Podcasts about Graydon Carter

It's the return of a special video podcast series: Food Writers Talking About Food Writing. It's available on the TASTE YouTube channel, so make sure to subscribe and check out the video version of this podcast. Every couple of weeks, Matt Rodbard invites a journalist to talk about some favorite recent food writing as well as their thoughts on the industry as a whole.On today's episode, we have an amazing conversation with Jaya Saxena. Jaya is a correspondent at Eater, covering many topics including labor, queer food culture, and “why American potato chips are so boring.” She also serves as the series editor for the Best American Food and Travel Writing anthology, which has a new edition edited by Bryant Terry dropping in the fall.In this great episode, we talk about Jaya's career writing about the world of food, including her memorable piece for Eater, “The Food That Makes You Gay.” We also go over some recent stories and play the game “What would you pitch 1997 Graydon Carter?” That is, Jaya considers her dream no-budget reporting assignment.Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. Featured on the episode:Thomas Keller asked me to leave the French Laundry [SF Chronicle]We've All Been In Thomas Keller's Courtyard [Substack]The 22 Best Pizza Places in New York Right Now [New York Times]The Food That Makes You Gay [Eater]The Best American Food and Travel Writing 2025TASTE on YouTubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Subscribe to Throwing Fits on Substack. We can haz cheezburger? This week, Jimmy and Larry are in the stu before the long weekend and an amended schedule next week to tell products and brands to stop talking to us like they're millennials, breathwork, how socks are sized, dressing like a dad (derogatory), growing your hair out and how to care for it, sizing your gold chain in 2025, the clothing we personally need to stock up on for summer, more inseam and sandals talk, a ticket to the Frick Collection is the best money you can spend in New York, Lawrence grapples with his rebrand as a vibey book bro, Graydon Carter's memoir and a familiar problem he ran into with his friend Fran Lebowitz, Keith McNally gossip sleuthing, who is going to cool guy book fairs and what's going down there, have hypebeasts moved on to art books, James met Throwing Fits' youngest fan as a side effect of what is clearly poor parenting, it's peak stop and chat season so you might want to get out of town to Brooklyn for a while, Shy's pops up at Ha's with some elite beef curtains, finally putting some respect on Hillstone's name, inside the pizza war trenches, burrata does indeed suck on a slice, concepting the ultimate IG Story and more.  

It's the return of a special video podcast series: Food Writers Talking About Food Writing. It's available on the TASTE YouTube channel, so make sure to subscribe and check out the video version of this podcast. Every couple of weeks, cohost Matt Rodbard invites a journalist to talk about some favorite recent food writing as well as their thoughts on the industry as a whole. On today's episode we have an amazing conversation with David Farley. Farley's a longtime food and travel writer with stories in the New York Times, Wall Street Journal, Afar, and many other publications. He's the author of An Irreverent Curiosity: In Search of the Church's Strangest Relic in Italy's Oddest Town and we talk about some recent food writing and David's many travels. We also played “What would you pitch 1997 Graydon Carter?” That is, David considers his dream no-budget reporting assignment. Featured on this episode:This Is the Secret Michelin-Star Capital of the World [Afar]Is This the New Cocktail Capital of Europe? [NYT]The Dish Worth Traveling to Vietnam For (and It Isn't Pho) [Afar]Welcome to Reno, the Mighty Mecca of All-You-Can-Eat Sushi [NYT]Lucien Smith Gets a Job [NY Mag]Everyone Who Invented the Everything Bagel [TASTE]See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Trump says he will not be easing tariffs on China days before his top trade officials meet with a Chinese delegation. Then, the nightmare on main street as economic uncertainty impacts small businesses. And, the plan for far-right network OAN to provide programming for Voice of America. Evan McMorris-Santoro, Philip Bump, Ahmed Baba, Dan Nathan, and Graydon Carter join The 11th Hour this Wednesday.

In this episode of The Book Club with Michael Smerconish, Michael sits down with Graydon Carter, legendary former editor of Vanity Fair, to discuss his captivating new memoir, "When The Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines." The conversation is filled with sharp wit, rich anecdotes, and reflections on a media era defined by luxury, talent, and cultural influence—from eyebrow ladies at Condé Nast to Concorde flights, iconic writers, and unforgettable stories. Graydon opens up about what made that era "golden," his life lessons, and why gratitude and grit were at the heart of his editorial success. After the interview, stick around around as listeners weigh in with their own "rules for life," inspired by Graydon's and Michael's personal philosophies. Original Air Date 6 May 2025 The book was published on 25 March 2025.

It's the return of a special video podcast series: Food Writers Talking About Food Writing. It's available on the TASTE YouTube channel, so make sure to subscribe. Every couple of weeks, cohost Matt Rodbard invites a journalist to talk about some favorite recent food writing as well as their thoughts on the industry as a whole. Our next guest is Kat Kinsman, executive features editor at Food & Wine. Kat is an absolute legend in the game and has been at the center of food media for nearly two decades. In this episode, we talk about Kat's journalism career, her current media diet, and some favorite stories we've been reading lately. We also played “What would you pitch 1997 Graydon Carter?” That is, Kat considers her dream no-budget reporting assignment. It's a deeply personal conversation, and you should check it out. Featured on this episode:Subscribe to TASTE [YouTube]A Shadow Hanging Over Europe: ‘A Taste of Italy' From New Jersey [NYT]“Not Too Sweet” or Too Sweet to Fail? [TASTE]Where'd You Go, Chef Rocco DiSpirito? [Food & Wine]Do You Eat Clockwise, Top-Down, or Bite-By-Bite? [Best Food Blog]Tinfoil Swans [Apple] See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listeners, a great time was had by all last Friday as we celebrated episode 20 with you all of our ongoing "All About Aesthetics" series which centered around Graydon Carter's new memoir, "When the Going Was Good".We will be back in May with Episode 21 of our namesake series, exploring the depths and nuances of aesthetics!Thanks replay crew! #mitchhampton #GraydonCarter #aesthetics #vanityfair #patriciabosworth #analog #magazines

Ex-bFM newsreader George is in the studio with Jonny to review Graydon Carter's recently published memoir When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines. The memoir details Carter's illustrous and long-lasting career as a editor at Vanity Fair during the rock'n'roll era of print media. Thanks to our friends at Time Out Bookstore!

Ex-bFM newsreader George is in the studio with Jonny to review Graydon Carter's recently published memoir When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines. The memoir details Carter's illustrous and long-lasting career as a editor at Vanity Fair during the rock'n'roll era of print media. Thanks to our friends at Time Out Bookstore!

Remember magazines? Piled high on coffee tables or tucked into seatback pockets. Savored beneath beach umbrellas or skimmed anxiously in dental waiting rooms. Glorious, glossy magazines. Graydon Carter made some of the best. He started with Spy, a sly, sharp-edged monthly that managed to feel both smarter and more mischievous than anything else on the rack. But it was Vanity Fair that became his cathedral. Over his remarkable 25-year tenure as editor, he built the magazine into a financial juggernaut and a cultural touchstone renowned for its ambitious journalism and arresting photography. The hard-won wisdom he gathered along the way — about editing, storytelling, leadership, and how to leave before the music stops — is the subject of his new memoir, When the Going Was Good. (This conversation was recorded live at WBUR Cityspace.)

Graydon Carter is quite aware that no matter how well planned a party is, it is always at risk of being ruined by an impolite guest. But of all the social faux pas he’s been privy to, which was the most out of line? On this week’s bonus episode of Table for Two, Carter joins host Bruce Bozzi and discusses his go-to variety of wine, the most beautiful person he’s ever met, and why the south of France is his favorite place in the world.See omnystudio.com/listener for privacy information.

In this week's Q&A, Alan and Lionel are asked what makes a good story—and which big ones they've missed.They reminisce over the hedonistic days of Vanity Fair magazine, following the release of former editor Graydon Carter's swashbuckling new memoir. And they remember the legacies, lives and careers of two former colleagues: Gwen Robinson, former foreign correspondent for the Financial Times and Tim Radford, the Guardian science editor known for penning the 25 commandments for journalists. Hosted on Acast. See acast.com/privacy for more information.

GOOD GOING. Graydon Carter launched his enjoyable digital weekly newsletter Air Mail in 2019. He was the editor of Vanity Fair for twenty-five years, and under him Vanity Fair won numerous awards. Named to the American Society of Magazine Editors Hall of Fame, he is also an author and editor of books, a producer of plays and documentaries, and a restaurateur. In the newly published memoir When the Going Was Good Graydon recounts how he made his mark as one of society's most talented editors and shapers of culture. “I'm a very kind person, and I treat everybody the same.” “Every editor out there was working at the top of their game, and they were really good, so the competition was fierce.” “Always carry a handkerchief!”

We have been living in the age of diagnosis. But are we about to enter a new era - one of de–diagnosis, where we can give some of our pathologies back? We discuss a new book that's changing the way we see what's wrong with us. Plus, we have some recommendations including a rashie (yes you read that right) and two fabulous new memoirs about an It Girl and a magazine mogul. And, a Nicole test, a bingle and multiple viewings of a questionable film, plus Jessie's car disaster. It’s Best and Worst. Support independent women's media Get your tickets to the Mamamia Out Loud Live 2025 All or Nothing Tour Presented By Nivea Cellular Get your merch for Mamamia Out Loud What to listen to next: Listen to our latest episode: The Three Rules For Friendship Catch-Ups Listen: The "Ick" Of Old Friends & The Most Hated Woman On The Internet Listen: "We're Not OK" - The White Lotus Season 3 FinaleSubscribe Listen: The Robert Irwin Undies Theory, Tariffs & 7 Point Dressing Listen: Sex Tips (For Married Women Only) Connect your subscription to Apple Podcasts The End Bits Sign up to the Mamamia Out Loud Newsletter for all our recommendations and behind-the-scenes content in one place. Recommendations: Jessie wants you to check out Avaly's black rashie. Holly wants you to read Say Everything: A Memoir By Ione Skye. Amelia wants you to read When The Going Was Good by Graydon Carter. What To Read: Read: Men will do anything but go to therapy. Read: The Age of Diagnosis by Suzanne O’Sullivan review – do no harm Read: 'A nurse told me I had two years to live. Then I found out the truth.' Read: Edwina Bartholomew has just spoken about her health journey, 3 months after sharing her diagnosis. GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud CREDITS: Hosts: Jessie Stephens, Holly Wainwright & Amelia Lester Group Executive Producer: Ruth Devine Executive Producer: Emeline Gazilas Audio Producer: Leah Porges Video Producer: Josh Green Junior Content Producers: Coco Lavigne & Tessa Kotowicz Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

People generally set out to write their memoirs in times of relative boredom or malaise—in other words, when they’ve retired. Not so for Graydon Carter. He began working on his new memoir, When the Going Was Good, just after leaving his post at the helm of Vanity Fair, where he was editor for 25 years, and as he was starting AIR MAIL. But then, whether Carter was lampooning the excesses of 1980s New Yorkers in Spy, hosting Oscar parties for the ages at Vanity Fair, or poring over the seating charts for his Greenwich Village restaurant The Waverly Inn, he never was one to loaf. On this episode of Table for Two, he joins host Bruce Bozzi to discuss his experience working as a railroad lineman in Canada, the moment he realized the golden age of print was nearing its end, and how he was able to effectively separate his work and family life.See omnystudio.com/listener for privacy information.

Sisters Danielle and Gabrielle Davenport are the cofounders of BEM, a bookstore and community space for Black food literature. After years of operating online and at pop-ups, they're getting ready to open a permanent location in Bed-Stuy. It's so fun to have Danielle and Gabrielle in the studio to nerd out on food literature, building a family business together, and more. Also on the show, it's the return of Three Things, where Aliza and Matt talk about what is exciting them in the world of restaurants, cookbooks, and the food world as a whole. On this episode: Cake Zine x Seeyousoon hosted a pop-up, Breadivore is doing really great bread and viennoiserie in South Brooklyn, and some thoughts on Girl Scout cookie season. Also: A review of Graydon Carter's memoir, When the Going Was Good, checking in at Wu's Wonton King, The Studio is a great new show on Apple TV+. Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You've likely noticed lot of talk about media's “good ol' days” bubbling up recently: Two of the most buzzed about books in New York's literary circles are “When the Going Was Good,” Graydon Carter's dishy memoir on the industry's heyday, and the upcoming “Empire of the Elite,” a look back at Condé Nast's golden age. Last week, Radhika Jones — one of the last remaining American editors (reportedly) to pull a seven-figure salary — announced her departure from Vanity Fair, where she's been at the helm since 2017. This all begs the question: What lies ahead for magazines, and what power do legendary titles hold in 2025? This week, Alyssa is joined by Samantha Leach, associate director of special projects at Bustle and NYLON (and author of “The Elissas”), to discuss the state of both print and digital media in depth. Tune in to hear their insights about cover booking, as well as the politics and strategies behind it; the shift from journalists to creators when it comes to interviewing celebrities; how scrappiness in editorial can breed creativity and yield great results; the tricky topic of access to talent and dealing with increasing demands from publicists; how publishers can stay relevant during this time of major change; stealth sponsored content; why events are crucial for any media brand; why print is neither back nor dead, but a secret third thing, and so much more. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thenewgarde.substack.com

We're excited to launch a special video podcast series: Food Writers Talking About Food Writing. It's available on the TASTE YouTube channel, so make sure to subscribe! Every couple of weeks, cohost Matt Rodbard will invite a journalist or cookbook author to talk about some favorite recent food writing as well as their thoughts on the industry as a whole. Our first guest is a special one: Eric Kim is a writer and columnist at the New York Times and a great consumer of food writing. In this episode, we talk about Eric's media diet, discuss a few favorite stories, Eli Sussman taking over as NYT restaurant critic, and ask the big question: What would you pitch 1997 Graydon Carter? That is, Eric considers his dream no-budget reporting assignment.You can check out the full episode on YouTube now.Featured on this episode:Steak Fries: Deservedly Reviled or Underappreciated Edible Spoons? [NYT]What Can't Jerk Do? [TASTE]Chef Eli Sussman Named NYT Restaurant Critic [Instagram]Lessons From Germany on a Better Bratwurst [NYT]See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nicolle Wallace on Trump's unveiling of expansive new tariffs, including a universal 10% tariff on all imports, and the renewed energy in the democratic base following Senator Cory Booker's record-breaking speech.Joined by Matt Dowd, Claire McCaskill, Rev. Al Sharpton, David Gura, Vaughn Hillyard, Sen. Sheldon Whitehouse, Everett Kelley, Basil Smikle, Mini Timmaraju, Andrew Weissmann, and Graydon Carter.

The just-released World Happiness Report places the United States 24th globally. That's the bad news. The good news is that a big part of our problem is based on a fixable misperception that we have about each other. Bradley outlines a new regimen of building better vibes. Plus, he explains why Trump is shredding our system of checks and balances so easily (because it's actually reliant on norms, which Trump does not observe), how Trump's rejection of good politics should eventually sap his momentum, and what Bradley learned from reading Graydon Carter's memoir, When the Going Was Good.LIVE EVENT: Join Bradley for a live Firewall recording at P&T Knitwear on Wednesday, April 2 and 6:30PM. After his discussion with Spencer Greenberg, host of the Clearer Thinking podcast, Bradley will answer audience questions on-air. Space is limited. RSVP today: https://www.eventbrite.com/e/clearer-thinking-x-firewall-a-live-podcast-recording-tickets-1261541337099?aff=oddtdtcreatorThis episode was taped at P&T Knitwear at 180 Orchard Street — New York City's only free podcast recording studio.Send us an email with your thoughts on today's episode: info@firewall.media.Subscribe to Bradley's weekly newsletter, follow Bradley on Linkedin + Substack + YouTube, be sure to order his new book, Vote With Your Phone.

Graydon Carter, the editor whose two decades at the helm of Vanity Fair transformed the publication, sure knows how to curate. He made the magazine into the cultural touchstone it is today (think: the much-photographed Vanity Fair Oscars Party, the viral celebrity lie-detector tests), though not without trial, error, and lots of nerves. He and I talk about his long tenure, the pitfalls of a project not having a “point,” and what he gets out of being at the head of a completely new enterprise, the digital magazine Air Mail. It’s a creative conversation I didn’t know I needed, and one I’m very glad I had. Graydon’s memoir, When the Going Was Good, is available now wherever books are sold. Follow me on Instagram at @davidduchovny. Stay up to date with Lemonada on Twitter, Facebook and Instagram at @LemonadaMedia. Joining Lemonada Premium is a great way to support our shows and get bonus content. Subscribe today on Apple Podcasts, Spotify, or wherever you get your podcasts. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

Jon Kelly and Peter reunite for a rundown of Puck's major D.C. soiree, a rehash of Graydon Carter's bildungsroman, and an analysis of Peyton Manning's ~$800 million mediaco valuation. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The founder and Co-Editor of AIR MAIl, Graydon Carter, has written his long-awaited memoir, entitled When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines, and we're excited to have him join us to talk about his book, the enduring magic of New York, and more. Then, for years Danny Elfman was one of the most sought-after composers in Hollywood, writing scores for movies such as Beetlejuice, Batman, and The Nightmare Before Christmas. But now his reputation is in tatters as he faces accusations of sexual harassment. Jacob Bernstein joins us to discuss the story that has riveted—and perplexed—Hollywood.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Former Vanity Fair editor Graydon Carter joins Morning Joe for an extended discussion on his new book 'When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines'

The legendary editor's new memoir, 'When the Going Was Good', is a delicious dispatch from the golden age of magazines — and a guidebook to the good life, even now.    

Graydon Carter is the co-founder of Spy Magazine and Air Mail, and for 25 years, he was the editor of Vanity Fair. His memoir, When The Going Was Good, chronicles a time when the going was extremely good for glossy magazines and their star editors. During the golden age of magazines, Vanity Fair combined celebrity profiles with deeply reported journalism to great acclaim, and Carter, arguably, became more famous than many of his extremely talented writers.  He and Kara discuss everything from office politics at Vanity Fair to Canadian politics, including President Trump's (possible) descent into madness, the artistry involved in making a restaurant cool (as opposed to hot), and why anxiety is an essential ingredient for editors.   Questions? Comments? Email us at on@voxmedia.com or find us on Instagram, TikTok, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

One-on-one pod today, Chris is in New York, and TJ is in Hawaii. We chat about our emoji usage, Erewhon hotel pop-ups, emotional support water bottles, buying out the bar from seat 39C, a Hawaiian musician playing covers at the gastropub, getting lei'd, Jake Gyllenhaal's Broadway "gut reno," competitive Sauana mastery, Chris went to a breadless i-D Magazine dinner at Raf's, death to false Birkin distressing, a review of the Graydon Carter memoir, and TJ did some shirtless driving. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this engaging conversation, Donny interviews Graydon Carter, a legendary figure in the world of publishing and media. They discuss Carter's new book, 'When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines" (out March 25th). The dialogue explores Carter's experiences with Donald Trump, his influential role at Vanity Fair, the evolution of media, and the impact of social media on youth. They also touch on the rehabilitation of Monica Lewinsky's image and share anecdotes from high-profile parties. In this engaging conversation, Graydon Carter shares insights from his illustrious career at Vanity Fair, discussing the intricacies of curating celebrity events, the lessons learned from Hollywood's elite, and the darker aspects of fame. He reflects on missed journalistic opportunities, the current political landscape, and the evolution of media in a digital age. Carter's anecdotes provide a unique perspective on celebrity culture and the challenges faced by journalists today. Takeaways Graydon Carter reflects on his influential role in media. The golden age of magazines was marked by fierce competition. Carter's early days at Vanity Fair were challenging but rewarding. The Hollywood issue of Vanity Fair became a significant cultural event. Visual storytelling was crucial to the success of magazines. Social media has drastically changed the landscape of media consumption. Monica Lewinsky's narrative has shifted from villain to heroine. Carter emphasizes the importance of narrative in journalism. The dynamics of celebrity culture have evolved over the years. Carter shares humorous anecdotes from his famous parties. The process of inviting celebrities to events is complex and strategic. Choosing cover stars with staying power is crucial in journalism. Most successful celebrities are genuinely decent people. The dark side of fame is exemplified by figures like Harvey Weinstein. Missed opportunities in journalism can haunt writers. Cultural commentary on Trump's presidency reveals a divided America. Potential political candidates may emerge unexpectedly. Life after Vanity Fair includes new ventures and reflections on the past. The evolution of media has changed the landscape of journalism. Newsstands are becoming a rarity in modern society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graydon Carter rose through the ranks at Time, Life, Spy, The New York Observer and Vanity Fair, becoming known for his sharp wit and keen eye for talent. Under his leadership, Vanity Fair transformed into a cultural juggernaut. Geoff Bennett spoke with Carter about his new memoir, “When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines." PBS News is supported by - https://www.pbs.org/newshour/about/funders

On this week's episode of You Are What You Read, world-renowned journalist Graydon Carter joins us for a conversation about his memoir, When the Going Was Good, which hits shelves today. Graydon is the founder of Air Mail. Before this, he was a staff writer for both Time and Life. He cocreated Spy, edited The New York Observer, and for twenty-five years was the award-winning editor of Vanity Fair. He is also the Emmy and Peabody Award-winning producer of more than a dozen documentaries and one hit Broadway play.  Subscribe to AirMail: https://airmail.news/ Enter to win one of 30 advanced copies of The View from Lake Como now on Goodreads: https://www.goodreads.com/giveaway/show/404916-the-view-from-lake-como-a-novel Learn more about your ad choices. Visit megaphone.fm/adchoices

Graydon Carter rose through the ranks at Time, Life, Spy, The New York Observer and Vanity Fair, becoming known for his sharp wit and keen eye for talent. Under his leadership, Vanity Fair transformed into a cultural juggernaut. Geoff Bennett spoke with Carter about his new memoir, “When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines." PBS News is supported by - https://www.pbs.org/newshour/about/funders

Bryan kicks off the week with a conversation with Graydon Carter, who comes on to discuss ‘Spy Magazine' going to ‘Vanity Fair' and more. They discuss the following: The idea behind 'Spy Magazine' (2:46) Who took the stories the hardest from 'Spy' (9:57) His perception of Donald Trump (10:36) If Spy could have worked in the early 2000s (13:20) Being offered a choice between 'Vanity Fair' and 'The New Yorker' (14:19) How writers were treated like stars (23:26) How 'Vanity Fair' was able to land the”deep throat” story, the source behind the Watergate scandal (29:10) Creating the Vanity Fair Oscar Party (38:00) Why he left 'Vanity Fair' in 2017 (40:50) What we lost from the magazine era (43:33) Host: Bryan Curtis Guest: Graydon Carter Producer: Brian H. Waters Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, I spoke with Dafydd Jones about his latest book "Hollywood Confidential". Hollywood: Confidential is the latest collection of beautifully timed photos from bestselling society photographer Dafydd Jones. Formerly of Tatler and Vanity Fair, Jones is a serial capturer of intimate moments during high-society functions. As famous Vanity Fair editor Graydon Carter puts it, when it comes to party photographers, ‘Dafydd Jones is the sniper's sniper – the best of the best.'

Våren har kommit, fontänen är i gång och marmortassan avtäckt. Vad ska vi göra med alla högar av smutsiga underkläder som lydiga svenskar lämnar in? Vi ser fram emot att läsa om "Avvikare i Sverige" och har redan haft stor behållning av att läsa om giljotinen, när Thomas Steinfeld berättar om den i Svenskan. Varför beskrivs det som "kortvariga effekter" när polisen i två veckor kniper åt buset i Södertälje? Det funkade ju. Kontroverserna kring den nya filmen om Snövit visar bara att vi kan resa runt hela jorden, men även om vi förmår ta till oss en annan plats, förmår vi inte ta till oss en annan tid. Snart är alla sagor omöjliga, inte minst Pelle Snusk, som trots allt skrevs av en psykolog. Susanna minns hur hon bodde i samma trappuppgång som Tatiana Angelini Jolin, gift med Einar Jolin, som gjorde Snövits röst i första Disneyfilmen. Hela Landerholmhistorien är ytterligare ett exempel på när hanteringen av något rätt trivialt blir den verkliga skandalen. Lär de sig aldrig något? Nej tydligen inte: Hanna Hellquist blev förvånad över att folk tyckte det var konstigt att hon tiggde pengar till sin tax, trots att hennes bolag drar in över två miljoner om året. Kända skribenter har blivit just kändisar, som spelar på känslor och gör det privata offentligt. Det har blivit normalt att bete sig som ett barn fast man är vuxen. Kul med Johan Rabaeus premiär som Gertrude Stein på Dramaten. Camilla Thulins kostym och Ernst Billgrens scenografi får särskilda omnämnanden. Susanna konstaterar, efter en marknadsundersökning på COW parfymeri, att man inte talar om att man lyfter sig, men att botox är helt OK. Vad är nästa steg i normförskjutningen? Och sedan vår partner i inre exil: Graydon Carter och hans Air Mail. Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.

This week, Graydon Carter and Alessandra Stanley explain why this election is the final legacy of the baby-boomers—and why Trump is the most lasting and unpleasant legacy of this generation. Then Clara Molot joins us with her shocking report revealing how an employee at an elite boarding school allegedly downloaded photos from 70 under-age female students' laptops. And finally, Piet Mondrian is seen as one of the supreme artists of the 20th century. Yet in many ways, he's as elusive and walled off as his revolutionary paintings. But a new biography pulls back the curtain on the Dutch painter, and its author, Nicholas Fox Weber, will join us to share his insights.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lauren is joined by The Cut's Chantal Fernandez, co-author of Selling Sexy: Victoria's Secret and the Unraveling of an American Icon. They huddle up for a candid, in-depth conversation about their process—why they decided to write the book together, how they did it, and how they stayed faithful to their original proposal. Chantal also discusses how she got into fashion writing, being Graydon Carter's assistant, her ambitions (or lack thereof) of writing another book, and much more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

THE GREATEST STARTUP IN THE HISTORY OF MAGAZINE STARTUPS—We've always had a thing for magazine launches. They're filled with drama and melodrama, people behaving with passion and conviction, and people ... misbehaving. Anything to get that first issue onto the stands and into the hands of readers.Some new ventures seem to sneak in the back door. Who saw Wired or Fast Company coming?Others are to the manner born, and from the most elite print parents. But, even with that pedigree they never gain traction, never display the scrappiness and experimentation that we've come to expect from anything new. (You know who you are).But then, one day, along comes The Greatest Startup in the History of Magazine Startups. A magazine that dares to mercilessly, and humorously, vilify high society. The one that big time journalists pretend to ignore but were first to the newsstand each month to grab their copy. The one that created packaging conceits: Separated at Birth, Private Lives of Public Enemies, Blurb-o-mat, and Naked City. Plus, the adorable nicknames — “Short-fingered vulgarian” — that persist to this day.That's right, we're talking about Spy.And in this episode we'll meet Kurt Andersen who, along with Graydon Carter and Tom Philips, founded what became an instantaneous cultural phenomenon: SPY magazine. The axis of the publishing world tilted when it hit the stands.“Spy was the most influential magazine of the 1980s,” the author Dave Eggers wrote. “It definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully-written and perfectly-designed — and feared by all.”There had never been anything like Spy before.Nothing since has come close. Print Is Dead (Long Live Print!) is a production of Magazeum LLC & MO.D ©2021–2024

This week, Graydon Carter joins us to talk about what's next for Joe Biden. Then, if you find yourself longing to be like the super-wealthy, floating on a massive yacht in the Mediterranean, our colleague Jonathan Margolis has some bad news: the market for a new yacht is booming. Which means long waiting lists. He'll tell us why. Then, if you don't have the money for a yacht, maybe you have the money to buy some Beatles memorabilia? Mike Lafavore explains why, nearly 50 years after the boys from Liverpool called it quits, the frenzy for all things Fab Four continues, generating millions every year through auctions and private sales. And finally, we have a gripping cold-case murder. In 1973, Cynthia Bouron, a notorious Hollywood hanger-on who had affairs with everyone from Cary Grant to Frank Sinatra, was found murdered. More than 50 years later, her death is still unsolved and Hadley Meares reveals why.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosts Amanda Freitag and Daniel Holzman welcome their longtime friend John DeLucie to On the Line. The chef and memoirist (The Hunger) shares hilarious stories of traveling with Amanda in Italy, talks about his days cooking at Graydon Carter's celebrity-filled restaurant, the Waverly Inn, and reveals how daily meditation changed his life. John also discusses his newest NYC restaurant, Ambra, his current work with CookUnity, fatherhood, and so much more. Don't miss this episode!

One of the most influential editors of her generation, Linda Wells transformed how we view the world of beauty and wellness. After decades at Allure magazine as its founding editor, she went on to launch a new label at Revlon, and she is now the editor of Air Mail Look, a beauty spin-off from the popular newsletter start-up from Graydon Carter. On this episode, Dan speaks with the enterprising journalist on her days as an assistant at Vogue, how she faced criticism and mansplaining when launching Allure, her thoughts about Ozempic, and much more. Hosted on Acast. See acast.com/privacy for more information.

Hello media consumers! Bryan and David kick off the week with a headline we never thought we'd see: Joe Biden did ‘The Howard Stern Show' (0:41). They then get into the following: A recap of interesting sounds from NFL draft weekend (8:43) NBA playoffs observations, rights negotiations, and Cari Champion's LeBron James tweet (22:53) Bryan's playoff grinch takes (34:02) Then, in the Notebook Dump, they discuss the following: Politico's Eli Stokols story on the feud between President Biden and the New York Times (40:01) The Onion is back! (50:53) Graydon Carter opens a newsstand (53:04) Plus, the Overworked Twitter Joke of the Week, Only in Journalism, and David Shoemaker Guesses the Strained-Pun Headline. Hosts: Bryan Curtis and David Shoemaker Producer: Brian H. Waters Learn more about your ad choices. Visit podcastchoices.com/adchoices

No ‘Visions of Loveliness'—Picture it: It's 1991. You're sitting at your desk at The New York Times, when you get a call from the office of Condé Nast's Alexander Liberman. Alex wants to meet you for lunch at La Grenouille to discuss an opportunity: Si Newhouse has decided to launch the first-ever beauty magazine, and he thinks you're just the woman to make it happen. You're 31 years old. The canvas is blank. The budget is endless. What's your move, Linda Wells? For the women's magazine editors of today, struggling to keep the lights on by juggling Instagram, TikTok, marketing events, digital content, and whatever remains of their print product, this is a tale so far-fetched it feels like the stuff of an early aughts rom-com. But millennial editors' wildest ideas about the “Town Car Era” of magazine-making were just another day at the office for Linda Wells. Linda led Allure for 25 years, becoming a front-row fixture at Fashion Week—while also pioneering the cottage industry of backstage beauty coverage—and enlisting writers like Arthur Miller, Isabel Allende, Betty Friedan, and John Updike to write about … beauty. In 2018, she pivoted, restyling herself as a beauty entrepreneur, launching with Revlon a makeup range she called Flesh. Now she's back in the land of editorial, having a bunch of fun at the helm of the beauty vertical of Graydon Carter's Air Mail, commissioning articles on everything from psychedelics to orgasm coaches. We knew Linda Wells would be delightful, and yet she exceeded our expectations. We know you'll love her too.—This episode, a collaboration with The Spread, is made possible by our friends at Mountain Gazette, Commercial Type, and Lane Press. Print Is Dead (Long Live Print!) is a production of Magazeum & MO.D ©2021–2024

台客雙聲帶，科學新世代：「台客聽科學」好入耳的科普節目，超新鮮的母語聽感，用故事翻轉科學！「台客聽科學」首創以台、客母語發聲，把知識藏進劇情裡。故事力加乘科學力！點擊鏈結收聽，故事要開始講囉～https://fstry.pse.is/5qntvc —— 以上為播客煮與 Firstory Podcast 廣告 —— 小額贊助支持本節目： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s 留言告訴我你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments ------------------------------- 通勤學英語VIP加值內容與線上課程 ------------------------------- 通勤學英語VIP訂閱方案：https://open.firstory.me/join/15minstoday 社會人核心英語有聲書課程連結：https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 主題投稿/意見回覆 : ask15mins@gmail.com 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下是此單集逐字稿 (播放器有不同字數限制，完整文稿可到官網) ------------------------------- Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/

THE LAST EMPEROR—It might be difficult to remember, at least for our younger listeners, how vast the Time-Life empire was. At its height, during the John Huey dynasty of the late 1990s/early 2000s, the company published over 100 magazines.Quite a rise from its humble beginning in 1922, when Henry Luce launched Time as the country's first newsweekly. It was followed shortly by Fortune in 1930, Life in 1936, Sports Illustrated in 1954, and, finally, People in 1974. It was the largest and most prestigious magazine publisher in the world—and those five titles were the bedrock.In 2006, Huey became the sixth editor-in-chief of Time Inc., overseeing more than 3,000 journalists. In an interview with New York magazine, Huey described Time Inc as having a “public trust” and perhaps “an importance beyond profitability.” But not even a giant as powerful as Time Inc. was immune to the financial havoc brought about by the new digital age.Huey retired in 2012, the last emperor of a vastly downsized and damaged empire. “Google sort of sucked all the honey out of our business,” he lamented then. In 2017, after Time was sold to its bitter rival Meredith Corporation, Huey tweeted “RIP, Time Inc. The 95-year run is over.”Our George Gendron talked to Huey about Fortune's battles with Forbes—and their pet names for each other, about giving Graydon Carter and Kurt Andersen at Spy a taste of their own medicine, about not hiring Tina Brown, and about what his mother really thought he should've done with his life. Print Is Dead (Long Live Print!) is a production of Magazeum & MO.D ©2021–2024

We get a fun, behind-the-scenes look at what it was like to work at Vanity Fair magazine during a magical time in the magazine business. Our guest is Dana Brown, who was a 21-year old college dropout when he was hired by legendary Vanity Fair Editor-in-Chief, Graydon Carter.  Over the course of 25 years, Dana rose up the ranks to become the magazine's deputy editor. He's written about this coming-of-age experience dealing with celebrities, politicians, journalists, photographers and the like in his book, "Dilettante: True Tales of Excess, Triumph and Disaster."

THE NEW YORK OBSERVER—“I finally went up to Graydon and I said, ‘Hey, you know, I know you like me. I know you wanted me to be here, but I can also do covers.'”• • •That's today's guest, Mark Seliger. He's the same Mark Seliger who, at the moment of this exchange with Vanity Fair editor Graydon Carter, had already shot over 180 covers for Rolling Stone, where he was the chief photographer from 1992-2002.Seliger had been heavily recruited by GQ and Vanity Fair to move to Condé Nast. But, as he learned, the days of being Fred Woodward's go-to image maker were over. Once again, he was the new guy. And he saw an opportunity to reinvent himself.Fortunately, reinvention is Seliger's middle name. Print Is Dead (Long Live Print!) is a production of Magazeum & MO.D ©2021–2024

We are thrilled to welcome mother and daughter, Monica Rich Kosann and Danielle Kosann, to The Style That Binds Us podcast. Monica is a photographer and Founder of her eponymous brand, Monica Rich Kosann. Danielle is a contributing artist to Graydon Carter's Air Mail. She was formerly the Creative Director and Co-Founder of The New Potato. She is now the Artistic Director of Monica Rich Kosann. We can't wait to hear all about their careers, companies, where they get their inspiration & more.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/delia-folk8/message Support this podcast: https://podcasters.spotify.com/pod/show/delia-folk8/support

Howard Blum: Diet CokeAward-winning author and journalist Howard Blum discusses the latest on the Idaho murders where he has been leading the coverage, describes how he conducts different types of research for book subjects ranging from prior centuries to other books covering present day topics, his writing pieces with Graydon Carter's media company Air Mail, compares national intelligence agencies, and reveals the one book he read in his youth that inspired his writing career.

This week, Graydon Carter takes us inside a special edition of Air Mail that is all about London, and he shares the places he loves there. Then the acclaimed writer Will Self will share his version of “the Knowledge”—London cabbies' ability to navigate their streets without a map—by sharing treasures he's discovered over a lifetime of walking his native city. And speaking of knowledge, Stuart Heritage tells us about his afternoon with the gentleman who is often called “the best-connected man in Britain.” And finally, it's been said that the U.S. and the U.K. are “two nations divided by a common language.” Well, Hannah Betts swings by to discuss the four-letter word beloved by Brits but hated by Americans that validates this divide more than any other. And let's just say it's a word that we can't even bring ourselves to utter. All this and more make it a show you won't want to miss.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Graydon Carter is a Canadian who served as the editor of Vanity Fair from 1992 until 2017. As well as confounding the monthly magazine Spy. He currently heads the digital magazine Air Mail. We announce our LA and NY shows later this year, what your phone color says about you, a tale of two Olivia Rodrigo photoshoots, Taylor caught herself a manly man, why it's better to rent in France, a bunch of Air Mail stuff, defining the youth of important cities, his restaurant businesses over the years, how to run a physical newsstand in 2023, he makes fun of our tattoos for a bit, his thoughts on straight men dancing, he runs down his entire list of vintage cars, his neighborhood smells like zaza, a time when the world was at peace, television's Fraiser, his new documentary on Mr. Chow, and some of his favorite memoirs, and how they're influencing his own. twitter.com/AirMailWeekly twitter.com/donetodeath twitter.com/themjeans  Learn more about your ad choices. Visit megaphone.fm/adchoices