Podcasts about institut francais

Beta, Ireland's festival of art and technology, will return for its second edition with a focus on interrogating the relationship between power and technology, examining how digital tools influence society and how we can take agency back in their use. Co-founded and supported by The Digital Hub, Beta will return from 1st to 17th November and will feature a series of events including two exhibitions, several interactive workshops, performances, a thought-provoking conference, and an assembly focussed on artificial intelligence and art. Cannes Film Festival winner Noire, the Unknown Life of Claudette Colvin will make its Irish debut at this year's Beta Festival. Directed by Stéphane Foenkinos and Pierre-Alain Giraud, Noire tells the real-life story of 15-year-old Claudette Colvin, who refused to give up her bus seat to a white passenger in a segregated 1950s Alabama through an immersive and encapsulating digital performance showing the power of storytelling through technology. Noire is presented by The Digital Hub, the French Embassy in Ireland and Institut Francais, as part of the official Novembre Numérique programme, and is supported by Smart Dublin. This year, Beta will host two exhibitions: the first Unsettling the Algorithm: Seeds of Resistance, is an international exhibition curated by Aisling Murray and Nora O' Murchú. Featuring artists including Irish-Iraqi artist Basil Al-Rawi, Tega Brain and Sam Levigne, Firas Shehadeh, Winnie Soon and Tzu-Tung Lee, Nora Al Badri and Mediengruppe Bitnik among others, the exhibition will explore how digital infrastructures and algorithms shape, influence and govern our daily lives. Separately, the Local Artists Network will spotlight emerging Irish artists with new work from Conan McIvor, Aisling Phelan, Cailean Finn, and more. Among these installations will be the interactive artwork Boogaloo Bias, which explores the dangers of unregulated use of facial recognitiontechnology particularly among law enforcement. Created by Jennifer Gradecki and Derek Curry, the project examines the practice of 'brute forcing', where law enforcement substitutes images of celebrities resembling suspects when high-quality images are unavailable and explores themes of accountability and bias in automated systems. Keynote addresses by cognitive behavioural scientist and member of the UN's AI Advisory Board Abebe Birhane and Head of Arts Technologiesat London's Serpentine Gallery Kay Watson will be delivered at the conference, while several workshops, discussions and think-ins will be hosted by ADAPT research centre, the Creative Futures Academy, Fire Station Artists' Studios and Creative Spark during the festival. Key highlights for the festival will include: Noire, the Unknown Life of Claudette Colvin tells the real-life story of the 15-year-old who refused to give up her bus seat to a white passenger in a segregated 1950's Alabama in a near-mirror event to that of Rosa Parks, told through an immersive digital performance. Noire won the inaugural award for Best Immersive Experience at Cannes Film Festival earlier this year and the production is brought to Ireland by the Beta Festival and The Digital Hub, in association with the French Embassy and Institut Francais, and is supported by Smart Dublin. Noire will make its Irish debut at the Samuel Beckett Theatre from 7th - 10th November. Assembly on Art and AI will bring together AI researchers, policy makers, cultural leaders and artists to explore the impact of artificial intelligence on arts and culture and identify challenges and opportunities to fuel a rolling agenda of areas to consider when creating policy centred on AI. Cold Call, a call centre created by Tega Brain and Sam Lavigne that reimagines carbon offsetting, by transforming the concept of time theft - a form of resistance where employees deliberately slow productivity - into a carbon-saving strategy aimed at high-emission companies. Through the call centre, viewers are encouraged to call fos...

The Lineage of Immortals (Sanskrit Amaraugha) is the earliest account of a fourfold system of yoga in which a physical practice called Haṭha is taught as the means to a deep state of meditation known as Rājayoga. The Amaraugha was composed in Sanskrit during the twelfth century and attributed to the author Gorakṣanātha. The physical yoga practices have a pre-history in a tantric Buddhist milieu but were here adapted for a Śaiva audience. The treatise explains how Śaiva yogis move kuṇḍalinī, unite Śakti with Śiva, and achieve Rājayoga. Three hundred years later, the author of the Haṭhapradīpikā incorporated almost all the Amaraugha's verses on Haṭhayoga into his own work, which became a definitive exposition of physical yoga. The study of the Amaraugha reveals not only the genesis of Haṭha and Rājayoga but also the creation of the most influential model of Haṭhayoga in the early modern period.  The Amaraugha and Amaraughaprabodha of Goraksanatha (Institut Francais de Pondichery, 2024) presents the first critical edition and annotated translation of the Amaraugha, as well as a later recension, called the Amaraughaprabodha, with an introduction that explores the profound significance of both works for the history of yoga. Jason Birch was awarded his doctorate at the University of Oxford and is a Senior Research Fellow of the Light on Hatha project, hosted at SOAS University of London and the University of Marburg. He is co-Director of the Yogacintāmaṇiproject at the University of Massachusetts Boston and an Associate Researcher of the Suśruta project at the University of Alberta. He has published articles on the history of Haṭha and Rājayoga, and co-authored a book on plastic surgery in the Nepalese version of the Suśrutasaṃhitā. From 2015 to 2020, he was a Post-doctoral Research Fellow of the ERC-funded Haṭha Yoga Project. He is a founding member of the SOAS Centre of Yoga Studies and the peer-reviewed Journal of Yoga Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Lineage of Immortals (Sanskrit Amaraugha) is the earliest account of a fourfold system of yoga in which a physical practice called Haṭha is taught as the means to a deep state of meditation known as Rājayoga. The Amaraugha was composed in Sanskrit during the twelfth century and attributed to the author Gorakṣanātha. The physical yoga practices have a pre-history in a tantric Buddhist milieu but were here adapted for a Śaiva audience. The treatise explains how Śaiva yogis move kuṇḍalinī, unite Śakti with Śiva, and achieve Rājayoga. Three hundred years later, the author of the Haṭhapradīpikā incorporated almost all the Amaraugha's verses on Haṭhayoga into his own work, which became a definitive exposition of physical yoga. The study of the Amaraugha reveals not only the genesis of Haṭha and Rājayoga but also the creation of the most influential model of Haṭhayoga in the early modern period.  The Amaraugha and Amaraughaprabodha of Goraksanatha (Institut Francais de Pondichery, 2024) presents the first critical edition and annotated translation of the Amaraugha, as well as a later recension, called the Amaraughaprabodha, with an introduction that explores the profound significance of both works for the history of yoga. Jason Birch was awarded his doctorate at the University of Oxford and is a Senior Research Fellow of the Light on Hatha project, hosted at SOAS University of London and the University of Marburg. He is co-Director of the Yogacintāmaṇiproject at the University of Massachusetts Boston and an Associate Researcher of the Suśruta project at the University of Alberta. He has published articles on the history of Haṭha and Rājayoga, and co-authored a book on plastic surgery in the Nepalese version of the Suśrutasaṃhitā. From 2015 to 2020, he was a Post-doctoral Research Fellow of the ERC-funded Haṭha Yoga Project. He is a founding member of the SOAS Centre of Yoga Studies and the peer-reviewed Journal of Yoga Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

The Lineage of Immortals (Sanskrit Amaraugha) is the earliest account of a fourfold system of yoga in which a physical practice called Haṭha is taught as the means to a deep state of meditation known as Rājayoga. The Amaraugha was composed in Sanskrit during the twelfth century and attributed to the author Gorakṣanātha. The physical yoga practices have a pre-history in a tantric Buddhist milieu but were here adapted for a Śaiva audience. The treatise explains how Śaiva yogis move kuṇḍalinī, unite Śakti with Śiva, and achieve Rājayoga. Three hundred years later, the author of the Haṭhapradīpikā incorporated almost all the Amaraugha's verses on Haṭhayoga into his own work, which became a definitive exposition of physical yoga. The study of the Amaraugha reveals not only the genesis of Haṭha and Rājayoga but also the creation of the most influential model of Haṭhayoga in the early modern period.  The Amaraugha and Amaraughaprabodha of Goraksanatha (Institut Francais de Pondichery, 2024) presents the first critical edition and annotated translation of the Amaraugha, as well as a later recension, called the Amaraughaprabodha, with an introduction that explores the profound significance of both works for the history of yoga. Jason Birch was awarded his doctorate at the University of Oxford and is a Senior Research Fellow of the Light on Hatha project, hosted at SOAS University of London and the University of Marburg. He is co-Director of the Yogacintāmaṇiproject at the University of Massachusetts Boston and an Associate Researcher of the Suśruta project at the University of Alberta. He has published articles on the history of Haṭha and Rājayoga, and co-authored a book on plastic surgery in the Nepalese version of the Suśrutasaṃhitā. From 2015 to 2020, he was a Post-doctoral Research Fellow of the ERC-funded Haṭha Yoga Project. He is a founding member of the SOAS Centre of Yoga Studies and the peer-reviewed Journal of Yoga Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

The Lineage of Immortals (Sanskrit Amaraugha) is the earliest account of a fourfold system of yoga in which a physical practice called Haṭha is taught as the means to a deep state of meditation known as Rājayoga. The Amaraugha was composed in Sanskrit during the twelfth century and attributed to the author Gorakṣanātha. The physical yoga practices have a pre-history in a tantric Buddhist milieu but were here adapted for a Śaiva audience. The treatise explains how Śaiva yogis move kuṇḍalinī, unite Śakti with Śiva, and achieve Rājayoga. Three hundred years later, the author of the Haṭhapradīpikā incorporated almost all the Amaraugha's verses on Haṭhayoga into his own work, which became a definitive exposition of physical yoga. The study of the Amaraugha reveals not only the genesis of Haṭha and Rājayoga but also the creation of the most influential model of Haṭhayoga in the early modern period.  The Amaraugha and Amaraughaprabodha of Goraksanatha (Institut Francais de Pondichery, 2024) presents the first critical edition and annotated translation of the Amaraugha, as well as a later recension, called the Amaraughaprabodha, with an introduction that explores the profound significance of both works for the history of yoga. Jason Birch was awarded his doctorate at the University of Oxford and is a Senior Research Fellow of the Light on Hatha project, hosted at SOAS University of London and the University of Marburg. He is co-Director of the Yogacintāmaṇiproject at the University of Massachusetts Boston and an Associate Researcher of the Suśruta project at the University of Alberta. He has published articles on the history of Haṭha and Rājayoga, and co-authored a book on plastic surgery in the Nepalese version of the Suśrutasaṃhitā. From 2015 to 2020, he was a Post-doctoral Research Fellow of the ERC-funded Haṭha Yoga Project. He is a founding member of the SOAS Centre of Yoga Studies and the peer-reviewed Journal of Yoga Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

W tym odcinku pakujemy paczkę, którą wypełniamy tytułami, anegdotami i wszystkim tym, co z kinem francuskim związane. Kto otrzyma nasz wysłany w butelce list w kosmos? Zapraszamy do współtworzenia z nami tej czarnej skrzynki i zastanowienia się jakie dziedzictwo kina znad Loary i Sekwany wysłał_byś Ty w kosmos. A jeśli jesteś obcy, słuchaj uważnie i zapisuj interesujące Cię tytuły na listę. Posłuchajcie, co umieścili w paczce dla kosmitów Adam Krośnicki-Midoń i Krzysiu Wiewióra. Podcast realizowany w ramach marcowego Cyklu Kina Francuskiego w DKF Politechnika, realizowanego we współpracy z Institut Francais oraz Alliance Francaise.

Ni Jumapili nyingine tunakutana tena katika Makala haya ya Changu Chako Chako Changu ambapo leo nakuletea makala kuhusu siku kuu ya Kimataifa ya wafanyakazi duniani maharufu Mei Mosi, na kwenye le Parler Francophone nakuletea shughuli za utamaduni Alliance francaise ya Nairobi, Institut Francais ya Bujumbura na tamasha la kuwaenzi wanamuziki wa Bongo Fleva lililoandaliwa na Alliance Francaise ya Dar es salaam, na kwenye Muziki nitakuletea muziki wa nguli wa miondoko ya Rumba hayati Papa Wemba

Karibu katika Makala Changu Chako Chako Changu, jumapili ya leo nakupeleka huko Mombasa nchini Kenya kuangazia mji wa Kale mjini hapo, na kwenye le parler francophone tutaangazia nini kilichoandaliwa na Institut Francais de Lubumbashi na Alliance francaise ya Nairobi na Mombasa. Na kwenye Muziki leo nakuletea mwanamuziki Willy Paul kutoka nchini Kenya mimi naitwa Ali Bilali  ninakukaribisha Karibu, Ama Bienvenue et Bon Reveil Matinale, yaani asubuhi Njema.

Karibu katika Makala Changu Chako Chako Changu Jumapili ya leo nakuletea sehemu ya pili ya Makala kuhusu historian a tamaduni la watu wa akbila la wapemba wa Kenya, na kwenye le parler francophone nitakujuza nini kinachojiri Alliance francaise ya Mombasa, Nairobi, Dar es salaam na Institut Francais ya Lubumbashi, na kwenye Muziki nitakuletea mwanamuzi Ali Saleh kutoka nchini nchini Kenya wa kundi la Lafrik. Mimi naitwa Ali Bilali Binvenue ama karibu.

Jenn speaks to Daniel Hurlin, a fashion design director having worked for several luxury brands in Paris, London, Berlin to Antwerp! From an early age, Daniel knew he was gay, and having navigated that identity growing up and as a creative, he shares with us what innate creativity means to him and why it is important to understand this as a creative, working in the creative industry so that you can be grounded as an individual and thrive in your career! (Recorded on February 11, 2022)About Daniel:Daniel Hurlin is a design director that has worked in luxury fashion labels for the last 10+ years. He specializes in visuals applied to products, and sees his work as visually curating the brand's narrative. In our current society, a lot of products first reach people in a visual media, so this aspect of design is now crucial for companies. His work has been on numerous runways, collaborations, and commercial collections. From Paris, London, Berlin to Antwerp, he has spent time refining and fine tuning his own work method, striking a balance between commerce and art, well-being and deadlines, and generally questioning industry practices. He studied at Central Saint Martin's in London and Institut Francais de La Mode in Paris.Episode Resources:Linkedin

Vertretungsstunde ist zurück! Mit der EDITION Kulturinstitute. In dieser zweiten Staffel beschäftigen wir uns noch intensiver mit der kulturellen Arbeit der EU-Länder und stellen verschiedene Kulturinstitute vor. Wie setzen sich diese Institutionen konkret für europäische Werte ein und wie machen sie ihre kulturelle Vielfalt über Ländergrenzen hinweg erlebbar? All dem gehen wir auf den Grund. Denn Kulturarbeit ist immer auch Friedensarbeit. Unser erster Weg führt uns zum Berliner Kurfürstendamm, dem ersten Szenekiez der Hauptstadt überhaupt – als man sowas noch Boulevard nannte. Hier erreichen wir unser Ziel: Das Maison de France. Das Maison de France beherbergt nicht nur ein Programmkino und eine Brasserie, sondern mit dem Institut Francais auch das französische Kulturinstitut in Berlin. Kein anderes Land in der Welt betreibt übrigens so viele Kulturinstitute im Ausland, wie Frankreich. Mit Sophie Coumel, der Leiterin des Hauses, sprechen wir über ihren ganz persönlichen Bezug zu Deutschland, die französische Sprache und die Kunstform Film. Und, wer uns kennt, wird es erraten: Auch über leckeres Essen! Das aktuelle Programm des Maison de France: https://www.institutfrancais.de/berlin/veranstaltungen-berlin Der Freundeskreis Maison de France Berlin e.V.: https://www.institutfrancais.de/berlin/ueber-uns/ueber-uns-berlin/freundeskreis-des-maison-de-france-berlin-e-v Simone de Beauvoir lesen, diskutieren, aktualisieren! Im Schwulen Museum am 19. Mai 2022 um 19:00: https://www.schwulesmuseum.de/veranstaltung/simone-de-beauvoir-lesen-diskutieren-aktualisieren/ Vielen Dank fürs zuhören. Wir freuen uns übrigens immer über neue Abonnierende und viele Sterne dort, wo man sie verteilen kann. Und über zugeneigte Follower auf Social Media, zum Beispiel hier: Twitter: https://twitter.com/vtspod Facebook: https://www.facebook.com/vertretungsstunde Lob, Kritik oder einen Bräter von Le Creuset nehmen wir gerne unter post@wortprogramme.de entgegen. Dieser Podcast wird unterstützt von der Berliner Senatsverwaltung für Kultur und Europa. Vielen Dank dafür! Credits: Produktion und Redaktion: Sebastian Scheffski Interview und Sprecherin: Hannah Prasse

This week we catch up on some festival viewings over the last couple of months and get to graze on the work of some of our favourite filmmakers. From the London Film Festival, we discuss the presentation of Stefan and Franciszka Themerson's EUROPA (1931), an extraordinary Polish avant-garde short long thought lost after its confiscation by the Nazis, and Sam reviews Radu Jude's hilarious and timely new feature BAD LUCK BANGING OR LOONY PORN (2021). Next, Emmett reports on Tsai Ming-Liang's long-awaited return to feature filmmaking with the mesmeric DAYS (2020), presented at the Queer East Film Festival. We then discuss the programme at this year's Japanese Avant-garde and Experimental Film Festival, including Shuji Terayama's BOXER (1977), Tatsumi Kumashiro's LOVERS ARE WET (1973) and Kon Ichikawa's TOKYO OLYMPIAD (1965), before rounding things up with a look back on the recent presentation of Jean-Marie Straub and Danièle Huillet's FROM THE CLOUD TO THE RESISTANCE (1979) at the Institut Francais as part of the Open City Documentary Festival. With covers of 'Days' by the Kinks and the theme from 'Boxer' by J.A. Seazer. Subscribe to Film Graze on your podcast app of choice and please leave us a positive rating/review if you enjoy the pod. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Sam Storey

My guest today is Marlene Laruelle. Marlene is a Research Professor of International Affairs at George Washington University in Washington, DC, where she also holds various administrative functions, including Director of the Institute for European, Russian and Eurasian Studies. She is also a Senior Research Fellow at the Institut Francais des Relations Internationales in her native France and a prolific writer on Russian and Central Asian history and politics. This year alone she has two new books out: “Is Russia Fascist? Unraveling Propaganda East and West”, with Cornell University Press, and “Central Peripheries: Nationhood in Central Asia”, with UCL Press.We talk about all things Russia: nationalism, Eurasianism, illiberalism, disinformation, and, of course, Vladimir Putin.

Treffen sich ein Synonym-Wörterbuch und eine Gruppe Superlative in einer Hotelbar und schütten sich gegenseitig das Herz aus. „Dieser Levit“ seufzen sie. „Wunderkind. Ausnahmepianist. Jahrhunderttalent. Shootingstar, Superstar, Besessener, Überflieger, genialer Hund. Die Zeitungen überbieten sich seit Jahren. Wo soll das noch hinführen?“ Naja, Kritiker und Publikum jubeln ja nicht grundlos. Wenn sich der 33jährige an den Flügel setzt, passiert etwas Besonderes. Mit ihm, mit den Menschen und mit der Musik. Theoretisch könnte Igor Levit in seiner konzertfreien Zeit auf einer Luftmatratze im Meer liegen und sonst nichts tun, aber das würde nicht zu ihm passen. Er ist aktiv, er ist politisch, er ist unruhig. Als Corona kommt, spielt er per Livestream Abend für Abend über Twitter Hauskonzerte, die weltweit von bis zu 60.000 Menschen verfolgt werden. Und zu unserer Freude treffen wir ihn im Institut Francais im Maison de France, wo ein frisch gestimmter Flügel steht, das kann kein Zufall sein.

Contemporary French literature is constantly making its mark on Norwegian public life, with publications which attract attention and arouse debate. But what does the French literary discussion look like from the inside? We have invited Le Monde critic Raphaëlle Leyris to Bergen to give us some insights. Programme: Part one: What’s happening in contemporary French literature? Part two: Tradition and renewal. French literary criticism past and present. Time will be allocated for discussion and questions from the audience. The seminar is organized in collaboration with Institut Francais.

This is the audio recording of the event at the Institut Francais that followed our chat with Noémi Lefebvre and Eimear McBride. The Institut Francais have kindly shared the audio of this event which took place on 17th May 2018. Thanks to: Nicci Praca, Cecile Menon, Sophie Lewis (who hosted the event), Axelle Oxborrow (translation) and Lucie Campos.

This episode was recorded at the Beyond Words Festival at the Institut Francais on Thursday 17th May 2018. We sat down with Noémi Lefebvre, the author of 'Blue Self-Portrait' (available from Les Fugitives: [http://www.lesfugitives.com/books/#/blue-self-portrait/](http://www.lesfugitives.com/books/#/blue-self-portrait/)) and Eimear McBride, author of 'A Girl is a Half-Formed Thing' (Galley Beggar Press/Faber) and 'The Lesser Bohemians' (Faber). It was hot, and there was a lot of noise in the street, so the sound is not 100%, but we found it very interesting to speak to both writers about the similarities and differences in their approaches. We caught Noémi and Eimear just before they went on stage, so this is a brief chat. At times Noémi preferred to speak in French, so we have included the translations from her interpreter Axelle Oxborrow in this audio.  The Institut Francais have kindly shared the audio of the event that followed, which will be released a few days after this one as a bonus episode. Thanks to: Nicci Praca, Cecile Menon, Sophie Lewis (who hosted the event), Axelle Oxborrow (translation) and Lucie Campos.

A pesar de haber transcurrido más de 50 años,os acontecimientos de mayo 1968 dejaron un legado para la mayoría de países de corte occidental. Hoy en día palpita su recuerdo más que nunca, a través de una exposición llamada "En el corazón de mayo del 68" organizada por la Alianza Francesa con el apoyo de Institut Francais y la Facultad de Arquitectura y de Artes de la Universidad Nacional que rinden un homenaje al fotógrafo Phillipe Grass.

Moim gościem jest Dr Sylwia Olszewska , która w pewnym sensie jest moim nauczycielem warsztatu coachingowego. Rzadko rodzą się samorodne talenty. Najczęściej okazuje się, że zostały zainspirowane czymś lub kimś.Mentoringiem zajmowałem się już długo wcześniej. Jako dyrektor zarządzający byłem mentorem dla moich pracowników. Jako podcaster, stałem się mentorem dla wielu moich słuchaczy. Brakowało mi jednak odpowiedzi na najczęściej zadawane pytanie: "Jak żyć?" Zawsze z nieufnością podchodziłem do wszelkiej maści guru zajmujących się wystąpieniami publicznymi i wychodzący z pozycji "wiedzących lepiej" Dlatego zainteresował mnie czysty coaching. ten bez doradzania i oceniania i bez dawania podpowiedzi. Coaching, który zadaje trudne pytania i zmuszający do samodzielnego myślenia, zgodnego z doświadczeniami i zasobami klienta. Takiego coachingu nauczyła mnie Sylwia Olszewska., która jest  psychologiem biznesu, trenerem, coachem. Stosowała techniki NLP i RTZ (Racjonalna Terapia Zachowań).Dysponuje szeroką wiedzą teoretyczną i praktyczną z zakresu psychologii biznesu, organizacji i zarządzania, psychologii zdrowia, osobowości, zastosowania psychologii pozytywnej w organizacji. Posiada 18 letnie doświadczenie w projektowaniu i realizowaniu autorskich szkoleń psychologicznych, dla firm, urzędów, instytucji, rządowych i pozarządowych.Specjalizuje się programach coachingowo – rozwojowych, dotyczących kształtowania kompetencji menedżerskich takich, jak: przywództwo i kierowanie zespołem, ocena pracowników, rozwiązywanie konfliktów w organizacji, motywacja pracowników, coaching, oraz kompetencji miękkich: komunikacja, obsługa klienta, autoprezentacja, przemówienia publiczne, techniki wywierania wpływu.Propaguje psychoprofilaktykę, w celu zapobiegania niekorzystnym zjawiskom i chorobom w życiu człowieka. W szkoleniach inspiruje do rozwoju osobistego i zawodowego, kreatywności, pozytywnego myślenia w celu osiągania dobrego samopoczucia i sukcesów w biznesie. Od 18 lat współpracuje z Uczelniami Wyższymi w Szczecinie jak: WSH, WSB, ZPSB, Uniwersytet Szczeciński jako wykładowca z zakresu psychologii organizacji, zarządzania i biznesu, doradztwa zawodowego i personalnego.Jest autorką programu i opiekunem merytorycznym studiów podyplomowych: Psychologia w Organizacji i Zarządzaniu, Psychodietetyka, w Wyższej Szkole Bankowej w Szczecinie.Wiedzę praktyczną i zasady prowadzenia biznesu, oraz treningów psychologicznych zdobywała pracując dla firmy amerykańskiej i niemieckiej o profilu medycznym.Jest absolwentką UAM w Poznaniu, Studium Menedżerskiego ARG w Poznaniu, Institut Francais de Gestion (I.F.G.) w Warszawie, Instytutu Terapii Gestalt w Krakowie – należącego do International Federation of Gestalt Training Organization (FORGE). Coach ACC ICF.Tytuł dr n. hum. obroniła w Instytucie Psychologii UG Gdańsk.W wywiadzie opowie m.in:Czym jest work life balance?Co to takiego job crafting?Jaki jest najlepszy lek na wypalenie w pracy?Czym jest "Złoty środek"?Jak dążyć do realizacji marzeń?Dlaczego ekologia celów jest taka ważna?i wiele innychWażne materiały:"Pochwała powolności"- Carl Honore"W pułapce perfekcjonizmu"- Winter Richard"Sztuka leniuchowania. O szczęściu nicnierobienia."-Urlich Schnabel"Twój umysł na detoksie"- Rafael SantandreuZapraszam Cię do słuchania Podcastu LEPIEJ TERAZ na iTunes i android-owych appkach do podcastów. np. PlayerFMJeśli Ci się podobało, wstaw proszę pozytywną recenzję na iTunesPostaw pierwszy krok do zmiany, zaczynając od wysłuchania historii ludzi, którzy zainspirują Cię do stworzenia wymarzonego życia!Jeśli potrzebujesz indywidualnej pomocy, zacznij tę zmianę wraz ze mną.Kliknij banner poniżej i zapisz się na DARMOWĄ konsultację Pomogę Ci !

Erst als er mit seinem letzten Buch, Le wagon (erschienen 2010), fertig war, realisierte der in Toulouse lebende Schriftsteller, Literaturwissenschaftler und Theaterregisseur Arnaud Rykner, dass sich Kolleginnen und Kollegen seiner Generation, er ist Jahrgang 1967, der selben Epoche, ähnlichen Erinnerungen gewidmet hatten: Den Deportationen aus dem von Deutschen besetzten Frankreich 1944. Rykners Buch gehört zu den mutigsten, sucht seine monologische Erzählstimme doch den Weg in den Eisenbahnwaggon selbst. Im Gespräch berichtet Arnaud Rykner (21.1., Institut Francais) von Leerstellen in der Familienerzählung, von erinnerungskulturellen Sichtweisenwechseln, von der Anreicherung von Namen und Daten, von seinen Zugängen zu Nathalie Sarraute und Marguerite Duras und der Frage, warum sein Buch »Nur« (2007) zugleich einen deutschen und einen arabischen Titel trägt. In der Reihe »Things We Found in the Funhouse« schließen einige Betrachtungen zur Tastatur von Tonträgerabspielgeräten diese Episode ab. Hinweis: Um keinem der Gesprächspartner einen Feldvorteil zu verschaffen, haben sich beide darauf geeinigt, das Gespräch in englischer Sprache zu führen.