Podcasts about media history

In this episode of The Book Club with Michael Smerconish, Michael sits down with Graydon Carter, legendary former editor of Vanity Fair, to discuss his captivating new memoir, "When The Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines." The conversation is filled with sharp wit, rich anecdotes, and reflections on a media era defined by luxury, talent, and cultural influence—from eyebrow ladies at Condé Nast to Concorde flights, iconic writers, and unforgettable stories. Graydon opens up about what made that era "golden," his life lessons, and why gratitude and grit were at the heart of his editorial success. After the interview, stick around around as listeners weigh in with their own "rules for life," inspired by Graydon's and Michael's personal philosophies. Original Air Date 6 May 2025 The book was published on 25 March 2025.

What were the top musical hits of Shakespeare's England? What lyrics were stuck in people's heads? What stories did they sing on repeat? The 100 Ballads project is a deep dive into the hits of early modern England—a kind of 17th-century Billboard Hot 100. Drawing from thousands of surviving printed ballads, researchers Angela McShane and Christopher Marsh have ranked the most popular songs of the period. These broadsides—cheaply printed sheets sold for a penny—offer surprising insight into the period's interests, humor, and even news headlines. McShane and Marsh discuss what these ballads tell us about moral norms, sensationalism, and everyday life. Some are instructive, some are bawdy, and some are unexpectedly feminist. This episode brings to life the soundscape of Shakespeare's world with clips from newly recorded versions of the most popular ballads and a look at how the team developed their ranking system. >> Explore the project and hear the songs yourself at www.100ballads.org Christopher Marsh is Professor of Cultural History at Queen's University, Belfast. He has published extensively on various aspects of society and culture in sixteenth- and seventeenth-century England. His most relevant book in relation to the 100 Ballads project is Music and society in early modern England (Cambridge, 2010). This is an overview of music-making in the 16th and 17th centuries, and it includes chapters on musicians, dancing, bell-ringing, psalm-singing and, of course, ballads. Angela McShane is an Honorary Reader in History at the University of Warwick. She is a social and cultural historian, researching the political world of the broadside ballad and the political and material histories of intoxicants and the everyday. She has published widely on political balladry, including numerous book chapters, and journal articles in Past and Present, Renaissance Studies, Journal of British Studies, Journal of Early Modern History, Popular Music Journal and Media History. She is also the author of a reference work, Political Broadside Ballads in Seventeenth Century England: A Critical Bibliography (2011). A monograph on the broadside ballad trade and its politics in seventeenth-century Britain is forthcoming with Boydell and Brewer. She is also a Co-Investigator for a related website and book project: “Our Subversive Voice: The history and politics of protest music 1600-2020.” From the Shakespeare Unlimited podcast. Published May 6, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Has Uncle been red pilled by Media Morpheus?  Topics include: Super Bowl dollars are out, Hard Mountain Dew reviews, soda mixers with JD, nano pop, TikTak videos, good and bad news, trying to book attorneys as guests, Media Morpheus, many booking agents named Collins, PayPal fees, possible scam, red pilled, sugar free drinks, Code Red, livestream channels, Baja Blast, Andy Kaufman, Taxi show, SNL, Tom Green, internet media history, Bedtime Beatles, California radio stations, college radio, Mae Brussell, radio preachers, graphics for video, VHS Watch Party stream, Creative Accidents found news article from Dallas

We knew it was a magazine, but did you know Conde Nast was an actual person? And he grew up and went to school here in St. Louis? As one of the newest inductees to the St. Louis Media History Hall of Fame, we wanted to know more about Mr. Nast, so we called Susan Ronald, author of "Conde Nast: The Man and His Empire"

Ever wondered what it takes to bring a TED talk to life? In this episode, Michael Herold has a conversation with Dr. Alina Nikolaou, a passionate TED event curator, who shares her insights about the exciting world of organizing TED and TEDx events.  They discuss the process of selecting speakers, the power of storytelling, and how to balance entertainment with information. Dr. Nikolaou offers valuable tips on public speaking, preparation rituals, and the experience of participating in TEDx. You'll also pick up tips on how to pitch a TEDx talk and ways to stay engaged with the TED community. Listen and Learn:  The difference between TED and TEDx, and how these talks are bringing global ideas to local stages across the world  What it is really like to attend or organize a TEDx event—on stage, behind the scenes, and beyond How are TEDx speakers chosen, coached, and prepared to deliver talks that leave a lasting impact? How TEDx organizers curate the perfect lineup and ensure each talk flows  Even the weirdest ideas have a place at TEDx—how organizers craft the perfect lineup of talks What happens behind the curtain before a TEDx talk?  How can speakers avoid awkwardness when transitioning from rehearsal to the stage? What's the secret to delivering a talk naturally—without memorizing every word like a script? How to enliven a slide deck to captivate any audience Tips for landing a TEDx talk Resources:  TEDAI Vienna TED.com TEDx.com Alina on LinkedIn TEDAI on LinkedIn Alina's Website Jill's TEDx talk Michael's TEDx talk Ted Talks The Official TED Guide to Public Speaking  About Dr. Alina Nikolaou Dr. Alina Nikolaou is Director and Curator of TEDAI Vienna, the first TED event in Europe dedicated to groundbreaking ideas on Artificial Intelligence. Born to Greek and Austrian parents, Alina grew up during the financial crisis in Athens, Greece. After school, she moved to Vienna, Austria to graduate with degrees in Communication Science and Political Science. After a short and rather disenchanting journey into the world of advertising, Alina returned to academia for her doctoral research where she explored how Virtual Reality can affect how we think and behave toward complex sociopolitical issues. Her co-authored study about the influence of deepfakes on media trust and credibility won the award for Best Student Paper at the annual conference of the International Communication Science Association in 2023. Alina has held several courses at the University of Vienna, ranging from empirical research methods in the Social Sciences to Media History. In October 2023 she presented her research at AWE EU, the leading industry conference on mixed reality. Constantly fascinated with the hypes, hopes and fears that surround new technologies, Alina has been a Curator at TEDxVienna since 2019. There she specialises on interdisciplinary ideas about tech, philosophy and power, and brings them to life in the form of TEDx Talks. To deal with how miraculous and ridiculous the world is she constantly experiments with different artforms: A regular on Vienna's storytelling stages, Alina is known for her criticisms on capitalism, her borderline anarchist stance and her absurdist humor. Her most recent appearance was at the Rote Bar at Volkstheater, Vienna. Alina is also the creator of the (so far unsuccessful) dadaist Bring Back Boredom movement and the far more successful event format “Poetry Society Vienna”. Alina holds a Bakk.phil, MSc and Dr.phil. in Communication Science as well as a BA in Political Science from the University of Vienna, Austria.  Related Episodes 313. ACT-Informed Exposure for Anxiety with Brian Pilecki and Brian Thompson 188. Unwinding Anxiety with Judson Brewer 239. Edit Your Story, Change Your Life with Lori Gottlieb 294. Yes And: Improv in Psychology with Kelly Leonard Learn more about your ad choices. Visit megaphone.fm/adchoices

If someone wanted to take over British institutions like Trump's government has done in the USA, what would their first steps be—and how could we guard against them?Joining Alan and Lionel in the Prospect studios is a panel of expert guests: Jean Seaton is Professor of Media History and the Official Historian of the BBC, Peter York and Patrick Barwise are co-authors of the book The War against the BBC: How an Unprecedented Combination of Hostile Forces Is Destroying Britain's Greatest Cultural Institution... And Why You Should Care.Alan and Lionel discuss Boris Johnson's latest column and how the New York Times got hold of thousands of pages of court documents relating to the Murdoch dynasty's bitter court fight over custody of the media empire. Hosted on Acast. See acast.com/privacy for more information.

As the Democrats continue to make cringeworthy spectacles of themselves, Elon and DOGE are uncovering corruption that is beyond belief. They uncovered the receipts that show that the Biden administration has been paying the legacy media through USAID to attack Trump and the MAGA movement and to incessantly pimp for the Democrats! -- Head to http://twc.health/turley and use code TURLEY to SAVE $34 off plus Free Shipping *The content presented by sponsors may contain affiliate links. When you click and shop the links, Turley Talks may receive a small commission.* Register For The Golden Age Summit By Clicking Here! https://fight.turleytalks.com/golden-age-summit -- Thank you for taking the time to listen to this episode.  If you enjoyed this episode, please subscribe and/or leave a review. FOLLOW me on X (Twitter): https://twitter.com/DrTurleyTalks Sign up for the 'New Conservative Age Rising' Email Alerts to get lots of articles on conservative trends: https://turleytalks.com/subscribe-to-our-newsletter **The use of any copyrighted material in this podcast is done so for educational and informational purposes only including parody, commentary, and criticism. See Hosseinzadeh v. Klein, 276 F.Supp.3d 34 (S.D.N.Y. 2017); Equals Three, LLC v. Jukin Media, Inc., 139 F. Supp. 3d 1094 (C.D. Cal. 2015). It is believed that this constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the US Copyright Law.

The British right wing print media has enjoyed extraordinary power to shape politics and public affairs in the UK in the past half century. They have influenced the outcome of elections, their owners invited to meet with British Prime Ministers regularly and they have been largely free of regulation. This podcast explores the liberal ideas that have failed to constrain their power, in the context of Prince Harry's record settlement with Rupert Murdoch's News Group Newspapers.Help the podcast to continue bringing you history each weekIf you enjoy the Explaining History podcast and its many years of content and would like to help the show continue, please consider supporting it in the following ways:If you want to go ad-free, you can take out a membership hereOrYou can support the podcast via Patreon hereOr you can just say some nice things about it here Become a member at https://plus.acast.com/s/explaininghistory. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Justin and Matt speak with Andrew Culp. Andrew Culp (MA 2009, Ph.D. 2013) is a Professor of Media History and Theory and Program Director of the MA Aesthetics and Politics program (starting Spring 2023) in the School of Critical Studies and in the MA Aesthetics and Politics Program, California Institute of the Arts (CalArts). In his first book, Dark Deleuze (University of Minnesota Press, 2016), he proposes a revolutionary new image of Gilles Deleuze's thought suited to our 24/7 always-on media environment, and it has been translated into eight languages. With his second book, A Guerrilla Guide to Refusal (University of Minnesota Press, 2022), he arms the reader with critical theory as part of a journey through anarchist infowar, queer outlaws, and Black insurgency. He is currently working on two projects: a new structuralist theory of the state's arkhḗ, and a critical history of cybernetics from those subverting it from its inside. Culp's writing on these and other topics has appeared in Flügschriften, Radical Philosophy, symplokē, parallax, angelaki, Deleuziana, The Alienocene, and Boundary 2 online. As part of The Destructionist International, he also makes films and other media. His most recent is the experimental documentary Machines in Flames (2022), which explores the legacy of techno-sabotage. Andrew Culp: http://www.andrewculp.org/ Link to PDF of Guerilla Guide to Refusal: https://drive.google.com/file/d/1ml50d6vO80Ev2bF03yZGkP1RjNPGhpo1/view?usp=drive_link Destructionist International: https://destructionist.international/ warmachinepodcast.com Music for this episode: Exhausted Divinity, Niky Nine https://lazerdiscs.bandcamp.com/track/exhausted-divinity-2 Primitivo, Axons https://onsetaudio.bandcamp.com/track/primitivo Bone Orchard, Void Stasis https://cryochamber.bandcamp.com/track/bone-orchard

Cristiano Ronaldo creates social media history !!

After three decades of being media colleagues in Baltimore, former WJZ sports director Mark Viviano finally joins Nestor and Ko-host Ricig at Koco's Pub for a candid chat about Baltimore sports journalism – past, present and future. And last October in Arlington when WNST had its media access threatened by the Orioles and his best advice. The post Mark Viviano joins Nestor and Ricig to discuss Baltimore sports media history and impact first appeared on Baltimore Positive WNST.

This week we're going back to 1930s-1950s Spain with The Endless Trench! Join us as we learn about Franco on the radio, attacks on hermitages during the Spanish Civil War, Eisenhower's visits to Spain, and more! Sources: Christy Lemire review, https://www.rogerebert.com/reviews/saltburn-movie-review-2023  Julius Ruiz, The 'Red Terror' and the Spanish Civil War: Revolutionary Violence in Madrid (Cambridge University Press, 2014).  Julian Casanova, The Spanish Republic and Civil War (Cambridge University Press, 2012).  Raymond Carr, Spain: A History (Oxford University Press, 2000).  https://www.presidency.ucsb.edu/documents/toasts-the-president-and-general-francisco-franco-spain-state-dinner-madrid Exchange of Letters Between the President and the Chief of State, General Franco, of Spain, https://www.presidency.ucsb.edu/documents/exchange-letters-between-the-president-and-the-chief-state-general-franco-spain  https://history.state.gov/departmenthistory/travels/president/spain  Evening star. [volume] (Washington, D.C.), 21 Dec. 1959. Chronicling America: Historic American Newspapers. Lib. of Congress. https://chroniclingamerica.loc.gov/lccn/sn83045462/1959-12-21/ed-1/seq-6/  Victory Speech Excerpt: https://www.youtube.com/watch?v=LMN6JhL1yGQ Salvador Gomez Garcia et al, "The Sound Portrait of a Dictator: A Study of Franco's Image in Radio Nacional de Espana," Media History 28, 2 (2022) Rotten Tomatoes: https://www.rottentomatoes.com/m/the_endless_trench Wikipedia: https://en.wikipedia.org/wiki/The_Endless_Trench "Gendered Violence," Spanish Civil War Virtual Museum, available at https://www.vscw.ca/en/node/9#:~:text=The%20shaving%20of%20women's%20heads,Guards%20and%20other%20police%20forces . Laura Munoz-Enciar, "Unearthing Gendered Repression: An Analysis of Violence Suffered by Women During the Civil War and Franco's Dictatorship in Southwestern Spain," World Archaeology (2019)

Here's what you need to know for today in the business of podcasting: Olympic athletes are scoring on social media, Adalytics' report challenges verifiers, and the rise of history podcasts.Find links to every article mentioned and the full write-up here on Sounds Profitable.

Here's what you need to know for today in the business of podcasting: Olympic athletes are scoring on social media, Adalytics' report challenges verifiers, and the rise of history podcasts.Find links to every article mentioned and the full write-up here on Sounds Profitable.

Budhaditya Chattopadhyay's book Sound in Indian Film and Audiovisual Media: History, Practices and Production (Amsterdam UP, 2023) is an exhaustive attempt to study film sound in the Indian subcontinent through artistic research. It aims to fill a significant scholarly void by addressing issues of sound and listening within the cultural contexts of the Global South. By developing a comprehensive understanding of the unique soundscapes of Indian film and audiovisual media, his study examines the evolution of sound, from early optical recordings to contemporary digital audio technologies. It unfolds the intricate ways in which sound contributes to the storytelling, emotional resonance, and cultural significance of Indian films. Chattopadhyay's research is informed by his personal experiences as a sound practitioner and through extensive conversations with leading sound professionals across the Indian subcontinent. This approach allows for a deep dive into the practical and creative processes that shape the auditory dimensions of Indian cinema. Broadly, Chattopadhay's work is a significant contribution to film history, sound studies, and media studies. Budhaditya Chattopadhyay is a media artist, researcher, and writer. He has an expansive body of scholarly publications in media arts history, artistic research, media theory and aesthetics in leading peer-reviewed journals. He is the author of five books, including The Nomadic Listener (2020), The Auditory Setting (2021), Between the Headphones (2021), and Sound Practices in the Global South (2022). Dr. Chattopadhyay holds a PhD in Artistic Research and Sound Studies from the Academy of Creative and Performing Arts, Leiden University. He is currently a Visiting Professor at the Institute Experimental Design and Media Cultures (IXDM), Basel, Switzerland, and a Marie Curie Postdoctoral Fellow at the Faculty of Fine Art, Music and Design (KMD), University of Bergen, Norway. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Budhaditya Chattopadhyay's book Sound in Indian Film and Audiovisual Media: History, Practices and Production (Amsterdam UP, 2023) is an exhaustive attempt to study film sound in the Indian subcontinent through artistic research. It aims to fill a significant scholarly void by addressing issues of sound and listening within the cultural contexts of the Global South. By developing a comprehensive understanding of the unique soundscapes of Indian film and audiovisual media, his study examines the evolution of sound, from early optical recordings to contemporary digital audio technologies. It unfolds the intricate ways in which sound contributes to the storytelling, emotional resonance, and cultural significance of Indian films. Chattopadhyay's research is informed by his personal experiences as a sound practitioner and through extensive conversations with leading sound professionals across the Indian subcontinent. This approach allows for a deep dive into the practical and creative processes that shape the auditory dimensions of Indian cinema. Broadly, Chattopadhay's work is a significant contribution to film history, sound studies, and media studies. Budhaditya Chattopadhyay is a media artist, researcher, and writer. He has an expansive body of scholarly publications in media arts history, artistic research, media theory and aesthetics in leading peer-reviewed journals. He is the author of five books, including The Nomadic Listener (2020), The Auditory Setting (2021), Between the Headphones (2021), and Sound Practices in the Global South (2022). Dr. Chattopadhyay holds a PhD in Artistic Research and Sound Studies from the Academy of Creative and Performing Arts, Leiden University. He is currently a Visiting Professor at the Institute Experimental Design and Media Cultures (IXDM), Basel, Switzerland, and a Marie Curie Postdoctoral Fellow at the Faculty of Fine Art, Music and Design (KMD), University of Bergen, Norway. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Budhaditya Chattopadhyay's book Sound in Indian Film and Audiovisual Media: History, Practices and Production (Amsterdam UP, 2023) is an exhaustive attempt to study film sound in the Indian subcontinent through artistic research. It aims to fill a significant scholarly void by addressing issues of sound and listening within the cultural contexts of the Global South. By developing a comprehensive understanding of the unique soundscapes of Indian film and audiovisual media, his study examines the evolution of sound, from early optical recordings to contemporary digital audio technologies. It unfolds the intricate ways in which sound contributes to the storytelling, emotional resonance, and cultural significance of Indian films. Chattopadhyay's research is informed by his personal experiences as a sound practitioner and through extensive conversations with leading sound professionals across the Indian subcontinent. This approach allows for a deep dive into the practical and creative processes that shape the auditory dimensions of Indian cinema. Broadly, Chattopadhay's work is a significant contribution to film history, sound studies, and media studies. Budhaditya Chattopadhyay is a media artist, researcher, and writer. He has an expansive body of scholarly publications in media arts history, artistic research, media theory and aesthetics in leading peer-reviewed journals. He is the author of five books, including The Nomadic Listener (2020), The Auditory Setting (2021), Between the Headphones (2021), and Sound Practices in the Global South (2022). Dr. Chattopadhyay holds a PhD in Artistic Research and Sound Studies from the Academy of Creative and Performing Arts, Leiden University. He is currently a Visiting Professor at the Institute Experimental Design and Media Cultures (IXDM), Basel, Switzerland, and a Marie Curie Postdoctoral Fellow at the Faculty of Fine Art, Music and Design (KMD), University of Bergen, Norway. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Budhaditya Chattopadhyay's book Sound in Indian Film and Audiovisual Media: History, Practices and Production (Amsterdam UP, 2023) is an exhaustive attempt to study film sound in the Indian subcontinent through artistic research. It aims to fill a significant scholarly void by addressing issues of sound and listening within the cultural contexts of the Global South. By developing a comprehensive understanding of the unique soundscapes of Indian film and audiovisual media, his study examines the evolution of sound, from early optical recordings to contemporary digital audio technologies. It unfolds the intricate ways in which sound contributes to the storytelling, emotional resonance, and cultural significance of Indian films. Chattopadhyay's research is informed by his personal experiences as a sound practitioner and through extensive conversations with leading sound professionals across the Indian subcontinent. This approach allows for a deep dive into the practical and creative processes that shape the auditory dimensions of Indian cinema. Broadly, Chattopadhay's work is a significant contribution to film history, sound studies, and media studies. Budhaditya Chattopadhyay is a media artist, researcher, and writer. He has an expansive body of scholarly publications in media arts history, artistic research, media theory and aesthetics in leading peer-reviewed journals. He is the author of five books, including The Nomadic Listener (2020), The Auditory Setting (2021), Between the Headphones (2021), and Sound Practices in the Global South (2022). Dr. Chattopadhyay holds a PhD in Artistic Research and Sound Studies from the Academy of Creative and Performing Arts, Leiden University. He is currently a Visiting Professor at the Institute Experimental Design and Media Cultures (IXDM), Basel, Switzerland, and a Marie Curie Postdoctoral Fellow at the Faculty of Fine Art, Music and Design (KMD), University of Bergen, Norway. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Budhaditya Chattopadhyay's book Sound in Indian Film and Audiovisual Media: History, Practices and Production (Amsterdam UP, 2023) is an exhaustive attempt to study film sound in the Indian subcontinent through artistic research. It aims to fill a significant scholarly void by addressing issues of sound and listening within the cultural contexts of the Global South. By developing a comprehensive understanding of the unique soundscapes of Indian film and audiovisual media, his study examines the evolution of sound, from early optical recordings to contemporary digital audio technologies. It unfolds the intricate ways in which sound contributes to the storytelling, emotional resonance, and cultural significance of Indian films. Chattopadhyay's research is informed by his personal experiences as a sound practitioner and through extensive conversations with leading sound professionals across the Indian subcontinent. This approach allows for a deep dive into the practical and creative processes that shape the auditory dimensions of Indian cinema. Broadly, Chattopadhay's work is a significant contribution to film history, sound studies, and media studies. Budhaditya Chattopadhyay is a media artist, researcher, and writer. He has an expansive body of scholarly publications in media arts history, artistic research, media theory and aesthetics in leading peer-reviewed journals. He is the author of five books, including The Nomadic Listener (2020), The Auditory Setting (2021), Between the Headphones (2021), and Sound Practices in the Global South (2022). Dr. Chattopadhyay holds a PhD in Artistic Research and Sound Studies from the Academy of Creative and Performing Arts, Leiden University. He is currently a Visiting Professor at the Institute Experimental Design and Media Cultures (IXDM), Basel, Switzerland, and a Marie Curie Postdoctoral Fellow at the Faculty of Fine Art, Music and Design (KMD), University of Bergen, Norway. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Ian Christie FBA is a British film scholar whose work on Michael Powell and Emeric Pressburger, Martin Scorsese and the development of cinema has made him one of the most respected film writers today. He is a regular contributor to Sight & Sound magazine and a frequent broadcaster as well as being the Professor of Film and Media History at Birkbeck, University of London.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Ich spreche mit Katrin Oswald und Tobias Enseleit über das Projekt SocialMediaHistory und wir drehen uns vorallem um das Mittelalter in den sozialen Medien.

Diamondbacks president & CEO Derrick Hall joined The Focus to discuss the state of the franchise coming off a World Series appearance. He also opened up about his family media history, his days as a journalism student at Arizona State University, his battle with prostate cancer and the loss of the Arizona Coyotes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Newspapers have shaped the rich history of Louisiana for hundreds of years. On today's Louisiana Considered, we're joined by two experts at The Historic New Orleans Collection to discuss their upcoming event “Above the Fold: The History of Newspapers in Louisiana.” Plus, we'll hear the story of a female newspaper publishing pioneer. Eliza Jane Nicholson was a small-town poet born in the 1840s in Mississippi who would go on to become the first female publisher of a major metropolitan newspaper, The Picayune in New Orleans. Later, Gulf South home energy bills have spiked this year. Stephan Bisaha, a reporter with the Gulf States Newsroom, looks at who's to blame when power bills go up. Today's episode of Louisiana Considered was hosted by Alana Schreiber. Our assistant producer is Matt Bloom and our engineer is Garrett Pittman.  You can listen to Louisiana Considered Monday through Friday at 12 and 7 p.m. It's available on Spotify, Google Play, and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

The Server: A Media History from the Present to the Baroque (Yale UP, 2018) is a cutting–edge media history on a perennially fascinating topic that attempts to answer the crucial question: Who is in charge, the servant or the master? Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current–day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant. Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Server: A Media History from the Present to the Baroque (Yale UP, 2018) is a cutting–edge media history on a perennially fascinating topic that attempts to answer the crucial question: Who is in charge, the servant or the master? Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current–day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant. Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Server: A Media History from the Present to the Baroque (Yale UP, 2018) is a cutting–edge media history on a perennially fascinating topic that attempts to answer the crucial question: Who is in charge, the servant or the master? Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current–day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant. Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Server: A Media History from the Present to the Baroque (Yale UP, 2018) is a cutting–edge media history on a perennially fascinating topic that attempts to answer the crucial question: Who is in charge, the servant or the master? Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current–day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant. Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The Server: A Media History from the Present to the Baroque (Yale UP, 2018) is a cutting–edge media history on a perennially fascinating topic that attempts to answer the crucial question: Who is in charge, the servant or the master? Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current–day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant. Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Join the conversation as Fred Bodimer and Frank Absher, distinguished figures in radio broadcasting, reflect on their illustrious careers at KMOX and within the broader media landscape. With over 40 years of experience, Fred Bodimer shares engaging anecdotes and diverse contributions, while Frank Absher's dedication to preserving St. Louis media history highlights their commitment to the industry's legacy. Discover the camaraderie, anecdotes, and evolution within radio through their captivating dialogue.

Saree Makdisi returns to discuss his n+1 article, "No Human Being Can Exist: How can a person make up for seven decades of misrepresentation and willful distortion in the time allotted to a sound bite?” Then, Sebastian Wuepper returns with a new The Past Inside the Present. Check out Saree's article: https://www.nplusonemag.com/online-only/online-only/no-human-being-can-exist/ Help keep This Is Hell! completely listener supported and access weekly bonus episodes by subscribing to our Patreon: https://www.patreon.com/thisishell

Step into the streets of Europe from the sixteenth to the twentieth century, where news of criminals' deeds and their ultimate fate was delivered through compelling songs. These execution ballads, often sold on bustling streets and marketplaces, turned crime and punishment into melodic tales; haunting melodies that once carried tales of compassion, violence, and humanity itself. Our guest, Una McIlvenna takes us through her research on this intriguing tradition. Songs featured in the podcast with guest permission, and obtained from the website (links below.) My Special Guest is Una McIlvena   Una McIlvenna is Honorary Senior Lecturer in English at the Australian National University, and has held positions at the Universities of Melbourne, Sydney, Kent and Queen Mary University of London. A literary and cultural historian, she researches the early modern and nineteenth-century pan-European tradition of singing the news, and the history of crime and punishment, looking at songs in English, French, German, Dutch and Italian. Her monograph Singing the News of Death: Execution Ballads in Europe 1500-1900 (OUP, 2022) explores the phenomenon of the execution ballad, songs that spread the news of condemned criminals and their often ghastly ends. This is accompanied by her website ExecutionBallads.com which features recordings of some of these songs. She has published articles on news-singing in Past & Present, Renaissance Studies, Media History, Parergon, and Huntington Library Quarterly, and is a co-founder of the international Song Studies Network. Contrafactum Execution ballads intertwine music, emotion, and history, using 'contrafactum' or 'parody' to re-purpose well-known melodies. Identified with phrases like 'to the tune of...,' these melodies acquired intricate emotional associations. 'Fortune My Foe,' a somber melody, resonated across early modern northern Europe, accompanying songs of death and disaster. Surprising contrasts emerged as lively tunes like 'Row Well Ye Mariners' satirically celebrated John Felton's execution in 1570. Italian ballads deviated, employing metrical forms like ottava rima and terza rima. Notably, terza rima expressed nobles' remorse in the first-person voice during executions. This fusion of melody and verse crafted poignant narratives, embodying compassion, satire, and reflection through time. The Business Of Singing The News Printers meticulously inked the tales onto single-sheet broadsides and pamphlets, ready to be sold by the street singers who transformed words into melody. These itinerant vendors often bought songsheets wholesale, their lives hand-to-mouth as they navigated various trades. As they sang the contents of the ballads, they not only promoted their wares but also propagated stories that would resonate through the ages. Thus, execution ballads merged commerce and culture, leaving an indelible mark on the historical fabric. In this episode, you will be able to:  1. Uncover the significance of singing the news. 2. Explore aspects of crime and punishment. 3. Examine commonalities and differences between ballads. 4. Examine messages, themes and elements- including elements of the supernatural. If you value this podcast and want to enjoy more episodes please come and find us on⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.patreon.com/Haunted_History_Chronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to support the podcast, gain a wealth of additional exclusive podcasts, writing and other content. Links to all Haunted History Chronicles Social Media Pages, Published Materials and more:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://linktr.ee/hauntedhistorychronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Guest Links: Website: https://omeka.cloud.unimelb.edu.au/execution-ballads/about (podcast songs can be listened to here) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/UnaMcIlvenna https://www.instagram.com/una_mcilvenna/ Book Link https://amzn.to/3KAL4FN ⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/hauntedchronicles/message

SAG-AFTRA members picket outside of Netflix headquarters in Los Gatos. The Screen Actors Guild joined the Writers Guild of America, who have been engaged on the frontlines of this dispute with studios since May 2nd, 2023. Its also the first time the two unions have been on a simultaneous strike since 1960.  At the heart of the strikes is something that is familiar to many of us: Financial stability. But there's something new in there that we're having to grapple with these days: Artificial intelligence, and the role it will play in our lives.  With negotiations between the unions and the studios currently at a standstill what does this mean for Hollywood going forwards. when all is said and done will there still be a space for those who dream of making it big on the silver, and even the smaller screen.  To make sense of all of this KCBS Radio's Mary Huges turns to Kate Fortmueller, Associate Professor of Film and Media History at Georgia State University.

Paul's BlogAd Men At War - Texas MonthlyThis Podcast is powered by Digital Ignite and recorded in Charleston, SC. Hosted by Chris Clark and Winnie Teal. Digital Madvertising is edited, produced & scored by the talented Connor Sage. Join us each week as we cover the wild wild west of digital marketing news, trends, and products. Follow us! linkedin.com/company/digitaligniteagency twitter.com/digitalignite instagram.com/digital_ignite/ Digital-Ignite.com

Your Heard Tell for Monday, February 13th, 2023, is turning down the noise of the news cycle and getting to the information we need to discern our times by talking to our friend and journalist Peter Pitschke on the evolving world of gaming culture and media, how news media has a disconnect when covering gaming, Peter's exclusive interview with Frosk about the G4 collapse and her controversial on-air viral rant, the caterwauling over the new Hogwarts Legacy game, and the importance of understanding a culture when reporting on it. Then, we go to the Heard Tell archieves for one of our best coversations from 2021 as Dennis Sanders and host Andrew Donaldson talk about dealing with crazymakers in politics and media, the recent American history that is fueling the current political decent, and how news media and politicans aren't giving us the answers we need, but folks aren't asking the right questions either.All that and more on this Monday edition of Heard Tell.--------------------Questions, comments, concerns, ideas, or epistles? Email us HeardTellShow@gmail.comPlease make sure to subscribe to @Heard Tell , like the program, comment with your thoughts, and share with others.Support Heard Tell here: https://app.redcircle.com/shows/4b87f374-cace-44ea-960c-30f9bf37bcff/donationsSupport this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gavin Feller is a media producer, researcher, and startup founder. After completing a PhD in 2017, Gavin taught media courses at Southern Utah University for two years before taking a research position at a university in northern Sweden. In 2021,... The post Mormon Media History Ep. 661 The Cultural Hall appeared first on The Cultural Hall Podcast.

Federico Fellini's 8 ½ is considered a major milestone in cinematic storytelling. But it's also a seminal example of how cinema can be used for making personal statements. We talked about Fellini with Ian Christie who is a Professor of Film and Media History at the Birkbeck, University of London. Guest: Ian Christie, Professor of Film and Media History at Birkbeck, University of London

On this episode of Showcase, watch: Fellini's 8 1/2 00:02 Guest: Ian Christie, Professor of Film and Media History at Birkbeck, University of London Istanbuls Today 09:04 Korean Wave in London 11:53 Journey into Fear 14:46 Mon Laferte's Art 17:15 The Last of Us 19:49 Admont Library 20:20

Melvyn Bragg and guests discuss Orson Welles' film, released in 1941, which is widely acclaimed as one of the greatest, if not the greatest, films yet made. Welles plays the lead role of Charles Foster Kane, a newspaper magnate, and Welles directed, produced and co-wrote this story of loneliness at the heart of a megalomaniac. The plot was partly inspired by the life of William Randolph Hearst, who then used the power of his own newspapers to try to suppress the film's release. It was to take some years before Citizen Kane reached a fuller audience and, from that point, become so celebrated. The image above is of Kane addressing a public meeting while running for Governor. With Stella Bruzzi Professor of Film and Dean of Arts and Humanities at University College London Ian Christie Professor of Film and Media History at Birkbeck, University of London And John David Rhodes Professor of Film Studies and Visual Culture at the University of Cambridge Producer: Simon Tillotson

Melvyn Bragg and guests discuss Orson Welles' film, released in 1941, which is widely acclaimed as one of the greatest, if not the greatest, films yet made. Welles plays the lead role of Charles Foster Kane, a newspaper magnate, and Welles directed, produced and co-wrote this story of loneliness at the heart of a megalomaniac. The plot was partly inspired by the life of William Randolph Hearst, who then used the power of his own newspapers to try to suppress the film's release. It was to take some years before Citizen Kane reached a fuller audience and, from that point, become so celebrated. The image above is of Kane addressing a public meeting while running for Governor. With Stella Bruzzi Professor of Film and Dean of Arts and Humanities at University College London Ian Christie Professor of Film and Media History at Birkbeck, University of London And John David Rhodes Professor of Film Studies and Visual Culture at the University of Cambridge Producer: Simon Tillotson

ESPN Brings Back Bomani Jones on a NEW CONTRACT! One of the WORST FAILURES in MEDIA HISTORY! Make Sure You Subscribe on Podcast & YouTube! Make Sure You Subscribe on Podcast! Available on Google Podcast, Spotify, Castbox, Apple Podcasts (ITunes): https://anchor.fm/blackandwhitesports Become a Paid Subscriber: https://anchor.fm/blackandwhitesports/subscribe The podcast is all about the world of sports news, sports reactions, and the games. Website: www.blackandwhitenetwork.com Get your MERCH here: https://teespring.com/stores/blackandwhitesports Use Promo Code "USAFIRST" for 25% off any of the merch! After Pay Now Available! --- Support this podcast: https://anchor.fm/blackandwhitenetwork/support

Labour of Listening by Kate Lacey is the first episode of the new podcast series Ages of Receivership: On Generous Listening, based on the 2022 symposium with the same title. In her contribution the author and Professor of Media History and Theory at the University of Sussex talks about the act of listening as a form of labor, about listening out and listening in and what it means to create a space, where speech and listening can take place. The podcast series Ages of Receivership: On Generous Listening; emerges from the Spring 2022 Master Symposium, at the Institute Art Gender Nature HGK FHNW, moderated by Chus Martínez and Quinn Latimer, in collaboration with Vuslat Foundation.

Labour of Listening by Kate Lacey is the first episode of the new podcast series Ages of Receivership: On Generous Listening, based on the 2022 symposium with the same title. In her contribution the author and Professor of Media History and Theory at the University of Sussex talks about the act of listening as a form of labor, about listening out and listening in and what it means to create a space, where speech and listening can take place. The podcast series Ages of Receivership: On Generous Listening; emerges from the Spring 2022 Master Symposium, at the Institute Art Gender Nature HGK FHNW, moderated by Chus Martínez and Quinn Latimer, in collaboration with Vuslat Foundation.

Click it and ship it!!! The Influencing Boys of Comedy™ breakdown the history of social media. Shane and Ramin were very early in their comedy careers when Myspace started to change the way artists could connect with fans. From humble beginnings, social media has quickly changed the way the world communicates, connects, and entertains. How many apps have come and gone along the way? What will be the next hot platform? How does one decide where to put their energy? What is the future of social media? Join our space wherever you podcast or for the video versions subscribe on YouTube or Spotify. The Mind Under Matter Campout Festival in Raleigh is right around the corner. Become one of the early ticket holders and be a part of VIP activities. The IBC™ will see you September 9th. https://mindunderpod.com/pages/campout

In episode 96 the girls chat about what content they have been consuming. Between books, tv shows and podcast the girls have been doing it all. While Hollie is more focused on educating herself with her content, Mary has taken the path of goofy, easy reads/watches. In this episode, we talk about... Quick Chat on Our Week Colleen Hoover Books Galore Our Favorite Recent Media [Books, Podcasts, TV Shows, YT'ers + Albums] Resources: Podcast Instagram: @getfittywithitpod Podcast Email: getfittywithitpod@gmail.com Join Our WhatsApp: https://chat.whatsapp.com/BUBXYJrIajN7EuWZGWmO6g Email List: http://eepurl.com/hJhfVr Facebook 'Get Fitty With Us' Group: https://www.facebook.com/groups/140156034417778 Mary's Instagram: @msorensen14 Hollie's Instagram: @holliestark_ Hollie's TikTok: @holliestark1 Hollie's Website: www.holliestark.com --- Support this podcast: https://anchor.fm/getfittywithit/support

Hayley and the Knobs went down a rabbit hole discussing forms of media that no one uses anymore like 8-tracks and laser disc. Eventually, we got around to discussing the top grossing films of all time, celebrity news, a drunk Karen, and a woman who petted a whale...

GET HEIRLOOM SEEDS & SURVIVAL RESOURCES HERE: https://heavensharvest.com/ USE Code WAM to get FREE shipping in the United States! STOCK UP ON STOREABLE FOODS HERE: http://wamsurvival.com/ OUR GOGETFUNDING CAMPAIGN: https://gogetfunding.com/help-keep-wam-alive/ GET TIM'S FREE Portfolio Review HERE: https://bit.ly/booktimp Josh Sigurdson reports on the recent law in New York state pushed forward by Governor Hochul against the Supreme Court Ruling on concealed carry. In the law, the review of one's social media history is mandatory before they're allowed to buy a gun. This is not only crazy, but this is directly linked to what one may call "social credit." Social media is a clear early form of Chinese style social credit in the United States and few recognize this yet. In this video, we break down the dangers of this, the most recent attacks on gun rights, the history of technocracy and guns and a surprising supporter of social credit based gun control. Stay tuned for more from WAM! GET YOUR APRICOT SEEDS at the life-saving Richardson Nutritional Center HERE: https://rncstore.com/r?id=bg8qc1 OUR PODBEAN CHANNEL: https://worldaltmedia.podbean.com/ Or SPOTIFY: https://open.spotify.com/show/5JWtlXypfL8iR8gGMg9MME FIND US on Rokfin HERE: https://rokfin.com/worldalternativemedia FIND US on SOVREN HERE: https://sovren.media/u/wam/ FIND US on Gettr HERE: https://www.gettr.com/user/worldaltmedia See our EPICFUNDME HERE: https://epicfundme.com/251-world-alternative-media JOIN OUR NEWSLETTER HERE: https://www.iambanned.com/ JOIN our Telegram Group HERE: https://t.me/worldalternativemedia JOIN US On BitChute: https://www.bitchute.com/channel/gzFCj8AuSWgp/ JOIN US On Flote: https://flote.app/JoshSigurdson JOIN US On Odysee (formerly LBRY) HERE: https://odysee.com/@WAM:0 BUY WAM NFTs HERE: https://rarible.com/worldalternativemedia JOIN US on Rumble Here: https://rumble.com/c/c-312314 FIND WAM MERCHANDISE HERE: https://teespring.com/stores/world-alternative-media FIND OUR CoinTree page here: https://cointr.ee/joshsigurdson JOIN US on SubscribeStar here: https://www.subscribestar.com/world-alternative-media We will soon be doing subscriber only content! Follow us on Twitter here: https://twitter.com/WorldAltMedia DONATE PAYPAL HERE: ziggy33@mail.com Help keep independent media alive! Pledge here! Just a dollar a month can help us alive! https://www.patreon.com/user?u=2652072&ty=h&u=2652072 BITCOIN ADDRESS: 18d1WEnYYhBRgZVbeyLr6UfiJhrQygcgNU World Alternative Media 2022

0:00 - 5:40 - Discussion of future with pod / Special Guest Intro5:40 - 26:37 - Pros and Cons of social media26:37 - 39:40 - A well needed history lesson39:40 - 53:19 - Internet ?s

World War Two set British filmmakers a challenge: to be relevant and entertaining and to inspire without patronising. Powell and Pressburger brought wit and imagination to their task, questioning what Britain stood for, warts and all. Notoriously, Churchill hated The Life and Death of Colonel Blimp. But many ordinary cinema-goers were grateful for The Archers' poetic patriotism, in this as well as in A Matter of Life and Death. Britishness redefined in the stress of war is the theme of this lecture.A lecture by Ian Christie, Visiting Professor of Film and Media History 11 NovemberThe transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-and-events/matter-of-britainGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege

Welcome to The Digital Natives Cast, where we help you get found! Every Friday we'll bring you the latest in technology, design, and marketing from the point of view of digital natives.   Find our show notes hosted by our sponsor at: KeystoneClick.com   Music by: DJ Quads

"The greatest documentary of all time"? Michael Nyman, Alexei Popogrebsky, Ian Christie and Larushka Ivan-Zadeh join Matthew Sweet to discuss Dziga Vertov's 1929 film, Man with a Movie Camera, which was voted top of a poll conducted by Sight and Sound Magazine. Vertov's film is a kind of cinematic symphony of urban life in the Soviet Union. It fizzes with ideas and is the embodiment of the notion that cinema can promote revolutionary consciousness. For some its an achievement to set along side the films of Eisenstein. Both could lay claim to being the greatest film maker of their time and their friendship ended in rivalry. Man with a Movie Camera counts amongst its admirers the novelist, Salman Rushdie and the enfant terrible of the French New Wave, Jean-Luc Godard.Michael Nyman has composed scores for the three major films that the pioneering Soviet filmmaker Dziga Vertov made in the late 1920s and is now working on an opera about Vertov. Ian Christie is Professor of Film and Media History at Birkbeck University London. He is co-editor, with Richard Taylor, of The Film Factory: Russian and Soviet Cinema in Documents 1896-1939 and Eisenstein rediscovered. Larushka Ivan-Zadeh is chief film critic for the Metro newspaper. Alexei Popogrebsky is a film director and screenwriter whose work includes How I Ended this Summer and Prostye veshchi. Plus, on the website you can find Salman Rushdie's comments about watching the film. Part of Radio 3's Breaking Free: A Century of Russian Culture Producer: Zahid Warley