Podcasts about odalisque

Fracas by Robert Piguet (1948) + Xeryus by Givenchy (1986) + Odalisque by Nettie Rosenstein (1946) + The Fountainhead (1943), Atlas Shrugged (1957), We the Living (1936), and Anthem (1937) by Ayn Rand + King Vidor's The Fountainhead (1949) + Goffredo Alessandrini's We the Living (1942) with Alec Mouhibian of Filthy Armenian Adventures and The Back Wall  8/1/21, 3/17/23, 8/15/24 S3E27, S5E26, S6E60 8/15/24 S6E61 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Odalisque by Nettie Rosenstein (1946) + We the Living (1936) and Anthem (1937) by Ayn Rand + Goffredo Alessandrini's We the Living (1942) with Alec Mouhibian of Filthy Armenian Adventures and The Back Wall 8/15/24 S6E60 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Découvrez l'épisode où nous explorons l'œuvre énigmatique d'Ingres, "La Grande Odalisque", et plongez dans les mystères de l'orientalisme, de la déformation anatomique et de la beauté controversée qui ont fait de cette toile un chef-d'œuvre discuté de l'art occidental.Références:La Grande Odalisque - Ingres - 1814Bienvenue dans "L'Art du Bizarre", Chroniques singulières des oeuvres d'art, le podcast qui décortique l'art visuel de manière peu conventionnelle. Joignez-vous à moi pour explorer des Micro-Histoires Artistiques, décoder des symboles, et dévoiler des secrets artistiques insoupçonnés.Écoutez, partagez et laissez-vous emporter par "L'Art du Bizarre" sur Apple Podcast, Spotify & Co. Préparez-vous à décoder les mystères de l'art d'une manière singulière.Production: Mikrophonie Emission écrite et réalisée par Marie SuchorskiMusique: Royalty-free music by Slip.stream / https://slip.streamInstagram : www.instagram.com/mikrophoniepodcastSite web : www.mikrophonie.com#HistoireDeLArt #art #Étrange #Chroniques #PodcastCulturel #PodcastÉducatif #ArtEtHistoire #ArtContemporain #Mikrophonie Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mathieu Malouf "I am genuinely trying to make beautiful paintings. Not beautiful by contemporary standards of beauty, but something more atemporal or enduring. My paintings are not anchored in any particular period. I like art that is beautiful, even if that makes no sense in our era. No one discusses whether things are beautiful or not anymore. It's more difficult to paint women than men. I have only painted men—nude men, gay men, famous men. I think men can be more ugly and weird, and it doesn't really matter; they are more forgiving. But painting women is more difficult. I started noticing how intensely omnipresent women were in art, and I thought that I probably have something to learn from that; by trying to paint women, maybe I'll discover why. It is a way for me to learn about something that people have traditionally thought is beautiful. Painting women is a way to address art history itself. The Odalisque as a historical genre intrigues me. This was a woman who was essentially enslaved, but she was always richly adorned and confidently portrayed. She looked empowered to me, like Manet's Olympia. The women in my paintings are not goofy like some of my male subjects tend to be. They are not cynical or sarcastic. Maybe painting beautiful women right now is like a comedian today telling a joke from the 1920s. Penguins have been lingering in my mind for a while. Unlike women, there are not a lot of penguins in art, maybe in a Sigmar Polke. My attraction to them began as a formal one. They are very aesthetically minimal: only three colors and simple shapes. They are crisp and uncomplicated. My painted penguins are materially simple, they are loose and flat, painted in acrylic–unlike the women, who are painted in oil and highly modeled. These two subjects are hard to paint at once, as they occupy different parts of the brain. Maybe there is an allegory there."  - Mathieu Malouf Malouf lives and works in New York. He has been featured in exhibitions at institutions such as Swiss Institute, New York (2018); Le Consortium, Dijon (2018); LUMA Foundation, Zürich (2017); Artists Space, New York (2017); Stavanger Art Museum (2014); Kunsthalle Lüneburg, (2014); and SculptureCenter, New York (2012). Work by the artist is included in museum collections worldwide, including the Astrup Fearnley Museum of Modern Art, Oslo; Hirshhorn Museum and Sculpture Garden, Washington, DC; and Whitney Museum of American Art, New York. Mathieu Malouf, Untitled, 2023-24 Acrylic and ceramic plates on canvas 86 x 92 inches (218.44 x 233.68 cm) Mathieu Malouf, The Writer, 2023-24 Oil and ceramic plates on canvas 60 x 70 inches (152.4 x 177.8 cm) Mathieu Malouf, The Legionnaire, 2023-24 Oil and acrylic on canvas, artist's frame 35 x 29.5 x 2.5 inches (88.9 x 74.93 x 6.35 cm)

*In this, the second of a two parter, we hear more of the crazy countercultural life and times of The Incredible String Band  - from the inside looking out  - with Rose Simpson   *Rose was one quarter of the band during what many regard as their creative and countercultural peak in the late 60s and early 70s.   •Her memoir 'Muse, Odalisque, Handmaiden' is an incredible story, relating how she rocketed (as a student without any particular interest in music or the counterculture), via an accidental meeting in a Scottish mountain cottage, to photoshoots in American Vogue and playing at Woodstock - and then came all the way back again.   *It's a fascinating tale, not just because the ISB were fascinating in themselves, but because it is beautifully told with a wealth of detail about a time that is usually dominated by mens' voices.   •She had many psychedelic adventures along the way, narrowly escaped getting involved in Scientology and then - and then left it all behind.   *And she knows where the sitars are buried...   *We dived into drugs, communal life, the ups and downs of free love, the catastrophe of the cult, making it up as you go along, the mysterious life and disappearance of Rose's bandmate Licorice, going full on and far out.   *Rose's memoir 'Muse, Odalisque, Handmaiden' (published by Strange Attractor)    *Adrian Whittaker's compilation book Be Glad for the Song Has No Ending    *Thanks to Peter Neal for the audio clips from his film Be Glad for the Song has No Ending       #tripping #psychedelics #london #consciousness #scotland #scottishcounterculture #counterculture #drug  #lsd #music  #joeboyd #1960s #scientology #rosesimpson #incrediblestringband #begladforthesonghasnoending #woodstock #stephenduffy #hippie  

On the Shelf for June 2023 The Lesbian Historic Motif Podcast - Episode 260 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Pride Month and book discoverability What I did on my summer vacation Yes, there will be a 2024 fiction series Book ShoppingKoch, Bea. 2020. Mad & Bad: Real Heroines of the Regency. Grand Central Publishing, New York. ISBN 978-1-5387-0101-0 Straubhaar, Sandra Ballif. 2011. Old Norse Women's Poetry: The Voices of Female Skalds. D.S. Brewer, Cambridge. ISBN 978-1-84384-271-2 Allen-Goss, Lucy M. 2020. Female Desire in Chaucer's Legend of Good Women and Middle English Romance. D.S. Brewer, Cambridge. ISBN 978-1-84384-679-6 Liddington, Jill. 2023. As Good as a Marriage: The Anne Lister Diaries 1836-38. Manchester University Press, Manchester. ISBN 978-1-5261-5735-5 Kahf, Mohja. 1999. Western Representations of the Muslim Woman: From Termagant to Odalisque. University of Texas Press, Austin. ISBN 978-0-292-74337-3 New and forthcoming fictionTwelve Nights with Viola & Olivia (The New Countess: A Story of Sexy 16th Century Sapphists of Shakespeare) (Book 1 of 2: The New Countess: A Story of Sexy 16th Century Sapphists of Shakespeare ) by by Lady Vanessa S.-G. (Author), Hannah Miyamoto (Editor) If I Should Tell my History (The New Countess: A Story of Sexy 16th Century Sapphists of Shakespeare) (Book 2 of 2: The New Countess: A Story of Sexy 16th Century Sapphists of Shakespeare ) by by Lady Vanessa S.-G. (Author), Hannah Miyamoto (Editor) Sicili and the Penniless Lad by Rachel C. Neale Do Unto Others by Geonn Cannon Mortal Follies by Alexis Hall Lucky Red by Claudia Cravens Killingly by Katharine Beutner The First Bright Thing by J.R. Dawson The Gulf by Rachel Cochran Just One Dance (The Regency Romance Club #1) by Jenny Frame What am I reading?The Fifth Season by N. K. Jemisin The Murder of Mr Wickham by Claudia Gray The Late Mrs Willoughby by Claudia Gray The Order of the Pure Moon Reflected in Water by Zen Cho The Seventh Bride by T. Kingfisher Ruby Finley vs the Interstellar Invasion by Tempest Bradford Harriet the Invincible (Hamster Princess #1) by Ursula Vernon The Bluestocking Beds Her Bride by Fenna Edgewood An Island Princess Starts a Scandal by Adriana Herrera A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Twitter: @heatherosejones Facebook: Heather Rose Jones (author page)

Damon Kruskowski, author of Ways of Hearing and The New Analog, previously member of Galaxie 500 and currently a member of Damon & Naomi interviews Rose Simpson about her book Muse, Odalisque, Handmaiden. Rose is an English former musician. Between 1968 and 1971, she was a member of the Incredible String Band, with whom she sang and played bass guitar, violin, and percussion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of “Swinging London” and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world. Through a haze of incense and marijuana, they played out their Arcadian dreams on stages brilliant with the colors of clothes, light-shows, rugs, cushions, and exotic instruments. Like most utopias, the ISB's imploded. Never seeing herself as a professional musician, Rose retained an outsider's detachment even while living the life of a hippie chick. Her memoir gives a voice to those flower-wreathed girls whose photographs have become symbols of the psychedelic sixties. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Damon Kruskowski, author of Ways of Hearing and The New Analog, previously member of Galaxie 500 and currently a member of Damon & Naomi interviews Rose Simpson about her book Muse, Odalisque, Handmaiden. Rose is an English former musician. Between 1968 and 1971, she was a member of the Incredible String Band, with whom she sang and played bass guitar, violin, and percussion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of “Swinging London” and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world. Through a haze of incense and marijuana, they played out their Arcadian dreams on stages brilliant with the colors of clothes, light-shows, rugs, cushions, and exotic instruments. Like most utopias, the ISB's imploded. Never seeing herself as a professional musician, Rose retained an outsider's detachment even while living the life of a hippie chick. Her memoir gives a voice to those flower-wreathed girls whose photographs have become symbols of the psychedelic sixties. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Damon Kruskowski, author of Ways of Hearing and The New Analog, previously member of Galaxie 500 and currently a member of Damon & Naomi interviews Rose Simpson about her book Muse, Odalisque, Handmaiden. Rose is an English former musician. Between 1968 and 1971, she was a member of the Incredible String Band, with whom she sang and played bass guitar, violin, and percussion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of “Swinging London” and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world. Through a haze of incense and marijuana, they played out their Arcadian dreams on stages brilliant with the colors of clothes, light-shows, rugs, cushions, and exotic instruments. Like most utopias, the ISB's imploded. Never seeing herself as a professional musician, Rose retained an outsider's detachment even while living the life of a hippie chick. Her memoir gives a voice to those flower-wreathed girls whose photographs have become symbols of the psychedelic sixties. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Damon Kruskowski, author of Ways of Hearing and The New Analog, previously member of Galaxie 500 and currently a member of Damon & Naomi interviews Rose Simpson about her book Muse, Odalisque, Handmaiden. Rose is an English former musician. Between 1968 and 1971, she was a member of the Incredible String Band, with whom she sang and played bass guitar, violin, and percussion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of “Swinging London” and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world. Through a haze of incense and marijuana, they played out their Arcadian dreams on stages brilliant with the colors of clothes, light-shows, rugs, cushions, and exotic instruments. Like most utopias, the ISB's imploded. Never seeing herself as a professional musician, Rose retained an outsider's detachment even while living the life of a hippie chick. Her memoir gives a voice to those flower-wreathed girls whose photographs have become symbols of the psychedelic sixties. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Damon Kruskowski, author of Ways of Hearing and The New Analog, previously member of Galaxie 500 and currently a member of Damon & Naomi interviews Rose Simpson about her book Muse, Odalisque, Handmaiden. Rose is an English former musician. Between 1968 and 1971, she was a member of the Incredible String Band, with whom she sang and played bass guitar, violin, and percussion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of “Swinging London” and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world. Through a haze of incense and marijuana, they played out their Arcadian dreams on stages brilliant with the colors of clothes, light-shows, rugs, cushions, and exotic instruments. Like most utopias, the ISB's imploded. Never seeing herself as a professional musician, Rose retained an outsider's detachment even while living the life of a hippie chick. Her memoir gives a voice to those flower-wreathed girls whose photographs have become symbols of the psychedelic sixties. Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning author Benjamin Myers is the final guest of series 2 of Songbook, and he chats to Jude about Julian Cope's extraordinary double-volume autobiography Head On/Repossessed.The discussion also takes in Ben's early years working in the music press, the personal significance of Jon Savage's England's Dreaming, the differences between writing novels and writing about music, and much more.Ben's new book Cuddy, a bold and experimental retelling of the story of the hermit St. Cuthbert, unofficial patron saint of the North of England, is out now Cuddy a book by Benjamin Myers. (bookshop.org)Books mentioned in the podcast:The KLF by John Higgs The KLF: Chaos, Magic and the Band who Burned a Million Pounds a book by John Higgs. (bookshop.org)Richard by Benjamin Myers Richard by Ben Myers - Pan MacmillanHead On/Repossessed by Julian Cope Head On/Repossessed a book by Julian Cope. (bookshop.org)I'm Not with the Band by Sylvia Patterson I'm Not with the Band: A Writer's Life Lost in Music a book by Sylvia Patterson. (bookshop.org)England's Dreaming by Jon Savage England's Dreaming a book by Jon Savage. (bookshop.org)The Truth About Rock by Dr Hugh Pyle The Truth about Rock Music - Hugh F. Pyle: 9780873988391 - AbeBooksMuse, Odalisque, Handmaiden by Rose Simpson Muse, Odalisque, Handmaiden: A Girl's Life in the Incredible String Band a book by Rose Simpson. (bookshop.org)Get In The Van by Henry Rollins Get in the Van : On the Road With Black Flag by Rollins, Henry: Near Fine Soft cover (1995) 2nd Edition | Books for Amnesty BristolYou can buy Jude's The Sound of Being Human: How Music Shapes Our Lives here:The Sound of Being Human by Jude Rogers - Audiobook - Audible.co.ukFinally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

Listener comments end at: 38:00 The Claw of the Conciliator Chapter 29 "The Herdsman" Severian and Dorcas and Jolenta have an eventful morning and afternoon --almost too eventful to be believed -- filled with roast beef, bull riding, and encounters with the animal kingdom.  For Patrons, check out the special super-duper version with secret high-quality bonus content starting at 1:54:00 where we talk about Wolfe's uncollected story "The Vampire's Kiss" Listen to a reading of that story here: Starship Sofa episode 60 Links: * Facebook - Chapter 29 "The Herdsman" - Marcos Gouvea  - Wikipedia: Undine (novella) - Chapter 28 "The Odalisque of Abaia" -   * Reddit - Chapter 29 "The Herdsman" - Chapter 28 "The Odalisque of Abaia" - This episode is sponsored by Cheesy Charlie's Western Bar and Petting Zoo! - You can become a patron and hear additional episodes at https://www.patreon.com/rereadingwolfe - You can get episodes on your podcast app or on our Youtube channel. Note: Youtube subscribers in some locales might not be able to access all the episodes. However, you can get every episodes at the website and on your favorite podcast app.  If you have problems accessing the podcast on your favorite platform, let us know. - Questions, comments, corrections, additions, alternate theories? Connect with us on on Facebook ...or on Twitter @rereadingwolfe ...or on Instagram: rereadingwolfepodcast ...or on Reddit: rereadingwolfepodcast  * Intro from The Alligator, Annihilation soundtrack by Ben Salisbury and Geoff Barrow * Break Music from Symphony #2 - I by Arvo Pärt, performed by NFM Wroclaw Philharmonic * Outro from "Oh What a Beautiful Morning" by Ray Charles * Logo art by SonOfWitz  Outros and alternate outros are cued on the Rereading Wolfe Podcast Spotify playlist IF the songs are available on Spotify.

durée : 00:03:55 - L'ami.e du vendredi - "Odalisque est de dos, c'est comme si elle daignait se retourner pour nous, et son regard est aussi indéchiffrable que le sourire de la Joconde. Si tu savais comme je m'en bats les flancs que tu me mates. Si tu savais comme je suis sûre que ma nudité est en train de te bouleverser."

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Listener comments end at:  The Claw of the Conciliator Chapter 28 "The Odalisque of Abaia"   For Patrons, check out the special super-duper version with secret high-quality bonus content starting at 1:22:44.. Where we talk about Wolfe's uncollected story "Thou Spark of Blood"   Links: * Facebook - Chapter 28 "The Odalisque of Abaia" - Chapter 27 "Toward Thrax" - Chapter 26 "The Parting" -   * Reddit - Chapter 28 "The Odalisque of Abaia" - Chapter 27 "Toward Thrax" - Of Dreams and Dream Weapons by Mike Farar - Chapter 26 "The Parting" - This episode is sponsored by ! - You can become a patron and hear additional episodes at https://www.patreon.com/rereadingwolfe - You can get episodes on your podcast app or on our Youtube channel. Note: Youtube subscribers in some locales might not be able to access all the episodes. However, you can get every episodes at the website and on your favorite podcast app.  If you have problems accessing the podcast on your favorite platform, let us know. - Questions, comments, corrections, additions, alternate theories? Connect with us on on Facebook ...or on Twitter @rereadingwolfe ...or on Instagram: rereadingwolfepodcast ...or on Reddit: rereadingwolfepodcast  * Intro from The Alligator, Annihilation soundtrack by Ben Salisbury and Geoff Barrow * Break Music from Symphony #2 - I by Arvo Pärt, performed by NFM Wroclaw Philharmonic * Outro from "Uroboros" by Alan Parsons, featuring Tommy Shaw of Styx * Logo art by SonOfWitz  Outros and alternate outros are cued on the Rereading Wolfe Podcast Spotify playlist IF the songs are available on Spotify.

My Mother's Last Hand from Untitled (Watercolour Notebook) 1980–1985 notebook with 13 watercolours Audio description of the work This is a description of a watercolour painting in a notebook which is slightly larger than letter paper size. The notebook is displayed under a plexiglass case at standing height eye level and is open to this watercolour of the palm of a left hand, made as a part of a daily practice of drawing. Taking up a full page of the right side of the notebook, this line drawing is of a left hand, palm up angling from the bottom left to the top right of the page. The thumb is parallel to the other fingers and is held in a resting position between the pointer and middle fingers. It is in profile and has a short nail quite close to it's knuckle. The hand, drawn in black ink, has cross hatched shading on the right side of the fingers and on it's heel and springlike coils of hair along its thick wrist. It is shaded in with a watery magenta. The space on the page above it, on the left, is purple and below it, is yellow. Written diagonally along its upper flank are the words -Quote “My mother's last hand” end quote. Looming large beside the work on the right is a giant reproduction of a watercolour painting of a woman reclining, A work Cohen created after the style of a painting featuring what he would have called an Odalisque, an eroticized artistic genre in which a concubine is represented mostly or completely nude in a reclining position. End of Audio Description. Exhibition label text: This watercolour notebook contains 13 drawings made by Cohen over several years and executed in a consistent style. The full selection can be seen on the monitor to the left. Many are annotated with a single line or couplet that responds to the content and mood suggested by the drawing. The notebook is open at the page that shows the hand of his mother, Masha, who died in 1978. He later explained: quote “Drawn in the last few months of her life, it is her hand and my hand drawn as one.” end quote End of Exhibition label text.

Myself and Evan have a great chat with Ryan, Colin and Chris of Northern Ireland Metallic/Hardcore band Axecatcher. Bursting onto the scene in 2012 the band were quick to make a name for themselves with the first single “The Odalisque” becoming a featured track on BBC Across The Line's feature 'That New Band Smell. With a string of critically releases behind them the band took a brief hiatus which saw them go through a few line up changes. In 2017, Chris joined and the three piece haven't looked back since. Their immense live shows have been smashing audiences up and down Ireland over the years; one need only listen to their brutal new album 'Tooth Over Claw' and it will have you checking tour dates for the band immediately. Having had the pleasure of seeing them support @wornoutnoise was enough to get Axecatcher on the show to convert more people out there to their exciting brand of Metallic Hardcore. Axecatcher are Ryan Montgomery - Vocals/Guitar, Colin Wilson - Bass, Backing Vocals and Chris Whall - Drums. Link to Axecatcher bandcamp: https://axecatcher.bandcamp.com/album/tooth-over-claw Songs played: Swarm (c) Axecatcher all rights reserved 2022. Engines to Dust (c) Axecatcher all rights reserved 2022.

In this part of the BAROQUE CYCLE, we see Eliza go on an adventure in the Rhineland and Daniel rake part in the Glorious Revolution, making a deal to destroy alchemy.

Eliza make a deception, shorting VOC stock by spreading rumors of the "Fall of Batavia" and the foundations of a new banking system are laid in England. Meanwhile Daniel Waterhouse finds himself in political trouble.

Set immediately after KING OF THE VAGABONDS, ODALISQUE follows Eliza in the Versailles court caught between the French and William of Orange. This novel is partly epistolary.

Make sure to look at the YouTube version of this episode -- much more visually stimulating~

Is it a surprise that famous Modernist artists were problematic? Henri Matisse was a prominent Fauvist, but he benefited from French imperialism and he was a big fan of objectifying women. Join Klaire Lockheart as she shares the basics about Fauvism and explains the importance of art history education. Artists and Artwork: Albert Marque, Henri Matisse (Luxury, Calm and Pleasure; Blue Nude: Memory of Biskra; Woman with a Hat; Odalisque couchée aux magnolias), Vincent van Gogh, Paul Signac, Michelangelo Buonarroti (Night), André Derain (London Bridge), and Maurice de Vlaminck Additional Topics: Avant-Garde, Impressionism, Postimpressionism, Paris Salon, Packard Group National Exhibition, Autumn Salon, Louis Vauxcelles, Complementary Colors, Colonialism, Ariella Aïsha Azulay (Potential History: Unlearning Imperialism), African Art, Primitivism, Vili People, Orientalism, Odalisques and Amélie Matisse klairelockheart.com instagram.com/klairelockheart facebook.com/klairealockheart

The Incredible String Band with Rose Simpson in conversation with David Eastaugh - talking about her new book Muse, Odalisque, Handmaiden: A Girl's Life in the Incredible String Band    The Incredible String Band (sometimes abbreviated as ISB) were a British psychedelic folk , notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music.

James and James take in some Fine Art over at Fantagraphics. They thoroughly discourse themselves and whatnot about Bastien Vives, Jerome Mulot, and Florent Ruppert's The Grande Odalisque (2021). Many nudes are stolen. Or at least there are thrilling attempts. "No. The goal stays the same."

In Season 7 of Accessible Art History: The Podcast, I am covering Romanticism and Realism. To kick things off, I am examining a controversial work called La Grande Odalisque by Jean Auguste Dominique Ingres. If you enjoy this podcast, please consider subscribing and leaving a rating and review. Thank you! For show notes, images, and sources, please go to the blog: https://www.accessiblearthistory.com/post/podcast-episode-31-la-grande-odalisque-by-jean-auguste-dominique-ingres --- Support this podcast: https://anchor.fm/accessiblearthistory/support

Damon Kruskowski, author of Ways of Hearing and The New Analog, previously member of Galaxie 500 and currently a member of Damon & Naomi interviews Rose Simpson, about her book Muse, Odalisque, Handmaiden.  Rose is an English former musician. Between 1968 and 1971, she was a member of the Incredible String Band, with whom she sang and played bass guitar, violin, and percussion.   Produced by Sam Kelly Mixed by Samantha Doyle  Soundtrack by Kristen Gallerneaux

Une histoire millénaire et mondiale Suite de notre entretien avec Olivier Grenouilleau, historien spécialiste de l'histoire de l'esclavage et Ismaël Diadié Haïdara, écrivain poète malien et directeur de bibliothèque.   Illustration: "Odalisque éventée par ses esclaves" (Auguste François Biard, 1799 - 1882)

i still ❤️ love you, FABIO!❣️ (Parody of Staccato by Tory Lanez)Original song written by: One Umbrella Records Inc.*please note: this song was handcrafted for artists and art lovers everywhere!Also: a huge & deeply heartfelt thanks to Fabio Napoleoni & AJA for creating the art pieces pictured in the cover photo for this song, and to Dr. Ann Malloy for nurturing my love for art when I needed it most! [Art pictured in cover photo: Cloud 9 heart sculpture was created by Fabio Napoleoni, who can be found found @ The Fascination St. Fine Art, and ‘van Gogh Never Boldly Went’ was created by AJA, who can be found @ SagittariusGallery]‘i still love you, FABIO’ lyrics: Lovin’ these artists, Like Starry Night by Van GoghThey taught me to seeLike Mona Lisa’s smile, yoGo big if you’re BaroqueCanvas with sculpturesLords and ladies, portraits posedMagritte’s coffin makin’ funPaintin’ for the world, still influential They’re so crazy artistic Make me happy cry thoughGreen hair, dyin, I met Mr. NapoleoniHe talked to me, gave me hope, I still love you, Fabio!Thanks to archeologists, we gots Scrolls from the Dead SeasEgyptians known for their pyramids and Sphinx, seeHow again can they create n’ recreate new trends?Luck ain’t all it takes: hard work n’ creativity Venus still remembered by BotticelliAnd when it comes to love, sculpt AphroditeI saw an Odalisque; She was ornate, yeaShe was beautiful With elongated legsMasterpieces derived from next to nothingThey worked with less, but they made way, way moreRenaissance alive, it’s got no off switch Whistler’s Nocturne rocks,We still remember itWe still remember itSo we still talk about himFrom Rembrandt to Picasso, they keep me musically inspiredThey steal the crown, like Monet to ManetSalvador’s Dali’s clocks keep meltin’ my mind outSay: artists cooler than KelvinMeaning so full, already explodin’, world known In fact, luckier than any 4 leafed cloverArt swirls, brighten this existence: But who am I? A writerLovin’ these artists, Like Starry Night by Van GoghThey taught me to seeLike Mona Lisa’s smile, yoGo big if you’re BaroqueCanvas & with sculpturesLords and ladies, portraits posedMagritte’s coffin makin’ funPaintin’ for the world, still influential They’re so crazy artistic Make me happy cry thoughGreen hair, dyin, I met Mr. NapoleoniHe talked to me, gave me hope, I still love you, Fabio!From Bosch to Bach,The Rococo to Leonardo Da VinciScultpures from Greece, sometimes Hellenistically Hemingway, Twain, and Fitzgerald, wrote entertainingly Early brushstrokes rough Others smooth, blotchy, or pressed down tentatively Teardrops fall down on paper, but mix in perfectly Say, Goya’s macabre, sure, So’s Edgar Allan Poe Readin’ DostoevskyWatchin’ Jordan Peterson lectures To be a true collector, you gotta get:Three pieces of the same artists work,Cause two’s just called a setDivine pearls for eyes, feastin’ upon, so impressedBy Michelangelo, Donatello, Andy WarholIt’s agreed, human expressOur regrets, enchantments, And our threats, our threats,Through art, we disect pains from this life, onto the nextSay, stars shine the brightest,In a world full of darknessTo make a difference, Show off your essence artistically! Lovin’ these artists, Like Starry Night by Van GoghThey taught me to seeLike Mona Lisa’s smile, yoGo big if you’re BaroqueCanvas & with sculpturesLords and ladies, portraits posedMagritte’s coffin makin’ funPaintin’ for the world, still influential They’re so crazy artistic Make me happy cry thoughGreen hair, dyin, I met Mr. NapoleoniHe talked to me, gave me hope, I still love you, Fabio!Written by: Melissa Smith (AKA Melzy of Wonderland on Youtube, & Mel’s Music on Spreaker, Spotify, Apple Podcasts, Facebook, and everywhere else)

SHOWGIRL SUNDAY DINNER Episode HOT MESS 0:25- Showgirl Intro Twirlisha Devine - The Black Gold Goddess 0:58- Intro Quote - “It isn’t who you are that holds you back, it’s who you think you are not.” -Denis Whitley 1:47- Sparkle & Shine Hugs to all my sparkle family losing gigs and income tothis bullshit pandemic. 3:09- Showperson Self Care Don’t be down for OPP in 2020- don’t take on other people’s shit if it bogs you down. Own and heal yourself. 4:25- Burly Biz La Reina Tarot reading and bath salts- let her read you for filth and then soak that shit away and let it fly on down the drain! Hit her up on Instagram @theofficiallareina for the tea and the salt! 6:35- Twirletry- WERSH IT a poem by Twirlisha Devine 7:13- The Glitter Box I wrote a letter to myself about shifting my energy out of imposter syndrome mode and into bad bitch mode. I hope you all write a letter to yourself affirming your beauty and energy. Send your letters to the GLITTER BOX at showgirlsundaydinner@gmail.com or www.showgirlsd.com and click on the K.I.T. tab. 10:10- Ecdysiast Factz Rest in Legendary Power Lottie The Body! Please go to www.bebebardot.com and check out Bebe’s blog post on this impecable legend and while you’re there educate yourself on some other historical ecdysiast shit because BEBE BE KNOWIN’! 14:39- HALF OF ALL PROFITS FROM MERCH SALES UNTIL 4/30 GO TO JEEZY’S JUKE JOINT!! Go to the MERCH tab on www.showgirlsd.com to get the discount code and buy some merch to support SGSD and JJJ!!! 17:38- PhD in Slayology Tre Da Marc- King of the Noire Pageant Chola Magnolia- Queen of the Noire Pageant Briq House- Rare Gem of the Noire Pageant 20:15- Oh You Thought EVERYTHING SPARKLY AND AMAZING IS BEING CANCELLED BECASUE COVID 19! Also fuck the disease that is academia as well… 27:05- Dine & Dish TWIRL IS A HOT MESS, she’s worki-ng on and she needs your help to keep SGSD alive! 39:09 Booked & Busy 4/18- Odalisque in Indianapolis- Produced by Boybarella- https://www.eventbrite.com/e/odalisque-tickets-98872511343 5/1 & 5/2- The Pacific Northwest Burlesque Festival in Olympia, WA- https://www.pnwburlesquefestival.com I’m volunteering at BURLYCON in 2020!!! 40:55- Pasties & Cake Sending big love to Dahlia Dulce, her hubs and pups, Black Hearts Burlesque, Elektra Cute, The Pink and White Ball, Eva Mae Garnet, Sepia Jewel, my new sewing machine, the GW Boutique (Goodwill), Di’Lovely, Travelling Showgirl, Ariel Helvetica, Tits and Tops and all the sugar people that financially love on my sparkle fam. DONATE TO THE SGSD and JJJ SPARKLE & SHINE FUND!!! https://www.showgirlsd.com/glitter-pour KO-FI https://ko-fi.com/twirlishadevine PAYPAL paypal.me/ShowgirlSundayDinner Links to follow & show us LOVE!! Instagram- @showgirlsundaydinner Facebook- https://www.facebook.com/ShowgirlSundayDinner/ Twitter- @sgsundaydinner Hashtags- #showgirlsundaydinner #sgsd #glitterndinner #pastiesncake #sparkleandshine #pastiesandcake Website- www.showgirlsd.com Email- showgirlsundaydinner@gmail.com YouTube: https://www.youtube.com/channel/UCAtID9aRmVsr3cBV2AnXd4w Twirlisa Devine Insta- @twirlisha Facebook- https://www.facebook.com/profile.php?id=100016057546895 YouTube: https://www.youtube.com/channel/UCObXYCLvFc8nM04tdUuYbOA Intro/Outro Song: Black Velvet Dreams by Lost Harmonies Vibe Out Music: Pink Sweat$ x Crush ft. Joyce Wrice Type Beat “LOVE” Showgirl Sunday Dinner be LIVE on YouTube bi-weekly at 8pm ET and be up on SoundCloud iTunes/ApplePodcasts, Stitcher and GooglePlay on Monday at 8pm ET. Please subscribe, like, review, comment and share!!! Stay Sparkly and I look forward to #glitterndinner with you next time xoxoxo!!!

Read my full review (https://www.pipelinecomics.com/freaks-squeele-v1-strange-university/) of "The Grande Odalisque" v1 Last week's podcast topics were art-based, and inspired by this book. " Are You Too Quick to Judge? (https://www.pipelinecomics.com/episode-27-are-you-too-quick-to-judge/) " " Art Doesn't Need to be Perfect (https://www.pipelinecomics.com/episode-26-art-doesnt-need-to-be-perfect/) " Also mentioned in this episode: Another heist book, " Curtain Call (https://www.pipelinecomics.com/curtain-call-a-crime-tale-and-character-piece/) " Full Show Notes: PipelineComics.com/29 (PipelineComics.com/29) Follow me on Twitter: Twitter.com/pipelinecomics (https://my.captivate.fm/dashboard/Twitter.com/pipelinecomics) Become a Pipeline Patron: PipelineComics.com/patreon (https://my.captivate.fm/PipelineComics.com/patreon) Email Me: augie@pipelinecomics.com Support this podcast

There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind--in this episode, Allyson tells you about Botero's 1998 painting L'Odalisque, and talks about how it relates to body image and ideas of the "other."Continue ReadingEpisode 20: Big Odalisque Energy

Topics: 1996, Loop, Samizdat, DMZ, NASA Cup, Wraith, Mold, Don Gately, Cheese, AZ, Trauma, Johnny Gentle, Joke, Garbage, Area X, Annular Fusion, Mad Stork, Madame Psychosis, Metempsychosis, Joyce, Filmography, End Notes, JOI, Joelle, PGOAT, Odalisque, Tennis...

42 Minutes 308: Spring Book Club - Infinite Jest - 04.01.2018 Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; So yo then man what's your story? (Or that's what the bookclub sets out to find on this April 1st, 2018) Topics Include: 1996, Loop, Samizdat, DMZ, NASA Cup, Wraith, Mold, Don Gately, Cheese, AZ, Trauma, Johnny Gentle, Joke, Garbage, Area X, Annular Fusion, Mad Stork, Madame Psychosis, Metempsychosis, Joyce, Filmography, End Notes, JOI, Joelle, PGOAT, Odalisque, Tennis, Structure, Post Modern, Year Of The Whopper, Experialist/Imperialist, "There", Pynchon, DeLillo, Walpurgisnacht, Year Of Glad.

Ben & Daniel talk with Carmen Giménez Smith, writer, poet, and professor of Creative Writing at New Mexico State University in Las Cruces NM. She talks about how her writing style is conducive to her busy life as a professional and a mother of two. She also talks about how she blends her careers as a writer and teacher, and why she sometimes has to teach what she personally doesn’t like because it presents a teachable moment. Gimenez Smith also reads one of her poems for the Poem of the Week – “Photo of a Girl on a Beach” from the collection “Odalisque in Pieces.” Amit Ghosh, publisher of the literary journal BorderSenses, contributes to this week’s Poetic License, with a reflection on his struggle to break away from his culture’s expectation to be a doctor, engineer, scientist, or lawyer, and follow his passion as a writer.