Podcast appearances and mentions of marianne dashwood

Support Our Cause at https://libri-vox.org/donate Sense and Sensibility, Jane Austen's first published novel, focuses on the lives and loves of two sisters, Elinor and Marianne Dashwood. The sensible Elinor and the sensitive Marianne both fall for men whose affections are otherwise engaged. The novel includes a wonderful cast of colorful supporting characters, as well as Austen's trademark dry wit and ironic narration.

Just as the predator claimed King Willie's skull as a trophy in 1990's Predator 2, so Willoughby (aka Rodrigo Fuentes) mercilessly crushes the hopes of Mary Dominguez (aka Marianne Dashwood) in this modern retelling of Sense (aka Prada) and Sensibility (aka nada). All stories are the same, when you think about it. Music credits: "Thrash Metal," by Wheatman "Big Action Sports Rock," by Alexander Rufire "Tournament," by Crypt of Insomnia Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

Der Ungleichheitsforscher Thomas #Piketty geht davon aus, dass wir bald wieder in eine Phase eintreten, die Jane Austen beschrieben hat, in der eine kleine erlauchte Klasse von Erben niemals arbeiten muss und nur darauf bedacht ist, den Besitz zu vermehren. Immer mehr Vermögen wird vererbt, sodass die Vergangenheit die Zukunft frisst. So schlüssig das für den ersten Moment klingt, muss man nach gründlicher Lektüre doch feststellen, dass es einige signifikante Unterschiede gibt, wie Ole Nymoen und Wolfgang M. Schmitt in der neuen Folge von „Wohlstand für Alle“-Literatur herausarbeiten. In „Verstand und Gefühl“ („Sense and Sensibility“) schildert Austen das Leben der Schwestern Elinor und Marianne Dashwood, die durch die Wirren von Liebe, Geld und gesellschaftlichen Erwartungen navigieren. Elinor verkörpert die Vernunft, während Marianne von ihren Leidenschaften geleitet wird. Austen entführt den Leser in das elegante England zu Beginn des 19. Jahrhunderts und rückt dabei die Komplexität menschlicher Beziehungen und ökonomischer Verhältnisse in den Mittelpunkt. Der Roman, der sich ganz auf eine vornehme Mikroökonomie konzentriert, wurde erstmals anonym im Jahr 1811 veröffentlicht und gilt heute als Klassiker der Weltliteratur. Literatur: Jane Austen: Verstand und Gefühl. Übersetzt von Angelika Beck. Insel. https://www.suhrkamp.de/buch/jane-austen-verstand-und-gefuehl-t-9783458362685 Unsere Zusatzinhalte könnt ihr bei Steady und Patreon hören. Vielen Dank! Patreon: https://www.patreon.com/oleundwolfgang Steady: https://steadyhq.com/de/oleundwolfgang/about Ihr könnt uns unterstützen - herzlichen Dank! Paypal: https://www.paypal.me/oleundwolfgang Konto: Wolfgang M. Schmitt, Ole Nymoen Betreff: Wohlstand fuer Alle IBAN: DE67 5745 0120 0130 7996 12 BIC: MALADE51NWD Social Media: Instagram: Unser gemeinsamer Kanal: https://www.instagram.com/oleundwolfgang/ Ole: https://www.instagram.com/ole.nymoen/ Wolfgang: https://www.instagram.com/wolfgangmschmitt/ TikTok: https://www.tiktok.com/@oleundwolfgang Twitter: Unser gemeinsamer Kanal: https://twitter.com/OleUndWolfgang Ole: twitter.com/nymoen_ole Wolfgang: twitter.com/SchmittJunior Die gesamte WfA-Literaturliste: https://wohlstand-fuer-alle.netlify.app

Sense and Sensibility é um romance da escritora Jane Austen. Foi o 1º livro de Austen a ser publicado, em 1811, e foi escrito sob o pseudônimo "A Lady". A história relata os relacionamentos de Elinor e Marianne Dashwood, duas filhas do segundo casamento de Mr. Dashwood.

Sense and Sensibility é um romance da escritora Jane Austen. Foi o 1º livro de Austen a ser publicado, em 1811, e foi escrito sob o pseudônimo "A Lady". A história relata os relacionamentos de Elinor e Marianne Dashwood, duas filhas do segundo casamento de Mr. Dashwood.

Summary: Summer is coming to a close and academia is back on our minds. Welcome to our fourth LoveFest, where Holly and Devin talk about Jane Austen for literally longer than they've ever spoken about anything on the podcast before. Born in 1775, Austen received a home-based education and began writing in her teens. Her novels were published anonymously during her short life; she died in 1817 at age 41 of what modern physicians believe to be Hodgkin's Lymphoma. Her six novels, though, have endured for centuries and are recognized especially for their wit, humor, and keen social commentary.  Topics Discussed: Sense and Sensibility (13:09): Elinor and Marianne Dashwood teach the reader via their contrasting approaches to love that a successful romance requires both logic and passion; Holly's introduction to Austen and a mutual favorite Adaptations: 1995 film ft Emma Thompson, Kate Winslet, Alan Rickman, Hugh Grant, and Harriet Walter. 2008 BBC Miniseries ft. Dan Stevens, Hattie Morahan and Charity Wakefield. Pride & Prejudice (25:53): This novel is the foundation of what we think of as a romance book and is still the template some 200+ years later; Lizzie Bennet is a heroine for the ages and Darcy one of the best romantic leads in all of literature.  Adaptations: 1995 BBC Miniseries ft. Colin Firth and Jennifer Ehle. 2005 Joe Wright film ft. Keira Knightley and Matthew Macfadyen  Emma (39:43): Emma Woodhouse goes from playing matchmaking games and meddling in the lives of her friends and acquaintances to realizing she has to mature to earn the proper match of her own in this hilarious, witty novel; Mister Knightley is a favorite of both Holly and Devin.  Adaptations: 1995 film Clueless ft. Alicia Silverstone, Stacey Dash and Brittany Murphy, 2009 BBC miniseries ft. Romola Garai and Johnny Lee Miller, 2020 film ft. Anya Taylor Joy and Johnny Flynn  Mansfield Park (49:01): Following one of the harder heroines to love and root for, Fanny, the reader journeys through all kinds of tomfoolery and propriety transgressions on their way to a happy ending in Austen's least-loved novel (for Holly and Devin, at least); key themes of class differences, privilege, and morality add meaning.  Adaptations: Don't bother.  Northanger Abbey (1:01:13): It's a teenage dream for the reader as we follow Catherine Morland through her summer in Bath as she discovers herself, the meaning of true and false friendships, and ultimately - love (with a side of melodrama and a “murder investigation”); Austen pokes fun at the Gothic novels so popular at the time.  Adaptations: 2007 Northanger Abbey TV miniseries featuring Felicity Jones Persuasion (1:11:36): In her final work, we follow Austen's oldest protagonist (27, gasp!) Anne Elliot, who had forsaken her love of Frederick Wentworth years ago after pressure from her family about his status. The reader explores the power of love, of self-advocacy, and not bending to societal pressure while rooting enthusiastically for Anne and Wentworth alike. If you want more details on this novel, check out Episode 17, Classics.  Adaptations: 1995 film ft. Ciaran Hinds and Amanda Root, 2007 film ft. Sally Hawkins, 2022 film ft. Dakota Johnson and Cosmo Jarvis (skip unless you want a laugh) Hot On the Shelf (1:18:58): Devin: With Love, from Cold World by Alicia Thompson Holly: Let Him In by William Friend What's Making Our Hearts Race (1:21:37): Devin: Barbie Holly: Oppenheimer    Instagram: @heartsanddaggerspod Website: www.heartsanddaggerspod.com   If you like what you hear, please tell your friends and rate and review us on Apple Podcasts and Spotify so that we can find our perfect audience.

Hello, Hello!    In this special edition of Indie Talk, we miss Bonsai Nick but bring on two fantastic guest hosts. Director and Producer Maggie Contreras (https://instagram.com/maggiecontreras) and Actress and  Producer Charity Wakefield (https://instagram.com/charitywakefield). Both worked on the incredible documentary Maestra, Executive Produced by David Letterman's Production company, Worldwide Pants. We talk about:     Pros and cons of filming in Cuba Why Producers are elite problem solvers How they got access to the musicians featured in their film Maestra  What steps are required to produce in France effectively  The tricks to getting the most out of a cast and crew The need for a Documentary Filmmaker union Producer Papa Bear once again stumps and educates us with an all-new Things We Should Know and much more...   Enjoy!   The MAKE IT podcast is brought to you by the Voice of the Filmmaker program, which is sponsored by Women in Film and Television, Nashville (a 501(c)(3) non-profit organization).   If you like what we're doing, please donate here: https://www.bonsai.film/donate.   How you can continue to enjoy MAKE IT content:   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry. We provide a platform for filmmakers to provide advice, lessons learned, personal reflections, and insights through our Filmmaker Conversations, Mistakes in the Making, Industry Insights, Indie Talks, and Film Investment Series. We are the go-to film podcast for independent creatives!   More on Charity Wakefield   Instagram - @charitywakefield Twitter - @charitywakefld   CHARITY WAKEFIELD's resumé boasts a colorful spectrum of critically and commercially acclaimed work that illustrates her fantastic talent.   Charity stars in Hulu Original drama series THE GREAT, starring Elle Fanning and Nicholas Hoult. Written and executive produced by Tony McNamara (The Favourite) and directed by Matt Shakman (Game of Thrones, Succession), the series charts the rise to power of Catherine the Great and her explosive relationship with her husband, Peter, the emperor of Russia. The series has been nominated for Golden Globe, SAG, Emmy, MTV, and BAFTA Awards.   Since playing the romantic ‘Marianne Dashwood' in the BBC mini-series of Jane Austen's celebrated SENSE AND SENSIBILITY, she has appeared in some of our most noteworthy productions, including the critically acclaimed Channel 4 drama ANY HUMAN HEART, the Golden Globe and BAFTA-winning and Emmy-nominated WOLF HALL, THE HALCYON (ITV), Ron Howard's Emmy nominated GENIUS (Nat Geo);  CLOSE TO THE ENEMYdirected by Stephen Poliakoff for BBC2, the global phenomenon DOCTOR WHO; playing opposite Jack Whitehall in Sky One's BOUNTY HUNTERS, an ‘action-comedy-drama' also starring Oscar nominee Rosie Perez. International projects include working alongside Jennifer Lawrence and Bradley Cooper in the Susanne Bier-directed SERENA, crime thriller THE PLAYER for NBC with Wesley Snipes, and supernatural drama MOCKINGBIRD LANE also for NBC.   Charity made history as the first woman to play Shakespeare at The Globe Theatre, London, in  Nicole Charles's ‘exhilarating' all-female production of EMILIA, which had a West End transfer to the Vaudeville Theatre. Additional theatre credits include a ‘beautifully executed' (LA Times) THE CHERRY ORCHARD at the Olivier Theatre at the National Theatre, SEMINA, THE BLACKEST BLACK and NO NAUGHTY BITS all at the Hampstead Theatre; CANDIDA at the Theatre Royal Bath and THE RIVALS with Celia Imrie at the Southwark Playhouse.   As a producer, Charity's credits include the female-led, jet-black comedy A SERIAL KILLER'S GUIDE TO LIFE, which was long-listed for the Breakthrough Producer award at the 2019 British Independent Film Awards and can be viewed on all VoD sites (Apple TV, Itunes, Amazon, BT, Virgin, etc). Additional producing credits include short films WRAPS, which is now being made into a feature, and MEMENTO VITAE.     More on Maggie Contreras   Instagram is @MaggieContreras @MaestraMovie www.MaggieContreras.com   Maestra is a new feature documentary following five internationally-based women as they prepare for and perform in ‘La Maestra'—the only competition in the world for female orchestra conductors. Personal stories of survival, passion, and perseverance are woven together with the drama and excitement of this one-of-a-kind event created to break yet another glass ceiling for women. Maggie Contreras' directorial debut had its world premiere in competition at the 2023 Tribeca Festival, where it won an audience award.   Previously, she was the producer behind documentary films tackling a wide range of topics, from comics to solar energy. Jonathan Scott's Power Trip (PBS Independent Lens ‘20) is the titular HGTV celebrity and activist's journey across the USA to examine the antiquated utility monopoly system and how solar holds the key to energy freedom. In 2017, Gilbert also premiered at the Tribeca Film Festival and was distributed by Gravitas Ventures with exclusive SVOD on Hulu. Her work has been seen on AMC, NFL, and Quibi.   Whether it's working with brands or in the field on her next film, Maggie is fueled by the power of true stories.

Charity Wakefield's passion for the natural world shone through when we caught up at her local green space. I met the actor, environmentalist and Woodland Trust ambassador at Peckham Rye Park to talk about trees, wildlife and acting. Charity explains how nature has made her happy since the tree-climbing, den-building days of her childhood. She is concerned that people have lost their connection with the environment, but is hopeful for the future and encourages us to recognise that we can all make a difference. She believes in ‘people power'. We also talk eco-friendly fashion, filming comedy-drama The Great and climbing a tree to learn her lines in Lewisham! Don't forget to rate us and subscribe! Learn more about the Woodland Trust at woodlandtrust.org.uk Transcript You are listening to Woodland Walks, a podcast for the Woodland Trust, presented by Adam Shaw. We protect and plant trees for people to enjoy, to fight climate change and to help wildlife thrive. Adam: Charity Wakefield is an actor, environmentalist and Woodland Trust ambassador. She starred in BBC One's production of Rapunzel, Constance in The Three Musketeers at the Bristol Old Vic, and Elaine in the Graduate at the New Vic. She had a lead role as Marianne Dashwood in Jane Austen's Sense and Sensibility and has been in Doctor Who, the Halcyon, Bounty Hunters, amongst other productions. And she's now starring in the TV series, The Great about Catherine the Great. Well, I met her at her local park to talk about acting and the importance of the natural world. Charity: So now we are at Peckham Ride Park, which has been my local park for most of my time in London. I now have a baby so there's lots of kinds of mother and baby groups around the area. I have lots of friends here still. Adam: Are you a country girl or did you grow up in the city, or? Charity: Erm, I, I never thought of myself as a country girl. I did grow up though in and around East Sussex. I used to live in a couple of different places down there. We moved a bit as a kid. Adam: Sorry, why don't you, you grew up in the country, why did you not think of yourself as a… Charity: I don't know Adam: You know you thought of yourself as you felt your inner urban woman early on? Charity: I just don't think I grew up with any sense of identity if I'm honest, because I also live a little bit in Spain when I was very small. And like I said we moved around quite a lot. So actually I'm an actress and I trained at drama school and going to drama school at the time of going to university for most people if you do that, that was the first time I really had this interest to work out where I was from, or you know you kind of try to identify yourself by telling each other, and also drama school, in particular, you're looking at different kind of life experiences and personality traits, because it's material for you, right? So, you start kind of realising ‘oh I that this background or that background'. Yeah, for me, being from the countryside just meant desperate driving as soon as I can. I could drive about a week after my birthday because I had secret driving lessons with friends and my dad and stuff. Yeah, I guess I have always loved the countryside and I sort of you know had friends you know the family were farmers and we used to go and make camps in the woods. Adam: Well, that's good, and talking of woods we seem to be, what's down there? That's a very wooded area, shall we go, you lead on, but shall we go down there? Or Charity: This is the Common, this is Peckham Ride Common, and erm I think it was, has been around for at least a couple of hundred years and it's a really big open space with some really huge trees in the middle. They're probably like, lots of them are London planes and oak trees, and I think this section we're about to walk into was actually sort of closed off at the beginning I think it was a big common and this was owned by an estate. A sort of family estate and then opened a bit later which is why as you can see it is much more formal Adam: I was going to say, so we are leaving a sort of really a very large green area with the Shard poking its head above the trees, so your urban environment, but walking into this much more formal sculptured… Charity: And actually you can walk the whole perimeter of this, and this is quite close to the road here but the other side is as you can see really big open and free, so it must have been quite weird at sort of the end of the 1800s, I suppose that kind of bridge between a really rich family that owned this huge part of the park in the middle, so this is yeah, now we are under these beautiful red-leaved trees, you probably know what that tree is? [Laugh] Adam: No, no, no, no, let's not embarrass each other by [Laugh] Charity: [Laugh] Okay no tree testing Adam: No tree testing [Laugh] Charity: Okay Adam: Well, this is, this is beautiful, so let's… there's a lovely, lovely bench with a dedication actually, some flowers connected to that. So why don't we have a sit down here and just have a chat? So, first of all, you mentioned you went to drama school, what drama school was it? Charity: I went to the Oxford School of Drama, which was the smallest, most obscure place I could have probably have found [Laugh] but it probably was the best place for me actually. It's funny, sometimes what's for you won't pass you as they say, erm a tiny drama school in the middle of the north of Oxfordshire. Acting is really hard and part of it is the marathon of it and the difficulties of getting jobs and everybody says this but failing continually and feeling like you haven't actually achieved things perfectly. In the theatre that means doing a show and there being some moments during the night where you think ‘uh that didn't work out right' and you have to be that kind of person that is interested in those kinds of faults and failures and wants to try different things and fix things and part of gaining that resilience is what I think drama school is all about. Adam: I mean apart from, I do want to talk to you more about your acting, but apart from that you do have what I see as quite a close connection to nature, reading a lot of your social media and learning about your activities, so tell me a bit about that, what is it? What is that connection and why do you feel it? Charity: I think growing up, albeit in a kind of little village or a town, but kind of in the countryside it was quite… it was a bit freer back then, I think it was different days, the early 80s. being allowed to sort of wander off, with friends and go into kind of woodlands and stuff. I think, I just feel very happy when I am in nature and I am interested in the differences, everything is growing and changing all the time. And it was interesting I went to LA once, and I thought this is so strange to me because the seasons aren't so apparent. Particularly when you live in the countryside your so kind of affected by those changes and erm I really love animals and I love knowing the circle of life, like where those animals came from, how they're are fed, what they do naturally, and then getting older you start to understand a bit more about the history and human history and how we have you know got to where we are today the kind of beginnings of farming and how society functions and unfortunately we are at a point now where we've outgrown ourselves, and how do we kind of pair that back? How do we get back? Adam: When you say we've outgrown ourselves what do you mean? Charity: I think humans have outgrown ourselves in a sense I think Adam: In what sense? Charity: In the sense that we've lost track I think of the essence of how you, I think yeah, we've lost track of how life is interconnected with nature. Because we're pushing technology further and further and some people are saying the answer is to eventually get into space rockets and go and start a new community on Mars and to me that's mad because I feel like we have everything that we need on this planet. And we just need to reconnect everything. Adam: Why do you think that disconnection has happened then Charity: Yeah well, I think it's a big question. Because I think it happens on so many levels. I think that there is a disconnect with people who are very very fortunate and have a hell of a lot of money, and in some ways don't notice the effect that their companies or their personal lives might be having on the environment because they are so loaded that they get given their food people and they probably never see plastic packaging to know that it exists because they are just delivered things Adam: Right Charity: and they don't really realise the impact that they're having, they're living kind of you know the high life Adam: Sure, do you think we're all living that sort of life? Charity: No, I don't Adam: Or it's just the 1%, or the quarter of the 1%? Charity: No, I don't, I think there are lots of people that are the absolute opposite. They haven't got the time, the money and the education to be able to do anything about it even if they did notice that there is an issue. Adam: And yet it is curious that isn't it, because and yet David Attenborough the national hero, his television programmes are all watched, and you know Charity: But they're not watched by everybody. Adam: They're not watched by everybody but there seems… I mean I get the feeling that you know there's this weird thing where everybody's talking about the environment and very concerned about it, even if perhaps if we're not changing our lifestyle, but my, my sort of view is that people do get it even if they're not changing their behaviour. You, you feel differently, I think. Charity: I think that there's, I think there's lots of people on those both extremes that don't get it at all and I also see lots and lots of people living on the poverty line, particularly where I live in the Borough of Lewisham, who are, and I know some people are working crazy hours and don't have time to think about it. About any kind of impact, and certainly don't have time to do complicated recycling or and they don't have the budget to be able to shop in a kind of, what we would probably on our middle-class wage perceive as a kind of eco conscious way. And because what's difficult is even if you do do that it's very hard to sort of balance what is the best consumer choice to make. As we all know, so we're in a difficult way, but what I do believe is that I believe in people power, and I as you say David Attenborough has made a huge impact and it is much more in the mainstream, hugely so in the mainstream in the last couple of year, and I do think its down to kind of lockdown and people staying at home and having the chance to stop and think and reconnect with their immediate environment but whether that's in a high-rise flat looking out listening to the lack of airplanes, being able to hear nature more, or somebody that's got, you know, fifty acres and has decided to buy a diamond Jubilee woodland for the Woodland Trust, you know, that there, I think we are kind of you united as we are the people who had a chance to stop and listen and look and then it's about people that are in positions of power and money to give us a direction to go in. to give us a positive idea Adam: So, apart from being intellectually being engaged with this, you're worried about it, you're clearly worried about it, you do a lot of things. Charity: mmm Adam: actually, so tell me about the lots of things you do Charity: err well I really love… I've always…So, fashion is a part of my job in the sense that I have to wear lots of different clothes, and um for my work Adam: well then you were recently in The Great Charity: That's right so I do a TV show, period TV show, and so I Adam: So, there's lots of costumes Charity: there's lots of costumes, I don't really have control over where those costumes are made and bought, but sometimes I do so, for example, if I'm producing a film or if I'm in a low-budget theatre production, I might provide my own clothes for that theatre production, and if producing then I am certainly in charge of deciding where we can get clothes, so for example, we go to charity shops and second-hand places because there is so much stuff in the world already. And I try to do that in my personal life. Adam: But do you have a label, a fashion label? Charity: No, nothing like that no Adam: But you, but you talk a lot about conscientious fashion on social media Charity: Yeh, I do because erm, …. Erm I am looking for the word, influencers! And stuff like that because I get approached for things like that and so I'm very conscious that If I am going to be in front of any kind of camera people are going to make a judgment or think that might be a good idea to wear, so I try to conscious about what I'm wearing if in the public in any way. And really that's just an extension of my real life, I've always shopped in charity shops, when I was growing up that was because we didn't have any money, so my clothes were given to me by other families, or when I first started to work, which was around fourteen, I worked in a strawberry farm – that was my first job! And my second job was in another strawberry farm, picking strawberries and my third job was the same strawberry farm but in the grocery shop. Adam: Okay, you got promoted! Charity: Promoted Adam: Promoted out of the fields! Charity: Absolutely, literally up the hill Adam: and Charity: I've become extremely aware of how difficult it is to manage woodland, and I didn't even know that as a concept, I just thought that big areas or parkland or woodland or farmland, I had not concept really of how that was looked after, and that's one thing that I think is I don't know, its both inspired me and made me realise what a huge challenge it is to be able to reforest large areas and the other fact of everything being so slow – trees reaching their maturity at such a slow rate – and that being a very difficult kind of challenge to sort of ask people to become involved with because I think when you're asking people to you know kind of sympathise with a charity or donate money to a charity in some ways its more difficult to say this is an extremely slow process but we need your help urgently… so it has been interesting to learn about that side of things. And I've also been deeply shocked and saddened about how many of our ancient woodlands and hedgerows and trees that are still being cut down in this country, partly for huge roadways but partly for new buildings and farmland and that does feel quite urgent to me. But yeah I've learnt a lot. I think one of my favourite things has been seeing the tree listening which I put on my Instagram if anyone wants to have a look Adam: So, tell me about tree listening. Charity: so, there's a way to hear the water being filtered up and down trees and it's the most beautiful sound and to me, it's a sound that I could go to sleep to. I keep thinking, I must try and find if there's a recording online that I can grab and put on my phone to listen to at night-time. And it gives you that sense of the tree being alive in the here and now. Trees grow so slowly it's sometimes quite difficult to think if the as, as kind of, living in the same time zone as us. So, hearing that, that's a very present sound really, I don't know, it makes you… it makes you want to hug the tree even more [laugh] Adam: Are you a bit of a tree hugger? Charity: Yeah, yeah, I am! Adam: Do people spot you in Peckham? Strange woman hugging trees? Charity: I do sometimes do that, the weird thing is, this was, I was in a different park in Lewisham, and I'd actually climbed the tree because I just felt like it and I also had some lines to learn. And it was quite an empty park and I thought well this is fine, and I was in a tree learning my lines and a lady came and she saw my bags on the floor and she was so freaked out she just looked up and saw me in this tree, and I have to say it was a weird sight. I have to really say Adam: [Laugh] Charity: This is so weird, I'm an actress and I don't know what I'm doing, sorry Yeah, I just, yeah, I love…I think it was also, when I was growing up, a bit of a place to kind of go and hide, you know if you're kind of stressed out or worried as a kid, and rather than run away, go and climb a tree and be up really high – it completely changes your perspective. Adam: Has having a child changed your perspective at all? Charity: I think it just strengthened my love of nature because it's the first thing that you teach kids about. All of the books that people give you are all about spotting different animals and trees, and the sunshine and the bees, everything he loves is related to outdoors, I mean that's, it's his first summer, he's fifteen months old and erm I've moved to a new house recently and been trying to work the garden a bit because it was very very overgrown. So, it's been my great pleasure to be outside and doing lots of digging and his first proper words has been digging, dig, dig, because he heard me say digging and he just started saying dig, dig, dig. [Laugh] Adam: Fantastic Charity: He said that before mummy or daddy. Adam: So, are you optimistic, I mean all those things you talked about erm are you optimistic that the world for your child will actually, things will get better during his early life? Or not? Charity: I feel burdened with the worry of it, and I try to not think about it, because the world is huge and there's only so much, I can do. I do feel optimistic in the human endeavour and human invention and ingenuity. But I am sad that it's going to get to a point of huge environmental catastrophe before real change is made by our governing bodies. But then if you look back at the pictures just pre-industrial revolution of these thousands and thousands of huge billowing chimney pots in London and you know, they're not there now, and the world is a lot greener than it was then, at least in cities. So, I kind of, yeah, I have hope otherwise you know… what's the point? Adam: I mean it's interesting isn't it, there's… I often think about how to shape the narrative here because I think often the narrative of ecology and the environment is one of ‘there's an impending disaster' you know ‘it's all terrible' and I'm not saying that's not true, but I think it's hard for people to engage with because it's like ‘well what, what can I do about that?' and I think it was, hopefully, I got this right, I think it was Barrack Obama who wrote a book on it called the Audacity of Hope and you talked about hope and it is this sort of weird thing, actually to be hopeful is an extraordinary thing, it is audacious to be hopeful and that might be, might be a better message actually, that there is this big challenge and actually the audacity of hope in what can, can we do, individually? Individuals can make a difference. You know yes joining the Trust and what have you, and doing other things, and planting a single tree Charity: I think you also have to look after yourself as a human in the world. Try to give yourself time and love and energy. Then you'll be in a really good spot to be able to help other things and other people and the environment. It's very difficult like I say if you're on the breadline and you're exhausted to actually have the headspace and the energy to do stuff. And you know, and so those people that are unable to do that we need to, I do believe, socially we need to enable people to be able to care for the environment. If you're in a position where you do have enough money, and you do have enough time, and you still feel worried, then there's tons you can do on a day-to-day level. And I actually think that action is much more infectious than talking. I know we're talking here today, but the best thing that I have probably ever done is about two or three years ago I just wrote on Twitter I'm giving up plastic for the month of January, this was before it was kind of fashionable to that and rather than saying everyone should do this, everyone should do that, I just said ‘this is what I'm doing'. I didn't even talk about it. I just said ‘I'm gonna do this' and so many of my friend's a couple of months later said ‘oo you said that and actually, I tried it as well', they didn't even talk to me about it they just kind of tried it. They started, whenever they came over, they said ‘we I didn't bring, I didn't buy any plastic because I knew you weren't interested' I thought wow! You just actually have to put a stick in the mud sometimes and say this is what I'm doing, and try to have the energy to stick to it, and of course, we have… we can't be perfect… the world is set up in a certain way at the moment as consumers, as everything is wrapped in plastic, it's very difficult to get around without, you know in lots of places, without a car because public transport has a lot to be desired and it's expensive, but if you can try to support things that are doing the right thing, that will slowly, slowly build, and if you can have joy in that, that builds as well. Adam: It is interesting to me, we tend to do what our friends do, or people we know do, so, and that's why a single person can make a difference isn't it because, a friend will copy you. And suddenly what you do isn't a single thing, it's a big thing. That's, that's amazing. So, look we're in this park which is very nice. I'm not sure I've met one leaf yet; we're meant to be walking around and I lazily dragged you to this chair! But, have you, I mean there's lots of Woodland Trust places outside of London, they are quite close but also quite far. Have you been to many? Are there any that stick in your mind? Charity: I've been to Hainault, and I've been to Langley Vale. What I would love to do is go to Scotland, I know there's lots of work happening there at the moment and I'd really like to visit, it's really interesting to see the difference between a very very ancient woodland and something that's quite newly developed, and I know that there are some places that the Woodland Trust are trying to connect two different forests, and I think, is it the pine martin (?) that they are trying to get to, sort of, repopulate? And it's very difficult to do that because they like travelling and so you have to have a long distance in between, you know, one dense forest and another dense forest for them to actually want to stick around. So, I would kinda like to see that in action. Adam: Well, the Langley Vale Forest, I have just been to, and it features in our previous podcast. All the commemoration of the First World War. Which I think was one of the most interesting and sort of, I don't know, shocking, I don't know, because there's a lot of… it commemorates really terrible events, but in a sort of, living memory, which I thought was really forceful. And that's I think one of the more interesting podcasts so if you listen to this one, but also that one, I also thought that one was great. So, it's amazing to sort of talk to you about this, but as you were saying, you are an exceptionally busy actor as well, so you're doing… is The Great still in production? Charity: It is, we're filming season three at the moment. Adam: Wow, so how many programmes in a season? Charity: so, there's ten episodes in each season, and the first two have come out via Hulu, and, in America and STARZPLAY, the first season was out on Channel 4 a couple of years ago and the second season is coming out this summer, on Channel 4, and we're filming season three. So, um, it's a lot of fun, it's very silly and it was lovely to be doing something, I was so lucky to be working during the last lockdown, albeit with really rigorous Covid protocols in place, we managed to get it done. Adam: Well fantastic, I will watch out for the next season! And all of your stuff on social media and everything. It's been a real pleasure talking to you Charity, thank you very much! Charity: Thanks. Well thanks to Charity for taking me on a tour of her local small, wooded area in South London, and do remember if you want to find a wood near you, well the Woodland Trust has a website to help. Just go to woodlandtrust.org.uk/findawood. Until next time happy wandering. Thank you for listening to the Woodland Trust Woodland Walks. Join us next month when Adam will be taking another walk in the company of Woodland Trust staff, partners, and volunteers and don't forget to subscribe to the series on iTunes, or wherever you're listening to us, and do give us a review and a rating. And why not send us a recording of your favourite woodland walk to be included in a future podcast? Keep it to a maximum of five minutes and please tell us what makes your woodland walks special. Or send an email with details of your favourite walk and what makes it special to you. Send any audio files to podcast@woodlandtrust.org.uk and we look forward to hearing from you.

Fall asleep tonight to the continuation of Sense and Sensibility by Jane Austen. This book was published in 1811. It follows the romance and heartbreak of Elinor and Marianne Dashwood in the late 1700s. In this episode, the Dashwoods move to and settle in at Barton Park. Edward does not visit and Marianne has a romantic first encounter with Mr Willoughby.If you'd like to support the podcast, you can buy me a coffee here ------> buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off to sleep.Goodnight and Sweet Dreams.... See acast.com/privacy for privacy and opt-out information.

Pull up your fainting couch because have we got a revivifying episode for you! Dr. Emily C. Friedman is here to take us through the olfactory delights of smelling bottles, as well as breaking down what their various scents and applications tell us about characters like Marianne Dashwood and Lady Bertram. Thank you so much to Emily for joining us for this episode! You can find her on Twitter @friede, on Instagram @ManuscriptFiction, on YouTube @CriticalProf, and at www.ecfriedman.com where you can find information about all of her work. You can find us online at www.TheThingAboutAusten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can also email us at TheThingAboutAusten@gmail.com.

MEN? The Ghosting of Marianne Dashwood, or Elinor Dashwood is a Goddamn Liar: a new play about chapters 26-28 of Sense and Sensibility, in which we see Willoughby again and he does NOT live up to Marianne's expectations. Topics discussed include the return of Colonel Brandon, stanning Mrs. Jennings and modern plumbing, late-term ghosting, the WEATHER, and the horror version of Sense and Sensibility.Study Questions: Topics discussed include the shift to London, Willoughby's behavior, a theory about Eddie, Brandon's behavior, and how our heroines are processing their heartbreak.Funniest Quote: 'Mr. Palmer sauntered towards the Miss Dashwoods to express his surprise on seeing them in town, though Colonel Brandon had been first informed of their arrival at his house, and he had himself said something very droll on hearing that they were to come.“I thought you were both in Devonshire,” said he.“Did you?” replied Elinor.“When do you go back again?”“I do not know.” And thus ended their discourse.'Questions Moving Forward: Men? WTF is up with Eddie and Lucy? Who is the fashionable young lady? Why did Brandon leave Barton?Who wins the chapters? Colonel Brandon, for: "That he may he endeavor to deserve her."Glossary of Terms and Phrases:hartshorn (n): smelling saltsGlossary of People, Places, and Things: Dump their ass, Samuel French, Eternal SunshineNext Episode: Chapters 29-30Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios, transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216

Fall asleep tonight to the opening chapters of Sense and Sensibility by Jane Austen. This book was published in 1811.  It follows the romance and heartbreak of Elinor and Marianne Dashwood in the late 1700s. In this episode, John Dashwood, their half brother, decides on how much assistance he can " reasonably afford" to give to his sisters who have recently lost their father. Then, they are forced to consider leaving Norland Park and move far from their home.If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off to sleep. Goodnight and Sweet Dreams.... We are also now on Twitter: https://twitter.com/JustSleepPod  and Instagram: https://www.instagram.com/justsleeppod/

Anne chats with Ian Morgan Cron, noted Enneagram teacher, psychotherapist, author of The Road Back to You and host of the Typology podcast, about how their favorite literary characters (and maybe a few movie characters) fit into the framework of the super-hot-right-now Enneagram personality system. From Hermione Granger to Jay Gatsby to Marianne Dashwood to Samwise Gamgee... today we cover a LOT of literary ground. If you don’t know anything about the Enneagram personality framework, don’t worry! This episode is totally newbie-friendly.Click over to the podcast website for a list of books mentioned in this episode, a friendly comment section, and helpful Enneagram resources: http://whatshouldireadnextpodcast.com/141Ian's website: http://www.iancron.comSubscribe to Ian's show Typology.

You may be yin, and I may be yang, but we can all agree on Emma Thompson. For some, she is the queen of 90s prestige filmmaking, for others (i.e. Brian) she is a role model, an idol, a way of life. SENSE AND SENSIBILITY (which Em wrote and starred in) takes 18th century English manners and deconstructs them through the Taiwanese lens of director And Lee. The story of wildly disparate sisters Elinor and Marianne Dashwood certainly left its impact on your wildly disparate hosts. For Brian it was fuel to the fire of his love and passion for Emma, for Seán it was some frou-frou trailer at the start of the VHS tape of Addams Family Values. But will the older, wiser Seán be able to come to his senses (as opposed to sensibilities) and to look beyond the Empire waistlines to see this film for what it is: a delightful, insightful comedy that is as much Thompson as it is Austen? Reader, he loved it. (That's her, right? - Ed. Note: No, Seán, that’s Charlotte Brontë) Part 1 of 3 Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).

Kate Winslet is one of the most acclaimed actresses of her generation: fact. With that in mind, how will The Brothers Wilson screw up / trivialize their analysis of one of the most famous people to come out of Berkshire, England? The film choices certainly stack up: starting with Winslet's Oscar win for the post-World War II drama The Reader, proceeding on to her breakthrough role as Marianne Dashwood in Emma Thompson's 1995 adaptation of Sense and Sensibility, and then as the female lead in a little film known as Titanic. The always razor-sharp analysis involves Alan Rickman impressions, a timely reference to Divine Brown, and a failure on both hosts to say the word "admirable". This episode also marks the debut appearances of Ralph Fiennes, Ioan Gruffudd, and Billy "Slam Evil" Zane, whilst the actor Greg Wise is mocked for being a minor celebrity. And if you think this episode is ending on a Celine Dion song, you're only partly correct.

Kate Winslet is one of the most acclaimed actresses of her generation: fact. With that in mind, how will The Brothers Wilson screw up / trivialize their analysis of one of the most famous people to come out of Berkshire, England? The film choices certainly stack up: starting with Winslet's Oscar win for the post-World War II drama The Reader, proceeding on to her breakthrough role as Marianne Dashwood in Emma Thompson's 1995 adaptation of Sense and Sensibility, and then as the female lead in a little film known as Titanic. The always razor-sharp analysis involves Alan Rickman impressions, a timely reference to Divine Brown, and a failure on both hosts to say the word "admirable". This episode also marks the debut appearances of Ralph Fiennes, Ioan Gruffudd, and Billy "Slam Evil" Zane, whilst the actor Greg Wise is mocked for being a minor celebrity. And if you think this episode is ending on a Celine Dion song, you're only partly correct.

Kate Winslet is one of the most acclaimed actresses of her generation: fact. With that in mind, how will The Brothers Wilson screw up / trivialize their analysis of one of the most famous people to come out of Berkshire, England? The film choices certainly stack up: starting with Winslet's Oscar win for the post-World War II drama The Reader, proceeding on to her breakthrough role as Marianne Dashwood in Emma Thompson's 1995 adaptation of Sense and Sensibility, and then as the female lead in a little film known as Titanic. The always razor-sharp analysis involves Alan Rickman impressions, a timely reference to Divine Brown, and a failure on both hosts to say the word "admirable". This episode also marks the debut appearances of Ralph Fiennes, Ioan Gruffudd, and Billy "Slam Evil" Zane, whilst the actor Greg Wise is mocked for being a minor celebrity. And if you think this episode is ending on a Celine Dion song, you're only partly correct.

Kate Winslet is one of the most acclaimed actresses of her generation: fact. With that in mind, how will The Brothers Wilson screw up / trivialize their analysis of one of the most famous people to come out of Berkshire, England? The film choices certainly stack up: starting with Winslet's Oscar win for the post-World War II drama The Reader, proceeding on to her breakthrough role as Marianne Dashwood in Emma Thompson's 1995 adaptation of Sense and Sensibility, and then as the female lead in a little film known as Titanic. The always razor-sharp analysis involves Alan Rickman impressions, a timely reference to Divine Brown, and a failure on both hosts to say the word "admirable". This episode also marks the debut appearances of Ralph Fiennes, Ioan Gruffudd, and Billy "Slam Evil" Zane, whilst the actor Greg Wise is mocked for being a minor celebrity. And if you think this episode is ending on a Celine Dion song, you're only partly correct.