talk about their favorite music and why the love it just as intelligently as they can tell you about their favorite TV shows, sports teams, other hobbies, etc. Hopefully this podcast gets you interested in concerts you may not have gone to otherwise Hopefully it gets parents to encourage their kids to participate in music Participating in something new helps create more well-rounded people 49:32 Sign-off Thanks for listening Have a great day! Spotify Playlist Special thanks to OpenMusicRevolution.com for our intro and outro music and to the guys at Better Podcasting for being such great guides to us. Special thanks to you, our listeners, too! Visit our Website! Follow us on social media! Instagram: @uptoyourearspodcast Twitter @uptoyourears Email us! uptoyourearspodcast@gmail.com
Kay Richardson is the author of, What a Woman’s Gotta Do. Kay describes herself as someone who is unafraid to tell it like it is. She is passionate about teaching audiences to stop letting their fears get in the way of their value. She wants to help other build their heart businesses, get their needed messages out into the world, and play BIG. Enjoy this Encore Episode while Christine and Emma honor their own self care this summer! Visit Kay's website here https://clientswhosayyes.com Visit Christine Pensa website here https://www.artthatmoves.ca Visit Emma Kupu Mitchell website here https://www.emmakupumitchell.com
SquigY0 Plays Whatever The F*** He Wants And There's Nothing You Can Do About It!
Track listing: Jam - That's Entertainment (3:34)God Lives Underwater - All Wrong (4:55)Death Drome - Wasted (4:05)Daytona USA - Let's Go Away (4:27)Mr. Burns & Smithers - Look At All Those Idiots (3:51)Partnerz In Kryme - Turtle Power (4:16)Onyx & Biohazard - Judgment Night (4:36)Teenage Fanclub and De La Soul - Fallin (4:28)Richard O'Brien - Science Fiction (Double Feature) (4:32)Will Smith - The Fresh Prince Of Bel Air (2:55)Full Blown Rose - Somebody Help Me (3:11)Aimee Allen - Revolution (3:20)Buffy The Vampire Slayer Cast - I've Got a Theory / Bunnies / If We're Together (2:22)Neil Patrick Harris, Felicia Day & Nathan Fillion - A Man's Gotta Do (2:20)Robin Wright-Penn - A Hero Comes Home (1:08)Idina Menzel - A Hero Comes Home (3:13)Lana Del Rey - Young And Beautiful (DH Orchestral Version) (3:51)Hugh Jackman, Keala Settle, Daniel Everidge, Zendaya & The Greatest Showman Ensemble - Come Alive (3:45)Mickey Rooney, Feist, Amy Adams, Jason Segel & Walter - Life's A Happy Song (4:29)Sam Palladio - Gun For A Mouth (3:21)Connie Britton & Will Chase - Ball & Chain (3:21)Sam Palladio & Clare Bowen - If I Didn't Know Better (2:59)Lennon Stella - Saved (3:18)Connie Britton, Charles Esten, Lennon Stella & Maisy Stella - A Life That's Good (3:31)Nashville Cast - You're Mine (2:18)
Welcome back to Podvocacy! On this week’s show, Jason has started working his second job in earnest, and is dealing with low energy. Thank you Pepsi Max Zero Sugar. Meanwhile, David talks about making a big transition in his digital life. What could that be? Well, it has caused his wrestling viewing to go up, […] The post Episode 184: Gotta Do the Boop Boops appeared first on Podvocacy Productions.
Welcome back to Podvocacy! On this week’s show, Jason has started working his second job in earnest, and is dealing with low energy. Thank you Pepsi Max Zero Sugar. Meanwhile, David talks about making a big transition in his digital life. What could that be? Well, it has caused his wrestling viewing to go up, […] The post Episode 184: Gotta Do the Boop Boops appeared first on Podvocacy Productions.
Kay “Ideaignitor” Richardson shares how to gain confidence and overcome shyness no matter what you’re working towards. Our guest, Kay "Ideaignitor" Richardson describes herself as an ordinary girl from South Florida, but her career has been anything but ordinary. Kay built her first successful businesses in her 20's as an ergonomics consultant and occupational therapist. As a self proclaimed shy person, Kay realized that success was not about just being good about something, she knew she would have to do more than just good, she had to learn to overcome her fears and learn to promote herself with confidence. She’s the owner of Clients Who Say Yes as a coach and trainer and hosts the Five Minutes to Fearless podcast. She’s also the author of the book, What a Woman’s Gotta Do. We want to hear from you! Tell us your burning tidying questions or share stories about how KonMari has impacted your life. Find us at www.sparkjoypodcast.com and click “Ask Spark Joy” to leave a question or comment for a chance to be featured on next week’s show. While you’re there, sign-up to join our Spark Joy podcast community and get notified when each episode airs. You can also join the Spark Joy podcast community on Facebook, Instagram or Twitter at the handle @sparkjoypodcast. In this episode, you’ll enjoy: -How Kay made the transition from an occupational therapist and ergonomics consultant to business marketing and client development coaching. -The shyness that Kay experienced in her early life.. and how she has been able to overcome it and now is able to speak in front of hundreds of people! -Real life stories about overcoming fear by reaching back into their past. -Practical steps to moving past fear in order to becoming more successful in your business. -How to address our tendency to second-guess ourselves. -Kay’s ergonomic tips! - You must a good ergonomic adjustable chair. - Red light-green light method - Don’t have your monitor too high - Always try to be hands free, especially with your phone. -Kay’s ergonomic chart! Get the great chart Kay spoke about here: Kay’s Ergonomic Chart -Listen to Kay’s podcast: Five Minutes to Fearless on Apple -Read Kay’s book: What a Woman’s Gotta Do What sparks joy for Kay today: “Having the opportunity to help individuals with really simple tips to work through their fears so they can tidy up their homes…and their space can be awesome! Working with entrepreneurs who are ready to step into it and not allow fear to interfere with making their way into the world. And my two handsome men!” Final words of wisdom: “Wake up and take action!” You can reach Kay at: Clients Who Say Yes She's on Instagram at: Ideaignator on Instagram and on FaceBook: Ideas to Income on Facebook Kay has a special offer, just for Spark Joy listeners! She is providing a free coaching consultation by emailing her with the subject line: Spark Joy Podcast Moving Past the Fear here: Kay’s Coaching Offer Gems “The more you grow the more you will come back to (fear.) But if you have an idea about where it comes from the more you will be able to change the story.” “That bold move to transform everything that’s there and create something new.” “Are you not feeling good enough or worthy or capable of making this happen?” “There are things in our pasts that are keeping us from being who we are meant to be.” “What will make them say “Yes” to you?” You can find Karin Socci at The Serene Home You can find Kristyn Ivey at For the Love of Tidy Special Guest: Kay Ideaignator Richardson.
KAY RICHARDSON Business Name: Clients Who Say Yes Website: clientswhosayyes.com Email: info@clientswhosayyes.com Kay Richardson, known as “The Clients Who Say Yes Mentor, is a business coach and the author of “What a Woman’s Gotta Do.” She mentors women business owners to create clarity, courage and cash, so they can serve and impact the world while earning their real worth. Life has taught her that With The Right Mix of Determination and Drive, There's Nothing You Can't Do and that What You Believe About Yourself Can Make Or Break You.
Babel Radio为国内电子厂牌Babel Records旗下电台 每周会推出国内优秀电子音乐人的作品 Babel Radio,Babel your boring life Tracklist: 1. 每个人的嘴里 — T S U N △ N O2. Holy One — PickyFlu3. Qoo!— Po1arAda4. 词不达意你也懂 — SU|SU|SU5. Gotta Do it — REGI陳彦希6. VS. THE ALL — Fcyco7. Meet You at the Moon — StrawberryPapa8. I want change — JZlee;Lil'Akin9. Wedding — Ops.710. Roof Paint — Haksen
Playlist: D. Smith Blues Band-Shake, Shake, Shake, X Y Eli-Something Else On MY Mind, West End Blend-Speak,Nick moss Band-Ez Bree Zee, Mississippi Heat-Too Sad To Wipe My Tears, Slam Allen-Feel These Blues, Billy Hector-She’s Gone, Southbound-Tell Me What A Man’s Gotta Do, Brandon Santini-No Matter What I Do, Original Legends Of The Blues-The Thrill Is Gone, Isaiah B. Brunt-Which Way To Go, Dixie Peach Band-Too Much Trouble, Miss Tess & the Talkbacks-Don’t Tell Mama, The California Honeydrops-Carolina Peach, Honey Island Swamp Band-Chocolate Cake,New Orleans Suspects-Get Back What You Given, Geoff Achison-One Ticket One Ride, Christine Ohlman & Rebel Montez-The Deep End(featuring Al Anderson), The Brummy Brothers- Blue Ridge Blues, Brian Charette-Late Night Tv, Mojomatics- Soy Baby.