Podcasts about Wickham

It's the morning after Mr. Darcy's proposal, and Elizabeth knows that the only thing that will calm her unsettled mind is a walk. But despite her best efforts, she encounters Mr. Darcy yet again, and this time, he has a thick envelope with a letter he absolutely must give her. It's time for Elizabeth to hear Mr. Darcy's perspective on Bingley and Jane's relationship, and to learn the truth about his history with Mr. Wickham. Be not alarmed at our latest Friday Favorites, as we revisit a turning point in the relationship between Elizabeth and Mr. Darcy, and it helps you turn your own busy day into another night of peaceful and relaxing sleep. -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Chloe Wickham is a designer whose work sits at the intersection of creativity, business and behavioural insight. With a degree in Business and Design from Griffith University, Chloe's path began with a love of art and a desire to help out with her dad's business, and quickly grew into a passion for strategic, purposeful design that connects with people and shapes the way we live.Freshly graduated, Chloe is now building her freelance practice from regional Victoria, and in this episode, we speak aboutwhat it's really like to move from the structure of university to the ambiguity of creative entrepreneurship.We speak about routine and rest, black-and-white thinking vs the grey, and how both city streets and bushland walks can shape your creative output. We'll also dig into the psychology of design, the impact of visual communication on behaviour, and why Chloe believes design should always serve people and the planet.Want to know how she would spend day two if she had $100 million in the bank? Please enjoy this thoughtful and energisingconversation with Chloe Wickham.> Connect with Trish: https://www.instagram.com/trishjohnstone/> Learn more about Oath + Stone: https://www.instagram.com/trishjohnstone/> Apply to be a guest: https://www.instagram.com/trishjohnstone/

Hello Hello! 2025 has featured some pretty good films already, and this week, we're talking about so far the biggest two, where both feature lead actors doing double time! In this week's episode, Colleen and Wickham are joined by Taylan to discuss "Mickey 17" (2025, dir. Bong Joon-ho) and "Sinners" (2025, dir. Ryan Coogler).

Sarah attended both the Royal Court Young Writer's and Studio Writer's Groups programmes and has gone on to become an award-winning playwright and screenwriter. She's also an alumni of the prestigious “4 Screenwriting” programme and the script she developed with them was picked up by production company Sunny March. An independent film and Tv company led by Benedict Cumberbatch. She was also listed on the BBC's New Talent Hotlist and chosen from thousands of entries for the BBC Drama Writer's Programme. Her plays have been produced all over the world and published by Bloomsbury Press, Oberon Books and Samuel French. Her first audio play “Mrs Wickham” starring Jessie Buckley (Chernobyl, Wicked Little Letters) and Johnny Flynn (Motive and the Cue, One Life), directed by Eleanor Rhode became a global success on Audible, winning the 2023 International Audio for Best Original Work. In addition to being selected as one of the iPaper's 25 Best Audio pieces of all time and is currently being adapted into a feature film. Check out her new audible project “Billionaire For Sale” starring also Johnny Flynn, directed again by Eleanor Rhode, available now!We discuss both her audio projects, her writing process, finding her voice in her writing and what we can expect from her next. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Lady Susan to postać, która wyprzedza swoje czasy, przypominając **antybohaterów znanych z późniejszych powieści**, zwłaszcza tych męskich, takich jak Wickham czy John Thorpe. Fakt, że powieść została wydana dopiero po śmierci Jane Austen (w 1871 roku), świadczy o jej **rewolucyjnej i potencjalnie skandalicznej treści**. Krytyka często zarzuca brak rozwoju postaci, choć **Reginald De Courcy stanowi wyjątek**, przechodząc od uprzedzenia do zaślepienia, by ostatecznie doświadczyć gorzkiego rozczarowania. Można jednak bronić Lady Susan, widząc w jej manipulacjach **próbę przetrwania w społeczeństwie, gdzie kobiety miały ograniczone możliwości**, zmuszone do poszukiwania bogatego męża. Najbardziej **oburzający w jej postępowaniu jest nie stosunek do kochanków, lecz do córki**. Choć nie wiemy dokładnie, kiedy „Lady Susan” powstała, jej epistolarna forma (pisana listami) sugeruje, że może to być **wczesne dzieło Austen (ok. 1794 rok)**, co byłoby sprzeczne z Twoją sugestią, że to jej późniejsza praca. Pamiętajmy, że sama Eliza Hancock de Feuillide, kuzynka Austen, była pierwowzorem dla tej postaci. Istnieje również **ekranizacja** powieści.

Oli Bombardier s'est entretenu avec Raynald Mainville pour parler du Méchoui et spectacle country qui va avoir lieu le 9 Août prochain à la salle communautaire de Wickham. See omnystudio.com/listener for privacy information.

Liz and Sarah talk about why it’s important never to delete anything substantial. They never know when they’re going to want to put something back into a document. It happens! In Take A Hike, Sarah shares why being at her lake house in Minnesota made her realize it’s important to “look down.” Next, Liz and Sarah revisit the topic of crying at work in Take Two. Listeners have so many observations and insights! This week’s Hollywood Hack is great for summer — try mini soda cans. Finally, Sarah recommends the Mr. Darcy and Miss Tilney mystery book series. Sign up for Liz and Sarah’s free weekly newsletter at https://happierinhollywoodpod.substack.com. Get in touch on Instagram: @Sfain & @LizCraft Get in touch on Threads: @Sfain & @LizCraft Visit our website: https://happierinhollywood.com Join our Facebook group: https://www.facebook.com/HappierinHollywood/ Happier in Hollywood is part of ‘The Onward Project,’ a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts—Happier with Gretchen Rubin, andSide Hustle School . If you liked this episode, please subscribe, leave a review, and tell your friends! Note: Go to the Happier In Hollywood Facebook Group for Liz and Sarah’s extensive Teens/Tweens Gift Guide. Thanks to listeners for such great ideas! Link below. https://www.facebook.com/groups/903150719832696/permalink/3081705578643855/ LINKS: Bird by Bird by Anne Lamott: https://amzn.to/4lfLdi2 Diet Coke Mini-Can: https://amzn.to/4nzzEE0 The Murder of Mr. Wickham: https://amzn.to/4lDdoqX Photo by See omnystudio.com/listener for privacy information.

Tonight's bedtime story is the continuation of Pride and Prejudice by Jane Austen. In this episode, Elizabeth reveals some of the contents of Darcy's letter to Jane. Wickham leaves Meryton..Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodOrder your copy of the Just Sleep book! https://www.justsleeppodcast.com/book/If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.

Hey y'all! Severance has been one of the best things ever aired on TV since its debut back in 2022. In this episode, Wickham and Colleen discuss Ben Stiller's "Severance" again, this time focusing on season 2.

Claudia Gray is the pseudonym of Amy Vincent. She is the author of the Mr. Darcy and Miss Tilney Mysteries, which began with The Murder of Mr. Wickham. She is also the writer of multiple young adult novels, including the Evernight series, the Firebird trilogy, and the Constellation trilogy. In addition, she's written several Star Wars novels, such as Lost Stars and Bloodline She and her husband, Paul, live in Turin, Italy, under the benevolent rule of a small dog named Peaches. The fourth book in New York Times bestselling author Claudia Gray's Jane Austen sequel series, THE RUSHWORTH FAMILY PLOT finds amateur sleuths Jonathan Darcy and Juliet Tilney caught up in the whirlwind of the London Season—and in a murderous scheme involving the family of Edmund and Fanny Bertram Jonathan Darcy and Juliet Tilney understand each other perfectly; it's a pity their families do not. A series of misunderstandings, misplaced pride, and—indeed—prejudice, has led their parents to deem the pair unsuited to wed. Now, with the Season approaching, Juliet's grandfather, General Tilney, has sent her to London with a new wardrobe and orders to prove herself worthy of someone better than the snobby Darcys. Meanwhile, Jonathan has been forced to accept an invitation to stay in town with old friends Edmund and Fanny Bertram at the house of Edmund's brother, Sir Thomas. Oblivious to and undesiring of female attention outside of Juliet's, Jonathan is at risk of being ensnared by Caroline Bingley's previously rebuffed plans to make herself—or her daughter—mistress of Pemberley. But when Mr. Rushworth, the former husband of Edmund's sister Maria, is discovered dead in his home, Jonathan and Juliet find themselves with problems far weightier than the marriage market. In one of the greatest scandals of its day, Maria abandoned her new husband in favor of the notorious rake Henry Crawford, and when he wouldn't marry her, was forced to flee to the continent in disgrace. Now Maria is back, accompanied by a daughter she claims Mr. Rushworth fathered after their divorce—and who he wrote into his will just before his death. To spare Edmund and Fanny further social shame, Jonathan and Juliet must unmask a killer before the drama surrounding the Rushworth family fortune claims another victim.

durée : 00:59:17 - Banzzaï du mercredi 25 juin 2025 : Rouge - rediffusion - par : Nathalie Piolé - Ce soir, on voit rouge... pour le plus grand plaisir de nos oreilles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

La novela "Orgullo y Prejuicio" de Jane Austen, publicada en 1813. La obra narra la historia de Elizabeth Bennet y Fitzwilliam Darcy, explorando sus complicados sentimientos y la evolución de su relación, mientras la sociedad de la época busca matrimonios ventajosos. Se incluyen detalles sobre la vida familiar de los Bennet, las preocupaciones económicas y sociales que influyen en las decisiones de sus hijas, y el escándalo provocado por Lydia y Wickham, que amenaza la reputación de la familia. Además, el texto ofrece una breve biografía de Jane Austen, destacando su estilo de escritura y el enfoque en la psicología de los personajes.Support this podcast at — https://redcircle.com/audio-libros-master/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's Christmas at Longbourn, and that means the arrival of the Bennet girls' favorite uncle and aunt: Mr. and Mrs. Gardiner. They're always a warm and wise addition to the family, and now is no different. Mrs. Gardiner's offers to let Jane return with them to London, to help ease the pain of the Bingleys quitting Netherfield (seemingly for good), and her advice for Elizabeth on how to handle Mr. Wickham is as sound as ever. Her comforting presence is a balm to them all, so let it be a balm to you too, as this week's Friday Favorites helps soothe you into a night of peaceful slumber.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Aujourd'hui dans le podcast, on reçoit en entrevue Luce Daneau, mairesse de la municipalité de Wickham et ancienne collaboratrice du podcast, avec qui on discute de l'orientation gouvernementale poussée par le gouvernement du Québec vers les MRC, puis des MRC vers les municipalités, intitulée Accélérer la transition climatique locale. On demande entre autres aux municipalités de calculer les émissions de GES sur leur territoire dans l'objectif de les réduire selon le Plan Climat 2030 du gouvernement du Québec — et ce, sans ressources supplémentaires.DANS LA PARTIE PATREON, on commence en commentant un exemple parfait de biais médiatique de la part du Journal de Québec à propos d'une étude sur la mobilité routière et celle du transport en commun dans la grande région de Québec. Suivant ce sujet, Frank explique, cartes à l'appui, pourquoi Québec a besoin d'un troisième lien, en prenant exemple sur Montréal. Ensuite, on revient rapidement sur le conflit en Iran, où le président américain Donald Trump semble se préparer pour une attaque du pays, mais hésite. Joey termine le show en présentant sur le vif une vidéo du jeu vidéo Call of Duty: Advanced Warfare et en poursuivant l'écoute de son montage des interventions de Paul Saint-Pierre Plamondon aux podcasts de Pantelis et de Stéphane Bureau.0:00 Intro0:46 Accélérer la transition climatique6:39 L'impact financier de cette politique13:22 Le concret de cette orientation18:54 Calculer les GES des municipalités22:33 0,17% des GES mondiaux27:35 L'UMQ et la FMQ32:20 Mot de la fin

Karen Dukess's first book, The Last Book Party, was wildly successful by any measure—sold at auction, Indie Next pick, Discover New Writers pick… you probably read it. The second…Didn't sell. Not as in, not very many people bought it but as in, no publisher published it. She spent the requisite couple years or so, her agent signed on but… no takers. She felt like she was the only person in the whole entire world that that happened to… until she started asking around. Turns out, you know how people say writing books is hard? And publishing is tough? They're right!Never fear, Karen lived to tell the tail. Her next novel (do we call it second or third?), Welcome to Murder Week, is wonderful and available in a bookstore near you (and as you'll hear, I loved it and it's the perfect page-turner but not-anxiety-producing read for a swimming pool, beach, airplane ride or couch). But the real joy is that Karen is willing to dish. You'll hear:What happens when you want to be a bullet journal sticker getting writer with your butt in the chair but you're just … not.How to have fun writing a book that maybe no one will want (and why you'd better).How Karen found the right mindset to keep going.Karen's one rule as a beginning writer who couldn't quite get the hang of 1000 words a day. Links from the Pod:LauraPaloozaKaren Dukess, The Last Book PartyZibby EventsThe Murder of Mr. Wickham by Claudia Gray#AmReadingKaren: The Original, Nell Stevens KJ: Welcome to Murder WeekKaren's Substack Keep Calm and Carry On, a Substack from Karen Dukess or find her on Instagram @karendukess, or her website www.karendukess.comDid you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcript below!EPISODE 452 - TRANSCRIPTJess LaheyHey, it's Jess here. A few years ago, I got to go to Laura Palooza. Laura Palooza is the conference that is run by the Laura Ingalls Wilder Legacy and Research Association. I was invited because I wrote about Laura Ingalls Wilder and the Little House on the Prairie books, and at the very beginning of The Gift of Failure, there's a mention in the opening chapter. And I was invited to go, and it was fantastic. And I got to meet Dean Butler, who had played Almanzo, which was quite a moment for me, because I had been quite in love. Anyway, this year's Laura Palooza 2025 is going to be taking place July 8 through 11th, 2025. Laura Palooza 2025's theme is prairies, pioneers and pages. If you want more information on attending Laura Palooza 2025, you can go to L-I-W-L-R-A — L-I-W-L-R-A dot org slash laurapalooza. I will be putting it in the show notes for whatever episode this ends up on, and it's going to be really, really great. I'm jealous that I can't go again because it's not going to be near me. It's going to be in De Smet South, I hope that's how you pronounce it, South Dakota. But they're going to even have, like, a feature on the fashion at the time. They're going to have a section on planes, claims and all those land deals, a beginner's guide to mapping homestead claims. It's going to be cool, challenging gender norms. Laura Ingalls in fiction, and Rose Wilder Lane in reality. Folklore, fiction or forecasts, separating and linking science, storytelling and mythology in weather, lore, that's going to be by Dr. Barb Boustead, who has been on this very podcast. She's fantastic. Laura Palooza 2025... July, you should go, you should sign up. It's really fun. They're going to be doing a field trip also to the Ingalls Homestead, I believe. Check it out. It's pretty cool.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things, short things, long things, pitches, proposals, fiction, nonfiction, in short or really actually, usually long. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia. I am the author of a bunch of novels, the most popular of which is The Chicken Sisters, and the most recent is Playing the Witch Card, and you should read them all. And I have with me today a guest that I'm really excited about for a topic that you all are going to love. So, with me today, I have Karen Dukess, and she is the author of The Last Book Party, which you might have read in 2019 because it was unmissable. It was everywhere. It was an Indie Next. It was a Discover New Writers pick, it was...it was all over the place. And that is partly what we're here to talk about today. And we're also here to talk about her new novel, Welcome to Murder Week, which I have just read and enjoyed, but mostly we're here to talk about the six years in between. So, welcome. I am so glad to have you here. So, Karen and I have met in person. We met at a Zibby book event and at an event for the amazing Annabel Monaghan, who also has a book out this summer. The lovely thing about the universe is that nobody reads just one book.Karen DukessThat is true. Thank you.KJ Dell'AntoniaSo, you can be like, yes, read Annabel's book, read my book. Read. I mean, anybody who reads? I mean, yeah, there are people who read just one book, it's probably not going to be ours. Oh, well, people seem to like the Bible. I don't know that's a popular one. See that? A lot around a lot of Crawdads, also see that. Okay, so anyway, tell us what the story of the long six-year journey between your very, very successful debut novel, and what is about to be your very different sophomore novel.Karen DukessSo, I feel like I have an upside-down writing career in that most people write a lot of novels that don't get published before they write a novel that gets published, and mine went backwards. So, The Last Book Party was my first novel, and I wrote it...Didn't... I wrote it, finished it when I was in my early 50's, around 54 -55, spent about four years writing it, and I had done a lot of writing before, then stopping and starting and thinking that. I must not have what it takes, because this is too hard. I didn't realize that novel writing just is hard, and that is the way it is for all but a few unicorn people. So that novel, I was so happy when I finally finished it. I was so satisfied to just finally have written a novel, and I was truly thrilled, and I I felt like, if it doesn't get published, I'll publish it myself. I'm just so happy to have achieved this goal. And then it sold incredibly quickly. It was unbelievable. I mean, it was like beyond my wildest dreams. It went to auction. It sold very quickly for a good advance, and the publishing experience was great, including the fact that they were originally going to publish it in 2020, but they decided to bump it up to 2019 I don't know why. But I was like, sure, I've waited to my 50's to get this book out, like the sooner the better. And then I dodged the bullet of waiting all these years to publish a novel and have it come out during the pandemic. So, the paperback came out in the pandemic, which wasn't great, but I still felt so grateful that I had gotten this book out before then. So, then I started working on my second novel, which later someone had given me some someone, a friend...it might have even been Annabel. Someone gave her the advice that your second novel, don't make it very, very personal. And I kind of wish I had gotten that advice, even though I'm not sure I would have listened to it. But the thing about a second novel, and I don't know if you experienced this, KJ, but if you have success with your first novel, the second novel is scary because you're like, was I a one hit wonder? You know, was it a fluke? Can I do this again? And people would say, well, you know how to write novels now. And I'd be like, no, I know how to write THAT novel. I have no idea how to write another novel. And the novel I wanted to write at that time was drawing on the many years I spent studying and living in Russia and working as a journalist in Russia. I was in Russia in the 90's, and I wrote a novel that was about an American woman's journey in Russia and some American journalists in Russia. But it was set in Russia in 2017 and with flashbacks to the 90's, and it was hard to write. It was not fun. I think I had, like, sitting on my shoulder this sort of like, oh, can she do it again? You know that kind of thing. And I knew that the luck I had the first one, like, you know, I knew it was unlike, unluck, unlikely to be like that again. Plus, I had this sense of like, this is my Russia novel. And even though it wasn't a novel like, directly about Russia, it still was my chance to sort of give my take on things there. So, I think I also had sitting on my shoulder, like all the journalists I know knew in Russia, and people that studied Russia and the real Russia experts, and what were they going to think of my take?KJ Dell'AntoniaOh, yeah.Karen DukessSo it was, it was not writing, sort of like joyfully, it was a tough novel to write. And then it was also, it was fiction, but it was sort of personal, midlife kind of novel. So, there was just a lot of baggage with that novel. And the writing of it was tough, you know, it was just, it took longer than I thought it it just, I just remember a lot of sort of hair pulling, kind of, you know, those writing days. I had a lot of them. I finished it. My agent said he loved it. I don't think he loved it as much as the other two novels I've written, but, you know, he was ready to send it out on submission. But as I was finishing it, I was getting more and more concerned, because I finished it right around when Russia invaded Ukraine. And my novel, which was set in 2017 Russia, now things were so different, and they had been increasingly becoming different. Suddenly it felt very anachronistic, because I wasn't writing with these big current events in mind. Plus, there was this whole kind of like, oh, Russia, yuck, nobody, you know. And I felt that too. So, I was nervous about it, and my agent was like, just finish it. You've spent this much time on it. Let's finish it and see what happens. And so, we sent it out, and the response I got was kind of... Uh not great, you know, it went to my publisher first. They'd write a first refusal, and we're like, this novel. It about American woman in Russia right now, it's just not the right time. And, you know, there may have been other things about the novel as well, but it was kind of a, like, not a good sell. So, we sent it out to maybe five or six more editors, you know, I got lovely rejection letters, you know. Well, I really enjoyed it. This part was so interesting. But, yeah, I don't know, I don't know how to market this novel right now. And it was, you know, it was crushing, of course, but it also kind of echoed my feelings about the novel. The whole thing gave me a knot in my stomach, yeah, so my agent said, well, we haven't really exhausted the possibilities yet. We can send it out another round, or you can revise it, or you can set it aside. And I felt really sure at that point that I just wanted to, I didn't want to keep submitting it. I just felt like not the right time. And it was disappointing, but it was also kind of a relief, because if someone had decided to publish that novel, I think I would have been really nervous for the whole time before it came out.KJ Dell'AntoniaI think the only thing worse than having your second novel not published is having it published to like, you know, universal hatred.Karen DukessYeah exactly.KJ Dell'AntoniaOr just, or just to your own disappointment, you know?Karen DukessYeah. And then there's a long lead time between the time and novel gets accepted and the time it gets published. And to just feel like, nervous that whole time, I just...KJ Dell'AntoniaYeah.Karen DukessSo, I was relieved and disappointed. And I remember very well thinking like, oh, well, this is what people talk about. When they talk about, you have to be able to deal with rejection as a writer, because I hadn't dealt with it yet. I had been so lucky, and I really had this sense of like, all right, well, now I get to find out if I'm really a writer, like, can I deal with this and or can I not? And so, I was like, I'm going to write something else. But I was determined to write something very, very different. Like, I needed the whole experience to be different, yeah, and it ended up being kind of liberating, because I went on a trip with my sister to England. We went to the Peak District in England for a week. We rented a little cottage, and this was right before the novel went on submission, I think, or maybe right after, maybe it was on submission, I don't know. So, it was around the time when I wasn't feeling good about the novel, but I wasn't sure it was like a dead deal yet. And we had this absolutely fantastic week in the Peak District, where I was my first time traveling in the English countryside. I'd been to London, but I'd never been in the English countryside, and I felt like I was just stepping into the pages of all my favorite English novels, like Pride and Prejudice and Jane Eyre. And also, like I was stepping into scenes of every BritBox masterpiece, mystery thing, I had written, you know, think, oh my god, there's a vicar. And just really, I was in a... my sister, we have similar reading tastes, and we were just both in this mood, like everything was just kind of entertaining us, and we were laughing at ourselves for seeing England through all these fictional characters. So, when I came back, I think I came back, and that's when I kind of realized this Russian novel was dead or shortly thereafter. And I thought, okay, I'm going to, I'm going to write something about Americans going to England. I want to continue that mood. And I really felt like, if I'm going to do now that I knew you could spend years writing a novel and have it not get published, which I knew intellectually before, but I didn't, hadn't experienced it. I I just felt like, if I'm going to spend another couple years writing a novel like fun has to be the number one thing. It just has to be fun. I'm like, not going to be miserable again. I can't do something like the Russian novel again. I have to just entertain myself and make myself happy, and hopefully it will entertain other people and make them happy too. And that's how I landed on the idea of sending these writing about Americans that go to England to solve a fake murder mystery, which is what Welcome to Murder Week is about. And I just had such a good time writing it. And I wrote it quicker than I've ever written. I wrote it in a little over a year, and it was honestly delightful. Like, I couldn't believe it. Like, writing could actually be really fun.KJ Dell'AntoniaWho knew? The result is also delightful. It just, it's, it's kind of like every warm and lovely book setting on to you you've ever read. It is it Is that I really enjoyed it, So...Karen DukessI'm so glad.KJ Dell'AntoniaI don't know what the Russian novel was like. That doesn't sound fun.Karen DukessI mean it wasn't really heavy, because I'm not like a heavy writer... like it still had...KJ Dell'AntoniaRight.Karen DukessIn it, and it had emotion, etc., but I'm not sad that it's not out.KJ Dell'AntoniaYeah.Karen DukessLet's put it that way, yeah. So, yeah, this one was just fun. And I, you know, my initial idea was to send a group of Americans to England. Initially it was going to be a writing group. I like the idea of putting characters together who would not ordinarily know each other, but to have them together in a space and then a friend of mine said, Okay, so that's an idea. You're going to send some writers on a writing retreat to England, and what are they going to do there? Like, write? Like, that's not very interesting. And that's how I, kind of, you know, ended up moving to this thing where I could have them participate in this weeklong, solve a fake English village murder mystery. And I could have, you know, the villagers, some of them participating in this, and some eagerly participating, some cynical and send a bunch of Americans, you know, Britbox crazed Americans, to compete in this thing. And, yeah, that's, that's how it ended up. And it was fun.KJ Dell'AntoniaI, yeah. I mean, it reads like you had fun. I, as someone who has... so Playing the Witch Card has like a big game sort of Halloween event at the center of it. That would be really hard to do in reality. This is kind of like that.Karen DukessYeah.KJ Dell'AntoniaLike, this is like the dream murder week, both from some of the point of view of someone who might want to put one on and from someone the point of view of someone who might want to go and do one. It's not, it's um, you know, it's not. Sometimes you read these and they're like, they're like, silly and hokey. It's like, very sincere, super fun murder week that anyone would wish that they could do that likes that kind of thing. Anyway, I yeah, I totally enjoyed it. All the characters were really fun. I could see that you must have had fun writing it.Karen DukessI did. And I also, you know, people often say, like, write the novel you want to read. And I really did that with this because I wanted it to have so it has a fake mystery, but then it has a real mystery as well.KJ Dell'AntoniaYeah.Karen DukessLike the main character, thirty-four-year-old Cath, little do you know, she goes on this trip because her estranged mother, before she died, booked them on it, and she's sort of reluctant to go, but can't get a refund. And then I sort of developed this whole story about she teams up with her house, shares a cottage with people to solve the fake mystery, but that she also solves the real mystery of why her mother wanted her to go, her late mother, and that was sort of like the writing the story you want to read. Because I like light and funny, but I also like something that has, like, some emotional heart to it, like I wanted to try to story that was fun, but that has something going on. And the more I wrote, the more Cath's serious story became part of the story, I think, in the first deeply satisfying, yeah, and the first version, the first draft that my agent read, and I had never shared a draft before with him, and, you know, I think I was just hoping he would be like, it's almost perfect. And he was like, well, I think Cath is the hardest story. I think you need to develop that more. And then I went back and did and sort of... blended the two. So, the whole experience was just, yeah, of course. Now I'm like, can I have fun again?KJ Dell'AntoniaYes, yes, you can. Nobody ever tells me my first draft is perfect, and I really hate that.Karen DukessYeah, I know. I think it's, I don't even know if I should have shared it with him, like, I just wanted him to say, like, it's amazing. And he was like, yeah, it could be really good.KJ Dell'AntoniaWell, but you just want them to know that you're doing, yeah, I'm a I'm going to share the first draft of the thing I'm doing with my agent, and it might be a terrible idea, but I'm going to do it anyway, because I want her to know I'm doing a thing. And yeah, I'm excited. And yeah um...Karen Dukess I also think that, like, you know, when I said that, it was liberating, in a way, to sort of have the experience that I had with the Russian novel. I think it was also maybe by the time, you know, getting to the third novel, or maybe it's getting to my age. I felt sort of like, I think I gave my permission, myself, permission to write a novel that, yeah, it has a serious story at the heart of it, but it's not like a deeply serious book, you know? And I think there's a tendency to think like, you know, I would look at the world around me sometimes, when I was drafting it, and feel like there's so many serious things to write about, and I'm writing this funny story, like, is that super fluffy? And, you know, it was like, this is what I wanted to write? That's okay, you know? I don't have to prove anything. Like, here is my serious tome. You know, I really just wanted to give people like, an emotional, amusing, heartwarming experience. And that is okay.KJ Dell'AntoniaIt is funny how locked we get into that, both as writers and as readers, this idea that if it's not serious or experimental or deep or dark, it's, I don't know, somehow not worthy. There was somebody was reading somebody's Substack the other day, and they were sort of deeply apologizing for the book they had recommended, which sounded really amazing. And I was like, why you, you know, you clearly enjoyed this, and it sounded great. And I don't. I mean, as a reader, I don't want to read things that are dark and deep and serious A. all the time...Karen DukessYeah.KJ Dell'AntoniaAnd B. sometimes not at all.Karen DukessYeah, I do like to read dark and serious, but I've learned that I don't like to write that like writing a novel is, it's always so much more time than you think. I mean, even this one was quicker than usual. It's a lot of time, like you're living it. And I was just like, I can't live in a dark place, like I can read a dark book in a couple days, you know? And...KJ Dell'AntoniaYeah.Karen DukessWipe my eyes and move on. But...KJ Dell'AntoniaYeah.Karen DukessYou know...KJ Dell'AntoniaA light one.Karen DukessYou could assume... but you know. When I'm writing a novel, I'm going to bed thinking about their the characters, and I'm thinking about it when I'm exercising, and it's just like churning in there, and I just don't want to be in a dark place for two years.KJ Dell'AntoniaYeah, and most of the time people, I mean, I guess it just depends on, on who you are. But a heart, it's hardly ever dark all the time. I mean, even people that I have known that we're going through some really horrible things have found, you know, levity and joy and pleasure in in some parts of it. And I think we all hesitate to say, well, that's everyone. Or you got to, you know, we don't want to impose that on every, on anyone, because that's kind of also where we are is, is this delicate dance of not wanting to expect anybody else to be the way you think they're going to be. But I it just seems like people find levity, even in even the worst, even in the worst moments. And people want, um, solace, you know?Karen DukessYeah.KJ Dell'Antonia Something... something pleasant... something.Karen DukessYeah, I work with an editor, kind of a more like a writing coach, like she doesn't actually edit, but she sort of helps me figure out the story and stuff. And there was one point when she was reading a draft, and there's a scene in the book. I don't know if it's a minor thing, but when my main character Cath, who there's a little romance in it. And when she's first together with this guy, and they're sort of rolling around in bed, the first draft that, the first version of it, she accidentally hit her head on the headboard, and then she's like, “Oh my god, are you okay?” And she was like, “no”. My coach was like, no, no. I don't want to be anxious that maybe this guy is a little violent. Like, no, no, you've got to take that out. I don't want to be anxious in the reading of this book. And it was such a minor thing that I think she was like...KJ Dell'AntoniaAnd you had him hit his head instead, right? Yeah.Karen DukessBecause I don't think anyone was going to worry that she's violent. But it was funny. It was like, she was very much like this book is, there are books where you want the reader to feel anxious, but she's like, this book is not that I don't want anxiety in this book you know?KJ Dell'AntoniaYeah, yeah.Karen DukessLike she's still concerned about Cath and her story. You can feel sad about what she learns, but not anxiety.KJ Dell'AntoniaYou know I think you've really put your finger on something, because that is exactly right. This book is a page turner, like you want to find out what happens. You want to be with the characters you want to it's a hang and it's like, like, I read something recently where, um, in the middle, you, I found myself sort of, I was still reading it because it was a good hang, but in the middle I was just kind of, like, I forget why we're here. I forget what I'm wondering. You're not really wondering anything, but I like it, so I'll keep this. Your book was not like that at all. This is a fantastic hang but you're right. It never, it's not... that's exactly right. It's not, it's not anxiety producing. And I think that's its own vibe. Like you can have romances that are fun and they're good, but they actually, you do have anxiety around, you know, like, how the characters are going to pull themselves out of this, or how they're going to feel or, yeah, and you can have them or you don't. I like that as, like, a sort of a line in the sand.Karen DukessYeah, yeah. And then I kind of thought about it as I continued, like, yeah, okay, that's right. We're not going to go to like, the really unsettling places.KJ Dell'AntoniaYeah. I mean, even if you really want to know what would what will happen, and you really want, like, the things that happen to turn out in satisfying ways, but it doesn't feel like, if they turn out in some like, there were a variety of available options, none of which felt horrible.Karen DukessYeah, exactly.KJ Dell'AntoniaThank you for that. Thank you for a lovely reading experience. So, what else did you take away? Like, what else did you change between the drafting of the book that does not end up being published, which you know, for all we know, is actually great, but the timing was really bad. What should you change?Karen DukessWhat changed for me... in writing?KJ Dell'AntoniaYeah, what are you changing? Did you change anything in your process?Karen DukessUm, I think I, I don't know if it was completely because of the experience with this book, but definitely it fed into it. Um, I worked with the same writing coach on the Russia book, and she keeps saying that book will be published someday. I'm like, yeah, maybe, maybe not. I don't really care, honestly at this point, but one thing that she really pushed on me, which I discovered in the writing of murder week, was really true, is that to be open and playful and just really to be creative, I needed that. I needed to be in the right mindset, like, I know your thing is always butt in chair, butt in chair. And it is true, you have to, you know, you have to push yourself to finish a novel. It's not easy. And there are times when you just have to push forward. But for me, in the drafting of it, like the butt in chair thing, for me, is more important in the revising and the final draft, when it's like, you've got to get through it, and you've just got to keep sitting there and doing it. But when I'm in this sort of creating stage, when I'm not sure what the story is, when I'm in those moods where I'm just like, sit down and work at this like, I don't write good stuff. I just don't. And she would sometimes say to me, like, if I would talk to her, and I was really angsty and I was really self-critical, or I don't like what I've written, or I don't know where I'm going with this, or whatever , she was really she would very much say, like, when you're in that kind of mood, just walk away. Don't sit at your computer. Like, that is not the time for butt in chair. That is the time for just go do something else and like, lighten up on yourself. And that was really true for this. And I'm trying to remind myself that as I work on the next novel that you know for me, being kind to myself and feeling playful and open is when I'm going to write the best stuff and surprise myself. And that applies whether I'm writing like a serious scene or a funny scene. And the tricky thing about it is, you know, it's always a little scary to write, so it's like, Am I walking away because I need to lighten up my mind, or am I just plain procrastinating?KJ Dell'AntoniaYeah, or am I walking away because I just don't know how to...Karen DukessSo, I think that is something though, that I do feel like I write better from a free place than from a sort of, like, grim, determined place.KJ Dell'AntoniaYeah, that makes sense.Karen DukessI think I was learning that and trying to learn that when I was writing the Russia novel, but it really came true with this one, which is why I think I was able to write it quicker, because it's actually, you know, the weaving together of the fake murder mystery and the real mystery and the arcs of all the different characters. Like, it wasn't simple putting all together, but yet it was simpler for me to write, because I was just looser about it.KJ Dell'AntoniaRight. I think you learned to trust that you would finish this, even if you didn't finish it today.Karen DukessYeah.KJ Dell'AntoniaDoes that make sense?Karen DukessYeah.KJ Dell'AntoniaI, yeah.Karen DukessAnd I just think, like, trusting the process is so important, you know. And I talk about this with friends in my writing group, you know, sometimes when you're like, working so hard to figure it out, because it feels good to figure the novel out before you write it, because then you don't have the anxiety of, what if I don't figure it out? But it doesn't always work best that way. I don't think, like, I think there are times for that, and there are times to just, like, just keep going and like, let it go a little and let some interesting things happen, and then you'll figure out how to put it all together for me anyway. But obviously I'm not a plotter kind of person, so...KJ Dell'AntoniaI think, yeah, I think that varies. But what's what I'm really hearing here is that, like, even you knew, okay, if I don't, maybe I don't sit down today. That doesn't mean I'm never sitting again, down again. And I think that is, that's part of what I struggle with in my like 1000 words a day. Just, just keep doing it time. And I, and I think I, too, have come around to the idea that I'm going to finish it like...Karen DukessYeah.KJ Dell'AntoniaI'm not. I'm not suddenly, you know, just because I only got to 700 words today, that doesn't mean tomorrow I'm going to be like, yeah, I'm not a writer anymore. Oops!Karen Dukess Yeah, exactly. Well, I think, and I think I've learned that, like, I can't tell you how many times, I mean, I've listened to your podcast forever, and, like, years ago, I would listen to it, and I would be like, Yes, I'm going to do the stickers, or, Yes, I'm going to do 500 words a day, or, Yes, I'm going to text a friend or you know, none of that stuff. I could never sustain it.KJ Dell'AntoniaIt doesn't work for you.Karen DukessI have no routine; I have no methods. But what I've learned now is like, but I get books done, so it's okay, like, yeah, I will sometimes go a couple days where I don't write, or I will, you know, think I'm on a routine of 500 or 1000 words a day for a while, and then I'm not, and that's okay, because it's just like, I know that I can still get them done in my crazy way.KJ Dell'AntoniaThat is what we have tried to start saying more often, is, listen, this doesn't work for everybody. If you're doing something different and you're getting the work done, then you're great, yeah, if you're doing something different and you're not finishing things, then maybe try this.Karen DukessYeah, well I remember, like, when I was working on The Last Book Party, right before I got kind of serious on it, I was in a writing group, and I was starting, then I was like, I was learning in the writing group through, finally being in a community with other writers. So, like everybody struggles. Published writers struggle. Really great writers struggle like and that, and I loved reading interviews with writers like I couldn't get enough of interviews and essays about writer's struggles, because I had to, like, keep convincing myself that like, my struggles didn't mean I wasn't a writer. But then there was one point where I remember making a rule for myself. And I was like; I am not allowed to read about writing if I haven't written that day. You know, spend a lot of time...KJ Dell'AntoniaYes.Karen DukessWorking on your novel, but what you're actually doing is like, reading about writing and reading interviews and listening to podcasts. So, it's like, I cannot listen to KJ's podcast until I've done some writing. So, I've had to, I have had to make some rules.KJ Dell'Antonia Yeah, well, that's, I mean, that's how you turned yourself into somebody who gets the work done, and now into somebody who has her own like now you have a way people ask you, so what's your process? How did you get this done?Karen DukessI don't think anyone has tried my process, but yeah. And it can be different for every book, I guess, you know?KJ Dell'AntoniaHorrifyingly, I think that it can when you see pointed out, yeah, you that you knew how to write that book, that is so true, and that has been a huge thing for me, is to realize that even after writing a bunch of books, people still struggle, it's still hard, every book is hard. Every book has, I mean, we have a joke among the podcasts, you know, because you get to a point where you're like, okay, I hate this now, and we'll all be right, right-on target,Karen DukessExactly.KJ Dell'AntoniaBaby's developing nicely. Here's our 18-month checklist. Aww and you're crawling, and you hate your book. Yay!Karen DukessYeah, yeah. I don't think the process gets easier, but I think knowing that you can get through it makes it a little easier. Maybe it diminishes the panic a little bit like, you know, you'll figure it out. You'll figure it out.KJ Dell'AntoniaWell, this, I mean, this has been great. I'm sure it's going to be inspirational for everyone. It is inspirational for me, because I also... so I have a book that I worked on for the last year and a half, and I, we didn't, we didn't try to sell it because, because it's not very good.Karen DukessAre you still working on it? Or...KJ Dell'AntoniaIt's leaving, it's living. I make these gestures as though, like, there's like, a blobby object over here that is my, but is my finished, but also not revised and not good uh...Karen DukessI had this theory about books, like, it's the same theory I had with au pairs.KJ Dell'AntoniaOkay.Karen DukessWe had a lot of au pairs when my kids were growing up and I was working out of the home, you know, not writing. And I felt like every time I selected, you know, they would come for a year. One or two of them stayed for two years. But every time I selected a new au pair, it was in reaction to the problems of the other... the previous au pair. So, like, when I had an au pair that was like a horrible driver, so much so that we had to, like, get rid of her. Then I was like, okay, where is it hardest to get a driver's license? Germany. Okay, I'm having a German au pair, you know. Then I had, like, a German au pair who was great, but it was like, she was too, I don't know, whatever if I had an au pair, that was like, two lax, then the next one was like, oh, this person has, like, you know, worked in a boys school. I want that.KJ Dell'AntoniaRight? yeah.Karen DukessAnd I feel like, you know, I wrote Welcome to Murder Week because I had had this tough experience with this Russia novel. Then it was like, I'm going to do something really fun. So, and I don't know that I would have written that if I hadn't needed so badly to have fun. I don't know that I would have said, no, yeah, forget doing something, you know, serious or with some geopolitical things in it. I'm going to write a, you know, a murder week story. I don't know that I would have written it if I could have gone on that vacation and just had a great time and come back and not felt the need.KJ Dell'AntoniaWritten something else.Karen DukessSo, you know, maybe the one that's not working is going to lead you to write the next fabulous thing.KJ Dell'AntoniaWell, I hope I'm already well into... I'm well into something else, but, yeah, it's, you know, you spend a lot of time on something, not everything works. It's one of the reasons this is a terrible job, and you absolutely shouldn't do it unless you know, you can't do anything else,Karen DukessExactly.KJ Dell'AntoniaOr unless you really want to.Karen DukessYeah.KJ Dell'AntoniaThere. That's that. That's really good advice. That's going to make a great bumper sticker. All right. So have you read anything good lately besides Welcome to Murder Week, which, in fact, is what I will be raving about in just a second.Karen DukessUm, yes, I read a book called The Original by Nell Stevens. It out in June. She's a British writer, and it's really good. It's sort of an also kind of genre, blending the way my book is, but it's very different. It's like a gothic novel. It's set in an old house in England in the 1800's and it involves an orphan who's being raised by relatives, and she has an incredible talent for painting forgeries, and she sort of has this secret business in selling forgeries, but it also involves an imposter who returns from abroad in the family, and there's a queer romance in it, and it's totally unlike anything I've read, and very compelling.KJ Dell'AntoniaOof, I love that.Karen DukessIn a really compelling way.KJ Dell'AntoniaAnd by the time people hear that, that this, this will either be out, or like, buy your next week self a present. That sounds great.Karen DukessYeah, it was very... it's very good. It's kind of like a rainy day book. You know?KJ Dell'AntoniaI love that. Well, I already raved about Welcome to Murder Week, but I'm telling you all, it's a real it's a real joy. I want to compare it to things. But there's almost like it's, I'll think of things that I that I want to...Karen DukessIt's hard to compare because it's not a traditional mystery,KJ Dell'AntoniaYeah, no, um, I feel like Clare Pooley's books are, and I can't even think of the titles of them, but that, yeah, that is kind of ringing the right bell for me. I don't know who else a little bit of the like the murder, like, if you really thought The Murder of Mr. Wickham was super fun, which I absolutely adored, that is completely different, and yet also it's the same, like, it's the same... I think the vibe we're looking for here is page turner, no anxiety. And I love that. I love that for all of us...in England.Karen Dukess Yes, yeah.KJ Dell'AntoniaSo go grab this one. You're going to enjoy it, all right. Well, thanks so much. This was really fun. Thank you for being so open, and not just, you know, wandering around saying, well, I just it took me six years to write this because it's very good.Karen DukessYeah, I have to say, you know, I think that writers should talk more often about their failures. And by that...KJ Dell'AntoniaYeah.Karen DukessI mean, like novels that they wrote and abandoned, or novels that they wrote and tried to get published and couldn't, because it was only until I wrote this Russian novel and didn't sell it, and I would mention it to people. Then all these writers I knew, and people I knew, you know, would suddenly tell me about their own published novels. And I was like, why did I know about this beforehand? There's no shame in it... you know? It's a tough business. It's a tough business. The writing is tough; the publishing is tough. And now I'm like, oh my god, like so many writers I know have novels that did not get published, and for whatever reason. And I'm sure many of those novels are great novels, and but knowing that you know the journey of being a writer, just like I don't know a single author who hasn't like lost their editor at some point, you know, their editor leaves. Then they find a new, you know, be assigned to a new editor. That happens everybody, and I realize how many people have novels that did not see the light of day, and it was comforting to know it. So, I think people should be more open about it.KJ Dell'AntoniaI think we just are afraid that, you know, a reader will hear, well, I don't know if she's capable of writing something... that doesn't work, maybe it's not very good, which readers aren't listening to anything. They can barely remember our names. They just know if the book sounded good and someone pressed it into their hands.Karen DukessYeah, had a great cover.KJ Dell'AntoniaYeah, had a great cover. Yeah, all, all of the things, and it's just, it's, it's just a little scary to admit, because I guess one of the scary things about it, of course, admitting that that has happened means it could happen again. And hey It could! Oh well.Karen DukessYeah, but I've survived it. So...KJ Dell'AntoniaYou've survived it, you would survive it again. And also, it didn't happen this time. Welcome to Murder Week is great, and everyone is going to be sitting with it by the pool looking very happy. This is my wish for you. All right?Karen DukessThank you. Thanks so much KJ.KJ Dell'AntoniaOh, thank you. Hey, anywhere people should follow you? Oh, you have a Substack. What is it? I love it!Karen DukessI have a Substack. I mean, I think on Substack you can find it by my name Karen Dukess, it's, I don't know... it's called, “Keep Calm and Carry On”, but I think you can just look me up by name on Substack, and I am on Instagram more often at Karen Dukess, as I post about books that I'm reading all the time. Obviously, there'll be a lot of quarter week stuff, but I try to, you know, I'm reading eclectically and all the time. So, I'm always posting about books. Those are probably the best places to find me. And I have my website with all my events on it.KJ Dell'AntoniaIt'll be linked. It'll be linked.Karen DukessGreat.KJ Dell'AntoniaHopefully I can get to something... all right. Well, thank you so much. And all you listeners out there, I mean, you know you do you, but in some way, keep your butt in the chair, hey and or your head in the game.Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew perilla. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

We're getting near 200 episodes of this show, and many of those episodes have been experiences where we discover fun, fascinating comics. And then there is this week. Patreon backer and friend (?) of the show John Wickham made his pick for his return, and he decided to pick three stories related to the Joker and Joker related characters that could make it to the bottom of the Big Board. He he succeeded. The New 52 Harley, Joker's Daughter and her nonsense underground kingdom and Three Jokers all appear, all are terrible, and one takes it's spot in the opposite of rarified air at the very bottom of the Big Board. Try to guess which one. I think you'll be pleasantly surprised. Harley Lives! (Detective Comics V.2 #23.2) Down Under (Catwoman V.4 #22-24 & 26, Batman: The Dark Knight v.2 #23.4) Batman: The Three Jokers #1-3 Check out our current ranking list at www.comicsxf.com/batchat-rankings/ Thanks to Geri Nonnewitz for our podcast logo Support the show on Patreon at www.patreon.com/batchatwithmattandwill

Hello friends, and a huge thankyou for joining us for an unprecedented two-episodes-in-a-week of the Radio Reversal Podcast. In this first episode, we're amplifying a couple of important expressions of autonomous political resistance and solidarity that we've seen here in Magan-djin this week. In particular, we're looking at how diverse communities are working to challenge the forces that work to normalise colonial and racial violence in all its forms - from here in so-called australia, to Gaza, and beyond.As evidence of the ongoing genocide in Gaza continues to mount, communities around the world are gathering together, refusing to stay silent, and refusing to allow this violence to be normalised or legitimised by the state. People are finding ways to escalate their organising; to disrupt and cause a ruckus; to get in the way of the gears of the colonial capitalist state. All of this work is experimental. It's an ongoing project that relies on us sustaining each other to keep trying out different tactics, to keep learning from our experiences, and to keep working to embody our commitments to justice and liberation in all of the work we do. And like all political work that aims to interrupt entrenched regimes of violence, these experiments are often messy and challenging. We face up against the limits of our power; we find the points at which we are compromised and limited by our own investment in existing systems. We experience points of friction and fear; we face criticism and contempt. It is humbling - and powerful - to be part of communities that strive on regardless.So this week, I wanted to share some conversations about some ongoing and important struggles against intersecting sites of colonial and racial violence, and the work that people are doing to challenge the normalisation of this violence in the here and now. I kick off this episode by reflecting on a really interesting autonomous action organised over the weekend by workers, patrons and performers at the Wickham Hotel. In case you missed it, over the weekend, a loose collective of performers, workers and patrons of the Wickham Hotel downed tools and refused to take shifts or perform their sets to protest a decision by Aus Venue Co, the parent company who owns the Wickham Hotel, to book an event hosted by the State Zionist Council of Queensland. 'For some context: the State Zionist Council of Queensland is a political lobby group set up as an umbrella organisation for other Zionist groups in Queensland with the express purpose “to promote and communicate Israel's interests within the broader Queensland community and to promote Queensland's relationship with Israel” as well as “to create an atmosphere within the community that values Zionist thought and expression…and pride in Israel and her achievements.”Now, there's been a lot of pretty ridiculous and hateful media coverage of these protest actions by the mainstream media and conservative politicians, who have worked hard to position this as a hateful or anti-semitic protest rather than a principled refusal to support an event hosted by a Zionist political lobby group. Much has been made of the fact that the social event coincided with the Jewish celebration of the Shavuot, which celebrates the giving of the Ten Commandments to Jewish people on Mount Sinai. Despite not being there in person, Lord Mayor Adrian Schrinner felt confident to circulate a front page story from The Courier Mail article with the headline “Backed by Green Hate,” a story which focused a truly unhinged amount of attention on the fact that Jonathan Sriranganathan had attended and supported the protest. Indeed, much of the mainstream media coverage completely fails to mention that this action was organised by workers, performers and patrons of the Wickham Hotel, and that they had tried a number of other measures to ask their parent company, Aus Venue Co, to cancel the booking. It also conveniently erases the context of this protest being organised and formulated by queer and trans members of the Wickham community who were deeply uncomfortable about the venue being used by a political lobby group that actively supports Israel's occupation of Palestinian land, and at least tacitly supports the current atrocities in Gaza. Certainly, the State Zionist Council of Queensland has done nothing over the past 608 days to raise concerns about Israel's current actions in Gaza, or made any attempt to censure the Israeli government or the Israeli Occupation Forces. Considering that their stated goal is to foster “pride in Israel and her achievements,” and to encourage closer connections between Jewish Zionists in Queensland and the state of Israel, I don't think it's a stretch to say that this suggests that the organisation actively supports the ongoing Israeli invasion of Gaza, and the now well-established war crimes being conducted. In this context, it is not hard to see how disingenuous the arguments being made across conservative media and by politicians (including both the Lord Mayor of Brisbane and the state Premier) really are. To claim that these actions were “spreading hate” by making Jewish people feel unsafe at a religious event is to wildly misconstrue both the nature of the protest and the political function of the State Zionist Council of Queensland. Organisers involved in this action were predominantly targeting the decision of Aus Venue Co to host an event by a political lobby group who are supportive of the actions of the Israeli government. The fact that the event in question is a social event is irrelevant. To accept the idea that protesting an event like this is inherently anti-semitic would be, as Jonathan Sriranganathan put it - like suggesting that it constitutes religious discrimination if protesters interrupt a Christmas party hosted by Pauline Hanson's One Nation Party (or indeed, by Labor MP Jim Chalmers, which Justice for Palestine Magan-djin planned to do in 2023). And yet, these are the lines that the mainstream media has consistently been running, along with attempting to use the presence of people like Jonathan Sriranganathan and Remah Naji as evidence that this autonomous action was a Greens event. Leaving aside how frustrating and disrespectful this is to all of the people who were actually involved in organising the action, it's also emblematic of the continuing pressure to censure higher-profile figures including people like Jonno and Remah, as well as academics like Mununjahli and South Sea Islander Professor Chelsea Watego, writer Ren Wyld, and academic Dr. Randa Abdel-Fattah. So we figured that it was worth spending some time this week getting to the bottom of what this action was really about, and how it came about. I start this episode with a chat to drag performer and artist Lulu LeMan, who stopped her performance on Friday evening at the Wickham in order to join talks with workers and management about the planned picket for Saturday night. I then share a live radio interview with two of the organisers who helped workers hold a picket on Saturday evening: Oriela, who is a non-binary Lebanese person and a proud disabled dyke, an advocate, and a long-time patron of the Wickham; and Bizzi, who is a Wakka Wakka and Arrendte Burlesque performer and writer with deep ties to the Wickham performance community. We talk about the work that went on behind the scenes to build some momentum for a protest against this booking, and in opposition to this exploitative use of a beloved queer venue to pinkwash an event hosted by a Zionist political lobby group. If you're not familiar with the term, Dean Spade explains that pinkwashing is: “a term activists have coined for when countries engaged in terrible human rights violations promote themselves as “gay friendly” to divert attention from terrible human rights violations, in this case diverting attention from the brutal colonization of Palestine. Israel is the country most famous for pinkwashing, engaging it as a strategy in their rebranding campaign for the last decade.”This particular angle has been largely erased in media commentary about the picket, which, as Oriela and Bizzy explain, was largely focused on challenging the use of an iconic queer venue for this particular State Zionist Council of Queensland event. Another key thread that has been largely ignored by mainstream commentary is the fact that this picket was organised by a collective of workers, patrons and performers and included the incredible decision of workers from the Wickham Hotel deciding to refuse to work if the booking went ahead. To talk about the importance of this action, I catch up with dear friend of Radio Reversal, Ari Russell from Unionists for Palestine, to put this action in the broader context of workers organising against the ongoing genocide in Gaza. We talk about how hard it has been for many of us to find ways to leverage our power as workers; and the ongoing struggle to build a sense of collective power in a time of record-low union membership and ineffective trade union bureaucracies. In this context, it is especially important to highlight the significance of autonomous worker-led action like this event. It might not be perfect, but it's worth emphasising how powerful it can be for workers, performers and broader community to flex their muscles together in ways like this; standing, as Lulu LeMan put it, against pinkwashing, against the exploitation of workers, and in solidarity with queer Palestinians. We wrap up by talking a bit about an ongoing crowdfunding campaign to support workers and performers who lost wages as a result of refusing to work during this event, which you can find and support here. Another jam-packed episode full of revolutionary potential and tantalising threads. As usual - we'd love to hear your thoughts, concerns and questions. Get in touch with us here or via social media to let us know what you think!Yours in solidarity,Anna (for the Radio Reversal Collective) This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit radioreversal.substack.com

Bridging gaps. Lumps in throats. It's Volunteers Week in the UK. parkrun hits 11-million registrations. A new participant makes parkrun a 'habit'. Nicola overcame FOMO by going to Riverside parkrun in County Durham and then Newark parkrun. Plus a big Thing for Danny as he went to Stockholm, visiting Judarskogen parkrun and then his 500th different event at Haga parkrun. (And a nice mention for Meon Valley Trail parkrun, Wickham just before that).

Thinking of bringing your car back to Ireland when you move? There's quite a few things you need to know before you start planning!In this episode, I'm joined by someone who knows the process inside-out: my husband, Bryan Wickham. As well as being a chartered accountant, Bryan's a long-time car enthusiast who's imported vehicles from overseas and handled all the twists and turns of VRT, customs, and navigating Revenue.We talk through the key tax and practical considerations for expats moving cars into Ireland. When exemptions apply, what paperwork is needed, the potential issues to watch out for, and the hidden costs people often miss. Planning to move a car from across the world can be a guessing game: securing insurance before registration, understanding CO2 bands for motor tax, the 12-month rule that could trigger a clawback… Bryan shares his experiences so you can better prepare to bring your car to Ireland.You should note that this isn't a service we offer at Expat Taxes, but it's a topic that comes up all the time with clients so we wanted to share what we've learned from making the move ourselves!Main Topics discussed in this Episode:Transfer of Residency Relief for Vehicles: Expats returning to Ireland may be eligible to import their personal vehicle tax-free under the Transfer of Residency relief.The VRT, VAT & Customs Cost Trap: Without relief, importing a car can trigger a hefty tax bill with customs duties, VAT, and Vehicle Registration Tax (VRT).Documentation, Agents & Practical Logistics: Using a customs agent can significantly ease the paperwork burden.Road Tax, Insurance & NCT Challenges: Finding the right insurer willing to cover an unregistered or left-hand drive car, ensuring NCT compliance & Ireland's CO2 Road Tax bands.Risks, Grey Areas & When Things Go Wrong: If you fall short of the qualifying criteria or Revenue disagrees with your valuation, you could face costly appeals or clawbacks.*****If you loved this episode or have a similar story, we'd love to hear from you! You can get in touch with us directly at info@expattaxes.ie or leave a rating and review on Apple Podcasts or Spotify.Taxbytes for Expats is brought to you by ExpatTaxes.ie. If you're considering moving to or from Ireland and would like support with your taxes, book a consultation today: https://expattaxes.ie/services-and-pricing/.Mentioned in this episode:Special Offer from our Trusted Partner, Currencies DirectThis episode is brought to you by Currencies Direct, our trusted currency exchange partner when transferring currency to or from Ireland. Use the link below and quote "Expat Taxes" when registering with Currencies Direct to receive a €50 One4All or Amazon voucher when you transfer €5000 or more in your first six months with Currencies Direct. Click here for Currencies Direct Special OfferCheck out ExpatTaxes.ie to get your Tax sorted!

A private Jewish event in Fortitude Valley was 'gatecrashed' over the weekend. Members of the Jewish community attended a private function at The Wickham to celebrate the Jewish holiday Shavuot while protestors chanted outside. Former Greens Councillor Jonathan Sriranganathan told Peter Fegan on 4BC Breakfast, "I think it is perfectly legitimate and acceptable for people to peacefully protest on a street outside a venue that is holding a Zionist event."See omnystudio.com/listener for privacy information.

The night that all of Hertfordshire has been waiting for is finally here: Mr. Bingley's ball at Netherfield. Elizabeth, looking lovelier than usual, is disappointed to find that Mr. Wickham isn't there, and even more disappointed at her choice of dance partners. After dancing the first two with Mr. Collins, she finds herself dancing with Mr. Darcy. Elizabeth's not one for negativity, so she tries to make the best of the night, but it seems like each member of her family is determined to make the evening as difficult, and humiliating, as possible. In this week's Friday Favorites, return to one of Austen's most beloved ball scenes, and let the evening at Netherfield be your companion into your own evening of soft and restorative sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Steve Wickham has certainly made his presence felt throughout Irish rock and roll history. The Dublin fiddle player was a long-time member of the Waterboys, as well as playing on recordings by great names such as Sinead O'Connor, Elvis Costello and World Party. Indeed, it's Steve's violin playing that you can hear on the U2 classic “Sunday Bloody Sunday”...is it any wonder that leader of The Waterboys, Mike Scott Steve Wickham "the world's greatest rock fiddle player", while the NME described him as a "fiddling legend."? Steve will be playing a benefit show in Clare for Medicins Sans Frontieres – Doctors Without Borders, who at present have over 1,000 staff in Gaza to provide vital medical assistance for all civilians caught up in the conflict. The show at the Westbridge in Miltown Malbay is the brainchild of music promoter, John Roberts, who joined Alan on the show. Photo(C): Clare FM

There's a handsome new soldier in Meryton, and he's caught the eye of everyone from the Bennets to Mr. Darcy. That's right, it's none other than Mr. Wickham, and after seeing Mr. Darcy's reaction to him in Meryton, Elizabeth's curiosity is insatiable. Luckily, Mr. Wickham is more than willing to share the story of his many misfortunes. Elizabeth knew Mr. Darcy was proud, but this is another level of cruelty she wasn't expecting. Yet, with all these facts and dates, Elizabeth is sure there's no way it could be false. In this week's Friday Favorites, revisit Mr. Wickham and his definitely-true account of his past, and let the comforting familiarity of his tale help you forget your day and drift into a night of gentle sleep. -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

What is fan fiction and what is literature? Where does one end and the other begin? Claudia Gray's The Murder of Mr. Wickham blends the line between the two types. Join us as we wander through the lives of Jane Austen's characters in a new way!Thanks for tuning in to League of Lit. Make sure you follow us @leagueoflitpodcast on instagram and @leagueoflitpod on tiktok. If you have any suggestions for an episode, feel free to leave a comment on leagueoflit.tumblr.com

This week's talk is an exhortation given on at the San Diego Ecclesia by Brother Max Wickham on the topic of Distractions. We hope this strengthens your Faith and brightens your day!Thank you for listening, God bless, and talk to you next week.Send talk suggestions or comments to: ⁠⁠⁠⁠GoodChristadelphianTalks@gmail.com⁠⁠⁠⁠For Show Notes, visit our website: ⁠⁠⁠⁠GoodChristadelphianTalks.com⁠⁠⁠⁠Social Media: ⁠⁠⁠⁠Facebook⁠⁠⁠⁠ | ⁠⁠⁠⁠Instagram

The year 2024 has been full of remarkable films, and one stands out as a tense, atmospheric thriller that offers a rare glimpse into the secretive processes of the Vatican. "Conclave" (dir. Edward Berger) is full of good performances, drama, and doubt. In this week's episode, Wickham is joined by Taylan and Ada to talk about one of the best films of last year.

Women of Eureka - Dr Dorothy Wickham discusses how these women are important because there is the emergence of a strand of feminist conciousness at this point in Australia long before elsewhere.

Gotham villains seem to spend so much time fighting each other, it's a wonder they have any time to fight Batman. Friend of the show and Patreon backer John Wickham returns for three instances of villain on villain violence, with Blackgate Vs. Arkham during the Forever Evil crossover, Hush Vs. Talia in the run up to Infinite Crisis and The War of Jokes and Riddles, the Tom King story with the breakout star of Kite-Man. Arkham War (Batman V.2 # 23.4, Forever Evil: Arkham War # 1-6, Forever Evil Aftermath: Batman Vs. Bane) Job Termination (Batman: Gotham Knights # 66) The War of Jokes and Riddles/ The Ballad of Kite-Man (Batman V.3 # 25-32) Check out our current ranking list at www.comicsxf.com/batchat-rankings/ Thanks to Geri Nonnewitz for our podcast logo Follow the show on Twitter @BatChatComics and support the show on Patreon at www.patreon.com/batchatwithmattandwill

This is a free preview of a paid episode. To hear more, visit www.insurgentspod.comA few weeks ago it was easy to dismiss Trump's talk of Canada being “The 51st State” as bluster or jokes, but three months into this thing, as the trade war between the two countries has started to really heat up, it's become abundantly clear that he was not kidding. Meanwhile, Canada has a new incoming Prime Minister and Ontario Premier Doug Ford, a bu…

Quién Decís Que Soy Yo | Andy Wickham by ICONO

If you've ever been curious about how agritourism and you-pick farms operate, including how to keep customers happy, stats to keep tabs on, or systems involved, this episode is for you. In this episode, host Jenny Marks interviews Dale Wickham of Wickham farms as they dive into creating customer experience, systems, and mindset in order to grow a profitable and successful agritourism operation. Check out Wickham Farms: https://wickhamfarms.com Did you enjoy this podcast? Please leave us a review on Apple or Spotify! Follow Jenny on instagram: @trademarkfarmer Find free flower business resources: www.trademarkfarmer.com

Susanna Wickham, CEO of PAWS Chicago, joins Lisa Dent to discuss a pet microchip company that went out of business. Wickham describes the procedure to check which company their pet’s chip belongs to and the chipping service offered by PAWS Chicago if owners need to re-chip their pets.

Paul Rezuke of Wickham Hardwood Flooring joins the conversation to discuss automation technology, his insights on the current state of the hardwood flooring industry, and key sales and market trends shaping the future. He also shares how Wickham Hardwood Flooring is participating in the NWFA Engineered Refinishable Program and what that means for the industry. 

The Aardman's duo is back! It's refreshing, delightful, lighthearted, and full of nostalgia. In this week's episode, Wickham and Colleen are joined by Alev Flannagan, and Ada Özduran to discuss "Wallace & Gromit: Vengeance Most Fowl" (2024, dir. Nick Park & Merlin Crossingham).

Shiann Wickam currently serves patients as an RN in Oklahoma. Her very first assignment out of nursing school, to her surprise, was at a Covid-19 hospital. Though her experience eventually led to travel nursing, this initial assignment allowed her to see God placed her there to care and pray for these patients who were very sick and extremely isolated. Today, we're talking about: The necessity of hope, how spiritual health is connected to our physical health Disciplines to implement for spiritual growth Discussing Practicing the Way by John Mark Comer C A N D A C E  C O F E R author + speaker ⁠⁠⁠⁠⁠ ⁠⁠website⁠⁠⁠ | ⁠⁠⁠instagram⁠⁠⁠ | ⁠⁠⁠youtube⁠⁠⁠ | ⁠⁠⁠facebook⁠

Patrice the movie w/ director Ted Passon and producer Kyla HarrisToday we have Ted Passion and Kyla Harris. , the director and producer, respectively of Patrice the movie. Patrice the movie is about a woman named Patrice, hence the name and her partner. Gary. Wickham who both have disabilities. And they want to get married, but they cannot because of the way the social security/ Medicaid benefits are set up. And it's about their fight in what they call the social security marriage penalty and to be able to get married and keep their social security and Medicaid because security and Medicaid go by the same limits ,in most cases. I am personally effected by this topic. Connect with Ted:https://www.tedpasson.com/https://www.instagram.com/tedpasson/?hl=enConnect with Kyla:https://linktr.ee/kylaharrishttps://www.instagram.com/bedroom_activist/https://www.kylaharris.com/?fbclid=PAZXh0bgNhZW0CMTEAAaYsh6pgTO7sH-4R63k6g9rK61aTGBCd1gqeTJZgxVKYuq74kiImVtFmRT8_aem_o9Z-_aj7SfVtawrNdb88owConnect with Devon/ the show:https://linktr.ee/wheelwithitpodTimestamps:00:00 Introduction and Episode Overview00:21 Meet the Guests: Ted Passion and Kyla Harris00:53 The Social Security Marriage Penalty03:13 Legislation and Advocacy04:38 Interview with Ted and Kyla10:47 Making of Patrice the Movie19:01 Impact and Reception25:42 Call to Action and Conclusion

Happiest of New Years Friends! A tad later than usual but it is still January! Once again I am sharing my top five books of the year just passed and this is quite a mixed list, as my reading was a bit niche this year. Thank you so much for sticking with me for the last year, hopefully this next year will be ever so slightly more consistent on my part, but your support means the world. Embark on a literary voyage with the Books to Last Podcast, inspired by the BBC's beloved Desert Island Discs. Join us as we invite passionate book enthusiasts to reveal their top five must-have books for a mysterious remote adventure. Explore captivating tangents and heartwarming anecdotes along the way. Tune in for book recommendations and inspiring tales from avid readers!Podcast:W: https://anchor.fm/bookstolastpodTwitter: @BooksToLastPodInstagram: @BooksToLastPodMusic by DAYLILY@daylilyuk on Instagramhttps://open.spotify.com/artist/31logKBelcPBZMNhUmU3Q6Spoiler WarningBooks Discussed: The Murder of Mr Wickham by Claudia Gray Slow Productivity by Cal Newport Bride by Ali Hazelwood Something Fresh by P. G. Wodehouse 1066 and All That by W.C. Sellar and R.J. Yeatman Dead Famous by Greg Jenner The Murder of Roger Ackroyd by Agatha Christie The Chalice of the Gods by Rick Riordan

Begin Again Men's Conference in Rapid City, SD

Paris Marx is joined by Molly White, Brian Merchant, and Eric Wickham to discuss the highs and lows (mostly lows) of this year in tech news.Molly White is the creator of Web3 is Going Just Great and Follow the Crypto. Brian Merchant is my co-host on System Crash, a new podcast we're hosting. He's also a longtime tech journalist and author of Blood in the Machine. Eric Wickham is the producer for Tech Won't Save Us, along with a bunch of other podcast, and an independent journalist.Tech Won't Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Support the show on Patreon.The podcast is made in partnership with The Nation. Production is by Eric Wickham. Transcripts are by Brigitte Pawliw-Fry.Also mentioned in this episode:Molly joined Brian and Paris on System Crash.Peter Thiel made some dumb remarks about Luigi Mangione on the Piers Morgan show while looking very shiny.Apple sold fewer than half a million Vision Pro headsets this year.Support the show

Here's what we're reading, recommending, and revisiting this week.Catherine's library find is a trio of cozy mysteries by Claudia Gray, all starring Jane Austen characters: The Murder of Mr. Wickham (2022), The Late Mrs. Willoughby (2023), and The Perils of Lady Catherine de Bough (2024). These are an absolutely delightful (and non-stressful) way to revisit these characters, and there's even a little helping of romance. Mentioned: Death Comes to Pemberley, another contemporary author's take on an Austen-themed mystery.​Terri's random recommendation is Artful Plus, the premium version of Artful Agenda, a digital planner we both use. With Artful Plus, you get a habit tracker and the ability to make and use your own stickers, among other perks. Mentioned: The Artful Agenda Facebook group, Artfully Obsessed.​​In the archives, we discussed an episode from 2020 on how parents can pay it forward (which we think is more helpful than starting or participating in a drive-thru pay-it-forward chain). Mentioned: Books from our former co-hosts: Inclusion in Action by Nicole Eredics and Neurodiversity-Affirming Schools (January 2025) by Amanda Morin.Next week's lineup: Lost S1 E23, "Exodus: Part 2," on Tuesday, December 17Shrinking S2 E6, "Get in the Sea," on Wednesday, December 18Weekly roundup on Thursday, December 19Until then (and anytime you're in need), the archives are available.

Get ready for another DINO-RIFFIC episode with Actor/Co-Writer Mike Capes, Co-Writer Johnny Wickham and Director Mike Hermosa as we cover their new movie The Invisible Raptor! Here pre-order link for the film in the posting of your interview! https://tv.apple.com/ca/movie/the-inv... After a top-secret experiment goes wrong, a hyper-intelligent invisible raptor escapes the lab and begins wreaking havoc in the surrounding neighborhood. When the creature's identity is uncovered, it soon becomes clear that a disgraced paleontologist—alongside his ex-girlfriend, an unhinged amusement park security guard, and a local celebrity chicken farmer—is the town's only hope for surviving the raptor's ravenous rampage. Katie Afraidy is a horror movie review podcast where host, horror fanatic, and comedian Katie Hettenbach talks with comedians, actors, and filmmakers about horror movies! Subscirbe on Patreon for EXTENDED UNCUT Episodes, Stickers, and SO MUCH MORE! https://www.patreon.com/KatieAfraidy Get ready for more chaos coming every TUESDAY! Old episodes of Horror at The Store will be reposted to YouTube every THURSDAY! Use code KATIEAFRAIDY25 to get 25% off of your Fangoria subscription ! Check out Filmcraft Studio Gear! https://www.instagram.com/filmcraftla/ Please don't forget to subscribe, share, and give us a review! Love my little spooky community! Follow us on Socials! https://www.instagram.com/katie.afraidy/ https://twitter.com/katieafraidy https://www.instagram.com/kthetty/ https://www.tiktok.com/@katie.afraidy https://www.tiktok.com/@kthetty Subscribe wherever you get your podcasts! https://podcasts.apple.com/us/podcast... https://open.spotify.com/show/33nXkTF...

On an all-new dino-sized episode of your Boo Crew, two outstanding creators are about to claw their way into your horror-obsessed heart with their hilarious, warm, and blood-soaked frenetic romp...INVISIBLE RAPTOR, in theaters and VOD now! Writer Johnny Wickham and writer and star Mike Capes are here with you to talk about the horror films that made them - and their unbelievable adventure bringing to life a movie that has been KILLING it at the biggest festivals in the world, not to mention...their collaboration with special fx LEGEND, Steve Johnson (creator of Slimer, The Abyss, American Werewolf in London alongside Rick Baker and 200 others!)! You are gonna fall in love with these dudes and this movie. Boo Crew Episode 435 with Mike Capes, Johnny Wickham and INVISIBLE RAPTOR is now slaying! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight we're chatting with Actor / Co-Writer Mike Capes, Co-Writer Johnny Wickham, and Director Mike Hermosa of The Invisible Raptor, which comes out In Theaters and On Digital December 6th. The film had its World Premiere at the Sitges Film Festival and currently sits at 100% on Rotten Tomatoes.SYNOPSIS: After a top-secret experiment goes wrong, a hyper-intelligent invisible raptor escapes the lab and begins wreaking havoc in the surrounding neighborhood. When the creature's identity is uncovered, it soon becomes clear that a disgraced paleontologist—alongside his ex-girlfriend, an unhinged amusement park security guard, and a local celebrity chicken farmer—is the town's only hope for surviving the raptor's ravenous rampage.Order the film on AppleTV here: https://tv.apple.com/ca/movie/the-invisible-raptor/umc.cmc.4pcepzn000w3wiymxh14ohvfeBecome a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Hey there, welcome back to Amazon Made Simple!

In this episode of the podcast Ashley Scott Meyers talks with writers Johnny Wickham and Mike Capes. Our guests Johnny Wickham and Mike Capes talk about writing the Horror Comedy The Invisible Raptor. Mike Capes also stares in the movie as well. Topics include how they were inspired by cult classic movies like Sharknado and […]

Pride and Prejudice by Jane Austen chapter 61, narrated by Isaac Birchall Subscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D https://ko-fi.com/theessentialreads https://www.patreon.com/theessentialreads https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join SUMMARY: The final chapter closes all of the stories surrounding the Bennet household. Mrs Bennet is overjoyed at Darcy and Elizabeth's, and Jane and Bingley's marriages. Mr Bennet is happy too, even to the point of leaving home to regularly visit Elizabeth at Pemberly. Jane and Bingley stay in Netherfield house for only a year, they then move up north, within 30 miles of Pemberly. Kitty goes to stay with both sisters often too, and becomes a proper lady, losing most of the bad influences that Lydia taught her. Lydia and Wickham try to get closer to Darcy and Elizabeth, hoping that Darcy will be able to provide them with a fortune. Though Darcy can never have Wickham at Longborne, he does consent to allow Lydia to visit very seldom. Even Lady Catherine, after some time passes, comes back to Darcy's side, wanting to be part of his life again, and being able to put up with Elizabeth. With the Gardiners, Darcy and Elizabeth remain forever close; forever thankful to them for their part in joining the two of them. The End.

Pride and Prejudice by Jane Austen chapter 60, narrated by Isaac Birchall Subscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D https://ko-fi.com/theessentialreads https://www.patreon.com/theessentialreads https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join SUMMARY: Mr Darcy and Elizabeth are out on another walk, and Elizabeth starts teasing him by asking questions about how he could ever had fallen in love with her. The two go back and forth jokingly on this topic for a while and soon decide that a letter must be written to Lady Catherine, who, after all, gave Darcy that final confirmation that Elizabeth must love him. Elizabeth also writes to Mrs Gardiner, properly responding to her letter about Darcy's influence in Lydia and Wickham's marriage. A little time passes and the Collins' come to town, taking a break from their home, and more importantly escaping the wrath of Lady Catherine from Darcy's letter. Elizabeth is very happy to see that her family and friends are making a good effort to get to know Darcy, and though she is concerned about their behaviour, she is glad to see that Darcy doesn't think any less of her for these important people.

What does it take to transform a military upbringing into a thriving IT services business? Mike Wickham, a West Point graduate and the force behind the successful SD Tech, joins us to share his incredible journey. Through insightful anecdotes, Mike reveals how his curiosity, meticulous preparation, and unwavering integrity have been fundamental to his career. He also discusses the profound impact his international business experiences have had on his approach to sales and business development, emphasizing the joy he finds in meeting new people and understanding their motivations.  Leadership is not just about directing but also about enabling others to succeed. Mike delves into his leadership philosophy, underscoring the importance of collaboration and open communication within a team. He advocates for a culture where team members bring solutions to the table, not just problems, fostering ownership and responsibility. We also discuss the critical role of data-driven performance monitoring, clear organizational goals, and the mentorship of future leaders. Mike's practical advice for young leaders highlights the necessity of respecting experienced colleagues and balancing confidence with humility.   Shifting gears, we reflect on the true essence of career fulfillment versus the often misleading pursuit of money and status. Mike shares personal stories about the importance of gratitude and the serendipitous turns that can lead to the most rewarding experiences. We also navigate the often complex world of CRM systems, discussing how proper data management and addressing underlying sales processes are crucial before implementation. Tune in to hear Mike's candid thoughts on maintaining CRM effectiveness and the exciting future of AI in streamlining data entry. This episode is packed with rich insights and practical advice that you won't want to miss. Mike Wickham, born in San Antonio into an Air Force family, spent his early years between Texas and various locations across Asia. After high school, he was appointed to the US Military Academy at West Point, where he later graduated and served as an artillery officer in the US Army. His final military assignment was as commander of a nuclear-capable field artillery unit in Europe. Following his military service, Mike launched a 20+ year career in international business, working for prominent telecom and technology companies like AT&T, MCI International, IDT, and V-Band. Based in the New York City area, he helped develop markets across Europe, Asia, and Latin America through strategic partnerships and joint ventures. Now residing in Texas, Mike continues to provide technology solutions to the Central Texas market.   Quotes: "Frankness is crucial. If there's a problem, put it right in people's faces and say, 'We all own this.' It fosters a culture of ownership and responsibility."  "I've always been curious about what people do, why they do it, and how they do it. Integrity sets the tone for everything you do in sales. If people can't trust you, they won't buy from you."  "Chasing money and status can be a pitfall. True fulfillment comes from doing work that brings joy and satisfaction."     Links: Mike's LinkedIn - https://www.linkedin.com/in/mvwickham/ SD Tech - https://www.sd-tech.net   Get this episode and all other episodes of Sales Lead Dog at https://empellorcrm.com/salesleaddog 

In this week's episode, we explore how to harness Amazon Brand Analytics for instant cash flow. Join us with Noah Wickham, Brand Director at My Amazon Guy, who manages a portfolio exceeding $150 million ARR. Discover how to interpret key metrics, create tailored promotions, and boost your brand's visibility on Amazon. Noah shares his extensive e-commerce expertise, including strategies for data-driven decision-making that can elevate your business. Subscribe for more insights and tips on growing your Amazon brand! Takeaways:Utilizing Brand Analytics for Data-Driven Decisions: Brand Analytics provides valuable insights into customer behavior, product performance, and market trends. Sellers can leverage this data to make informed decisions about inventory, pricing, and marketing strategies.  Creating Targeted Promotions: Analyze sales data and customer search behavior to tailor promotions and discounts. By identifying popular products and trends, sellers can create effective, targeted promotions that drive immediate sales. Effective Coupon Strategies: Use Brand Analytics to determine which products will benefit most from coupon promotions. Ensure that coupons are strategically placed to maximize their impact without causing overlap that could diminish their effectiveness.  Leveraging Customer Search Data: Understand what customers are searching for and adjust product listings accordingly. Optimize keywords, titles, and descriptions based on search data to increase visibility and attract more buyers. Monitoring and Adjusting Pricing: Regularly review pricing strategies based on competitive analysis and sales performance. Use insights from Brand Analytics to adjust prices dynamically to stay competitive and boost sales.  Understanding Market Trends: Stay updated with market trends and customer preferences by analyzing data from Brand Analytics. This helps in anticipating changes in demand and adjusting business strategies proactively.  Optimizing Product Listings: Improve product listings by using data insights to highlight key features and benefits that resonate with customers. This can enhance the appeal of listings and increase conversion rates.  Quote of the Show:Building brand awareness on Amazon is increasingly challenging due to the influx of Chinese sellers driving a race to the bottom. While Amazon has invested in making brand presence important, they've also created an environment where the brand itself seems to matter less. Brand analytics and tailored promotions add complexity, as they target audience groups rather than emphasizing the brand's true value. Links :LinkedIn : https://www.linkedin.com/in/noahwickham/Website :  https://myamazonguy.com/YouTube : https://www.youtube.com/@MyAmazonGuy/featuredWant To Level Up Your Business? Register With Our SponsorsViably is the complete financial solution to help e-commerce business owners extend their cash flow through funding. Viably's revenue-based funding programs are designed to provide online sellers with the funding they need to achieve their business goals. Whether you need to increase your inventory or ramp up your marketing efforts, Viably can help you access the capital you need to succeed.Claim your extra $1,500 when you qualify for $25,000 or more in funding. Go to https://www.runviably.com/legends  and start your application today.

Send us a textClick link for ESM Journal Page:Excel Still More Journal on Amazon.Video to describe the ESM Journal.Sponsors:  Jon Cunningham, Owner, Cunningham Financial GroupWebsite:  www.cunninghamfinancialgroup.com   Phone:  205-326-7364Tyler Cain, Senior Loan Officer, Statewide MortgageWebsites: https://statewidemortgage.com/https://tylercain.floify.com/Phone: 813-380-8487Here is a link to Phil Wickham's Song: The Jesus Way(Note - It is new to me, but I see it's been out for a year!)https://www.youtube.com/watch?v=4Fhv4arL3ykIf you curse me, then I will bless youIf you hurt me, I will forgiveAnd if you hate me, then I will love youI choose the Jesus wayIf you're helpless, I will defend youAnd if you're burdened, I'll share the weightAnd if you're hopeless, then let me show youThere's hope in the Jesus wayI follow JesusI follow JesusHe wore my sin, I'll gladly wear His nameHe is the treasureHe is the answerOh, I choose the Jesus wayIf you strike me, I will embrace youAnd if you chain me, I'll sing His praiseAnd if you kill me, my home is heavenFor I choose the Jesus wayI follow JesusI follow JesusHe wore my sin, I'll gladly wear His nameHe is the treasureHe is the answerOh, I choose the Jesus wayAnd I choose surrenderI choose to loveOh, God my Savior, You'll always be enoughI choose forgivenessI choose graceI choose to worship, no matter what I faceI choose the Jesus wayI choose the Jesus wayI choose the Jesus wayI choose the Jesus wayI follow JesusI follow JesusHe wore my sin, I'll gladly wear His nameHe is the treasureHe is the answerOh, I choose the Jesus wayI follow JesusI follow JesusHe wore my sin, I'll gladly wear His nameHe is the treasureHe is the answerOh, I choose the Jesus wayOh, I choose the Jesus way