Podcast appearances and mentions of Susanne Bier

At the beginning of the aughts, both Halle Berry and Benicia Del Toro were riding high on Oscar wins. In 2007, they both paired up for Things We Lost in the Fire, a melodrama from Danish director Susanne Bier. From a script by Collateral Beauty scribe Allan Loeb, the film cast Berry as a grieving wife … Continue reading "344 – Things We Lost in the Fire"

Matilda De Angelis, mio padre, Ennio Morricone e il bisogno di sottolineare certe differenze. Ascolta SEIETRENTA, il nuovo podcast di rassegna stampa di Chora Media. Fonti: estratto dal film "Chi ha incastrato Roger Rabbit" del 1988 con la regia di Robert Zemeckis, disponibile su Disney+ ; video “Giorgio Gaber - L'analisi” pubblicato sul canale Youtube orio baruzzi il 26 giugno 2009; estratto dal film "The Undoing - Le verità non dette" del 2020 con la regia di Susanne Bier, disponibile su Now Tv; estratto dal documentario "Ennio" del 2021 con la regia di Giuseppe Tornatore, disponibile su TIM Vision; video “Citadel: Diana | Trailer Ufficiale | Prime Video” pubblicato sul canale Youtube Amazon Prime Video Italia l'11 settembre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

InterMetzo: Georg Metz kommer i denne uge ind på balladen om et besynderligt tal på 400 milliarder kroners danske indtægter på Grønland i DR's  dokumentar 'Grønlands hvide guld'. Inspirerende overgange til den 3.alder – 6: I dette afsnit i serien med podcast om overgangen til den tredje alder taler Mikael Jensen og Paul Frost med Vibeke Windeløv, som bl.a. har været filmproducent for Lars von Trier og Susanne Bier samt...

Inspirerende overgange til den 3.alder – 6: I dette afsnit i serien med podcast om overgangen til den tredje alder taler Mikael Jensen og Paul Frost med Vibeke Windeløv, som bl.a. har været filmproducent for Lars von Trier og Susanne Bier samt teaterchef på Betty Nansen Teatret.  

Episode Summary: Rachel Markarian, a versatile entertainment professional with an illustrious career as a dancer, choreographer, actor, and educator. Rachel takes us through her inspiring journey from her early struggles with ballet to becoming a seasoned artist working with industry legends like Rihanna, Katy Perry, Beyoncé, and more.  Rachel discusses her pivotal moments, from moving to New York at 15 to pursuing her career in Los Angeles, and how she transitioned from dance to acting, embracing new opportunities despite injuries. She also talks about her role as an educator, her work with Energy Dance Project and CLI Conservatory, and the importance of teaching young dancers both technical skills and life lessons. She offers invaluable advice on handling rejection, growing confidence, building a personal brand, and balancing multiple career paths. This episode is packed with inspiration and practical insights for dancers looking to thrive in the entertainment world. Show Notes: (00:00) - Introduction to the podcast and guest, Rachel Markarian (04:30) - Rachel's early struggles with ballet and how overcoming physical challenges shaped her career (10:30) - The influence of conventions and how Rachel discovered the larger dance world (16:00) - Moving to New York at 15 and gaining independence to pursue her dreams (20:00) - Transitioning to LA: Rachel's journey into commercial dance and her first big break (25:00) - Behind the scenes of life on tour (35:00) - Transitioning from dance to acting: How Rachel pivoted after a back injury and during the pandemic (42:00) - Rachel's work as an educator and mentor to the next generation of dancers (50:00) - The secret to longevity in the dance industry (57:00) - How to maintain confidence through auditions and setbacks (1:05:00) - Building confidence and growing your social media following (1:12:00) - Pursuing multiple career paths (1:20:00) - Q&A: Answering questions from aspiring dancers and sharing advice (1:30:00) - Final words: The importance of following your gut and focusing on your goals Biography: Rachael Markarian grew up outside of Boston, where she was immersed in a rich tapestry of arts and culture from an early age. New York City soon became a second home, especially after she attended a Performing Arts High School and trained at some of the city's most prestigious institutions. Her passion for the arts blossomed, leading her to major in Theatre & Dance at Oklahoma City University. Afterward, she moved to Los Angeles, where she booked her first film role in The Haunted Mansion alongside Eddie Murphy.  Rachael has collaborated with esteemed directors such as Michael Satrazemis, Susanne Bier, Joseph Kosinski, Ryan Murphy, Avi Youabian, Steven Soderbergh, Amy Sherman-Palladino, Christopher Guest, and many more. Her impressive list of credits includes Top Gun: Maverick, Magnum PI, Captain America: Brave New World, Tales of the Walking Dead, Sweet Magnolias, The Morning Show, All American, Queens, Bandit, First Wives Club, Dollface, The First Lady, Legion, Glee, True Blood, and The Ms. Pat Show, as well as commercials for brands like AFLAC Insurance, Microsoft, Target, and H&M. Her love for theater led her to portray the lead role of Kari in The Pavilion, a Pulitzer Prize-nominated play by Craig Wright, at the Malibu Playhouse. As a performer, Rachael has danced and toured with top artists, including Rihanna, Katy Perry, Beyoncé, Pink, Justin Timberlake, Kelly Clarkson, Panic! At the Disco, Kanye West, Chayanne, Cher, and The Pussycat Dolls. She has performed in two Super Bowl Halftime Shows with both Katy Perry and Beyoncé and appeared as a guest performer on shows like Dancing with the Stars, The Masked Singer, American Idol, The Grammy Awards, MTV VMAs, American Music Awards, and The Billboard Awards. Connect on Social Media: https://www.instagram.com/rachaelmarkarian https://www.facebook.com/rachael.markarian Website https://www.rachaelmarkarian.net/

Fri, 17 Jan 2025 08:00:00 +0000 https://efm-industry-insights.podigee.io/65-tailored-solutions-film-funding-in-europes-diverse-markets 7f0690c9253d4bcbeca3a386481d7bff Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by media analyst, broadcaster and experience designer Johanna Koljonen, it delves deep into the rapidly evolving film industry. Film i Väst Analysis' upcoming report, "The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be," looks at the diverse markets across Europe and gives the answers (or rather: values) to the burning questions that everyone is asking in regards to the current collision between public film funding and challenging cultural and economic policies. Answers are not given easily, as each market operates differently. Different funding systems call for different actions, and the right balance between economic and cultural arguments must be found locally – it doesn't have to be a battle between economy and art. In this episode, Tomas Eskilsson, founder of Film i Väst and Head of Film i Väst Analysis, along with producer and mentor Joanna Szymańska, explore the current state of public film funding and the creative sectors in Europe, drawing from the findings of the report. The rise of right-wing policies is increasingly affecting film funding strategies, ultimately challenging the freedom of cultural expression. However, the future is not set in stone, but rather shaped by the actions that are taken today. Tomas Eskilsson founded Film i Väst in 1992, and was the CEO until 2016. He now works as the Head of Strategy in Film i Väst and Head of Film i Väst Analysis. He is the author of the reports ‘Public Film Funding at a Crossroads' (March 2022) and ‘Public Film Funding at a Crossroads II' (to be published August 2023). He is right now working with the third a final report in the series: The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be. Joanna Szymańska is a film producer with over 15 years of experience in independent and international co-productions. She co-produced the award-winning film “Red Path” (dir. Lotfi Achour) which premiered at the Locarno Film Festival. Joanna is a mentor for emerging filmmakers and serves as the Head of Studies for the Erich Pommer Institut's workshop on European co-production. She is currently pursuing a PhD at the Łódź Film School. The host Johanna Koljonen is a media analyst, broadcaster, and experience designer. She is the author of the Göteborg Film Festival's annual Nostradamus Report on the near future of the screen industries, which is in its 11th year. She lectures internationally on changes in the media sector, and on participation and narrative design. Her background is in public service broadcasting; in 2011, she received the Swedish Grand Journalism Award in the Innovator category. Film i Väst is Scandinavia's major regional film fund and one of the bigger regional film funds in Europe. Film i Väst has made co-production with all parts of the world. Film i Väst is mostly known for its long-time collaboration with some of the most interesting directors in Northern Europe and elsewhere: Ruben Östlund, Tarek Saleh, Susanne Bier, Thomas Vinterberg, Lars von Trier, Joachim Trier, Lone Scherfig, Nuri Bilge Ceylan, Kaother Ben Hania are many more. During the last 30 years Film i Väst has co-financed and co-produced over 1000 feature films and a vast number of drama series. The report will be released February 16, 2025. More info about the release can be found here. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. This podcast episode has been developed in partnership with Film i Väst. full no Film Business,European Film Market,Film i Väst,Entertainment Industry,Film Industry,Media Industry,Berlinale,Future Trends,Film Funding European Film Market 2378

Join us for a Christmas Eve special in which we listen back to some of our best and biggest interviews on Monocle Radio from the past year. Today we hear from Oscar-winning director Susanne Bier; former FBI director-turned-author James Comey; Lisa Jackson, VP of environment, policy and social initiatives at Apple; and legendary film-score composer and music producer, Hans Zimmer.See omnystudio.com/listener for privacy information.

Chris and Taylor review the mystery drama miniseries The Perfect Couple developed for Netflix by Jenna Lamia and directed by Susanne Bier. Based on the 2018 novel of the same name by Elin Hilderbrand, the show follows Amelia who is about to marry into one of the wealthiest families on Nantucket until a shocking death derails the wedding - and turns everyone into a suspect. The miniseries stars Nicole Kidman, Liev Schreiber, Eve Hewson, Billy Howle, Meghann Fahy, Donna Lynne Champlin, Jack Reynor, Michael Beach, Ishaan Khatter, Sam Nivola, Mia Isaac and Dakota Fanning. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ X: https://x.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: Better Help  Get 10% off your first month of therapy with BetterHelp by going to https://betterhelp.com/potential

El guionista se ha cargado un personaje buenísimo, pero bueno, la peli no está mal; podría haber sido mejor, SÍ, pero le ha gustado a mucha gente y eso siempre está bien. Léete el libro después. En este caso será mejor.

The Perfect Couple has been the biggest show streaming on Netflix for weeks now and Liz (off the heels of her bachelorette trip!) and Darian come together to review what Susanne Bier calls, "Very Elegant Popcorn." The mystery drama series is based on Elin Hilderbrand's book of the same name and stars Nicole Kidman, Liev Schreiber, Dakota Fanning, Eve Hewson, Billy Howle, Meaghann Fahy, Jack Reynor & Sam Nivola. THE PERFECT COUPLE follows Amelia (Hewson) who is about to marry into one of the wealthiest families on Nantucket until a shocking death derails the wedding—and turns everyone into a suspect. Let us know what you thought of the series! Were you on the positive side of crowd reaction or do you think this show was disappointing despite the buzz? Also, please give this video a LIKE and please SUBSCRIBE as we're on the road to 500 subscribers! SUBSCRIBE: @CultureWaveMedia Be sure to follow us on: INSTAGRAM | @cinemawavemedia, @jerseysfinestpod & @_culturewavemedia TIKTOK | @cinemawavemedia FACEBOOK | Culture Wave THREADS | @cinemawavemedia Check out our entertainment site with News, Reviews, Trailers & more! WEBSITE| cinemawavemedia.blogspot.com

Vi har udvalgt tre artikler til dig fra Politiken, så du kan lytte til dem, hvis du ikke nåede at høre eller læse dem i løbet af ugen. Først kan du høre Susanne Bier forklare, hvorfor hun nogle gange kan få lyst til at sige: 'Hallo, der er ingen, der gider at se det der, gå hjem, tænk dig om', når hun ser andre instruktørers film. Det fortæller hun et interview, der er skrevet  og læst op af Rosa Marie Bjerre  Dernæst kan du høre en artikel med overskriften: 'Milliardærbaron får lov at rive bevaringsværdig villa ned', som Torben Benner har skrevet og læst op Til sidst i dagens podcast får du et portræt af selveste Paris Hilton. 00'er-ikonet er nemlig tilbage med ny musik. Det er igen Rosa Marie Bjerre, der har skrevet og læst Og husk: de tre artikler bare er et lille udvalg af de mange artikler, vi har læst op, og som kan høres direkte i Politikens podcast-app, så snart de udkommer. Her kan du også sammensætte din egen playliste og tage artiklerne med på farten. Det kræver blot, at du er Politiken-abonnent. Og det kan du nemt blive ved at gå ind på politiken.dk/shopSee omnystudio.com/listener for privacy information.

Den danske filminstruktør Susanne Bier fortsæter sin succes i Hollywood, denne gang med tidens største Netflix-seriebasker The Perfect Couple. Serien, der har Nicole Kidman i hovedrollen, bygger på en roman af samme navn og er både et humoristisk portræt af den amerikanske overklasse og en klassisk krimiserie med et mordmysterie i centrum.  Sammen med Berlingskes filmredaktør Sarah Iben Almbjerg diskuterer vi, hvorvidt serien er "tv-trash" eller stor tv-kunst. Vi taler om Susanne Biers instruktion, Nicole Kidmans valg af roller nu om dage, og hvorvidt serien lever op til hypen.   Vi spoiler til sidst i episoden, men vi markerer det tydeligt. God lyttefornøjelse! Programmet er lavet i samarbejde med Playpilot - en gratis app der fortæller dig præcis hvor alle film, serier og podcasts ligger og venter på dig: https://www.playpilot.com/dk/ Følg Frederik og Kasper her: https://www.playpilot.com/dk/profile/ https://www.instagram.com/frederikdirks  https://www.facebook.com/streamteamradio/  https://www.instagram.com/kasperlund    

First: In Gaza, health officials are counting the many dead, after an Israeli strike on a designated humanitarian zone. Correspondent Matthew Chance reports.  Next: Yair Golan, a former major general in the Israeli Defense Forces, and now leader of a new center-left coalition party called the Democrats, is trying to unite the opposition to present a viable alternative to Benjamin Netanyahu's government.  Also on today's show: Susanne Bier, Director, "The Perfect Couple"; Alec MacGillis, Reporter, ProPublica  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of You Are What You Read, we are joined by Academy Award®, Golden Globe Award and Emmy Award winning writer and director, Susanne Bier. Susanne's new Netflix limited series THE PERFECT COUPLE, adapted from Elin Hilderbrand's global bestselling murder-mystery book, stars Nicole Kidman, Dakota Fanning, Liev Schreiber and Eve Hewson. Susanne is also known for directing Netflix's 2018 hit film BIRD BOX starring Sandra Bullock (which went on to become the most-watched film in Netflix history), THE UNDOING, THE FIRST LADY, THE NIGHT MANAGER and more. In this conversation, we get to know the Susanne Bier story behind the camera and her unique POV to catch life on the screen.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim Burton è tornato e sembra in formissima: Beetlejuice Beetlejuice può indicare la strada a sequel non auto indulgenti, sicuramente autoironici, ma pieni di inventiva, visione, idee. La natura profonda del progetto è senz'altro quella di macinare soldi, ma Burton è in stato di grazia, come raramente abbiamo visto in questo secolo. Insieme a La sposa cadavere, Sweeney Todd, Dark Shadows e Frankenweenie siamo di fronte al suo meglio degli ultimi 25 anni. Su Netflix è arrivata una serie crime piena di stelle: Nicole Kidman, Liev Schreiber, Eve Hewson, Dakota Fanning, Isabelle Adjani e la regia con piglio autoriale di Susanne Bier. Al Brutto Simone Zizzari è piaciuta, state a sentire cosa ha da dire.  Il cerchio si chiude con Batman Caped Crusader, disponibile su Prime Video, clamorosa serie animata sull'uomo pipistrello, riportato ai fasti del passato, in collegamento ideale proprio con Tim Burton. Un caso? Non credo proprio.  Come non è un caso, o forse sì, se abbiamo sputato sulla Mostra del cinema di Venezia e soprattutto al chiacchiericcio che ci gira intorno.  Iscrivetevi al podcast, cliccate sulla campanella per ricevere gli aggiornamenti, condividetelo con gli amici e (in)seguiteci su Spotify, Apple Podcasts e tutte le app di ascolto gratuite per podcast. Link diretto allo show ⬇️⬇️⬇️  https://open.spotify.com/show/06wRlaUWQ5NdWusO25uqZk?si=4PkqQwHCT86xZaWk5pDiHA  Link su Audible https://www.audible.it/pd?asin=B0BL9FP3QJ&source_code=AITtm161101121020J&share_location=podcast_show_detail ➡️PAGINA FACEBOOK: https://www.facebook.com/ilbruttoilcattivo2.0

What will it take to get an Israel-Hamas ceasefire deal over the line? Plus: want to govern like it's 350 BCE? Greece looks to the past for future solutions. Then: Monocle's Fernando Augusto Pacheco speaks with “The Perfect Couple” director Susanne Bier.See omnystudio.com/listener for privacy information.

Monocle's Fernando Augusto Pacheco speaks with Danish award-winning director Susanne Bier to discuss her latest series, ‘The Perfect Couple', on Netflix. It's a new must-watch murder-mystery with an incredible cast that includes Nicole Kidman, Liev Schreiber and Isabelle Adjani. See omnystudio.com/listener for privacy information.

Christiane is in Ukraine this week as the country faces its biggest government shakeup since Russia's full-scale invasion began over 30 months ago, with the war at a critical turning point. She sits down with Ukraine's Army Chief, General Oleksandr Syrskyi, for an exclusive interview from an undisclosed location in eastern Ukraine. Foreign Minister Dmytro Kuleba sat down with her in Kyiv to discuss Ukraine's strategic gains and looming challenges just one day before he offered to resign. Then, a look at the cutting-edge land drones Ukraine is using to transform the reality on the battlefield. Plus, Oscar-winning filmmaker Susanne Bier speaks to Christiane her new Netflix hit, “The Perfect Couple”, and working with Nicole Kidman. From Christiane's archive, we revisit the heartbreaking cost of the war there, with an update on one of Ukraine's war amputees. And finally, commemorating Mother Teresa's legacy of compassion and care on the anniversary of her death. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Head teacher Ruth Perry took her own life in January last year whilst waiting for the publication of an Ofsted report she knew would grade her school as "inadequate". Ruth's sister, Professor Julia Waters, has been campaigning for change in the way Ofsted rates schools ever since. A review was published today into Ofsted's response to Ruth Perry's death, and yesterday the Government announced changes to the way the school's inspector for England rates schools. Nuala McGovern is joined by Professor Waters to give her response. Susanne Bier is an award-winning director who has worked with stars from Jennifer Lawrence to Sandra Bullock. Her newest project, The Perfect Couple, stars Nicole Kidman and centres around a wealthy family in Nantucket. Susanne joins Nuala to talk about the series and how she's leading the way for female directors.Today we speak to not just one Paralympic medallist but two - Team GB triathletes Lauren Steadman and Claire Cashmore. Yesterday they won bronze and silver in the Para-triathlon category, PTS5. They join Nuala on the line from Paris. To mother is a political act. That's the premise of a new book – Mother State: A Political History of Motherhood, which reimagines the history of modern Britain through the figure and work of the mother. The author Helen Charman tells Nuala why she believes that motherhood is inherently a political state, and why it matters, whether you have children or not. Presenter: Nuala McGovern Producer: Emma Pearce

Dennis' 3-film ballot ends in pop culture phenomenon Bird Box, the Sandra Bullock x Machine Gun Kelly crossover no one saw coming (no pun intended).Released 2018. Directed by Susanne Bier. Starring Sandra Bullock, Trevante Rhodes, and John Malkovich.“Five years after an ominous unseen presence drives most of society to suicide, a survivor and her two children make a desperate bid to reach safety.”Timestamps0:00 - Intro / Initial Reviews20:09 - Spoiler Territory1:07:06 - Final Scores Anyone?1:12:14 - Next Movie RevealFOLLOW US ON SOCIALSYoutube - @thelitterboxpodInstagram - @thelitterboxpodLetterboxd - thelitterboxpodX (formerly Twitter) - @litterboxpod

Puntata a cura di Untimoteo. The Night Manager è una miniserie del 2016 in 7 puntate di un'ora circa (in Italia su Prime Video) tratta dall'omonimo romanzo di John le Carré, a lungo maestro indiscusso di intricati libri a tema spionistico.L'opera mette in tavola tutti gli ingredienti per essere un blockbuster: la trama di un libro di successo, una ricca produzione che può permettersi diverse location suggestive, la regia solida di Susanne Bier e tre protagonisti d'eccezione come Tom Hiddleston (Loki), Olivia Colman (The Crown, The Landscapers) e Hugh Laurie (Dr. House).Nonostante premi e riconoscimenti e una generale approvazione da parte di pubblico e critica, la serie risulta fuori tempo massimo. E, per molti versi, dimenticabile. "5 minuti 1 serie" è il format del podcast di Mondoserie che racconta appunto una serie in poco più di cinque minuti (o meno di dieci!). Senza fronzoli, dritti al punto.Parte del progetto: https://www.mondoserie.it/Iscriviti al podcast sulla tua piattaforma preferita: https://www.spreaker.com/show/mondoserie-podcastCollegati a MONDOSERIE sui social:https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/https://twitter.com/mondoserie_ithttps://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQhttps://www.linkedin.com/in/mondoserie/

Hello, Hello!    In this special edition of Indie Talk, we miss Bonsai Nick but bring on two fantastic guest hosts. Director and Producer Maggie Contreras (https://instagram.com/maggiecontreras) and Actress and  Producer Charity Wakefield (https://instagram.com/charitywakefield). Both worked on the incredible documentary Maestra, Executive Produced by David Letterman's Production company, Worldwide Pants. We talk about:     Pros and cons of filming in Cuba Why Producers are elite problem solvers How they got access to the musicians featured in their film Maestra  What steps are required to produce in France effectively  The tricks to getting the most out of a cast and crew The need for a Documentary Filmmaker union Producer Papa Bear once again stumps and educates us with an all-new Things We Should Know and much more...   Enjoy!   The MAKE IT podcast is brought to you by the Voice of the Filmmaker program, which is sponsored by Women in Film and Television, Nashville (a 501(c)(3) non-profit organization).   If you like what we're doing, please donate here: https://www.bonsai.film/donate.   How you can continue to enjoy MAKE IT content:   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry. We provide a platform for filmmakers to provide advice, lessons learned, personal reflections, and insights through our Filmmaker Conversations, Mistakes in the Making, Industry Insights, Indie Talks, and Film Investment Series. We are the go-to film podcast for independent creatives!   More on Charity Wakefield   Instagram - @charitywakefield Twitter - @charitywakefld   CHARITY WAKEFIELD's resumé boasts a colorful spectrum of critically and commercially acclaimed work that illustrates her fantastic talent.   Charity stars in Hulu Original drama series THE GREAT, starring Elle Fanning and Nicholas Hoult. Written and executive produced by Tony McNamara (The Favourite) and directed by Matt Shakman (Game of Thrones, Succession), the series charts the rise to power of Catherine the Great and her explosive relationship with her husband, Peter, the emperor of Russia. The series has been nominated for Golden Globe, SAG, Emmy, MTV, and BAFTA Awards.   Since playing the romantic ‘Marianne Dashwood' in the BBC mini-series of Jane Austen's celebrated SENSE AND SENSIBILITY, she has appeared in some of our most noteworthy productions, including the critically acclaimed Channel 4 drama ANY HUMAN HEART, the Golden Globe and BAFTA-winning and Emmy-nominated WOLF HALL, THE HALCYON (ITV), Ron Howard's Emmy nominated GENIUS (Nat Geo);  CLOSE TO THE ENEMYdirected by Stephen Poliakoff for BBC2, the global phenomenon DOCTOR WHO; playing opposite Jack Whitehall in Sky One's BOUNTY HUNTERS, an ‘action-comedy-drama' also starring Oscar nominee Rosie Perez. International projects include working alongside Jennifer Lawrence and Bradley Cooper in the Susanne Bier-directed SERENA, crime thriller THE PLAYER for NBC with Wesley Snipes, and supernatural drama MOCKINGBIRD LANE also for NBC.   Charity made history as the first woman to play Shakespeare at The Globe Theatre, London, in  Nicole Charles's ‘exhilarating' all-female production of EMILIA, which had a West End transfer to the Vaudeville Theatre. Additional theatre credits include a ‘beautifully executed' (LA Times) THE CHERRY ORCHARD at the Olivier Theatre at the National Theatre, SEMINA, THE BLACKEST BLACK and NO NAUGHTY BITS all at the Hampstead Theatre; CANDIDA at the Theatre Royal Bath and THE RIVALS with Celia Imrie at the Southwark Playhouse.   As a producer, Charity's credits include the female-led, jet-black comedy A SERIAL KILLER'S GUIDE TO LIFE, which was long-listed for the Breakthrough Producer award at the 2019 British Independent Film Awards and can be viewed on all VoD sites (Apple TV, Itunes, Amazon, BT, Virgin, etc). Additional producing credits include short films WRAPS, which is now being made into a feature, and MEMENTO VITAE.     More on Maggie Contreras   Instagram is @MaggieContreras @MaestraMovie www.MaggieContreras.com   Maestra is a new feature documentary following five internationally-based women as they prepare for and perform in ‘La Maestra'—the only competition in the world for female orchestra conductors. Personal stories of survival, passion, and perseverance are woven together with the drama and excitement of this one-of-a-kind event created to break yet another glass ceiling for women. Maggie Contreras' directorial debut had its world premiere in competition at the 2023 Tribeca Festival, where it won an audience award.   Previously, she was the producer behind documentary films tackling a wide range of topics, from comics to solar energy. Jonathan Scott's Power Trip (PBS Independent Lens ‘20) is the titular HGTV celebrity and activist's journey across the USA to examine the antiquated utility monopoly system and how solar holds the key to energy freedom. In 2017, Gilbert also premiered at the Tribeca Film Festival and was distributed by Gravitas Ventures with exclusive SVOD on Hulu. Her work has been seen on AMC, NFL, and Quibi.   Whether it's working with brands or in the field on her next film, Maggie is fueled by the power of true stories.

Here's a sneak peek at our all new full-length Patreon audio commentary on Susanne Bier's adaptation of Bird Box (2018). Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Theme Music: Alexander Nakarada Learn more about your ad choices. Visit megaphone.fm/adchoices

Weddings are funny things, but mostly if you're not directly involved with them. They're typically big and with that bigness comes the big drama that comes with large numbers of people coming together in one place. But there's also a commonality to these events, even if the specific rituals are different. In this episode we continue our Around the World in Twenty Films series, first with a stop in India, to check out 2001's Monsoon Wedding, directed by Mira Nair. It's a comedy that nonetheless has a dark-ish storyline getting lighter toward the end, and a second, lighter story getting darker toward the end. We see many of the events leading up to an arranged marriage of two young people. Will the events of the movie affect the wedding itself? Who knows! (Well, we do. We saw the film and we're reviewing it, so.) Stay tuned for Part Two when we go to another part of India, then jump to Denmark for After the Wedding, from 2006 and directed by Susanne Bier. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

In the second half of today's episode, we'll be reviewing The Edge of Heaven from 2007, directed by Fatih Akim. It's a film entirely about missed connections that will frustrate you, but eventually you manage to settle in and accept what happens (or doesn't). COMING ATTRACTIONS: Put on your rented tuxedo, because we're going to a couple of weddings. First, from 2001, it's Monsoon Wedding, an Indian comedy-drama directed by Mira Nair. Although it takes place in India, you'll recognize most of the drama that happens when extended families find themselves in one place.  From there we're off to Denmark and 2007's After the Wedding, a 2006 Danish-Swedish drama directed by Susanne Bier. It's a complex story about people with complex motivations, and the people affected by them.    --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

EPISODE 1354: In this KEEN ON show, Andrew talks to Jean Hanff Korelitz about the legacy of Philip Roth, THE HUMAN STAIN, and a novelist's "right" to tell other people's stories. Jean Hanff Korelitz was born and raised in New York City and educated at Dartmouth College and Clare College, Cambridge. She is the author of the novels: The Latecomer (limited series adaptation forthcoming from Kristen Campo's Campout Productions and Bruna Papandrea's Made Up Stories), The Plot (adaptation forthcoming from Hulu, to star Mahershala Ali), You Should Have Known (Adapted for HBO as “The Undoing” by David E. Kelley, directed by Susanne Bier and starring Nicole Kidman, Hugh Grant and Donald Sutherland), Admission (adapted as the 2013 film of the same name, starring Tina Fey, Lily Tomlin and Paul Rudd), The Devil and Webster, The White Rose, The Sabbathday River and A Jury of Her Peers, as well as a middle-grade reader, Interference Powder, and a collection of poetry, The Properties of Breath. She will be appearing at the Philip Roth Unbound festival in Newark, NJ, on March 18, in a panel entitled "What gives you the right? A conversation about representation, imagination, empathy and exploitation" Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

The DOtD squad teams up with some parrots as they review Susanne Bier's “Bird Box”. We discuss the nature of the invisible creatures and their abilities, whether the film lived up to its hype, and we dance to some soca music. Spoilers behind the blindfold.

Michael Barker and Tom Bernard are marking 30 years of running Sony Pictures Classics, but we moviegoers are the ones who ought to be celebrating. Thanks to their good taste and savvy salesmanship, films as diverse as The Fog of War, Blue Jasmine, and Frozen River have made their way into American theaters. They have championed such filmmakers as Pedro Almodóvar, Guillermo del Toro, Agnieszka Holland, and Susanne Bier, to name just a few. And they still believe that audiences want to see good films on a theater screen. Leonard and Jessie have known the illustrious pair for many years but never engaged them in an interview until now. They have a lot to say—and a lot to be proud of…including a new boxed set of Blu-ray discs including The Devil's Backbone, Run Lola Run and their all-time biggest hit, Crouching Tiger Hidden Dragon.

This episode we start out fourth miniseries on 2010s awards winners! This time, we begin to cover the Best International Feature Oscar winners and In a Better World (Denmark) from Susanne Bier to start us off. Alex Kittle joins us as we touch on the politics of each country having a film to represent them, the gripping performances and how much the film feels like awards bait in hindsight --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message

Kunstnerne kom til Kunsthal Charlottenborg; chefer og ledere var der fra kulturinstitutionerne, og de politiske partier dukkede også op i formiddag til en af de sidste debatter inden folketingsvalget. Susanne Bier, Benjamin Koppel, Poul Erik Tøjner, Morten Kirkskov, Ida Auken og mange andre skulle svare på spørgsmålet: hvilken rolle skal kunsten og kulturen spille i at skabe fremtidens Danmark? Vi tog med, stak mikrofonen i diskussionen og de væsentligste pointer kan høres i selskab med Charlottenborgs direktør. Værter: Jesper Dein og Tore Leifer.

Ewa Fröling har över 50 år av scenkonst i ryggraden, jobbat med Ingmar Bergman, Bo Widerberg, Hans Alfredson, Suzanne Osten, Susanne Bier, Vilgot Sjöman, you name it. Vi pratar med den underbart friska fläkten Ewa Fröling om allt mellan himmel och jord och låter henne ge sina hot takes på aktuella ämnen. Ewa är aktuell med boken "Att störa ett väsen" om att kollapsa, hamna på psyket och hata vården. Programledare: David Druid, Kodjo Akolor och Linnea Wikblad

In this very special episode, Dhruv welcomes returning guest Simon Ezra to talk about a film movement recommended by one of our listeners! We try to make sense of the origin of this Danish film movement, its absurdly strict rules (courtesy Lars Von Trier & Thomas Vinterberg), its flailing reputation, its influences, and some of its most seminal films. Do listen for an in-depth & spoiler-filled discussion on these four films! Also, including Simon's controversial take on HBO's "Succession"! **No Apologies for the background noise in the episode. It's DOGME 95.** DOGME 95 MANIFESTO: https://pov.imv.au.dk/Issue_10/section_1/artc1A.html THE VOW OF CHASTITY: https://pov.imv.au.dk/Issue_10/section_1/artc1A.html#i2 Time Codes: Dogme 95 Overview - [00:00 - 25:20] Thomas Vinterberg's "Festen" - [25:21 - 42:00] Lars Von Trier's "Idioterne" - [42:01 - 58:20] Harmony Korine's "Julien Donkey-Boy" - [58:21 - 01:16:00] Susanne Bier's "Open Hearts" - [01:16:01 - 01:25:00] Chatter & "Succession" - [01:25:01 - 01:34:51] Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast. You can also follow Simon: https://www.instagram.com/the_bong_cinephile_/. Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow us on Letterboxd at: Dhruv: https://letterboxd.com/aterminalcinema/ Simon: https://letterboxd.com/the_bong_cineph/ --- Support this podcast: https://anchor.fm/queenisdead/support

In this episode, Pake and Daphne discuss Bird Box directed by Susanne Bier and released on Netflix on December 14, 2018.  Part of this episode contained something that was a first for us!Website: http://www.runforyourlivespodcast.comEmail:  runforyourlivespodcast@gmail.comFacebook:  https://www.facebook.com/runforyourlivespodcastTwitter: https://www.twitter.com/rfylpodcastInstagram:  https://www.instagram.com/runforyourlivespodcastYoutube:  https://www.youtube.com/channel/UChz8b3rTa3ut29_jYbs1qSwRFYL Spotify Music Playlist:  https://open.spotify.com/playlist/71Bsx083ldVuGwSgJKKEwr?si=0yB3Zq4iTeaMU_cBk6yAlw

Rowan Atkinson is associated with a lot of ‘B's – Blackadder, Bean, bumbling British spies... and now bees. He plays an inept house-sitter in a luxury mansion chasing after an insect in Netflix's new Man Vs Bee. He talks about this, his iconic characters, and why making comedy isn't always that fun. Artist Thomas J Price's Warm Shores, a pair of 9 foot tall bronze figures, have just been installed outside Hackney Town Hall in London to mark Windrush Day. 74 years on from the arrival of the SS Empire Windrush at Tilbury Docks, Thomas joins Tom live in the studio to discuss how his work honours the Windrush Generation while playing with ideas of power, public space and 3D body scans. When the Oscar-winning film director Susanne Bier turned her attention to television, the result was the acclaimed series The Night Manager, followed by The Undoing. She talks about her new series, The First Lady, which explores the lives of the wives of three American Presidents – Michelle Obama, Betty Ford, and Eleanor Roosevelt. Presenter: Tom Sutcliffe Producer: Emma Wallace

It's clear from our two films in our current series that Susanne Bier enjoys films with complex characters dealing with complex situations. Open Hearts had two families whose lives are upturned after a car accident affects both of them. In After the Wedding, it's a revealing toast at the wedding that turns lives upside down and forces several people to reevaluate their connections to each other. Join us – Pete Wright and Andy Nelson – as we wrap up our Mads & Susanne series with her 2006 film After the Wedding. We have a lot of thoughts about After the Wedding. This is a film dealing in a mess of a situation but somehow avoids melodramatic, false emotions. Crafting a story like that isn't easy, but Bier manages it and delivers a powerful film here. The performances of Mads Mikkelsen, Sidse Babett Knudsen, Rolf Lassgård, and Stine Fischer Christensen are spot-on perfect, but it's the script and direction that keeps the story believable. And that's with a story that has several large reveals that in any other film would be signs of it being over-the-top. But not here. Bier allows the characters to learn the information then react to it as people would. It's powerful how effective it is. It feels as if Bier learned a lot about connecting to her characters with her work in the Dogme 95 style, and even though she's not operating under their rules here, it still shows she understands the core principals of being honest. There's a lot to be discussed about how wealth affects and shapes Jorgen's thinking, not to mention how he treats his family. There are also elements of altruism reflected throughout. How does that come up with the characters and their intentions? It's a powerful film and one we're glad to cover on the show. So check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Theatrical trailer Poster artwork Flickchart Letterboxd

It's clear from our two films in our current series that Susanne Bier enjoys films with complex characters dealing with complex situations. Open Hearts had two families whose lives are upturned after a car accident affects both of them. In After the Wedding, it's a revealing toast at the wedding that turns lives upside down and forces several people to reevaluate their connections to each other. Join us – Pete Wright and Andy Nelson – as we wrap up our Mads & Susanne series with her 2006 film After the Wedding. We have a lot of thoughts about After the Wedding. This is a film dealing in a mess of a situation but somehow avoids melodramatic, false emotions. Crafting a story like that isn't easy, but Bier manages it and delivers a powerful film here. The performances of Mads Mikkelsen, Sidse Babett Knudsen, Rolf Lassgård, and Stine Fischer Christensen are spot-on perfect, but it's the script and direction that keeps the story believable. And that's with a story that has several large reveals that in any other film would be signs of it being over-the-top. But not here. Bier allows the characters to learn the information then react to it as people would. It's powerful how effective it is. It feels as if Bier learned a lot about connecting to her characters with her work in the Dogme 95 style, and even though she's not operating under their rules here, it still shows she understands the core principals of being honest. There's a lot to be discussed about how wealth affects and shapes Jorgen's thinking, not to mention how he treats his family. There are also elements of altruism reflected throughout. How does that come up with the characters and their intentions? It's a powerful film and one we're glad to cover on the show. So check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Theatrical trailer Poster artwork Flickchart Letterboxd

We continue our eleventh season looking at films directed by women with a short series called Mads and Susanne. In this series, we're looking at films directed by Susanne Bier starring Mads Mikkelsen, and we start with their 2002 collaboration, ‘Open Hearts.'

The Dogme 95 movement started in 1995 with the first two films made under its manifesto released in 1998. By the time Susanne Bier made her film Elsker dig for evigt – or Open Hearts as it was released in English – it was the 28th film certified as a Dogme 95 film. Join us – Pete Wright and Andy Nelson – as we look a Bier's 2002 film Open Hearts. What does Dogme 95 bring to Open Hearts? Because Dogme 95 is a key component of this film, how it looks, and its production – and because it's the first Dogme 95 film we've discussed on the show – we spend a bit of time looking at its foundation, its rules, and how this fits – including what rules Bier broke during production. There's a lot of heightened emotion throughout this film due to the nature of the story. We disagree a bit about the strength of the story. Is it just a soap opera about infidelity? Or does the inciting incident of the car accident connecting these two couples together make it something more? And does the fact that the story seems intent on having all of these characters do things we don't like make them unlikeable, or does it make them more realistic? Either way, it's a story dealing with a lot of complicated emotions that make for a great conversation. Regardless of what we think of the story and its melodramatic nature, the performances are great. Mads Mikkelsen always excels, and he's fantastic here. He and Bier clearly know how to tap into some heavy emotions in their working relationships. Paprika Steen may be our favorite, though, as his wife. Nikolaj Lie Kaas and Sonja Richter put a lot on the table in their roles as well. All in all, it's clear this is an actor's film. But it's hard to completely get past that Dogme 95 look, which does leave the film feeling muddy. In today's modern digital world where digital looks as good as film, it's tough to go back to a film like this and want to sit through the home video look. Still, it's a film that warrants a lot of discussion, and we cover a lot of ground with it. so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Find where to watch this on JustWatch Theatrical trailer Poster artwork Flickchart Letterboxd

The Dogme 95 movement started in 1995 with the first two films made under its manifesto released in 1998. By the time Susanne Bier made her film Elsker dig for evigt – or Open Hearts as it was released in English – it was the 28th film certified as a Dogme 95 film. Join us – Pete Wright and Andy Nelson – as we look a Bier's 2002 film Open Hearts. What does Dogme 95 bring to Open Hearts? Because Dogme 95 is a key component of this film, how it looks, and its production – and because it's the first Dogme 95 film we've discussed on the show – we spend a bit of time looking at its foundation, its rules, and how this fits – including what rules Bier broke during production. There's a lot of heightened emotion throughout this film due to the nature of the story. We disagree a bit about the strength of the story. Is it just a soap opera about infidelity? Or does the inciting incident of the car accident connecting these two couples together make it something more? And does the fact that the story seems intent on having all of these characters do things we don't like make them unlikeable, or does it make them more realistic? Either way, it's a story dealing with a lot of complicated emotions that make for a great conversation. Regardless of what we think of the story and its melodramatic nature, the performances are great. Mads Mikkelsen always excels, and he's fantastic here. He and Bier clearly know how to tap into some heavy emotions in their working relationships. Paprika Steen may be our favorite, though, as his wife. Nikolaj Lie Kaas and Sonja Richter put a lot on the table in their roles as well. All in all, it's clear this is an actor's film. But it's hard to completely get past that Dogme 95 look, which does leave the film feeling muddy. In today's modern digital world where digital looks as good as film, it's tough to go back to a film like this and want to sit through the home video look. Still, it's a film that warrants a lot of discussion, and we cover a lot of ground with it. so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Find where to watch this on JustWatch Theatrical trailer Poster artwork Flickchart Letterboxd

We continue our eleventh season looking at films directed by women with a short series called Mads and Susanne. In this series, we're looking at films directed by Susanne Bier starring Mads Mikkelsen, and we start with their 2002 collaboration, ‘Open Hearts.'

Við hefjum Heimskviður í dag í hinni stríðshrjáðu Maríupol, og ræðum við Sergej Artamonov, sem ólst upp í Maríupol en hefur verið búsettur í Reykjavík undanfarinn áratug. Systir Sergejs, Natasha, varð eftir í Maríupol þegar rússneski herinn réðist inn í borgina og heyrði Sergej ekkert frá systur sinni í 56 daga. Þrjár bandarískar forsetafrúr eru í sviðsljósinu í nýrri þáttaröð úr smiðju danska leikstjórans Susanne Bier. Leikstjórinn segir áhugaverða togstreitu einkenna hlutverk forsetafrúarinnar, kröfurnar séu miklar í starfi sem þær sóttu ekki um sjálfar. Þær hafa þó margar sett eftirminnilegan svip sinn á embættið og nýtt tækifærið til að berjast fyrir málefnum sem þeim þykja mikilvæg. Birta skoðaði sögu forsetafrúa Bandaríkjanna. Heimskviður er fréttaskýringaþáttur sem fjallar á ítarlegan og lifandi hátt um heimsmálin, um allt það sem ekki gerist á Íslandi. Ritstjórar þáttarins eru Birta Björnsdóttir og Guðmundur Björn Þorbjörnsson.

Við hefjum Heimskviður í dag í hinni stríðshrjáðu Maríupol, og ræðum við Sergej Artamonov, sem ólst upp í Maríupol en hefur verið búsettur í Reykjavík undanfarinn áratug. Systir Sergejs, Natasha, varð eftir í Maríupol þegar rússneski herinn réðist inn í borgina og heyrði Sergej ekkert frá systur sinni í 56 daga. Þrjár bandarískar forsetafrúr eru í sviðsljósinu í nýrri þáttaröð úr smiðju danska leikstjórans Susanne Bier. Leikstjórinn segir áhugaverða togstreitu einkenna hlutverk forsetafrúarinnar, kröfurnar séu miklar í starfi sem þær sóttu ekki um sjálfar. Þær hafa þó margar sett eftirminnilegan svip sinn á embættið og nýtt tækifærið til að berjast fyrir málefnum sem þeim þykja mikilvæg. Birta skoðaði sögu forsetafrúa Bandaríkjanna. Heimskviður er fréttaskýringaþáttur sem fjallar á ítarlegan og lifandi hátt um heimsmálin, um allt það sem ekki gerist á Íslandi. Ritstjórar þáttarins eru Birta Björnsdóttir og Guðmundur Björn Þorbjörnsson.

Við hefjum Heimskviður í dag í hinni stríðshrjáðu Maríupol, og ræðum við Sergej Artamonov, sem ólst upp í Maríupol en hefur verið búsettur í Reykjavík undanfarinn áratug. Systir Sergejs, Natasha, varð eftir í Maríupol þegar rússneski herinn réðist inn í borgina og heyrði Sergej ekkert frá systur sinni í 56 daga. Þrjár bandarískar forsetafrúr eru í sviðsljósinu í nýrri þáttaröð úr smiðju danska leikstjórans Susanne Bier. Leikstjórinn segir áhugaverða togstreitu einkenna hlutverk forsetafrúarinnar, kröfurnar séu miklar í starfi sem þær sóttu ekki um sjálfar. Þær hafa þó margar sett eftirminnilegan svip sinn á embættið og nýtt tækifærið til að berjast fyrir málefnum sem þeim þykja mikilvæg. Birta skoðaði sögu forsetafrúa Bandaríkjanna. Heimskviður er fréttaskýringaþáttur sem fjallar á ítarlegan og lifandi hátt um heimsmálin, um allt það sem ekki gerist á Íslandi. Ritstjórar þáttarins eru Birta Björnsdóttir og Guðmundur Björn Þorbjörnsson.

Washington Post deputy editorial page editor and columnist Karen Tumulty speaks with actor Gillian Anderson and director Susanne Bier about their new series, "The First Lady," which explores the stories behind the First Ladies of the United States.

Episode Notes The Ana Ularu Interview is featured on The Paul Leslie Hour. On this episode we're going to play Paul Leslie's interview with Ana Ularu. This interview received quite a lot of attention when it originally broadcast. In fact, an excerpt of it appeared on Pro-TV, a national television channel in Romania. You see, Ana Ularu is an actress from Bucharest, Romania.  She has appeared in such films as Outbound (2010), Sunt o baba comunista (2013) and Italiencele (2004).  She appeared in the film “Serena,” directed by Susanne Bier, starring Bradley Cooper and Jennifer Lawrence. In addition to her acting career, she is also a singer and recorded an album with the band “Sunday People,” and has performed in concert as well as on television. The word that best describes Ana Ularu is “artist,” and we think this interview will connect you with her essence. Real quick, you can help The Paul Leslie Hour. It's simple and easy to do. Just go to thepaulleslie.com/support We thank everyone who is contributing. And now, we must begin our interview with international artist, Ana Ularu. The Paul Leslie Hour - Helping People Tell Their Stories is a talk show with new episodes every Monday, Wednesday and Friday. Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture. Support The Paul Leslie Hour by contributing to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

This week The TV Boys sit down to discuss Nicole Kidman. You already know about her films, so pull up a chair and learn about her TV work as well.

Welcome to the penultimate episode of THE UNDOING: A THERAPY SESSION – THE PODCAST. This is a weekly podcast on each episode of the new HBO “mini-series” THE UNDOING. Series details: The Undoing is an American psychological thriller miniseries. Based on the 2014 novel You Should Have Known by Jean Hanff Korelitz, the miniseries premiered on HBO on October 25, 2020. The series stars Nicole Kidman, is written and produced by David E. Kelley, and directed by Susanne Bier. Series Description: Grace Sachs is living the only life she ever wanted for herself. She's a successful therapist, has a devoted husband and young son who attends an elite private school in New York City. Overnight a chasm opens in her life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

Welcome to the fourth episode of THE UNDOING: A THERAPY SESSION – THE PODCAST. This is a weekly podcast on each episode of the new HBO “mini-series” THE UNDOING. Series details: The Undoing is an American psychological thriller miniseries. Based on the 2014 novel You Should Have Known by Jean Hanff Korelitz, the miniseries premiered on HBO on October 25, 2020. The series stars Nicole Kidman, is written and produced by David E. Kelley, and directed by Susanne Bier. Series Description: Grace Sachs is living the only life she ever wanted for herself. She's a successful therapist, has a devoted husband and young son who attends an elite private school in New York City. Overnight a chasm opens in her life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

Welcome to the third episode of THE UNDOING: A THERAPY SESSION – THE PODCAST. This is a weekly podcast on each episode of the new HBO “mini-series” THE UNDOING. Series details: The Undoing is an American psychological thriller miniseries. Based on the 2014 novel You Should Have Known by Jean Hanff Korelitz, the miniseries premiered on HBO on October 25, 2020. The series stars Nicole Kidman, is written and produced by David E. Kelley, and directed by Susanne Bier. Series Description: Grace Sachs is living the only life she ever wanted for herself. She's a successful therapist, has a devoted husband and young son who attends an elite private school in New York City. Overnight a chasm opens in her life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

Welcome to the second episode of THE UNDOING: A THERAPY SESSION – THE PODCAST. This is a weekly podcast on each episode of the new HBO “mini-series” THE UNDOING. Series details: The Undoing is an American psychological thriller miniseries. Based on the 2014 novel You Should Have Known by Jean Hanff Korelitz, the miniseries premiered on HBO on October 25, 2020. The series stars Nicole Kidman, is written and produced by David E. Kelley, and directed by Susanne Bier. Series Description: Grace Sachs is living the only life she ever wanted for herself. She's a successful therapist, has a devoted husband and young son who attends an elite private school in New York City. Overnight a chasm opens in her life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.