Podcast appearances and mentions of jon rafman

Full episode released to subscribers: 20 Jun 2024 | Subscribe --> https://newmodels.io _ Hallucinating Sense in the Era of Infinity Content Written & read by Caroline Busta Document Journal SS24 https://www.documentjournal.com/2024/05/technical-images-film01-angelicism-art-showtime-true-detective-shein/ What if, in a time of infinity content, a meta-reading of the shape and feel of content has become a survival skill? What if we thought about generative AI more as an expression of an epochal shift in human communication than a root cause? More than transmitting specific information, “content”—whether a mukbang video or this 3600 word essay—is now foremost a conductor of “vibes.” "Hallucinating Sense in the Era of Infinity Content" was written in early 2024 by Caroline Busta for Document Journal SS 2024. Editors: Drew Zeiba & Camille Sojit Pechat  Audio production: Lil Internet In the training data: Vilém Flusser, Kevin Munger, K Allado McDowell, Holly Herndon & Mat Dryhurst, Jon Rafman, Dean Kissick, Theo Anthony, Lola Jusidman, Film01, Bernard Stiegler, Olivia Kan-Sperling, Chris Blohm, Niklas Bildstein Zaar, Andreas Grill, Anna Uddenberg, Simon Denny, Trevor Paglen, Joshua Citarella, Jak Ritger, Hari Kunzru, Loretta Fahrenholz, Dorian Electra, Michael Franz, Kolja Reichart, Shein, Lil Internet & the NM Discord.

Full Ep released to subscribers: 30 Nov 2024 | newmodels.io || NYC filmmaker-actor-sibling-duo Betsey Brown and Peter Vack join NM to reflect on the making and reception of their own and each other's films, Actors (Brown, 2021) and www.RachelOrmont.com (Vack, 2024). Deliberately tuned to the affective frequency of the internet (desire, desperation, outrage), both works proceeded to inflame online channels to the point of being overshadowed by controversy—at least initially. With a little distance, we approach the films on their own terms: contemporary explorations of the psychoanalytic depths of self, society, and platform in a cyber-networked present. Watch: www.actors.movie & www.RachelOrmont.com
 Read: Peter Vack, Sillyboy https://www.amazon.com/gp/aw/d/B0D46C346T/ref=tmm_pap_swatch_0 IG: @me_betseybrown/ & @themasterofcum Episode image: adapted from Jon Rafman's 2024 series of Peter and Betsey for Sex magazine #14

Ana Teixeira Pinto, Elena Esposito, Jon Rafman, Julie Favreau, Elaine G. Goldberg, Marie-France Rafael. Andy Scholz präsentiert in dieser Episode Ton-Mitschnitte aus drei Vorträgen vom zweiten Symposiumtag »ON REALITY« im Rahmen der Biennale for visual and sonic media - düsseldorfphotoplus. Kleiner Hinweis: Es ist nicht möglich, die gesamten Vorträge und ihren detaillierten Inhalt hier im Podcast wiederzugeben, ohne die Bilder – ohne die Vortragsfolien – zu zeigen. Darum sind hier lediglich kurze Ton-Mitschnitte präsentiert. Mehr infos zur Biennale for Visual and sonic media düsseldorfphotoplus unter: https://www.duesseldorfphotoplus.de https://www.instagram.com/duesseldorfphotoplus/ Konzipiert haben das Symposium Pola Sieverding und Asya Yaghmurian https://www.instagram.com/polasieverding/ https://artmap.com/polasieverding https://www.instagram.com/asya_yaghmurian/ Folgende Gäste des zweiten Symposiumstages sind in dieser Episode vorgekommen: Ana Teixeira Pinto, Elena Esposito, Jon Rafman, Julie Favreau, Elaine G. Goldberg, Marie-France Rafael. https://www.instagram.com/explore/tags/elenaesposito https://www.instagram.com/julie_favreau https://www.instagram.com/elainegwendolin https://www.instagram.com/mariefrafael https://www.instagram.com/jonrafman https://www.instagram.com/ronjafman https://www.instagram.com/explore/tags/anateixeirapinto/ ​- - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: düsseldorfphotoplus Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2024. Andy Scholz wurde 1971 in Varel. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie seit 2016 künstlerischer Leiter und Kurator vom INTERNATIONALEN FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum, seit 2022 auch an der Pädagogischen Hochschule Ludwigsburg. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ https://www.instagram.com/festivalfotografischerbilder/ https://deutscherfotobuchpreis.de/ https://www.instagram.com/deutscher_fotobuchpreis/ http://andyscholz.com/ https://www.instagram.com/scholzandy/

Zum dritten Mal findet die «Biennale for Visual and Sonic Media. düsseldorf photo+« vom 17. Mai bis 14. Juli 2024 in Düsseldorf statt. Insgesamt präsentiert das Festival etwa 300 Künstler*innen und Beitragende in über 50 Ausstellungen und Veranstaltungen – in Museen, Sammlungen, Galerien, freien Ausstellungsräumen und Hochschulen. Das Symposium unter dem Festival-Leittitel »ON REALITY« findet am 18. und 19. Mai 2024 jeweils von 11 bis 17 Uhr im K21 statt. Künstler­ *innen, Wissenschaftler*innen, Philosoph*innen und Medientheoretiker*innen sind eingeladen zu unter­suchen, auf welche Weise visuelle Medien an unserem Wirklichkeitsverständnis mitwirken. Konzipiert haben das Symposium: Pola Sieverding und Asya Yaghmurian Folgende Gäste werden beim Symposium erwartet: Federico Campagna, Hannah Darabi, Stan Douglas, Elena Esposito, Julie Favreau, Elaine G. Goldberg, Gabrielle Moser, Marie-France Rafael, Jon Rafman, Sim Chi Yin, Ana Teixeira Pinto https://www.duesseldorfphotoplus.de Anmeldung zum Symposium: rsvp@dpplus.de ​- - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Details vom Katalogtitel ON REALITY © 2024 düsseldorf photo+ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2024. Andy Scholz wurde 1971 in Varel. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie seit 2016 künstlerischer Leiter und Kurator vom INTERNATIONALEN FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum, seit 2022 auch an der Pädagogischen Hochschule Ludwigsburg. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ https://www.instagram.com/festivalfotografischerbilder/ https://deutscherfotobuchpreis.de/ https://www.instagram.com/deutscher_fotobuchpreis/ http://andyscholz.com/ https://www.instagram.com/scholzandy/

Il Tamburino di oggi è condotto da Mariasole Garacci.Oggi si parla di antiche magie ed esorcismi pagani, della caduta di Roma quando la capitale dell'Impero fu spostata a Bisanzio; ma anche di arte contemporanea con il Rome Gallery Weekend e le mostre di Alessandro Scarabello da The Gallery Apart e di Jon Rafman da Basement Roma.Sveja è un progetto di comunicazione indipendente sostenuto da Periferia Capitale, il programma per Roma della Fondazione Charlemagne.Seguici e sostienici anche tu su sveja.it 

Full Ep released to subscribers: 08 Mar 2024 | To join New Models, find us via https://patreon.com/newmodels & https://newmodels.substack.com // One of the most compelling examples, so far, of media made using AI content generation is the video that artist Jon Rafman created for Kanye West's new album with Ty Dolla $ign, "Vultures." Rather than aiming for maximum realism in these clips, Rafman leans into visual incoherence, moments where the software experiences a collapse of distinction. This, coupled with prompts that could have gone something like “gang members in balaclavas imploding like the Pruitt-Igoe housing project demolition 1971” with style tags “cult horror, VHS, America 1986, Norwegian black metal” meant the video also conveyed a sense of what we thought might be a Witch House revival. So we called up cultural savant and 2010s historian Dean Kissick to discuss. But Witch House did not remain the central thread of our conversation. Instead, all paths lead back to something more fundamental—the struggle for iconicity in a time of infinitely available content. // For more: https://twitter.com/deankissick (X) // NOTE: Dean will be helping New Models resident Patrick McGraw to stage a very special Heavy Traffic reading at EARTH, 29 Orchard Street, New York City, on Easter Sunday, March 31st.

We're back with another solo pod! In this episode we discuss Josh's first trip to Montreal in 5 years, illegal Airbnb's, Nouveau Palais, Yves Jarvis, Bruno Sports Bar, The Blue Nile, avoiding artist's late period albums, filmmakers getting worse as they get older,  Yo La Tengo, post weed paranoia, Système, Coyote Ugly, Long & Mcquade, Casa del Popolo, May Rio, Montreal crowds, Le Plongeoir, Datcha, Distraction4ever, Drakes d*ck leak, Love Island: All Stars, The Bachelor, All Of Us Strangers, The Grammys, The Juno's, Kanye, Jon Rafman, Mr & Mrs Smith, Homeshake and more! Josh McIntyre Austin Hutchings ----- COLD POD SUPPORT THIS PODCAST https://www.patreon.com/coldpod

We Discuss Dan's poetry and work as editor of No More Poetry, https://www.instagram.com/b_odies/ https://www.instagram.com/no_more_poetry/ Long meandering chat about art, poetry, audience, cinema, TNs (again). Readings from Jessica Rose Pearson's new collection, Yearning at The Opera House We use some cheesy hype-art accounts to springboard into a discussion about: What are the most interesting questions to ask about an artwork? and how do casual audiences versus in-the-know people experience discomfort when seeing art? Etc.. The Part Where We Talked About Bad Art: https://www.instagram.com/sunday.nobody.art/ https://www.instagram.com/k.ahove/  https://www.instagram.com/art21/ https://www.instagram.com/catherineopiestudio/ (but we like Catherine) https://www.instagram.com/gethyndaviesart/ (retirement age joke) https://www.instagram.com/p/CpzgPx4qmHI/ Reference: https://www.instagram.com/jessica.rose.pearson/ Rikrit Tiravanija

First released: 14 Oct 2022 | To join New Models & receive full stream in real time, find us via https://patreon.com/newmodels & https://newmodels.substack.com In Berlin with parallel shows at Galerie Sprüth Magers and Schinkel Pavillon, artist JON RAFMAN joins NM to speak about collective memory, the fractured self, embracing the cringe of new consumer tech, and post-net art's post-lockdown resurgence. For more: jonrafman.com IG: @jonrafman

Dr. Barbara J. Scheuermann (Leiterin der Sammlungen Grafik und Medienkunst und Ausstellungskuratorin am Kunstmuseum Bonn) und Prof. Michael Reisch (Kurator und beteiligter Künstler). Mit Dr. Barbara J. Scheuermann vom Kunstmuseum Bonn sowie mit dem Künstler und Professor Michael Reisch spricht Andy Scholz über die Ausstellung »EXPECT THE UNEXPECTED - Aktuelle Konzepte für Fotografie«, die am 15. Februar 2023 im Bonner Kunstmuseum eröffnet wird – und über fotografiebasierte digitale Kunst. Zitate aus dem Podcast: »Das Unerwartete ist, dass viel auf den ersten oder auch zweiten und dritten Blick für viele unserer Besucher*innen gar nicht Fotografie ist .« Dr. Barbara J. Scheuermann »Unser Publikum kommt in der Ausstellung wahrscheinlich mit den üblichen Erwartungen nicht weiter.« Dr. Barbara J. Scheuermann »Unsere Ausstellung ist eine Riesen-Herausforderung weil die Technik fast immer auch Thema ist.« Dr. Barbara J. Scheuermann »Mich interessiert als Kuratorin immer die zeitgenössische Kunst als Reflexion auf gesellschaftliche Entwicklungen.« Dr. Barbara J. Scheuermann - - - »Frei nach einem Zitat von Prof. Dr. Bernhard Dotzler im Podcast 008, was für mich gut passt: Es geht um fotogenetisch erzeugte Bildobjekte und Bildwelten.« Prof. Michael Reisch »Digitalität wird in der Ausstellung nicht nur thematisiert, sondern auch sichtbar gemacht – und reflektiert sich gleichzeitig selbst.« Prof. Michael Reisch »In der Ausstellung versuchen wir den Begriff Fotografie so weit es geht zu dehnen, auszureizen und dadurch Fragen an das zu stellen, was wir für Fotografie halten oder was Fotografie sein könnte.« Prof. Michael Reisch »Die Parallele vom digitalen Alltag in die Ausstellung ist mir wichtig.« Prof. Michael Reisch »Interessant ist, dass viele der aktuellen Fragen, z.B. in Bezug auf KI, ähnlich schon im 19. Jahrhundert diskutiert wurden. Wer hat denn das Bild gemacht? Die Kamera, die Ingenieurin oder die oder der hinter der Kamera?« Prof. Michael Reisch »Es werden in der Ausstellung Arbeiten zu sehen sein, die mit neuen bildgebenden Verfahren erstellt sind, wie: Photogrammetrie, 3D-Scanning, 3D-Druck, Augmented Reality, CGI, Künstliche Intelligenz, Machine Learning, Text-To-Image-Generatoren.« Prof. Michael Reisch »Wenn man Bilder über Digitalität machen möchte, hat man es mit Sachen zu tun, die man nicht sehen kann. Binärcodes, Tracking Algorithmen, KI bei der Arbeit, usw. sind unsichtbar.« Prof. Michael Reisch »Wenn wir als Künstler*innen auf den gesellschaftspolitischen Wandel und den Wandel unserer Lebensumstände Bezug nehmen, geschieht das mit den Tools, die diesen Wandel mit verursacht haben.« Prof. Michael Reisch - - - Barbara J. Scheuermann https://www.kunstmuseum-bonn.de/de/museum/team-kontakt/ https://de.wikipedia.org/wiki/Barbara_Josepha_Scheuermann - - - Prof. Michael Reisch wurde https://michaelreisch.com/ https://www.alanus.edu/de/hochschule/menschen/detail/michael-reisch http://darktaxa-project.net/about/ - - - EXPECT THE UNEXPECTED 16.02.2023 – 30.04.2023 Eröffnung: Mittwoch, 15.02.2023, 19 Uhr Mit Werken von Banz & Bowinkel, Tim Berresheim, darktaxa-project, Heather Dewey-Hagborg, Philipp Goldbach, Beate Gütschow, Spiros Hadjidjanos, Fabian Hesse & Mitra Wakil, Baron Lanteigne, Oliver Laric, Simon Lehner, Achim Mohné, Susan Morris, Viktoria Pidust, Johannes Post, Jon Rafman, Michael Reisch, Anna Ridler, Adrian Sauer, Tamas Waliczky + Students` Reels https://www.kunstmuseum-bonn.de/de/ausstellungen/expect-the-unexpected/ - - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: (Ausstellung) Baron Lanteigne, (Michael Reisch) privat, (B. J. Scheuermann) Nadine Preiss In unseren Newsletter eintragen und regelmäßig gut informiert sein über das Festival, den deutschen Fotobuchpreis und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/

‘In Plain Sight' at Wellcome Collection explores the different ways we see and are seen by others. Questioning the central place that sight holds in human society through the different experiences of sighted, partially sighted and blind people.  ‘In Plain Sight' unfolds across four themes: symbolism of the eye, bias in visual perception, eyewear and identity, and the interconnection between senses. It examines the tools that shape how we view the world through historical and contemporary artworks and objects, including examples of eyewear from the 1600s to the present day, and scientific and medical items investigating visual perception.   The exhibition brings together new commissions from artists Emilie Gossiaux, Nina Manandhar and Alexandra Zsigmond, as well works by Jo Bannon, Hassan Hajaj, Carmen Papalia, Jon Rafman, Seana Gavin and Phillip Warnell. It also presents the collaborative practice, Keiken (Hana Omori, Isabel Ramos and Tanya Cruz) and another collaboration by Georgina Kleege, Fayen d'Evie, Katy West, convened by Whitney Mashburn and Carmen Papalia. RNIB Connect Radio's Toby Davey recently visited ‘In Plain Sight' at Wellcome Collection and chatted with Laurie Britton Newell one of the Co-Curators of the exhibition. Laurie and Toby first chatted about the starting point for ‘In Plain Sight' and the main aims of the exhibition as well as talking about some of the commissioned art work by blind and partially sighted artists that feature in the exhibition, and how Laurie and Wellcome Collection worked with a number of groups of blind and partially sighted people on the accessibility of ‘In Plain Sight', including a tactile path that takes visitors through all the exhibition rooms. ‘In Plain Sight' continues at Wellcome Collection until 12 February 203 and more about the exhibition including details about the recorded guide with audio description, dates of the lights up events and more can be found by visiting the Wellcome Collection website- https://wellcomecollection.org/exhibitions/Yv95yBAAAILuCNv6 Image shows a scene from the collection: A man interacting with one of Aaron McPeake's sculptures (a bronze cast of an eye chart which can be struck to make a resonant sound) alongside a Snellen eye chart which is backlit.

WWW.PATREON.COM/THEIONPACK - FOR THE SPECIAL FILM!

Welcome to Wet Brain Winter. It was dark in the studio, only a candle and two brilliant like luminous guests returning to radio waves after some time away, OG Wet Brain episode 0.0 guest Jon Rafman and Dianna FKA Christlover2000, two legends straight up. We go laughter and prayer mode, play Minecraft, talk opera, love, loss, forgiveness, faith…light a candle it's not larp it's literally life it's all so painfully truly beautifully real. Thank you God!

❤❤ Go viral with rapper Babyxsosa ❤☏❤ A hello to Gio live from Milan ❤☏❤ Rafman returns with another dream ❤☏❤ Zans and Walter finally make peace ❤☏❤Mitch gets Honorpilled❤☏❤ ❤❤intro music by Mut❤❤ patreon.com/wetbrain

Drei Frauen werfen dem kanadischen Künstler auf der Instagram-Seite @surviving_the_artworld vor, sie emotional und sexuell missbraucht zu haben. Sie fordern, dass seine Kunst nicht mehr gezeigt werden soll. Rafman selbst sagt, es tue im Leid, dass sich die Frauen verletzte fühlen. Illegale Handlungen gab es aber nicht. Elke Buhr, Chefredakteurin vom Monopol Magazin ordnet die Debatte im Gespräch ein. Moderation: Anja Bolle detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt

Pamela Nogales, Sophia Freeman and Laurie Rojas discuss the call to cancel artist, Jon Rafman, and the revenge campaign led by the @surviving_the_artworld instagram account and break down the anti-sex and anti-art impulses of the culture industry. Pamela & Sophia sit down with Platypus members, Ethan Kaimana (U. Penn) and Will Lushbaugh (San Francisco State), two organizers behind the recent panel, "Police Brutality and the Left," with speakers Andrea Pritchett (Berkeley Copwatch), Conrad Cartmell (Democratic Socialists of America), Larry Holmes (Workers World Party) and Gerald Smith (a former member of the Black Panther Party and the Spartacist League and current member of the Oscar Grant committee). We listen to clips from the panel recording and give our impression of the conversation. In the last segment Pamela & Sophia talk with Joshua Citarella, an artist and cultural thinker whose books, Politigram & the Post-left (2018) and his most recent book, 20 Interviews (2020) offer an in-depth survey of young political spaces online, including interviews with Zoomers that provide and insight into the trajectory of their political education. We sit down with Joshua to discuss what motivates his work and his critique of the millennial generation. Links: (1) Police Brutality and the Left, a panel discussion by the Platypus Affiliated Society https://youtu.be/jwf1_df6FiA In the wake of the killing of George Floyd by police, against the backdrop of the covid shutdown, protests have erupted in every state across America raising the issue of police brutality. The relationship of the Left to these protests, however, has been unclear. Following disappointment with the Bernie Sanders campaign and the nomination of Joe Biden, the Left has sought to politicize the protests and police brutality in different ways. How can the Left address police brutality today? How has it sought to do so in the past? What is the role of the Left in the current moment? (2) Joshua Citarella Find 20 Interviews: https://www.patreon.com/joshuacitarella - https://newmodels.io/proprietary/irony-politics-gen-z-2019-citarella - https://podcasts.apple.com/us/podcast/joshua-citarella/id1513817688?i=1000486940573

The ladies discuss the Harper's Letter and its discontents, the Instagram bid to cancel Jon Rafman and the new culture war no one knew was a thing: public sex. Suggested reading below. Ana Valens, Public sex is at the center of a queer culture war 

The third episode of quarantine recommendations, this time brought to you via UbuWeb, a large web-based educational resource for avant-garde material available on the internet. Films by Gillian Wearing, Kerry Tribe, Jon Rafman and Ceal Floyer. Gillian Wearing - 2 into 1 http://www.ubu.com/film/wearing_confess.html Kerry Tribe - Critical Mass http://www.ubu.com/film/tribe_critical.html Jon Rafman - A Man Digging http://www.ubu.com/film/rafman_digging.html Ceal Floyer - Plughole http://www.ubu.com/film/floyer_plughole.html Ceal Floyer - Drop http://www.ubu.com/film/floyer_drop.html

This week we discuss more quarantine recommendations for inside viewing. We talk Simon Dybbroe Møller's new series on Dis, Randa Maroufi 2015 film Le ParK, Jon Rafman's Google Street View project 9 Eyes, Building the Earth in Minecraft at a 1:1 scale, Lenny Maughan's GPS drawings, a museum made for gerbils, and a podcast double bill of a history of the world in 100 objects and Everything is Alive. Very boring FB group - broken biscuit graph https://www.facebook.com/groups/boremetotears/permalink/1305458179663589/ Simon Dybbroe Møller - Everyone is a Worker https://dis.art/ Richard Scarry - What Do People Do All Day? https://www.youtube.com/watch?v=yTjwiloPRg0 The Working Class Goes to Heaven https://www.imdb.com/title/tt0066919 Randa Maroufi - Le ParK https://vimeo.com/404745025 Exploring With Josh https://www.youtube.com/channel/UCNYsIqBwQyhnNDVf7SXJV9w 9 Eyes https://9-eyes.com/ The Earth in Minecraft, 1:1 scale https://www.youtube.com/watch?v=8_bW3ab8YAk Lenny Maughan https://www.instagram.com/lennymaughan/?hl=en Gerbil Museum https://www.youtube.com/watch?v=O2PW-rJF7c4&feature=emb_title Pandoro and Tiramisù's Instagram https://www.instagram.com/pandoro_tiramisu_gerbils/ A History of the World in 100 Objects https://www.bbc.co.uk/programmes/b00nrtd2/episodes/downloads Everything is Alive https://www.everythingisalive.com/

Bio: Adrienne Crossman is an artist, curator and educator, currently pursuing her MFA at the University of Windsor. In her art practice Adrienne explores queerness, cultural memory, childhood objects, internet marginalia and digital aesthetic in physical spaces. Her curatorial and educational practices are oriented toward community building and accessibility in the digital arts. Recording Notes: This interview was recorded at the kitchen table in my home. In her earlier work Adrienne used glitch and datamoshing techniques as part of her video making. I have experimented with a glitch / data-mosh aesthetic in producing this episodes sound design. Adrienne wanted to share a note about this recording: in referencing Daniele Dennis, she suggested the artist had used sand or sugar in her performance. In fact, the performance made use of rice, which, Adrienne indicate, is significant to the performance. Links: Artist: Artist's Website: http://www.adriennecrossman.com/ Instagram: https://www.instagram.com/fakechildhood/ 100% Real: https://www.youtube.com/watch?v=TOteOKVOklc References: Xpace: http://www.xpace.info/ Canadian Lesbian and gay Archives: http://clga.ca/ Rebecca Finn: http://www.rebeccafin.com/ Jennifer Chan (the recursive): http://jennifer-chan.com/ HM paying students in sweatshop clothing: https://mcfcrandall.blog/2015/08/13/art-and-fashion-on-dundas/ Felix Kalmenson: https://www.felixkalmenson.com/ Younger Than Beyonce: https://www.felixkalmenson.com/ 8eleven: http://8eleven.org/ Y Plus Contemporary: http://ypluscontemporary.com/ Mercer Union: http://www.mercerunion.org/ Daniele Dennis: http://www.danieledennis.com/ Jon Rafman: http://jonrafman.com/ Brad Troemel: http://main.bradtroemel.com/

Each year 30,000 visitors arrive in Miami for the Art Basel fair. Many are art dealers and art collectors looking to buy or build relationships. But Art Basel in Miami Beach is also the art market's trade convention or annual Christmas party, take your pick. In this podcast, we speak to 8 different attendees about why they come to Art Basel and what they do at the fair. You'll hear from auction house professionals and appraisers, art lawyers and magazine publishers, the creator of Artsy's activation and a museum director. Featured in this podcast are: Kenny Schachter: perhaps the only serious collector, dealer and advisor who also writes extensively about the art market. Schachter details his strategy for obsessively extracting every relevant piece of information out of the fair. Elena Soboleva: Elena leads special projects at Artsy and details the year-long planning and execution of Artsy's signature event, this year an immersive experience of VR and music at the Faena Art Time Capsule Geodesic Dome featuring site-specific works by Rachel Rossin, Jon Rafman and Jacolby Satterwhite. Jonathan Binstock: The director of Rochester, NY's Memorial Art Gallery details his trip to the fair with members of his board. He explains how museum groups interact with the fair, the dealers and the subtle negotiations between supporting collectors and furthering the goals of the museum. Naomi Baigell: Athena Art Finance's head of marketing talks about the fair as a community of like-minded art market professionals who mix the demands of work with a common experience of a career in the art market. Judd Grossman: The principal of Grossman LLP explains why he's on hand at the art fair to help his clients with the inevitable last-minute legal problems that arise between the myriad of participants in the art market. Mari-Claudia Jimenez: Sotheby's head of Trusts & Estates explains why she arrives earlier and earlier each year to Art Basel in Miami Beach and it matters that art professionals attend. Kimball Higgs: Winston Art Group's Contemporary art appraiser and advisor talks about his strategy for tackling the fair. Laurent Moïsi: The publisher of Whitewall magazine talks about how Art Basel in Miami Beach has shifted from parties to content as he arranges the distribution of 60,000 magazines to hotel rooms in the days before the fair opens and organizes the Lexus Art Series at the Faena hotel.

On this week's episode: 0:00 About our new (lack of) home 6:03 Pete likes Instapaper 12:20 Pete bought a car 19:19 Bill likes Korean BBQ 23:28 On selecting ethnic restaurants 30:07 Pete and Bill like salt 33:02 Pete likes Jon Rafman's 9 Eyes 35:07 Animals: Hive mind, or no 42:28 Bill likes the Mcelroy Brothers 46:39 Pete likes Merlin Mann 55:27 Bill likes Twitter

Atsuko Kawashima of Hunter College and David Ropeik, author of “How Risky Is It, Really?” on the earthquake. Plus: City Council Speaker Christine Quinn, and artist Jon Rafman on his project "The Nine Eyes of Google Street View."