Podcasts about Tsuru

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On this episode, host Miata Tan speaks with three guests from Tsuru for Solidarity, a nationwide organization working to end immigration detention in the United States. They discuss the current state of the system, the conditions facing immigrant and asylum-seeking families, and how Tsuru's Japanese American roots shape their approach to this work. Get Involved with Tsuru for Solidarity Join a campaign Mailing list Instagram | Facebook | YouTube Website   Transcript ​[00:00:00]  Miata Tan: Hello and welcome. I'm your host Miata Tan, and you are tuning into APEX Express, a weekly radio show that uplifts the voices and stories of Asian Americans and Pacific Islanders. The United States runs the largest immigration detention system in the world. Earlier this year, the US Immigration and Customs Enforcement, also known as ICE, [00:01:00] held a record. 73,000 people in immigration detention the highest number in the agency's 23 year history. Since January 20, 25, over 6,200 kids have passed through ICE detention. Tonight we hear from a community who are shining a light on this issue and working to end the ongoing detention of immigrant and asylum seeking families.  Rob Buscher: The Japanese American story and Asian American story are just one chapter in this much larger chronicle of state violence, and we. See our role as, as also helping to connect the dots and be the connective tissue. Miata Tan: That was the voice of Rob Buscher, the Director of Operations at Tsuru for Solidarity, a nationwide organization with a mission to educate, advocate, and protest to close all US detention site. And bring an end to inhumane immigration policies. Tsuru for Solidarity is led by [00:02:00] the survivors and descendants of Japanese Americans who are incarcerated in concentration camps by the US government in World War ii. Our three guests tonight are shaping the future of this work at Tsuru for Solidarity. They share with us how the legacy of Japanese American wartime incarceration is deeply intertwined with the present day realities that many immigrant communities are facing. First up is Mike Ishii, the Executive Director of Tsuru for Solidarity. Here's Mike taking us back to the inception of this organization and national movement. Mike Ishii: In 2016 the Obama administration decided to really lean into. A deterrence policy of immigration. When they had first entered office, we thought they may actually provide some relief for immigrants. But in fact, what they ended up doing was weaponizing the immigration policy at the southern border against immigrants. And they built [00:03:00] Karnes and Dilley, which were the first family detention centers. Carl Takei, one of the founding members of Tsuru for Solidarity. In fact, I think he was just honored by, the Asian Bar Association for his longtime advocacy work in community spaces. Well, in 2016 when the Obama administration really opened Karnes and Dilley, Carl was working at the A CLU in immigration and the Obama administration had the audacity to want to invite advocates from all over the country to show off their new detention centers. And so when Carl entered into those sites, what he encountered was a room that was. Full of giant cabinets floor to ceiling. And when they opened the doors, what he saw inside were thousands of shoes for infants. And it took his breath away and he realized, oh my God, these are concentration camps for children. And you know, this really. Resonated with his [00:04:00] own family's history of mass incarceration during World War ii. So what he did was he immediately called Dr. Satsuki Ina, Dr. Ina is very famous. For a number of things. One is that she is really the preeminent community trauma specialist in the Japanese American community. She was born inside of the Tula Lake Segregation Center, a concentration camp. She would grow up to become a very, well-known psychotherapist in the Japanese American community. Dr. Ina. Is really like Carl's auntie, and so he said, this is happening at the southern border. I want you to come have a look. She went inside and she was actually able to meet with families and their children, and she of course can do a psychological assessment  She began to advocate. Against these camps because what she realized was that the conditions, the experiences, the trauma that these children were experiencing was very similar to what our own survivors had experienced as children during World War ii in the US concentration caps. [00:05:00] So there's one of the genesis prongs of Tsuru for solidarity. If you fast forward. To 2018, you have the zero tolerance policy under Trump, administration, 1.0. And if you remember, at that time, as an extension. of deterrence, they were separating children from their families at the southern border. These are families who were seeking refugee status, who were seeking asylum, who were presenting for asylum. That's a constitutional and human right, protected by the Geneva Conventions. They would take those families, they would literally strip the children away from their parents. They deported the parents. Purposefully they did not record where they were sending them often deported not to countries of origin. So in many cases, we still have not reunited those families. We don't know where the parents are and the children are still here, nine, 10 years later, With unaccompanied status because they purposefully destroyed the connections and the ability to [00:06:00] trace and reunite those families. That's Trump 1.0. And when they were doing that they were also expanding these large congregate concentration caps for children. They were calling them influx centers and saying, oh, they'll only be processed through these, and then we'll release children into. Custody of family members, et cetera. That was not true. They were actually prisons for children and they were literal concentration camps. It's violating the due process laws of the United States. there's no accountability. There's no oversight. And so Tsuru for Solidarity emerged in 2018 as an organization of Japanese Americans, really led by survivors who were children in camps and their descendants.  My own mother was incarcerated in a concentration camp in Idaho with her family. During World War ii, she was 10 years old at that time. She had two younger sisters and her youngest sister was born inside of the Minidoka concentration camp and experienced birth trauma because they had no doctors. She was, um, birthed by a veterinarian [00:07:00] and ex experienced, um, lack of oxygen And so she lived a life of tremendous suffering and, and disability. Um, that was often unrecognized as trauma from a concentration camp. She attempted to commit suicide multiple times. Eventually would die an early death from mental health. Complications. That's the legacy of the camps of World War ii, and understanding that multi-generational impact is partly why suited for solidarity emerged in 2018 when we recognized that they were repeating our history, and that's why we're here today. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. Mike described how Tsuru's work grew in response to the ongoing detention of immigrant children in the United States. As he mentioned, many Japanese Americans have deep roots in this country. Now let's hear from Rob Buscher Tsuru's, Director of [00:08:00] Operations. He's a mixed race yonsei or fourth generation Japanese American. You may hear him use terms like yonsei to describe different generations. Now, here's Rob Unpacking the legacy of Japanese American incarceration, including the Civil Liberties Act of 1988, which issued a formal apology and reparations and what that history means for other communities today. Rob Buscher: In 2018 and 2019, our community was not the one that was at risk of being detained. We were not the ones who were being targeted by the state violence of immigrant detention and enforcement. and yet we had this ability to kind of think about and talk about. Multi-generational impacts of the trauma from World War ii. Um, it's not just the survivors of camp and the children of camp. It's the children and grandchildren of this experience who continue to suffer multi-generational effects of trauma, whether it be higher, uh, incidents of anxiety and stress leading to a [00:09:00] variety of health issues, uh, substance abuse issues the forced assimilation that resulted in the aftermath of our resettlement into the broader American society has also resulted in a great deal of assimilation trauma. So for a number of sansei and yonsei and gosei now trying to understand, uh, what is our history and heritage? How can we relate to something that was forcibly removed from us and really navigating this idea that at sometimes feels like a racial imposter syndrome, uh, when we don't know our own histories because it was forcibly taken from us. In a variety of ways, uh, I think that the Japanese American community's role, and specifically through Tsuru, has been rooted in this idea of solidarity and collective liberation because we understand that the effects. Our trauma, we're part of this much longer continuum of anti-black racism, of anti indigenous genocide, of white supremacy in the United States. The [00:10:00] Japanese American story and Asian American story are just one chapter in this much larger chronicle of state violence, and we. See our role as, as also helping to connect the dots and be the connective tissue. In some cases, when communities who have experienced these kinds of traumas across many decades aren't always in communication with each other, aren't always in conversation, but the complexity and nuance of the American story actually lends itself to a number of parallels to have conversations around things like. Black reparations. And you know, this is another part of the work that Tsuru does in solidarity with black reparations and African American communities, descendants of chattel slavery and others who have suffered Jim Crow and other forms of state violence against black and brown communities. understanding that the, the redress story and the story of Japanese Americans receiving our own reparations. Uh, is part of this longer narrative around, uh, what does it mean to have reparative [00:11:00] justice? And, um, as some of the few people who have received reparations from the United States government, uh, many of us also see it as our obligation and duty to stand in solidarity with black reparations.  Mike Ishii: if I could just add on to that, you know. There's an intersectional history in the United States of forced removals, you know, on the enslavement blocks enforcing people on forced death marches from their home lands to reservations. In the prison system of the us The largest prison system in the world. It's forced removal, it's separation of families, it's mass incarceration it's surveillance and it's murder. And the Japanese American chapter of that history is actually a very similar story that just as, as Rob said, just keeps being repeated over and over again, but it's created in new iterations. So, just to give you a small example related to the Japanese American story. Dylan Meyer, who ran the war relocation authority, he was responsible [00:12:00] for the 10 largest, the most well known of the Japanese American concentration camps. There were actually over 75, sites of detention for Japanese Americans during World War ii. Most people don't realize that. what we were put into that system during World War II was based on the reservation model, um, of how they remove indigenous people from their homelands and then force them onto reservation lands. That model was exported. By the Nazis to build their concentration camps. So like people think, oh, Nazi Germany invented that. No, it was, that model was invented in the United States. It was then exported to Nazi Germany. It was then tailored further on Japanese American communities. And then with the forced assimilation, we were, our people were not allowed to go back to their homes initially. Dylan Meyer wrote about it in his biography. He considered the force assimilation one of his greatest accomplishments. So what he was doing was he was dispersing us and destroying us in one generation of force removal. We lost our homes, we lost our farms. We lost the nijo Mai, the Japan towns. We [00:13:00] lost our language. We lost our culture, and perhaps most importantly. We lost each other because they pitted our community against each other with a series of very divisive questionnaires that really turned people on each other, More than 84 years since the opening of the camp. We're still trying to repair the fractures of that. They're not healed yet. And so that's what Rob, when Rob refers to multi-generational trauma, we're a fractured community. Still trying to repair the implosion that was. Really dropped on us by the United States government, this is what they do repeatedly to community after community. So with the force assimilation after World War ii, they saw how that worked. Then they, they took that back and they weaponized it against, um, indigenous communities and saying, we're gonna move people off the reservations. We're gonna resettle them in cities Further isolating people away from their home communities, taking away their languages, taking them and breaking their connections to family and community. Right? Setting people up for failure in a city away from their [00:14:00] people. in poverty., And what we're witnessing right now is a culmination of hundreds of years in this of white supremacy, weaponized against our communities. More openly, more brazenly than ever before, with the full power of the United States government behind it. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. As Mike described mass surveillance programs, the World War II, incarceration of Japanese Americans and post-war pressures to assimilate left lasting impacts on this community. In the present, Tsuru for Solidarity connects the Japanese American history to ongoing immigration detention in the United States. Here's Mike describing some of Tsuru's past and ongoing campaigns focused on closing specific detention sites, what they call site fights.  Mike Ishii: Dilley and Karnes, which are the original two sites and the largest sites in Texas, which are now in the news again, [00:15:00] because they're being reused again by the Trump administration very openly. But under Biden, we had forced 'em to close those basically functionally for families. They were using them in other ways. Which is not good. but we had forced them to stop detaining families officially. we had stopped the expansion of these large congregate sites for unaccompanied migrant children. Uh, we stopped them from opening a large one in Greensboro, North Carolina. They wanted to open what they called the Piedmont Academy. Site of the former National Jewish School that school closed. And so they had leased the property and they were gonna. Open their largest detention site for unaccompanied migrant children and call it an academy. we slowed it down and forced them to reconsider it long enough to where it became an unworkable, policy for them. And they abandoned it. We stopped them from expanding Fort Bliss. In El Paso, which is a military base that was also used as a Japanese American incarceration site [00:16:00] during World War ii. it's currently being used again. It's being called Camp East Montana, by the Trump 2.0 administration. And when they were incarcerating children there during the first Trump administration, children were literally forgotten. Their cases were forgotten, and there were children languIshiing in there for like. Up to a year at a time, and nobody knew they were there because no one cared. There were allegations of sexual abuse, uh, rotten food, children who never were allowed outside. Children covered in lice, children taking care of younger children because nobody took care of them, lack of medical care. And so if that's shocking for what was happening under the first Trump administration, it's. Also happening now. And, and there is even less oversight or accountability now than there was, during the first Trump administration because as broken as that system was, then it had more accountability because there were [00:17:00] advocates and legal representatives for children, which is almost non-existent now. They've done away with the funding for that. We have three year olds representing themselves in immigration courts now because they did away with the congressional funding to support that. That's sort of the, the constellation of. Of the work that we emerged into when we came into formation, um, under the first Trump administration. And, it, it has just continued to evolve. We've been involved in, I think it's eight site fights now. And as difficult as this moment is right now, I always wanna tell people, and frame it this way, when you fight back, you win. We closed the Berks Family Detention Center permanently. We stopped the Piedmont Academy from opening in Greensboro. Tsuru's first major action was to go to Fort Sill in Oklahoma in 2019. Um, we led two protests there. The first one went [00:18:00] sort of viral on democracy now in cause they accompanied us. They embedded themselves with us. This is the first thing we ever did in a large scale and had no idea what we were doing at that point. We just were just angry and we, and full of, passion and said we have to go there and stop them from opening. A new concentration camp for 1600 children. And so we did that. Um, as a result, United we dream joined us along with AIM Indian Territory, with Black Lives Matter, Oklahoma City. Um, with Dream Action now Oklahoma with Veterans for Peace and with many of the local tribes. We came back a month later and staged a massive, massive demonstration shut down the highway into the fort. We brought 25 Buddhist priests and nuns with us. Who chanted the heart suture at the gate, um, while DACA young people took the highway and shut it down. After that action, the governor and the two senators from Oklahoma made an announcement the next day and they said, we've decided not to open this site here because we [00:19:00] said if you move ahead with. This is just the beginning. You think this is bad. We are gonna bring thousands of people here and we will make sure this site never opens. we proved through solidarity and community organizing in that moment that when you organize in solidarity against state violence, you win. You know, it's a bad moment. Right now they're proposing what, 23, 25 new warehouse detention sites, but actually. At least three or four of them have been curtailed already because community came together and said, not in my neighborhood, not in my town, not in my city. We will oppose you. And we're getting very smart about how we work together. I think Chicago and Minneapolis, LA have really lifted up the idea that change and transformation comes from the ground up. when we wait for our. Governments to change policy for the better of people and humanity. It doesn't happen. It's [00:20:00] when it's when the grassroots decide. We band together. We protect ourselves, we care for ourselves. We organize, we stand in solidarity against state violence. Then we can move things and we can stop things. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. As Mike described, Tsuru organizes creative nonviolent actions to challenge immigration detention and bring people into collective resistance. Stay tuned to learn more about this movement and they're opposing inhumane practices against immigrant communities. Miata Tan: [00:21:00] [00:22:00] That was Forevermore by Yuna. You are tuned into APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan. Tonight we're centering the work of Tsuru for Solidarity, a nationwide organization with a mission to close all US detention sites and bring an end to inhumane immigration policies. Sophie Sarkar is the Bay Area organizer with Tsuru for Solidarity. Here's Sophie speaking about their approach using non-cooperation as a guiding strategy. Sophie Sarkar: Non-cooperation is the idea that. I guess there's this larger model for [00:23:00] authoritarianism. And that an authoritarian regime is actually a lot more fragile than we think because it is upheld by many different pillars of society. So for example. The authoritarian regime cannot function unless it has a military force that is supporting it, unless it has a media that's supporting it unless it has elected officials corporations, police forces. And so when we think about strategy, we're really thinking about these specific pillars. Um, instead of just like, how can we take down this, uh, authoritarian regime? We think about like, okay let's choose a pillar and let's unpack all the different layers within that pillar. So, for example, if we choose the pillar of corporations, you know, there are many different corporations that we know are supporting, working in concert and supporting ICE and the Department of Homeland Security, like enterprise, like [00:24:00] Hilton, target, home Depot. And within each of those. , Well, there are the consumers, and then there are the workers, the managers, and then the CEOs. So we try to create strategies that kind of work from at a grassroots level. So starting with the outer layer of like the consumers through boycotts to workers, labor strikes and so forth. When we're talking about non-cooperation, we're really talking about strategies that help us support people to, to dissent and to stop actually working with the regime. we learned a lot from Minneapolis where folks were calling up enterprise, um, and booking booking cars so that ICE couldn't. rent them and then just canceling last minute. Miata Tan: That was Sophie Sarkar Bay Area organizer at Tsuru for Solidarity. As Sophie described, Tsuru uses a framework of [00:25:00] non-cooperation to guide its organizing work. Their campaigns include a range of non-violent actions, letter writing, public demonstrations, and continued pressure efforts. Now returning to my conversation with Rob Buscher, Tsuru's, Director of Operations. I wanted to know how Tsuru is organizing together, how they are thinking about this strategy nationwide.  Rob Buscher: We are all remote workers, so Mike and Becca, our Director of organizing, is based in New York City. Uh, and they frequently travel, uh, every other week traveling across the country to the campaign hubs that are mainly located in the West Coast, where we have a larger Japanese American community. Seattle, Portland, San Francisco Bay Area. Those are kind of our big hubs, and that's where the bulk of Tsuru's volunteer members are located. So much of this work is campaign driven, it's really work that is ideated together [00:26:00] as, as a committee consensus based decision making that takes place both from campaign level, but also regional leaders within each one of those hubs. looking at child and family detention, looking at police prisons and detention as our two detention campaigns. Healing Justice as Mike was talking about, including Resiliency and arts as well as the core healing circles Practice that has been a, a part of our practice since the beginning. And also the solidarity with black reparations campaign. So between each of those four campaigns, we have co-chairs that lead that work. Um, they form our leadership council, which is essentially the, the board of sudu. And together with our six staff, we work very closely with the leadership council to create a plan for the organization at a larger national level. But the day-to-day operations is largely being done by our volunteer members in each one of those locations. We have busy seasons, of course. the Day of Remembrance on February 19th is a, a major focal point for a lot of [00:27:00] our historic remembrance around the anniversary of Franklin Roosevelt signing Executive order 9 0 6 6, which laid the legislative groundwork for the forced removal of our communities from the west coast and that. Has become, not just within Tsuru, but within the Japanese American community. A launch point for revisiting this history from the lens of today and trying to understand what is the role of the survivors and descendants of the Japanese American community as we see parallels to what occurred, happening to families. And individuals around the country in real time. A member of my own family was arrested under the Alien Enemies Act in 1942, and we're seeing the same kind of legislation being used against Venezuelans and other folks from Latin America. you know, when we kind of think about the role that we play today. As staff, we hold a lot of the this work from like a planning standpoint, but the actual boots on the grounds are the volunteer members of the organization. Miata Tan: That was Rob Buscher, the Director of operations at Tsuru for [00:28:00] Solidarity. Now let's return to Sophie Sarkar, the Bay Area organizer for this nationwide movement. Here Sophie reflects on Tsuru's volunteer network and the anti deportation campaigns they help to coordinate across the Bay Area. Sophie Sarkar: So our volunteers are largely Japanese American, world War ii, prison camp survivors and descendants as well as allies. And It's an amazing volunteer base to work with because it is so intergenerational. So for example, we had a strategy retreat for our leaders and our youngest participant was 21 and our oldest participant was 95. And. All the ages in between as well. that's one of the reasons I love working with this group so much because I think it's pretty rare to be in such intergenerational spaces organizing together. Yeah. And, uh, we have volunteers all across the Bay [00:29:00] Area. We have folks that. Our artists that have law degrees that, have an organizing background that have never organized before in their lives. Um, we really try to make ourselves accessible to anyone who's interested in participating. So even if um, someone is just really starting to understand the realities of the systemic violence, against immigrants in this country we, we make space for that and we really try to, offer a lot of political education to folks so. Yeah, at any level they can engage. Yeah, and we have faith leaders. We have folks who have experience with labor unions. So it is a pretty wide variety. But yeah, most of us come together with this shared historical experience of, some people themselves or their families being incarcerated during World War II i, myself am a descendant of, [00:30:00] folks who are incarcerated at Manzanar and Tulle Lake. My family were also so folks who were coerced into renunciation and quote self deportation unquote after the war. I feel so many different various connections to my own family's experiences and what's happening today. And so it just feels like a really deep yeah, just a, a deep opportunity to get to, I. Ground in my, my ancestral historical experience as, as an organizer for Tsuru. I think for many of us by really being able to show up in solidarity with groups that are facing State violence it looks different today in some ways. But it's kind of the same playbook as we might say of how the government treated our family members. And it's really an opportunity for us to. really address the [00:31:00] impacts of what happened to our families on us, across generations to address our trauma, to face it to heal from it. Miata Tan: Definitely. Could you share a little bit about what your day-to-day looks like as a organizer?  Sophie Sarkar: My role is really to work with our volunteer leaders and to support them in, , building out campaigns here in the Bay Area. So in the Bay Area we have, we are part of the ICE out of Dublin coalition and we have our own Tsuru campaign around preventing the reopening of FCI Dublin as an ice detention facility. there is currently no ice detention facility in Northern California, so that would have a huge impact on the entire Bay Area and Northern California in general. So we spend a lot of time on that, working on that campaign. we also have part in Refugees campaign where we have supported individuals at risk of [00:32:00] deportation, um, with kind of mutual aid and wraparound care. And we also have a Palestine working group that is Supporting the J eight community in the Bay Area to organize folks around the genocide and Palestine, and now the war in Lebanon and Iran. And so we will be participating, for example, in a interfaith march, and pilgrimage in May as part of that we have a child and family detention campaign that's more national. we organize monthly general meetings so that folks have a place to land with us. And at those general meetings we, give campaign updates, but we also, really try to do something engaging and like take an action together. So, at the last couple, um, general meetings, we folded paper dolls as part of a Paper Dolls campaign to raise awareness about child and family detention and the [00:33:00] 6,000 families that are currently detained by ICE. Miata Tan: That was Sophie Sarkar the Bay Area organizer at Tsuru for Solidarity. As you heard, children and families detained by US Immigration and Customs Enforcement are central to their campaign work. One example is the Paper Dolls to Free families Campaign that Sophie mentioned. Tsuru for Solidarity is leading this effort alongside partners in the National Coalition to End Family and Child Detention. The campaign invites people across the country to create paper dolls with little messages of solidarity, which the coalition will deliver to members of Congress. He is Tsuru's Executive Director Mike Ishii, reflecting on the thinking behind this work. Mike Ishii: We have to recognize that great violence has taken place between people and between our groups. But the only way we're going to reconcile this and actually transform it is if we try to repair it in a [00:34:00] transformative way. You know, part of the work that we're doing right now, in the National Coalition to End Family and Child Detention is a campaign that we call free families. And here's what it does, it recognizes that we are trying to free the families who are inside detention. Uh, you know, Liam Ramos, right? The five-year-old with the bunny backpack who was put in Dilley. He's the face of 3,800 children detained in the last year by the Trump administration. It's probably much higher than that because they don't actually report truthfully, the statistics  That really moved people when they saw Liam's face. But what we're trying to do is have it, his story, be connected to a greater story about families and children, because what we know in our own research. And when we look at the voting patterns and why people voted for the Trump administration in the last election, what we see is really angry. People who feel left behind um, well, the system has left behind people. [00:35:00] Healthcare. Food stamps prenatal care, Medicare education, you name it. Housing, all of the things that affect working people who are struggling more and more as prices go up in this country. As the future starts to narrow and people don't see an open feature for themselves but this 1% is getting more and more enriched by the policies. And the violence that they're enacting on communities. And so the Free Families Campaign is really a campaign not just for immigrant to free immigrant families and children. It's really to recenter the the importance and the sAACREdness of families and to organize families across the country for their common purpose, their common good. I was a part of a study and, advisory council that did research about how do we change the narrative on child and family detention nationally. What we found is that the majority of the country holds a value of the sAACREd. Importance of protecting children and the [00:36:00] sanctity of the family. And when we organize and get people into conversation about that, about their own families and about their own children and what it's like to try to survive in this time, what we realize is that there's this great common denominator of parents actually who are struggling in a system that's leaving people behind everywhere, We think that's where the future of movement and solidarity work needs to go. It's about kitchen table issues. It's about opening a future for the next generation. if you look at the, research and sort of the feedback that you hear from younger generations about their future, it's really bleak. What they say, what they're sharing is that they feel betrayed by the adults. Who are leaving them a world full of climate crisis and war and lack of opportunity, lack of rights. And so the organizing work that we're involved in right now, you say, oh, it's immigrant rights work, it's anti detention work. It's actually about revising the [00:37:00] future for really our whole society. As things fall and burn, it's the old order. It's so based in your rationality that it's collapsing and on some level you can't stop it from falling. And so our work in this moment is to get people out of the way. And save as many people as this system collapses. And then to vision the new system that actually is the beloved community that does provide equity, for all people that has been denied to so many of our communities. And what's important in that work, along with the organizing and the intervention work against state violence, is the work around repair and healing. We're part of, a national cohort that's been, um, sort of think tanking and doing work and sharing, across our organizations, our methods and trying to help develop new templates, new forms of how to take healing and repair, especially around multi-generational trauma. And to share it broadly so that people are resourced and have more [00:38:00] access to the skillset and the tools for healing multi-generational trauma as part of regular everyday organizing in communities across the country. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. Miata Tan: The namesake of Tsuru for Solidarity is deeply symbolic, Tsuru meaning crane in Japanese is described as a creature of transformation. A symbol of healing and repair, not only for the Japanese American community, but all communities. You are tuned into APEX Express, a weekly radio show, uplifting the voices and stories of Asian Americans and Pacific Islanders. You'll hear more from the Tsuru for Solidarity team after this, stay with us. Miata Tan: [00:39:00] [00:40:00] [00:41:00] That [00:42:00] was Nobody by the one and only Mitski You are tuned into APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan. Tonight we are talking about deportation and the communities fighting back. Tsuru for Solidarity, they're a nationwide organization working to close all US detention sites and end inhumane immigration policies We're diving into the Japanese American legacy behind Soda's work and what's driving their fight against deportation. Here's their Executive Director, Mike Ishii. Mike Ishii: We actually have what. Probably more than 12 or 13,000 people at this point who are connected to us in our network. But then on the ground, boots in action, we have hundreds of people who are active and when we call on people like, we need you to come to this major action, we can get [00:43:00] thousands of people to turn out. So this has been a really beautiful evolution of community organizing. We often say. We want to be the allies that our people needed during World War II when they were removed and disappeared from the community. And so that's really our intention that guides us here. in doing so, our work is rooted in relationship building. That's really what that means. Like my mom didn't know that anyone cared about her as a 10-year-old. No one came to the fences of Minidoka. Um, nobody marched in the streets and protested. There were very few people who were fighting for her freedom. And so she didn't know, she didn't have a relationship. So our work is in building relationships within our own community. To Decolonize from white assimilationist forced assimilation policies that are multi-generational, that have positioned us to be inculcated and manipulated as part of a model minority dynamic. We are the group that was used as the poster [00:44:00] child by Ronald Reagan when you rolled out that term. Unwinding that dynamic that has a stranglehold on our community. Because this is a community that was terrified for its survival, and it was grasping for straws of survival and being wildly manipulated by the society in the aftermath of the war. We get to do that work. it's exciting for, for us to get to do that work. And actually, Rob, that's part of his job is to lean into that organizing that we're going to be launching in a fuller manner now that we're here at AACRE. We also get to really build more on what it means to be in solidarity practice. And that's the work I often to get to do with our external partners, what I call our cousins and our siblings in the movement space. And to me, it's some of the most fulfilling work I've ever gotten to do in my life because it breaks your internal isolation that comes from your historical trauma. if you. Have ever woken feeling, how do we go forward? How do we stop this? How do I ever not feel like we're fighting alone? Do this [00:45:00] work because you get daily evidence actually that you're not alone. That we can win when we fight back, and that there are people who care deeply and I get to do that work. I'm very fortunate. As part of the organization our, you know, Becca, who is our Director of organizing, is an incredible strategist and gets to think tactically with our many incredible, incredible volunteers on the ground across the country. I'm fortunate that I know some of them because I was very involved in that work early on. And all I can say is that as a result of having had a chance to be at the frontline in that kind of, deep work with our folks is that I love my people. Oh my God, I love my people. Like I'm just, so moved by the stories of people and their families and survival, and then also their courage to understand that we're a group that achieved a certain amount of privilege in the years since forced assimilation and. The [00:46:00] willingness to understand that's not really something you hold onto, that you actually want to let go of that for your own benefit, and also because it's the right thing to do in the movement toward equity. And so to get to be a part of that movement with my people. Is really a central part of our healing and to get to be a part of that in this organization at this moment, in this moment when we need to step up in, in ways that are so deeply important for the future of really the globe. Whether or not we'll go into an abyss of darkness or we're gonna transform this incredible escalated violence right now, I think we're born for this moment. I really don't think it's an accident. And if we. Each have that choice and opportunity to step into this moment and play a role there. How lucky are we to get to be born right now? So that's a little bit about how I see our role as an organization as we come into [00:47:00] AACRE and as we continue to evolve in this space.  Miata Tan : That's really beautiful. And, and thank you for tying us back into AACRE, which is the Asian Americans for Civil Rights and Equality, a network of progressive Asian American organizations uh, soon be joining. Rob, could you share what you are excited for now that Tsuru will be joining Aker and, the future work that is coming up.  Rob Buscher: Thanks for that question. You know, I think there's so many incredible organizations that are already under AACREs fiscal sponsorship, so just even in some of the preliminary meetings that we've had with other AACRE group leadership and being in conversation with people that. Oftentimes we've already known for, for many years. You know, I, Eddie Zang, um, and, and others who are, are involved peripherally, as funders are people that I've known since the film festival days. I recently learned. Kaen, who's part of the HR staff at AACRE, a filmmaker that I worked with well over a decade [00:48:00] ago on a Muslim Youth Voices Project here in Philadelphia is also part of the team. You know, just having these little connection points has been pointing us towards the direction that we're meant to be here. This feels like the right moment for Tsuru to be joining Aker. Uh, It feels like there's a lot of, , capacity and bandwidth that we haven't had under our current circumstances. But, um, really with the energy and enthusiasm of all of these groups coming together, I, I feel like we can really make an even bigger impact than we are in these programs. Um, as far as, you know, future. Ideas and, and programs that we have coming up on the horizon. we're very excited about the Kintsugi Healing Conference. Uh, as Mike has spoken about the role of healing within our work. Obviously there's a need for repairing the divides that exist within our own Japanese American community and before we can truly be in, in solidarity and, and do collective liberation work. Being able to heal those divides within our own community needs to take [00:49:00] precedent. So Kintsugi is a way of acknowledging that through this healing, resilience based conference allowing us to turn inwards and really think about the long-term effects of intergenerational trauma, how it's shaped all of our families and individual pathways, and how we can ultimately come together to heal those divides. Um, while also learning more about and training up some of our people around these ideas of collective liberation. it's gonna be taking place in San Francisco's Japan town and we're very excited about that. We'll announce the dates very shortly for October, 2026. Some of the other things that we're working on, as I mentioned earlier, we have our black reparations campaign. Tsuru has been doing this sort of work really in many ways since the beginning, but formalized during the, the summer of 2020 in the aftermath of the George Floyd Uprisings, the Black Reparations Campaign as one of the major work areas, with a number of other Japanese American organizations like New UK Progressives and the Japanese American Citizens League, San Jose Resistors. as part of [00:50:00] this national coalition to, uh, achieve redress and reparations for in solidarity with the descendants of chattel slavery. Our campaign actually had the opportunity to travel to Washington DC last May to participate in National Reparation Networks national Reparations Rally that was attended by over a hundred different, organizations that are working on this issue.  Currently. We're in the process of launching a new project called the 4 0 7 Conversations, or a 4 0 7 project. It's acknowledging that 2026 is 407 years since the beginning of chattel slavery in North America in 1619, and the goal is to have at least 407 conversations about reparations in this calendar year. So it's a way to sort of normalize the topic of reparations within not just Japanese American. community spaces, but sort of in the broader conversation about what does it mean to do reparative justice work. As we look towards the future, we're gonna be doing more [00:51:00] narrative campaign work too. We had the opportunity during the day of Remembrance to launch a, nationwide campaign that reimagined the instructions to all persons of Japanese ancestry poster that was placed in our Japan towns. That signaled the beginning of the so-called evacuation, the forced removal of our communities in our new instructions to persons of Japanese ancestry. It was an opportunity to call people in and to, uh, mobilize and activate our community in defense of the frontline communities that are facing the brunt of state violence today. So as we continue to strengthen and build We're hoping to do even more of these large scale national mobilizations. And I'm just excited that we're gonna be able to do this work together, uh, under AACREs banner. Miata Tan: That was Rob Buscher, Director of Operations at Tsuru for Solidarity. As Rob shared from aiding the movement toward black reparations to anti-ice mobilizations. The team at [00:52:00] Tsuru is gearing up for some important campaigns this year To close out, let's return to Sophie aka their Bay Area organizer. I ask Sophie what work she's most looking forward to in 2026. Sophie Sarkar: I am very excited about our, well, yeah, I'm very excited about a lot of things. I think I'm just excited about the ways in which am able to see as an organizer for Tsuru, just like Japanese American community really coming out and mobilizing and working together in coalition. I think, in this time, as we are all trying to figure out ways to dismantle this authoritarian regime and to resist it's really important for us That like we are moving beyond the kind of hierarchical structure that the regime uses and figuring out how to work in coalition and to really find our lane, find what our role is [00:53:00] as an organization, as individuals. And for me it's really exciting to see that the Japanese American community Is doing that is like really trying to work more and more in coalition and I'm excited to continue to support that. for example, we will be leading a non-cooperation training. With other JA organizations in a few months. to, yeah, really support us as a community to understand what non-cooperation looks like and how we can practice that in our various campaigns. And yeah, I see like the japantown organizations we're part of a, Nihon Machi Coalition there. Getting really serious about preparing for and when ICE comes and doing the workup. Upfront now to really train in knowing your rights and non-cooperation and security, just to get prepared as a collective. This year we're also, Tsuru is also organizing our healing justice [00:54:00] conference in the Bay Area called Kintsugi, that will take place in the fall. As part of that we hope to have a day of direct action. So I'm really excited to have the opportunity to kind of bring together our healing justice work, our healing arts work, and our direct action just integrating the three of those. And hopefully planning a really beautiful and healing and powerful action for us all to take together. Miata Tan: That's really lovely. you've mentioned Healing Justice a few times in your own personal background and experience with Tsuru, but also these fantastic campaigns that we are looking forward to. Could you speak a little bit about how the Japanese American community and the wider Tsuru for Solidarity Network is taking care of each other during this moment? Sophie Sarkar: Yeah, such a good question. I feel like that's something that I just notice our community is so good at [00:55:00] doing. Like, I think, you know, we really try to approach organizing from a relational perspective. So. Folks in little ways, like checking in on each other, making each other lunch. I know I had like afternoon at one of our volunteers houses the other day, just like eating lunch together and venting. But you know, it's just the little ways or like folding origami, yeah, I think on that kind of level, relational level of just checking in and remembering that we are human and really need that kind of connection with each other in these times, especially when it can feel really scary and isolating. Zoomed out a little bit more, you know, like our general meetings and our trainings and those kinds of larger gathering opportunities are just a really nice way. Also, we always have a potluck dinner and feed each other. Like, it's just a really nice way to Offer that kind of care and nourishment to one [00:56:00] another and connect as well. Miata Tan: Love that. It's Always great to gather over food.  Sophie Sarkar: always. Miata Tan: That was Sophie Sarkar the Bay Area organizer at Tsuru for Solidarity, reflecting on her communities and how they're taking care of each other during this time. This is APEX Express on 94.1 KPFA, A weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. APEX Express is every Thursday evening at 7:00 PM and with that, we're at the end of our time here. We really appreciate you tuning in tonight and a special thanks for Tsuru for Solidarity for sharing their time and work with us. For a transcript of today's episode, please visit our website. That's kpfa.org/program/APEX Express. [00:57:00] We've also added links to Tsuru for Solidarity's website, their social media channels, and where you can go to learn more about their ongoing campaigns. Be sure to check that out. APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me, Miata Tan. Get some rest, y'all.   The post APEX Express – 4.16.26 – Rethinking Immigration Detention appeared first on KPFA.

¿Por qué pasa eso?En este episodio hablamos de una realidad incómoda:muchos contadores siguen pensando como empleados… aunque tengan despacho.Mentalidad de escritorio.Mentalidad de cumplimiento.Mentalidad de “solo presentar impuestos”.Mientras tanto, el empresario piensa en negocio, crecimiento y dinero.Si queremos mejores despachos…también necesitamos pensar como empresarios.De eso hablamos en este primer episodio de la Temporada 4.Y si quieres llevar esa mentalidad al siguiente nivel, nos vemos en Build x BATS 2026.

Takopi's Original Sin on Taizan5:n kaksipokkarinen manga, jossa Onnellisten planeetalta Maahan saapuva lapsekas avaruusolento tapaa kiusatun tytön ja joutuu oppimaan, että ihmisten maailmassa asiat eivät olekaan ihan niin yksinkertaisia. Ajankohtaisena aiheena puhumme Mangakartan vuodesta 2025 – siitä miten aiheemme ovat jakautuneet, mitkä jaksot ovat olleet suosituimpia sekä omista suosikkiaiheistamme. Lukujonossa kokeilemme K Manga -palvelusta Tsutomu Nihein mangaa Tower Dungeon ja mietimme My Hero Academian lopetusta, kun sarja nyt lopulta animenakin päättyi. --- Kommentoi | Bluesky | Mastodon | X | Threads | Instagram --- (01:06) – KUULUMISET: TULIHEVOSEN VUOSI JA DESUCON FROSTBITE – Tulihevosen vuosi – Kasane, josta puhuimme jaksossa 31 – Desucon Frostbiten ohjelmakartta (02:37) – KUULUMISET: KÄYTIIN JAPANISSA: NYUTO ONSENKYO – Tazawako-järvi – Nyuton onsen-alue – Tae-no-yu, jossa yövyimme – Tunnelmallisissa ulkoaltaissa saatiin olla käytännössä kahdestaan (kuva) – Tsuru-no-yu, alueen kuuluisin onsen – Namatsuun epäonninen kylpemisyritys (YouTube) – Tsuru-no-yun rotkolaaksossa on näemmä vielä 15 vuotta sitten ollut vähän tukevampi ylityspaikka riippusillan vieressä, mutta me jouduimme ylittämään rinteen hieman kiikkerämmin (kuva) (11:43) – KUULUMISET: KÄYTIIN JAPANISSA: KAKUNODATE – Kakunodate – Ruskanäkymiä Kakunodatessa – Kirsikankukkapuun kuoresta tehtyjä esineitä (kuva) (16:45) – TAKOPI'S ORIGINAL SIN: ESITTELY – Takopi's Original Sin – Sarja Manga Plus -palvelussa – The Ichinose Family's Deadly Sins Manga Plus -palvelussa – Shueishan Taizan5-mangakisa ja sen tulokset – OASGin katsaus Jump Rookie -alustaan vuodelta 2018 (23:00) – TAKOPI'S ORIGINAL SIN: TARINA JA RAKENNE – Goodnight Punpun – Jakso 110, jossa puhuimme Inio Asanon toisesta sarjasta Dead Dead Demon's Dededede Destruction – Doraemon – Jakso 35, jossa puhuimme sarjasta A Silent Voice, joka kertoo koulukiusaamisesta (40:33) – TAKOPI'S ORIGINAL SIN: HAHMOT – Jakso 109, jossa puhuimme päähenkilöistä, jotka katsovat ja päähenkilöistä, joita katsotaan – Takopi, Shizuka Kuze ja Marina Kirarazaka (kuva) – Takopi kohtaa Marinan vihan otettuaan Shizukan hahmon (kuva) – Shizukan äiti (kuva) – Marinan äiti (kuva) – Naokin äiti (kuva) (57:57) – TAKOPI'S ORIGINAL SIN: VISUAALINEN TYYLI JA KERRONTA Sarjoja, joissa on suuri kontrasti söpöiksi karrikoitujen hahmomallien ja muuten synkän tarinan välillä: – Higurashi – When They Cry – Princess Tutu – Toilet-Bound Hanako-kun – Madoka Magica – Shizukan kirvesmurhaajailme (kuva) Hurjia siirtymiä: – Shizuka seuraavana päivänä (kuva) – Marinan koti (kuva) – Naokin äidin pannarit muuttuvat ylimaallisen herkullisen näköisistä kuvottaviksi (kuva) (01:05:15) – TAKOPI'S ORIGINAL SIN: KANNET – Sarjan alkuperäisjulkaisun kannet – Yen Pressin Karneval-omnibusjulkaisussa joka toinen kansi on taitettu takakanneksi (kuva) (01:07:29) – TAKOPI'S ORIGINAL SIN: JULKAISU (01:08:51) – TAKOPI'S ORIGINAL SIN: ANIMESOVITUS – Animesovitus Crunchyrollissa – Studio Enishiya – Animen OP (YouTube) (01:15:14) – TAKOPI'S ORIGINAL SIN: SPOILERIOSIO – Kameran voima (kuva) – Takopi esittää Marinaa (kuva) – Shizuka manipuloi (kuva) – Isän ovella (kuva) – Marinan äiti menee vain huonommaksi (kuva) – Naoki ei tullutkaan syömään (kuva) – Piirros Takopista (kuva) – March Comes in Like a Lion (01:56:23) – TAKOPI'S ORIGINAL SIN: YHTEENVETO Mainittuja pitkään jatkuvia pahan mielen sarjoja: – Killing Stalking – Dead Tube (02:03:07) – MANGAKARTAN VUOSI 2025 Ladatuimmat jaksot: – Jakso 115: You Got Me, Sempai! – Jakso 114: Kamome Shirahama ja Desucon 2025 – Jakso 112: Wotakoi Suosikkipääaiheet: – Jakso 113: Toilet-Bound Hanako-kun – Jakso 118: Young Magazine USA – Jakso 109: Keitä ovat mangan päähenkilöt? – Jakso 110: Dead Dead Demon's Dededede Destruction Suosikkiajankohtaisaiheet: – Jakso 116: Kiina vs danmei-kirjoittajat – Jakso 117: The New Yorker -lehden artikkeli Shonen Jumpista ja mangasta Suosikkilukujonot: –Jakso 109: Steel of the Celestial Shadows – Jakso 111: Mitsukazu Mihara ja Doll – Jakso 115: Solfège ja One Piecen uusi käännös – Jakso 116: Ennead ja I Can't Believe I Slept with You – Jakso 117: Delicious in Dungeon – Jakso 119: Stray Dog's Night (02:34:42) – HAMPAANKOLOSSA: SHE LOVES TO COOK, AND SHE LOVES TO EAT – Jakso 119, jossa puhuimme sarjasta She Loves to Cook, and She Loves to Eat – Jakso 3, jossa puhuimme Gengoroh Tagamen opettavaisesta sateenkaarisarjasta My Brother's Husband – Jakso 81, jossa puhuimme sarjasta How Do We Relationship? – This Monster Wants to Eat Me – Jakso 116, jossa puhuimme sarjasta I Can't Believe I Slept with You (02:37:42) – HAMPAANKOLOSSA: OLD MAN YAOI – Jakso 119, jossa puhuimme lukujonossa Michiru Sonoon sarjasta Koh-Boku – Old Man Yaoi -meemi liittyi itse asiassa saman mangakan tarinaan Hot Nights at the Hot Springs, Secret Trip No. 241 (02:41:17) – KUULIJAKOMMENTTI: SARJASUOSITUKSIA – Chichi to higegorira to watashi eli Dad, the Beard Gorilla, and I – Silver Nina – Ceres, Celestial Legend eli Ayashi no Ceres – Jakso 87, jossa puhuimme Yuu Watasen The Best Selection -lyhärikokoelmasta ja Taamon A Girl's Melancholy -lyhärikokoelmasta – Fist of the North Star eli Hokuto no ken (02:48:01) – LUKUJONOSSA: TOWER DUNGEON – Tower Dungeon – Tsutomu Nihei – K Mangassa oleva versio (kuva) on käännöstä ja ladontaa myöten kokonaan eri kuin myöhemmin tehty Kodansha Comicsin (Verticalin) pokkarijulkaisun versio (kuva) (03:03:42) – KATSELUJONOSSA: MY HERO ACADEMIA – Jakso 94, jossa puhuimme sarjasta My Hero Academia – Japanista ostettu neljän palapelin setti lopputaisteluista (kuva) (03:21:37) – LOPETUS

Welcome to Season 5, Episode 46! Many of our guests are multi-hyphenates when it comes to their impact in the world, and today's guest can definitely be described that way. Satsuki Ina is a Trauma Therapist, Activist, Filmmaker, Educator, and the Author of the Memoir The Poet and the Silk Girl which was released on September 9, 2025.  Satsuki is a survivor of the Japanese incarceration during World War II. She was born in the camps and spent her first few years there, both experiencing the trauma in her early years as well as through her parents. In her memoir, The Poet and the Silk Girl, Satsuki tells the story of how her parents, brother, and she survived and resisted their incarceration in U.S. concentration camps. One of the things that makes this memoir even more personal is that she was able to draw from diary entries, emotional haiku, censored letters, government documents, and clandestine messages that her parents Shizuko and Itaru Ina shared with each other. Satsuki further adds to the relevance and personalization by connecting her family's experience to the race and immigration stories unfolding today as well—from rising anti-Asian hate crimes to the militarization of immigration enforcement. At 81, Satsuki continues to be at the forefront of Asian American activism. She's a co-founder of Tsuru for Solidarity, a nonviolent, direct-action project of Japanese American social justice advocates. To learn more about Satsuki Ina, you can visit her website, follow her Instagram @satsukiina, support Tsuru for Solidarity, watch her recent addresses at the 56th Annual Manzanar Pilgrimage and the Snow Country Prison Japanese American Memorial, and you can of course get your own copy of The Poet and the Silk Girl.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

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Send us a textJoin me as I sit down with Claudia Katayanagi, an award-winning documentary filmmaker whose work brings hidden histories to light. As a fourth-generation Japanese American, Claudia's personal and professional journey led her to uncover the dark realities of World War II's "Citizen Isolation Centers," a topic explored in her powerful documentary A Bitter Legacy.In our conversation, we dive deep into the intersection of past and present injustices, examining how the forced internment of Japanese Americans echoes in today's mass deportation threats, immigrant detentions, and violations of civil rights. We discuss the Enemy Aliens Act of 1798, used as a justification during WWII and again today by the current administration. Claudia's work, including her latest film, Exile - Community in Conflict, confronts these historical parallels head-on. She shares her firsthand experiences documenting protests at detention centers across the country, from Texas to California, and the urgent need for truth-telling in the face of rising xenophobia.We also discuss the power of art and storytelling as acts of resistance—how the men and women imprisoned during WWII used paintings, poetry, and prayer to sustain their spirits, and how those lessons resonate in today's fights for justice. With history repeating itself in disturbing ways, Claudia's activism through Tsuru for Solidarity reminds us that silence is not an option.This episode will challenge you. It will inform you. And it will push you to take action. Tune in, learn the truth, and—most importantly—use your voice. Protest. Organize. Vote. Because the fight for justice never ends. SHOW NOTESSupport the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com

Over the past several years, fear and anger have become the dominant forces in American politics. For Japanese elders, who were unjustly imprisoned during World War II because of their race, this political climate feels all too familiar. To satisfy their mission, the Heart Mountain Wyoming Foundation is committed to not only educate about the past, but also help shape the kind of leaders we need for the future.The Mineta-Simpson Institute is a dedicated retreat space at the center, a home for workshops and programming specifically designed to foster empathy, courage, and cooperation in the next generation of leaders. The Institute has expanded the Foundation's capacity for digital outreach, allowing us to carry the message of the Heart Mountain Wyoming Foundation's message all over the world. Aura Sunada Newlin is a fourth-generation Wyomingite, fourth-generation Japanese American, and Executive Director for the Heart Mountain Wyoming Foundation (HMWF). Her heritage involves intertwined stories of imprisonment at Heart Mountain and Tule Lake; segregated military service; and hardships suffered by railroaders who were fired because of their Japanese ancestry. Aura was elected to the HMWF board of directors in 2013 and served as board secretary for eight years. She is also on the board of directors for the National Consortium on Racial and Ethnic Fairness in the Courts and was a founding member of the National Steering Committee for Tsuru for Solidarity. She previously taught Asian American Studies courses at the University of Wyoming and was a tenured faculty member in sociology and anthropology at Wyoming's Northwest College.Aura earned a BA in ethnomusicology from the University of Wyoming and an MA in medical anthropology from Case Western Reserve University. Now focusing on the anthropology of law, she is a PhD candidate at Case Western Reserve University. Aura's work has been profiled by the Women in Wyoming podcast and gallery exhibit; the University of Wyoming's Featured Alumni series; and Wyoming PBS. She was named statewide Faculty Member of the Year by the Wyoming Association of Community College Trustees in 2018 and received the Community Member Award of the Shepard Symposium on Social Justice in 2021.

Welcome to "That One Piece Talk," the podcast where we discuss, review, and debate the latest One Piece chapters. For this video, Larry and Sebastian will live-react to their Discord's worst One Piece takes from 2023. This will be such a fun event, and we can't wait to have you all join us. You want to make sure to take advantage of this.

Tsuru for Solidarity is joining immigrant rights group to demand the closure of the Northwest Detention Center, a private immigrant detention center in Tacoma, WA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show Powerleegirls hosts Miko Lee & Jalena Keane-Lee highlight the annual Day of Remembrance. They speak with Chair Jeff Matsuoka and youth leader KC Mukai. APEX Express is a proud member of Asian Americans for Civil Rights & Equality – AACRE. APEX EXPRESS TRANSCRIPT 2/15/24 SHOW Day of Remembrance 2024: Carrying the Light for Justice – Finding Our Way Home Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Jalena Keane-Lee: [00:00:34] Good evening. You're tuned in to Apex Express. We are bringing you an Asian and Asian American perspective from the Bay and around the world we're your hosts, Miko Lee and Jalena Keane-Lee, the PowerLeeGirls, a mother daughter team. Tonight we're focused on the annual Day of Remembrance. February 19th is a significant date for the Japanese American community. On this day in 1942, president Franklin D. Roosevelt signed executive order 9066, which gave the United States army the authority to remove civilians from their homes during World War 2. Over 120,000 Japanese Americans and 3,000 Japanese Latin Americans were forced into concentration camps scattered in desolate, remote regions of the country. No Japanese Americans or Latin Americans wherever charged of espionage or sabotage against the United States. Yet they were targeted, rounded up and imprisoned for years. Every February, the Japanese American community commemorates Executive Order 9066 as a reminder of the impact the incarceration experience has had on our families, our community and our country. During this present time of genocide in Palestine, it is critical to educate others on the fragility of civil liberties in times of crisis and the importance of remaining vigilant in protecting the rights and freedoms of all. Never again, means never again for anyone. Jalena Keane-Lee: [00:01:59] Next up, listen to “Kenji” by Fort minor, the band created by Linkin Park's Mike Shinoda. This is a song about Mike's father and his family that was incarcerated at Manzanar. SONG Jalena Keane-Lee: [00:05:42] That was Mike Shinoda's “Kenji” based upon his family story at Manzanar. Miko Lee: [00:05:47] Welcome Jeff Matsuoka, chair of the San Francisco Bay Area Organizing Committee of the Day of Remembrance. Welcome to Apex Express. Jeff Matsuoka: [00:05:56] Thank you very much, Miko. It's great to be here. Thanks for inviting me. Miko Lee: [00:05:59] For people that don't know, can you give an overview about what the Day of Remembrance is all about? Jeff Matsuoka: [00:06:07] Sure. Yes. The Day of Remembrance is an annual event that we've been holding actually now for 45 years. This would be our 45th Day of Remembrance event and really what it's commemorating is the signing of EO9066. This is an executive order signed by President Franklin Dela Roosevelt on February 19th, 1942. And essentially what this did was it essentially empowered the military authorities, the US Army authorities, to essentially evict all Japanese Americans living in what's called the West Coast Evacuation Zones. So once again, this is right after Pearl Harbor, and what what was happening was the government feared basically Japanese Americans as collaborators with, of course, the Japanese and of course, there's no evidence as it turns out that was true, but nonetheless what happened was all citizens are all really inhabitants of Japanese ancestry, whether they were citizens or not, were evicted from their homes on the West Coast and sent to concentration camps deep in the Midwest or certainly very far away from the coast. And they said it was for our own safety, but of course there are a lot of factors there that were probably beyond safety that caused all this to happen. Of course, there's a lot of racism and a lot of also discrimination against Japanese Americans. And the bombing of Pearl Harbor and, of course, the signing of Executive Order 9066 resulted in the evacuation of our community, and it served many different purposes. One of, one being that, of course, it created, it served economic purpose for the people who did not want to see Japanese workers, Japanese American workers, for instance, competing for jobs. So there's a lot of, there's a lot of factors behind that, but the end result was that the civil rights of Japanese Americans were trampled on and they were evicted from their homes and they essentially spent the rest of the war sitting in these concentration camps far away from home. And of course, is this injustice that we want to remember every year for the Day of Remembrance. Of course, the other factor of the story as well is that, of course, we also celebrate redress. Of course redress didn't happen until, the 70s and 80s, but eventually Japanese Americans gained redress through the signing of the Civil Liberties Act of [1988], and by that, time, of course, many of the evacuees had passed away, but nonetheless, for those who were still alive at the time, they were entitled to a, to monetary compensation and a apology, actually, from the government for their unjust incarceration during the war. So we also want to lift that up as well, in that it was a celebration, it's a commemoration of the fact that we were in fact compensated by the government for that injustice. Miko Lee: [00:08:46] Jeff, can you share a little bit about your personal connection with the incarceration? Jeff Matsuoka: [00:08:52] My mother's family actually were Japanese Peruvians. They actually lived in Lima, Peru, which of course is the capital of Peru. And a little known, part of the whole sort of Japanese evacuation. I also reached down to South America and my mother's family, I predict my grandfather was actually taken by by the FBI from Peru, and they, were interned in a, separate system of camps called the Department of Justice camps, and they ended up in Crystal City, Texas, which was a maximum security concentration camp run by The Immigration Naturalization service. So my connection is a little bit different from those whose ancestors were born or who lived here in the United States itself. Since my family actually were, From peru. And they only spoke Spanish and Japanese. They didn't really speak English when they came here. Miko Lee: [00:09:39] Jeff, thank you so much for sharing a piece of the story of Japanese Latin Americans that were incarcerated. I talked about that at the beginning of the episode, over 3,000 Japanese Latin Americans, and we actually have a whole episode and a curriculum that's based on that in our series, Never Again. So I'll put a link to that in the show notes. Jeff, can you also talk about your experience growing up with the Day of Remembrance? What was the first one you attended? Now you're the chair and you've been the chair for a bit, but what was your first Day of Remembrance and how does that stick in with your family history? Jeff Matsuoka: [00:10:17] I actually attended what's called the Peru Kai Reunions. These were reunions of many of the Peruvian Japanese who were kidnapped from their countries, and they had reunions, interestingly enough. But my first really day of remembrance didn't really come until maybe around, 2010, our San Francisco Bay Area Day of Remembrance, the, one of the, one of the groups that are always represented is the Japanese Latin Americans, that's how I got involved with learning more about the Bay Area Day of Remembrance. I got involved somewhat late but nonetheless, after I understood about what's going on, what happened basically in the United States itself that really piqued my interest to see whether, we could tell the story, to the American public, because I think this is a really, very important, story that Japanese Americans and Japanese Latin Americans can tell to the American experience here. Miko Lee: [00:11:06] Every year there's a different theme, and in every area there's a different theme. This year we're focused on the Bay Area with you, and the theme for this year is Carrying the Light for Justice – Finding Our Way Home. Can you share a little bit about where that theme came from, and what does it mean to you? Jeff Matsuoka: [00:11:23] Yes. We want to actually talk about the injustices that were wrought on Japanese Americans, as well as, the redress which was a, which tried to correct those injustices. I think another part of DOR is, our experience as Japanese Americans having been, incarcerated unjustly and having also won redress from the government for those injustices gives us kind of a unique platform from which we can, also illuminate some of the struggles of our sisters and brothers, who have also suffered similar injustices in the United States. When October 7th happened, and the war in the Mideast between Israel and the Palestinian people flared up again, the committee members realized that this was something that our community had to come to grips with. So our sub theme this year, Finding Our Way Home you know, has to do with the fact that we need to try to understand a little bit more I feel about the plight of the Palestinian people who, in fact, had their homes essentially taken from them. There is a parallel there, obviously, with the Japanese American experience here, where many people lost their homes or had their properties expropriated taken over by the government or by other people. We feel that we need to have a better understanding, basically, and we need to also stand in solidarity with the Palestinian people, because, and we also need to educate our, audience, which are mainly Japanese Americans, as to the, as to the parallels, between the plight of the Palestinian people that are, that they are undergoing right now, and plight of our people who, you know, who were definitely very much discriminated against and, had their human rights trampled on during the war. So this is another Aspect of DOR I believe that we need to also emphasize. DOR is many things, but I think what it really is, it really is a commemorative and educational event, certainly, but also, it does have an advocacy function as well. The theme kind of embraces that idea of home. We all want to go home and that's what certainly the people in the concentration camps felt during World War II and I'm sure that's what the Palestinian people are feeling as well. Miko Lee: [00:13:23] And how will this support and understanding of what's going on in Palestine show up at the event this year? Jeff Matsuoka: [00:13:32] We're very fortunate to have as our keynote speaker, Reverend Michael Yoshi. He's a retired minister of the Buena Vista United Methodist Church. Michael, for many years he's had a ministry with a village in the West Bank Wadi Fukin, and actually in past DORs, he has reported about his experiences there, and he's also invited members of the villagers of Wadi Fukin to come and visit the United States. He, I believe, is uniquely positioned to speak about these parallels that I'm talking about between the JAA incarceration and what's going on in Palestine, in Gaza and the West Bank today. And also he's uniquely, I think, respected in our community, and he has, he's worked very diligently, he's very highly respected in our JAA community, and I believe that he will be a really great speaker to help us educate to fulfill our educational function of, trying to try to tell us what's going on really there in Palestine. We have, I think, in the United States, a very kind of blinkered view of what's going on, and I think, I believe we need to rectify that view. And I believe, as I say, Reverend Yoshi, who has had, he's been there, he has talked to people there. I believe he is really the best speaker that we could have imagined for our theme this year. So we're really happy to have Reverend Michael Yoshi to be our keynote speaker. Miko Lee: [00:14:53] That sounds great. One of the things I've been really Noticing is how young folks in our community are really vocal about their support for the Palestinians. I'm wondering if you've noticed a difference In the young people that are part of the movement and how they organize and how they utilize their activism versus folks of our generations. Jeff Matsuoka: [00:15:15] Yeah, so of course it's very interesting, of course, the younger generation, they certainly have a proficiency with technology, in particular, social media. And that's something that I think our generation lacks, or we're not as proficient at, using those tools, they're actually able to amplify their message in a way that our generation really at least don't think we really can do. Their reach is much more widespread, I believe, as a result. What really impresses me about the young people, though, is, how as you mentioned, how fervent their advocacy is. Thing is, they're, some of them are really much more ardent, in my opinion, on this cause than people of my generation have shown. So I believe we can learn something from them and I'm really happy that we have some young people on our committee who are really helping us try to try as oldsters to try to understand how best we can bring out this message to the American community and to our community for that matter. Miko Lee: [00:16:11] That's great. And we'll hear more about that later in the episode with KC Mukai, who actually developed a youth organizing committee that's part of the work of JACL and DOR, I believe. So I'm excited to hear more about that. Can you tell us about this Year's Clifford I. Uyeda Peace and Humanitarian Awardee? Jeff Matsuoka: [00:16:32] Yes, our awardee this year is Dr. Rabab Abdulhadi, and, she is actually a professor at San Francisco State University, and, she has for many years actually been very supportive of our JA Advocacy. She's been a candle lighter at our, at our, at previous, of Remembrance events. She is the Director of Arab and Muslim Ethnicities and Diaspora Studies at San Francisco State And she has won many awards. One thing that we really want to emphasize for this year's award is the fact that, we are talking about, the situation in Palestine. The committee felt that it was appropriate to have Dr. Albdulhadi be the awardee given all the work that she's been doing basically to promote Palestinian understanding, both in the educational aspects as well as in advocacy as well. So we feel that she's very well deserving of the Clifford I. Uyeda. Peace and Humanitarian award. And we're very happy that I understand that she will be there in person to accept the award. So we're very, we're looking forward to seeing her at our event. Miko Lee: [00:17:37] Can you give us a little background about the award and what it represents? Jeff Matsuoka: [00:17:44] Yes, the Clifford I. Uyeda award is named after Dr. Clifford I. Uyeda, actually. He was a San Francisco pediatrician, he was also an activist, a lifelong really activist in the Japanese American community. He was active in the JACL. He was very instrumental in starting the, one of the, one of the founders of the redress movement when he was president, actually, the national JACL. Also Dr. Clifford was a man who, you know really was a person of tremendous, I think, courage in the sense that he was man of principle. He took positions, which I think, could have alienated him from even other Japanese or Japanese Americans. For instance, he was very much an advocate for recognizing the Japanese government's involvement or complicity in the rape of Nanking, for instance. And he was very, yes, he was definitely very courageous in taking positions that other people in our community really felt uncomfortable actually taking positions on. When he passed away in 2004, the Day of Remembrance Committee decided to create the Clifford I. Uyeda Award to honor his memory as well as to commemorate or to honor individuals who are activists in the same vein as Dr. Uyeda was. Courageous path breakers basically in our community and also outside of community for social justice and inclusion and yeah, we're very happy that Dr. Albdulhadi is this year's Clifford I. Uyeda award winner. Miko Lee: [00:19:12] I hear what you're saying about how important it is for our community, for Japanese Americans to understand this history and to recognize it and connect it with things that are happening today. Why is it important for non-Japanese Americans to understand about the Day of Remembrance? Jeff Matsuoka: [00:19:29] First of all, I'm sorry to say this, most non-Japanese don't even know about EO966 or the internment of Japanese Americans. As time goes on the American public sort of forgets things, and this is one of those things that really can't be forgotten because obviously what happens when you forget history is you repeat history, and that's what's happening. I think, for the non Japanese community, the lessons that were learned from the incarceration of Japanese Americans, in the sense that, it was an unjust incarceration that civil rights were, in fact, trampled on, and that, in fact, the government apologized for those injustices and they actually compensated, our community. These are things that I think the American public needs to know because if they forget, and unfortunately I believe they are forgetting, then those same injustices will be perpetrated again among other, to other communities and the cycle will continue. So this is a very valuable lesson and particularly now given the political atmosphere here in this country. This is a very important lesson that needs to be taught and understood as to what the implications of government actions like this have basically on people, if our, of our certainly has affected our community but we can look at other examples of other communities that have been similarly impacted. And I believe those lessons have been lost or forgotten in those cases. The Day of Remembrance is really more important than it ever has been. Miko Lee: [00:20:56] Thank you so much Jeff Matsuoka for joining us. We will put a link in our website to the Day of Remembrance events that are happening all over the country. But Jeff, can you give us more details about the Bay Area Day of Remembrance that's happening February 17th from 2 to 4? Where is it and what will people experience when they go to it? Jeff Matsuoka: [00:21:14] Yes, thanks, Miko. Yes, the San Francisco Bay Area Day of Remembrance will take place as you mentioned on Saturday, February 17th from 2 to 4PM. It's going to be at the AMC Kabuki 8 theaters. That's 1881 Post Street in San Francisco's Japantown. And we'll have, of course, the keynote speaker, Reverend Yoshi, but, another important part, a very commemorative part of our, Day of Remembrance is the candle lighting ceremony, where we actually honor the internees of the ten War Relocation Authority camps, as well as the DOJ Department of Justice camp, with a candle lighting ceremony, and that's always the highlight of the event. A very you know, commemorative and contemplative and very actually emotional, event where we commemorate the all the internees who were unjustly incarcerated and, following the event we're actually going to have a procession through Japantown, going from the theater to a reception, which should be held at the Japanese Cultural and Community Center of Northern California and that's on Center street. So we hope you can join us. It should be should be a really, meaningful and important event Miko Lee: [00:22:18] And that candlelight procession is quite beautiful. It is wheelchair accessible so people can leave the Kabuki theater and basically walk around the corner. And it's a lovely commemoration and recognition of a horrible event that happened in these United States. But we're working to remember them so that we can make sure that they don't happen again. Thank you so much, Jeff, for joining us on Apex Express. Jeff Matsuoka: [00:22:42] Thank you very much for having me. Jalena Keane-Lee: [00:22:46] Next up listen to Nobuko Miyamoto's “Gaman.” MUSIC Jalena Keane-Lee: [00:29:07] That was “Gaman” from Nobuko Miyamoto's Smithsonian Folkways album, 120,000 Stories. Nobuko was one of the many women's stories that haven't been highlighted until now. Miko Lee: [00:29:19] You are listening to 94.1 KPFA and 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno, 97.5 K248BR in Santa Cruz, 94.3 K232FZ in Monterey, and online worldwide at kpfa.org. Jalena Keane-Lee: [00:29:48] All right. Welcome KC Mukai to Apex Express. I think this is the first time that we've had the reigning Cherry Blossom Queen on our show, so it's so great to have you here. Thank you so much for joining us. KC Mukai: [00:30:02] Oh my gosh, yes, thank you so much for having me. It's an honor. Jalena Keane-Lee: [00:30:07] So can you tell us a little bit about being the Cherry Blossom Queen, like what did it feel like to win that honor, and how did you find out about the pageant? KC Mukai: [00:30:16] Well, I've always been involved in the Japanese American community growing up, going to Buddhist temples and participating in Girl Scouts. But when I came to the Bay for college, I was really searching for community. So I got involved with an internship program called Nikkei Community Internship in Japantown, and then that put me in contact with the Northern California Cherry Blossom Festival. And from there, I decided to apply for the Queen Program, because it really valued female leadership, especially within the community. And it's been an amazing, amazing year so far, and I'm actually almost rounding out the end of it for the next court to come in in April. But, yeah, it's truly been such an amazing and beautiful journey with the court. Jalena Keane-Lee: [00:31:02] That's so wonderful. What are some of the highlights of your year with the court so far? KC Mukai: [00:31:09] Yeah, I would definitely say some of the highlights have been me participating in, you know, events that I grew up with, such as Obon getting to go to San Jose Obon and also Concord. Really being a part of the community there. I would also say a highlight has been just going to different community organization fundraisers the JCCCNC and Japantown as well as Kamochi and other organizations that, you know, are really critical for keeping Japantown thriving. It's been an honor to meet leaders from there and be able to see, you know, the blood, sweat and tears that really goes behind producing and helping the community thrive. And then I think, of course, getting to meet just such wonderful, wonderful and amazing women in this community not only from my current core, but also Hawaii and Nisei Week have similar festivals and programs. And so getting to meet and bond with them and just really seeing that, you know, women are the cultural keepers of our community the Japanese American community and it's really important to keep those ties close and really, really help them to grow. Jalena Keane-Lee: [00:32:26] Oh, I love that. What are some of the things that sparked your interest in Japanese American community organizing and culture bearing? KC Mukai: [00:32:39] Some of the things that inspired me, particularly in my organizing sense is definitely having, being part of the Japanese American community and I have grandparents and great grandparents and family that were among the 125,000 people of Japanese descent that were incarcerated during World War II because they were deemed a national security threat. And so because of that tie to incarceration and injustice and the fact that, you know, my great grandparents lost their livelihood and my grandparents lost their youth and kind of that community sense lost a grasp of their identity and security I ground my organizing work in kind of a lot of making sure that that injustice doesn't happen to other communities today or at least advocating for that. And I think being a cultural keeper it's growing up and being part of temples and community spaces. I got a chance to see how the women of my community and like the Obachans or the grandmas would come out and dedicate so much of their lives to keeping our temples and organizations afloat in terms of, you know, coming out early and bringing food staying till late hours cleaning up, leading the organizations on the board and stepping up for leadership positions. And it's because of those role models and that ancestral history that I continue to feel today, like, it's important to get involved in my community and also speak up for injustice. Jalena Keane-Lee: [00:34:18] Thank you so much for sharing that. Tonight's show is focused on the Day of Remembrance. Can you share a little bit about how the Day of Remembrance has been recognized in your family? KC Mukai: [00:34:30] Yeah, so in my family I'm half Japanese and half Chinese, and my Japanese side, my family has always. recognized Day of Remembrance as an important holiday within our community, specifically because of its importance to recognizing incarceration and what happened to Japanese Americans during World War II. I grew up in the Central Valley in Fresno area and the surrounding towns and being able to recognize the Day of Remembrance and kind of tie it back to my own, personal tie with this, and then also connecting it to what is happening in the world today, that's always been kind of an important keynote of, of the time. So my family, in particular, my Japanese side was incarcerated at Poston and Gila River and then they resettled back in the bay, but then my pod moved out to central California to live on a cherry farm. We always understood that despite this being kind of a historic event, the themes of injustice and exclusion, and human rights are still very much applicable to what we see happening in the world today. Jalena Keane-Lee: [00:35:55] Can you talk with us about the theme of this year's Bay Area event for Day of Remembrance, Carrying the Light for Justice – Finding Our Way Home? KC Mukai: [00:36:04] Yeah, so the theme for this year's Day of Remembrance has to do with Palestine and what we see happening in the Middle East. We chose Palestine to be your theme because we think that it's an important moment to not only share and educate what is happening with our community, but also to bring our community in and raise consciousness. We chose this topic because of course it's very urgent and very timely as, as we speak, there is still not a ceasefire in Palestine and we wanted to do all we could to really highlight the issue and center the Palestinian community and really be an ally. Japanese Americans, we know from our own history, the importance of protecting human rights and civil rights and civil liberties, since these were, of course, stripped away from us during America's World War II incarceration camps. And so, seeing then the destruction of, you know, Palestinian communities really speaks to us as Japanese Americans because we also faced the destruction of our own communities, you know, in our homes and our businesses and our farms are taken away. And also we were denied our education, our health care, our cultural rights and of course, other infringements of civil rights and basic human rights. We very much see this, and recognize the same things happening in Palestine. However, with that being said, I think our DOR committee also recognizes that not all of our community is in the same place in terms of education and understanding of this work and we want to be cognizant of that. So part of our programming is we're inviting Reverend Michael Yoshi, who's a very respected pastor within the United Methodist Church who has been doing work alongside an allyship with Palestine for a while. And we're inviting him as a respected member of our community to come and speak and share a bit about why he sees the Japanese American experience aligning with the Palestinian experience. On top of having Reverend Michael Yoshi, we're also inviting a few of our Nikkei organizations in the community to come and table and just be there to help educate. There's a growing collective called Nikkei for Palestine that has recently formed that has been trying to push our community to be more active and organized. So Nikkei for Palestine, alongside Tsuru for Solidarity is hoping to show up and also just help bring our community into the work. Jalena Keane-Lee: [00:38:46] That's so great. Thank you so much for doing that. And I feel like it really brings the phrase of never again into the present and also emphasizing that never again doesn't just mean for our own community, but it means for anyone and everyone in the world. So thank you so much for making those intersectional connections. And I know you mentioned Nikkei for Palestine and Tsuru for Solidarity. And so I was just curious if you could talk a little bit about the different kind of community organizing groups that you're a part of. KC Mukai: [00:39:21] Yeah, sure I'd love to share. So I think importantly is probably Nikkei for Palestine collective that I have been doing work in and we are a growing collective that formed out of a kind of initial meeting held by Nikkei resistors in the Bay Area that sought to kind of gather others who were really seeing the destruction and loss of life happening in Palestine and really wanting to organize around that.And so Nikkei for Palestine has been doing several things, including trying to push the JACL or the Japanese American Citizens League to speak up. We've also been holding weekly power hours for our Nikkei community to call on our Japanese American representatives to speak up. We've also been doing educational work, and putting together packets and toolkits and so that's Nikkei for Palestine. Other than Nikkei for Palestine, I'm of course involved as the Queen of the Northern California Cherry Blossom Festival and on top of that, I also do work with Tsuru for Solidarity as their current fundraiser chair. And alongside doing my fundraising role in Tsuru, I'm also on the Police, Prisons, and Detention Working Group, and currently in Tsuru for Solidarity is actually planning for a big action in Tacoma, Washington. We're organizing, to shut down the Northwest Detention Center, which, is a detention center, holding individuals that have been facing very bleak, human rights violations, in terms of not getting adequate food, having, water pipes burst in the detention center and they've actually been going on hunger strike, the individuals within this detention center have been trying to strike in their own way, and so we're hoping to do a big protest upcoming on our Day of Remembrance, actually, for February 16th. And then past that, we're also doing a big action at the end of April, in the last weekend of April. Yeah, those are some of the groups that I organize with today. Jalena Keane-Lee: [00:41:32] That's great. Thank you so much for sharing. And when it comes to, you know, growing up and becoming a woman in the world today and just everything that we're faced with when it comes to genocide and mass incarceration, both in the present and in the past, I'm curious, what are some of the things that that bring you hope and that remind you that You know, there is so much to fight for and to work for. KC Mukai: [00:42:03] I think some things that give me hope are intergenerational conversations. I think oftentimes within organizing work and can get. We tend to pigeonhole ourselves within like this one moment without realizing that we're part of a larger landscape and in a larger history of people that have been doing this work for a long time. So it makes me very hopeful and grateful to see elders that have been in this work for a long time getting involved and sharing their knowledge as well as younger folk and children also sharing and being part of the movement today. Recently I went to a ceasefire banner drop at the Buddhist Church of Oakland and there they had some of their Dharma school students actually speak up and share why ceasefire is important to them and they were leading the chants. And, as you know, going out to protest today, we often see young children out there right there with us. And I think that is so inspiring that despite all of the violence and that we see in the world today, that we're still able to have these moments of true community and true passing down of knowledge and being able to see that there is a future. I think something else that also gives me hope is cultivating spaces like some of the community groups I've been a part of, I think, especially like Tsuru and Nikkei for Palestine. Being able to have honest conversations with each other — I think it can be hard to organize especially when you're organizing against something that seems so insurmountable and then conflict often comes to that, but it's been hopeful to see the ways in which my community is able to push past, I guess, the ties of what bounds us to punitive and carceral measures in terms of like, if I don't agree with you, I'm going to shun you. And it's been encouraging to see spaces where this is rethought and how can we creatively work in and organize together in a space without and recognize that we may have differences, but that we're all in this work together and push forward from that. And so I think those have definitely kept me going in these moments. Jalena Keane-Lee: [00:44:34] And yes, we love intergenerational connections and organizing and activism, and I was wondering if you see any differences in organizing amongst our generation and our parents and our grandparents generations. KC Mukai: [00:44:48] Wow, that's a great question. Yeah, I would say something, like, I would definitely say something that I've noticed is different is that kind of abolitionist look at relationships in terms of, I feel like, in my parents and grandparents generation, there's often, and especially within the community, there's often this need to, like, disagreement is never completely dealt with, or it's definitely like more shamed upon or kind of the ways that we treat each other are, you know, not as like creative as we want it to be. And so what I see in this future generation is this. It's kind of, you know, hope to be more intentional with each other, especially under an understanding, like the work needs to be done and how can we get past this small moment of conflict and be able to see the larger picture. I would also say like in terms of organizing itself I think it's been cool to see how, I guess social media plays a role in our organizing spaces. Especially I was just on a call with an elder last night and she was sharing about her work getting involved in the Vietnam War and how from their perspective, they weren't able to get like the real time information about the atrocities happening during war like we are during this time, and being able to see, you know, the amount of destruction happening in Palestine. So I think that, you know, the social media part of it and how fast media can move is playing to our benefit, but also, you know, also our demise in some way. And so, yeah, I think those two things are definitely some differences I see in our generations. Jalena Keane-Lee: [00:46:45] Thank you. If there's someone out there listening who's not sure how to get involved in community and community organizing, and maybe not sure that their voice matters or could make any sort of impact, what would you say to them? KC Mukai: [00:47:04] Yeah, if there's someone, I think if there's someone out there listening that, you know, is maybe struggling with, seeing how their voice and their position in this matters, I would say to them that it's important to think about yourself, not just as an individual, but as part of a whole. I lean on the practice of interdependence, which is a teaching in Buddhism, which teaches us that we are all connected to each other and what I say and what I do has an impact upon others around me. And I think it's important to understand that movements get started because of a person and another person and another person joining and thinking about the, I guess, vastness of organizing work. It's important to really, while as complicated as it is, it's important to sometimes simplify it for yourselves and just say that, hey, like, I can start my own movement in my own way. I recently heard or was reminded of the way that, redress or redress for the Japanese American community kind of got steam within our community and eventually got passed in Congress. And it started with, you know, one person just keeping standing up at these JACL meetings. And for 10 years, he came to JACL National Convention and he kept arguing that we as Japanese Americans need to bring redress into Congress and because of his work, it eventually passed as a national resolution in JACL and that's when JACL got involved and really helped to push it with Congress, and that's how we got redress and that was such a long timeline and I think it's important to remember stories like that and stories of how movements are started to encourage us. Jalena Keane-Lee: [00:49:15] Absolutely. And speaking of JACL, could you talk with us about your development of a district youth board for JACL? KC Mukai: [00:49:26] Yeah, so I started the district youth board of the NCWNP district youth board, two years ago because I became the NCWNP, which is the Northern California, Western Nevada Pacific District, youth rep.And because of that position, my governor asked if I could, you know, really get a hold on this, this youth leadership. And so with her guidance, and my, I guess, ambition and drive, I brought together 6 of us, to form the 1st District Youth Board in the JACL, and we were able to build out programming and youth events and intergenerational events and get a grant to help send people to national convention as well as other projects all within our first year. And so it was very, very, very great especially for building the leadership pipeline within JACL we were able to help some of our youth members get on to leadership positions within our district council and also as chapter presidents and because of that, it helps to diversify, I guess, the outlook of of JACL in terms of what JACL is passionate about what it's able to speak on. And so I'm very, very proud of that district youth board. But since then, I have stepped off as one of the founders and so my co-founders Bruce Arao and Halle Sousa have been really, really doing such a great job with district youth board. And taking it to places I never thought I would go. So I think it's all been great getting to watch them do that. Jalena Keane-Lee: [00:51:27] That's wonderful. Thank you. Is there anything else that you'd like to add about the Day of Remembrance or about anything else that you have going on? KC Mukai: [00:51:38] Yeah. So I'd like to add, I'm also involved in a growing organization that we just founded called JAYA, which is the Japanese American Youth Alliance. And our goal is to connect all of the Nikkei youth organizations within the Bay and NorCal and Northern California together to help do like youth programming and also kind of serve as a bridge between collegiate organizations and then young adult organizations. And so because of that work with JAYA, we're actually holding our own Day of Remembrance event, and it's in conjunction with the Bay Area DOR. But it will be happening right before Bay Area DOR's, which will be in the morning around 11 AM, and we're holding it at the JCYC in San Francisco, Japantown, this event will, be more of an opportunity for youth to come together to talk about why Day of Remembrance is important. We'll also be talking about Palestine and solidarity with Palestine and so if there's any youth listening who are interested in coming, we definitely would like to see you there. And then afterwards, after our youth one, we'll be joining the Bay Area DOR one at Kabuki Theater. Jalena Keane-Lee: [00:52:26] That's great. Thank you so much for sharing. And we will link to more information on that in our show notes too. KC Mukai: [00:53:02] Okay. Wonderful. Jalena Keane-Lee: [00:53:06] Is there anything else that you'd like to add or share? KC Mukai: [00:53:08] Just thank you so much for having me. And this was such a great opportunity to share a little bit about my work, but also the larger work of the Japan town and Japanese American community. So thank you so much. Jalena Keane-Lee: [00:53:19] Thank you so much. It was so lovely getting to talk with you and it's really inspiring all the different work that you're doing and, uh, Nikkei for Palestine sounds really awesome too. KC Mukai: [00:53:29] Thank you, thank you. Miko Lee: [00:53:31] There are events happening this weekend for Day of Remembrance, all over the country. So for the community calendar, I'm going to give you a little bit of an update. To find out more about what's happening for Day of Remembrance in your community check out the Japanese American Citizen League's website to look at the regional events at JACL.org. In the Bay Area where many of us are located. This Friday night from 6 to 9:00 PM there's going to be a day of remembrance student celebration at UC Berkeley's Stephen's Lounge. And then the next day on February 17th in the Bay Area will be the Bay Area Day of Remembrance that we talked to both of our guests tonight about. It's called Carrying the Light for Justice – Finding Our Way Home to commemorate the Executive Order 9066. It will be at AMC Kabuki 8 theater on 1881 Post St, and then a beautiful candlelight procession through the streets of Japantown to a reception at the Japanese Cultural [and Community Center] on 1840 Sutter. Everyone is welcome and it's wheelchair accessible. Also February 17th from 2 to 4, if you are in Los Angeles, the Day of Remembrance is called Rooted in Resistance: Fighting for Justice during World War II, reinforces the importance of standing up for justice in times of great moral crisis. From the draft resisters and the No-No Boys to those who protested through quiet hunger strikes or chanting crowds, resistance has taken many forms since World War II and we will hear truth and testimony from those who remember and honor these stories. Some of the speakers include Diana Tsuchida, Kyoko Oda, Tak Hoshizaki, and Soji Kashiwagi. On Monday, February 19th from 10:00 AM to 4:00 PM is the Day of Remembrance in San Jose. And then the following weekend, Saturday and Sunday, February 24 and 25, there will be films all about the Day of Remembrance at the Kabuki and San Francisco. And then in San Jose at the Betsuin Buddhist church. Again, to find out more what's happening in your community check out JACL.org. And remember so that we don't repeat the harms of the past. Thank you very much.   Jalena Keane-Lee: [00:55:54] Next up we hear “Summer of '42” by Kishi Bashi from the album Omoiyari. Even though Kishi and his family immigrated to the US post-World War II, he created this album to address the current political climate. He felt that the talk of walls and bans on immigrants recalls the same sort of fears that sparked the internment camps after Pearl Harbor in 1941. Jalena Keane-Lee: [00:56:18] That was “Summer of '42” by Kishi Bashi. Miko Lee: [00:59:14] Please check out our website, kpfa.org to find out more about the Day of Remembrance and the guests that we spoke to. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.           The post APEX Express – 2.15.24 – Carrying the Light for Justice appeared first on KPFA.

WTFolklore kicks off 2024 by reading Tsuru no Ongaeshi and several of it's variants, giving you a veritable zodiac wheel of animal wives to choose from! Suggested talking points: The Gradual Descent Towards Something, The Most Secret Best Known Folktale Award, A Grab-Bag of Human Parts, Posture Correcting Underpants, Furry Waifu Starter Kit, Eyes Full of MilkIf you'd like to support Carman's artistic endeavors, visit: https://www.patreon.com/carmandaartsthingsIf you like our show, find us online to help spread the word! Follow us on Twitter, Facebook, and Youtube. Support us on Patreon to help the show grow at www.patreon.com/wtfolklore. You can find merchandise and information about the show at www.wtfolklorepodcast.com.

Über 4 Jahre und 27 Präfekturen später, will ich sie euch endlich präsentieren: meine Lieblingsorte in Japan! Folgt mir vom subarktischen Norden bis in den subtropischen Süden, vom Großstadtdschungel bis in die putzigsten Winkel. Ortsnamen und Begriffe aus dieser Folge: Hokkaido: Shiretoko Nationalpark Zao Onsen Nyuto Onsen: “Yumeguri” Onsen-Pass und “Tsuru-no-yu” Ryokan Tokyo: Bezirk Minato mit dem Tokyo Tower und dem Aoyama Friedhof; Viertel Naka-Meguro Kawasaki: Kirschblüten-Pfad entlang des kleinen Bachs südlich zwischen den Nambu-Line-Stationen Shukugawara und Kuji; Freilichtmuseum “Nihon Minka-en”; Onsen “Shiraku no yu” Izu-Halbinsel: Stadt Atami; Jogasaki Coast an der Station “Jogasaki-Kaigan”; Vulkan Omuro; Ort Kawazu mit der frühen Kirschblüte, den “Seven Waterfalls” und dem “Amagiso Onsen” direkt an einem der Wasserfälle; Ort Shimoda mit dem Shimoda Tokyu Hotel, den Traumstränden “Kujuppama Beach” und “Shirahama Beach”, dem “Shirahama BBQ Garden” und der etwas entfernter gelegenen “Hagachizaki Monkey Bay” Präfektur Gifu: Nakadendo (historische Postroute) mit den Orten Magome-juku und Tsumago-juku (sowie etwas abgelegen Narai-juku), Atera Valley mit dem kristallklaren Atera Fluss Insel Kyushu: Nagasaki, Fukuoka (Heimat vom Tonkotsu Ramen), Onsen-Stadt Beppu, Onsen-Dorf Kurokawa Onsen in der Nähe des Vulkans Aso Präfektur Okinawa: Insel Ishigaki

Professor Scott Méxcal sits down with three of Seattle's preeminent tattoo artists to chat about life behind the needle. In this discussion, they will explore the history of tattooing, tattoo cultural traditions, and the personal journeys of tattoo artists Sonrisa Barron, Suzanna Fisher, and Dustin Burt. About the artists: Sonrisa Barron is the owner and lead artist at Serpent Tattoo LLC, established in 2023 in Olympia, WA. With a Bachelor's degree from Evergreen State College and extensive training via a long-term apprenticeship, Barron specializes in neo-traditional and illustrative tattoo styles. Barron believes that tattooing is not just about creating a beautiful piece of art, but also about creating an energetic exchange that promotes healing and clarity. Suzanna Fisher was born and raised in the Pacific Northwest and has always felt lucky to live amongst the beauty and diversity that can be found here. Shortly after graduating with a degree in Visual Art from the University of Washington, Suzanna began a tattoo apprenticeship and the fates were forever sealed. Tattooing allows Suzanna to collaborate with clients to realize their vision of personal adornment through a shared appreciation of nature and with respect for this ancient art. Suzanna has been tattooing professionally since 2007 and has owned and operated Bellwether Tattoo in the Wallingford neighborhood of Seattle since 2014. Dustin Burt specializes in realistic tattoos through the Black and Grey tattoo technique and has developed a style of his own. With a degree from the Art Institute of Pittsburgh and over ten years of tattooing experience, Dustin Burt strives to continually develop as an artist while providing the highest caliber of artwork to his clients. In 2021 Dustin was featured in MoPop's tattoo exhibition “Body of Work: Tattoo Culture. About the Moderator: Scott Méxcal is a public artist, scholar, and art activist. Born and raised in Albuquerque New Mexico, Scott grew up amongst the Nopal and Yucca learning the fundamentals of Chicano Street Art. In 2000, Scott moved to the PNW to earn his BFA from Northwest College of Art and later studied classical painting at Gage Academy of Art in the Aristides Atelier. In 2022, Scott was awarded an MFA through Prescott College in Social and Environmental Practice Art. Scott has lectured at the Seattle Artists of Color Expo and Symposium (ACES), created public art projects, commissions, and exhibitions throughout Seattle, and supports the fight to close the NW Detention Center with Tsuru for Solidarity and La Resistencia. Presented by Town Hall Seattle and Gage Arts Academy.

On the road at SheSpace in Houston Texas, we sit down with the Founder and CEO of SheSpace Stephanie Tsuru as she shares her story and we explore what it means to empower the women around you. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unbrands/message

On the road at SheSpace in Houston Texas, we sit down with the Founder and CEO of SheSpace Stephanie Tsuru as she shares her story and we explore what it means to empower the women around you. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unbrands/message

On the road at SheSpace in Houston Texas, we sit down with the Founder and CEO of SheSpace Stephanie Tsuru as she shares her story and we explore what it means to empower the women around you. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unbrands/message

On the road at SheSpace in Houston Texas, we sit down with the Founder and CEO of SheSpace Stephanie Tsuru as she shares her story and we explore what it means to empower the women around you. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unbrands/message

We are live at SheSpace in Houston Texas (@shespacehtx) to celebrate our 100th recording!! We're joined by special guests Stephanie Tsuru and Rachel Regan who share their insights from the 2023 Forbes Women's Summit in NYC. We reminisce and share stories from the incredibly powerful speakers ranging in age from 18 to 73. As much as these powerhouse women's journeys inspired us, our biggest inspirations were actually found in the conversations with the incredible women who were also guests. Realizing and discussing the special opportunity to come together as a global community, we also took time to give our perspective on what makes Houston so special to each of us. We talk about how Houstonians come together to build stronger families, businesses, and community through our philanthropy and friendships

What a delightful time I had speaking with Aura Sunada Newlin of the Heart Mountain Wyoming Foundation. And my visit to The Heart Mountain Interpretive Center was deeply moving and inspiring. My time at the Center and spent in conversation with Aura left me feeling quite certain that we are living at a time when lessons that were unlearned in the 1940's remain some of the most pressing lessons needed in our time.Aura Sunada Newlin is a fourth-generation Wyomingite, fourth-generation Japanese American, and Executive Director for the Heart Mountain Wyoming Foundation (HMWF). Her heritage involves intertwined stories of imprisonment at Heart Mountain and Tule Lake; segregated military service; and hardships suffered by railroaders who were fired because of their Japanese ancestry. Aura was elected to the HMWF board of directors in 2013 and served as board secretary for eight years. She is also on the board of directors for the National Consortium on Racial and Ethnic Fairness in the Courts and was a founding member of the National Steering Committee for Tsuru for Solidarity. She previously taught Asian American Studies courses at the University of Wyoming and was a tenured faculty member in sociology and anthropology at Wyoming's Northwest College.Aura earned a BA in ethnomusicology from the University of Wyoming and an MA in medical anthropology from Case Western Reserve University. Now focusing on the anthropology of law, she is a PhD candidate at Case Western Reserve University. Aura's work has been profiled by the Women in Wyoming podcast and gallery exhibit; the University of Wyoming's Featured Alumni series; and Wyoming PBS. She was named statewide Faculty Member of the Year by the Wyoming Association of Community College Trustees in 2018 and received the Community Member Award of the Shepard Symposium on Social Justice in 2021.Website: www.HeartMountain.orgFacebook: facebook.com/HeartMountainWYTwitter: twitter.com/HeartMountainWYYouTube: youtube.com/HeartMountainWyomingFoundationListeners can contact HMWF at info@heartmountain.org You can support HMWF by becoming a member: https://www.heartmountain.org/join-and-give/become-a-member/

La temporada 2 de este podcast continúa con verdaderos Dioses en el escenario. Clemente Cámara, leyenda como pocas en la publicidad mexicana, llega al nuevo Estudio de Los Dioses ¡y nos deja sin palabras! El nombre de Clemente está asociado a la publicidad en México. Ser publicista, nos dice,es llegar a la mente y al corazón de las personas.  Hacer que una idea quede grabada en la parte emocional, realmente cambia las cosas. Empezamos con mujeres extraordinarias. La historia de Chaneca Maldonado, publicista extraordinaria, creadora del Chaca-Chaca de Ariel y Acapulco en la Azotea. La primer mujer alcalde en una comunidad de Oaxaca. Mucha tecnología, poca comunicación. ¿Puede la tecnología, a través de la comunicación, mejorar la situación de violencia en México? Creemos que sí. Cuidado: la gente sólo recuerda el 7% de la comunicación que recibe. Y cada vez usamos menos palabras. ¿cómo cambia esto la sociedad? La historia de Brandy Don Pedro -el brandy que tiene el don. Cuando la publicidad se acercaba a la difusión de la cultura.  ¿No nos cree? Vea el comercial de Don Pedro que hablaba nada -más y nada menos- que de Nicolás Copérnico. Grandes aventuras de la filmación en 35mm.  El mítico spot estilo Tiburón para Ford Mustang. ¡67 puntos de recordación!  La dupla con Pedro Torres.  ¿Cómo filmar un spot para Grand Marquis en la cima del volcán Chichonal? Ahora General Motors -antes “la Chevrolet”. La historia de Cheyenne comenzó… jalando un vagón del tren. ¿Cuál es el secreto para hacer creatividad así de impactante? Clientes valientes (uff!) El mentor de Clemente, Marcio Moreira, se lo lleva a trabajar a McCann en Nueva York (ahí nomás). La verdadera historia de New Coke, el relanzamiento de Coca-Cola en los ochenta. ¿El mayor error de la historia del marketing? Entérese de la verdad. Barry Day, el original Mad Men. La diferencia entre una simple campaña… y una estrategia de marketing.  Cuando la creatividad deja de estar alineada a la estrategia, deja de funcionar. Desengáñense, creativos: la buena creatividad es la que vende. Llegamos a Nissan. Clemente Cámara, ya como agencia independiente, lo invitan a un concurso entre las 20 agencias más grandes de México. ¿Cómo logró ganar?  Con honestidad. La extraordinaria historia de Tsuru, el auto más vendido en la historia de México. Un spot legendario, donde interviene la telenovela Nada Personal, Benito Taibo y hasta Polo Polo. ¡Si no lo ha visto, véalo! Los Dioses del Marketing, Temporada 2, es una invención original de Genio.soy.  ¡Gracias por escucharnos!    

Idag blir det film för nästan hela slanten. Vi har träffat en expert i ämnet - svensken Johan Nordström som är professor i film vid Tsuru universitetet och dessutom blir det filmtips från redaktionen.    

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists Tonight on APEX Express it is A Time for Remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We Are talking with artists and lawyers and policy makers. People who help us shape our vision of what it means to be American. Host Miko Lee talks with artists Celi Tamayo-Lee and Na Omi Judy Shintani and Lawyer Don Tamaki. Join us.   Muni Raised Me February 24–April 9, 2023 Opening Reception, SOMArts Cultural Center Artist NaOmi Shintani's website The Art of Resilience: Tanforan Exhibit Tours, Panel Discussion & Memorial Walk through February 25, 2023 1-4PM PST San Bruno BART Station & AZ Gallery, San Bruno, CA & Online ongoing exhibit on the exterior plaza and inside the San Bruno BART Station.   Day of Remembrance San Francisco, February 19, 2023, 2:00 PM – 4:00 PM PST Tickets here. StopRepeatingHistory.Org   Additional information about the Cal Reparations Task Force It convened in June of 2021, and on June 1, 2022, fulfilled its first charge of publishing a sweeping, nearly 500 page report drawing a through line from the harm of 246 years of slavery, 90 years of Jim Crow and racial terror, and decades more of continuing discrimination. Here is link to  the 29 page Executive Summary, https://oag.ca.gov/system/files/media/ab3121-interim-report-executive-summary-2022.pdf   Show Transcripts: A Time for Remembering [00:00:35] Miko Lee: Tonight on apex express. It is a time for remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We are talking with artists and lawyers, policymakers, people who help us shape our vision of what it means to be American. Hi, I'm your host, Miko Lee. And tonight on apex express I speak with artists Celi Tamayo-Lee and Na Omi Judy Shintani and lawyer Don Tamaki join us aboard apex express Welcome to Apex Express, Celi Tamayo-Lee . [00:01:19] Celi Tamayo-Lee: Thank you for having me, Miko. [00:01:21] Miko Lee: We're so happy to have you as an artist, as a community organizer. So my first question for you is, who are your people and what legacy do you carry with you? [00:01:32] Celi Tamayo-Lee: My people are creatives. people who like to eat a lot. My lineage comes from ELOs Norte in the Philippines, in the province of La Wag and also from Toisan in village, Sega, which is, in the Guandong province in China. My people love to dance. My people are nature lovers, ocean lovers, and those who wanna figure out what it fights to get to liberation. I carry with me legacies. Of deep hope and deep faith and legacies of adventuring. I think a lot about both my grandmothers, my Popo June and my Lola Anisha, who were just both very. Revolutionary in my mind, for their times. My grandmother from the Philippines coming here, from her small village, having I think just a high school degree and making a life for herself and her family in San Francisco. My other grandmother, June, who was a housewife in Palo Alto, who I think otherwise would have become a doctor, had higher education been m ore accessible for, women in her time. I think both of them were just really loving women , who hosted a lot of open space for their communities through their food, through gatherings and parties and also being a safe place for many of our relatives in the United. [00:03:09] Miko Lee: Thank you for that. I often think about my Popo who had all this power and imagination and what it would be like if she was living today. Do you feel like you carry an additional, , responsibility to fulfill some of their dreams since they could not during their time. [00:03:28] Celi Tamayo-Lee: Yeah. I think about that a lot. I think in the moments where I'm like, wow, I have just sat at a table all day on my computer. Is this what my ancestors dreamt for me? But I think especially as I have been exploring more of my gender identity. I think I identify as a non-binary person and I think that might be something that they couldn't quite, imagine in, in the language and the terms that they knew. But I think that like real freedom to express one's within their body and how they express themselves outwardly is definitely something I think they dreamt for me and. I also feel a responsibility to be a part of movement work and be a part of continuing to build community because that is something that I've benefited so much from them. [00:04:22] Miko Lee: Talk a little bit more about your community organizing and how you combine that with your artistry and your imagination. [00:04:28] Celi Tamayo-Lee: It's definitely been a journey for myself to identify as an artist and I think, mostly cuz there's so many messages about the ways in which art will never be a career path because of how dicey it is in terms of making money, in many ways, ironically, shout out my parents, who were both very creative people and also, people who have fought for social justice for most of their lives. my dad is a civil rights attorney and was a community organizer as a young person, but also, A musician and has always played in bands as a fun side gig. when he was my age, he was in a band called Stand that would perform all over the Bay Area. And my mom herself is also a cook and just a very creative person made all my Halloween costumes growing up and as an avid gardener. Having parents like that gave me just permission to continue to grow myself in a creative way. And I do think throughout so much of history movements have really succeeded because of their artistic aspects. Even within our Asian American history, there are so many important graphic designers and artists who made protest posters. Made movement graphics that really called into being like the spirit , of what people were fighting for. , I think about all of the songs that were sung throughout the Civil Rights movement and, I think culture just has a really powerful way of opening people's minds up to things that may feel out. reach when they're thinking in a more rational way. I just think that any movement that we need, is gonna depend on the way in which culture has been influenced through art. [00:06:25] Miko Lee: And speaking of that, you've been in the studio at Soma all day today, setting up a new exhibit called Muni Raised Me. Can you tell us about your latest project? [00:06:35] Celi Tamayo-Lee: This project called Muni Raised Me is a exhibit that will be in Soma Arts for six weeks, and it is a part of their curatorial residency programs. So myself and two of my really good friends, Sasha Vu and Mei Mei Lee, we saw the flyer on Instagram that they were calling for proposals and, , applied with this idea of a show called Muni Raised Me. really what It is, is, a love letter, a gathering, a dance party of so many of our friends, our talented friends who are. Visual artists, painters, collage artists, fashion designers, photographers it's really a space that we actually wanted to create for a long time, but never really found the platform to do it. And so much of it is trying to. ,I think juxtapose like the beauty and the roots that we come from having grown up in San Francisco while also naming just the struggle it has been to persist and live here. ,most of us artists were born in the early nineties and have just come of age in this tech era within San Francisco. 2011 was when Mayor Ed Lee invited tech companies like Twitter and Google and LinkedIn in with these major tax breaks. From 2009 to 2013, every time that I visited home, There were just more and more beloved businesses that had been replaced by condos and replaced by fancy coffee shops selling $6 lattes. For myself and for many of my friends it's been a painful and lonely experience to try and maintain a life here and to, make rent, to feel creative, to still work in public service. So many of the artists in our show are organizers themselves, or are teachers and educators in public schools or in afterschool programs. And so to try and live all those different multiple dreams and identities is really a struggle in San Francisco. [00:08:53] Miko Lee: So when somebody walks into Soma Arts, what will they see with Muni raised me. [00:08:58] Celi Tamayo-Lee: Ooh. I will say one of the first things they will see is a Muni bus that we were actually gifted from SFMTA. It just so happened that they were retiring a number of their buses and we got connected to the right person. , shout out Nicole Christian who knew somebody and. We have transformed that bus into an altar. You can walk through the bus, and throughout the bus there will be altars, but there will be definitely a focal point at the very back of the bus for people to view, but also for people to interact with. I think that so much of living in the city and having grown up in the city is an experience of grief and we really wanted to make space in the show for people to bring in ancestors and bring in family members who have been lost, , or, even family members who have been pushed out of the Bay Area. we also wanna commemorate lives lost to police violence. yeah, We hope that altar can be, a realm in which the spirit is felt beyond just , the material setting of a gallery. There's also gonna be a lot of amazing collage work from Erin Kimora. We have a beautiful installation from Arena Alejo, along with, Alyssa Avilas, who is a painter and multidisciplinary artist. People will just see a lot of kind of iconography from the nineties. We have a couple of painted Muni passes and a lot of, yeah, just different gestures and shout outs to this public transportation system that I know for myself, I spent hours and hours of my life on. It was a little bit of a pocket of freedom, like with my parents not necessarily knowing where I was. It wasn't home, it wasn't school. It was a place where I got to just enjoy and see my city. [00:11:02] Miko Lee: And What would you like folks to feel after they leave the show? [00:11:06] Celi Tamayo-Lee: I hope that they leave feeling reminded that San Francisco is them and that any kind of beauty or spark or funkiness or weirdness that they feel themselves missing from San Francisco actually can come back through their own creativity, through their own hello to a neighbor through their own small act of kindness. You know, I think there are deeper relationships also made through this show. I hope that there's a feeling of oh, my people are still here. I am connected to a sense of justice and community that maybe doesn't always feel present in the everyday, but is actually there. I hope that it. Reignites some sense of connectedness to other people who call this place home. [00:11:59] Miko Lee: I wonder if you could just speak a little bit about how art helps us remember the past so that we can learn and move forward in the future. [00:12:08] Celi Tamayo-Lee: Yeah, I think art is really critical to remembering our history. It's definitely one thing to read something in a book and another thing to experience it through imagery and sound and color. it was important to us in this exhibit to in our alter space, include really important historical figures of San Francisco. So we're including people like Victoria Manalo Draves who was a Filipina American olympic swimmer, she was one of the first women swimmers to win in her divisions of diving. We also have people like Mary Ellen Pleasant, who was an African-American woman, one of the first African-American millionaires in the country, who is also dubbed as the Harriet Tubman of the West. She helped hundreds of African-American people, basically find and make lives here in San Francisco. And, She challenged the government when they told her that she couldn't ride actually on a certain part of the public transportation, and it went to the California Supreme Court and she won and that is what stopped discrimination on the trolley routes in San Francisco. Art reaches people who would not normally seek out that history. I think it just gives people a much deeper sense of their own legacies or legacies that they may not even know that they're connected to. [00:13:51] Miko Lee: Celi Tamayo-Lee, thank you so much for joining us on Apex Express. [00:13:56] Celi Tamayo-Lee: Thank you for having me. Miko. For anyone who's looking for more information, you can follow us on Instagram@MuniRaisedMe and also find us online@somaarts.com/Muniraisedme. [00:14:10] Miko Lee: That was Sealy to Mio Lee talking about muni raised me. Now take a listen to pistol jazz by Hi no Tori. A taiko solo. [00:17:41] Miko Lee: Welcome back. You are tuned into apex express, a 94.1 KPFA and 89.3 KPF. Be in Berkeley and online@kpfa.org. That was a Taiko solo. Hi no Tori by pistol jazz. Welcome artist and narrator of culture, NaOmi Judy Shintani to Apex Express. [00:18:03] NaOmi Judy Shintani: Thank you for having me. I'm excited to talk with you. [00:18:06] Miko Lee: We're excited to talk with you too, and I wanna kick it off by first asking you, who are your people and what legacy do you carry with you? [00:18:16] NaOmi Judy Shintani: Well, I do quite a bit of my artwork about, the Japanese American history and so those are some of my people, I would say. But I also want my work to be visible to all kinds of people. So I'd say everyone's my people. The legacy I carry, part of that has to do with the incarceration, that is part of the history of my family. That is something that I carry with me. I think that there is intergenerational trauma. There's lessons you learn in legacy from your family and your culture. [00:18:54] Miko Lee: So we are coming along to the Day of Remembrance, which is a day that recognizes the Japanese-American incarceration. Can you tell about your family's personal connection with the incarceration. [00:19:07] NaOmi Judy Shintani: My father's family was up in Washington State in the Puget Sound area, and they lived on a houseboat and were oyster farmers. When Pearl Harbor was bombed, they immediately came and got my grandfather, who was a leader in the community. They were a concerned or worried that he might be a spy or might have information. And so He was taken away and my grandmother and my father's and his sibling didn't really know what had happened to him. A few days later they came for my grandmother and my father and his siblings. They eventually ended up at Tule Lake incarceration camp. Then my grandfather was allowed to be with the family there. On my mother's side, she was actually in Hawaii and the family was not incarcerated per se, though there's a lot of limitations and curfews that they had to live with. Her father was also a leader in the community and he was taken away for a year. And I think At that time my mother didn't really, probably up until the time of her death did not believe that they were incarcerated in Hawaii. But of course, we've learned later that there were incarceration camps in Hawaii and that my grandfather actually was incarcerated. [00:20:36] Miko Lee: Yeah, so many of these stories are hidden. Finally the one incarceration camp in Oahu is just getting turned into a, a national park soon. So More people will know about that history. That's one of the many hidden histories about the internment camps in Hawaii. [00:20:52] NaOmi Judy Shintani: Exactly. One of my goals is to explore the incarceration history in Hawaii. I've mostly been focused on my father's family cuz there's been more information. So I'm very interested in learning more about the legacy of trauma in Hawaii. [00:21:10] Miko Lee: You're an amazing artist, have created so many important pieces, and can you talk more about how you combine your sense of family history, your activism with your artistry? [00:21:22] NaOmi Judy Shintani: I think originally I started wanting to learn more about what happened to my family and also to come to grips with it for my own self. That's when I really started exploring trying to learn more, trying to Get my father to talk more about his experience and that is what really spurred me to start making art. At one point when we went to the Tule Lake pilgrimage together, he was asked how often do you think about the incarceration? It was a general question out to the elders that were at Tule Lake and they had to raise their hand and so they said every 10 years, every five years, every. Three years and they kept going and my father still had his hand raised for every day. And at that point I thought, this is something that is deep in our family, a deep trauma that's not been talked about a whole lot, and it has affected me and many families. That's when I really decided, Spend more time exploring that and exploring also meant doing research. It meant talking to other people. It meant gathering information. I did a lot of outreach to hear other people's stories written or oral. I also did surveys for descendants of people that were incarcerated cuz I hadn't heard that much from them. All of these thoughts and stories became part of my art and I think of my art as a way of educating people as well as honoring them honoring the people that were incarcerated and as a healing. [00:23:16] Miko Lee: In the byline next to your name, it says that you are a “narrator of culture, the unspoken compels me to create.” Can you share a little bit more about what that means to you? [00:23:27] NaOmi Judy Shintani: Well, I was thinking about what is it that I'm actually doing in my work and I was working with someone to come up with some sort of naming of myself, and I finally came up with the idea that I tell other people's stories, I tell stories of culture so that's why I became a narrator of culture. The unspoken compels me to create, that's because I am very Adamant about bringing these stories out to the public. I think that is through the personal stories about what people experienced. That is how we really know the history. A lot of this kind of history, these personal stories are not in history books in high school or middle school. It's about, Individuals and families. It's not just about, 120,000 people. I mean, that's a big number, but to hear the actual stories of parents and children and grandparents I think that puts a whole different light on it. [00:24:36] Miko Lee: Can you talk a little bit about your piece that's at the San Bruno BART station. [00:24:41] NaOmi Judy Shintani: I was hired by bay Area Rapid Transit Bart to create a art exhibit or historical exhibit about the Tanforan detention center that was on the land of where the BART station and the mall is now and was originally a racetrack. I came in as a curator, so I thought about what is important for people to know about Tanforan and how am I going to express that through writing and through art and through historical photographs. I actually thought that there's a lot of discrimination and hardships that Japanese immigrants, the Issei experience before. Pearl Harbor was bombed that I think had an influence on how the Japanese people were treated during that war time. So I really started talking about the history way earlier. About coming over, not being able to become citizens, not being able to own land and yet persevering and becoming successful. So that all rolled into the incarceration. There was a lot of discrimination because, the successfulness of the Japanese even though they had so many hardships. That was just an example of what things I thought were important for people to know about the incarceration, the history of Tanforan. I also spent a lot of time Expressing and telling the history of the artists that were at Tanforan art was a very important part of the incarceration. So I talked about people that were incarcerated, artists that were incarcerated, the art school they had there, and showed some of the art that was created there. and then I also included Art of Descendants. To express, you know, what's happened? How are people expressing the incarceration in art now. [00:26:48] Miko Lee: I love that you curated this kind of trauma informed practice that has been lasted for generations. Can you talk more about the art school that was at the Tanforan concentration camp? I hadn't heard that story before. [00:27:02] NaOmi Judy Shintani: Obata, who was a professor at uc, Berkeley was incarcerated. And so When he got there, he thought we have to have something that will give people some hope or some something to do while they're in prison. He had an art school that was for children as well as for adults. to Teach and encourage people to use their creativity to survive this difficult time. They had hundreds of students and a lot of different subjects as well as drawing and painting. [00:27:36] Miko Lee: So anybody can go and see this public exhibit that opened in September, right? [00:27:42] NaOmi Judy Shintani: Yes. If you want to go see it, you can of course you can ride on Bart and get off at the San Bruno BART station is, it's right on the main street level floor. If you're going by car, if you come to the Bart parking lot or the Tanforan Shopping Center, you can let the station agent know that you're there to see the exhibit. Then you'll be able to come in without having to buy a ticket. They're also encouraging classrooms and groups to come in. So you have a large group. You can call or email Bart and they will arrange that. There's also a memorial which is outside of the BART station, and that was put together by a group of Japanese Americans, some of which had connections with the incarceration there at Tanforan. They just opened a beautiful outdoor memorial, which has a statue of two of the young mochita girls that were in incarcerated photographed by Dorthea Lang. And also they have the names of the people that were . Incarcerated engraved, and they have a horse stable structure that can give you the size and the space that you would've been in if you were incarcerated there. BART and AAWAA, which is the Asian American Women's Arts Association are putting on a curatorial tour, as well as a memorial walkthrough and a multicultural artist panel on February 25th. People that wanna get more information can come have a special experience on that day. [00:29:26] Miko Lee: You're tuned into APEX express., a 94.1 K PFA and 89.3 KPFB in Berkeley and online@kpfa.org. Can you talk to me about your project that you're working on right now? [00:29:40] NaOmi Judy Shintani: Dream Refuge for Children imprisoned was originally introduced at the Triton Art Museum in Santa Clara. And it has since been traveling. It not only is about the Japanese incarceration, but I've also included children that were incarcerated in the United States, including native American children in boarding school situations that were removed from their communities and also the Central American refugee children which are the most recent group that has been incarcerated and a t the beginning were removed from their parents, and I just thought that was traumatic and horrible. It's reminded me so much of what our families went through in the incarceration of the Japanese Americans. [00:30:34] Miko Lee: Can you describe for listeners what this work looks like? [00:30:39] NaOmi Judy Shintani: I did life size drawings of children on mattresses are put onto cots. I also sewed talismans on each of the children. That represents a form of protection, a symbol of protection for the different children. So the Japanese Americans had little embroidery symbols as in Japan they would sew them on the back of children's kimonos to watch their back. I carried on that tradition of adding those kinds of symbols in red thread. For the native American children, I made little belt pouches of cedar and sage herbs that were given to me by a elder who knew I was working on this project. And so I sewed those into little red pouches that had the symbol of the four directions. For the Central American children I sewed purple crosses cuz they would often be carrying these crosses, with them when they came across the border. So those are all arranged in a circle. I just felt that the circle was such a healing shape and I wanted people to come into the space and see these sleeping children in this safe space and to relate to their experiences. And I had recordings of stories that were told by elders now about their experience when they were children. I had a woman that was in Native American boarding schools that told her stories and then also collected the stories. Belinda Arianga, a woman in Half Moon Bay that went to the border, and she told me the stories of those children. These voices were all recorded so that you can hear their stories in the room. [00:32:33] Miko Lee: So why for you as an artist, did you want to have both something that you could look at and then also listen to what was the impact of having those dual experiences for audience? What's your intention behind that? [00:32:46] NaOmi Judy Shintani: I really wanted people to experience the incarceration with different modalities. So I felt that by them seeing the children sleeping, they had one experience also walking in a circle. That was another experience. So they, there was a movement involved. To hear the stories I think gave another level and also to hear elders telling the stories that they remembered when they were children, along with hearing children speaking in Spanish and in English. And to have different ages and different genders. Telling the stories that they experienced. I think that just gave a whole nother. Way of the history entering the viewers. [00:33:32] Miko Lee: To me, there's also something quite powerful about the fact that they're sleeping children , because there's this whole innocence and kind of beauty that comes within that sleeping space, and yet they're held in detention. So it's this very intense juxtaposition. [00:33:51] NaOmi Judy Shintani: Yes. That was something that I really thought about and wanted to express that sort of vulnerability, but yet when they're sleeping, they have this time to dream of being in a different place or being in their own space. That was one of the things I really wanted people to come away with. The other thing I didn't talk about is that the Central American children I placed on the floor and they're sleeping among the Mylar blankets as well as textiles from Central America. And that really came to me when I spoke to a woman who was from Honduras who been released from those detention centers and she said whatever you do, don't put our children on beds, because they had to sleep on the cement floor. So I really took that to heart and wanted to show them in their correct plight of being imprisoned in such horrible conditions and the circle of the children around them. From the earlier generations of incarceration, I felt they were almost like guardians for the Central American children. [00:35:06] Miko Lee: And you went down to Crystal City to be part of the pilgrimage and protest, is that right? [00:35:12] NaOmi Judy Shintani: Yes. I was invited by Satsuki. Ina I wanted to talk to her about her story and about her experience. She said why don't you come along? We are going to go to Crystal City. It was the first time they were going. We're also gonna do a protest at the detention center. You can talk to a lot of people there. You can see what's happening I did talk to some families and children at the bus station that had been released when we were giving them some food and backpacks and things like that, and that was really moving and I think that actually that experience of going on that trip that sort of cemented the dream refuge for me. [00:35:56] Miko Lee: You mentioned your dad and how he kept his hand raised the whole time that he thought about the incarceration every day. Has he had the opportunity to see your work?. [00:36:05] NaOmi Judy Shintani: Yes, he has seen my work. He was very proud of it. He would often go to my art exhibits and be photographed with my work and Attend shows and I was always very happy to have him there and I think it was emotional for him. He didn't necessarily speak a lot, but he was present and I think it meant a lot to him that I was making work about his experience. [00:36:33] Miko Lee: Since we're coming up upon the day of Remembrance, how does art impact remembering and specifically about remembering about the Japanese incarceration? [00:36:44] NaOmi Judy Shintani: Well, I think it impacts it in a lot of ways. One way is that there were not a lot of cameras allowed into camp. A lot of the art that was created in camps are the only documentation, true documentation by the prisoners of what it was. To be there and how they were feeling and how they were experiencing camp. Mine Okubo's work, who I use in the Tanforan exhibition is really important because her drawings were almost the only thing I could find that showed just the. Experience of being in a horse stable, the experience of having to go to public bathrooms where people had no privacy. I mean, Those kinds of things weren't photographed by Dorothea Lang or any of the other photographers that were sent by the W R A because they were not trying to show the traumatic side of the incarceration. The fact that these artists were able to document and express themselves, that, that is, historically important and also important as a way of people understanding the emotional impact of what was going on in the camps. There's just something about a painting or a sculpture or drawing that shows such a deeper level of history it doesn't even have to be history, just the colors or the brush strokes. These are all things that you can't read about in a history book. You can't experience it in the same way. I also feel that with the descendants creating art for example, the Sansei Granddaughters is a collective I'm part of. We've all expressed our family's experience. in different ways some people are sewing, Rako Fuji, she uses glass to create kimonos with photographs. There's just different ways, that people use whatever media they think is right to express their history. [00:38:53] Miko Lee: Na Omi Shintani thank you so much for speaking with me. We're looking forward to seeing more of your artwork and your voice in the world. [00:39:01] NaOmi Judy Shintani: I really appreciate the opportunity to talk about the art and how important it is for our history in our education of this traumatic experience. I wanted to also make sure that people come to the carrying the light for Justice Bay area Day of Remembrance. Sunday, February 19th from two to four Pacific Standard Time, it's going to be at the Christ United Presbyterian Church on Sutter Street in San Francisco. In person or online. The keynote speakers can be Don Tamaki. There's gonna be spoken word performance by Lauren Ito the MCs Ryan Yamamoto, the anchor for C B s News Bay Area. And there'll be a candle candle lighting ceremony. It's always a very moving experience. It's a time for remembering and honoring those who've been incarcerated. It's a time of community and I hope people will attend. [00:40:05] Miko Lee: Welcome Don Tamaki, amazing esteemed lawyer and activist. Welcome to Apex Express. [00:40:11] Don Tamaki: Thank you. [00:40:11] Miko Lee: So first I wanna just start with the big question. Who are your people and what legacy do you carry with? [00:40:18] Don Tamaki: I'm part of the Japanese American community, I'm most known for serving on the legal team, which reopened Korematsu versus the United States. The 1944 US Supreme Court decision, widely regarded as one of the worst decisions in US Supreme Court history, our legal team reopened it some 37 years later. Newly discovered secret, intelligence reports and Justice Department memos admitting. There was no reason to lock up Japanese Americans. They were not a dangerous population. They were not engaging in espionage or sabotage , and arguments and memos between Justice Department lawyers about their legal duty and the fact that they were about to tell lies to the US Supreme Court in order to manipulate the outcome of that decision. That decision ended up in 1944 upholding the constitutionality of uprooting some 120,000 Americans of Japanese ancestry, including my parents and their extended families into 10 concentration camps, stretching from California to Arkansas. [00:41:26] Miko Lee: Wow. You've just given us a whole history lesson. Thank you so much. And you have been a part of so many critical moments in the Asian American Pacific Islander movement. You described part of that in the overturning of the Fred Korematsu 40 year conviction, but you're also the founder of Asian Law Alliance. And were the ED at Asian Law Caucus and you're the co-founder of Stop Repeating History all of your work is just so powerful and important. I wonder with the rise and attention on anti-Asian hate right now, where do you see the Asian-American movement going forward? [00:42:02] Don Tamaki: Well, I'm glad that all light is being shined on they hate incidents against Asian Americans. It has been happening for some time, but it's never really has gotten national attention let alone regional and local attention as it is now. So I think it's on balance. It's a good thing. On the other hand, I think we as Asian Americans knowing our history need to understand where the hate comes from in the first place. And by that I mean what is the cultural strain, the historical tradition, the norm of policies and laws that led to prejudice being so systemic in the first place. If you connect the dots, I think it does go back to 1619 in the very beginnings of enslavement in America, which laid the foundations propped up the institution of slavery for 246 years. 90 years of Jim Crow to follow, and decades more of exclusion and discrimination targeted first at black people. But while those policies and laws put a target on the backs of African-Americans it also Ended up targeting on occasion Asian Americans, Latinos other disfavored groups. And so this bias has really recycled over and over through our entire history. And from time to time resurfaces to impact us as Asian Americans. The Trump administration's a pretty good example where even though we have our model minority status Asian Americans became the spreaders of the Chinese virus. Mexicans were labeled as drug dealers and rapists. White supremacists declared that Jews and immigrants were poised to replace them. And the continuation of black people being killed at the hands of law enforcement, and it barely would ev evoke any reaction at all because it was deemed so normal until the May 25th, 2020 murder of George Floyd, which was captured on videotape. So this kind of thing where, you know, of course the Japanese Americans ended up in concentration camps. The Chinese Exclusion Act of 1882 was the first ban against a country. But it gets recycled in different forms, whether it's the 2017 Muslim ban that Trump put out or other things that ultimately in fact, the thinking I think, of the entire country including our own communities. While I'm very hardened that we're focusing on the hate incidents against Asian Americans, I think that's been a ignored area. I'm concerned about each group sticking up for its own tribe only and not connecting the dots I did to identify where this pathology comes from in the first. So speaking of cross solidarity work, I know your work led to the groundwork reparations for incarcerated Japanese Americans during World War ii, and last year you were appointed by Governor Newsom to a reparations task force for African Americans. Can you tell where that reparations committee is at right now? Following the murder of George Floyd triggering the largest protests in American. By September of the same year, 2020 the legislature had passed secretary Shirley will Webber's bill creating a task force to study reparations proposals for African Americans and make recommendations to the legislature. I'm one of nine members appointed by the governor in the legislature, and we have three charges. One is to document the harm of the legacy of slavery, covering two and a half centuries and another century of Jim Crow in decades, more of exclusion and discrimination, and connect those dots. To the current outcomes today, and we've done that in a very sweeping, scholarly, comprehensive report. It's been called the Interim report because it's not the final ones coming out this June. The second goal is to study reparations proposals and make recommendations to the legislature. The final report, which is due 2023 in just a few months. The third requirement is to educate the public about what's happened. Because as this is really, the subject is so buried and erased. The product of a willful amnesia call it. The fact that we're. The American public, the New York Times, Washington Post is just now publishing articles on Tulsa and Greenwood in which 300 African Americans were murdered in what was called a race riot, even though that happened over 100 years ago. People are just learning about that now. And what the I interim report that we issued last June reveals is that this is not an isolated incident. That the history is littered with Greenwood. Part about educating the public, creating curriculum to provide information to students and so on. That's really our charge going forward. And in June of 2023, we'll be issuing our final report. I know that both Tsuru for solidarity and the Japanese American Citizen League worked last year to get reparations for African Americans in the Chicago area utilizing marijuana tax. I'm wondering if there's other reparations models that have been happening in the US. There's discussion for the first time. The reparation idea is as old as the Civil War when 40 acres in a mule was promised with a period of 12 years of reconstruction that happened only to have all of that rescinded. Thereafter, and again, I think because of at least it was triggered, I think by the Floyd murder local municipalities and counties, about maybe two dozen or TA have taken this up in California so far as the only state and each of those areas are coming up with different kinds of proposals. I have to say that this is largely because of the unwillingness of Congress even to study reparations, let alone do anything about it. And so local jurisdictions have taken up the lead on this. As far as the state task force on reparations is concerned, I think all of the forms are on the table. None have been decided on yet or voted on. That will come in the run up to June of 2023. [00:48:54] Miko Lee: I believe you're the only non-African-American member of that commission. Is that right? [00:48:58] Don Tamaki: That is right. [00:49:00] Miko Lee: So how can the Japanese-American reparations and apology be utilized as a model for reparations for African-American and indigenous folks? [00:49:09] Don Tamaki: They're big differences, of course between the Japanese American experience and. The experience of black people in America. First off, as the listeners know, there's simply no equivalence between four to five years in the concentration camp, losing all of your property and your businesses. Some folks even lost their lives as compared to 400 years of two and a half centuries of enslavement followed by Jim Crow and. Legalized and customarily enforced segregation, the results of which we're seeing e every day in our communities. But there are some things that are useful. The Japanese American redress and reparations movement is maybe one of the very few examples where the government acknowledged a great, wrong, apologized for. and put meaningful compensation behind that to create a meaningful atonement and how we got there. Some of the, there are some lessons that are maybe of some use. I think the other thing in my role as the only non-black person on the task force is to demonstrate. We can and should, and we're obligated to be allies in this effort. And although Japanese Americans don't have the history of black Americans in America we do know something about racial profiling. We know something about being removed and vilified and organizing to get back our dignity and some measure of atonement and. that lesson is really an American story of the meaning of the Constitution and what it means to be an American. When democracy and institutions are being challenged and in our case failed. I think with respect to other groups, whether they're. Native people or Latinos or L G B T Q, populations, disabled and so on. We all ought to be taking a look at reparations because it shines a light on so much of where the sense of separation and inequality comes from in the first place. [00:51:17] Miko Lee: Can you talk to us about the Day of Remembrance? I know you're gonna be the keynote speaker this year. Can you talk about the importance of the day? of remembrance? [00:51:25] Don Tamaki: Well, It's certainly important from a personal standpoint for our own community. It's time to reflect on our families who were taken away and incarcerated for no good reason but for the country, it's important to memorialize, and we do this annually about the perils to democracy. When racism shouts louder than the Constitution and our community endured a time where, The facts didn't matter. The law didn't matter and the constitution didn't matter. And why is that important? Because we're seeing that play out in real time today. The January 6th Capitol insurrection the Capitol was defied, five people died. 25,000 troops were deployed to protect the peaceful transfer of power. and millions today believe the election was stolen despite the utter lack of any evidence of fraud that would've made any difference in the outcome. This kind of collapse is something our own community experienced. literally the three branches of government failed. The presidency, legislative branch, Congress, and in our case, the courts they all bowed to the will of a racist notion knowing, and the government knew it at the time that that was. A, a completely false premise and yet no one had the courage to stand up, at least within the Department of Justice and within the courts. It was so normal that it was allowed to happen. We're seeing this playbook play out. It's not peculiar to the United States. This demagoguery is something that's happening worldwide and the elements are the same, which is, number one, appeal to prejudice. Number two, engage in fear mount mongering and scapegoating and three traffic in conspiracy theories and fake news. There's certainly a parallel there And that also led to the formation of stop repeating history. To be an alert, to be a point of reflection that we've seen this before and unless we become active and intervene, it's gonna happen over and over again. So that's certainly. A big reason why the day of remember it is such an important annual event. [00:53:41] Miko Lee: How does it feel to be the keynote speaker this year? [00:53:44] Don Tamaki: Well, I've gotten more than my share of recognition. There are many other people that have done really important work, but it gives me a platform at least to talk about the importance of reparations for African Americans and why it is not just a black issue, but an issue of long overdue justice. And that by shining a light on the origins of systems of exclusion, discrimination, that it helps all of us. It gives me an opportunity to connect some of the dots between our community struggle and that which been a constant for black people in America. [00:54:20] Miko Lee: We're gonna put a link to stop repeating history onto the show notes so people can take a deeper dive into some of your work. Don, you make change happen through policy and laws, and we're also talking with artists in this episode. How do you think art can help shape and change social issues? [00:54:38] Don Tamaki: As a lawyer, I used to think that laws and cases and legal action are the most important thing. And don't get me wrong it's, important. We reopened this ancient case of Korematsu versus United States, and we made a legal point as well as a public policy point. But I think the driving force For both good and bad in America, which is an amalgamation of both is culture and what I mean to say that is to say, if the culture says you will be locked up, the laws don't matter. The constitution doesn't matter. Nothing matters. You will be locked up because the culture is saying that is the norm. and I think we're again seeing this over and over again. And so how is culture created these belief systems? A lot of it has to do with artists authors those who create. that reflect and help shape the public's values. I think Artists and writers and others play a huge role in determining or helping to determine the values of a society. In the reparations movement, as well as to happen in the Japanese American redressing, reparations. the Art was really important when we went to announce our reopening of the filing of the petition in behalf of Fred Korematsu, Gordon Hirabayshi and Minori Yasui, I called up news desks and these are educated journalists who had no idea that this had even happened in America. When I talked about American style concentration camps, they said you're talking about Japanese prisoners of war, aren't you? And they said, no, these are the removal and incarceration of an entire American population. They had not heard about that. Since that time, there've been so many books and movies and creative works and art. After how many years later Now it's in the public consciousness. People generally on both sides of the aisle, now regard this roundup is really bad idea of real travesty and an injustice. I'm glad that we played a legal role in all that. But how did the script get flipped? That was because of education. So the impact of documentary films, of books, of magazine articles, played a huge role in moving the needle of public opinion. and I think that's been true of every movement especially in the modern era. I think the artists are crucial. [00:57:07] Miko Lee: Don Tamaki, thank you so much for speaking with us. We look forward to hearing your keynote speech at the San Francisco Day of Remembrance. [00:57:15] Don Tamaki: Thank you, Miko. [00:57:16] Miko Lee: Thank you so much for joining us. Please check out our website, kpfa.org backslash program, backslash apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex express is produced by Miko Lee Jalena Keane-Lee and Paige Chung and special editing by Swati Rayasam. Thank you so much to the KPFA staff for their support have a great night. The post APEX Express – 2.16.23 – A Time for Remembering appeared first on KPFA.

O Kubicast reuniu uma turma muito experiente para discutir sobre Platform Engineering. Seria o termo um cargo novo, uma área emergente, uma maneira de implementar DevOps ou um assunto do hype? E se for para ter uma plataforma, vale só aquela que você constrói? Quanto à autonomia dos Devs, o que a plataforma deveria ou não controlar? Ainda, o quanto a plataforma está atualizada para atender à demanda dos Devs? Por fim, a galera deu também a sua opinião sobre qual seria a plataforma dos sonhos!Os LINKS de alguns assuntos comentados no programa seguem abaixo:DevOps Days: https://devopsdays.org/ Team Topologies livro do Matthew Skelton Tweet do Kelsey HighTower “Plataforma é muito legal, desde que eu mesmo construa a minha!”: https://twitter.com/kelseyhightower/status/851935087532945409Palestra do Edson Yanaga - Solucionando Problemas de Microsserviços com Service Mesh: Istio e Envoy: https://www.youtube.com/watch?v=AWpsmh47pIkKubicast #59 com Bruno Rocha da Creditas: https://open.spotify.com/episode/0nCFotKAfaVVdMn9GOMUOp?si=DDnxVRa-T7q-BEWym7zfjAKubicast #93 com pessoal do Tsuru: https://open.spotify.com/episode/0psox8YUTyduqJxghZePZf?si=S-ZiSBYKS3GwKpdGs9z4BwOs PARTICIPANTES do episódio são Felipe Rocha, Nicolas Takashi, Rafael Schettino, Ricardo Castro, Sergio Soares, André Ferreira.O Kubicast é uma produção da Getup, empresa especialista em Kubernetes e outras tecnologias cloud native que trazem performance, automação e resiliência para infraestrutura de TI. Os episódios do podcast estão em getup.io, nas principais plataformas de áudio digital e no YouTube.com/@getupcloud.

Stephanie Tsuru is the founder and CEO of SheSpace, a coworking space for women to meet, work, and find support. Stephanie shares the origin story of SheSpace, how it's grown since opening its doors, and how she hopes to continue to provide the ideal workplace for Houston's female entrepreneurs in the new year.

This week we revisit one of our most popular international true crime ep countries, Japan. Focusing on folklore and urban legends this time, we explore just a tiny amount of Japan's rich and very long history. Kelsey reads a small collection of popular folktales, with some of the variations slowly becoming more and more bizarre (be warned that a clam wife may pee clam juice in your bean soup). Then, Alanna shares a variety of urban legends popular with the more superstitious Japanese residents. From tunnels to computer pop-ups, to cursed poems and bathrooms, we've got you covered. Tune in for the lore, stay for the laughs (there are plenty this week). Thanks for listening and keep it cryptic! Tags: Car Henge, Japanese Folklore, Japanese Fairytales, Urashima Tarō, Tsuru no Ongaeshi, Tsuru Nyōbō, saru kani gassen, Japanese Urban Legends, Urban Legends, Inunaki Tunnel, The Red Room Curse, Tomino's Hell, Bathroom Legends linktr.ee/castlesandcryptids Website: castlesandcryptidspod.squarespace.com

Незрячие глаза, таинственные голоса и чарующая музыка — ждут тебя в этой сказке. Бродил по стране слепой певец Хоити. Как-то ночевал он в одном монастыре — и вдруг услышал шаги грозного самурая. Воин отвел Хоити на пир в богатый дворец, где знатные господа приказали спеть песнь о гибели великого рода Тайра. Но не мог слепец увидеть: там, где он пел, не было ни дворца, ни пира… ни живых людей… У кого веселый нрав, тот и сквозь железо пройдет. Кроме оригинальной музыки подкаста в сказке звучит композиция «Tsuru no Sugomori», песнь «Heike Monogatari» в исполнении Дзюнко Уэда и японская народная музыка. Слушайте «Мрачные сказки» на всех подкаст-площадках: https://taplink.cc/grimtales_ Атмосферные картинки, факты о народах-сказочниках и моменты из закадровой жизни проекта ждут вас в соцсетях «Мрачных сказок»: ВКонтакте: https://vk.com/grimtales2021 Яндекс.Дзен: https://zen.yandex.ru/grimtales_ Соцсеть-которую-нельзя-называть: @grimtales_ Другие крутые проекты от подкаст-студии «Терменвокс» тут: Телеграм: https://t.me/terminvox ВКонтакте: https://vk.com/terminvox.podcast Соцсеть-которую-нельзя-называть: @terminvox.podcast Если вы хотите заказать классную интеграцию в нашем подкасте и других подкастах студии, пишите нам на adv@terminvox.ru По другим вопросам – podcasts@terminvox.ru

Un taxista fue detenido por elementos de la Policía Estatal, junto con tres sujetos más, en posesión de narcóticos. Se trata de Luis Gerardo “N”, Gerson “N”, Roberto “N” y Misael “N”, quienes fueron puestos a disposición de la autoridad ministerial por su probable participación en delitos contra la salud. De acuerdo con la autoridad estatal, los policías realizaban recorridos de prevención del delito sobre la Avenida Carabanchel de la Supermanzana 106. Ahí observaron un vehículo Tsuru tipo taxi con cuatro personas a un costado, los cuales intercambiaban bolsitas con al parecer sustancias ilícitas. Al notar la presencia policial, los sujetos intentaron huir a bordo del vehículo, pero fueron detenidos y al ser revisados, les aseguraron una bolsa de plástico amarilla con 40 bolsitas con marihuana, una báscula gramera, tres mil pesos en efectivo, una bolsa de color azul y tres celulares. La Secretaría de Seguridad Pública informó que los detenidos se encuentran presuntamente relacionados con un hecho de violencia, perpetrado en el municipio de Benito Juárez.

Sign up to be one of our guests : https://bit.ly/SheNeedsGritGuest "Sam brings multiple continents' knowledge to the table. Now, so yes, by trial and tribulation, you have ended up a profit coach." - Stephanie Last week, I spoke with She Space owner Stephanie Tsuru. In this episode, the tables have turned. For the first time since the launch of my podcast, I am offering you a front-seat view of my ups and downs and my journey as a profit coach, the ups and downs of She Collective Biz, and how my podcast show came about.  A fun fact about me is that I never started in field sales while forming my professional career. I finished marketing communications and began my journey in PR. Shit happened, and now I am here loving what I do, serving my purpose, and educating women to help with their business as their profit coach. But getting from point A to point B was not a smooth one. The funny thing is that I moved from different time zones, from Canada to Australia, and now here in Texas to join my partner and create my career alongside a family. Indeed it was a journey. My goal has always been that I want more women to understand and have faith in their ability to create success and wealth in their lives. So as part of it, here's an episode that will offer you advice and give you a glimpse into my journey.  "When I first met Samantha and heard about the podcast's name, I got to meet this woman because she is GRIT, and that's my favorite word. She has that." - Stephanie About Stephanie Tsuru :  Stephanie Tsuru is the founder of SheSpace, a work, meeting and programming space built by women for women. She is also a devoted wife, mother, doting grandmother to three spunky granddaughters and a friend and mentor to many.  When not at SheSpace, she spends her time on local philanthropic efforts, specifically the boards of the Houston Ballet and the Hermann Park Conservancy along with other Houston cultural icons. Her passion for reading and learning is seen in her focus on adult and childhood literacy efforts. Stephanie has lived in many cities and states, but Houston is her favorite. She will continue to travel and adventure but Houston will always be her home.   Must-listen Moments:  [07:31] In the beginning, almost everybody who appeared on my doorstep or online was a business owner. It became apparent that a business owner can make more money instead of having to; I mean, you still have to be aware of your finances, and I can teach you how to make more money in your business, which will impact that bottom line at home. So that's where I pivoted into profit coaching for business owners instead of money coaching for individuals. [13:45]  Why are you struggling so hard to actually follow through on the actions you know you need to do? Um, there is an impression sometimes, and this is more so on, I think, online businesses versus say a bricks and mortar,but there isn't. Under estimation of the investment required. So even if you're an online business, you need to still invest in the development of that business [23:00] No matter where you're sitting or living, if you don't have a group of women supporting you in your business journey, you need to either find it or make it right because we do this better. We do this better as a collection, so I strongly recommend so strongly to find your people and lean on them and be vulnerable, and be open with the things that work well and the things that are going terribly so that you can get help and people can support you in the way that you need.   Listen to the conversation on this link : https://podcast.shecollective.biz/signup What in this episode hit home for you? DM me on Insta at https://www.instagram.com/shecollective.biz/   Free Stuff: You're invited to book a FREE call with me: https://bit.ly/FreeProfitCall

DEBATE de VATOS - Temporada 1 - Episodio #9 #Clip #Clips

In 1969, 14 members of the University of Wyoming football team were unfairly dismissed for asking to participate in a peaceful racial protest in a game against Brigham Young University. A half-century later on Sept. 24, 2022, two members of the group, now known as the “Black 14”, ceremoniously lit the Y on the mountain above BYU's Cougar Stadium. At their side was Elder S. Gifford Nielsen, a General Authority Seventy and former BYU quarterback. Elder Nielsen joins this episode of The Church News podcast to talk about how the Church has partnered with the Black 14 to heal that community rift while feeding the hungry, his newest assignment as president of the Church's Africa West Area, and how examples of Christ-like leadership continue to shape his life today. He is joined by fellow BYU alumni Sister Sheri Dew, executive vice president of Deseret Management Corp. and a former member of the Relief Society general presidency, as guest host. The Church News Podcast is a weekly podcast that invites listeners to make a journey of connection with members of The Church of Jesus Christ of Latter-day Saints across the globe. Host Sarah Jane Weaver, reporter and editor for The Church News for a quarter-century, shares a unique view of the stories, events, and most important people who form this international faith. With each episode, listeners are asked to embark on a journey to learn from one another and ponder, “What do I know now?” because of the experience. Produced by KellieAnn Halvorsen.See omnystudio.com/listener for privacy information.

Sign up to be one of our guests : https://bit.ly/SheNeedsGritGuest Regardless of your career, SheSpace has a table for you! True to her passion and calling, Stephanie Tsuru opens a space for women to collaborate, connect and build their dreams.  In this episode, I invite one of the women I look up to and share with you guys her purpose – creating a space for women to grow. As she described, the space is a space for all women looking for a particular spot that will help them laser-eyed focus on their careers. There are offices, meeting rooms, conference rooms, and co-working areas, but the main point of this spot is that it's a place for women to meet their needs.  Stephanie opened SheSpace to address a gap within the community; she said that "...in Houston, Texas, there are dozens and dozens and dozens and dozens of women's organizations, women's groups, but they tend to concentrate and focus on their industry. So it could be women in construction, or women in architecture, women in business, women in accounting." Everyone is welcome, and as she described, "[it's] an industry agnostic." So if you want to change your scenery and look for other women looking for a spot that will help you and empower you,  when you are around Houston, Texas, visit SheSpace, and let's meet and connect! About She Space:  SheSpace is a work and meeting place where bold women gather to find community, amplify ambition, and propel their dreams forward. Our mission is to create clear pathways for women to accomplish personal and professional goals through the convenience of a female-dedicated space.   For information, visit https://shespacehtx.com/   About Stephanie Tsuru :  Stephanie Tsuru is the founder of SheSpace, a work, meeting and programming space built by women for women. She is also a devoted wife, mother, doting grandmother to three spunky granddaughters and a friend and mentor to many.  When not at SheSpace, she spends her time on local philanthropic efforts, specifically the boards of the Houston Ballet and the Hermann Park Conservancy along with other Houston cultural icons. Her passion for reading and learning is seen in her focus on adult and childhood literacy efforts. Stephanie has lived in many cities and states, but Houston is her favorite. She will continue to travel and adventure but Houston will always be her home.   Must-listen Moments:  [01:47]  It is critical to create a network of people who know who you are, see what you do, and know who you can help and become ambassadors essentially for you in the world, but that's just one of the many benefits of this space.  [09:45] I can say that I am the chief connector or the cheerleader for everyone who comes here. I love motivating women. She may not get from A to Z, but I can see her going from A to C to E. Having the privilege of speaking a couple of times and getting an opportunity to educate the women in here with the knowledge that I have and being able to, like, pour that into them and give them my hope, um, faith in the fact that they can grow and scale their business the way they want to   [12:35] The idea that women are banding together, exchanging ideas, building businesses, and focusing on things will help you finish your work and achieve your goals. You are in a place where you resonate with most people around here, and isn't it that fun?    Listen to the conversation on this link : https://podcast.shecollective.biz/signup What in this episode hit home for you? DM me on Insta at https://www.instagram.com/shecollective.biz/   Free Stuff: You're invited to book a FREE call with me: https://bit.ly/FreeProfitCall

O Kubicast completou 100 episódios de vida e para gravar esse marco chamamos a internet toda mais alguns convidados especiais!A ideia era fazer o programa no formato ASK ME ANYTHING, mas acabou que começamos a relembrar os episódios mais marcantes e isso deu pano para manga para entrar em assuntos, como rodar Containers com Windows, arquivo YAML, piadas de Java, como sempre, e etc!Agradecemos as pessoas que participaram desse episódio e todos os demais ouvintes: antigos e novos! É muito gratificante poder tocar esse podcast que começou em 2018, sem muitas habilidades para a coisa, e de lá para cá só foi evoluindo para melhor!Se você chegou aqui agora, seja bem-vindo(a)! O Kubicast é uma produção da Getup, empresa especialista em Kubernetes. Todos os episódios do podcast estão no site da Getup e nas principais plataformas de áudio digital. Alguns deles estão registrados no YT. Os EPISÓDIOS RELEMBRADOS nesse Kubicast:#6 - O que NÃO esperar de Kubernetes#19 - KubeCon Day 1 - Lightning Talks#35 - The day we recorded with Kelsey Hightower#51 - Maratona KubeCon 2020#60 - Windows Containers#69 - Nomad vs Kubernetes#92 - Kubernetes 1.24 is out!#93 - Por dentro do Tsuru#95 - FOMGO - Fear of missing Gomex#97 - Segue o fio com Leandro DamascenaAs RECOMENDAÇÕES dos participantes do programa:Manifesto (série na Netflix)Succession (série na HBO)Dentro da Mente de um Gato (documentário na Netflix)Ruptura (série na Apple TV +)The Sandman (série na Netflix)

Nos cayó el Rey Alusin de Tik Tok.

Do you remember when I talked about Kagome Kagome back in episode 53? A Japanese children's song that had curiously unnerving lyrics about a bird in a cage ("Oh when will it be let out?") And then the lines: "Tsuru to Kame ga subetta -- the crane and the turtle slipped"; and "Ushiro no shoumen dare? -- Who's behind me?") Guess what? That's not the only goosebump-raising children's song in Japan. There's another. Well, at least one more. Uncanny Japan is author Thersa Matsuura. Her other shows are Uncanny Robot Podcast and The Soothing Stories Podcast. Check out her books including The Carp-Faced Boy on Amazon. If you'd like to help support the podcast and have a bedtime story read to you monthly, please visit Patreon. Buy Me a Coffee (one-time contribution): https://buymeacoffee.com/uncannyjapan Join our Discord server: https://discord.gg/XdMZTzmyUb Twitter: https://twitter.com/UncannyJapan Facebook: https://www.facebook.com/uncannyjapan/ Patreon: https://www.patreon.com/thersamatsuura Instagram: https://www.instagram.com/uncannyjapan/ YouTube: https://www.youtube.com/channel/UCmbTSrQe1cxBy522vxAI8Bg Website: https://www.uncannyjapan.com/ Credits Music by Julyan Ray Matsuura

O Kubicast conversou com uma turma fera que trabalha com o Tsuru.io na Globo, plataforma Open Source, criada há mais de dez anos pela própria empresa, para ajudar desenvolvedores a entregar aplicações com mais agilidade. Essa poderosa ferramenta pode ser usada em diferentes nuvens, tem uma API de serviços internos, roda milhares de microsserviços com Kubernetes atualmente e sustenta as votações do BBB que chegam a ter mais de 3 milhões de votos por minuto. Ouça o programa para conhecer mais a fundo tudo o que Tsuru faz!Cesar Rodrigues, Marcos Arouca e Wilson Júnior: foi uma honra ter vocês no Kubicast! O LINK mais importante do episódio:https://github.com/tsuruSOBRE O KUBICASTO Kubicast é uma produção da Getup, especialista em Kubernetes e apoiadora do projeto UnDistro, uma distribuição para gerenciar múltiplos clusters Kubernetes. Os episódios do podcast estão no site da Getup e nas principais plataformas de áudio digital. Alguns deles estão registrados no YT. #DevOps #Kubernetes #Containers #Kubicast #Tsuruio

Um programa dedicado as Maritacas e seus parentes. Tem pássaros e aves de todos os tipos. Lili Flor e Paulo Pixu contam uma história linda vinda do Japão sobre o Tsuru. E tem os pássaros cantadores Bia e Nino, Bob Marley, Zeca Baleiro e Gilberto Gil. Esse programa foi gravado no Estúdio Zastrás. Realização: Governo do Estado de São Paulo, por meio da Secretaria de Cultura e Economia Criativa.

Caminos creepys, policia misterioso y el mini beckham

For our final episode of Season 4, we thought we'd join in with the many others across the globe to celebrate the Moon and the Lunar New Year. One glimpse of that radiant sphere in the night sky is all you need to understand why so much has been attributed to the moon over the millenia. From poetry to deity, astrology to mythology, and, of course, art to music - the Moon has been an inspiration. So join us for a brief look at some beautiful works of art and music that emphasize different aspects surrounding the Moon and its celebration!   Art: Unknown artist: Cizhao Ware Pillow in the Form of a Tiger (1182) Unknown artist: Tsuru (17th century) Ren Yude: Chinese Zodiac Offering Best Wishes (1998)   Music (Spotify playlist): Arnold Shoenberg (1874-1951): "Mondestrunken" from Pierrot Lunaire (1912) Franz Schubert (1797-1828): An den Mond   Connect with us! Patreon | Instagram | Facebook     Email us any time! notesandstrokespodcast@gmail.com 

Tsuru for Solidarity is a nonviolent, direct action project of Japanese American social justice advocates working to end detention sites and support front-line immigrant and refugee communities that are being targeted by racist, inhumane immigration policies. In the 124th episode of Town Hall's In the Moment podcast, Jasmine Pulido interviews writer and community activist Stanley Shikuma about Tsuru for Solidarity's work and advocacy to close all U.S. concentration camps. The release of this episode is close to The Day of Remembrance (DOR), a day of commemoration of the forced removal and incarceration of Japanese Americans during World War II. On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066 which gave the U.S. Army the authority to remove and incarcerate approximately 120,000 Americans of Japanese ancestry from the “military areas” established in West Coast states during WWII. On or around February 19, events are held in numerous U.S. states, especially in California, Oregon, and Washington, to remember the impact of the experience on communities and educate others about civil liberties — and their fragility. Stan Shikuma is a social activist, community organizer, writer, and retired nurse. He grew up in Watsonville, CA, and studied at Stanford University, UC Berkeley, and the University of Washington. He currently serves as Co-President of the Seattle Chapter of the Japanese American Citizens League and is actively involved in Tsuru for Solidarity, Tule Lake Pilgrimage, From Hiroshima to Hope, Tech Equity Coalition, and the Asian Pacific American Labor Alliance. As a longtime taiko (Japanese drum) player, he also performs, writes, and lectures on the history, teaching, and performance of taiko in North America. Jasmine M. Pulido is a Filipino American writer-activist and community journalist living in Seattle, WA. She is currently pursuing her Master's of Arts in Social Change with an emphasis on transformative justice. Learn more about Tsuru for Solidarity. Presented by Town Hall Seattle. To become a member or make a donation click here. 

Finalizó el misterio y también se confirmaron todas las filtraciones, Samsung ya cuenta con un nuevo integrante en su familia y les contamos todas las novedades del S22. Por otro lado, les contamos todas las novedades del Nintendo Direct, como lo nuevo que llega de ‘Mario Kart’, aunque no será en un juego nuevo. También les contamos del Tsuru eléctrico en Ciudad de México y del nuevo servicio de Uber. Para finalizar, les contamos algunas nominadas del Oscar y en qué plataformas se pueden ver en nuestro país.

El gobierno de Ciudad de México presentó el primer Tsuru modificado, se trata de su programa en el que convertirá más autos de gasolina a eléctrico con una inversión de 20 millones de pesos. Les contamos todos los detalles al respecto. Escuchaste un fragmento del ROM 174, puedes descargar el programa completo en tu aplicación de podcast preferida.

こんにちは。 ジェニです。 Today I would like to introduce you to the Japanese tradition of good luck charms. When you go to a New Year's visit to the shrine, you buy a lucky charm to bring you happiness. There are many kinds of lucky charms, such as Manekineko（招き猫）, cranes（鶴）, and daruma dolls（だるま）. And then you buy a fukubukuro（福袋）, a bag that is supposed to contain something better than the price of the bag, but you don't know what it contains. 縁起物（Engimono、lucky charm ) 招き猫（Maneki Neko、beckoning cat） 鶴（Tsuru, crane） 門松（Kadomatsu,) 福袋（Fukubukuro, mystery package with a variety of articles possibly worth more than the purchase price) Have a good day. じゃあまたね。

Señora bonita. Amigo amo de casa. Ya es miércoles. Media mitad de semana y usted sabe que tiene una cita con la desinformación. Presuma y sea la envidia del grupo de Whats. Pare la oreja, súbale a su radito que estas son las noticias:En el mero hocico. Responde la DEA al fiscal Gertz Manero: nosotros tenemos 95% de éxito en casos; la FGR apenas 5%. Tómala barbón.Cerca la bala. Inegi reporta 45% más casos de muertes por Covid-19 que la Secretaría de Salud. El puro margen de error.Primero los pobres. Diputaduchos de Morena buscan acceder con prioridad a la vacuna. ¿Y ustedes como por qué o qué?Y en la mañanera: El Presidente está fuerte y bien atendido dice Olguita, aunque tampoco lo ha visto pero eso le dicen y pus hay que creerles, ni modo que nos mientan.Completamente en vivo y en directo. De Grupo Fórmula transmitiendo a todo México de norte a sur y de este al otro. Usted ya sabe qué onda. Se quedan con el Ferrari de la radio, con el Cadillac del micrófono, con el Tsuru tunneado de la información… Chumel Torres.

Join us for an empowering Living The Authentic Life podcast episode with special guest Stephanie Tsuru of @shespacehtx, with a special toast to my fellow Women of Distinction honorees ✨ Stephanie is the founder of SheSpace in Houston, TX - the fabulous female empowerment-focused communal office space, perfect for any Girl Boss to maintain some normalcy during the pandemic. Stephanie shares her journey from seeing the authentic need for empowerment to creating this community supporting women entrepreneurs. If there's a purpose we can always get behind it, it's women supporting women

Marcia Martin was in the right place at the right time as the founding blocks of Landmark Forum were being set, and enjoyed over 40 years in the transformation space helping millions of people to change their lives for the better. Now Marcia desires to share her legacy of wisdom with you to help you get into the flow that attracts all the right opportunities for sharing your gifts with the right people. Recordings of decades of her tranformational workshops are being offered in a special membership program to help you reap the gold from Marcia's legacy. Watch this episode for powerful insights into what it takes to be a transformational leader, and how you can effectively enroll your ideal client. CHECK OUT the Marcia Martin Membership Club http://www.marciamartinclub.com More About Marcia Martin Marcia Martin is CEO of Marcia Martin Productions, LLC, an executive training firm specializing in transformational leadership training and communication arts technology. She is renowned as one of the top transformational trainers and executive and life coaches worldwide in the arenas of championship performance, relationship coaching, communication mastery, and public speaking; and she has personally trained over 300,000 individuals and corporate executives around the globe to be more effective human beings. Dame Marcia (knighted in 2008) has provided leadership training in Europe, South America, Africa, Canada, Mexico, Asia and the USA; her clients include Capital One, McCain Foods, Hard Rock International, Warner Bros., InterContinental Hotels, Danone, and Evian Water, among others. Marcia was personally mentored by innovative academic thinkers Buckminster Fuller, Warren Bennis, and Werner Erhard in the art and technology of Leadership, Self-Transformation and Human Development; she was Vice President and a Founding Member of est (Erhard Seminars Training), now known as Landmark Forum where she was instrumental in taking the company from inception to a graduate base of millions within a ten-year period. She has consulted, trained or coached some of the best-known thought leaders and authors of our time including Jack Canfield, Tony Robbins, Lynne Twist, T. Harv Ecker, Raymond Aaron, Doria (DC) Cordova, and Robert T. Kiyosaki; and she was the Co-Creator of the Transformational Leadership Council (TLC) serving as Vice President, CEO Managing Director, and Program/Production Manager from 2004 inception until 2012. As a successful serial entrepreneur, Marcia was partners with artistically acclaimed designer Laurel Burch, and together they created Tsuru, Inc, a global fashion jewelry and manufacturing company taking it from inception, to $5 million in annual sales with offices in Hong Kong, Beijing, Los Angeles, San Francisco, and New York before Ms. Burch passed away. Committed to creating global transformational impact, Marcia has now created the Marcia Martin Membership Club – a digital video and audio library collection of her past workshops, podcasts, seminars, speaking engagements, and keynotes designed to accelerate human growth, power and wealth. Connect with Marcia: Web  http://www.marciamartinclub.com%20/ Facebook   https://www.facebook.com/marciamartinproductions Instagram   https://www.instagram.com/marcia_martin_/ Twitter   https://twitter.com/MarciaMartin LinkedIn https://www.linkedin.com/in/marcia-martin-971b7037/   YOUR GUIDE TO SOUL NECTAR – KERRI HUMMINGBIRD SAMI I love mentoring women to rewrite the story of their lives through inner transformation, connection to essence, remembrance of purpose, and realignment to authenticity and truth. If you don't want to settle for anything less than a life of passion and purpose, book a Discovery Call and let's talk! Schedule today! http://bit.ly/2CpFHFZ FREE GIFT: The Love Mastery Game, an oracle for revealing your soul's curriculum in every day challenges. http://www.kerrihummingbird.com/play

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. PowerLeeGirls Hosts Miko Lee and Jalena Keane-Lee, a mother daughter team talk about issues in the API community.  What's spreading faster than coronavirus? Racist attacks against Asians. Tonight we discuss, Coronaracism. Guests include Dr. Winston Tseng from the Health Sciences and Ethnic Studies Departments of UC Berkeley and Cynthia Choi Co-Executive Director of Chinese for Affirmative Action. We talk facts, history, policy and what you can do to combat Coronaracism.   Community Calendar March 6 is opening reception for the  Reflections on Home exhibit at OACC. The show runs thru March 28. March 6 First Fridays at 945 ArtSpace in SF: featuring Jon Jang and Lenora Lee International Women's Day is March 8, at 6pm the Empowering Womxn of Color All Stars Night & Reception will be held at La Pena Cultural Center. We Are Here: Contemporary Art and Asian Voices in Los Angeles opens on Friday, March 13 from 6 – 8 pm and runs until June 14. March 14 is the 35th Annual Empowering Womxn of Color Conference at UC Berkeley. March 14 3pm Celebrate Women's History Month with Poetry Reading and Open Mic at EastWind Books in Berkeley. March 15 & 22 Berkeley South Asian Radical History Walking Tour March 21 11am-4pm Chinese Americans in Support of Tsuru for Solidarity Free Guided Arts Workshop – art making to close detention camps and ICE All of these events are wheelchair accessible. The post APEX Express – March 5, 2020 – Coronaracism appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Preeti Mangala Shekar offers an update from India with a spotlight on the 2019 Citizenship (Amendment) Act, 2019 known as CAA. Miko Lee shares a piece of an interview with 85 year old activist Flora Ninomiya on the Day of Remembrance. See events listed below. Activist Flora Ninomiya Community Calendar Day of Remembrance Events All over US. In the Bay Area we have: On Sunday Feb 16 2-4pm Never Again is Now! Kabuki Theatre, San Francisco program, candle list procession On Feb 9 and 23 Folding Cranes for Tsuru for Solidarity, Berkeley Methodist church 1-4pm On Sunday Feb 16, at the Rosie the Riveter memorial in Richmond, there will be screenings at 11am and 2pm of Lane Nishikawa's latest film, “Our Lost Years.” Lane will be there for post show discussions. The event is free with a donation request to the Japanese American Citizens league. Reservations are highly recommended. For more information: yolsgaard@yahoo.com These events are wheelchair accessible. The post APEX Express – February 6, 2020 – CAA Spotlight appeared first on KPFA.

One of THE MOST PROLIFIC influencers on the who's who of the most innovative minds in thought leadership in the last 40 years, Marcia Martin is CEO of Marcia Martin Productions, LLC, an executive training firm specializing in transformational leadership training and communication arts technology. She is renowned as one of the top transformational trainers and executive and life coaches worldwide in the arenas of championship performance, relationship coaching, communication mastery, and public speaking; and she has personally trained over 300,000 individuals and corporate executives around the globe to be more effective human beings.Dame Marcia (knighted in 2008) has provided leadership training in Europe, South America, Africa, Canada, Mexica, Asia and the USA; her clients include Capital One, McCain Foods, Hard Rock International, Warner Bros., InterContinental Hotels, Danone, and Evian Water, among others.Marcia was personally mentored by innovative academic thinkers Buckminster Fuller, Warren Bennis, and Werner Erhard in the art and technology of Leadership, Self-Transformation and Human Development; she was Vice President and a Founding Member of est (Erhard Seminars Training), now known as Landmark Forum where she was instrumental in taking the company from inception to a graduate base of millions within a ten-year period.She has consulted, trained or coached some of the best-known thought leaders and authors of our time including Jack Canfield, Tony Robbins, Lynne Twist, T. Harv Ecker, Raymond Aaron, Doria (DC) Cordova, and Robert T. Kiosaki; and she was the Co-Creator of the Transformational Leadership Council (TLC) serving as Vice President, Managing Director, and Program/Production Manager from 2004 inception until 2012. As a successful serial entrepreneur, Marcia was partners with artistically acclaimed designer Laurel Burch, and together they created Tsuru, Inc, a global fashion jewelry and manufacturing company taking it from inception, to $5 million in annual sales with offices in Hong Kong, Beijing, Los Angeles, San Francisco, and New York before Ms. Burch passed away.Committed to creating global transformational impact, Marcia has now created the Marcia Martin Membership Club – a digital video and audio library collection of her past workshops, podcasts, seminars, speaking engagements, and keynotes designed to accelerate human growth, power and wealth. Connect me with Runa Magnusdottir Some great takeaways from Marcia :We belong. We are connected.We can make a difference Be an effective human being - it's a choice Have the consciousness to grow Leadership is your voice to make a difference There's more we can do with our power People are waking up to a new consciousness ______________________________________The Change Makers are doing a fundraise for their #NoMoreBoxes Online Training and Collaboratory Center. A platform designed to teach you how to create safe space for a deep-dive conversations that open up for the conscious and unconscious bias behaviours, placing ourselves and others into boxes, that places our focus on what separates us as human beings, not what unites us. Your help is highly appreciated.Just go to www.Patreon.com/NoMoreBoxes today! Or grab a copy of their book; The Story of Boxes, The Good, The Bad and The Ugly. MAKE SURE YOU DON'T MISS AN EPISODE OF THE CHANGE MAKERS PODCASTSUBSCRIBE TO OUR CHANNEL ON APPLE PODCAST, STITCHER or SPOTIFY The Change Makers Podcast RSS Subscribe to The Change Makers Podcast Get the latest transformational out-of-the-box Leadership and Communications Tips, Insights, Tools & Stories from other change makers delivered directly to your inbox. First Name Last Name Email Address Sign Up We respect your privacy. Thank you!Please check your inbox for an email from me, Rúna Magnúsdóttir. Inside that email is a link to verify your subscription.Looking forward to having you onboard.My bestRuna

Today on Flashpoints: Contributing producer, Kendall Crakow, brings us a 3 part special missing and murdered indigenous women. Kendall attended the speaking event, “Breaking The Silence About Our Stolen Sisters”, held at The Women's Building in San Fracisco on November 14th. Also, Japanese American opponents from the group Tsuru and their supporters attempt to petition the Nakamoto group to break their multi-million dollar contract with ICE or at least, use the profits made on the back of immigrants to support their struggle to be heard and to apply for asylum. And Earth First Humbolt activists are arrested for attempting to block lumber companies access to Rainbow Ridge and the Mattole River water shed to cut down precious old growth forests The post Breaking The Silence About Our Stolen Sisters Pt 1 appeared first on KPFA.

My thoughts on Alexa in Japan, new ways & places to pay with Apple Pay, a phone you can fit in your wallet and… clear tea?! Plus, a report on the perfect MVNO if you need lots of data: IIJmio! Make your Dreams Come True with this week's episode of #ZettaiGeekDayo! As always, if you have any comments, questions or topics you'd like me to cover, please tweet them at me @kayleedayo on Twitter with the hashtag #ZettaiGeekDayo so I can find them. PlatypusPodcasts.com @kayleedayo (English) @purplefuku (Japanese) @ZettaiGeekDayo Tech News in Japan Yamato speeds up parcel-boxing process 10-fold LINE誤送信でも…24時間以内取り消し機能追加へ NTTドコモ、dカード プリペイドがiPhoneやApple Watchで使える決済サービス「Apple Pay」に対応開始！最大1500円分がもれなくチャージされるキャンペーンも NichePhone-S SIMフリー携帯電話 テザリング機能搭載ガラケー ニッチフォン Slack Japan (Japanese) ビジネスチャット「Slack」に日本語版が登場、誤送信防止などローカライズが充実 McDonalds Japan rolling out credit card & QUICPay+ on Nov. 20th; Non-FeLiCa NFC in the 1st half of 2018 Suntory explains the simple science behind how it makes its amazing clear tea beverages 89-Year-Old Japanese Grandma Discovers Photography, Can't Stop Taking Hilarious Self-Portraits Now Main Stories Apple delaying HomePod smart speaker launch until next year IIJmio (English) IIJmio (Japanese) IIJmio Device Lineup (Japanese) LINE Mobile In-Store Locations (Japanese) Bic Sim at Bic Camera (Japanese) Bic Sim at Bic Camera (English) Fun Stuff Cha-La Head-Cha-La – The theme from Dragonball Z, and one of the absolute BEST anime songs of all time. (I couldn't help but link to the cover by Momoiro Clover Z, though… :P) Thank you, Tsuru-san! ♡ Dreams Come True Here's a few of my favourite songs! This is it! You're the one! I knew it! If you listen to only one, make it this one! This is an English Version of their massive hit song “Ureshi! Tanoshi! Daisuki!”