Podcasts about regency england

Christian Historical Fiction Talk is listener supported. When you buy things through this site, we may earn an affiliate commission.Become a patron and enjoy special perks and bonus content.Have a favorite romance trope? Maybe meet-cute, meet-cringe, love at first sight, enemies to lovers, friends to lovers, love triangles, forced proximity, off-limits crush, fake relationship, marriage of convenience, second-chance love, etc? In this episode, I let you know what some of our listeners said were there favorite romance tropes.Here are some historical romances you might like:Lady Maybe by Julie KlassenThis has an amnesia trope, one we didn't even discuss.In the midst of a fierce storm, a carriage carrying Sir John Mayfield, Lady Marianna Mayfield, and her lady's companion careens off a narrow cliff road, changing their fates forever. When the wreckage is found, Sir John is gravely injured, and a woman is discovered unconscious wearing a valuable ring. As the woman regains consciousness in a strange house, she grapples with fragmented memories of the accident, unsettling dreams of a child in peril, and a deep mystery tied to the ring on her finger. Surrounded by unfamiliar faces and haunted by a sense of foreboding, the survivor realizes she cannot trust anyone and must uncover the truth of what happened that stormy night, even as danger mounts and enemies conspire against her. In this revised and updated 10th anniversary edition of Julie Klassen's acclaimed novel, a woman's startling secrets lead her into unexpected danger and romance in Regency England.Lady Maybe is a clean Regency romance full of mystery, adventure, and a search for identity. This novel will delight fans of the amnesia trope, Julia Quinn, Jane Austen, and Mimi Matthews.Get your copy of Lady Maybe by Julie KlassenBeyond Ivy Walls by Rachel FordhamReminiscent of Beauty and the Beast, a recluse and a young woman discover that the scars of life are no match against an act of love.Iowa, 1903. All of Monticello believes Otis Taylor has been away fostering his musical genius. But the truth is that his father exiled him long ago, rejecting Otis's appearance and the scars that came with it. Now that he is the last living Taylor, Otis has covertly returned to settle his family's affairs and rid himself of his past for good. However, he soon discovers that he may not have been the only abandoned Taylor and begins a tireless search for his missing toddler niece.At twenty-three years old, Sadie West left her family farm and found employment at the Hoag feather duster factory. It isn't a romantic job, but she's hardly had a glimmer of romance since her beau went off to college, leaving her with no promise of a future together. Desperate to save money and help her family make ends meet, she trespasses and finds shelter in an abandoned building--and is thrown in the path of the town's mysterious bachelor.Otis's wounds are deep, but as Sadie's friendship with him grows, she begins to fall for the man beneath the mask. Locating his long-lost niece, however, is more difficult than either could have imagined, and Sadie West may be the key to Otis Taylor finally finding his way home.Get your copy of Beyond Ivy Walls by Rachel Fordham.The Lady's Mine by Francine RiversA delightful new western romance and New York Times bestseller fro

Grab your Very Important Props and crunchiest snacks, dearest listeners! Join us as we step into the studio to meet the man behind the sound, Mitchell Kohen, to discuss his work as the ton's finest Foley Artist. We'll be learning how Mitchell made a splash in the industry, from his time curating airplane playlists, to working shifts at the Grey Sloan Memorial Hospital and bowing before the Queen of Regency England.As Mitchell takes us on a tour of the Foley stage, we'll be living a day in the life of Bridgerton post-production, walking in the footsteps of the Diamond, playing skittles with Prudence and putting on our heels to dance the Quadrille six times over. We'll also be uncovering the secrets of Lady Whistledown's quill, an earthy afternoon tea and the great escape of a soon-to-be-monarch. What crucial role does a toy train play in the Polin love story? Why will we forever shudder at the thought of ravioli? And, most importantly, what does Francesca Bridgerton really think about SunChips?Turn up the volume and listen close: if there is one thing you should know by now, it is that this podcast cannot keep quiet for long. *Show NotesFollow Mitchell on Instagram: @soundslikemitchellFollow Mitchell on Reddit: u/soundslikemitchell*Show Notes: Crumbs Radio Times: Bridgerton casts Gracie McGonigal in Season 4 AlloCiné: Interview with Nicola CoughlanReddit: *Spoiler Alert* Rumoured casting for Season 4Reddit: Chris Fulton at Land ConYouTube: Trailer for Tudum 2025Shorty Awards: The Bridgerton Chaise speaks outGold Derby: Netflix put forward Bridgerton cast for Emmy considerationHarper's Bazaar: Nicola Coughlan honoured with Konbini Commitment Award at CanneseriesWhatsOnStage: Nicola Coughlan to star in ‘The Playboy of the Western World' at the National TheatrePlaybill: Hannah Dodd and Rob Madge join the London cast of ‘Cabaret'WhatsOnStage: Rob Madge's ‘My Son's A Queer (But What Can You Do?)' announces New York runWhatsOnStage: Kitty Devlin joins the cast of ‘The Show That Goes Wrong'Regent's Park Open Air Theatre: James Phoon joins ‘Shakespeare For Every Day of the Year: Live'UKTV: Release date announced for Bessie Carter's ‘Outrageous'*Follow UsPatreon Instagram⁠ ⁠ ⁠TikTok⁠YouTube

Thackeray's comic masterpiece, 'Vanity Fair', is a Victorian novel looking back to Regency England as an object both of satire and nostalgia. Thackeray's disdain for the Regency is present throughout the book, not least in the proliferation of hapless characters called George, yet he also draws heavily on his childhood experiences to unfold a complex story of fractured families, bad marriages and the tyranny of debt. In this episode, taken from our Close Readings podcast series 'Novel Approaches', Colin Burrow and Rosemary Hill join Tom to discuss Thackeray's use of clothes, curry and the rapidly changing topography of London to construct a turbulent society full of peril and opportunity for his heroine, Becky Sharp, and consider why the Battle of Waterloo was such a recurrent preoccupation in literature of the period.To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrnaIn other podcast apps: https://lrb.me/closereadingsnaSponsored Links:'Wahnfried' at Longborough Festival Opera: https://lfo.org.uk/ Hosted on Acast. See acast.com/privacy for more information.

Thackeray's comic masterpiece, Vanity Fair, is a Victorian novel looking back to Regency England as an object both of satire and nostalgia. Thackeray's disdain for the Regency is present throughout the book, not least in the proliferation of hapless characters called George, yet he also draws heavily on his childhood experiences to unfold a complex story of fractured families, bad marriages and the tyranny of debt. In this episode, Colin Burrow and Rosemary Hill join Tom to discuss Thackeray's use of clothes, curry and the rapidly changing topography of London to construct a turbulent society full of peril and opportunity for his heroine, Becky Sharp, and consider why the Battle of Waterloo was such a recurrent preoccupation in literature of the period.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrnaIn other podcast apps: https://lrb.me/closereadingsnaRead more in the LRB:John Sutherland on Thackeray:https://www.lrb.co.uk/the-paper/v22/n02/john-sutherland/wife-overboardRosemary Hill on 'Frock Consciousness':https://www.lrb.co.uk/the-paper/v22/n02/rosemary-hill/frock-consciousness Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, we take a look at how research can both help and hinder writers, and offer tips for effective research for fiction. This coupon code will get you 25% off DRAGONTIARNA: OMNIBUS ONE at my Payhip store: DRAGONOMNI25 The coupon code is valid through April 14th, 2025. So if you need a new book to read for spring, we've got you covered! 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 245 of The Pulp Writer Show. My name is Jonathan Moeller. Today is March 28th, 2025, and today we are looking at some of the challenges of research for writers. Before we get into that, we'll do Coupon of the Week, an update my current writing and audiobook projects, and then Question of the Week.   First up, Coupon of the Week. This week's coupon code will get you 25% off the ebook of Dragontiarna: Omnibus One at my Payhip store, and that is DRAGONOMNI25. This coupon code will be valid through April the 14th, 2025. So if you need a new ebook to read for spring, we have got you covered.   Let's have an update on my current writing projects. I'm currently 70,000 words into Shield of Battle, which I believe will put me on chapter 16 of 24, so I'm about two thirds of the way through the rough draft. I'm still hoping to have it out towards the end of April, if all goes well. I am 7,000 words into Ghost in the Corruption, which will be the sequel to Ghost in the Assembly, and hopefully that will be out sometime after Shield of Battle.   In audiobook news, recording is underway for both Shield of Deception and Ghost in the Assembly. Brad Wills will be recording Shield of Deception and Hollis McCarthy will be recording Ghost in the Assembly. So I am looking forward to both those audiobooks and that's where I'm at with my current writing and audiobook projects.   00:01:25 Question of the Week   Now it's time for Question of the Week, which is intended to inspire interesting discussions of enjoyable topics. This week's question, do you read comics books or graphic novels, Marvel, DC, indie manga, whatever? No wrong answers, obviously, including “I don't read comics.”   Ryan says: I don't read comic books, they just don't appeal to me. I prefer world building through writing as opposed to images, and I think you don't get the same feel for characters in a comic as you do in a novel.   Justin says: Once upon a time, I did read comics. It's been a long time since I knew of the mainstream comics interested me, sadly. I have read some manga in the last year, but any associated light novel wins handily. There are a few web comics to keep up with. I have bought books and merch from the Foglios for Girl Genius and Tayler for Schlock Mercenary, but even then, it's been years since my last purchase.   Juana says: I love Batman. End of story.   John says: I enjoy graphic novels, mainly for the art. Most recent read was The Wizard of Earthsea graphic novel, which is a true work of art published just this month.   Randy says: Marvel/DC stuff, not much anymore. I can sit down and read Peanuts, Pearls Before Swine, etc. collections anytime, probably not the “comics” you meant.   Jenny says: Rat Queens! So good!   Gary says: I don't read comics.   Bob says: Nope. Used to devour DC and Marvel as a kid. Wish I still had some of them. Probably worth big bucks now.   Tom says: I used to be a Marvel Zombie. Seriously, I have 20-30 long boxes filled with comics. I had to kick the habit though. Nowadays it's mostly just a few TV show based series. Would love to read some Frostborn graphic novels though!   And finally, Tracy says: I don't read comics.   For myself, I agree with many of the commenters where my answer is I don't read comics. It's not out of snobbery or disdain for the art form. It just doesn't speak to me or hold my interest. Of course not all art speaks to all people at all times. I was curious about this topic because I see people discussing comic books online all the time, but apparently the industry is in bad shape financially with multiple bankruptcies and closures and so forth. So I was wondering if comics were kind of more of a vintage art form that is less popular with younger generations as the older generations start to die off. But you never know. Things always are on a wheel and come around again.   00:03:36 Main Topic of the Week: Writing Adjacent Activities: Research   So now back to our main topic or to start with our main topic, research challenges for writers. As I mentioned two episodes ago, I'm working on a new podcast series about what I call writing adjacent activities. What do I mean by this? I'm talking about tasks that seem like they're part of the writing process but really belong in a different category. These tasks are important, but they can also be a pitfall if you spend too much time on them or don't use that time correctly.   In this series, we will focus on a few of these tasks and how they can benefit or hinder your writing process, even though they seem like good uses of time and may be beneficial. In this episode, we'll talk about research for fiction writing. How much research is necessary and how does research help? When does it get to the point where it becomes a pitfall instead of an asset? What are some things that work well for me when researching matters for my books?   First of all, why should writers even have to research in order to write a work of fiction? Why can't we just make up details since the characters and the plot are also made up? Why research?   Research can help provide crucial information for the plot. For example, of a spy novel set in World War II focuses on the Canadians battling the British is inaccurate to the point of farce. Knowing which countries were Axis and which were Allies is an important piece of research that should have been done for that story in advance of writing it. There's a British TV series called The Goes Wrong Show about a group of inept actors putting on bad plays that's quite funny, and one of the episodes has them putting on a play that is widely criticized for its lazy historical research, which includes such things as Winston Churchill being a prime minister during the Vietnam War. In the show, of course, this is played for comedy as part of how bad the actors are, but you don't want to do this in real life.   Research prevents factual errors that can distract readers. Some of the biggest examples of this are military terminology, the British peerage system, and information about weapons like guns. All of these things have very distinct details that avid readers in a certain genre will notice and be upset about if they're incorrect. You'll notice that successful thriller writers tend to put a lot of time into researching and lovingly describing various pieces of military hardware in their books.   For a genre like historical romance, the distinction seems unimportant to a modern American, but to a debutante in Regency England, the difference between marrying a baron and a duke is immense and the titles can't be used interchangeably in a work of historical fiction. For example, the duke and baron would be addressed differently and enter a room in a different order, but more importantly, in a status conscious marriage market like the debutante season, a duke would be a highly sought after potential husband while a baron might be less of a catch, especially if the family is not so wealthy. This detail changes the characters and plots completely. To return to the firearm examples, for one of the famous errors that sometimes new writers do is a character puts a silencer on a revolver, which doesn't work because you can't silence a revolver. Much of the noise comes from the rear of the weapon when it's fired in addition to the muzzle flash and muzzle noise, so there are little details like that (both for weapons and the British peerage system) that you do need to watch out for.   Research can give you ideas or add depth through details. For example, someone writing a romance novel about two rival managers in a theme park could discover that this particular theme park has an intricate underground system of tunnels that includes storage areas and staff break rooms. The writer realizes this would give good opportunities for the characters to have a conversation or confrontation in a more private place than outside of a busy ride. What are some good sources for research? Not all research is going to the library and looking at books that haven't been checked out in 10 years or so. Sometimes research for writing fiction is about checking or learning basic facts like street names, what the word is for cat in Spanish, or what a certain chain store was named in 2008. Making these details up only makes sense if the places and languages are completely fictional. Where more academic and in depth research comes in is when a high level of informational accuracy is required by genre convention, like in thrillers, historical fiction, a legal drama, or a medical thriller.   One of the criticisms of the relatively recent Disney Plus show She Hulk was that although She Hulk's profession is a lawyer and she spends all of her time doing lawyer things, none of the writers had a background in law and it seemed like their legal advisor was quite hands off in their approach. They tried to write around it instead, and the results were disappointing to both fans of the source material and new viewers because as I've often said before, you don't need to be totally accurate, but it needs to feel accurate. Anyone watching the show would know that the American legal system works nothing like the way it's portrayed, not even in the abstract.   One of the additional complaints about the show is that they missed the chance to showcase the character by barely showing them doing any actual work or to only show it as a farce, making She Hulk seem more frivolous and unlikable without her defining trait of being a really good lawyer. Trying to write around factual information is usually not the best solution, and it could hurt the reader's feeling of immersion or cause them just to feel annoyed.   For genres that require a high level of information accuracy, try starting with the general overview books and then looking at more specific information as needed. You don't need to become an expert in every piece of medieval weaponry to write a historical or a fantasy book, but you do need to know the basics in order to have the characters use them in a convincing way.   As I've said before, I often talk about how verisimilitude is the goal in writing. You need to know and share just enough to make the reader feel convinced and have the characters be able to act in a believable way in the world there inhabiting.   Often writers are advised to use YouTube for research because it's free and usually easy to understand. However, YouTubers usually don't cite their sources and incorrect information often gets reshared this way. That said, it can still be useful. For example, if we go back to our example of the theme park romance novel, the writer could find YouTube footage of what the line looks like for a certain ride without having to go see it in person and determine from the footage if a child could really climb over a railing to escape their parents, for example, if that was one of the plot contrivances the writer wanted to put in the book.   I would strongly recommend you don't use a LLM program like ChatGPT for research, and if you do, you should cross-reference and double check its answers for accuracy because ChatGPT essentially makes stuff up. Unlike a search engine ChatGPT essentially guesses at its answers instead of retrieving them. For example, if you ask ChatGPT who the spouse of one reality star is, it confidently lists her brother as her husband because the names are very frequently paired and they had the same last name, ChatGPT made a guess and that guess was quite wrong. It's also important to note that it's not trained on recent information. It won't, for example, be able to tell you on what date a movie is going to come out in two weeks because it may not have access to that information yet, and it might instead give you the premiere date for previous films or guess at a date.   How much research is necessary and when is it a pitfall instead of an asset? Too much research can keep you from starting to actually write. It's a real temptation if you enjoy research to spend months bogged down in every possible source of information. It's also good to take a step back, look at your book's outline, and determine what's truly needed. When you're writing, you can add a note, “research this” and note about what fact you need to look up and then keep going. It isn't a great idea to stop writing every time you need to look up a specific fact. Doing that can often lead to research spirals that take too much time and then you lose your writing momentum.   Having researched too much can also drag down the plot with a lot of info dumps. We've all encountered books where the writer very clearly put in a lot of research into a very specific topic, so they were going to put all that research into the book, even if it was to the book's detriment. It's natural to want to use as much of your research as possible, but in reality, the only research that is good for the reader is what benefits the plot or adds to the feeling of verisimilitude without stopping the plot in its tracks.   What are some things that have worked for me when researching subjects for my books? Because I write fantasy and science fiction, I tend not to do that much research. Usually it's if I need to look up a specific fact to increase the verisimilitude. I had to do that quite a bit with Silent Order because that's science fiction and therefore a bit more fact-based. So I wanted to make sure I had things like the speed of light in kilometers or the amount of kilometers in a light year, for example, make sure that I had those numbers accurate. However, when I'm writing and there's something I want to look up later, I tend to literally just type “look this up later” and then keep going in the book.   This actually happens quite a bit in the Cloak Games and Cloak Mage series because while that's set in a fantasy setting, that fantasy setting is a version of our own world. I do need to look things up reasonably frequently, like where this town is located or how long you would take to fly from Chicago to Boston, for example. So very often I will just type “look this up later”, and then in the editing process, I will actually look that up and make sure that I have a good information source, not ChatGPT, and then add that fact into the book as necessary.   One thing I would recommend watching out for is that if the entire plot of the book hinges on a certain fact, like for example, say that you have in your book, the entire plot revolves around the fact that on average it takes about seven to eight hours to drive from Milwaukee to Detroit, it's a good idea to look it up and make sure that is actually true. If for example, you, let's talk hypothetically, if you weren't familiar with the geography of the United States and you had the plot being that it takes only three hours to drive from Milwaukee to Detroit, your book will not work because anyone remotely familiar with the American Midwest knows that if you are driving from Milwaukee to Detroit around the southern side of Lake Michigan, it takes at least seven hours and depending on traffic conditions, it can easily go much higher very quickly. So if you do have a fact around which the entire plot of your book hinges, it's a good idea to research that fact first and make sure that's accurate, so you can avoid the scenario where you write the book and then people are laughing at you because you wrote it only takes three hours to drive from Milwaukee to Detroit.   So to sum up, research in fiction is very different from in the academic world, but that doesn't mean that's not important. Like so many things in life, it's all about balance. You don't want to go too far down the research rabbit hole to the detriment of finishing your book, but you do need enough information to maintain verisimilitude, but not an excess of detail that will derail the plot or keep you from finishing the book you want, just enough that it makes sense.   An example for that for me would be one of the plot lines in Cloak of Spears which revolves around nuclear fusion. The book sold pretty well and people liked it, but I did get a email from an expert in nuclear fusion saying that the way I had described things is not actually how nuclear fusion works, and the fact of the matter was that thankfully for that book, it didn't matter because the actual intricacies of how nuclear fusion works is beyond my grasp and frankly beyond the grasp of most people. So I'd included enough verisimilitude to that the book worked for most people, but it was not enough to fool an actual expert in nuclear physics. So that brings me to a Abraham Lincoln quote I remember where he says, “you can fool some of the people some of the time and the rest of the people some of the time, but you can't fool all of the people all of the time.” And that is true with research and fiction. You'll want to do just enough to get verisimilitude so that you can fool most of the people, but you can't always expect to fool everybody. If you are writing about something which has subject matter experts, you may find that you'll have the subject matter experts writing to you and pointing things out. But what's important is that you do it well enough to fool most of the general audience, if not the subject matter experts.   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

In this special episode, I am joined by my copyeditor, Sara Israel of Thimble Editorial, to celebrate the release of my latest novel, THE MISS WITHOUT A MISTER! Sara and I discuss the role of families in happily ever afters, the dynamics of power and privilege in Regency England, and how we aim for accuracy in my language for historical romance novels.   00:00 Introduction and Special Guest Announcement 00:45 Meet Sara Israel: The Copy Editor 01:35 Prologue Reading: The Miss Without a Mister 13:40 Sara's Questions: Themes and Tensions 17:56 Exploring Power and Privilege 21:59 Family Dynamics and Lord Preston's Role 23:26 Character Development and Seeds Planted 24:18 Exploring Parental Conflict 26:14 Parenting Choices and Control 27:05 Family Dynamics and Sibling Relationships 30:22 Maturing Love Stories 32:14 Writing Craft and Metaphors 35:22 Historical Language Choices 37:26 Editing Process and Vulnerability 40:16 Fun 'Would You Rather' Questions 42:24 Conclusion and Contact Information   Find out more about Sara Israel and Thimble Editorial at www.thimbleeditorial.com    HRS is an affiliate of Libro.fm! Sign up for a new monthly membership and get three audiobooks for the price of one with code HISTORICAL! (As an affiliate, HRS may earn a portion of your purchase, for which we thank you!) Sign up here: https://tidd.ly/3WrMY0w   Find out more about your host Katherine Grant: Instagram (@katherine_grant_romance) TikTok (@katherinegrantromance) Facebook (@Katherinegrantromanceauthor) Goodreads (https://www.goodreads.com/author/show/19872840.Katherine_Grant) Bookbub (https://www.bookbub.com/authors/katherine-grant)   Follow HRS on social media! TikTok (@historicalromancesampler) Instagram (@historicalromancesampler) 

Christian Historical Fiction Talk is listener supported. When you buy things through this site, we may earn an affiliate commission.Become a patron and enjoy special perks and bonus content.Connilyn Cossette and I had a great time catching up and talking about her new book, Shield of the Mighty. She tells us more about the entire series, why story is important, the cultural context of her books, and how she feels about coming to the end of her homeschooling career. Patrons will hear about her favorite writing spot and why she loves it so much.Shield of the Mighty by Connilyn CossetteCaptured by the Philistines as a young boy, Zevi has grown into a formidable warrior. As a captain in King Saul's army, he is assigned a crucial mission: Recruit soldiers, gather tribute for the royal coffers, and find talented artisans for the king's court. But when he is sent to Maresha, the town he was forced to leave as a child, he faces a startling truth--the elder council rejects King Saul and his campaign against their enemies.Yochana, a widow and skilled woman of business, is captivated by a stranger who enters her perfume shop. Upon discovering he is not only a soldier but a captain responsible for enlisting young men to die in battle, fury and pain from her past loss resurfaces, threatening to consume her. But when Zevi's actions in Maresha entangle Yochana in his radical scheme, they're forced to confront present dangers and past scars.Embark on a journey through ancient Israel with bestselling and award-winning author Connilyn Cossette in this exhilarating tale of vengeance, justice, and healing.Get your copy of Shield of the Mighty.Get the first book of the series, Voice of the Ancient.Meet Connilyn:“She is too fond of books, and it has addled her brain.”― Louisa May AlcottI was that girl. The one with her nose in books all the time. The one with a stack of library books up to her chin. The one who got caught reading under her desk in school (usually during math class). Among all those lovely books that 'addled my brain' as a young girl, the ones that became my best friends were the historical novels—the ones whose rich details and long-ago adventures took me to Regency England, Ancient Israel, the Civil War Era South, hidden rooms in WWII Amsterdam, Colonial America and into the Wild West. It was these stories that brought history to life in a way that schoolbooks never could, and fueled a desire to imagine myself in these times and places that would eventually spill over into my own writing. Since my first book was published in 2016 my books have appeared on numerous bestseller lists, have won both Christy and Carol Awards and have sold thousands of copies all over the world in several languages.And none of it would have ever happened without those first knee-shaking steps of faith and a God whose faithfulness and goodness far outweighs my doubts and insecurities.Thank you for stopping by, I'd love to connect with you on Facebook, Pinterest, or Twitter and you are welcome to drop me an email at connilyn@connilyncossette.com. Don't forget to sign up for my newsletter that will bring you exciting updates and opportunities for giveaways and sales!Visit Connilyn's website.

These novels transport readers to different eras, from the elegant ballrooms of Regency England in Jane Austen's "Pride and Prejudice" to the tumultuous American Civil War in Margaret Mitchell's "Gone with the Wind." Authors like Diana Gabaldon, with her "Outlander" series, blend historical accuracy with compelling characters and time-traveling adventures, while Philippa Gregory's Tudor novels delve into the intrigue and romance of royal courts. These books often feature strong, complex heroines and dashing heroes, navigating societal constraints and personal dilemmas to find love. Through evocative prose and meticulous research, historical romance novels offer a lush, immersive escape into the past, exploring themes of love, honor, and destiny amidst the backdrop of history's most captivating periods.

 What better book option for Jane Austen July could you ask for than a time travel, time-slip novel full of all the romance and elegance of Regency England through the eyes of a contemporary US protagonist? Listen in to learn more from Linore Rose Burkard! note: links may be affiliate links that provide me with a small commission at no extra expense to you.  Beware shawls! You never know what they'll do to you?  Linore Rose Burkard has created a fabulous series full of wonderful characters and unique settings that converge in this portal time-travel series.     Forever Lovely by Linore Rose Burkard  This sequel can be read as a stand-alone. 1819, England Miss Margaret Andrews' sister disappeared into the future three years ago and Margaret hasn't seen her since. Julian St. John brings her to visit, but only for a day since his wife Claire is about to give birth to their first child. He doesn't know Margaret's real desire is to find a modern invention to bring back with her. A bluestocking by nature and lacking her sister's famous beauty, Margaret knows she must make her way in society by becoming an inventress. But when the tallit, the magical time-travel shawl, goes awry, she finds herself alone and stranded in 21st-century New York City! Present Day, Manhattan Stewart Russell is a grad student studying early British female writers when he meets Margaret at a Jane Austen Society Conference in New York. Margaret is mistaken for an attendee but fits right in. Stewart is thrilled by her knowledge of the writers he's studying, almost as much as her effortless acting with the speech and manners of Jane's day. Until she claims to be from Jane's day! Worse, he is a wanted man due to a mix-up, and time is running out. Margaret longs to keep him safe from the blackguards pursuing him, but first she must convince him she really is from the past. But when she can't even get herself back to 1819, how can she hope to bring Stewart too? It's a race against time, and she must find a way before the unthinkable happens! If you enjoyed the time-travel romance of Outlander, then you'll love Margaret and Stewart's story in Forever Lovely. Buy now before the price changes! Learn more about Linore on her  WEBSITE and follow her on GoodReads and BookBub. Don't miss out on Linore's book (and the other eleven) in the Once Upon a Courtship collection. Like to listen on the go? You can find Because Fiction Podcast at: Apple  Castbox  Google Play Libsyn  RSS Spotify Amazon and more!

The Doctor and Ruby cross paths with a brusque, brooding bounty hunter while contending with nefarious shapeshifters in Regency England. The post Rogue first appeared on Gallifrey Public Radio.

In episode 55, we talk with DAMIANNE “DAMI” SCOTT, creator of Black Girl Loves Jane, a Facebook group and blog about the Shonda Rhimes Shondaland series BRIDGERTON on Netflix. BRIDGERTON (now in its 3rd season plus Shonda Rhimes's prequel/origin story, QUEEN CHARLOTTE: A BRIDGERTON STORY) is based on the characters in Julia Quinn's series of historical romance novels set in Regency England. The stories center an aristocratic family of 8 siblings and their widowed mother who is navigating the marriage market with and for her children.  One can't help but wonder how the BRIDGERTON series is being received by passionate fans of Jane Austen and recent adaptations of her 19th century novels for film and limited series like PRIDE AND PREJUDICE, SENSE AND SENSIBILITY, and SANDITON (inspired by an unfinished novel). What has been the BRIDGERTON series's impact on fan perceptions of the Regency era and the diversity of the society in that time? What would Jane think of the ton? Ep. 55 Transcript link is available on the podcast website at https://michonbostongroup.com/bostonsisters/episode55-bridgerton-blackgirllovesjane PLEASE NOTE: TRANSCRIPTS ARE GENERATED USING A COMBINATION OF SPEECH RECOGNITION SOFTWARE AND HUMAN TRANSCRIBERS, AND MAY CONTAIN ERRORS. TIMESTAMPS 2:28 - Bridgerton Season 3 recap (episodes 1 - 4) 6:57 Damianne "Dami" Scott and Black Girl Loves Jane (Austen) 12:55 - Representation and belonging in historical literature 18:14 - Race and diversity in historical dramas 24:39 - What would Jane (Austen) think of "the ton?" 29:39 - "The Bridgerton Effect" on diversity in romantic fiction 37:25 - Favorite and not-so-favorite characters in Bridgerton 48:52 - Can friendship lead to romantic love? 54:21 - Time travel and time capsule 1:00:41 - Epilogue - Boston Sisters riff on Austen and Bridgerton 1:14:42 - Share your thoughts about Bridgerton 3 STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS SUBSCRIBE to the podcast on your favorite podcast platform LISTEN to past past podcasts and bonus episodes SIGN UP for our mailing list SUPPORT this podcast on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

On the latest episodes of the 15th Doctor, Dom Bettinelli, Jimmy Akin, and Fr. Cory Sticha discuss the cautionary tale of social media bubbles and class/race insularity as well as the Doctor's jaunt in Regency England with an awkward, sudden relationship.

On the latest episodes of the 15th Doctor, Dom Bettinelli, Jimmy Akin, and Fr. Cory Sticha discuss the cautionary tale of social media bubbles and class/race insularity as well as the Doctor's jaunt in Regency England with an awkward, sudden relationship. The post Dot and Bubble and Rogue appeared first on StarQuest Media.

On this episode, we return to the alternate history Regency England of Netflix's Bridgerton, which just released the first half of its third season, to follow the love story of fan favorite Penelope... and also Colin I guess. Will this steamy tale of friends becoming lovers live up to the hype to rise as good pop?What's Popping? - Girls5eva, Evil Does Not Exist, Kill Her Twice, Top ChefFollow our hosts:Marvin Yueh - @marvinyuehJess Ju - @jessjutweetsHanh Nguyen - @hanhonymousFollow the show and engage with us at @goodpopclubPart of the Potluck Podcast CollectiveProduced by HappyEcstatic Media

Send me a roguish messageFind out why 69 is just a number to Regency England's most rampant geriatric - William Douglas, 4th Duke of Queensberry, 'Old Q'.It's a heart warming tale of hot chocolate, comfy blankets, early nights and Greek-themed orgies. How does a man in his 80s 'please' the ladies?How fast can you drive a carriage?Why should you never accept a milkshake from this man?What would Horatio Nelson say?The answer to all these questions and a few more can be found in episode  39 of Rogues Gallery Uncovered - The Podcast of Bad Behaviour in Period Costume. Thanks for listening. Stay Roguish!Email: simon@roguesgalleryonline.com Exclusive Shop: HERE Sign up to Newsletter: HERE Support on Patreon: HERE Find me on Twitter, Facebook, Instagram

Explore the timeless charm of Jane Austen's beloved comedy of manners Emma (1815) in this episode of the Classical Mind podcast. Delve into the intricate web of social dynamics, witty dialogue, and romantic entanglements as our hosts dissect the nuances of this literary masterpiece. From Emma Woodhouse's matchmaking escapades to the complexities of love and society in Regency England, join us for a thought-provoking discussion that offers fresh insights into Austen's enduring classic. Whether you're a devoted Austen aficionado or a newcomer to her world, this episode promises to enrich your understanding and appreciation of Emma in a way that resonates with both heart and intellect. Tune in now and embark on a journey through the pages of one of literature's most cherished works.Endnotes:* Junius: Howard's End by EM Forester* Wesley: Emma (2020) Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

In this episode, from the Dublin Festival of History 2023, Anne Chambers tells us about Lord Sligo - from a youth of hedonistic self-indulgence in Regency England, to a reforming, responsible legislator and landlord, Sligo became enshrined in the history of Jamaica as ‘Emancipator of the Slaves' and in Ireland as ‘The Poor Man's Friend'. Anne Chambers is a biographer, novelist, and screenwriter. This episode was recorded at the Central Library, on October 4, 2023.The Dublin Festival of History is brought to you by Dublin City Council, and organised by Dublin City Libraries, in partnership with Dublin City Council Culture Company. Hosted on Acast. See acast.com/privacy for more information.

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.https://www.gutenberg.org/ebooks/1342Credit:Music-Touch and SoundComposed by Barcelona based composer and pianist Juan Sánchez. --- Support this podcast: https://podcasters.spotify.com/pod/show/skanzler/support

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.https://www.gutenberg.org/ebooks/1342Credit:Music-Touch and SoundComposed by Barcelona based composer and pianist Juan Sánchez. --- Support this podcast: https://podcasters.spotify.com/pod/show/skanzler/support

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.⁠https://www.gutenberg.org/ebooks/1342⁠Credit:Music-Touch and SoundComposed by Barcelona based composer and pianist Juan Sánchez. --- Support this podcast: https://podcasters.spotify.com/pod/show/skanzler/support

his title was released in November 2023. It will be exclusively available to buy from the Big Finish website until 31 December 2023, and on general sale after this date. The Doctor is about to gain a new best friend. Lady Audacity Montague has carved her own path in Regency England. She has also been watching the heavens, wondering what lies beyond. When the Doctor gatecrashes one of her famous society balls, Audacity is given the chance to find out... The Devouring by Lisa McMullin (1 part) Lady Audacity Montague - strong-minded and unconventional - has been gazing at the stars. But unfortunately for her - and everybody she knows - they've been staring back. She's made inadvertent, intergalactic eye contact with a malevolence known as The Devouring. Now it wants to consume her. But Audacity is already consumed. With rage. The Great Cyber-War Part 1 by Tim Foley (1 part) The Great Cyber-War. Humanity and her allies versus the horror of the Cybermen. This is no place for the Doctor to take his new best friend. But on the Aurum, the war seems far away. There are parties and cupcakes and all the gold of Voga - and not a Cyberman to be seen... The Great Cyber-War Part 2 by Tim Foley (1 part) The Cyber-War has come to the Aurum. The best hope of survival lies with the great Oberon Fix - the finest scientific mind of his generation, working to protect humanity. But the Doctor is worried that his own presence will affect history's outcome. And for Audacity, life with the Doctor will never be the same again...  

Halloween Special: Manners & Madness Episode 3 - A dinner party "It's a truth, universally acknowledged that an investigator in possession of a mystery, must be in want of an eldritch horror!" For the spooky season, Dugongs and Seadragons is proud to present the finale of a special 3-part series set in Regency England.  Our investigators Lydia (Erin Anderson) and Alistair (Andrew Kornblatt) found what seemed to be a severed arm and a mysterious tunnel in the crypt of the church. What will they discover, and will they be able to make it back to the vicarage in time to dress for dinner? To listen to the creation of the characters and Lydia and Alistair's first adventure together, please go to https://www.patreon.com/DugongsAndSeadragons The adventure used the Call of Cthulhu 7th Edition rules, and the Regency Cthulhu and Hosts and Hostility books published by Chaosium. Background music is by Tabletop audio.

Halloween Special: Manners & Madness Episode 2 - An investigation "It's a truth, universally acknowledged that an investigator in possession of a mystery, must be in want of an eldritch horror!" For the spooky season, Dugongs and Seadragons is proud to present a special series set in Regency England.  Join our investigators Lydia (Erin Anderson) and Alistair (Andrew Kornblatt) in 1790s England. After a midnight scare and a fitful night's sleep, the investigators play a visit to the village. What will they discover..? To listen to the creation of the characters and Lydia and Alsitair's first adventure together, please go to https://www.patreon.com/DugongsAndSeadragons The adventure used the Call of Cthulhu 7th Edition rules, and the Regency Cthulhu and Hosts and Hostility books published by Chaosium. Background music is by Tabletop audio.

"It's a truth, universally acknowledged that an investigator in possession of a mystery, must be in want of an eldritch horror!" For the spooky season, Dugongs and Seadragons is proud to present a special series set in Regency England.  Join our investigators Lydia (Erin Anderson) and Alistair (Andrew Kornblatt) in 1790s England, as they receive an invitation to visit a friend at a nearby vicarage, for a pleasant holiday in the Somerset countryside... To listen to the creation of the characters and Lydia and Alsitair's first adventure together, please go to https://www.patreon.com/DugongsAndSeadragons The adventure used the Call of Cthulhu 7th Edition rules, and the Regency Cthulhu and Hosts and Hostility books published by Chaosium. Background music is by Tabletop audio. 

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.https://www.gutenberg.org/ebooks/1342Credit:Music-Touch and SoundComposed by Barcelona based composer and pianist Juan Sánchez. --- Support this podcast: https://podcasters.spotify.com/pod/show/skanzler/support

William Weare's murder was brutal, gruesome, and a source of complete fascination for the public, and it set the stage for illustrated crime reporting. Research: Cunningham, Alice. “Radlett: The horrifying 19th century murder that put Hertfordshire's most affluent town on the map.” Hertfordshire Mercury. 11/18/2020. https://www.hertfordshiremercury.co.uk/news/hertfordshire-news/radlett-horrifying-19th-century-murder-4708130 Smith, Daniel. “'Murder jug' from 19th Century sells for big money.” Leicester Mercury. 8/20/2022. https://www.leicestermercury.co.uk/news/uk-world-news/murder-jug-19th-century-sells-7487222 Muir, John. “Seven Men Sentenced to Die.” From Rare Books Collections, National Library of Scotland.” https://digital.nls.uk/broadsides/view/?id=14718 “A narrative of the mysterious and dreadful murder of Mr. W. Weare : containing the examination before the magistrates, the Coroner's Inquest, the confession of Hunt, and other particulars previous to the trial, collected from the best sources of intelligence, with anecdotes of Weare, Thurtell, Hunt, Probert, and others, and a full report of the trial, and subsequent execution at Hertford.” London. 1824. https://play.google.com/books/reader?id=Kq5XAAAAcAAJ&pg=GBS.PA1 “The horrid effects of gambling, exemplified in the atrocious murder of Mr. William Weare, who was first treacherously inveigled to and then cruelly butchered by his associates, in Gill's Lane, Herts : together with The remarkable trial and conviction of John Thurtell and Joseph Hunt, for the murder : including Thurtell's eloquent defence, his demeanor previous to and throughout the trial, and a particular account of his c.” Via JSTOR. https://www.jstor.org/stable/community.32830888 Fraser, Angus. "Thurtell, John (1794–1824), murderer." Oxford Dictionary of National Biography. September 23, 2004. Oxford University Press. Date of access 11 Sep. 2023, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-27414 Wheeler, Susan. “Medicine in Art: The Lancett Club at a Thurtell Feast', by Thomas Rowlandson.” Journal of the History of Medicine and Allied Sciences. July 2002. Vol. 57, No. 3. Via JSTOR. https://www.jstor.org/stable/24623701 Digby, Everard. “Somme Inns of Chancery.” From “The Commonwealth Law Review.” C. F. Maxwell. January 1906. https://play.google.com/store/books/details?id=pQBCAQAAMAAJ Borowitz, Albert. “The Thurtell-Hunt Murder Case: Dark Mirror to Regency England.” Louisiana State University Press. 1987. "Inns of Court." Britannica Library, Encyclopædia Britannica, 27 May. 1999. Accessed 13 Sep. 2023. Rider, Clare. “The Inns Of Court And Inns Of Chancery And Their Records.” The Inner Temple. https://www.innertemple.org.uk/who-we-are/history/historical-articles/the-inns-of-court-and-inns-of-chancery-and-their-records/  See omnystudio.com/listener for privacy information.

British author Neil Blackmore's third novel, ‘The Intoxicating Mr Lavelle', was shortlisted for the Polari Prize for LGBT+ fiction, while his 2021 novel, ‘The Dangerous Kingdom of Love', was included in ‘The Times' list of the best historical fiction. He speaks to Georgina Godwin about ‘Radical Love', published earlier this year, and attitudes to sexual identity and morality in Regency England. He also talks about his unexpected popularity among German readers, his 20-year hiatus from writing and what it truly means to be radical.See omnystudio.com/listener for privacy information.

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.https://www.gutenberg.org/ebooks/1342Credit:Music-Touch and SoundComposed by Barcelona based composer and pianist Juan Sánchez. --- Support this podcast: https://podcasters.spotify.com/pod/show/skanzler/support

Pair Jane Austen with Agatha Christie and make it funny--Author Julia Seales joins me in the corner to chat about A Most Agreeable Murder. Tune in to learn when our collective true crime obsession really started. Hear what inspired Julia to choose the Regency Era for her murder mystery. Find out what women in southern towns and Regency England have in common. Listen wherever you listen to podcasts. Find Julia at https://www.instagram.com/juliamaeseales Help the podcast gain visibility. Subscribe to the podcast on your favorite podcast app! Leave a 5-star rating or review! Web: ⁠⁠https://thecozycornerwithalexiagordon.com/⁠⁠ Facebook: ⁠⁠https://www.facebook.com/thecozycornerpodcast⁠⁠ Instagram: ⁠⁠https://www.instagram.com/podcast_cozy/⁠⁠ Pinterest: ⁠⁠https://www.pinterest.com/alexia_gordon/the-cozy-corner-with-alexia-gordon-podcast/⁠⁠ Find me, your podcast host, at: Web ⁠⁠https://alexiagordon.net/⁠⁠ Facebook: ⁠⁠https://www.facebook.com/AlexiaGordon.writer⁠⁠ Instagram: https://www.instagram.com/alexiagordonauthor/        Newsletter: ⁠⁠https://mailchi.mp/alexiagordon/poc2pov⁠

Pair Jane Austen with Agatha Christie and make it funny--Author Julia Seales joins me in the corner to chat about A Most Agreeable Murder. Tune in to learn when our collective true crime obsession really started. Hear what inspired Julia to choose the Regency Era for her murder mystery. Find out what women in southern towns and Regency England have in common. Listen wherever you listen to podcasts. Find Julia at https://www.instagram.com/juliamaeseales Help the podcast gain visibility. Subscribe to the podcast on your favorite podcast app! Leave a 5-star rating or review! Web: ⁠https://thecozycornerwithalexiagordon.com/⁠ Facebook: ⁠https://www.facebook.com/thecozycornerpodcast⁠ Instagram: ⁠https://www.instagram.com/podcast_cozy/⁠ Pinterest: ⁠https://www.pinterest.com/alexia_gordon/the-cozy-corner-with-alexia-gordon-podcast/⁠ Find me, your podcast host, at: Web ⁠https://alexiagordon.net/⁠ Facebook: ⁠https://www.facebook.com/AlexiaGordon.writer⁠ Instagram: https://www.instagram.com/alexiagordonauthor/        Newsletter: ⁠https://mailchi.mp/alexiagordon/poc2pov

Gavin I am the Duke of Tears, known for my skill with a whip and my penchant for pain. I never wanted a wife. I wanted a submissive. But it would seem, what I want and what is required of me are two different things. Vampire politics are a lot like those of Regency England, and now that Roslyn Blackthorne has thrown herself at my feet to save her family, I understand duty better than I ever thought I would. Although, she does look so pretty on her knees for me. Perhaps it does not need to be either or. This marriage could be convenient in more ways than one. Rosie I shouldn't like to see my new husband's predilections on display, but when I uncover his dark secrets, all I can focus on is how badly I want to be on the other end of his whip's lash. Gavin was supposed to be nothing more than a way to end our families' centuries-long feud. Instead, he's opened my eyes to a world I never knew existed. One I long for. I'd thought becoming a Donoghue would require sacrifice, but if my body craves what only he can give me, is it really? His family is twisted, but the connection we share might make it all worthwhile. The real question is, do I stay and become his duchess, or do I save myself from them, and run? Promised to the Night is the prequel to a new spicy why choose series by USA Today Bestselling authors K. Loraine and Meg Anne set in their bestselling Mate Games universe. Are you ready to play? Giveaway: https://tinyurl.com/zmp4paxp The Mate Games (Pestilence Series): https://tinyurl.com/3h8m7z3v https://themategames.com/ ♥ ♥ ♥ READ ME ROMANCE - Patreon: https://bit.ly/3IYk16H RMR Website: https://bit.ly/3ifFIyw Weekly New Release: https://bit.ly/30iDete Follow Read Me Romance on Instagram: https://geni.us/uUVdVeY Join Read Me Romance Headquarters on FB: https://geni.us/IdL7B Read Me Romance Theme Song by L.B. Ballard Podcast Production by Lola

In this mini episode, Brittany of the Post Road Library shares one of her favorite reads of the year: The Secret Lives of Country Gentlemen by KJ Charles, a historical romance set in Regency England.   

Today, we have the audio from our in-store event with Diana Biller, the author of The Widow of Rose House, The Brightest Star in Paris, and, most recently, Hotel of Secrets. Much like the book, Diana is brilliant and funny and gives good banter. She talks about the time a professor called her essay on jury selection “elegant”, taking herself seriously as an artist, the underrated hotness of ethical men, writing historical romances in uncommon settings and the limitations of seeing history exclusively through the lens of Georgette Heyer's interpretation of Regency England, and Diana's approach to research and writing. Then Diana takes some really excellent audience questions, and, ends, of course, with some books she's loved recently.

A cautionary tale about the evils of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman. (Summary by Moira Fogarty) --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support

Best-selling novelist Charles Palliser is best known for his debut novel, The Quincunx, a vast mystery set in Regency England that deftly combines Dickensian elements with contemporary techniques such as the use of unreliable narrators. Published in 1989, after 12 years of research and writing, this 800 page tour de force became an international best-seller. The Anglo-American Palliser was praised for his intricate plotting, vivid characters, and a portrayal of London in the early 19th century so shockingly realistic that Dickens wouldn't have dared expose social conditions with such brutal honesty. Palliser has published four other successful novels including Betrayals, The Unburied and Rustication. Palliser's newest novel Sufferance is projected for release near the end of 2023.

Let's talk about sex... In this episode I am joined by Annie Harrison from the Amorous Histories Podcast, as we explore the book Pride And Promiscuity: The Lost Sex Scenes of Jane Austen by Arielle Eckstut. We chat about Lizzy & Darcy getting it on in the bushes, Henry Tilney's cupboard full of sex toys and Emma Woodhouse taking some ‘personal time' before dinner… The history of Sex in Regency England is as vast as it is fascinating. If you have ever wanted to learn more about London's 18th Century Gay clubs,  the surprisingly eco friendly condom (bow included), and whether women were really as oblivious as Daphne Bridgerton - this episode is for you! Please take my description as pre warning, I can't be held liable if you decide to play this episode in the office, on a school run or without headphones on the train...

On the 210th anniversary of the publication of Pride and Prejudice, Julia and Kate discuss first impressions (also the first title of P&P). We run through how first impressions were created in Regency England so if you wanted a quick guide to the society of Jane's era - here it is! We then discuss social mobility and what Jane made of that. Could Jane be understood as an author whose plots are about first impressions? We go on to draw out lessons for today, appoint a Darcy and Wickham of this episode, and then on to our Jane Austen news!

What was society's attitude towards female writers in Regency England? How far did class affect the hopes of young couples looking to be wed? And did people really spend all day gossiping about grand fortunes, illustrious estates and ruinous affairs? Speaking with Lauren Good, Dr Lizzie Rogers answers listener questions on Jane Austen's England – from the delights of a Regency ball to the flourishing ideal of marrying for love. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the One Shot Derby, the character creation competition between three different TTRPGs! After we play all three, You, The People, will vote on the game and setting in which we'll play a one shot. First up, sisters try to write books and avoid tragedy in Regency England in Battle of the Brontes! Check out the expansion that Eric wrote for this episode, Battle of the Brontes: WELCOME TO THE SENSIBILITY-DOME, and the original game by Oliver Darkshire.   Schedule - January 10: Oneshot Derby 2 - January 17: Oneshot Derby 3 - January 24: Oneshot Derby Afterparty + Voting Opens - January 31: Campaign 3 begins!!   Sponsors - Battling Blades, where you can get 20% off your order at BattlingBlades.com using code JointheParty at check out. - Brilliant, the best way to learn math, science, and computer science interactively. The first 200 people to visit brilliant.org/jointheparty will get 20% off Brilliant's annual premium subscription. - Betterhelp, where you can get 10% off your first month at betterhelp.com/jointheparty   Find Us Online - website: jointhepartypod.com - patreon: patreon.com/jointhepartypod - twitter: twitter.com/jointhepartypod - facebook: facebook.com/jointhepartypod - instagram: instagram.com/jointhepartypod - tumblr: jointhepartypod.tumblr.com - merch & music: jointhepartypod.com/merch   Cast & Crew - Game Master, Co-Producer: Eric Silver - Co-Host, Co-Producer: Brandon Grugle - Co-Host, Co-Producer: Julia Schifini - Co-Host, Co-Producer: Amanda McLoughlin - One-Shot Derby Editor and Sound Designer: Mischa Stanton - Artwork: Allyson Wakeman - Multitude: multitude.productions   About Us Join the Party is an actual play podcast with tangible worlds, genre-pushing storytelling, and collaborators who make each other laugh each week. We welcome everyone to the table, from longtime players to folks who've never touched a roleplaying game before. Hop into the Camp-Paign, our Monster of the Week story set in a weird and wild summer camp, or marathon our D&D games with Campaign 2 for a modern, sci-fi superhero game and Campaign 1 for a high fantasy story. And once a month we release the Afterparty, where we answer your questions about the show and how we play the game. New episodes every Tuesday.

In this Very Special Episode, we sprinkle the show with some Sugar Plum Fairy pixie dust and join our heroines in making merry via food and drink during Christmastide. From Laura Ingalls Wilder's peppermint sticks to Mrs. Beaver's holiday hospitality, we find out how our bookish leading ladies celebrated the “most wonderful time of the year.”Shownotes:One thing we love about celebrating Christmas is how various foods and drinks pop up at that time of year and no other. After all, nobody drinks eggnog in July. We share our heroine's glowy feelings of anticipation and wish fulfillment as we sample Jane Austen's cold pies, Maya Angelou's upside-down pineapple cake, and the Little Women's fat, brown turkey.From the groaning tables of Regency England to Independence, Kansas, and Narnia and beyond, we pull up a chair to some of the most delicious and festive fetes in our favorite novels. Old Fashioned Peppermint Candy from Little House:https://littlehouseontheprairie.com/homemade-peppermint-candies/What's your favorite literary Christmas celebration? Drop us a line at Hello@jennyewilliams.com.-----Theme Music: "Beyond the Ponds" by Francis Wells

A cautionary tale about the dangers of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cautionary tale about the dangers of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cautionary tale about the dangers of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cautionary tale about the dangers of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cautionary tale about the dangers of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cautionary tale about the dangers of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cautionary tale about the dangers of interference, matchmaking and good intentions turned awry, Emma is the study of a young woman raised without sufficient discipline or occupation. Handsome, clever and rich, Emma is the epitome of what a young woman should be in Regency England, except for the fact that her indulgent father and lack of a mother have left her spoiled and used to getting her own way. Emma's only true critic and voice of reason is Mr. Knightley, a gentleman whose opinion she values greatly. She delights in meddling in the romantic affairs of everyone around her, thinking celibacy is a privilege she alone can enjoy by virtue of her social standing. In the end, Emma is forced to acknowledge both her own lack of insight into the motives of others, and admit her need for a companion who can challenge her to become a better woman.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, I chat with Sophie Irwin about her new novel, A Ladies Guide To Fortune Hunting, women finding autonomy in Regency England, character arcs, and Bridgerton!Sophie Irwin grew up in Dorset before moving to south London after university. She spent several years working as an assistant editor before going freelance.Sophie has spent years immersed in the study of historical fiction, from a dissertation on why Georgette Heyer helped win World War Two to time spent in dusty stacks and old tomes doing detailed period research when writing her debut novel A Lady's Guide to Fortune Hunting. Her love and passion for historical fiction bring a breath of fresh air and contemporary energy to the genre. Sophie hopes to transport readers to Regency London, where ballrooms are more like battlegrounds.Sophie IrwinA Lady's Guide To Fortune Hunting, Sophie IrwinRed, White, and Royal Blue, Casey McQuistonSupport the show

The richest, most famous person you've never heard of is Harriot Mellon. An icon of the stage in Regency England, she rose from abject poverty and abuse to become the wealthiest woman in the country. More surprising still: she was the sweetest, most wholesome soul you'll ever meet. Katie interviews renowned historian Ian Mortimer.   Explore the British Museum's vast collection of objects related to Harriot Mellon here. Read the full two volumes of Harriot … The post THE GRATEFUL DUCHESS Harriot Mellon appeared first on What'shername.

On the surface, Jane Austen's classic novels like Pride and Prejudice and Emma might seem to be about courtship and marriage, manners and the social hierarchies of Regency England. But while weddings and ballrooms abound in her books, so do lessons about how to live a virtuous life.  This week on Jesuitical, we speak with Haley Stewart, a self-described Jane Austen evangelist and the author of the new book, Jane Austen's Genius Guide to Life: On Love, Friendship, and Becoming the Person God. We ask Haley how virtues like humility and patience are cultivated in Austen's fiction; what Jane would say about modern dating and romance; why Catholics (and men) should take her novels seriously. In Signs of the Times, Cardinal Joseph Zen, the 90-year-old former bishop of Hong Kong, was arrested and briefly detained for his involvement in pro-democracy protests. Zac breaks down what this arrest means for the (very complicated) situation of the Catholic Church in Hong Kong and mainland China.  Links from the show: Join Jesuitical in Italy Cardinal Joseph Zen, 90, arrested in Hong Kong Jane Austen's Genius Guide to Life: On Love, Friendship, and Becoming the Person God Created You to Be What's on tap? Balcones bourbon, distilled by our guests's husband! Learn more about your ad choices. Visit megaphone.fm/adchoices