Podcasts about Slee

We can't believe its been 4 years since the last time we had #DukatiGang's own Norfsyde Slee on the podcast, which was episode 94 to be exact

Valentine's Day is near, and Jon wanted to do this crazy movie. He enlisted SLee (in her first solo episode!) to talk about Kenneth Branagh's creation to a Shakespeare comedy that isn't that well known. But love is in the air in this crazy romp.SLee's Socials - @justcallmesleePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Pippin!

Where does your body end? The human body is filled with ecosystems of creatures keeping us alive. It exists within larger ecosystems keeping us alive. Yet considering ourselves as separate and apart, as whole and contained, dismisses the reality of our interconnection. What keeps us alive is everything, from the smallest things to the large web of life. Our very existence is an entanglement of possibility. To understand it, we have to figure out a way to think together, with our bodies, and the earth's body. Craig Slee is a writer and theorist, and he joins me to discuss the permeability of our bodies and therefore of reality itself. This is a conversation about capitalism, ableism, suffering and language, how to find the words from our throats, and how to feel into the very edges of who we are, who we could be, and where, together, we can do.Planet: Critical is 100% independent and community-powered. If you value it, and have the means, become a paid subscriber today. Get full access to Planet: Critical at www.planetcritical.com/subscribe

RU330: CRAIG VI SLEE ON CRIPKULT, COVID, ABLEISM, ANTI-NORMATIVITY, MAGIC, OCCULTURE http://www.renderingunconscious.org/philosophy/ru330-craig-slee-on-cripkult-covid-ableism-anti-normativity-magic-occulture/ Support Rendering Unconscious by becoming a paid subscriber to Patreon/ Substack, where we post exclusive content regularly. All paid subscribers receive a link to our Discord server where you can chat with us and others in our community with similar interests. So join us and join in the conversation! Vanessa & Carl's Patreon: https://www.patreon.com/c/vanessa23carl Vanessa's Substack: https://vanessa23carl.substack.com Carl's Substack: https://thefenriswolf.substack.com Rendering Unconscious episode 330. Rendering Unconscious welcomes Craig VI Slee back to the podcast! Craig VI Slee is a writer, poet, consultant, and theorist, who lives in the North West of the UK. Born with Cerebral Palsy, and latterly a partial-foot amputee, he is a full-time wheelchair user whose work covers the intersections between disability, environment, philosophy, storytelling, magic, and myth. He blogs at https://cold-albion.net Follow him at BlueSky: https://bsky.app/profile/mrvi.cold-albion.net Mastodon: loci.onl/@mrvi Slee contributed the piece “Creeping Mortality: Some Thoughts on Cripkult” to Rendering Unconscious: Psychoanalytic Perspectives vol. 1 (Trapart Books, 2024) edited by Vanessa Sinclair: https://amzn.to/4eKruV5 And “The Occult Nature of Cripkult” to The Fenris Wolf 10 (Trapart Books, 2023) edited by Carl Abrahamsson: https://amzn.to/3EhJrfS This episode available at YouTube: https://youtu.be/4T80Ia-bfzw?si=WJ_lfqMrsD9wNdxo Check out this previous episode: RU12: CRAIG VI SLEE ON DISABILITY, MYTHOLOGY & PHILOSOPHY Join us for Kenneth Anger: American Cinemagician with Carl Abrahamsson, Begins February 2: https://www.morbidanatomy.org/classes/ Watch all of Carl's films at The Fenris Wolf Substack. https://thefenriswolf.substack.com Join us in London for the book launch for Meetings with Remarkable Magicians: Life in the Occult Underground by Carl Abrahamsson at Watkins Books, February 27th. https://www.watkinsbooks.com/event-details/meetings-with-remarkable-magicians-life-in-the-occult-underground-carl-abrahamsson Then on February 28th, join us at Freud Museum, London for “Be Careful What You Wish For – Female & Male Existential Malaise and Hysteric Approaches in ‘The Substance' and ‘Seconds'. https://www.freud.org.uk/event/be-careful-what-you-wish-for-female-male-existential-malaise-and-hysteric-approaches-in-the-substance-and-seconds/ Beginning March 23rd, join author Carl Abrahamsson and psychoanalyst Vanessa Sinclair for The Sentient Solar Cycle, a year long series of monthly workshops/meetings via Zoom. https://thefenriswolf.substack.com/p/the-sentient-solar-cycle Rendering Unconscious Podcast is hosted by Dr. Vanessa Sinclair, a psychoanalyst based in Sweden, who works with people internationally: http://www.drvanessasinclair.net Instagram: https://www.instagram.com/renderingunconscious/ TikTok: https://www.tiktok.com/@renderingunconscious Blusky: https://bsky.app/profile/drsinclair.bsky.social The Queerness of Psychoanalysis: From Freud and Lacan to Laplanche and Beyond (Routledge, 2025) edited by Vanessa Sinclair, Elisabeth Punzi and Myriam Sauer is now available. Be sure to check out this landmark volume! https://www.routledge.com/The-Queerness-of-Psychoanalysis-From-Freud-and-Lacan-to-Laplanche-and-Beyond/Sinclair-Punzi-Sauer/p/book/9781032603827 The song at the end of the episode is “Outer realities blend” from the album “We reign supreme” by Vanessa Sinclair and Pete Murphy. Available at Pete Murphy's Bandcamp Page: https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services: https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY?si=jaSKCqnmSD-NsSlBLjrBXA Image: collage by Morrissette

50+ UNEXPLAINED National Park DISAPPEARANCESBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

ASMR Drawing On Your Sweet Face Personal Attention Triggers for DEEP SleeAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In a very special episode, Jon got in touch with the director of this docu-film, Shannon Walsh, to discuss that this isn't a musical but should be a musical. It's truly a movie about love, and Shannon gives some behind the scenes stories about the process of making this film.And we got SLee on the pod!Shannon's Links: https://linktr.ee/shannondawnwalsh?utm_source=linktree_profile_share<sid=e36123ac-6a46-4cdf-a25e-f9a1aee6532aSLee's Instagram: @justcallmesleeAdrianne & the Castle Links: https://linktr.ee/AdrianneAndtheCastle?utm_source=linktree_profile_share<sid=d2332228-0d79-4fbd-a542-0c37eb539a6ePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongoidTikTok: @butasongpodTwitter: @butasongpodNext episode: An American Tail: Fievel Goes West!

Nachdem er in den vergangenen zwei Jahren die (eigene) Musik ein wenig zugunsten anderer künstlerischer Unternehmungen hintangestellt hatte, kehrt der neuseeländische Neo-Soul-Sänger Noah Slee dieser Tage gleich mit einem doppelten Paukenschlag zurück: Nicht nur veröffentlichte er just eine neue Single, sondern wird auch am morgigen Dienstag an einem ganz besonderen Ort auftreten. Darüber und über so manches mehr sprechen wir heute mit ihm im studioeins. Seine Bühnenrückkehr als Headliner feiert der in Berlin lebende Slee unter dem Motto "Expressions World" im THF Tower, einem der ersten barrierefrei sanierten Gebäudeteile des ehemaligen Flughafens Tempelhof. Deshalb wird ihn bei seinem heutigen Besuch im Bikini der Geschäftsführer dieser außergewöhnlichen Location begleiten, und ein wenig von deren Besonderheiten und zukünftigen Plänen berichten. Auch Noah Slee, der neben Zusammenarbeiten mit Joy Denalane oder seinem Gesangsbeitrag zum Feiertags-Hit "Keep Your Head Up" für seine Mischung aus traditionellem Soul und modernen elektronischen Klängen bekannt ist, wird im Interview Rede und Antwort stehen, und anschließend den ein oder anderen Song live performen.

Nachdem er in den vergangenen zwei Jahren die (eigene) Musik ein wenig zugunsten anderer künstlerischer Unternehmungen hintangestellt hatte, kehrt der neuseeländische Neo-Soul-Sänger Noah Slee dieser Tage gleich mit einem doppelten Paukenschlag zurück: Nicht nur veröffentlichte er just eine neue Single, sondern wird auch am morgigen Dienstag an einem ganz besonderen Ort auftreten. Darüber und über so manches mehr sprechen wir heute mit ihm im studioeins. Seine Bühnenrückkehr als Headliner feiert der in Berlin lebende Slee unter dem Motto "Expressions World" im THF Tower, einem der ersten barrierefrei sanierten Gebäudeteile des ehemaligen Flughafens Tempelhof. Deshalb wird ihn bei seinem heutigen Besuch im Bikini der Geschäftsführer dieser außergewöhnlichen Location begleiten, und ein wenig von deren Besonderheiten und zukünftigen Plänen berichten. Auch Noah Slee, der neben Zusammenarbeiten mit Joy Denalane oder seinem Gesangsbeitrag zum Feiertags-Hit "Keep Your Head Up" für seine Mischung aus traditionellem Soul und modernen elektronischen Klängen bekannt ist, wird im Interview Rede und Antwort stehen, und anschließend den ein oder anderen Song live performen.

Nachdem er in den vergangenen zwei Jahren die (eigene) Musik ein wenig zugunsten anderer künstlerischer Unternehmungen hintangestellt hatte, kehrt der neuseeländische Neo-Soul-Sänger Noah Slee dieser Tage gleich mit einem doppelten Paukenschlag zurück: Nicht nur veröffentlichte er just eine neue Single, sondern wird auch am morgigen Dienstag an einem ganz besonderen Ort auftreten. Darüber und über so manches mehr sprechen wir heute mit ihm im studioeins. Seine Bühnenrückkehr als Headliner feiert der in Berlin lebende Slee unter dem Motto "Expressions World" im THF Tower, einem der ersten barrierefrei sanierten Gebäudeteile des ehemaligen Flughafens Tempelhof. Deshalb wird ihn bei seinem heutigen Besuch im Bikini der Geschäftsführer dieser außergewöhnlichen Location begleiten, und ein wenig von deren Besonderheiten und zukünftigen Plänen berichten. Auch Noah Slee, der neben Zusammenarbeiten mit Joy Denalane oder seinem Gesangsbeitrag zum Feiertags-Hit "Keep Your Head Up" für seine Mischung aus traditionellem Soul und modernen elektronischen Klängen bekannt ist, wird im Interview Rede und Antwort stehen, und anschließend den ein oder anderen Song live performen.

Nachdem er in den vergangenen zwei Jahren die (eigene) Musik ein wenig zugunsten anderer künstlerischer Unternehmungen hintangestellt hatte, kehrt der neuseeländische Neo-Soul-Sänger Noah Slee dieser Tage gleich mit einem doppelten Paukenschlag zurück: Nicht nur veröffentlichte er just eine neue Single, sondern wird auch am morgigen Dienstag an einem ganz besonderen Ort auftreten. Darüber und über so manches mehr sprechen wir heute mit ihm im studioeins. Seine Bühnenrückkehr als Headliner feiert der in Berlin lebende Slee unter dem Motto "Expressions World" im THF Tower, einem der ersten barrierefrei sanierten Gebäudeteile des ehemaligen Flughafens Tempelhof. Deshalb wird ihn bei seinem heutigen Besuch im Bikini der Geschäftsführer dieser außergewöhnlichen Location begleiten, und ein wenig von deren Besonderheiten und zukünftigen Plänen berichten. Auch Noah Slee, der neben Zusammenarbeiten mit Joy Denalane oder seinem Gesangsbeitrag zum Feiertags-Hit "Keep Your Head Up" für seine Mischung aus traditionellem Soul und modernen elektronischen Klängen bekannt ist, wird im Interview Rede und Antwort stehen, und anschließend den ein oder anderen Song live performen.

Abby returns to discuss Adrianne and the Castle, a new fantasy romance musical hybrid documentary about a couple who built a castle of love in rural Illinois. She is joined by director Shannon Walsh and lead actress SLee to discuss what the film means for fat representation and honoring Adrianne's memory.  See a screening in NYC or LA! Website: https://adrianneandthecastle.com/ Trailer: https://www.youtube.com/watch?v=9UUnjIo2sXA Shannon's Instagram: https://www.instagram.com/shannondwalsh/ SLee's Instagram: https://www.instagram.com/justcallmeslee/

On this episode, my guest is Craig Slee, a disabled writer, consultant and theorist dealing with mythology, folklore, magic and culture, exploring life through the lens of landscape, disability and fugitive embodiments.He has contributed essays and poetry focusing on the numinous and disability to various anthologies including The Dark Mountain Journal. Craig has also co-facilitated multiple seminar series at the Dresden Academy for Fine Arts, regarding ableism in the arts, as well as how ableism affects our relationship to space. In 2023 he was one of the speakers at the World Futures Studies Federation 50th Anniversary Conference, introducing the concept of (Dis)abling Futures. Craig resides in the northwest of England.Show NotesCornwall and the Seasons Who Gets to Decide What it Means to Know a Place?The Folding in of Identity to TourismA Question of Productive vs Generative AbilityAbleism and AttentionFinger Bending and the Freedom of MovementRedefining and Remembering Other Forms of MovementWhat is Stillness?The Dance of MountainsObeying LimitsHomeworkCold Albion (Craig's Blog)Goetic Atavisms (Hadean Press)Craig's Blue Sky Page | Facebook PageTranscriptChris: Welcome to the End of Tourism, Craig. Craig: Thank you for having me. Chris: Yes, it's great to be able to speak with you today. I've been ruminating for a couple of years now as to the themes that we might speak of. And I was introduced to you via a mutual friend and have come closer to your work via the Emergence Network's online gathering, We Will Dance With Mountains, in the last quarter of 2023.And so, to begin, I'd like to ask you first where you find yourself today and what the world looks like for you, where you are. Craig: Where I find myself today is by the canal in my flat, looking out the window, just as evenings coming in, in the northwest of England, in Lancaster, and it's chilly here which is actually a good thing, I guess, these days.Chris: Perhaps I could ask you to elaborate a little bit on what Lancaster looks like, but I know that, you know, from our conversations previous that you grew up [00:01:00] in Cornwall, a place that was previously, a town, an area devoted to fishing and mining, and from what you've told me, it's also become a massive tourist trap that you know, from the little that I've seen online, that the area receives around 5 million visitors a year, and tourism makes up about a quarter of the local economy.So I'm curious what you've seen change there and what do you think has happened to Cornwall and its people as a result and maybe there's something in there as well regarding Lancaster. Craig: Yeah, so I should emphasize this. I was born in Cornwall. My family has been lived down there for many many generations anyway and my father's side of the family actually, at various points, worked in the tourist trade as well before they went on to other things.And, [00:02:00] yeah, I mean, I left because, frankly, there was no jobs that weren't tourism. I came to Lancaster to study because one, I have a physical disability which means that Cornwall is a very rural area, so you need to drive everywhere, and that's fine, I drove at that point, but for good or ill, a more urban center was better for me later in life as I left.But the way that it shifted, even in the years when I was growing up, was that, you know, essentially was a rural area where nothing really happened socially or culturally that much until the summer seasons. So, you were very, very aware of the seasons in terms of, you'd have visitors [00:03:00] starting, and that was when the town would wake up, and then it was kind of dead for the rest of the year, so it was very much one of those things where the tourist trade has actually made me more aware of human rhythms in the natural world than perhaps I would have been, because it's so based on seasonal stuff.And just looking at the way the infrastructure because a lot of the towns and areas, they boomed a little bit well, quite a lot in certain areas with the tin mining of the 19th century. But a lot of the architecture and things like that was 19th century. So you had small villages and slightly larger towns, and they have very, well, I guess some people, if they were tourists, would call "quaint, narrow streets."And when you have that many visitors, in the summer, you can't get down the streets. [00:04:00] You can't drive it because it's full of people walking. You know, there's an interesting anecdote I'd like to recount of when my father, he was a vicar, he was a priest, moved to a new area he would go to the local pub and all the locals would greet him as the priest and be like, very polite.And then when it would come out that my dad was actually a local, that he was born down there and part of the family, everybody would relax. And there was this real sort of strange thing where people came and stayed because it was a lovely area, but there was still that whole issue with second homes and certainly keeping an eye on things from a distance here during the pandemic when people left cities during the pandemic, they went down there amongst places in Britain.And that meant that, [00:05:00] literally, there were no houses for newly starting teachers, you know, teachers who had got jobs and were moving down there, couldn't find places to live because during the 2020 and sort of 2022 period, everything was just opening up either as Airbnb because there was this influx from the cities to the more rural areas because it was supposedly safer.You know, and I feel like that's a reflex that is really interesting because most people think of it as, oh, "a tourist area," people go there for leisure, they go there to relax and get away from their lives, which is true, but under a stressful situation like a pandemic, people also flee to beautiful quotes isolated areas, so there's that real sense of pressure, I think and this idea that we weren't entirely sure, growing up, [00:06:00] whether we would have a place to live because a lot of the housing was taken up by people with second homes. And plenty of people I went to school with because it's a surfing area took the knowledge that they learned in the tourism trade, and actually left and went to Australia. And they live on the Gold Coast now. So it's this self perpetuating thing, you know? Chris: Well, that leads me to my next question, which kind of centers around belonging and being rooted and learning to root, maybe even becoming a neighbor or some might say a citizen of a place.And with tourism or a touristic worldview, we seem to be largely stunted in our ability to know a place, to become part of that place in any significant or enduring sense of the word. And so, I'm curious what your thoughts are on what it means to know a place, [00:07:00] and perhaps on the often mad rush to say I know a place for the sake of social capital, you know, given the context of the kind of relative difficulties that one might incur, or in a place like Cornwall, and the relative degree of exile that forces people out.What do you think it means to know a place in the context of all of these economic pressures denying us that possibility, or at least making it really, really difficult. Craig: I think we have a real problem in modernity with the idea of knowing as a sense of capture, right? So if I know you, I have this boundary of this shape, this outline of Chris, right, that I can hold, that I can grasp. And I think sometimes when we say, "oh, I know a place," or, "oh, I know a person" there's no concept of the [00:08:00] ongoing relationality. You know, you capture the image and then you keep it. And it's a whole construct of extractive knowledge that really, I think, comes down to the idea that the humans are the ones who get to decide what a place is, right?So. I could say in the standard sense, "Oh, I know Cornwall because I, you know, I grew up there for nearly 20 years." My family has been there since about the 1500s. You know, "I know a place, it's in my bones." Yada yada yada. All the metaphors you want to use. But the fact of the matter is, the place itself influences me more than I influence it. So there's this strange sense of belonging in which modernity [00:09:00] says "I belong" or "it belongs to me" rather than perhaps the place has extended hospitality to me and allowed me to grow and I could live/work in a place for 30 years and never know it because we're not comfortable as a culture with the idea of going, "I don't know this place."And it's a variety. It's always changing. And I think about all the times I used to watch the sea and talk to folks whose parents were fishermen or lifeboatmen, and they'd be like, "Yeah, we know the waters, but the waters can change. We know roughly what they do under certain conditions, but we don't know them completely, because they can always surprise us."And So, when somebody says, "oh, you're from Cornwall, you're a Cornishman," and all that sense of identity, [00:10:00] I'm like, "yeah, but that's, that's both really fluid for me, because, you know, there's a lot of history." Is it the tourist world of the 20th and 21st century, or is it the farming and the mining that goes back to the Neolithic?How we relate to a place purely in a modern sense isn't, to my mind anyway, the only way to conceive of belonging because, even though I'm now 300 miles away from there, I have its isotopes, its minerals from drinking the water in my teeth, you know. So, on some level, the idea that you have to be in a place also to belong to a place is something that I'm curious about because, there's this whole notion, [00:11:00] "you're only in the place and you've been in a place for this long and that means you know it and you're local." Whereas growing up, there was this sort of weird thing where it was like, "yeah, you might have been here 30 years and everybody knows you, but you're not a local." Right? You still belong, but there was this other category of " you're not local or something like that."And so it's complicated, but I really do, for my personal take, tend to look at it as a, the landscape, or wherever it is, influences my sense of belonging in a non human context, or more than human context, if that makes sense. Chris: Hmm. Yeah, there's so much there. Yeah. I mean, I'm also, in the context of identity, also wondering in what ways, not only has the tourism industry shaped one's identity of being local, which [00:12:00] is, I think, a huge issue in over touristed places in the last, you know, 10 or 20 years, as identity politics rises into the mainstream, and but then also not just the industry and the interaction with foreigners or, or guests, or tourists, but the way in which the image of that place is crafted through, often, ministries of culture or heritage, you know, so you could grow up in a place that isn't necessarily overly touristed or anything like that. But then have your identity crafted by these ideas of culture or heritage that the government's, federal and otherwise, have placed on people.Craig: And especially because where I come from, Cornwall, actually had its own language, which died out, which was on the verge of dying out in the 19th century. And slowly there are more speakers of it now. And you go back there now and you'll find, [00:13:00] even when I was growing up it wasn't so prevalent, but you'll find a lot of the signs for the street signs will have the English and the Cornish.So that's where the government has embraced this identity and enhanced it after people have been saying, you know, "this is a language we've rebuilt it. It's cousin to Welsh and Breton. We should use it. It's part of our identity and it's got folded into that." And so the infrastructure itself is now been part of that. You know, those very same streets have a name that wasn't known for like, 50, 60, maybe to 80 years, and suddenly people are now deliberately using the old names in non English languages because of that. And it's very strange because, especially in the UK, what with all [00:14:00] of Brexit and all that, there is a very weird sense wherein the rest of England, i. e. North and London and those sort of areas don't understand because Cornwall was a peripheral area and much like Wales, there's a lot of distrust of central government. Hmm. So, you've got this whole construction of a personal identity of nobody actually really understands what goes on outside. Either they're incomers, either they're emmets. You know, which "emmets" is the old English for "ants." Referring to tourists as ants in a kind of, yeah, they get everywhere. And the whole notion of who we are is always constructed. But in that case, going away and coming back to visit, I'm going, "Well that street didn't [00:15:00] have that label on it when I left. But it does now. And so in a certain sense it's the same place, but it's got this overlay of somewhere different that really enhances that sense of layers for me of "which Cornwall?" "Which of any of these places are we talking about?"Like you say, is it the one you see on a picture postcard or an Instagram or is it the ones who sat there as kids going, right, 'there's nothing to do, let's go and drink in a field?' You know and all of these things can co exist.Chris: Hmm, right. Yeah, I just interviewed a friend of mine, Christos Galanis, who did his PhD on hillwalkers, as well as homecomers in the Scottish Highlands, so people who spend their weekends climbing, summiting the Highland Mountains, and also the Canadian or Americans who travel to Scotland on heritage trips or ancestral [00:16:00] journeys. And he mentioned how in the Highlands that the governments have placed the original Gaelic place names on all of the the signs there, whether you're entering a village or perhaps on the street signs as well.And that he said that something like "only three percent of the of the people in Scotland actually speak, speak Gaelic," so they see the sign, they see the name, the vast majority of people, and they have no idea what it means. And I also remember the last time I was in Toronto, which is where I'm from originally, or where I grew up.And my family grew up in the east end of town, and the main thoroughfare in the east end of town is largely referred to as "Greek Town." You know, when I was a kid it was certainly Greek Town. The Greek letters, the Greek alphabet names as well as the English names of the street signs in that area.But it's much, much, much less Greek than it was 25 years ago, right? So again, [00:17:00] this question of like, is that to some extent trying to solidify the kind of cultural geography of a place. That people come to that street and that neighborhood because they want to experience Greekness in its diasporic kind of context.And yet, so many of those people, so many of those families have moved on or moved along or become more Canadian in their own sense of the word, so. Craig: Yeah. It's very strange as well because things like that attract... there's a loop obviously, because you'll get people coming to experience the greekness or the cornishes, and people will be like, oh, we should open a business that will enhance the greekness or the Cornish of the place, and that will draw, and it just becomes this thing and, yeah.Yeah, it's very strange. And I would totally agree with you on that one. Chris: Yeah. [00:18:00] Yeah. Until like a Greek person from Greece or a Cornish grandmother comes into town and says like, what? No, that's not Yeah. Oh, yeah. So I'd like to shift the conversation, Craig, a little bit towards ableism, and begin with this question that comes from our dear mutual friend Aerin and who admits that she's happily robbed it directly from Fiona Kumari Campbell.Yes. So, you might have heard this question before but she she felt the need to kind of pose it anew and and so the question is this. How does disability productively color our lives and Aerin wanted to ask it, to modify it slightly and ask, how does disability generatively or creatively color our lives? Craig: I can't speak to anybody's life other than my own really. But I would say that for me disability has, [00:19:00] one, given me a real sort of ability to look at the world and go, "you guys think this is how everything works and it clearly doesn't."You know, it has given me a generative gift of going, "hold on, what people think of the default really isn't the default, because I was never born as the default, and so I've had to find my own way of relating to the world" and that means that anybody goes anytime anybody goes "Oh, well, everybody knows..." or "the only way to do it is this?" I am always going "are you absolutely sure about that?" You know, "are you absolutely sure that what you're looking at or experiencing or noticing is only perceivable in one way, it's only ever [00:20:00] frameable, in one context?" But also this idea for me that disability is simply a fact.It's not good or bad. It is a thing that exists in the world and ableism is essentially the urge to measure against the vast field of disability and impairment and go, "We don't want that. That's the worst thing to be. So, we will strive to not be that." As Fiona Kumari Campbell would say, " It sets up a ranking and notification and prioritization of sentient life."So, this is why we, to a certain extent, we have such a obsession with youth culture. Young, healthy, fit folks are in some way better than the elderly. Oh god, nobody wants [00:21:00] to get old cause, if you're of white extraction, "oh, they'll probably stick you in a home."Nobody wants to conceive of the idea that actually you can have a generative and intimate relationship with somebody, not necessarily a romantic one, but a deep, deep friendship that also involves, frankly to put it crudely, perhaps wiping somebody's arse, right? There's this whole notion of messiness and failure and why Aerin reworded it from "productive" to "generative" is that whole idea of being productive, of having capitalist use, to produce, to make for purposes. And for me, disability and the field of disability in which I exist says "I exist and I don't have to be productive." it really [00:22:00] challenges the capitalist framework for me. And also, ableism, because it's set up to rank things like speed, mobility, all kinds of things like that, having a disability where you're sitting there going, but there are other ways to do this. There are other ways to exist. To notice the way our bodies move that are mostly ignored in the sense of "yeah, we don't pay attention to our posture or our muscle structure or what our guts are doing because we're all already forced along to the next thing.You know, we're already touring from, "okay, I've got up in the morning. Next thing I've got to do is have breakfast," right? And if you can easily shift between those stages, so you get up in the morning, start your breakfast, put your clothes on easily. [00:23:00] You don't think about it as much, but if it takes you 10, 20 minutes to even get out of bed and you have to do specific things, maybe exercises, maybe things like that, the whole process thickens.And in a sense, for me, it's an antithesis to escapism because there are things you cannot escape. There are things you have to deal with. And because there are things you have to deal with, you have to pay attention to them more. And that means the most ordinary mundane thing becomes or can become, if you're willing to gently sense it, a lot richer.So, this is one of those interesting things where if people want to go places to experience new things, Okay, that's a whole issue that you've obviously talked about throughout the podcast, but there is a certain sense in [00:24:00] which we don't even know where we started from. We've not explored our own bodies.I mean, I wrote a piece in 2020 when all the lockdowns hit that got shared around various bits of the internet and I think even in the newspaper at one point in, but I got a request to syndicate it, of how to exist when you're stuck in your house. You know, what do you do to "keep," in inverted commas, "sane," which, of course, is an ableist framework, but what do you do to stop yourself from losing mental health? How do you function? And I broke it down and I sort of made practical suggestions of, this is how I, as somebody that doesn't actually have a, quotes, "normal life," and spends a lot of his time unable to travel or go out much, stops myself from feeling isolated, [00:25:00] because I've ended up having to learn to explore what some might regard as a limited domain.But to me, that limited area, that limited domain has given me this sense of vastness that's, you know, I can't remember which philosopher it is, but there is a philosopher who basically says, I think it is a Camus, who says "you just need to reopen when you're in your room and the whole world will reveal itself to you."And when you don't have a choice, when you're stuck in chronic pain, or sickness, or something like that and you have to work out what to do with your limited energy, to embrace life, there becomes a sort of challenge, to go, "okay, how can I feel like things are enriching? How can I, almost metabolize the things that other people would reject.⌘ Chris Christou ⌘ is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.You know, [00:26:00] because disability is so "Oh, it's so sad he's disabled. Or we've got the cure for this and that. And we've got to cure it." And it's not really about ameliorating suffering. Which is a good thing. It's an analoid good to ameliorate any form of suffering. But there is this sense that the only way to perceive the world is through a so called "non disabled" abled body.The only way to experience a rich world, and again, I'm not knocking people who do a lot of travelling per se, but the only way to experience the world is to go on long journeys, and backpack and explore you know, new ways of thinking. That's great. And I'm not saying you can do exactly the same at home, but you can also become radically hospitable to yourself and to the environment in which you find [00:27:00] yourself.And that opens a whole lot of doors that I think I would regard as generatively colouring life and revealing life. In a way that was possibly occluded before. Chris: Yeah, I mean, so much of what I've come to in the research around tourism and hypermobility is this question of limits.And that certainly comes up in other themes, in other contexts. But not just the limits to one's place. Like, where does your place end? But also the limits of the human body. And, when we talk about freedom generally in the West, or in, in the context of modernity, it's so often pinned or underpinned via the freedom of movement, in part, because I know you're coming from the other side of the Atlantic, but certainly in, in this part of the [00:28:00] world, in the Americas and especially North America, freedom is understood as freedom of movement because that's in part how, the states and, and the nation's existences are justified.And so, I would just ask you what you think of that in the context of freedom being, of course a synonym for liberation. And how so many of our western notions of freedom are attached to movement and have. To a large degree become glorified in the hyper mobility of our times.Craig: I would agree with you. I think it was always there because of the colonial urge, but I think North American notions of freedom have, through a certain cultural hegemony, filtered back. You get it in the media, even Star Trek, you know, the final frontier, you know. Things like that. Or wide open spaces. There's still this notion of, freedom to move, room to live. It has its own European context and [00:29:00] horrors, unfortunately.But also, I think the notion of freedom as freedom to move. There is a question there for me, because I'm not sure we know what we're doing when we move. Right? And one of the questions that always was raised for me is, if I raise my finger, as I'm doing now, and I bend it so it's 90 degrees, how did I do that?What did I do? Well, science would say, okay, you used all your tendons and so on and so forth, and I'm like, yeah, "okay, those are nice descriptors. But what did I actually do?" Where's the connection between the impulse and the urge to bend my finger? Right. I don't know what I did there. I just thought I'm gonna bend my finger and the [00:30:00] finger bent But there's a whole bunch of stuff going on.So when I'm thinking about freedom of movement First the question is, "freedom to move in what way?" Right? So the the classic example is, in perhaps North America and and English speaking countries is "to go where I want, when I want, with none to to gainsay me, none to say you can't go there," which has been problematized thanks to the history of enclosure of land and capture by state and political actors, but also this notion that if you get into a city and you can go and people go, "Oh, I'm free to go wherever I want."I always sit there and I'm going, "yes, but you can go wherever you want, but if a place has stairs and no lift..." right? I [00:31:00] can't go there. So do I have less freedom? Well, according to the traditional notions of freedom, yes. I am less free. When I grew up, as an example in the UK I went to America when I was about four or five, and I was absolutely stunned by the amount of public toilets that had a disabled toilet.Right? Because virtually nowhere where I grew up at that point had a disabled toilet. This was due to the fact that the U. S. has a disability rights movement that was slightly ahead of the U. K. 's. So I was freer to go about my holiday in the U. S. than I was technically at home. I couldn't go certain places because there weren't toilets, or there weren't ramps, because that had not been legalized. You know, there'd been no legislation. In the UK, there was [00:32:00] no disability legislation until 1995. You know, so technically, I was born in 1981. I had no specific extra legal rights that I needed for 14 years. Now some would say, "oh, that, you've got freedom there... the law has given you freedom.It's giving you the ability to move, but it's only given me the ability to move in approved ways, right? And so every single time somebody talks about room to move, my query is always, okay. "One, as I said, move in what way? And two, who taught you what method of movement is approved or disproved?" So, particularly in Europe, we have folks like the Romani, the Irish travellers, [00:33:00] even the so called New Age travellers, right, who are nomadic folks.And despite this obsession with freedom, the idea that people are nomadic, are shiftless and rootless, still exists. Yes, a degree. The degree of privilege, the degree that I could be, quote, "more confident going into public spaces." And you'll see this in American history and throughout European history as well.And when I was talking about the nomadic folks, I was saying, you know, there are only certain people who are allowed to move in certain ways, to travel in certain ways that are approved. In similar ways with disability there were only certain kinds of people who were allowed into public spaces.They might not have been legislated against in the mid twentieth century. They might have struck those off the books, but at [00:34:00] various points, at least in the US, if you look up the Chicago Ugly Laws, people who were regarded as vagrants or unsightly, were not allowed in public spaces. They could be jailed for that.It's not just loitering. It was very much anything that could give offense because they were physically disabled. Or, the idea that the physically disabled are more likely to be begging or doing things like that. That was all folded in. So, this notion of freedom as the ability to move and move in space.Despite the North American urge to be like, "well, nobody can tell me what to do." There's still a certain level of certain forms of movement are privileged or regarded as normal versus others. So, you know it's weird if you don't stay [00:35:00] in one place or perhaps, it's weird if you don't have a reason for your seasonal job, right?When I was a kid and a teenager... like I said, where I grew up was kind of known for surfing, right? And I met folks who would come from places like Australia and live in Volkswagen transporter vans and work in the seasonal hotels and then go surfing. And then sometimes in the winter they disappear off to Morocco.And you wouldn't see them for six months and they'd come back and there's all this kind of idea of Differing rhythms, which has really influenced my entire life because those folks, they were there there were hundreds of them you could see them parked on every road and I knew several of them very very well, but the fact of those seasonal rhythms, which weren't [00:36:00] approved. It wasn't approved that they didn't stay in one place and pay taxes. To some that might be, you know, "Oh, that's freedom! That's telling the government, I don't have to pay your taxes or I don't have to stay in one place and be a registered visible citizen. I can be a free spirit and go to Morocco whenever I want. But, the fact of it is, if you walked on the, on the roads, people would look at you funny, right?If you look at people who do long distance walking in areas that are drivable, I mean, especially I guess in North America, that's looked at as very, very, very strange, because you guys don't have the infrastructure. So, for me, it's this really strange notion that we're fixated on particular kinds of movement to do with agency and power, right?And we, we will say, "oh, [00:37:00] that's mobile, that's fast, that's quick, that's agile." And I'm always curious about what criteria we're using to say, "oh, that's fast, that's agile, that's nimble," when you look at the so called natural world, and you've got plants that are seemingly immobile, but they actually turn to the sun.You just don't notice it until you stick it on a stop motion camera. And then you're like, "wow, they move." But you could go past that plant every single day and be like, "yeah, it doesn't move. It's a plant. It just stays there." Right? Because our perception of what movement is and what is approved is based around one, what we're taught and two, what we see every day.But also three. What we can't notice unless we're forced to look at the same thing over and over again, right? [00:38:00] Because our tendency is to see one thing, think, "Oh, I know it. I've spotted it. I know what it is. I've identified it. It's fitted into my matrix of identity. I can move on now. It's all sorted." But the whole ethos, I guess, that I'm coming at iswhat if you don't know? What if you don't know? What if that microphone that I'm speaking into and you're speaking into it looks like a particular thing and you think you could describe a microphone to somebody but go down to say the flows of the electrons and it's a context issue. You know? And, and So, I'm interested in thinking about what are the contexts are in the room with us right now that we're not even paying any attention to, and not even in the room, in our own bodies, in our own language.Chris: Wow. Yeah, again, there's so much there. My [00:39:00] my thoughts just flew off into a million different directions. And I feel like it would probably take me a while to to gather them in.Craig: No problem. You do what you need to do. I mean, that's, that's the whole point. Chris: Yeah. So I had a queer crip travel writer named Bani Amor on the podcast in season three.And we were talking about the fallout and the consequences of the COVID 19 pandemic. And she said something like, you know, "the settler can't stay still. That the pandemic showed us that we can't stay still." In the context of that time that so many people who had been engaged in and who glorify or who simply have been taught to live a hyper mobile life, that there was this opportunity to question [00:40:00] that, to bring it into a different context.And I know a lot of people, couldn't necessarily leave their houses in the quote unquote lockdowns. But I don't think that wouldn't necessarily stop people from tending to or allowing themselves to witness the more than human world in that way. And so, my question is, assuming we have the opportunity, in some manner, in any manner, how do you think we might have our understandings of movements subverted, or at least challenged, by virtue of looking at the movement in the more than human world.Craig: Great question. I think one of the biggest notions, and I just want to return to that phrase, "the settler can't stay still." And really, agree with that, and so add to secondary things of what actually is stillness, right? We have [00:41:00] this idea of stillness as immobility, as, as, as perhaps staying in one place.Not moving, but actually, if we look at what we're doing when we're actually apparently still, there's still movement going on, right? There's still movement going on in our bodies. There's still a different kind of mobility going. And we're not the only ones, right? The more than human does this exactly as well.If you look at a rock, oh, you think a rock doesn't move? I mean, it doesn't move, but then you have erosion, right? Then you have the rain, and the way that particles are shaved off it, and it shifts. So, when we're thinking about outside, when we're thinking about... and when I say "more than [00:42:00] human," I'm not saying "better than human," I'm saying "exceeding the human," I just want to make that clear, it exceeds the boundaries of the human. Disability as mutual friend Bayo would define it is, I believe he said "it's a failure of power to contain itself." So, that's Bayo Akomolafe. And this notion that the world and the modern human flows through and beyond any sort of boundary, right? So, any outline we form is not immune in the sense of there's no boardwalk, right?A wall is not an untouchable upright edifice. It's actually touched and permeated, right? So everything in the more than human context interrelates and is, to a certain extent, degrees of [00:43:00] permeable. So, yeah, our cells keep certain things out, and let certain things in, but even the things they keep out, they're in contact with.They're relating to. Right? Because in the same way, with COVID 19 vaccine, people think, "oh, it's a vaccine. It's immunity, right? It'll stop me getting COVID. Or it'll stop me getting this, or stop me getting that." What it actually does is it has an interaction with your, the vaccine has an interaction with your immune system.There's a dialogue, there's a discussion, a call and response, which then engenders further responses in your body, right? So, there's constant relation that is ongoing. So, nothing is one and done, right? To borrow from Stefano Hani and Fred Moten No motion is ever completed, right? Nothing's [00:44:00] ever finished. It's not like we're gonna get off this and, and you'll be like, "oh, I've finished recording the podcast." Sure, you've hit the stop recording button, but the recording of the podcast is still ongoing. And there's this fundamental ongoingness, which is a product of the world.The world is worlding, right? And that means the most ordinary, mundane thing you can think of is ongoing. The mug I have right in front of me right now with tea in it. It's ceramic. It's been painted, but it's still ongoing, right? It still has the relation to the machines that shaped it. And it also has this ongoingness with the human history of pottery.Right? And people go, Oh, that's ridiculous. That's not practical. You know, "it's a mug," but I always [00:45:00] think. Isn't that just commodification? Like, is that not just saying it's a commodity, it doesn't have a story? Like, I don't want to get all Marxist here, but there's that real alienation from ongoingness and the fact that we also are ongoing attempts at relation. We're not even fixed identities. Our movements cannot be technically circumscribed because I have a disability which means I can't dance. Right? I use a wheelchair. I can't dance. I can't do the tango. Right? Okay. But everybody uses dance in a context of bopping to the music and doing all this thing and it's a bit like freedom. You know, everybody assumes that dance is a particular thing.But as Bayo and We Will Dance with Mountains, the course, the whole point of it being [00:46:00] called We Will Dance with Mountains is the fact that mountains don't dance like humans. Mountains dance like mountains. And the only way we spot how mountains dance is to actually pay attention to them and attempt to relate to them.We can't get out of our framework completely, but we can be open to say, what does our framework for a mountain miss about those massive landforms? What are we missing when we say a mountain doesn't move? And that's where you have references to indigenous and local stories that actually talk about these landforms, these places, these folklore places, as the living, moving beings that they actually are.Hmm. You know. Yeah, "okay, that stone circle over there was because a bunch of women were dancing on a [00:47:00] Sunday and in a Christian country, that's bad, so they got turned to stone," or in Scandinavia, "that rock there, it's actually a troll that got caught out in the sun." that these are living, ongoing beings and events, which it's not woo, it's actual or intellectual, I think.If you look at anything for long enough, you start to notice what's ongoing with it, even something that's solid and fixed. And that, to me, the gripping is the bending of the perception, right? That is queering, but crip-queering is that point where you have the restriction involved. People will talk about queer liberation, and yeah, we want crip liberation. That's cool. But if you think about crip liberation as, it might actually be the limits that bring us liberation.And then, if you track back [00:48:00] into mythologies long enough. You've got figures like Dionysus or then poetic gods who say, they're the ones that fetter you. They can bind you, but they can also set you free. And that is really interesting to me that a lot of these liberational figures also have a side that they can tie you up.And I don't just mean in a bondage sense. It's this notion that the two things, the two complexes are part of a whole thing, and you can't divide it into restricted and free and you can't escape. You can't pull a Harry Houdini from existence, which, to a certain extent, some people, when they go on holiday, engage in tourism, they're trying to escape for a little while, their other lives. But we all know you can't escape them. Mm-Hmm. But the inescapability of it is not bad. Right. By default, it's not [00:49:00] bad. It can be, but the assumption something is inescapable, just like, oh, something is disabling. Mm-Hmm. the assumption of good and bad. If you can hold that in abeyance and actually look at it for a second and go, Okay, what's going on here?Maybe our conceptions of this need reevaluating. Now the reason we don't do this on the regular, even in modernity, is because it takes a lot of effort and time to focus. And that's another benefit that I get as a disabled person, right? Because I can't use my time for a whole bunch of things that non disabled folks can.So I've got more time, I've got a different relationship to time and space, which means that I can sit and look at things with that differing relation to time and space, and be like "Huh, I never noticed that." And then I get to talk [00:50:00] about this stuff to folks like you, and people get surprised.And they're like, "you think about this all the day." I'm like, "no, I don't think about this. This is my life. This is how I live. This is my embrace of life, right? And this is my freedom to literally, Be like, " well, okay, my restrictions. How do they actually open me to the world?" And I'm not offering a prescription here, because everybody's different.But it strikes me that even the most nomadic person always carry stuff with them, right? And to borrow from Ursula K. Le Guin with her "Carrier Bag Story of Fiction," which Bayo talked about in We Will Dance The Mountains, the idea of what we're carrying is really interesting, but how often do we rummage in our own bags?Hmm. [00:51:00] Right? How often do we take off our backpacks and rummage just for the sake of it? Often we just look in the backpacks for something specific. Hmm. Right? Oh, I need a map. Oh, I need a chocolate bar. Oh, I need my, you know my iPad. We rarely stick our hands in and notice the way our clothing might shift around our fingers or the way, you know, the waterproofing is possibly coming off and means that the fabric has these different textures because we don't take the time and there's nothing wrong with that, but it's the fact that we don't have that relationship to time and space.And babies, kids do. It's why kids put things in their mouth. All those things where you're like, "Oh no, don't put that in your mouth, it's bad for you." They don't know that. But the whole point of putting it in their mouth and feeling it is to try and not [00:52:00] understand it, not get it.There's nothing there in a baby in its early function that says, "I must understand what that is." The understanding comes upon you through experience. But there's no bit, at least as far as I can work out, that's like, "I must understand what it is that I'm putting in my mouth."It's more like, "hmm, that tastes interesting, it has some interesting textures," and then your brain does all the work or your brain and your body mind do all the work, but the personhood isn't also doing all the work, just like the "I" of my body, right, my relationship with the "I", as in my sense of self, I have to expand that to my entire body, You know, because there's so much going on right now in this conversation that I'm not aware of, right?There's stuff going on in my room that I'm [00:53:00] not aware of, but it's going on now. And so I have to expand and that expansiveness also means I sometimes have to venture into realms of pain, right? Because I have chronic pain. And in order to fully experience that, sometimes I have to encounter that pain.I have to slow down and focus and go, "Oh, the chronic pain that I was mostly ignoring because just in the background, it suddenly leaped to the fore because I'm paying attention." Now, modernity says you shouldn't do that. You shouldn't do stuff that causes you pain. Understandable in a certain context, but If I didn't understand that the pain was also part of the experience and changes how I move, if I didn't understand that chronic pain changes how time stretches, then I wouldn't be where I am.So the more than human permeates the human in ways [00:54:00] that the human is either deliberately trained to deny or doesn't even know is going on and the pandemic basically was, in my eyes, the more than human kind of knocking on the door going you are not this completely hermetically sealed box, right? Your society is not a hermetically sealed box. Chris: Amen. Amen. I mean, could have gone in a lot of different directions, but here we are, at least being able to reflect on it in a good way, and I'm reminded, this notion of abeyance and attention and, and the expansion of the I.I'm reminded of this, this line from Simone Weil who said that "absolutely unmixed attention is prayer." And so, I think that it, something like that is worthy of the times we, we wish to live in and perhaps sometimes do. Craig: [00:55:00] Definitely.Chris: And so, you know, I wish we had more time, Craig really getting into some beautiful black holes there. But hopefully we get the opportunity to speak again sometime.Craig: I'd be, be happy to. Be happy to. Chris: And so before we depart, I'd just like to ask the kind of token question that always comes at the end of interviews, which is where can our listeners find your work?And I'm pretty sure you had a book that came out last year entitled, Goetic Atavisms, if I'm not mistaken. Craig: Yes, I did. So you can find me on my mostly moribund, but strange little blog at cold-albion.net. And you can also pick up the book, which is, to be clear, more of an occult angle on this, but it also brings in the disability angle directly from the publisher Hadean Press or you could get it from, you know, the Bezos Behemoth, if you really [00:56:00] wanted. I am also not really on social media as a project, but I'm also on you know Blue Sky, so you can search me up there, or Mastodon, which you could always search me up there, and I occasionally post things on there.Chris: Wonderful. Well, I'll make sure that all those links and connections are available for our listeners once the episode launches. And I very much look forward to reading Goetic Activisms myself. So, thank you so much, Craig.Chris: Thank you, Chris. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

ASMR Tingly Rare Triggers for The Fastest SleeAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

**PLEASE BE ADVISED THAT THIS EPISODE DISCUSSES HEAVY THEMES SUCH AS SUICIDE, SUICIDAL IDEATIONS, AND SEXUAL ABUSE. LISTENER DISCRETION IS ADVISED.**Sorry for the delay, but we were celebrating pride and all of us girls over here at the pod have been having our best girly pop summers. So please forgive us and then listen to this episode. Okay thanks hiyeeeeeee.Anyway, SLee and Kat finish out pride month with the magnificent sapphic coming of age musical, Fun Home, based on the auto-biographic, graphic novel by Alison Bechdel. The gals also chat this year's Tony Awards and much more. What shows/artists were snubbed in your eyes? Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Solaris Universe @universolaris on instagramTheme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the Show.

Deze zomer, tot en met 4 augustus, geniet je van onze selectie aan zomertips, uit het  afgelopen seizoen Nooit Meer Slapen. Schrijver Carry Slee vertelt over haar boek ‘Zijn jongen', waarin ze reflecteert op haar eigen kindertijd. In gesprek met Femke van der Laan deelt ze hoe blij ze was toen ze als bruidsmeisje mocht optreden, hoewel dit tot ongenoegen van haar vader was, die haar liever als zijn zoon zag. Ze spreekt ook openhartig over de moeilijke relatie tussen haar ouders en hoe ze innerlijke rust ontdekte door te mediteren. (hh 3-10-23) ‘Ik wilde wel mijn vaders jongen zijn, want wie was ik anders nog?'

Coming back for its 28th year, the Fantasia International Film Festival (18th July - 4th August 2024) has once again taken over Montreal and the hearts of film fans!!! We're starting off our @EchoChamberFP https://www.instagram.com/echochamberfp/ coverage with a horror, mystery from One Manner Productions & Dark Star Pictures. There's a documentary looking at love, grief, and the power of art thanks to Intuitive Pictures, AND Grindhouse Releasing has restored a renowned tale of sleazy Hollywood from 1973!!! Today we have: Carnage for Christmas Watch Review: Here. https://youtu.be/h6DkOGTuD9o Fantasia International Film Festival Friday, 19th July 2024 at 19:30pm, World Premiere, Salle J.A. De Sève Wednesday, 24th July 2024 at 17:00pm Salle J.A. De Sève Buy Tickets: Here. https://fantasiafestival.ticketpro.ca/en/pages/Fantasia2024/performances/FF24S028 Salem Horror Festival: 4th May 2024 Director: Alice Maio Mackay Cast: Chris Asimos, Dominique Booth, Betsey Brown, Lewi Dawson, Olivia Deeble, Lisa Fanto, Molly Ferguson, Patty Glavieux, Toshiro Glenn, Cassie Hamilton, Iris Mcerlean, Jeremy Moineau, Tumelo Nthupi, Joe Romeo, Yassica Switakowski, Zarif Credit: One Manner Productions, Dark Star Pictures Genre: Drama, Horror Running Time: 70 min Cert: 15 ---------------- Adrianne & The Castle Watch Review: Here. https://youtu.be/yv-jHOy_xdc Fantasia International Film Festival Saturday, 20th July 2024 at 18:45pm Cinéma du Musée South by Southwest Film Festival: 9th March 2024 Hot Docs International Documentary Festival: 26th April 2024 Director: Shannon Walsh Cast: Alan St-George, Nathan McDonald, SLee, Tamsen Glaser, Heather Houzenga, Amy Malcom, Genevieve Thiers, Natalie Younger Credit: Intuitive Pictures Genre: Documentary Running Time: 86 min Cert: 15 Trailer: Here. https://youtu.be/9UUnjIo2sXA?si=-h3W838LgzC3eNUF Instagram: @adrianneandthecastle https://www.instagram.com/adrianneandthecastle/ ---------------- Hollywood 90028 Watch Review: Here. https://youtu.be/MEooGVfUx38 Fantasia International Film Festival Saturday, 26th July 2023 at 17:15pm Salle J.A. De Sève Buy Tickets: Here. https://fantasiafestival.ticketpro.ca/en/pages/Fantasia2024/performances/FF24S038 Theatrical Release Date: 1st July 1973 Director: Christina Hornisher Cast: Christopher Augustine, Jeannette Dilger, Dick Glass, Gayle Davis, Ralph Campbell, Kia Cameron, Dianna Huntress, Beverly Walker, Melonie Haller Credit: US3, American Films Ltd, Parker National Distributing, Go Video, Grindhouse Releasing Genre: Drama, Horror, Thriller Running Time: 74 min Cert: 15 Trailer: Here. https://youtu.be/l0V6h39gGJo?si=NFBpeHDbIzUlZ3xQ Website: Here. https://grindhousereleasing.com/ ---------------- *(Music) 'Give The People' (Instrumental) by EPMD - 2020

Follow our ad-free Rain Playlist here: https://open.spotify.com/playlist/1MMT1HDdPHNtxUWhcgjSEl?si=16f05b6327c74056---Welcome to a new episode of ASMR Sessions.In this episode, you will hear gentle and soft rain.What sounds would you like to hear next time? Leave a comment in the review

"We face life with a little guts and lots of glitter!" This week Kat and SLee are back and talking about the beautiful love story that is La Cage Aux Folles! Also: Kat got married! Woo!*Apologies for the poor audio quality, SLee's mic broke and we were forced to improvise. We hope you enjoy learning about the show, we loved getting to talk about it. Love you lots!*Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the Show.

Rapha, Ênio e Guilherme Kenzzo conversam sobre Transtorno de Ansiedade Generalizada (TAG): - Quais são os diagnósticos diferenciais? - Como diagnosticar e acompanhar TAG? - Como tratar TAG? Tudo isso nesse episódio! Referências: 1. Szuhany KL, Simon NM. Anxiety Disorders: A Review. JAMA. 2022 Dec 27;328(24):2431-2445. doi: 10.1001/jama.2022.22744. PMID: 36573969. 2. Penninx BW, Pine DS, Holmes EA, Reif A. Anxiety disorders. Lancet. 2021 Mar 6;397(10277):914-927. doi: 10.1016/S0140-6736(21)00359-7. Epub 2021 Feb 11. Erratum in: Lancet. 2021 Mar 6;397(10277):880. PMID: 33581801; PMCID: PMC9248771. 3. Stein MB, Sareen J. CLINICAL PRACTICE. Generalized Anxiety Disorder. N Engl J Med. 2015 Nov 19;373(21):2059-68. doi: 10.1056/NEJMcp1502514. PMID: 26580998. 4. Stahl, S. M. (2021). Stahl's essential psychopharmacology: Neuroscientific basis and practical applications (5th ed.). Cambridge University Press. - Jeremy DeMartini, Gayatri Patel, Tonya L Fancher. Generalized Anxiety Disorder. Ann Intern Med. 2019 Apr 2;170(7):ITC49-ITC64. doi: 10.7326/AITC201904020. 5. American Psychiatric Association. (2022). Diagnostic and statistical manual of mental disorders (5th ed., text rev.) 6. Slee, April et al. “Pharmacological treatments for generalised anxiety disorder: a systematic review and network meta-analysis.” Lancet (London, England) vol. 393,10173 (2019): 768-777. doi:10.1016/S0140-6736(18)31793-8 7. Brawman-Mintzer, Olga et al. “Sertraline treatment for generalized anxiety disorder: a randomized, double-blind, placebo-controlled study.” The Journal of clinical psychiatry vol. 67,6 (2006): 874-81. doi:10.4088/jcp.v67n0603 8. Guaiana, Giuseppe et al. “Hydroxyzine for generalised anxiety disorder.” The Cochrane database of systematic reviews ,12 CD006815. 8 Dec. 2010, doi:10.1002/14651858.CD006815.pub2

(10 Hours) #1 (ASMR Whisper) Back To The Moon Let Me Bore You To Slee (18th August 2022) by Jason Newland

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Annette Adler - Just Like That FOLLOW ON SPOTIFYLauren Gruwell - Love Runs Dry FOLLOW ON SPOTIFYEd & Carol Nicodemi - A Mother's Love Reimagined FOLLOW ON SPOTIFYJennifer Lee - Dear Mom FOLLOW ON SPOTIFYJazzmyn RED - If I Had A Daughter FOLLOW ON SPOTIFYJill Detroit with Emily Simpson - Mother and Daughter FOLLOW ON SPOTIFYRebekah Van Tinteren - Child (Remastered) FOLLOW ON SPOTIFYJess Novak Band - Magic FOLLOW ON SPOTIFYCece Otto - She's Good Enough to Be Your Baby's Mother FOLLOW ON SPOTIFYLeslie Evers - Genevieve FOLLOW ON SPOTIFYMarcie - A Lil Piece Of Heaven Cindy Slee - Mom FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Ed & Carol Nicodemi at edandcarolnicodemi.comVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resources

Is a Southland sheep and beef farmer (and 25 years ago was the 1999 Young Farmer of the Year). Today we get his take, as a large-scale supplier/shareholder, on the controversial Alliance Group capital-raising programme.  See omnystudio.com/listener for privacy information.

This week SLee and Kat chat about The Prom  and damn did the gals have fun talking about this one. But it's not about us........ get it? OKAY STRAP IN AND STRAP ON! Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the Show.

Josh Mattei, is taking the week off from interviewing but, wanted to use this Thursday to spotlight the interview he did last year with Donny Van Slee! Since Josh last spoke with Donny his career has been flourishing, appearing on NBC The Voice as a member of team Reba! Show Credits: Voice Over Actor: Chuck Davis https://www.chuckdaviscreative.com Opening Jingle: Brandt Carmichael https://brandtcarmichaelmusic.com Graphic Designer: Daniel Erhart Producer/Editor: Josh Mattei Host: Josh Mattei

Ben Swain General Manager of the famous Slee Off-Road in Golden Colorado agrees with us on everything in this episode.  He is our kind of gearhead. Outfit your Toyota and Lexus for serious overlanding at https://sleeoffroad.com/Checkout the Slee YouTube channel https://youtube.com/@slee-offroad?si=V7kEkJ7DjopU7zbA

Met zo'n vijf miljoen verkochte boeken is Carry Slee één van de meest succesvolle kinderboekenschrijvers van ons land. Jonge lezers herkennen zich in haar verhalen over opgroeien, waarbij ze échte levensthema's niet schuwt. Met de jaren kwam bij Carry Slee het besef dat haar eigen jeugd verre van eenvoudig was. In haar meest recente boek voor volwassenen – ‘Mijn jongen' – haalt ze herinneringen op aan haar vader en hoe ze werkelijk alles deed om erkenning van hem te krijgen: haar vader wilde een zoon en voedde haar op als jongen. Met Pieter van der Wielen praat ze over worden wie je echt bent, los van wat anderen van je verwachten. Over dat een slechte jeugd niet alleen maar zwart-wit is, en dat ze ondanks dat tóch van haar vader houdt en hem heeft kunnen vergeven. En over hoe schrijven – én het vinden van haar grote liefde Elles – de reddingen van haar leven zijn. Presentatie: Pieter van der Wielen Redactie: Mira Zeehandelaar Mixage: Audiochef Muziek: Rufus van Baardwijk Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Come to the "Copa... CopaCaban-- WAIT! THIS ISN'T A BARRY MANILOW BIO-MUSICAL?! Yeah, the gals were confused as well. This week SLee & Kat talk about Barry Manilow's, Harmony an original musical about the real vocal group, The Comedian Harmonists, the "greatest entertainers the world has never heard of."  The gals also start talking 2024 Tony predictions, Chip Zien and maybe a little wedding gab (;Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the showSupport the show

It's Saturday (Friday) Night (Day) at Skater Planet (Wherever you listen to podcasts) and Kat and SLee are chit chatting about the Tony Award winning Kimberly Akimbo! Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

"What ya gonna do when it all falls down?" This episode Kat and SLee talk about the cult classic Chaplin: The Musical. Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

"Die Vampire Die!" This episode Kat and SLee are back from an extended break (thank you for your patience!) and chatting about the cult classic [title of show] with comedy legend Tim Murray! Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterCheck out Tim Murray @tmurray06 on all platformsGet your tickets to see Tim at Joe's Pub here!  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

"God bless us every one!" Kat and SLee hop into a Christmas Classic with Menken and Ahren's A Christmas Carol.Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

Kat and SLee kick off the holiday season with the SLee's guilty pleasure musical, She Loves Me. The gals touch on the gifts of growing older and positive mental health practices. ....oh, and also how sexy Gavin Creel is. Speaking of, here is Jane Krakowski and Gavin Creel in the Roundabout Revival singing Illona: https://www.youtube.com/watch?v=zi7b92W-zhgFollow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the showSupport the show

This week the team meet Mattijs Slee is the CEO of Battolyser. We scratch the surface of how this technology offers something different to others in the market, while also asking Matthias to talk about his own personal experiences in the hydrogen world, and why he's so excited about the future opportunities for Battolyser. About BattolyserBattolyser is a Netherlands-based, electrochemistry company, who have developed an exciting hybrid electrolyser and battery storage solution. The company already has its first pilot plant in operation in the Netherlands, and has recently secured significant funding from the European investment bank to accelerate the manufacturing scale of its product and to introduce its solution to existing and new customers that are seeking innovative ways to incorporate intermittent renewable energy into, different green energy storage vectors. ---Links:https://www.battolysersystems.com/about

A classic tale of hotdogs, 1940's gangsters, a man passing off someone else's work as his own!Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

We zijn niet langer delulu, want Carry Slee is deze week onze Lesbi aan de Lijn!

Belting Bisexuals, Loving Lesbians, and a woman caught between timelines… If/Then has it all!Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

When I first started my business, I was proactive in being ready to celebrate. I purchased multiple mini bottles of champagne, and I affixed to each one a post-it note listing a specific business goal or dream that I had. Each time I manifested one of my goals or desires, I'd pop open that bottle and toast my achievement! Since then, I've shifted from champagne to other types of celebration, but the intention remains the same - to consciously step into the high vibe energy of celebration, even before my dreams have been manifested.Getting into the energy of celebration BEFORE you've accomplished your goals will allow you to tune into the same energy that you will experience once your dreams have been manifested. This will enable you to energetically align to the dream far more powerfully - and issue it an irresistible invitation into your manifest reality!But this is far from the only reason why you should be creating conscious space for celebration. In this episode of Soul Guide Radio, I reveal the amazing benefits of cultivating an intentional and aligned relationship with celebration, and share my most powerful tips to help you get started! Start unlocking your spiritual gifts. Listen now to discover: How our social conditioning affects the way that we think about success (and how this shapes the way that we approach celebration)The right way to celebrate your unmanifested dreams - and how to make celebration a part of your everyday life An invitation that will have you raising your overall energetic frequency so you can experience more joy each and every day! Timestamps:00:01  Intro & listener review04:11  Why is celebration important?05:37  Social conditioning & success08:57  Aligned ways of celebrating15:33  Celebrating the big milestones18:03  Life is a playground20:07  Invitations & conclusionLinks:Soul Guide Radio #108: Manifestation as a LifestyleStay connected: Facebook: https://www.facebook.com/groups/soulguidecircle Instagram: @allysonscammell Ready to grow a prosperous soul-guided business? Book an Intuitive Consult Seeking a high-vibe speaker or guest instructor for your event? Reach out here! — If Soul Guide Radio resonates with you, please consider leaving a review — this helps us to reach more soul-guided leaders, influencers, and entrepreneurs. Podcast support: https://theultimatecreative.com https://copymagic.agency Interested in being a guest? Learn more: https://allysonscammell.com/podcast

"Swing your razors wide!" Is this an episode about Sweeney Todd or the Saw Franchise? We'll let you decide.Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweekAyo Jeriah Demps: https://www.tiktok.com/@theaterwestend/video/7279855416148757791?is_from_webapp=1&sender_device=pc&web_id=6986723250420942341 Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

As you build a beautiful and nourishing daily spiritual practice and become more confident in tapping into your divine gifts, you will likely find yourself wanting to share your journey with those closest to you - including your little ones. As children haven't yet been conditioned by society to hide or ignore their spiritual side, they're usually quite interested in following along with mom or dad as they meditate or connect to the spiritual realm! Sharing your spiritual practice with your children means stepping into the energy of both leadership and teaching, which are two of your key spiritual gifts. In this episode of Soul Guide Radio, I sit down with a very special guest who will help me demonstrate - my 7-year-old daughter, Freya. Over the past few years, I've been gently encouraging Freya to listen for the tiny voice of her heart and reach out to her Divine Support Team (the fairies, in her case!). During this conversation, Freya and I talk about connecting to the spiritual realm - and model our own process of using our gifts of intuition together.Listen now to learn how you can teach your children and loved ones to connect to their intuition, and experience a special reading of oracle cards picked by Freya herself!Start unlocking your spiritual gifts. Listen now to discover: How I helped Freya begin to be guided intuitively from her heart at a very young ageHow Freya communicates with her Divine Support TeamAn invitation that will have you deepening your own connection to your spiritual gifts by inviting your loved ones to be part of your experiencesTimestamps:00:01  Intro & listener review04:59  Fairies & discovering your child's superpower08:02  Meet Freya09:23  First card: Choice12:07  Choice invitation15:32  Speaking to the fairies21:35  Second card: The Dragonfly22:32  The Dragonfly message23:34  Third card: Fairies24:37  Messages from Freya26:10  Sacral session28:41  Freya's final message & invitationStay connected: Facebook: https://www.facebook.com/groups/soulguidecircle Instagram: @allysonscammell Ready to grow a prosperous soul-guided business? Book an Intuitive Consult Seeking a high-vibe speaker or guest instructor for your event? Reach out here! — If Soul Guide Radio resonates with you, please consider leaving a review — this helps us to reach more soul-guided leaders, influencers, and entrepreneurs. Podcast support: https://theultimatecreative.com https://copymagic.agency Interested in being a guest? Learn more: https://allysonscammell.com/podcast

My incredible guest for this episode of Soul Guide Radio is Marissa Lawton, a conduit and guide for feminine seekers and host of the Rooted Feminine Podcast. Marissa works with awakened women who wish to recall the memory of their unique ancestral magic and design their lives around their feminine power.Marissa helps her clients undergo a powerful reclamation process called ‘re-wilding' - breaking free from toxic patriarchal and colonial practices. Re-wilding helps us to rediscover our natural rhythms, disengage from unnatural or oppressive systems, and return to a soul state of being. This isn't an all-or-nothing process - re-wilding may be done gently and to the degree that best serves your needs!During our discussion, Marissa and I deeply explore how to approach business (and life!) as a powerful, divine woman, how to re-wild ourselves from masculine ideas of success, and how to tap into the nine feminine mysteries. You will NOT want to miss this beautiful and soulful conversation!Start unlocking your spiritual gifts. Listen now to discover: How to engage in gradual re-wilding - even when you can only take small stepsHow to re-tune the energetics of your business from masculine to feminine How to re-energize a stagnant evergreen offer  Guest bio: Marissa Lawton is a conduit for ancient women's wisdom who guides feminine seekers to reclaim their divine power. As a former licensed therapist who left the medical model of mental health care, Marissa had a behind-the-scenes look into how patriarchal systems and structures continue to diminish women's ability to rise up - and her work in the world is to change that. By helping women reconnect to nature's rhythms, Marissa aims to reintroduce long-denied mysteries and reestablish deep feminine roots around the world.Timestamps:00:01  Intro03:30  Meet Marissa Lawton05:18  What is re-wilding?11:49  The machine & its cogs15:24  Re-wilding from ‘success'17:12  Facebook ads story19:19  Energetics of business25:23  9 feminine mysteries32:15  Evergreen offers41:01  Bro marketing44:13  Banking stories49:43  Invitation & conclusionLinks:Marissa Lawtonhttps://www.rootedfeminine.com Instagram: Did you know that All the ANSWERS about your soul experience are INSIDE OF YOU. If you're ready to claim the key to unlocking them, then join me in SOUL BLUEPRINT - a certification program that reveals how to ACCESS and AMPLIFY your 5 Spiritual Gifts to CLARIFY your soul's unique blueprint, and ALIGN your energy to your soul-guided intentions so that your DREAMS come true. ENROLL NOW at allysonscammell.com/soulblueprint Stay connected: Facebook: https://www.facebook.com/groups/soulguidecircle Instagram: @allysonscammell Ready to grow a prosperous soul-guided business? Book an Intuitive Consult Seeking a high-vibe speaker or guest instructor for your event? Reach out here! — If Soul Guide Radio resonates with you, please consider leaving a review — this helps us to reach more soul-guided leaders, influencers, and entrepreneurs. Podcast support: https://theultimatecreative.com https://copymagic.agency Interested in being a guest? Learn more: https://allysonscammell.com/podcast

Lately it seems as though everyone is talking about manifestation. Spiritual leaders, business coaches, journalists, actors, artists, and influencers alike are sharing their thoughts on energy, intention, and the Law of Attraction - some more knowledgeable than others! Even entrepreneur.com recently published an article offering tips on how to manifest success in your business. While it's easy to find different people talking about manifestation, most of them tend to say the same things. In this episode of Soul Guide Radio, I approach manifestation from an angle that you've probably never heard before - and explore the powerful reasons why it should be treated as a LIFESTYLE.Soul-aligned success - the kind that leads to deep, authentic, and lasting happiness - isn't something that happens overnight. It's the result of a journey during which you tend to your dreams and align to their energy. This isn't a one-and-done proposition, but a way of knowing, being, and living - one that allows you to become a creator of your own reality.Tune in as I reveal the incredible shifts that you will experience once you treat manifestation as a lifestyle, the role of self love in manifestation, and how to incorporate energy tuning into your daily schedule with ease!Start unlocking your spiritual gifts. Listen now to discover: The two sides of the manifestation coin, and why you must pay attention to both to receive real resultsThe key to making manifestation work for you in the way you WANT it toAn invitation that will have you manifesting ALL of your soul-guided dreams and intentions - big and small! Timestamps:00:01  Intro & listener review02:57  Law of Attraction04:53  Energy, joy & wounds08:53  Aligned action13:19  Energy frequency of love15:14  Manifestation as a lifestyle17:00  Noom as a tool18:58  Energetic tuning22:56  Tools, conclusion & invitationLinks:Ten High Vibe Minuteshttps://allysonscammell.com/highvibeSleep and Grow Richhttps://allysonscammell.com/sleepandgrowrich Did you know that All the ANSWERS about your soul experience are INSIDE OF YOU. If you're ready to claim the key to unlocking them, then join me in SOUL BLUEPRINT - a certification program that reveals how to ACCESS and AMPLIFY your 5 Spiritual Gifts to CLARIFY your soul's unique blueprint, and ALIGN your energy to your soul-guided intentions so that your DREAMS come true. ENROLL NOW at allysonscammell.com/soulblueprint Stay connected: Facebook: https://www.facebook.com/groups/soulguidecircle Instagram: @allysonscammell Ready to grow a prosperous soul-guided business? Book an Intuitive Consult Seeking a high-vibe speaker or guest instructor for your event? Reach out here! — If Soul Guide Radio resonates with you, please consider leaving a review — this helps us to reach more soul-guided leaders, influencers, and entrepreneurs. Podcast support: https://theultimatecreative.com https://copymagic.agency Interested in being a guest? Learn more: https://allysonscammell.com/podcast

Carry Slee is schrijver. Toen ze 36 was, stapte ze uit het onderwijs om zich te richten op het schrijven. Haar eerste boek verscheen in het jaar dat ze 40 werd. Sindsdien, vanaf 1989, boekt ze het ene succes na het andere. Ze heeft inmiddels meer dan tachtig boeken op haar naam staan, waaronder de jeugdboeken Spijt!, Afblijven, Paniek, Razend en Hebbes, en de boekenseries van Timboektoe en Juf Braaksel. In haar nieuwe roman kijkt Slee terug op haar kindertijd. Zijn jongen is een verhaal over gezinsverhoudingen en het omarmen van je eigen identiteit. Femke van der Laan gaat met Carry Slee in gesprek.

"Well f*ck me gently with a chainsaw" Kat and SLee start off spooky month with a cult classic - Heather's: The Musical.  They get into it all, the newly announced Broadway shows, bloody Sunset Boulevard, and a special announcement!!Follow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

What team? Wildcats! In honor of our 3 year anniversary Kat and SLee are discussing the classic DCOM High School Musical with the incomparable audio engineer supreme Jackson Alexander! If you're a fan of This Podcast Won't Run a Week then we think you'll love Banned Camp - a comedy podcast about why books are banned. Be sure to check it out and give them a listen. Check them out at https://www.bannedcamppodcast.comFollow us on Social Media!!@thispodwontrunaweek on instagram@thispodwontrun on twitterhttps://www.patreon.com/thispodcastwontrunaweek  Hosts: Kat Shaw, @katlynwithak on all platforms SLee, @justcallmeslee on all platformsAudio Engineer: Jackson Alexander @jackshitmedia on instagram Theme Song written and performed by: Rachel Lind @rachellindnyc on instagram and @rachelglind on twitterArtwork by: Adele Simms, @artsyadele on instagramSupport the show

How to get back on track when you're feeling off track. If you have been busy with school, life, parenting, or just feel like you've "fallen off the wagon" this episode is a quick session in how to get back on track within your life and step into your power.  In this epsiode, we talk about how to recognize your red flags for when you are feeling less like yourself, not your best self, or just know you'd like to be taking care of you in a different way. We then shift into four tactics to begin reclaiming your power and energy in your day.  Short but sweet, this episode gives you 4 different steps to focus on when reclaiming your life and getting your life back into a place where you feel in control of your day and experiences. We discuss energy clearing, deciding what you want, connecting with God/ Universe, and getting back to the basics. Make sure to pick up your copy of Nichole's latest book Rock Your Comeback: https://nicholeeaton.com/pages/rock-your-comeback Join Nichole's Comeback Club Membership for $22 :) https://nicholeeaton.com/pages/the-comeback-club Follow Nichole on Social Media: www.instagram.com/nicholeeaton.xo www.tiktok.com/@nicholeeaton.xo

Reflecting on the Lord's Prayer, theologian, writer, and poet Nicola Slee delves into some of it's problematic language, and through a process of improvisation reimagines the prayer as one that brings a universal message of hope in a world marred by injustice.  After the interview, Nomad hosts Tim Nash and Anna Robinson reflect on their own journeys with the Lord's Prayer, and ponder its role in their current spiritual practices. Interview starts at 17m 28s Show Notes → The creation of Nomad's thoughtful, wonderfully ad-free content is entirely funded by our equally thoughtful, wonderful listeners. Supporting us gives access to Nomad's online communities through the Beloved Listener Lounge, Enneagram Lounge and Nomad Book Club - as well as bonus content like Nomad Contemplations, Nomad Devotionals and Nomad Revisited. If you'd like to join our lovely supporters head to our Patreon Page to donate and you may even be rewarded with a pen or Beloved Listener mug! If you're hoping to connect with others who are more local, you can also take a look at our Listener Map or join our Nomad Gathering Facebook page. Additionally, we share listener's stories on our blog, all with the hope of facilitating understanding, connection and supportive relationships.

What is true chthonic sorcery? What does it mean to develop an intimate and erotic relationship with spirits? How can we let go of being only focused on “repeatability” in magic and instead focus on cultivating deep connections with spirits? Experienced magicians and authors - Frater Acher and Craig Slee - share about their latest tome Goêtic Atavisms from Hadean Press, answer your Patreon listener questions and more! ⇓ ⇓ ⇓✅►Pre-Order ‘Goêtic Atavisms' (coming soon): https://goeteia.com/goetic-atavisms✅► Theomagica (Frater's excellent blog): https://theomagica.com/ ✅► Paralibrum (high-quality occult book reviews) - https://www.paralibrum.com/ ✦

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Stacy Jones - Mama FOLLOW ON SPOTIFYDonate Gardner - Last Minute Advice Daisy Chute - Mother FOLLOW ON SPOTIFYJeannine Barr - Mother's Love FOLLOW ON SPOTIFYSophie Bickerdike - Indestructible FOLLOW ON SPOTIFYEd & Carol Nicodemi - You Sang to Me FOLLOW ON SPOTIFYTracy Newman - Carpool FOLLOW ON SPOTIFYLaurie Thornton (writer Doug Momary) - Sweet Dreams FOLLOW ON BROADJAMMelany Thompson - All For You FOLLOW ON SPOTIFYCindy Slee - Mom FOLLOW ON SPOTIFYDoreen Pinkerton - Mother, Mother (Song For Mom) FOLLOW ON SPOTIFYJoanie Calem - Roller Coaster FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Drea Lake at drealake.comVisit our Sponsor Ed and Carol Nicodemi at edandcarolnicodemi.comVisit our Sponsor Doug Momary at lagunaproductions.netVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resources

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Elijsha - Move On FOLLOW ON SPOTIFYMoon and Aries - Never For Me FOLLOW ON SPOTIFYSay Anise - The Sea FOLLOW ON SPOTIFYEmily Frick - Run Don't Run FOLLOW ON SPOTIFYCindy Slee - Queen of Lies FOLLOW ON SPOTIFYJoy Helena Solomon - Out Of This World FOLLOW ON SPOTIFYFridelina - Right Here ft. Royzy Rothschild FOLLOW ON SPOTIFYMolly Brown - One Soldier At A Time FOLLOW ON SPOTIFYPopsphere - Inflammation FOLLOW ON SPOTIFYMary Stieferman & Russ Horneyer - The Hardest Thing FOLLOW ON BROADJAMFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Drea Lake at drealake.comVisit our Sponsor Kristi Jaques at kristijacquesmusic.comVisit our Sponsor Bandzoogle at: http://www.bandzoogle.comVisit our Sponsor Release Checklist at ProfitableMusician.com/checklistVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resources