Podcasts about kago

durée : 00:15:03 - Les Midis de Culture - par : Marie Sorbier - Les critiques discutent des tomes 1 et 2 de “Dementia 21” de Shintaro Kago, qui nous propulsent dans un troisième âge absurde et terrifiant. - réalisation : Laurence Malonda - invités : Fausto Fasulo Fondateur de la revue ATOM et co-directeur artistique du Festival d'Angoulême; Pauline Croquet Journaliste au Monde rubrique Pixels

durée : 00:27:40 - Les Midis de Culture - par : Marie Sorbier - Au programme du débat critique, des mangas : "Dementia 21" de Shintaro Kago et "The Song about Green" de Gao Yan. - réalisation : Laurence Malonda - invités : Fausto Fasulo Fondateur de la revue ATOM et co-directeur artistique du Festival d'Angoulême; Pauline Croquet Journaliste au Monde rubrique Pixels

Are you going to Babyfur Con?

The Talk is in conversation with Pastor K. Makati and they talk about tithing and offering in depth.

I saw something wild at the Richmond Zoo. We'll compare that to Auburn/Ole Miss. Big card coming, there was some add-ons since the Sunday Sickness. Breaux Exotic returns, 5 in a row for Breaux.....6? Who's he have you ask? LOL, can't make this up. @THESPORTSANTIDOTE RATE/SUBSCRIBE/REVIEW --- Support this podcast: https://podcasters.spotify.com/pod/show/the-sports-antidote/support

Olá ouvintes do Kokoro!! Trazemos a vocês mais um AnimeSphere. Venha viajar conosco em um mundo cheio de criaturas que nem todo mundo pode ver, e que os que podem são mudados para sempre. Venha filosofar conosco sobre Mushishi, primeira temporada. Citações do episódio Nossos episódios 4: A Viagem de Chihiro 19: Meu Vizinho Totoro 152: Franquia Hellsing 214: One Punch Man 2a Temporada Nossas Resenhas 58: Monster Doctor Ramune Músicas de Encerramento de Mushishi Todas compostas por Masuda Toshio: #01: "Midori no Za (On Air Ver.)"; #02: "Mabuta no Hikari"; #03: "Yawarakai Tsuno"; #04: "Makura Kouji"; #05: "Tabi wo Suru Numa"; #06: "Tsuyu wo Suu Mure"; #07: "Ame ga Kuru Niji ga Tatsu"; #08: "Umi Sakai (Unasaka) Yori"; #09: "Omoi Mi"; #10: "Suzuri ni Sumu Shiro"; #11: "Yama Nemuru”; #12: "Sugame no Sakana (On Air Ver.)"; #13: "Hito Yo Bashi"; #14: "Kago no Naka"; #15: "Haru to Usobuko"; #16: "Akatsuki no Hebi"; #17: "Uro Mayu Tori"; #18: "Yama Daku Koromo"; #19: "Teppen no Ito"; #20: "Fude no Umi"; #21: "Wata Houshi"; #22: "Oki tsu Miya"; #23: "Sabi no Naku Koe"; #24: "Kagari no Kou"; #25: "Ganpuku Ganka"; #26: "Kusa wo Fumu Oto"; Formação do nome do anime conforme os caracteres MindStorm Soundtrack usada “The Sore Feet Song”, de Ally Kerr Músicas de Copyright livre Contato E-mail: contato@animesphere.com.br Link Tree Seja nosso padrinho Padrim do AnimeSphere Procure por @animesphere.podcast no aplicativo do Picpay Compre as nossas Canecas Oficiais Por enquanto em suspenso, mas logo mais conseguiremos uma nova loja com as canecas para vocês!! Agregadores iTunes Deezer Spotify CastBox Podbean PodChaser Google Podcasts Podvine Páginas Amigas Anime See Três Quartos Cego, Canal YouTube Participantes Jorge Twitter | X Facebook Instagram Firefalcon's World RPG e Edição de Podcast MindStorm Productions NerdMaster Paranerdia Hita Aisaka Twitter | X QuestCast Arthemis Deviantart Twitter | X Padrinhos Nível Shoujo/Shounen Diego (você encontra em nosso grupo de ouvintes) Jotta Santos Instagram Água de Muringa, no Paranerdia Nível Kawaii Dan Endo (você encontra em nosso grupo de ouvintes) Guilherme de Almeida, vulgo Tomate (você encontra em nosso grupo de ouvintes)

Olá ouvintes do Kokoro!! Trazemos a vocês mais um AnimeSphere. Venha viajar conosco em um mundo cheio de criaturas que nem todo mundo pode ver, e que os que podem são mudados para sempre. Venha filosofar conosco sobre Mushishi, primeira temporada. Citações do episódio Nossos episódios 4: A Viagem de Chihiro 19: Meu Vizinho Totoro 152: Franquia Hellsing 214: One Punch Man 2a Temporada Nossas Resenhas 58: Monster Doctor Ramune Músicas de Encerramento de Mushishi Todas compostas por Masuda Toshio: #01: ""Midori no Za (On Air Ver.)""; #02: ""Mabuta no Hikari""; #03: ""Yawarakai Tsuno""; #04: ""Makura Kouji""; #05: ""Tabi wo Suru Numa""; #06: ""Tsuyu wo Suu Mure""; #07: ""Ame ga Kuru Niji ga Tatsu""; #08: ""Umi Sakai (Unasaka) Yori""; #09: ""Omoi Mi""; #10: ""Suzuri ni Sumu Shiro""; #11: ""Yama Nemuru”; #12: ""Sugame no Sakana (On Air Ver.)""; #13: ""Hito Yo Bashi""; #14: ""Kago no Naka""; #15: ""Haru to Usobuko""; #16: ""Akatsuki no Hebi""; #17: ""Uro Mayu Tori""; #18: ""Yama Daku Koromo""; #19: ""Teppen no Ito""; #20: ""Fude no Umi""; #21: ""Wata Houshi""; #22: ""Oki tsu Miya""; #23: ""Sabi no Naku Koe""; #24: ""Kagari no Kou""; #25: ""Ganpuku Ganka""; #26: ""Kusa wo Fumu Oto""; Formação do nome do anime conforme os caracteres MindStorm Soundtrack usada “The Sore Feet Song”, de Ally Kerr Músicas de Copyright livre Contato E-mail: contato@animesphere.com.br Link Tree Seja nosso padrinho Padrim do AnimeSphere Procure por @animesphere.podcast no aplicativo do Picpay Compre as nossas Canecas Oficiais Por enquanto em suspenso, mas logo mais conseguiremos uma nova loja com as canecas para vocês!! Agregadores iTunes Deezer Spotify CastBox Podbean PodChaser Google Podcasts Podvine Páginas Amigas Anime See Três Quartos Cego, Canal YouTube Participantes Jorge Twitter | X Facebook Instagram Firefalcon's World RPG e Edição de Podcast MindStorm Productions NerdMaster Paranerdia Hita Aisaka Twitter | X QuestCast Arthemis Deviantart Twitter | X Padrinhos Nível Shoujo/Shounen Diego (você encontra em nosso grupo de ouvintes) Jotta Santos Instagram Água de Muringa, no Paranerdia Nível Kawaii Dan Endo (você encontra em nosso grupo de ouvintes) Guilherme de Almeida, vulgo Tomate (você encontra em nosso grupo de ouvintes)

Cargo-Kult [0:00] Beim Schneiden der letzten Folgen aufgefallen, dass ich häufiger das Wort Cargo Kult verwende und wie das im Podcast noch nie erklärt. [0:08] Music. [0:18] Herzlich willkommen zum mein Name ist Henry Schneider und wir unterhalten uns über Themen wie Agilität, Mindset, entwickeln und allem was für dich und deine Teams relevant ist. Schön, dass du dabei bist und los geht's. [0:34] Schon im Intro erwähnt habe, ist das heutige Thema Cargo Kult, denn es ist ein Begriff, den ich ab und an mal verwende, um bestimmte Dinge zu beschreiben. Diesen Begriff Allerdings im Podcast noch nie beschrieben habe, das holen wir heute nach. Beim geht es um ein Phänomen, was man häufig beobachtet, wenn ich sage mal Invasoren, Was ist Cargo-Kult? [0:55] auf indigene Bevölkerung, meist auf irgendwelchen Inseln oder Ähnliches treffen und der Technologieunterschied sehr groß ist. Kommt es eben dazu, dass die indigene Bevölkerung eben Menschen ähnliche Wesen sieht, die häufig auch eine andere Hautfarbe haben und daher mit Göttern oder Uranen assoziiert werden, weil die Technologie eben so ein Riesenunterschied macht, denn die können offensichtlich Dinge tun, die die indigene Bevölkerung nicht kann, Das ist so im Groben schon der Einstieg in Cargo Kult, denn da ist schon dieses okay, wenn die Dinge besser können, Müssen das quasi Götter oder Ahnen sein. Das Nächste ist das Kaugut, also das englische Wort für Frachtwaren, Ähnliches schon im Namen mit eingebaut ist. Also da drum geht es. Diese, ich sage mal Invasoren oder diese. [1:50] Menschen bringen eben Waren mit auf die meist Inseln, die die in die Genenbevölkerung noch nie gesehen haben und das kann so was wie ein Radio sein, wo plötzlich, Geräusche, Musik stimmen aus einem technischen Gerät kommen, obwohl das gar keine Menschen sind. Kann man sich wahrscheinlich gut vorstellen, wenn man so was vorher noch nie gesehen hat. Das ist Wahnsinn, was die plötzlich drauf haben, für diese gibt es jetzt verschiedenste Entwicklungen, also es gibt einige, die sich vor allem auch sehr stark halten, haben so christlichen Hintergrund und Andeutungen von christlichen Glauben und es gibt Cargo Kulte, auf die ich mich eher beziehe, die sich primär im Zweiten Weltkrieg gezeigt haben, beziehungsweise, danach vorwiegend eben erst mal untersucht wurden und aufgedeckt wurden, beispielsweise auf Hollandier, heute JAYY purer heißt, wo es so war, dass die amerikanischen Militärs auf dieser Insel relativ viele. [2:54] Stationiert hatten, also bis zu 400.000 Menschen, um die zu versorgen einfach mit Frachtflugzeugen da drüber per Fallschirm eben dieses ganze Cargo abgeworfen haben beziehungsweise auch auf also es ist klar so viele Truppen und so viel Material was sie da brauchen Landebahn und ähmnliches gebaut haben, um dort eben dieses ganze Cargo hinzubringen und quasi die Truppen dort mit überschwemmt haben dadurch eben auch diese indigene Bevölkerung indigene Bevölkerung hat das jetzt nur beobachtet und hat sich gedacht, ah entweder das sind unsere Ahnen und Götter, Die bringen uns jetzt all diese tollen Waren oder das hat sich dann über die Zeit erst ergeben, dass ich festgestellt habe, nee, das sind auch nur Menschen, die haben eine andere Hautfarbe und die haben's irgendwie herausbekommen, unsere Ahnen zu bestehen und genau diese Fracht, und gehen dann davon aus, mit dir Ahnen kommen irgendwann wieder, ne, Tag des jüngsten Gerichts und so was, neben diesen Dieben, das ganze Cargo wieder weg geben uns das wieder zurück, weil das soll eigentlich uns als die indigene Bevölkerung eben dienen uns eben diesen Fortschritt. Was Du siehst ist nicht immer das, was es ist [4:06] Was sie gesehen haben, ist die Kommunikation mit den Ahnen, dass eben entsprechend das Kago kommt. Daher haben sie gesehen, Es wurde viel Wald gerodet und platt gemacht, um eine entsprechend leinende Bahn aufzubauen. Dann wurden da hohe Türme aufgebaut, wo Menschen drinnen sitzen, die die ganze Zeit nach rechts und links schauen und ...

Kumbali and Kago Join us today as we learn about these two unlikely best friends. Sources: https://www.nationalgeographic.com/animals/article/151007-cheetahs-dogs-animals-science-zoos?rnd=1680918198581&loggedin=true   https://metrorichmondzoo.com/kumbali/   Send us listener mail!  Send an audio message: anchor.fm/inquisikids-daily/message  Send an email: podcast@inquisikids.com 

O Rokushita agora também faz lives na Twitch! Só entrar no link abaixo para acompanhar gravações ao vivo além de nossas jogatinas e reacts! Participantes desse podcast: @Yoshiohashii, @Pellucks, @ferniefurtado e @Bobuxo Twitch: twitch.tv/rokushita Twitter: @rkstpodcast PicPay: https://picpay.me/rkstpodcast Apoia-se: apoia.se/rkstpodcast Editado por: @Pellucks

The Truth Shall Make Ye Fret is a podcast in which your hosts, Joanna Hagan and Francine Carrel, read and recap every book from Sir Terry Pratchett's Discworld series in chronological order. This week, Part 2 of our recap of “Feet Of Clay”. Cobblestones! Clues! Pigeons!Find us on the internet:Twitter: @MakeYeFretPodInstagram: @TheTruthShallMakeYeFretFacebook: @TheTruthShallMakeYeFretEmail: thetruthshallmakeyefretpod@gmail.comPatreon: www.patreon.com/thetruthshallmakeyefretWant to follow your hosts and their internet doings? Follow Joanna on twitter @joannahagan and follow Francine @francibambi Things we blathered on about:Feet of Clay - The Annotated Pratchett FileFeet of Clay - Discworld WikiJoanna's Inktober thread - TwitterAndrew O'Neill - Occult ComedianGrace Petrie | ConnectivitySexy Death and Cowgirls | The Wilsons - BandcampAre Sherlock Holmes and Spock Related? - FIlm School RejectsKumbali and Kago, Cheetah Cub & Puppy Friendship - YouTubeGrammelot (not Gabblegot!) - WikiWho Is the Bad Art Friend? - NYTGames Played By Girls In Plymouth - 1960 Golem - Britannica Golem - WikiRemember That We Suffered - YouTubeOrigin and meaning of undead - Online Etymology DictionaryMusic: Chris Collins, indiemusicbox.com

Night 2 of October Extravaganza has us looking at Satoshi Kon's directorial debut with the psychological thriller Perfect Blue! We also have a spoiler-filled discussion on BEASTARS volume 14 and dakazu talks about the ending of Kunihachibu and Shintaro Kago's Choudouryoku Mouko Daishuurai!!! Send us emails! mangamachinations@gmail.com  Follow us on Twitter! @mangamacpodcast Check out our website! https://mangamachinations.com Check out our YouTube channel! https://www.youtube.com/mangamactv Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord! https://discord.me/mangamac Buy us a Ko-fi! https://ko-fi.com/mangamac Timestamps: 00:00:00 - Intro Song: “The One Eyed Captain” by Ian Post, Opening, Introductions, Modern Muppets vs. Classic Muppets 00:03:33 - Listener Mail: The French and European manga scene 00:18:02 - Whatchu Been Reading: Transition Song: “Can't Look Down” by Ty Simon, Darfox keeps the banger jokes coming with Chainsaw Man volume 7 00:19:46 - *SPOILERS* We discuss the events in BEASTARS volume 14 00:37:05 - Morgana read Captivated, by You and Uncle From Another World so she could listen to the recent Yen Press episodes 00:38:49 - The end and reveals of Kunihachibu still didn't make any sense 00:48:45 - Choudouryoku Mouko Daishuurai takes Shitaro Kago's erotic grotesque art and applies it to an alternate history where giant hands were used as horses 00:57:40 - News: Chainsaw Man wins the 2021 Harvey Award for Best Manga 00:59:35 - Next Episode Preview and Rundown: One Shot on Gogo Monster, We'll be reviewing Taiyo Matsumoto's story about a boy who can see another world filled with supernatural beings 01:00:31 - Main Segment Manga in Motion: Perfect Blue, Transition Song: “K.I.T.T. Vs. K.A.R.R” by Ian Post, We review Satoshi Kon's 1997 psychological thriller about an idol turned actress who starts to lose her grip on reality 02:01:53 - Next Week's Topic: Gogo Monster, Social Media Rundown, Sign Off Song: “Ghost Waltz” by Ziv Moran

Continuamos con el Club Veraniego de Zona Negativa. Ahora le toca el turno a la Sección de DC y se enfrentan de lleno a una obra que no deja a nadie indiferente, Fraction de KAGO Shintaro. No os lo podéis perder. Colaboradores: Ángel García, Enrique Doblas, Jordi Molinari y Gustavo Higuero. Publicidad: Raúl Gutiérrez Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!

Kago Kagichiri is the Global Head of Innovation for Sokowatch a tech company that revolutionizes access to essential goods and services by connecting small shops to the digital economy. It enables informal retailers to order products at any time via SMS ormobile app, and receive free same-day delivery to their store. This makes it easier for shopkeepers to source goods and helps manufacturers ensure that their products are consistently available to consumers. He was previously the cofounder of Eneza Education, a learning platform supporting millions of 10-25 year olds, because I believe that young people are denied opportunities to leverage their technical skills, hunger to learn, their lack of bias and natural desire to change the world.  Kago has dedicated his life to implementing solutions that automate solutions to people's problems at scale, especially for those will little or no prior technical skill. I've focused on plug-and-play solutions around "legacy" but extremely familiar technologies like SMS/USSD and Voice. On this episode you'll learn: The story of Kago's departure from Eneza and his journey to connecting with Daniel Yu from Sokowatch. [2:50] What are the key problems Africa's SMEs face that the Sokowatch platform solves? [9:05] A dive into market sizes in East and West Africa. [16:01]

Salve galera! Desculpem a demora, mas está chegando bem fresquinho mais um episódio do ANIDROP! No episódio de hoje, vamos esquentar nossos corações e tentar descobrir como é ser amado ou como podemos lhe dar com o amor com tantas dificuldades que a sociedade coloca em nossas vidas. Um triangulo amoroso bem complexo mas com muitas histórias envolvendo os personagens, várias reviravoltas e um final bem interessante. Vamos voltar aos anos 90 e falar de Yesterday wo Utatte, soltar aquele papo na loja de conveniência, tirar fotos e lhe dar com o que fazer no futuro que chega. Para comentários e feedbacks... comente nas nossas redes sociais, tanto no Instagram e no Twitter estamos como @anidrop_. E-mail para contato: anidrop2019@gmail.com. No link abaixo você pode mandar sua mensagem de voz no site que hospeda nosso podcast, em anchor.fm/anidrop. Trillha sonora do podcast: Kago no Naka ni Tori - de Yourness (primeiro encerramento); Aoibashi - de Sayuri (segundo encerramento); Yesterday wo Utatte - de agehasprings feat. TaNaBaTa* (terceiro encerramento). OBS.: No cast mencionei o ultimo encerramento em nome de RC Succession, mas essa seria a primeira versão da música, a que passa no anime é cantada pelo agehasprings. --- Send in a voice message: https://anchor.fm/anidrop/message

In this episode we are joined by special guest Kago. We discuss our different and similar experiences, in different types of schools.

In this episode we are joined by special guest Kago. We discuss our different and similar experiences, in different types of schools. Johannesburg Junior Council · RedRadio

Wie klingt Pink? Mit dem „Systemsprenger“-Komponisten und FIRST STEPS-Jurymitglied John Gürtler durch den Tegeler Forst. John Gürtler wurde 1981 als Sohn portugiesisch-deutscher Eltern in London geboren. Er studierte Saxofon in Berlin, tourte international als Musiker und studierte anschließend Filmmusik an der Filmakademie Baden-Württemberg, wo er inzwischen auch als Gastdozent tätig ist. Für seine Arbeit wurde er mehrfach ausgezeichnet, zuletzt mit dem Europäischen Filmpreis für die Musik zu „Systemsprenger“ von Nora Fingscheidt. John komponierte gemeinsam mit dem Studio „Paradox Paradise“ fast 40 Scores, darunter auch die Musik für zahlreiche Abschlussfilme, die bei FIRST STEPS nominiert oder ausgezeichnet wurden: „Kago“ von Denis Bivour, „Haus ohne Dach“ von Soleen Yusef, „Hinter dem Schneesturm“ von Levin Peter, „Ohne diese Welt“ von Nora Fingscheidt und viele andere. Für „Above and Below“ von Nicolas Steiner erhielt er den Deutschen Dokumentarfilmmusikpreis. Zu seinen neueren Arbeiten gehören „Kids Run“ von Barbara Ott, „Space Dogs“ von Elsa Kremser und Levin Peter und die zweite Staffel der Serie „Charité“. Seit 2019 ist er Mitglied der FIRST STEPS-Dokumentarfilmjury. Für unseren Wood Talk hat John den Tegeler Forst ausgesucht, eines dieser ausgedehnten städtischen Waldgebiete, das schon vor über 100 Jahren durch den Berliner „Dauerwaldvertrag“ vor Bodenspekulation geschützt wurde. Wir sprechen über frühe und aktuelle Werke, dazu spielen wir ab und zu ein paar Takte Musik ein.

In Japan "Kagome Kagome" is an old children's game and the song that goes along with it. It's interesting because the mysterious lyrics have several different interpretations and most of them are pretty grim. So listen to episode 53 of Uncanny Japan where I talk about this creepy song and several of the theories behind those odd lyrics. You can also find me on: Twitter: https://twitter.com/UncannyJapan Facebook: https://www.facebook.com/uncannyjapan/ Patreon: https://www.patreon.com/thersamatsuura Instagram: https://www.instagram.com/uncannyjapan/ YouTube: https://www.youtube.com/channel/UCqAtoUS51HDi2d96_aLv95w Website: https://www.uncannyjapan.com/ Notes: Intro/Outro and that final creepy Kagome Kagome piano and rain bit by Julyan Ray Matsuura. Here and here. And here. Transcript: An Introduction to Kagome Kagome Let’s play a game. You’re in a field on a warm, breezy spring day with a dozen or so children. Everyone gathers around, and then a boy calls out: “Saisho wa gu!” All of you stretch out your arms and in unison make a fist when he says the word “gu”. Then without breaking rhythm the boy calls out: “Jan ken pon!” Next, perfectly timed, at the word “pon” everyone makes one of three hand shapes: a fist for rock, called gu; two fingers for scissors called choki; or an open palm for paper, pa. After a quick glance and noticing it’s a draw with mix of rock, paper, scissors all being shown, he quickly sings out: “Aiko desho.” Another draw, “Sho sho sho!” “Sho sho sho!” Over and over until finally you’re standing there, your arm outstretched, your hand flat showing “pa” or paper, while all the other children are sporting scissors, choki. You lose. Everyone laughs. You’re It. In Japanese games if you’re “it”, you’re called the “oni” or ogre or demon. A little girl pulls a long piece of cloth from her pocket and makes you sit on the ground. She starts to tie the blindfold around your head. Before everything goes black, though, you see all the other children join hands and make a circle around you. The cloth is tied tightly. You are effectively blinded. The children begin to sing. “Kagome kagome” Welcome to Today's Show Hey hey, everyone. How are you all doing this pre-rainy season. I’m doing okay, thank you. I hope you are all healthy and happy. One cool benefit to living in this old house is that my backyard is literally a series of rice fields. Last week I watched the farmer till them, flood them, and then plant them. I don’t know how frogs work exactly, like why don’t they get ground up into mulch when farmers till? But there is one thing I do know, the day after the water hit that dirt, they came out en masse. Listen to them all jolly-like. A heads up to my five dollars and up Patrons, you’ll be getting a 30 or 40-minute binaurally miked frog symphony to chill out to soon. Longer if you’d like. These guys are at in all night long. "The Hell Carrot" Animation Now before I get into today’s topic, I’m really excited to share something wonderful and free with all of you. We’ve made an animation for an obscure Japanese folktale I translated and retold. We being John Cairns, writer, director, editor, and animator. He did the movie Schoolgirl Apocalypse. Absolutely check him out, and watch the trailer for that movie on Youtube if you get a chance. So John did the animation for the story. Second was Rich Pav, who you’ll remember does all things sound and tech-related for Uncanny Japan. He did the sound effects. And finally me. All I did was find the story, retell, and narrate it. The story is called “The Hell Carrot”. It’s on the Uncanny Japan Youtube channel. But you can find it by simply Googling The Hell Carrot. If you listen this podcast and have an inkling of interest in Japan and quirky stories, I really think you’ll enjoy it. I am so proud of what John and Richard did. So if you’d be so kind, while you’re there, you can give the video a thumbs up and even let us know what you think. Okay, on to today’s topic. After last week’s “putting a curse on someone” episode, I thought I’d do something light. But, um, that didn’t happen. Sorry. You see, there’s this other topic I’ve been dying to talk about and, again, since I have more time now, I was able to read up on it some more. And the more I read the more I wanted to share it with you. Have you ever heard of the Japanese children’s song called “Kagome Kagome”? The game itself is a little like blind man’s bluff. One child is chosen to be an oni, blindfolded and made to sit on the ground while all the other children hold hands and walk around the oni singing the Kagome Kagome song. How to Play Kagome Kagome The last line of the song is basically, Who is behind you? So when the song stops, the seated child guesses which one of their friends is directly behind them. Not scary at all. What’s chilling are the lyrics. Not outright scary in and of themselves, mind you, but nuanced in such a way that there are dozens upon dozens of theories about what they actually mean. And most of these meanings are quite dark. I guess it’s like those old western nursery nursery rhymes that have sinister meanings, like London Bridge and Ring Around the Rosies. But we all know about them. I thought Kagome Kagome might be new to you, so here we go. Meaning of the Lyrics First, here is the most common version of the lyrics: Kagome kagome / kago no naka no tori wa Itsu itsu deyaru / yoake no ban ni Tsuru to kame ga subetta Ushiro no shoumen daaare? Very generally that would be: kagome, kagome, a bird in a cage, When oh when will it come out? In the night of the dawn, the crane and turtle slipped Who is behind you now? That’s more or less a literal translation and probably what little children think when they sing it. However, there are a lot of people through the years, scholars included, who have different interpretations of the song. So let me talk about a few. But first the words kagome, kagome. It isn’t even agreed upon what those two repeated words mean. Kagome could mean: 1. The holes in the basket that is referred to 2. The shape of those holes, which would be a hexagon 3. A pregnant woman 4. A caged bird 5. A corruption of the word kakome, which means to surround or circle Or finally number 6, it could mean to be lost Now let me take each line of the chant and shed a little more light into what they mean before getting into the various dark speculations. Kago no naka no tori wa: The word kago can mean cage or basket, so a bird inside a cage or basket is the obvious meaning. However, some believe the word tori isn’t bird but a torii, or a shrine gate. And that kago means a bamboo fence. A torii surrounded by a bamboo fence, would mean a shrine. Then you have the people who translate kagome as a pregnant woman. In that case the bird inside a cage would refer to the woman’s unborn baby. Next line: Itsu itsu deyaru Deyaru could be translated as deau. When oh when will we meet? Or When oh when will it come out? Next: Yoake no ban ni: This line threw me. Yoake means the end of night, so dawn. But ban means night. So it’s a contradiction, in the night of the dawn. Some think it just means nighttime, some say it means from morning until night, some believe it means an inability to see light, and some hold that it refers to a time of day that is neither night nor day, a twilight time. Okay, next: Tsuru to kame ga subetta: Tsuru means crane and kame, turtle; both symbols of long life and good fortune. Suberu means to slip. Subbetta is past tense. They slipped. The idea of two lucky symbols slipping could mean misfortune or a life that has been shortened, or even death. The last line: Ushiro no shoumen daare? Literally, who stands behind? I read that it could also be ushiro no shonen daare? Who is the boy behind. But either way the line is asking who is behind. Sounds innocent enough. Well, let’s get into a couple of the theories and they’re all grim. Interpretation 1: The Forlorn Prostitute The first one is that the song is about a woman who was forced to be a prostitute. Kago no naka no tori wa: She’s the bird in a cage. Itsu itsu deyaru: When oh when will I be able to escape this life. And very sadly, the last line meaning who stands behind is her asking who is next in line? Interpretation 2: The Murdered Pregnant Woman A second notion states that it’s a song about a pregnant woman. Remember that some interpret kagome as meaning a pregnant woman? Well, the tori in a cage is referencing her unborn child and she’s asking when oh when will it be born? The twist, at some strange hour she is murdered, one version saying she was pushed down some stairs: tsuru to kame ga subetta. The last line is her ghost asking ushiro no shoumen wa daare, who is standing behind me, who is it that murdered me? Interpretation 3: The Executed Convict Okay, idea number three. That it’s a tune about a convict about to be executed by having his head cut off. The bird in the cage is the convict. The crane and turtle slipping are both his bad luck and the fact his life is going to be shortened very soon. The last line is really interesting because there are variations on its meaning. One, simply who is behind me or who is the executioner going to be? A second more exciting theory, the prisoner get executed, his head is now on the ground in such a way that he sees his own body but doesn’t recognize it. Who is that behind me? Interpretation 4: The Monstrous Child Okay, one more dreadful idea is that this sweet children’s song is a song being sung by a monster child. He’s locked up, kago no naka no tori, and wondering when he will be released. But the truth of the matter is, the child has killed his entire family. No real details, but there is also the idea that by joining in on the chant, the children circling are invoking some kind of god to descend into the child sitting in the middle. What for? I don’t know. And lastly the only positive interpretation I could find was that it was a a chant giving hints to where a treasure is buried. But no thoughts as to what those hints aer or where exactly that treasure might be. I mean those are some pretty vague hints. Something I find intriguing about kagome kagome is that while the children’s songs I grew up with might also have a more sinister underlying meanings, it’s generally agreed upon that there is a single hidden meaning per song. For example: Ring around the rosie a pocket full of posies ashes ashes we all fall down is about the black plague. Kagome Kagome has so many different interpretations and no one can agree on any one of them. Which is kind of mysterious in and of itself. So which story do you like best? The prostitute, the pregnant woman, the prisoner, or the monster child? Maybe you like invoking gods or searching for impossible to find treasures. Or have you heard of a different theory of the meaning to the old children’s song Kagome kagome? If you have please let us know. Or have you made up one yourself? The lyrics are definitely up for interpretation. So that’s all for today’s show. Remember to search for The Hell Carrot and watch the animation John Cairns, Rich Pav and I made. It’s a hoot. And if you’d like to support the show, you can on Patreon for as little as two dollars a month, although for $5 you can get access to over thirty retold Japanese folktales, binaurally miked soundscapes, recipes and more. My patrons are made of awesome and sweetness and I think you’d fit right in. Thank you all for listening, stay healthy and safe, and I’ll talk to you again in two weeks.

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Hoy tenemos a Bernabé de baja, pero aún así aquí seguimos con nuestro séptimo programa (que no noveno) de Sin Anime de Lucro, donde hablaremos sobré qué nos ha parecido el famoso anime de Kyoto Animation "K-On!" y unos cuantos temas que sacamos extras, como la nueva canción de Pokémon Espada y Escudo compuesta por Toby Fox.

Hoy tenemos a Bernabé de baja, pero aún así aquí seguimos con nuestro séptimo programa (que no noveno) de Sin Anime de Lucro, donde hablaremos sobré qué nos ha parecido el famoso anime de Kyoto Animation "K-On!" y unos cuantos temas que sacamos extras, como la nueva canción de Pokémon Espada y Escudo compuesta por Toby Fox.

Diving further into the Fall 2019 Anime Season, the hosts of the Otaku Spirit Animecast are here to fill your ears with musical goodness. Attach on your ear-speakers of choice and enjoy! Including great tracks from the likes of the pillows, Myth and Roid, LiSA, Sayuri, nano.RIPE, NakamuraEmi, and so much more! NOTE: For High Quality purposes for music, this podcast was exported via HQ setting, thus slightly larger in size than standard podcasts. Roughly 145.3MB. Keep that in mind for bandwidth limits please. Songs spotlight in this episode: “Kago no Naka no Bokura wa” by AIKI from bless4 – Stars Align ED “Phantom Joke” by UNISON SQUARE GARDEN – Fate Grand Order Absolute Demonic Front Babylonia OP (iTunes) “Take On Fever” by OLDCODEX – Special 7: Special Crime Investigation Unit OP “Happy Go Ducky!” by the pillows – Ahiru no Sora OP “Tsubasa” by Saji – Ahiru no Sora ED “Resolution” by Haruka Tomatsu – Sword Art Online Alicization: War of Underworld OP (iTunes) “unlasting” by LiSA – Sword Art Online Alicization: War of Underworld ED “Sangenshoku” by PELICAN FANCLUB – Dr Stone OP2 “Yume no You na” by YouthK Saeki – Dr Stone ED2 “Dark Crow” by MAN WITH A MISSION – Vinland Saga OP2 (iTunes) “Drown” by milet – Vinland Saga ED2 “STILL STANDING” by (K)NoW_NAME: Ayaka Tachibana, NIKIIE, AIJ – Fairy Gone Season 2 OP (iTunes) “Stay Gold” by (K)NoW_NAME:Ayaka Tachibana – Fairy Gone Season 2 ED (iTunes) “Polaris” by BLUE ENCOUNT – My Hero Academia Season 4 OP “Koukai no Uta” by Sayuri – My Hero Academia Season 4 ED “SURVIVE OF VISION” by Kiyoharu – Blade of the Immortal OP “Stay With Me” by Seven Billion Dots – Granblue Fantasy Season 2 OP “Papapa” by Shuka Saitou – Oresuki OP “Chronos” by STEREO DIVE FOUNDATION – Food Wars 4th Plate OP “Emblem” by nano.RIPE – Food Wars 4th Plate ED “CAPTURE” by EGO-WRAPPIN’ – Case File N221 Kabukicho OP “Hyakouku Kounen” by Lozareena – Case File N221 Kabukicho ED “MOTOR CITY” by Kenichi Asai – No Guns Life OP “Game Over” by DATS – No Guns Life ED “Chittomo Shiranakatta” by NakamuraEmi – Radiant 2nd Season ED (iTunes) “TIT FOR TAT” by MYTH and ROID – Cautious Hero OP “MAGIC TIME” by Sudannayuzuyully – Gundam Build Divers ReRise ED (iTunes) “Masshiro” by Sumire Morohoshi – Ascendance of a Bookworm OP

Запись DJ сета KAGO DO на вечеринке СФЕРА "На Корабле" на Минском море 12.07.2019 Полное видео выступления смотрите здесь: https://youtu.be/iRSAdHB336g DJ set by KAGO DO at "Na Korable" (boat party) on the Minsk Sea (SPHERA project). 12.07.2019 Full video is here: https://youtu.be/iRSAdHB336g KAGO DO - @kago-do СФЕРА - facebook.com/spheravideo

Oleg Golubev 1/2 of Kago Do collective visited Editorial Podcast studio. As usual, we've talked about a bunch of stuff, starting from childhood up to Kago Do formation, life on Phuket and attitude towards DJing and music production. Lots of great DJ stories inside. Tune in!

Video: https://youtu.be/JRYkw3LDAJ4 Subscribe to our YouTube channel: www.youtube.com/P14videopodcast Follow our Facebook page: www.facebook.com/p14videopodcast @kago-do P14 is a video podcast that in the era of modern technologies makes it possible to move the listener into the atmosphere of night carelessness and perform unlimited depths of electronic sound. Deep, tech, minimal sound! Produced by Oleg Golubev, Dima Kalinin, Denis Berezovik.

Bill and Coop watched Mom and Dad, a Netflix movie featuring Nic Cage. It wasn't quite what they expected. Whether that was in a good way or a bad way, you'll have to listen to find out. This movie doesn't feature Nic Cage dipping his fingers into The Cum Jar, but it does feature him Sucking Titties and Doing Donuts, which gets discussed extensively. Other topics include the movie (of course) and surreal manga artist Shintaro Kago, who will almost definitely get his own episode at some point.

Time Codes: 00:00:27 - Introduction 00:02:42 - Manga plans for the new year 00:08:52 - Frankenstein: Junji Ito Story Collection 00:54:47 - Dementia 21 01:37:25 - Wrap up 01:39:20 - Contact us  On this manga episode, their last of 2018, Shea and Derek look at two recent works of manga that are actually quite similar in a number of ways. They begin with Frankenstein: Junji Ito Story Collection(VIZ Media). This isn't the first time, by far, that the guys have discussed Junji Ito's horror work, and whereas they've been less impressed with some of his more recent translations, they are more enthusiastic about this current collection. The standout story is Ito's adaptation of Mary Shelley's classic romance, which takes up almost half of the text. But the other stories in this collection, specifically the Oshikiri cycle ones, are gripping, as well. After that the Two Guys check out a wild example of manga, Shintaro Kago's Dementia 21 (Fantagraphics). While both Derek and Shea had heard of Kago, until now they really hadn't read any of his works. This book, the first in a two-volume series from the publisher, is a collection of 17 stories that surround the escapades of Yukie Sakai, a young home healthcare aide. Her assignments to a variety of elderly patients all turn out surreal, taking her into mind-blowing adventures that are hilarious as they are nonsensical (and even metafictional, in some cases). Kago's manga has been described as ero guro nansensu, although in this collection there is more nansensu than there is ero guro. (For the latter, listeners are referred to another translated collection of Kago's, Super-Dimensional Love Gun, from Fakku Books.)  

As part of the 2018 Africa Science Week-Kenya (ASW-Kenya), Nairobi Ideas Podcast is featuring interviews with some of the exceptional scientists from our Faces of Kenyan Science campaign. Take a listen as our host, Dr. Rose M. Mutiso, CEO of the Mawazo Institute sits down with Kago Kagichiri, Co-founder and former CEO of Eneza Education, one of Africa’s leading mobile learning platforms and a tech-enthusiast on a journey to tackle the shortcomings of the continent’s education systems using technology.

Video: https://youtu.be/F81nyS02OR8 Subscribe to our YouTube channel: www.youtube.com/P14videopodcast Follow our Facebook page: www.facebook.com/p14videopodcast @kago-do P14 is a video podcast that in the era of modern technologies makes it posible to move the listener into the atmosphere of night carelessness and perform unlimited depths of electronic sound. Deep, tech, minimal sound! Produced by Oleg Golubev, Dima Kalinin, Denis Berezovik.

Video: https://youtu.be/vq23jedP7aY Subscribe to our YouTube channel: www.youtube.com/P14videopodcast Follow our Facebook page: www.facebook.com/p14videopodcast @kago-do P14 is a video podcast that in the era of modern technologies makes it posible to move the listener into the atmosphere of night carelessness and perform unlimited depths of electronic sound. Deep, tech, minimal sound! Produced by Oleg Golubev, Dima Kalinin, Denis Berezovik.

video: https://youtu.be/ZhUzVHXnr6E Subscribe to our YouTube channel: www.youtube.com/P14videopodcast Follow our Facebook page: www.facebook.com/p14videopodcast @kago-do P14 is a video podcast that in the era of modern technologies makes it posible to move the listener into the atmosphere of night carelessness and perform unlimited depths of electronic sound. Deep, tech, minimal sound! Produced by Oleg Golubev, Dima Kalinin, Denis Berezovik.

Video: https://youtu.be/kxdR9LFeCS8 Subscribe to our YouTube channel: http://www.youtube.com/P14videopodcast Follow our Facebook page: https://www.facebook.com/p14videopodcast @kago-do P14 is a video podcast that in the era of modern technologies makes it posible to move the listener into the atmosphere of night carelessness and perform unlimited depths of electronic sound. Deep, tech, minimal sound! Produced by Oleg Golubev, Dima Kalinin, Denis Berezovik.

Kago - "Yhel Pyhapäeval" (Õunaviks 2018)

Kago - "Yhel Pyhapäeval" (Õunaviks 2018)

@kago-do at Batik Music Live set at Baba Beach Club [Thailand, Phuket 24.03.2018] Info: www.facebook.com/batikmusic/ Video about us: youtu.be/EZpwrzuK1Sc

Meil on külas ansambel Trad. Attack! Räägime pärimusmuusikast, vanadest rahvalaulikutest ja pillimeestest, lauludest ja pillilugudest ning Eesti Kirjandusmuuseumi rahvaluule arhiivist, kus on tallel uskumatud aarded, mis on ka inspireerinud Eesti edukamat etnobändi. Eesti Kirjandusmuuseumi rahvaluule arhiivi juhataja Risto Järv räägib vanasõnast "Inimene mõtleb, jumal juhib".Pärimuskultuuri tundja, õpetaja Ene Lukka-Jegikjan tutvustab ansambli Kago esitatud lugu "Tii Ilo". Saatejuht on Krista Taim. Kuula 24. jaanuaril kell 10.05.

Meil on külas ansambel Trad. Attack! Räägime pärimusmuusikast, vanadest rahvalaulikutest ja pillimeestest, lauludest ja pillilugudest ning Eesti Kirjandusmuuseumi rahvaluule arhiivist, kus on tallel uskumatud aarded, mis on ka inspireerinud Eesti edukamat etnobändi. Eesti Kirjandusmuuseumi rahvaluule arhiivi juhataja Risto Järv räägib vanasõnast "Inimene mõtleb, jumal juhib".Pärimuskultuuri tundja, õpetaja Ene Lukka-Jegikjan tutvustab ansambli Kago esitatud lugu "Tii Ilo". Saatejuht on Krista Taim. Kuula 24. jaanuaril kell 10.05.

Kago Do @ Baba Beach Club Phuket 04.01.2018 (Live Session vol.199) by BaBa Beach Club

Kago Do @ Baba Beach Club Phuket 15.11.2017 (Live Session vol.173) by BaBa Beach Club

Kago Kagichiri is obviously exceptionally bright. He built his first mobile app in 2001 when he was 12 years old. But he was a restless student. He told me, “I had a lot of problems with the school system. I didn’t see any relevance in what we were learning.” These two worlds, technology and education, would eventually meet in an unexpected way and plunge him deeply into the world of education technology or EdTech. In 2011, Kago met Toni Maraviglia. Toni was an educator who was frustrated with the fact that 68% of Kenyan children never make it to high school. And no wonder. Many schools have a ratio of 60 students per teacher and, perhaps even worse, four students per text book. Toni had developed a flashcard methodology that was helping her students a great deal, but without a technology solution, she was not able to scale her idea. While she was looking at this problem, she also noticed that 95% of adult Kenyans have a cell phone. That is when she met Kago at the iHub. Together, they formed Eneza Education. Eneza is the Swahili word for spread. Eneza Education is using EdTech to spread the reach of education. They turn any mobile device, including simple phones with only SMS capability, into a virtual school. You can see Toni tell the story of Eneza Education here: https://vimeo.com/71070369. Since 2011, Eneza has reached around 630,000 students. They currently have around 50,000 active students every month. The top 100 students together have sent over 8,000,000 messages to the Eneza system. One user alone has interacted with the platform more than half a million times. They are seeing definite upward trends in test scores and are seeing a rapid adoption rate. They recently moved beyond Kenya to Tanzania and Ghana. Social Entrepreneurship Quotes from Kago Kagichiri: “The two things that people spend the most on in Kenya are mobile airtime and education. To wrap those two together makes it pretty convenient for the users.” “Our top 100 students have exchanged about 8 million messages with the platform.” “Imelda, who always shows up in the top 10, last year exchanged 500,000 messages with the platform.” “You can’t ignore how users use your product.” Social Entrepreneurship Resources: Eneza Education: http://enezaeducation.com Twitter: https://twitter.com/EnezaEducation Facebook: https://www.facebook.com/EnezaEducation eBook: Five Key Traits of Successful Social Entrepreneurs: http://tonyloyd.com/socent Try Audible and Receive Two Free Audiobooks: http://tonyloyd.com/books

On this episode of Terrible Tuesday Movie Night, Dale analyses the 2005 Disney’s pointless sequel Tarzan II.Tarzan as a child is confused on where he comes from, so he goes on an adventure to find himself (again!) Staring:  Harrison Chad plays Tarzan George Carlin plays Zugor Brad Garrett plays Uto Ron Perlman plays Kago Estelle Harris plays Mama Gunda TITO SCORE: 5.5