Podcast appearances and mentions of John Crowley

John Crowley

The Irish novelist has always been open to where life can unexpectedly take him, and the excitement that comes with that kind of freedom.Colm Toibin's first big move was from rural Ireland to Dublin after his father died when he was young. Then, it was off to experience the wild hedonism and sexual liberation of post-Franco Spain, a pleasant shock after needing a prescription to buy condoms in Ireland.Since then, he's journeyed to Sudan, Los Angeles, New York and beyond.Wherever Colm goes, he keeps a running list in his head of tiny details — observations of seemingly mundane encounters, an offhand comment or the cut of a lady's suit on a train.Every now and then, these details bubble up in Colm's memory and another of his well-loved novels, like Brooklyn, Nora Webster or The Master, is born.This episode was produced by Meggie Morris. Conversations Executive Producer is Nicola Harrison. Presented by Sarah Kanowski.It explores film adaptations, death of a parent, grief, Ireland, homophobia, growing up gay, Catholicism, epic adventure, John Crowley, Nick Hornby, Saoirse Ronan, Domhnall Gleeson, Julie Walters, Dublin, immigrant experience, the Irish immigrant experience, family separation, origin stories, falling in love, books, writers, novels, life-story, family dynamics, reflection, loss, funny, comedy, repression, orgies, condom prescriptions, journalism, foreign correspondents.Colm's latest novel Long Island is published by Pan MacMillan.He was in Australia as a guest of the Wheeler Centre, RMIT, Melbourne Writers Festival and Sydney Writers Festival.

Recorded at SCBio's 2025 annual conference, hosts Heather and Matthew welcome keynote speaker John Crowley, President and CEO of the Biotechnology Innovation Organization (BIO), the world's leading advocacy group for the life sciences industry. In this inspiring episode, John shares his personal journey in biotech, including his fight to improve his children's lives after a rare disease diagnosis that inspired a major film, and offers insight into what lies ahead for the industry. Tune in to hear how his story and lifelong work are transforming lives and advancing science.

“If we're not in community with other people, it's much easier to throw rocks at each other.” - John Crowley, Aqus Community Foundation.Perhaps you've had the opportunity to travel to England or Ireland and experienced it first hand. You step inside a darkly lit room, hard wood paneling defines the space. You step up to the bar, littered with glasses, beer taps and warm bodies waiting to be served. The walls are filled with dozens of yellowing photographs, framed football kits and requisite Guinness signs. Around you, a couple dozen unfamiliar friendly faces, but. strangers, the saying goes, are just friends you haven't met yet. The match is on, conversation reverberates in the air, and before you know it, people start singing. “I worked in my father's pub when I was a kid, “ says John Crowley, a native of Dublin, Ireland. “I really fell in love with it —with the community aspect of it, and I missed it when I got here.” When he emigrated to the United States, it was one of the things he longed for, but no matter where he looked, he couldn't seem to find. Sure, there were great bars and restaurants —he was in the San Francisco Bay Area after all, but he couldn't find the sense of community reminiscent of his formative years. Twenty five years ago, Crowley read Bowling Alone, and it changed his life. The book was about the power of social connection, asking the question, Where is our social capital? Where are the networks in community that bind it together and make is stronger? Unable to find it in his new home, he went about trying to create it. He invited people to join him in conversation at a local restaurant. The topic? What was the last postcard you received? That night, he waited to see what would happen. A couple of new acquaintances arrived. As they sat and chatted, a few others joined. And then a few more.  A social quorum emerged., and as they sat and chatted, the threads of community began to emerge. The rest, as they say, is history.From the seeds of those early conversations, to a lifetime of dedication to building social connection, John Crowley has dedicated his life to expanding social capital. Along with British American business partner Lesley McCullaugh, he is the the owner of Aqus Cafe and founder of Aqus Community Foundation, a nonprofit focused on building a community connection that provides a sense of belonging and encourages people to invest in where they live.You can learn more about John Crowley and Aqus Community Foundation here.Do you know someone who has a story to tell? Someone who is giving back to their community? Working to make our world a better place? Send an email to suzanne@suzannemaggio.com. Nominate them for a future episode of From Sparks to Light.To learn more about Robert Maggio, the composer of "Where Love is Love," our theme music, please check out his website.To learn more about Suzanne, visit her website. To learn more about the inspiration for this podcast, please check out Suzanne's memoir, Estrellas - Moments of Illumination Along El Camino de SantiagoFollow Suzanne on Social Media Instagram @suzannemaggio_author Facebook @ Suzanne Maggio author Threads @suzannemaggio_author

John Crowley's Little, Big is, at once, a family saga, a fairy tale, an occult thriller, an idyll, a dystopia, as well as a meditation on myth and history, the real and the fantasy, memory and imagination. Little, Big is also a book that JF and Phil have been planning to discuss for as long as Weird Studies has existed. In this episode, they are joined by writer and scholar Erik Davis to explore the enduring charms and mysteries of one of the greatest—and most underrated—American novels of the late twentieth century. Order Christian Bunyan's Weird Studies poster here (https://www.christianbunyan.com/Weird-Studies). Visit Weirdosphere (http://www.weirdosphere.org) for more details on Erik Davis's ongoing course, The Three Stigmata of Philip K. Dick. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES John Crowley, Little, Big (https://bookshop.org/a/18799/9780061120053) Roald Dahl, Charlie and the Chocolate Factory (https://bookshop.org/a/18799/9780142410318) Thomas Mann, The Magic Mountain (https://bookshop.org/a/18799/9781774640449) Eric Davis, interview with Neil Gaiman and Rachel Pollack (https://techgnosis.com/the-gods-of-the-funny-books/) David Lynch (dir.), Lost Highway (https://www.imdb.com/title/tt0116922/) America, “The Last Unicorn” (https://www.youtube.com/watch?v=51Ez6ZVz68c&ab_channel=America-Topic) John Cooper Powys, [A Glastonbury Romance](https://www.goodreads.com/book/show/959613.AGlastonburyRomance) J. R. R. Tolkein, The Lord of the Rings (https://bookshop.org/a/18799/9780547951942) Patrick Harpur, Daimonic Reality (https://bookshop.org/a/18799/9780937663615) Lord Dunsany, (https://en.wikipedia.org/wiki/Lord_Dunsany) Irish novelist Special Guest: Erik Davis.

On this week's episode, Eric Schmidt, Sam Fazeli and Yaron Werber are joined by Biotechnology Innovation Organization's (BIO) John Crowley where they discuss biotech policy shifts, regulatory updates, obesity clinical trials and deal flow. The conversation begins with a focus on the obesity landscape including Novo Nordisk's CagriSema data, Roche's partnership with Zealand Pharma and Viking Therapeutics manufacturing agreements, signaling continued investment in the field. John Crowley then leads a conversation on policy and regulatory developments, sharing optimism about a more favorable U.S. policy environment for biotech. He highlights key priorities such as FDA modernization, PBM reforms and domestic manufacturing incentives. Crowley also notes bipartisan recognition of biotech as a strategic asset, though concerns persist around anti-science rhetoric, vaccine skepticism and regulatory challenges. Despite ongoing uncertainty, he sees more opportunities than threats for the industry. On the deal-making front, small-cap oncology acquisitions continue, with Sun Pharma acquiring Checkpoint Therapeutics and BMS consolidating its stake in 2seventy Bio. The discussion also covers biotech pipeline updates, including BioNTech's disappointing revenue guidance and Legend Bio's expansion of its CAR-T therapy manufacturing capacity. The episode concludes with insights into the broader biotech market, highlighting the impact of regulatory shifts, M&A activity and clinical trial data. While challenges remain, companies prioritizing innovation and execution continue to be well-positioned for long-term success. This episode aired on March 14, 2025.

BIO is engaging with President Donald Trump to protect and improve FDA. It's also hoping biopharmas can dodge tariffs and find paths to modify the Inflation Reduction Act and reinstate pediatric priority review vouchers. On the latest BioCentury This Week podcast, Washington Editor Steve Usdin delivers takeaways from his conversation with John Crowley, CEO of the industry trade group.BioCentury's editors also discuss how autoimmune CAR T companies are competing for resources and the end-to-end radiopharma ambitions of Telix Pharmaceuticals. A 2023 landscape on the radiopharma space can be found here.View full story: https://www.biocentury.com/article/65537000:00 - Introduction02:09 - BIO's Trump 2.0 Plan14:00 - Autoimmune CAR Ts21:05 - Telix's Radiopharma PlayTo submit a question to BioCentury's editors, email the BioCentury This Week team at podcasts@biocentury.com.Reach us by sending a text

This week on the Tillage Edge, we catch up with John Crowley, a Signpost tillage farmer from Wexford, to discuss his farming system.  Located in the heart of malting barley country, John is dedicated to producing high-spec malting barley each year.  Despite transitioning to a min-till establishment system and incorporating organic manures, he has successfully maintained the quality and consistency of his crop.  Tune in as we explore how these changes have impacted his farm and his approach to sustainable tillage. For more episodes and information from the Tillage Edge podcast go to:https://www.teagasc.ie/crops/crops/the-tillage-edge-podcast/ Produced on behalf of Teagasc by LastCastMedia.com 

Parliamo di due uscite al cinema di questi giorni: il film di Hong Sang-soo vincitore dell'orso d'argento a Berlino 2024 con Isabelle Huppert e We Live in Time con Florence Pugh e Andrew Garfield.Con noi Giampiero Raganelli (Quinlan), e Maria Sole Colombo (FilmTv, programmer per il Trento Film Festival, archivista digitale per la Cineteca Nazionale del Lussemburgo).Argomenti:00:00 "Una Viaggiatrice a Seoul" (Hong Sang-soo, 2024)27:09 "We Live in Time" (John Crowley, 2024)Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariSpotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cwApple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw==Logo creato da:Massimo ValentiSigla e post-produzione a cura di:Alessandro Valenti / Simone MalaspinaPer il jingle della sigla si ringraziano:Alessandro Corti e Gianluca NardoPer la gestione dei canali social si ringrazia:Selene Grifò

John Crowley is on the Directors UK Podcast speaking to Anna Bogutskaya on what went into directing We Live In Time. John shares his experience in the edit, his approach to rehearsals, as well as what challenges come from working on a non-linear story.

L’INTERVISTA"Diva Futura", diretto da Giulia Louise Steigerwalt, con Pietro Castellitto e Barbara Ronchi, ospite de La Rosa PurpureaIN SALA"We live in time", diretto da John Crowley, con Florence Pugh e Andrew Garfield"The brutalist", diretto da Brady Corbet, con Adrien Brody"Nina e il segreto del riccio", di Alain Gagnol e Jean-Loup Felicioli"Vampira umanista cerca suicida consenziente” diretto da Ariane Louis-Seize, con Sara Montpetit e Felix-Antoine Benard

We Live in time by John Crowley with Florence Pugh and Andrew Garfield is finally coming out in Italian cinemas The post “We Live in Time”, interview with director John Crowley appeared first on Fred Film Radio.

Back in Action Fifteen years after vanishing from the CIA to start a family, elite spies Matt and Emily jump back into the world of espionage when their cover is blown (Netflix). We Live in Time Almut and Tobias are brought together in a surprise encounter that changes their lives. Through snapshots of their life together —falling for each other, building a home, becoming a family— a difficult truth is revealed that rocks its foundation. As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken, in filmmaker John Crowley's decade-spanning, deeply moving romance (in cinemas). LISTEN ABOVE See omnystudio.com/listener for privacy information.

The latest release from award winning Irish film and theatre director John Crowley is called ‘We Live in Time', starring Florence Pugh and Andrew Garfield, which is in cinemas now.... LEARN MORE The post Out Takes Extra: John Crowley for ‘We Live in Time' appeared first on Out Takes.

Andrew F Peirce and Nadine Whitney delve into the darkness of Robert Eggers latest horror Nosferatu, before diving onto the dance floor with Michael Gracey's Better Man. Time gets out of order with John Crowley's latest weepy, We Live in Time, followed by a soapbox chat about the AACTA award nominated adaptation of Paul Kelly's iconic song, How to Make Gravy.Listen to Andrew's interview with John Crowley here.Film recommendations this week include the superb documentary I Used to Be Normal: A Boyband Fangirl Story (watch on DocPlay now) and The Mad Women's Ball (on Amazon Prime).Clips featured in this episode include:Nosferatu Once Upon a Time theme | Emma Corrin supporting Babyratu | Florence Pugh and Andrew Garfield making Slime Pies | How to Make Gravy trailer | I Used to Be Normal: A Boyband Fangirl Story trailer | The Mad Women's Ball trailer | Grimelda (fka the Faps) We Make Our Own GravyFollow the Curb on Bluesky, Instagram, and Facebook and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

Andrew F Peirce and Nadine Whitney delve into the darkness of Robert Eggers latest horror Nosferatu, before diving onto the dance floor with Michael Gracey's Better Man. Time gets out of order with John Crowley's latest weepy, We Live in Time, followed by a soapbox chat about the AACTA award nominated adaptation of Paul Kelly's iconic song, How to Make Gravy.Listen to Andrew's interview with John Crowley here.Film recommendations this week include the superb documentary I Used to Be Normal: A Boyband Fangirl Story (watch on DocPlay now) and The Mad Women's Ball (on Amazon Prime).Clips featured in this episode include:Nosferatu Once Upon a Time theme | Emma Corrin supporting Babyratu | Florence Pugh and Andrew Garfield making Slime Pies | How to Make Gravy trailer | I Used to Be Normal: A Boyband Fangirl Story trailer | The Mad Women's Ball trailer | Grimelda (fka the Faps) We Make Our Own GravyFollow the Curb on Bluesky, Instagram, and Facebook and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

We Live in Time is a 2024 romantic comedy-drama film directed by John Crowley and written by Nick Payne. It follows the relationship of a couple (Andrew Garfield and Florence Pugh) over the course of a decade. The film uses nonlinear narrative. The film premiered at the Toronto International Film Festival on 6 September 2024. It was released in the United States on 11 October 2024 by A24 and on 1 January 2025 by StudioCanal in the United Kingdom. It has grossed $32 million worldwide.

This week, we kick off 2025 by succumbing to the darkness with Robert Eggers's NOSFERATU (05:21). Plus, we stock up on tissues and Jaffa Cakes for John Crowley's WE LIVE IN TIME (27:04), and chat RaMell Ross's daring adaptation of the Colson Whitehead novel, NICKEL BOYS (38:33).  And, in our HOT TAKE (51:51), we look forward to our most anticipated releases of 2025.  If you would like to donate directly towards humanitarian aid in Gaza please visit https://www.map.org.uk/https://www.safebowgazanaid.com/take-action-now Join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannainesflint Music by ⁠The Last Skeptik⁠ If you like the show do subscribe, leave a review and rate us too!

Our latest guests in yet another bonus episode of Soundtracking are director John Crowley, writer Nick Payne and leading lady Florence Pugh, who joined Edith for a special Q&A to discuss their new film, We Live In Time, which is on general release now. In a beautiful, funny meditation on life, death, relationships and parenthood - among many other universal themes - Florence stars alongside Andrew Garfield as we follow a relationship over the course of a decade in non-linear fashion.

Co-hosts Mike O'Donnell and Bethany Abele welcomed to the podcast special guest John Crowley, New Jersey State Counsel for Stewart Title Guaranty Company.  Among other things, John tracks legislative developments and case law affecting the title arena for Stewart Title, acting as liaison between all business units. He is also head of Stewart Title's CLE programming. John provided several nuggets of advice for title agents and potential insureds, including: Involve underwriting counsel early and often, as document review can take time depending on the transaction's complexity. Include all related files and documents to underwriting counsel and advise as to what the potential issue/concern is. Be flexible with expectations and open to compromise. He also identified some of the key challenges for underwriters, and New Jersey specific challenges, including (i) tax sale foreclosure issues, which have been nationally impacted by the Hennepin case and  in New Jersey the Roberto case, both of which dictate how tax sale foreclosures are handled; (ii) New Jersey Tidelands issues; (iii) foreclosure and bankruptcy proceedings; (iv) complex corporate structures, and the underwriting complexities that may result when foreign entities are involved; and (v) various types of fraud. John shared some interesting war stories, including attempts by “train pirates” to gum up big development deals by claiming abandoned railroads are not actually abandoned, seeking payoffs to go away. John is also President of the New Jersey Land Title Association, and explained the role of the New Jersey Title Insurance Rating Bureau, setting rates for title insurance and creating approved forms for transactions. The Association works to protect and advance the multi-billion dollar title industry in New Jersey by monitoring cases and legislation that could impact the industry, working with bill sponsors, lobbyists and county clerks' offices. Mike then interviewed Riker Danzig associate Kori Pruett about a recent case in the Southern District of Florida, where two land parcels were fraudulently transferred by three unidentified individuals.  In Tek Grubu Gayrimenkul Franchising Pazarlama ic ve dis Ticaret Anonim Sirketi v. Coretitle LLC, No. 1:23-cv-21026-LEIBOWITZ/LOUIS, 2024 U.S. Dist. LEXIS 181682, at *11 (S.D. Fla. Oct. 3, 2024), Coretitle served as the agent, and was sued for negligence.  In the case, the Court looked closely at procedural posture and admonished both parties for failing to adhere to local rules. Key takeaways from this case are: The court emphasized the importance of compliance with local procedural rules, as failure to do so limited the court's ability to assess the facts. Parties moving for summary judgment bear the burden of demonstrating that no genuine issue of material fact exists. In this case, both parties failed to meet this standard due to insufficient evidence and unclear legal arguments. A lack of record evidence and case law to support arguments can result in denial of motions. Properly identifying standards of care and citing relevant law are critical in disputes involving professional duties. This case underscores the need for practitioners to present clear, comprehensive arguments that incorporate relevant legal standards and factual details to enable effective judicial review.

For this chat, Andrew catches up with Irish director John Crowley to discuss his latest drama, We Live in Time. We Live in Time is an utterly brilliant drama the follows the lives of Andrew Garfield's Tobias and Florence Pugh's Almut in an out of sequence format. We flit from the past, to the present, to the future, with each moment acting as a new memory laid upon the next. This burgeoning relationship emerges into a family which emerges into a drama that will have you reaching for the tissues like no other, all the while it's underpinned by the gentle direction from John Crowley, which supports and gives space for his lead actors to deliver grounded performances.It's that journey towards tenderness and empathy that underpins the following conversation with John Crowley, with Andrew asking about how the relationship of time has impacted John's work. This discussion encourages a reflection of John's previous collaboration with Andrew Garfield on his feature film debut Boy A in 2007, while also asking John to consider what he will take from this film going forward. Andrew also asks how aware John was of Florence's innate cooking skills and how that played into her brilliant turn as Almut. We Live in Time is, like John's Best Picture nominated film Brooklyn, a drama that slowly creeps up on you, and before you know it, you're wiping away tears from your eyes as the lights come up. It's a style of film that we've almost taken for granted now, but there is a genuine skill to bringing this level of weepie to life. See it with someone you love when it opens in Australian cinemas on 16 January 2025.If you want to find out more about the work we do on The Curb, then head over to TheCurb.com.au. We are a completely independent website that lives on the support of listeners and readers just like you. If you can and want to support us, please visit Patreon.com/thecurbau to keep our lights on from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

For this chat, Andrew catches up with Irish director John Crowley to discuss his latest drama, We Live in Time. We Live in Time is an utterly brilliant drama the follows the lives of Andrew Garfield's Tobias and Florence Pugh's Almut in an out of sequence format. We flit from the past, to the present, to the future, with each moment acting as a new memory laid upon the next. This burgeoning relationship emerges into a family which emerges into a drama that will have you reaching for the tissues like no other, all the while it's underpinned by the gentle direction from John Crowley, which supports and gives space for his lead actors to deliver grounded performances.It's that journey towards tenderness and empathy that underpins the following conversation with John Crowley, with Andrew asking about how the relationship of time has impacted John's work. This discussion encourages a reflection of John's previous collaboration with Andrew Garfield on his feature film debut Boy A in 2007, while also asking John to consider what he will take from this film going forward. Andrew also asks how aware John was of Florence's innate cooking skills and how that played into her brilliant turn as Almut. We Live in Time is, like John's Best Picture nominated film Brooklyn, a drama that slowly creeps up on you, and before you know it, you're wiping away tears from your eyes as the lights come up. It's a style of film that we've almost taken for granted now, but there is a genuine skill to bringing this level of weepie to life. See it with someone you love when it opens in Australian cinemas on 16 January 2025.If you want to find out more about the work we do on The Curb, then head over to TheCurb.com.au. We are a completely independent website that lives on the support of listeners and readers just like you. If you can and want to support us, please visit Patreon.com/thecurbau to keep our lights on from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

Lucy Fenwick Elliott talks to director John Crowley about his new film, We Live In Time, starring Florence Pugh and Andrew Garfield. A decade-spanning, deeply moving romance from the director of Brooklyn, We Live In Time follows Almut, an up-and-coming chef, and Tobias, a recent divorcée, who find their lives changed when a surprise encounter brings them together.   As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Thank you for listening to Part 2 of the MK3D show, recorded live at the BFI Southbank on Monday 16 December 2024.In this episode, Mark talks to Andrew Garfield and John Crowley about their new film We Live In Time, and the process that created such a heartfelt and intimate story. Then Mark sits down with Jason Isaacs to talk about acting, awards season and his upcoming film The Salt Path – and they are joined by George Mackay, who worked with Jason on Peter Pan.Please note there's some strong language in this episode that may not be suitable for younger listeners.Thanks to Sanjeev Bhaskar, Neil Brand, George Mackay, Michele Austin, Jason Isaacs, Oli Fyne,and Stephen Hiscock, for coming to play some live music at the end of the show. We can't play the songs for licensing reasons but I bring you The Dodge Brothers' single, It's Christmas, Don't Shoot Santa..Many thanks to the London Philharmonic Orchestra for lending me their double bass. Hosted on Acast. See acast.com/privacy for more information.

Chat with the Cork native, and acclaimed film director (including ‘Intermission' and ‘Brooklyn') about his latest film ‘We Live In Time' starring Andrew Garfield and Florence Pugh

We live in Time - We Live in Time ist ein Liebesdrama von John Crowley. In den Hauptrollen sind Florence Pugh und Andrew Garfield zu sehen. Der Film feierte im September 2024 beim Toronto International Film Festival seine Premiere und kam im Oktober 2024 in die US-Kinos. Kinostart in Deutschland ist der 09. Januar 2025. Dieses romantische Drama aus dem Jahr 2024, mit Andrew Garfield und Florence Pugh in den Hauptrollen, erzählt die Geschichte eines Paares, das sich über einen Zeitraum von zehn Jahren kennenlernt und liebt. Der Film verwendet nicht-lineares Erzählen und zeigt die Herausforderungen und Freuden, die das Paar erlebt, einschließlich einer schweren Krankheit. The Apprentice - The Trump Story: Dieser biografische Film aus dem Jahr 2024, mit Sebastian Stan als Donald Trump und Jeremy Strong als Roy Cohn, spielt in den 1970er und 1980er Jahren. Er zeigt den jungen Trump am Anfang seiner Karriere in der Immobilienbranche und seine Beziehung zu Cohn, der ihn in die Welt der Macht und des Reichtums einführt2. Blitz ist ein Drama von Sir Steve McQueen, das die Geschichte eines neunjährigen Jungen namens George erzählt, der während der Bombenangriffe der deutschen Luftwaffe im Zweiten Weltkrieg von seiner Mutter Rita aufs englische Land geschickt wird, um ihn dort in Sicherheit zu bringen. Trotzig und entschlossen, zu seiner Familie zurückzukehren, macht sich George auf eine gefährliche und abenteuerliche Reise1. Währenddessen sucht seine verzweifelte Mutter nach ihm Außerdem sprechen wir über die wichtigsten Serien Neustarts über die Feiertage und losen den/die Gewinner/in von unserem Gewinnspiel zum 3. Advent aus. WE LIVE IN TIME: Kinostart in Deutschland: 09.01.2025 Laufzeit: 1h 48m FSK 12 Originaltitel: We live in Time Produktion: StudioCanal, Film4, SunnyMarch, Shoebox Films, Canal+, Ciné+ Verleih: StudioCanal Regie: John Crowley Drehbuch: Nick Payne Besetzung: Andrew Garfield, Florence Pugh, Grace Delaney, Lee Braithwaite, Aoife Hinds, Adam James, Douglas Hodge, Amy Morgan We Live in Time ist ein Liebesdrama von John Crowley. In den Hauptrollen sind Florence Pugh und Andrew Garfield zu sehen. Der Film feierte im September 2024 beim Toronto International Film Festival seine Premiere und kam im Oktober 2024 in die US-Kinos. Der Kinostart im Vereinigten Königreich und in Deutschland ist Anfang Januar 2025 geplant. Inhalt: Almut (Florence Pugh) und Tobias (Andrew Garfield) begegnen sich in einem völlig unerwarteten Moment ihres Lebens, der den Auftakt ihrer gemeinsamen Geschichte bildet: der Zauber des Kennenlernens, wie sie eine Familie gründen und als Paar ihre Zukunft planen. Doch ihre Beziehung wird überschattet von einer Nachricht, die beide auf eine harte Probe stellt und sie schlussendlich erkennen lässt, jeden Moment ihrer besonderen Liebe im Hier und Jetzt zu genießen. WE LIVE IN TIME ist ein zutiefst bewegendes Romantik-Drama mit der Oscar-nominierten Florence Pugh ("Dune", "Don¿t Worry Darling") und dem zweimal Oscar-nominierten und BAFTA-preisgekrönten Schauspieler Andrew Garfield ("Tick Tick... Boom!", "The Amazing Spider-Man") in den Hauptrollen. Produktion: Regie führte der Ire John Crowley. Das Drehbuch schrieb Nick Payne. Zur Crowleys früheren Filmen gehören Boy A von 2007, Brooklyn – Eine Liebe zwischen zwei Welten von 2015 und Der Distelfink von 2019. Payne war mehrere Male bei den Laurence Olivier Awards nominiert und zuvor am Drehbuch für die Verfilmung des Romans Vom Ende einer Geschichte bete Timecodes: 00:00:00 Einleitung 00:03:32 We live in Time 00:07:58 Tipps für die nächste Sneak 00:11:31 The Apprentice - The Trump Story 00:19:19 Kinocharts und Neustarts 00:27:22 Beste Filme 2024 00:31:27 Blitz 00:38:57 Schwarz wie Schnee 3: Höhenrausch 00:41:41 Something in the Water 00:44:10 Carry-on 00:45:25 Shrinking 00:52:57 SW: Skeleton Crew Update 00:55:56 Serientipps für die Feiertage 00:58:16 Auslosung Gewinnspiel 01:03:07 Weihnachtswünsche zum Ende

Welcome to Kermode on Film. This episode was recorded live at the BFI Southbank on Monday 16 December 2024.Mark Kermode was joined by Professor Sir Christopher Frayling, to talk about his new book Sergio Leone by Himself, which touches on the life and legacy of one of cinema's most iconic directors. He then talked to Mike Leigh and Michele Austin about Leigh's new film HARD TRUTHS, a powerful film about complicated relationships and the raw emotional terrain of real-life struggles.The second half of the live show will be podcast a week today, when Mark is joined by Andrew Garfield and director John Crowley to discuss their new film WE LIVE IN TIME, followed by a conversation with Jason Isaacs about his upcoming work in THE SALT PATH. acting, awards season, and playing Cary Grant in ARCHIE. Make sure to tune in for Part 2 next week. Thanks for listening, and remember, keep watching the skies! Hosted on Acast. See acast.com/privacy for more information.

Jim from Film Rage joins Nicole and Ryan to talk about John Crowley's 2024 film, We Live in Time. The score is handled by Bryce Dessner (The National, Big Red Machine), and this is Dessner's 2nd score for 2024, the other being for Sing Sing, which was released earlier this year. Dessner's non-traditional score is very front and center in this non-linear romance film.(Pre)Order the soundtrack here:Chapters0:00:000 - 04:22/259 Show / Guest Intro04:22.260 - 12:34.674 Bryce Dessner Bio / Initial Soundtrack Thoughts12:34.675 - 25:59.154 Thoughts on We Live in Time25:59:155 - 38:13:526 Bryce's work with the National vs this score 38:13:527 - 52:20:787 The Film Rage Review of We Live in Time and Critiques52:20:788 - 58:09.034 Needle drops and the soundtrack supervisor58:09.135 - 1:01:50.061 Odds and Ends1:01:50.061 - End: ClosingFor More info about Film Rage:Website: https://www.filmrageyyc.comTwitter: https://twittter.com/filmrageyycInstagram: https://www.instagram.com/filmrageyycPlease support Soundtrack Your Life on Patreon! Receive quarterly bonus episodes and ad-free episode downloads!

On continue de rattraper notre retard dans 24FPS, le podcast ciné avec ou sans spoiler, avec cette fois les films d'octobre 2024. Voici la liste des 14 films abordés sans spoiler par Jérôme et Julien : Terrifier 3 de Damien Leone (à partir de 0:02:39) Lee Miller de Elle Kuras (à partir de 0:19:37) A Different Man de Aaron Schimberg (à partir de 0:37:33) Une Femme En Jeu de Anna Kendrick (à partir de 0:44:31) The Killer de John Woo (à partir de 0:58:35) La Plateforme 2 de Galder Gaztelu-Urrutia (à partir de 1:15:18) Long Distance de Josh Gordon et Will Speck (à partir de 1:21:32) Time Cut de Hannah MacPherson (à partir de 1:32:42) L'Amour Au Présent (We Live In Time) de John Crowley (à partir de 1:39:29) Don't Move de Adam Schindler et Brian Netto (à partir de 1:44:37) The Apprentice de Ali Abbasi (à partir de 1:49:54) Juré n°2 de Clint Eastwood (à partir de 2:37:53) Saturday Night de Jason Reitman (à partir de 3:00:04) Joker - Folie À Deux de Todd Phillips (à partir de 3:11:21) Et Joker - Folie À Deux bénéficie d'une partie avec spoilers après le signal sonore que vous pourrez entendre à partir de 3:56:33 Bonne écoute, et n'hésitez pas à partager votre avis sur la prestation de Sebastian Stan dans le rôle de Donald Trump. Crédits musicaux : That's Life de Frank Sinatra, issu de l'album That's Life (1966), et I'm Your Boogieman de KC And The Sunshine Band, issu de l'album Part 3 (1976) 24FPS est un podcast du label PodShows

Talkin' John Crowley's new film with Andrew Robinson.

Josh is joined by recurring guest Kayla Lichtenstein to talk about "We Live in Time." They discuss if director John Crowley used non-linear storytelling effectively in telling a story about the life of a romance, the performances from Andrew Garfield and Florence Pugh, the film's challenging storytelling choices when it came to dealing with serious illness and much more!

No Cinemático 487, Carlos Merigo, Bia Fiorotto e Sylvia Nazareth debatem "Todo Tempo Que Temos", dirigido por John Crowley.02:50 - Pauta19:50 - Spoilers

One of the great rewards of "weirding" the world is learning that boredom may be a kind of ethical transgression—the world is simply too strange to allow for it, and if you're bored, you're at least partly to blame. Few have put this notion to the test as rigorously as Lionel Snell, whose work as a magician celebrates the wonders of everyday events, from a walk in the park to a moment of car trouble. Unlike the pursuit of the extraordinary that often defines occult practice, Snell's approach reminds us of the magic in the mundane. In this episode, Snell, also known as Ramsey Dukes, shares the insights he's gained over his decades-long career as one of the leading figures in contemporary magical theory and practice. For an exclusive Vimeo link to Aaron Poole's film Dada mentioned in the intro, go to Instagram and send @aaronsghost the direct message "movie link please". REFERENCES Ramsey Dukes, Thundersqueak (https://bookshop.org/a/18799/9780904311129) Weird Studies, Episode 141 on “SSOTBME (https://www.weirdstudies.com/141) Weird Studies, Episode 24 with Lionel Snell (https://www.weirdstudies.com/24) John Crowley, Little, Big (https://bookshop.org/a/18799/9780061120053) Arthur Machen, “A Fragment of Life” (https://gutenberg.net.au/ebooks07/0700361h.html) David Foster Wallace, The Pale King (https://bookshop.org/a/18799/9780316074223) Max Picard, The Flight from God (https://bookshop.org/a/18799/9780316074223) Lionel Snell, My Years of Magical Thinking (https://bookshop.org/a/18799/9780904311242) Robert Anton Wilson, Prometheus Rising (https://bookshop.org/a/18799/9780692710609) Henry Bergson, Matter and Memory (https://bookshop.org/a/18799/9781420937800) Russell's Paradox (https://en.wikipedia.org/wiki/Russell%27s_paradox) Special Guest: Lionel Snell [Ramsey Dukes].

From Citizen Kane to Memento, some of the most compelling stories unfold out of order. John Crowley's new romantic drama, We Live in Time, continues this tradition, and highlights the unique power of non-chronological storytelling. Learn More: https://viewpointsradio.org/culture-crash-the-power-of-non-linear-storytelling Learn more about your ad choices. Visit megaphone.fm/adchoices

MEGA STUFF EPISODE! FOR SURE NOT BECAUSE WE ARE ONCE AGAIN LATE. Join us as we discuss the movies of September and October 2024. SEPTEMBER The Front Room- dir. Max and Sam Eggers; Brandy Norwood, Andrew Burnp, Kathryn Hunter Beetlejuice Beetlejuice- dir. Tim Burton; Michael Keaton, Winona Ryder, Jenna Ortega, Catherine O'Hara, Willem Dafoe, Monica Bellucci, Justin Theroux Speak No Evil- dir. James Watkins; James McAvoy, Mackenzie Davis, Scoot McNairy, Aisling Franciosi, Alix West Lefler, Dan Hough Megalopolis- dir. Francis Ford Coppola; Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia Lebouf, Jon Voight, Laurence Fishburne Will & Harper- dir. Josh Greenbaum; Will Ferrell, Harper Steele Apartment 7A- dir. Natalie Erika James; Julia Garner, Dianne Wiest, Kevin McNally, Jim Sturgess The Substance- dir. Coralie Fargeat; Demi Moore, Margaret Qualley, Dennis Quaid, Edward Hamilton-Clark OCTOBER Salem's Lot- dir. Gary Dauberman; Lewis Pullman, Mackenzie Leigh, Jordan Preston Carter, Alfre Woodard Joker: Folie à Deux- dir. Todd Phillips; Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener, Harry Lawtey, Steve Coogan Red Rooms- dir. Pascal Plante; Juliette Gariépy, Laurie Babin, Élisabeth Locas, Maxwell McCabe-Lokos Saturday Night- dir. Jason Reitman; Gabriel LaBelle, Rachel Sennott, Cooper Hoffman, Dylan O'Brien, Cory Michael Smith, Lamorne Morris V/H/S/ Beyond •Abduction/Adduction- dir. Jay Cheel •Stork- dir. Jordan Downey •Dream Girl- dir. Virat Pal •Live and Let Dive- dir. Justin Martinez •Fur Babies- dir. Christian and Justin Long •Stowaway- dir. Kate Siegel Terrifier 3- dir. Damien Leone;

Romance is back! In this episode, Shelby and Laura review Netflix's hit RomCom show, Nobody Wants This, and A24's buzzy RomDram film, We Live In Time. We analyze all of the insane chemistry onscreen with Adam Brody and Kristen Bell, and offscreen with Andrew Garfield's Chicken Shop Date with Amelia Dimoldenberg. We discuss how both Erin Foster's show and John Crowley's film hit the cultural zeitgeist, analyze the hilarious meet cutes of Joann and Noah and Almut and Tobias, spill the social media discourse on the polarizing Jewish stereotypes in Nobody Wants This, dissect the confusing timelines in We Live In Time, celebrate the mature depictions of love and womanhood, highlight our favorite moments like Morgan and Sasha being "loser siblings" and Tobias teaching Ella how to crack eggs, explain why Florence Pugh looks too young to play a mother, and debate whether or not choosing love despite your family is a green flag. Interested in more Romance movie and TV reviews? Check out our podcast episodes on The Fall Guy, Challengers, Past Lives ft. Toya From Harlem, Zoey 102, And Just Like That... Season 2, and Queen Charlotte: A Bridgerton Story. To stay up to date on all things SWW: Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠Instagram⁠⁠⁠⁠, ⁠⁠⁠⁠TikTok⁠⁠⁠⁠, ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠) Subscribe to our ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ channel Check out our ⁠⁠⁠⁠website⁠⁠⁠⁠ and fill out the contact information form What should we watch next? Email us at ⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ with your suggestions. Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :) --- Support this podcast: https://podcasters.spotify.com/pod/show/sisterswhowatch/support

In this episode, sisters Emily and Olivia dive deep into the film 'We Live in Time,' exploring the intricacies of acting, directing, and the portrayal of modern relationships in film. They discuss the authenticity required in acting, the subversion of traditional gender roles, and the complexities of conversations around parenthood. The sisters also highlight how the film's structure impacts the audience's emotional engagement and the performances of Florence Pugh and Andrew Garfield. Their conversation also touches on the challenges actors face when working with non-chronological scripts and the importance of character perspectives in storytelling. In addition, the sisters reflect on their personal experiences with love and loneliness, the impact of career ambitions on relationships, and the beauty found in life's simplicity. Make sure to grab the tissues! We Live In Time was directed by John  Crowley, starring Florence Pugh and Andrew Garfield and was theatrically released on October 18, 2024. Follow our instagram and jump into the conversation: Instagram: @sistersandthestarsEmail: sistersandthestars@gmail.com

Daniel and Erwin review A24's new relationship drama "We Live in Time" directed by John Crowley and starring Andrew Garfield and Florence Pugh. They talk about the non-linear structure, the performances, if it made them cry, and more. Did they love it, did they hate it, or are they Somewhere Between? Listen to find out!Description:Almut and Tobias are brought together by a surprise encounter that changes their lives. As they embark on a path challenged by the limits of time, they learn to cherish each moment of their unconventional love story.Release date: January 1, 2025 (UK)Director: John CrowleyDistributed by: A24, StudioCanalBox office: $7.2 millionCinematography: Stuart BentleyEdited by: Justine Wright

This week on Fresh Hop Cinema; Beers from Gold Dot Beer (McMinnville, OR) Beer 1 - "Book Club Black Beer" // Black Beer // 5.3% // Max - 10. Jonny - 8.5. Beer 2 - "Jaggers & Stags" // Cold IPA // 6.6% // Max - 3. Jonny - 3.5. Film: "We Live in Time" directed by John Crowley. Ratings: Jonny - 9.3, Max - 10. Inside Hot & Bothered: - Max: "The Great Debaters" directed by Denzel Washington (2007) // "The Last King of Scotland" directed by Kevin Macdonald (2006) - Jonny: "The Platform 2" directed by Galder Gaztelu-Urrutia (2024) // Golden Sky Festival and Shaboozey -------------------- Episode Timeline: 0:00 - Intro, Ads, & Shout Outs 8:00 - Beer 1 24:00 - Film (No Spoilers) 34:50 - DANGER ZONE 49:20 - Beer 2 57:20 - Hot & Bothered

In this episode, we dive into Apple's troubled release of Wolfs. What went wrong, and why did such a promising film stumble out of the gate? We also discuss the film We Live in Time, starring Florence Pugh and Andrew Garfield. This poignant drama, directed by John Crowley, follows the unexpected and emotional journey of Almut and Tobias as they navigate the limits of time in their unconventional love story. Next, we revisit the terrifying world of Smile and its sequel Smile 2. In Smile, directed by Parker Finn, Dr. Rose Cotter faces a spiraling nightmare after witnessing a traumatic event with a patient. In Smile 2, pop sensation Skye Riley, played by Naomi Scott, battles her own horrors as fame and darkness collide. We also take a look at the horror classic The Ring (2002), directed by Gore Verbinski and starring Naomi Watts. This iconic tale of a cursed videotape still holds its place as a staple of modern horror, and we revisit its chilling story. Timestamps: Wolfs Release Discussion – Why did Apple fumble? We Live in Time – Florence Pugh and Andrew Garfield's heartwarming drama Smile – Parker Finn's unique take on horror Smile 2 – Naomi Scott faces terror on a global stage The Ring – Revisiting the 2002 horror classic Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's art at Jeff Lassiter Art and read Sean's reviews at Sean at the Movies. Don't forget to rate, review, and subscribe!

Now that ‘Anora' has hit select theaters, Sean assesses the state of the Best Picture race by running through a long (emphasis on long) list of 26 films that have a chance to be nominated at the Oscars (1:00). Then, Sean and Amanda discuss ‘Anora,' Sean Baker's Palme d'Or–winning drama about a whirlwind romance between a sex worker and the son of a Russian oligarch (30:00). Finally, Sean is joined by John Crowley, the director of the new Andrew Garfield and Florence Pugh romance ‘We Live in Time' (1:15:00). They discuss, among other things, the qualities that attracted Crowley to Garfield and Pugh, how he chooses to work in film vs. theater, his long-running project of sincere romantic dramas, and more. Hosts: Sean Fennessey and Amanda Dobbins Guest: John Crowley Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Andrew Garfield and director John Crowley join the show to discuss the making of their new film "We Live In Time," in which Andrew stars alongside Florence Pugh. They get into their collaborative process, how their own films have affected their real lives, creating space on set for strong performances and more. We couldn't have a Spider-Man on the show without at least asking one of our burning questions. Andrew Garfield was generous enough to share a look back at shooting Gwen Stacy's death in The Amazing Spider-Man 2" and how it related to his approach to filming the "Spider-Man: No Way Home" scene of his character saving Zendaya's MJ. After the interview, we review their incredibly touching film "We Live In Time," and play a fun horror-movie-themed bracket game.ReelBlend PremiumSign up for a bi-weekly newsletter from Sean, and ad-free episodes at bit.ly/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for the show's full episodes in video form.Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnellJake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsTimestamps (approx. only)00:00 - Intro 5:06 - Andrew Garfield & John Crowley Talk ‘We Live In Time'39:21 - ‘We Live In Time' Review44:34 - Horror Movie Bracket Challenge1:13:23 - OutroOur Sponsors:* Check out Rosetta Stone and use my code TODAY for a great deal: www.rosettastone.comSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Get ready to cry! Amy Hannah sits down with Andrew Garfield, Florence Pugh and director John Crowley to talk about the incredible film We Live in Time - and why Florence and Andrew believe it's a Good thing you're going to cry at the theatre. Florence and Andrew talk about being able to use their OWN voices in the film - and can't believe AMY didn't know about the horse.    

On this episode of The Movie Podcast, Daniel and Shahbaz are joined by Director John Crowley to discuss his latest film WE LIVE IN TIME starring Florence Pugh and Andrew Garfield. In the film, Almut (Florence Pugh) and Tobias (Andrew Garfield) are brought together in a surprise encounter that changes their lives. As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken, in filmmaker John Crowley's decade-spanning, deeply moving romance. We Live In Time releases exclusively in theatres on October 18, 2024 in Canada by Sphere Films and A24 in the United States. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel, Shahbaz, & Anthony review John Crowley's WE LIVE IN TIME starring Florence Pugh and Andrew Garfield. In the film, Almut (Florence Pugh) and Tobias (Andrew Garfield) are brought together in a surprise encounter that changes their lives. As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken, in filmmaker John Crowley's decade-spanning, deeply moving romance. We Live In Time releases exclusively in theatres on October 18, 2024 in Canada by Sphere Films and A24 in the United States. Interview with Director John Crowley out tomorrow! Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's main podcast review, I am joined by Nadia Dalimonte & Dan Bayer to review and discuss the latest film from John Crowley, "We Live In Time," starring Academy Award nominees Andrew Garfield and Florence Push. After premiering at the 2024 Toronto International Film Festival (TIFF) to solid reviews, this non-linear romantic drama from A24 is now playing in limited release and will expand to more theaters nationwide next week. What did we think of its narrative structure, the performances, and the writing? Please tune in to find out as we discuss these elements and more in our personal and SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth addresses Trump praising his daughter-in-law and RNC co-chair Lara Trump, Bruce Springsteen endorsing Kamala Harris and more in his monologue for Monday, October 7, before taking a closer look at media outlets finally starting to accurately describe how weird and unhinged Trump's rallies are.Then, Andrew Garfield talks about him and Nathan Lane never missing a performance for Broadway's Angels in America, collaborating with director John Crowley for the first time since Boy A for We Live In Time and filming scenes with Florence Pugh.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Film Comment is on the ground at the 2024 Toronto International Film Festival, which began on September 5 and runs through September 15. This year, as ever, the festival's lineup is full of buzzy titles, including premieres of new films from directors like Luca Guadagnino, Pedro Almodóvar, Athina Rachel Tsangari, Brady Corbet, Dea Kulumbegashvili, and more.  For our first Podcast from the land of maple syrup, hockey, and Guy Maddin, Film Comment editor Devika Girish welcomes critics Mark Asch and David Schwartz to discuss Gia Coppola's The Last Showgirl (3:23), Brady Corbert's The Brutalist (14:45), Raoul Peck's Ernest Cole: Lost and Found (26:45), John Crowley's We Live in Time (31:50), and Durga Chew-Bose's Bonjour Tristesse (40:01).  Stay tuned throughout this week for more Podcasts, dispatches, and more from TIFF 2024.

John Crowley, President and CEO of Biotechnology Innovation Organization (BIO), joined Jorge Conde, general partner at a16z Bio + Health.Together, they talk about John's entry into biotech and his time as a founder, all motivated by his determination to discover and develop a treatment for his children, who have Pompe disease.They also talk about John's priorities as head of BIO and how that could translate into policy.

This episode (254) features an interview with John Crowley, who shares his journey into the rare disease space. John's involvement started in 1998 when his daughter Megan was diagnosed with Pompe disease, a rare form of muscular dystrophy. Determined to find a cure, John and his family embarked on a journey of research and entrepreneurship, ultimately founding a biotech company that developed a life-saving enzyme therapy for Pompe disease. Despite initial challenges, including financial struggles and personal sacrifices, John's perseverance led to successful treatments for Megan and other patients. Today, Megan and her brother Patrick are thriving adults, actively contributing to society despite their condition. John's commitment to patient-centered care extends beyond his personal journey. As CEO of Amicus Therapeutics and now as CEO of BIO, he continues to advocate for rare disease patients, emphasizing the importance of universal access to treatment and addressing barriers to healthcare. Throughout the interview, John's resilience and optimism shine through, serving as an inspiration for others facing similar challenges. His dedication to making a difference in the lives of patients and his unwavering determination highlight the transformative power of hope and perseverance in the face of adversity. Also in this episode: Sean plans to burn the clothes he wears on the climb up the world's highest road Rare Resilience: Kelly Barendt Thank you notes: Bio News and the FARA Staff Links and resources: John's previous episode: 144 - DD pt2: Do good and...with John Crowley BIO Make a Wish Foundation Visit our segment partner: #RAREis