Podcasts about Curtis Fuller

THIS WEEK's BIRDS: Qawma music from Hasan al-Ajami & Ahmed Ushaysh (Yemen);  I. Wayan Sudiarsa Pacet w. Gamelan Suling Gita Samara (Bali); Lebanese vocalist Maya al Khaldi; recent compositions from Jen Shyu and David Leon (USA); trombonist/composer Joseph Daley; Kurdistani pop from De'Lori; Kai Winding & Curtis Fuller (more trombone); Tchangodei w. Itaru Oki & Kent Carter; the inimitable Lucha Reyes; bop from Dexter Gordon; jazz vocalists Mary La Rose & Marianne Solivan; Albert Ayler; Rajasthani music from Anwar Khan and others; Roma song from Trio Salvej; Bulgarian legend  Ivo Papasov; Julio Benavente Diaz from Peru; and (as always) so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20632151/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

STANDARS SEMANAL.-771.Gee,Baby,Ain´t I Good to You.-VINILOS MITICOS DEL JAZZ.-JOHN COLTRANE - Blue Train.-JAZZACTUALIDAD.-.ANA PEREIRA-BAILA LA LLUVIA Blue Train es un álbum de estudio delsaxofonista y compositor de jazz John Coltrane . Fue lanzado a través de Blue Note Records en enero de 1958. [ 1 ] Es la única sesión de Coltrane como líder para Blue Note. [ 8 ] La grabación tuvo lugar en el estudio de Rudy Van Gelder el 15 de septiembre de 1957. Coltrane compuso cuatro de los cinco temas del disco. Su interpretación exhibe elementos tempranos del estilo característico por el que posteriormente se hizo conocido. Blue Train obtuvo la certificación de oro en ventas de la Asociación de la Industria Discográfica de Estados Unidos (RIAA) en 2001.El álbum se grabó durante la residencia de Coltrane en el Five Spot como miembro del cuarteto Thelonious Monk . El equipo incluye a los compañeros de banda de Coltrane en Miles Davis , Paul Chambers al bajo y Philly Joe Jones a la batería, quienes ya habían trabajado con el pianista Kenny Drew . Tanto el trompetista Lee Morgan como el trombonista Curtis Fuller eran músicos de jazz prometedores, y ambos fueron miembros de Jazz Messengers de Art Blakey en su momento. A diferencia de su anterior sello, Blue Note pagó a los músicos para que ensayaran la música durante un par de días antes de la sesión de grabación. La forma de tocar de Coltrane muestra la evolución hacia lo que se convertiría en su estilo característico. Sus solos son más armónicos o verticales y sus líneas son arpegiadas. Su ritmo a menudo se desmarcaba del tiempo o lo superaba, en lugar de tocar sobre él o por detrás. [ 9 ] Durante una entrevista en 1960, Coltrane describió Blue Train como su álbum favorito hasta ese momento. [ 13 ] El siguiente gran álbum de John Coltrane, Giant Steps , grabado en 1959, abriría nuevos caminos melódicos y armónicos en el jazz, mientras que Blue Train se apega al estilo hard bop de la época. El musicólogo Lewis Porter también ha demostrado una relación armónica entre «Lazy Bird» de Coltrane y « Lady Bird » de Tadd Dameron . [ 14 ] [ 15 ] Mientras estaba en el podcast "Traneumentary" de Joe Vella, Michael Cuscuna , el productor de reediciones de Blue Note , comentó: Estamos escuchando "Blue Train", que para mí es una de las piezas más hermosas de uno de los discos más hermosos que Coltrane grabó en los cincuenta. Es su primera declaración de madurez real, y escribió todos los temas de este álbum menos uno, algo muy poco común en los cincuenta, y cada uno es una joya, en particular el tema principal, "Blue Train". Y aunque es bastante fácil tocar blues, este tiene una cualidad suspendida y evocadora. Ana Pereira presenta su primer trabajo discográfico "Baila la lluvia" (Sedajazz Records), una reinterpretación del bolero desde una perspectiva personal y contemporánea. Acompañada por Isaac Martín (bajo y dirección musical), Daniel Orts (piano) y Tico Porcar (batería), fusiona este género con el jazz y otras músicas, aportando una visión fresca y actual de un género que se convierte así en atemporal. Su voz delicada, elegante y expresiva, y los arreglos sofisticados interpretados por el genial trío que la acompaña, consiguen que el directo sea toda una experiencia íntima y envolvente que transporta al público a través del tiempo en una conexión pasado-presente con la música como compañera de viaje.

Prestamos atención a uno de los músicos más interesantes de la historia del jazz, un bopper elegante como ninguno, uno de los mejores herederos de las enseñanzas y descubrimientos de Charlie Parker, el señor Phil Woods. Ante el inmenso legado discográfico del saxofonista, he querido dar un somero repaso a sus discos más relevantes o los que, a criterio mi criterio, son más significativos, comenzando por una de sus primeras grabaciones, Woodlore, de 1955, recuperando tambien alguna sesión previa de su juventud con el guitarrista Jimmy Rane. Despues pasamos por discos como 'Pairing off' (1956), 'Warm Woods' (1957), ‘Rights of swing' (1961), ‘Alive and well in Paris' (1968), 'Recorded live at Jimmy´s (con Michel Legrand)' (1975), 'The New Phil Woods Album' (1975), 'I Rewmember' (1978) y 'Dizzy Gillespie Meets Phil Woods Quintet' (1986) En cada una de las composiciones mostradas, Phil demuestra la gran pericia con su instrumento, el saxo alto, así como su buen gusto para el fraseo y genialidad como compositor. No menos importantes son los músicos con los que se ha ido cruzando a lo largo de su vida, y en este programa nos encontraremos con otros historicos del jazz como Teddy Kotick, Joe Morello, Tommy Flanagan, Philly Joe Jones, Gene Quill, Dizzy Gillespie, Curtis Fuller, Sahib Shihab, Henry Texier, Daniel Humair, Michel Legrand, Grady Tate, Hal Galper o Tom Harrell.

Explore a new album from the Steve Allee Big Band, titled Naptown Sound. The project pays tribute to the musicians, teachers, mentors, history, and places that contributed to the development of the Naptown sound.  The pianist, composer and bandleader Steve Allee has been part of the Indianapolis jazz scene since the 1960s. He came of age at a time when many historic Naptown jazz players were still active on the scene. Allee was befriended and mentored by legendary Indianapolis musicians, including Jimmy Coe, Claude Sifferlen and Errol Grandy. Allee began performing professionally as a teenager, touring with the legendary jazz drummer Buddy Rich. His debut recording, a 1973 session with the the Baron Von Ohlen Quartet, remains a favorite among jazz fans around the world, with original copies seeking for over $200 on the collector's market.  Over the years, Allee has worked with a long list of jazz luminaries, including Slide Hampton, James Moody, Rufus Reid, Curtis Fuller, Jeff Hamilton, Milt Hinton and many others. Allee has also gained notoriety for his work as a composer. He's written work for the Indianapolis Symphony Orchestra and his compositions have been used in documentaries and television programs.

Award-winningCrowned "Little Ella" by the late legendary trombonist Curtis Fuller, Award-winning Vocal Musician MAVIS SWAN POOLE has generated quite a buzz on the international music scene. She is graced with an unrivaled brilliance of shattering genre barriers with her rich and smoky sound. Poole is known for being one of the first R&B/Jazz/Soul Vocalists to employ her ability to sing two or more notes simultaneously, or "multiphonics". A rare gift since childhood, which has remained with her even as a vocal surgery and sulcus survivoSWAN has performed with, opened for, or shared the stage with the greats in most genres, including Lauryn Hill, Lyfe Jennings, 9th Wonder, Chrisette Michelle, PRINCE, and NPG, After 7, Gladys Knight, Mavis Staples, Shirley Caesar, Dr. Billy Taylor, and The Wailers. While she has performed with other artists, she performs under her own name and her original music, proving a true Artist and Composer in her own right. SWAN is a 2007 Magna Cum Laude graduate of North Carolina Central University in Durham, NC. There, she was classically trained, earning a BA in music education and a BM in music with a concentration in jazz vocal studies. In 2011, she received her MA in Music, with a concentration in Jazz Vocal Performance at Queens College in NYC. She is now making her most magical foray into the national scene of urban adult music with the soulfully crafted EP entitled, ‘Adult Time: Vol 1', which features masterpiece singles like, "The Assignment", "How Do We Grow", and “Every Man Aint The Same”. Inspired by her personal experiences, the world around her, and her private relationships, these projects were skillfully sculpted by Mavis and producer Eddie Gypsy Stokes. Queen SWAN is definitely carving her space in the Musicverse, and establishing a solid legacy that will ensure she and her music is remembered for years and years to come.Become a supporter of this podcast: https://www.spreaker.com/podcast/ladydiva-live-radio--2579466/support.

In this episode of 'We Love Our Team', host Jack and Randy Freaking welcome Courtis Fuller, a veteran broadcaster, who shares his journey from battling cancer to becoming a beloved figure in Cincinnati. Courtis reflects on his early days as a Pirates fan, his admiration for Roberto Clemente, and his transition to supporting the Reds. The conversation highlights the importance of community, personal struggles, and the rich history of baseball in Pittsburgh and Cincinnati.TakeawaysCourtis Fuller has a 44-year career in broadcasting.He openly discussed his rare cancer diagnosis to raise awareness.Courtis underwent extensive treatment but is now cancer-free.He moved to Cincinnati and fell in love with the city.Courtis's grandfather was a Reds fan, influencing his journey.The rivalry between the Reds and Pirates shaped his childhood.Roberto Clemente is Curtis's all-time idol and inspiration.Courtis has memorabilia of Clemente throughout his home.He recently joined the board of directors for the Reds Hall of Fame.The Hall of Fame in Cincinnati is highly regarded.Sound Bites"I wish I had lottery luck like that.""Life is good, life is good.""I fell in love with this town."Cincinnati's finest steakhouse and seafood restaurant! Win a $50 Gift Card from Prime Cincinnati by emailing us at freepete14@gmail.com!

LEE MORGAN “TARU” Englewood Cliffs, NJ, February 15, 1968Haeschen, Dee Lawd, Taru, what's wrong with youLee Morgan (tp) Bennie Maupin (ts) John Hicks (p) George Benson (g) Reggie Workman (b) Billy Higgins (d) STEVE KUHN “WISTERIA” New York, September, 2011Adagio, Romance, WisteriaSteve Kuhn (p) Steve Swallow (b) Joey Baron (dr) LARRY WILLIS “A TRIBUTE TO SOMEONE” New York, July 13 & 14, 1993Sensei, Maiden voyage, For JeanTom Williams (tp) Curtis Fuller (tb) John Stubblefield (ts,sop) Larry Willis (p) David Williams (b) Ben Riley (d) Continue reading Puro Jazz 14 de agosto, 2024 at PuroJazz.

LEE MORGAN “TARU” Englewood Cliffs, NJ, February 15, 1968Haeschen, Dee Lawd, Taru, what's wrong with youLee Morgan (tp) Bennie Maupin (ts) John Hicks (p) George Benson (g) Reggie Workman (b) Billy Higgins (d) STEVE KUHN “WISTERIA” New York, September, 2011Adagio, Romance, WisteriaSteve Kuhn (p) Steve Swallow (b) Joey Baron (dr) LARRY WILLIS “A TRIBUTE TO SOMEONE” New York, July 13 & 14, 1993Sensei, Maiden voyage, For JeanTom Williams (tp) Curtis Fuller (tb) John Stubblefield (ts,sop) Larry Willis (p) David Williams (b) Ben Riley (d) Continue reading Puro Jazz 14 de agosto, 2024 at PuroJazz.

COMPLETE JOE HENDERSON BLUE NOTE STUDIO SESSIONS – “MODE FOR JOE” Englewood Cliffs, NJ, January 27, 1966Mode for Joe, GrantedLee Morgan (tp) Curtis Fuller (tb) Joe Henderson (ts) Bobby Hutcherson (vib) Cedar Walton (p) Ron Carter (b) Joe Chambers (d) THE COMPLETE CLIFFORD JORDAN STRATA-EAST SESSIONS – WILBUR WARE “SUPER BASS” TownSound Studios, Englewood, NJ, January 1968Mod House, Wilbur's Red Cross, For Frazier, Felicia, Veneida & BernarDon Cherry, tp; Clifford Jordan, ts; Wilbur Ware, b: Ed Blackwell, d. Continue reading Puro Jazz 05 de junio, 2024 at PuroJazz.

COMPLETE JOE HENDERSON BLUE NOTE STUDIO SESSIONS – “MODE FOR JOE” Englewood Cliffs, NJ, January 27, 1966Mode for Joe, GrantedLee Morgan (tp) Curtis Fuller (tb) Joe Henderson (ts) Bobby Hutcherson (vib) Cedar Walton (p) Ron Carter (b) Joe Chambers (d) THE COMPLETE CLIFFORD JORDAN STRATA-EAST SESSIONS – WILBUR WARE “SUPER BASS” TownSound Studios, Englewood, NJ, January 1968Mod House, Wilbur's Red Cross, For Frazier, Felicia, Veneida & BernarDon Cherry, tp; Clifford Jordan, ts; Wilbur Ware, b: Ed Blackwell, d. Continue reading Puro Jazz 05 de junio, 2024 at PuroJazz.

Pe 26 mai, Teodora Brody, prima artistă care a dat voce Rapsodiilor compuse de George Enescu, revine la București cu un concert memorabil! "Unifying World", un eveniment muzical în care muzica clasică întâlneşte jazz-ul. Despre concertul de la Bucureşti, care dă startul unui turneu în Statele Unite, vorbim astăzi în RFI360 cu Teodora Brody.  În 2023, Teodora Brody lansa albumul  'Rhapsody', înregistrat cu London Symphony Orchestra, sub bagheta lui Robert Ziegler. 'Rhapsody' aducea împreună prelucrări vocale în premieră după teme celebre din muzica clasică. Un album ce pornește de la Rapsodia nr.1 a lui George Enescu. ” Teodora Brody a profitat de șansa de a face o mișcare evolutivă în viitorul muzicii. Imaginația și curajul ei sunt admirabile”, au scris americanii de la faimoasă revistă Fanfare, iar spaniolii de la Ritmo au subliniat: ”Cu Bartók și dansurile sale românești, românca este în elementul ei, devenind un punct de întâlnire între trei forțe copleșitoare ale naturii: Bartók, jazzul și Teodora Brody.” Născută în România, în prezent stabilită în Elveția, Teodora Brody s-a pregătit inițial în jazzul clasic și a devenit cunoscută la sfârșitul anilor 1990 și începutul anilor 2000, cântând alături de legendarul pianist de jazz Johnny Răducanu. Teodora a fost pionieră în fuziunea jazzului cu Doina – creație lirică specifică poporului român – și este larg recunoscută pentru introducerea publicului internațional în lumea unică a acestui gen muzical, profund emoționant și personal. Căutând teritorii muzicale de explorat, Teodora a interpretat alături de muzicieni precum Stanley Jordan, Theodosii Spassov, Lars Danielsson, Johnny Răducanu, Les Paul, Curtis Fuller, Eric Legnini, Phillippe Duchemin, Guido Manusardi, Benny Rietveld, Daniele di Bonaventura, Ion Baciu și Al Copley. Pe scena mondială, Teodora a apărut în mod regulat la prestigioase festivaluri europene de jazz, inclusiv Montreux, Lugano și Marciac, iar peste Atlantic a cântat la Biblioteca Congresului din SUA și la Galeria de Artă Corcoran, precum și la cluburi legendare cum ar fi Iridium New York și Blues Alley din Washington D.C.Cu proiecte unice precum „Unifying Worlds”, „From Classical to Jazz” și „Classical Emotion”, Teodora a explorat repertoriul clasic cu o abordare complet nouă, creând și interpratând versiuni vocale originale ale unora dintre capodoperele create de Bach, Beethoven, Enescu, Pachelbel, Vivaldi, Bartók, Pablo Casals.Duminică 26 mai, Teodora Brody prezintă concertul "Unifying World", la București, la Sala Luceafărul.

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Darek Oles (Oleszkiewicz) was born on February 20, 1963 in Wroclaw, Poland. At the age of five Oles began his music education at the State Music School in Wroclaw. Piano was his first instrument, but later he played guitar, electric bass and finally at eighteen years old, he switched to accoustic bass. While in his teens he played with amateur groups, evolving in popular music styles from rock, blues, jazz-rock to straight ahead jazz. In the early 1980's, Oles participated in various jazz festivals and national competitions for young musicians. In 1983, he was the most awarded musician at the Jazz Juniors in Cracow, winning the first individual prize, first prize for jazz composition and a second prize in jazz combo category. Later that year Oles was invited by Jan Ptaszyn Wroblewski, a jazz legend in Poland, to join saxophonist's quartet on tour.In the following five years Darek Oles was working steadily with some of the best jazz bands in the country such as: Zbigniew Namyslowski Quartet, Tomasz Szukalski Quartet, Henryk Majewski Quintet, Wojciech Karolak Trio and Andrzej Jagodzinski Trio and Jan Ptaszyn Wroblewski Quartet. With those groups he recorded for Polish Jazz, Polskie Nagrania, East Wind and also for the radio and television in Poland and abroad. Darek was touring extensively in Poland, France, Germany, Czech Republic, Cuba, Mexico and performed at major festivals, concerts and jazz club venues.In 1988, Darek Oles arrived in Los Angeles with a simple plan in mind: to broaden his musical horizon. One year later he received a full scholarship from California Institute Of The Arts and began studies with the legendary bassist Charlie Haden. After graduation in 1992, he accepted a teaching position at the Institute, where he has been conducting jazz ensembles and teaching bass ever since. Since 2002 Oles has been a jazz faculty member at the University Of California in Irvine.Aside from his teaching duties, Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine, Alan Pasqua, Bennie Wallace, Victor Lewis, Harvey Mason, Dave Grusin, Art Farmer, Horace Silver, Alice Coltrane, Ravi Coltrane, James Newton, Arthur Blythe, Lew Tabackin, Steve Kuhn, Gary Smulyan, Ronnie Cuber, Billy Hart, Kevin Hays, Munyungo Jackon, Steve Hass, Toshiko Akiyoshi, Marian McPartland, Janis Siegel, Bob Brookmeyer, Curtis Fuller, Roy McCurdy, Tom Harrell, Larry Goldings, Bill Stewart, Chris Potter, Kei Akagi, Billy Childs, Bob Sheppard, Joe LaBarbera, Bill Cunliffe, Patrice Rushen, Bennie Golson, Piotr Baron, Teri Lynn Carrington, Buddy De Franco, Terry Gibbs, Anthony Wilson Nonet and Los Angeles Jazz Quartet.Moods in Freedom on SpotifySupport the showInstagram / Twitter / Youtube / Website / BSA / View More Episodes

Amerikalı bir caz trompetçisi ve bestecisiydi. Morgan, gençlik yıllarının sonlarında John Coltrane , Curtis Fuller , Dizzy Gillespie , Hank Mobley ve Wayne Shorter çalarak gibi grup liderleriyle kayıt yaparak ve Art Blakey 's Jazz Messengers'da öne çıktı .

A soulful rendition of Curtis Fuller's "Mini Mama", and two recent albums featuring Vinnie Sperrazza open an edition of Mondo Jazz which then features three projects at the intersection of jazz and classical music. The playlist features Luke Carlos O'Reilly [pictured]; Vinnie Sperrazza; The Choir Invisible; Brad Mehldau; Franck Tortiller, Debussy String Quartet; Jean-Christophe Cholet, Matthieu Michel, Diagonal. Detailed playlist at https://spinitron.com/RFB/pl/18712354/Mondo-Jazz (from "Mini Mama" onwards). Photo credit: Ernest Stuart.

Tonight's Jazz Feature focuses on the obscure but fine trumpeter and flugelhornist named Wilbur Harden. Little is known about Harden other than he was born in Birmingham, Alabama on Dec. 31,1924 and after working in some major R&B bands moved to Detroit in 1957 and began working with Yusef Lateef.. He became part of the talented Detroit Jazz scene then ventured to New York to record as he signed with Savoy Records. His 4 albums for Savoy were done in 1958 and he also recorded with John Coltrane as well in 1958 and later with trombonist Curtis Fuller. After 1960 nothing more was heard from Wilbur and ill health and a nervous breakdown forced him to stop playing. He died in obscurity in New York on June 10,1969 at age 44. This fine recording called "Mainstream 1958" is an excellent one and features Wilbur and his compositions. It is a solid date with Harden and John Coltrane, at an early peak, Tommy Flanagan on piano, Doug Watkins on bass and Louis Hayes on drums. If there is a masterpiece in Harden's short discography this album may qualify. Enjoy the sounds of Wilbur Harden, John Coltrane and company on tonight's Jazz Feature.

Tonight's Jazz Feature is one of the most intense and incendiary recordings by Art Blakey's Jazz Messengers. It was done in February 1964. The fire and intensity was perhaps driven by the fact that several of the members of this long standing edition of the Messengers were hinting at leaving to move on to other bands or forming their own groups. The personnel of this band had been together since the end of 1961 and consisted of Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor saxophone and was also the band's musical director, Cedar Walton on piano, Reginald Workman on bass (the only living member) and of course the master fire stoker Art Blakey on drums. "Free For All" is the apt album title and the album was issued on Blue Note Records and is tonight's Jazz Feature. Listen here!!!

Show notes: One of the most highly regarded jazz drummers today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994, where he began playing with saxophonist Eric Alexander and guitarist Peter Bernstein. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins, and his brothers, John and James. Joseph's career includes recording over 100 CDs as leader and side-man, jazz festivals, and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Barry Harris, Curtis Fuller to name a few. He was the drummer for the late McCoy Tyner, a member of the late Pharaoh Sanders Quartet, and the late Harold Mabern Trio, and is a founding member of the renowned One for All Quintet. My recordings as a leader include Drumspeak and Beautiful Friendship feats. Cedar Walton and Curtis Fuller, Prime Time, Super Prime Time, and Make Someone Happy. Sarah Hanahan is an up-and-coming jazz saxophonist in New York City. Sarah is a graduate of the Jackie McLean Institute of Jazz at the Hartt School of Music, where she received her Bachelor's degree in 2019, as well as The Juilliard School, where she received her master's degree in 2022. She has had the privilege of studying with some of the greats of our time, including Abraham Burton, Nat Reeves, Steve Davis, Billy Drummond, and Marc Cary. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

THE NEW YORK JAZZ QUARTET – IN CHICAGO Chicago, IL, July 27, 1981Four the hard way, WisteriaFrank Wess (ts,fl) Sir Roland Hanna (p) George Mraz (b) Ben Riley (d) PHINEAS NEWBORN, JR. – A WORLD OF PIANO! Chicago, IL, July 27, 1981Four the hard way, WisteriaFrank Wess (ts,fl) Sir Roland Hanna (p) George Mraz (b) Ben Riley (d) HANK MOBLEY – A CADDY FOR DADDY Englewood Cliffs, NJ, December 18, 1965A caddy for daddy, The morning afterLee Morgan (tp) Curtis Fuller (tb) Hank Mobley (ts) McCoy Tyner (p) Bob Cranshaw (b) Billy Higgins (d) Continue reading Puro Jazz 11 enero 2024 at PuroJazz.

PHIL WOODS' ENSEMBLE – RIGHTS OF SWING New York, January 26, 1961 Ballad, Waltz, PrestoBenny Bailey (tp) Curtis Fuller (tb) Julius Watkins (fhr) Phil Woods (as) Sahib Shihab (bar) Tommy Flanagan (p) Buddy Catlett (b) Osie Johnson (d) HIROMI'S SONICWONDER – SONICWONDERLAND Marin County, CA, c. 2023Wanted, Polaris Adam O'Farrill (tp,pedalboard) Hiromi Uehara (p,keyboards,comp) Hadrien Feraud (b) Gene Coye (d) JIMMY WOODS – AWAKENING ! Continue reading Puro Jazz 10 enero 2024 at PuroJazz.

Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode.  This episode features Pat Malinger and was recorded February 26, 2020.Pat Mallinger was born and raised in St. Paul, Minnesota and began playing the saxophone at 11 years of age. He received his Jazz Studies degree from North Texas State University on a “One O'clock Lab Band” Scholarship.He lived and performed in Los Angeles, Dallas, Boston, and Japan, before establishing Chicago as his home in 1990. He is a co-leader of Sabertooth, which has been the mainstay band at the Green Mill Lounge each Saturday night from 1992 to 2018. Pat is often heard around Chicago performing with the Bobby Lewis Quintet, Model Citizens Big Band, and his own quartet to name a few. Pat performs concerts and festivals nationally and internationally both as a bandleader and sideman. Pat has performed with Nancy Wilson, Stevie Wonder, Herbie Hancock, Cab Calloway, Thad Jones/Mel Lewis Reunion Band, Cedar Walton, Marcus Roberts, Joey DeFrancesco, Joe Lovano, Frank Foster, Branford Marsalis, Joshua Redman, Billy Harper, Jimmy Heath, Johnny Griffin, James Moody, Lee Konitz, Phil Woods, Paquito D'Rivera, Donald Harrison, Alvin Batiste, Slide Hampton, Curtis Fuller, Steve Turre, Wycliffe Gordon, Bill Watrous, Clark Terry, Randy Brecker, Tom Harrell, Doc Severinsen, Roy Hargrove, and Nicholas Payton.Learn more about Pat here: https://patmallinger.com/ https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife

A jazz musician since the 1970s, Keith Oxman, toured with the Buddy Rich big band in 1986 and has played with artists including Art Blakey, Sonny Stitt, Red Holloway, Pete Christlieb, Jack McDuff, Phil Woods, Dave Brubeck, Jon Hendricks, Pete Christlieb, Louis Bellson, Pearl Bailey, The Temptations and The Fifth Dimension. He has eleven CDs on the Capri Records label. Two of his CDs were with John Coltrane's trombonist Curtis Fuller, one with liner notes written by Benny Golson. Keith is also a sideman on two of Curtis Fuller's CDs and a CD by Charles McPherson, and he has been a sideman on other recordings that have come out commercially but are not on the Capri label. His 2020 CD release with Houston Person, Two Cigarettes In The Dark (liner notes by Charles McPherson), was widely reviewed and was on the National Top 50 Jazz Week Chart for over two months. It received a 4-star review in the June 2020 issue of DownBeat magazine. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

Bobby Falk is a Louisville, KY native, who grew up in a musical family. Bobby is a graduate of Youth Performing Arts School (YPAS) High school and the University of Louisville jazz studies program, graduating in 2005 with BA Jazz studies (emphasis Percussion). Upon graduating University of Louisville, Bobby started composing music and established the “Bobby Falk group” a contemporary jazz ensemble, in addition to sideman/freelance work in the Kentucky-Indiana area. Bobby has performed with such notables as Lionel Hampton, Lew Soloff, Bobby Shew, Jamey Aebersold, Dave Zoller, Tommy Poole, Phil Woods, Craig Wagner, Curtis Fuller, and Shelley Carrol. His new release Coming to Fruition is a must-listen release featuring a stellar band and compositions that will make you need to dance. On episode 160, Bobby and Jamie discuss the record in detail and preview the upcoming tour of Texas and the midwest region celebrating the release of this great new album.

"The lyrical genius of the trumpet."​ -Chicago TribuneA multi-instrumentalist and composer who performs on trumpet, bass and drums, Brad Goode is recognized as a unique stylist with a highly creative approach to improvisation. He has recorded on dozens of jazz albums, including 18 as a leader for the Delmark, Sunlight, SteepleChase and Origin labels. He is a dedicated educator, with many of his students enjoying successful music careers. Brad began playing violin at age 4, switching to rock guitar at age 8. He later earned a BM degree in classical trumpet at the University of Kentucky, and an MM degree in bass at DePaul University. His trumpet teachers include Vincent DiMartino, Byron Baxter, Clark Terry, Chris Gekker and William Adam. He studied bass with Larry Gray, Donald "Rafael" Garrett, Carroll Crouch, and Eddie DeHaas. Brad learned Jazz through the time-honored system of apprenticeship. His participation in this tradition was extensive, lasting well into his thirties. During his apprenticeship years, he toured and recorded with the bands of Von Freeman, Red Rodney, Eddie Harris, Ira Sullivan, Curtis Fuller, Jack DeJohnette, Ernie Krivda, Eddie Johnson, Rosemary Clooney, Barrett Deems and the Woody Herman Orchestra, among others.  Brad led his own combo in Chicago from 1985 until 1998, including a twelve-year stint as leader of the house band at the Green Mill. As a Cultural Ambassador for Mayor Richard Daley of Chicago, he led jazz groups on tours of Asia and the Middle East.  He was named one of the most influential Chicagoans of the 1980s by the Chicago Tribune, who credited him as a “major catalyst in the revitalization of the Chicago jazz scene.”For more about Brad including his new album, please visit his website at http://bradgoode.comFor more about show host Rob Mullins please visit his website at https://planetmullins.comFor video episodes and more visit Rob's channel at https://youtube.com/planetmullins

Art Blakey And The Jazz Messengers Free For All – Englewood Cliffs, NJ, February 10, 1964 Free for all, Pensativa Freddie Hubbard (tp) Curtis Fuller (tb) Wayne Shorter (ts) Cedar Walton (p) Reggie Workman (b) Art Blakey (d) Perez / Patitucci / Blade Children of the light – New York, 2015 Children of the light, […]

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One of the most highly regarded jazz drummers on the scene today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts in 1968, Joe grew up in a musical family; his father was a music educator and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins and his brothers, John and James. Joseph's career includes recording over 100 CD's as leader and side-man, jazz festivals and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Curtis Fuller to name a few. In this episode, Joe talks about: Studying with Alan Dawson How he arrived at his "just play time" identity as a jazz drummer the centrality of the ride cymbal in all jazz drumming The difference between playing with someone and playing for them Why he chooses to almost always perform in a suit and tie

Bruce Williams is a jazz saxophonist who hails from our nation's capital of Washington, D.C. He has made his presence known on the jazz scene by garnering critical attention with his own enthusiastically received CD releases - "Brotherhood" and "Altoicity" - issued on Savant Records. He's made an indelible impression as a sideman on over twenty other CD and video recordings. Bruce has performed, toured, and recorded with a long roster of jazz legends - Little Jimmy Scott, Frank Foster, The Lincoln Center Jazz Orchestra, Stanley Cowell, Louis Smith, Cecil Brooks III, The Count Basie Orchestra, The World Saxophone Quartet, Russell Gunn, Curtis Fuller, and Roy Hargrove to name a few. Bruce Williams is a versatile saxophone stylist, performing in a variety of diverse playing environments - from traditional to hip-hop to the avant-garde. He has been an honored recipient of awards from DownBeat magazine and The Charlie Parker Music and More Foundation. His ability to perform masterfully in a range of jazz styles has placed him on two Grammy nominated recordings and sent him to numerous cities throughout the US and abroad in France, Italy, Germany, Scandinavia, the West Indies, Lebanon, and Japan. ​Bruce Williams is currently the newest and youngest member, of the internationally recognized jazz group, "The World Saxophone Quartet". Bruce is currently a member of a newly founded group by legendary drummer Ben Riley, the "Thelonious Monk Legacy Septet". Bruce also leads four bands of his own - a quartet, a quintet, a jazz organ trio, and a progressive electric jazz group. ​A noted jazz educator and mentor to young jazz musicians; Bruce has given master classes at Ohio State, Iowa State, The Jazz Institute of New Jersey, The University of the District of Columbia, Princeton University, The New Jersey Performing Arts Center "Jazz For Teens" program, and the Paris Conservatory in France. He has served as adjunct saxophone instructor at both the New School for Social Research (Mannes School of Music) in NYC, Princeton, and Bard College . He's currently an ensemble coach for the Jazz department at Julliard.  ​Bruce Williams has been mentored by some of the best in the business including Frank Foster, Branford Marsalis, Joe Ford, Laura George, William Shadle,Oliver Lake and Cecil Brooks III. All of the above experiences have aided Bruce Williams in becoming a confident doubler and one of the premier jazz alto and soprano saxophonists in the world today. (Republished from Brucewilliams-saxophone.com)

On this episode of the Nick Finzer Audio Experience, listen as Nick plays the Curtis Fuller tune “The Court”, featuring himself and Leon Boykins on bass as a part of his Dynamic Duos musical series.

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As broadcast March 31, 2023 with plenty of bows of respect.  Over the many years of Wayne Shorter's career until his passing earlier this month, the man was simply on the cutting edge.  He wasn't there all the time, but you knew if he was off in the cut biding his time the return was going to be absolutely stellar.  Tonight in the first of our Deep Dive series, we pay tribute to a man who loved his jazz and loved his comic books, although which he loved more could be up for argument.  Rest in power Wayne Shorter.  One of the all time greats.Tracklist:Part I (00:00)Wayne Shorter – FootprintsMiles Davis – Nothing Like YouArt Blakey & The Jazz Messengers – MosaicWeather Report – River People (Live)Miles Davis – Spanish Key Part II (44:37)Wayne Shorter – Fee-fi-fo-fumWayne Shorter – MahjongWayne Shorter with James Spaulding, Herbie Hacock, Curtis Fuller & Ron Carter – MiyakoWayne Shorter – 502 BluesMiles Davis – Sanctuary  Part III : EMANON (69:50)Wayne Shorter Quintet – PegasusWayne Shorter Quintet – Prometheus UnboundWayne Shorter Quintet – LotusPart IV: EMANON continued (122:00)Wayne Shorter Quintet – The Three MariasWayne Shorter Quintet – Lost & Orbits MedleyWayne Shorter Quintet – She Moves Through The FairWayne Shorter Quintet – Adventures Aboard the Golden Mean 

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Singular and inventive guitarist talks about the brotherhood of musicians he has played with including Lenny White, Curtis Fuller, Bill Goodwin and Joe Henderson.

TWiV explains the recent meeting of the National Science Advisory Board for Biosecurity (NSABB) where stricter guidelines for research involving human, animal, and plant pathogens were considered, and how the consumption of viruses by small protists returns energy to food chains. Hosts: Vincent Racaniello, Dickson Despommier, Alan Dove, Rich Condit, and Kathy Spindler Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode •Research assistant position at FDA (pdf) •Register for ASV 2023 •MicrobeTV Discord Server •NSABB proposed oversight framework (pdf) •Stricter US guidelines for research (Nature) •Information on NSABB (NIH) •Consumption of viruses by protists (PNAS) •Letters read on TWiV 981 •Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project: Trombone: Steve Turre/Conrad Herwig; Steve Turre; Curtis Fuller; J.J. Johnson and Kai Winding. Steve Turre: Signature album: Sanctified Shells. Signature song: Sanctified Shells. Conrad Herwig. Signature album: A Jones For Bones Tones. Signature song: Slide's Routine; Curtis Fuller: Signature album: BLUES ette. Signature song: Bluesette. J.J. Johnson (with Kai Winding). Signature album: The Great Kai and J.J. : Signature song: Monk's Blues. Kathy – Measles virus ‘cooperates' with itself to cause fatal encephalitis. Primary research article: Shirogane et al. Rich – Firm hatches plan to bring back dodo (Colossal Biosciences – Dodo) Alan – Mt. Washington Observatory webcam Vincent – Ask the Experts Listener Picks Roberto – The Contagion of Liberty: The Politics of Smallpox in the American Revolution Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

Seguimos con el trombón y sus grandes en la era del Swing (Higginbotham, Trummy Young, Bill Harris) para luego pasar al bebop y el más grande: J.J. Johnson junto con Kai Winding. Curtis Fuller y Jimmy Knepper completan con su hardbop. Hosted on Acast. See acast.com/privacy for more information.

"Nica's dream"(El sueño de Nica) es una composición de Horace Silver dedicada a la baronesa Pannonica de Koenigswarter, la gran mecenas del bop (y desheredada de la casa Rothschild). Uno de los dos mejores temas a ella dedicado, el otro es "Pannonica my butterfly" de T. Monk. Nos acompañan el autor, Art Blakey, Curtis Fuller, Carl Tjader, OP, Wes Montgomery, Joe Pass, Stan Getz, Phil Woods y otros.

George had a notable and stellar career playing the Saxophone, Flute and Clarinet. He was inducted into the Savannah Coastal Jazz Association Hall of Fame in September, 2005 . Born in Savannah, Georgia he is both a composer and an arranger as well as a performer. George has performed with Clayton Hamilton Jazz Orchestra, Ray Charles, Curtis Fuller, Herbie Hancock, Hubert Laws, Luckman Jazz Orchestra, Jimmy Smith, Bobby Caldwel, Jimmy Cleveland, Barbara Morrison, Billy Higgins, Eric Heed, Harold Land Jr., Phil Ranelin, Buddy Ranelin, Buddy Childers, LaMont Johnson, Henry Franklin, Louie Spears, Kevin O'Neal and More. George has also performed for various schools in the LA Unified School District leading, the George Harper Ensemble, and featuring Jazz styles from Dixie Land to Contemporary. The National GRAMMY Concert Series for Children featured “The George Harper Saxophone Quartet” at Elementary schools in the LA Unified School District. The program included music and composers of various musical styles from Classical to Jazz.

Saxophonist Houston Person is a living legend and progenitor of the soulful sound of swinging music. After an intense and rewarding tenure with organist Johnny Hammond Smith in the early 1960's, Person made a call to Prestige Records which began his 50-plus year career as a solo recording artist. His albums over the years, which have included noted players such as Grant Green, Cedar Walton, Idris Muhammad, Curtis Fuller and Pepper Adams, have kept him in the ears of worldwide music fans. From his beginnings as leader, Person booked his own tours, hired bands, and managed his career independently, a practice that he continues to the present day. Our conversation with Person sheds light on his style on and off the bandstand; he blends decades of wisdom with charm and a direct approach to storytelling. He is the personification of soul. Our Vinyl Word segment is also dedicated to some classic moments in Person's recorded discography. Produced by Billy Robinson

“Blue Train" John Coltrane: Blue Train (Blue Note, 1958) John Coltrane, Lee Morgan, Curtis Fuller, Kenny Drew, Paul Chambers, Philly Joe Jones. El tema es una composición de John Coltrane. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? El disco se publicó en 1958 y es la única grabación como líder de John Coltrane en Blue Note. Blue Train es la primera gran obra grabada por John Coltrane. Esta grabación es un clásico en las discografías recomendadas del saxofonista. Sus ventas lo convirtieron en uno de sus discos más vendidos, alcanzando la categoría de disco de oro en los USA, con unas ventas certificadas en este país de más de 500.000 unidades. El disco se grabó mientras estaba en una estancia como integrante del cuarteto de Thelonious Monk en The Five Spot. Y ya son cuatro. En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=51994 John Coltrane en Tomajazz https://www.tomajazz.com/web/?p=51994 Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Jazz trombonist Curtis Fuller passed away in May 2021. During his career, Fuller often performed with the jazz greats of Indiana Avenue, including Virgil Jones, Freddie Hubbard, and more.

John Coltrane. Blue Train, 1957. Michael Felbernaum. 3 Elements, 2019. Verneri Pohjola. The Dead Don't Dream, 2020. Adrián Moncada 6tet. Inhabitable Imagination, 2021. Jeremy Pelt. Griot: This Is Important!, 2021. Hedvig Mollestad. Ekhidna, 2020.

Researching the composers Edvard Grieg and Richard Strauss Jazz Great Curtis Fuller past recently Debunking COVIK-conspiracies...vaccinated people do not shed the live virus. Continuing to steer my own narrative in TN

John Coltrane. Blue Train, 1957. Michael Felbernaum. 3 Elements, 2019. Verneri Pohjola. The Dead Don't Dream, 2020. Adrián Moncada 6tet. Inhabitable Imagination, 2021. Jeremy Pelt. Griot: This Is Important!, 2021. Hedvig Mollestad. Ekhidna, 2020.

Nel '58 Abbey Lincoln incide a New York il suo terzo album, It's Magic, il secondo per l'etichetta Riverside: ad accompagnarla - in un repertorio più vario che nell'album precedente- quintetti e settetti con musicisti di prim'ordine (Art Farmer, Kenny Dorham, Curtis Fuller, Benny Golson, Wynton Kelly, Paul Chambers, Philly Joe Jones...). Nel '59 la Lincoln, con due formazioni diverse, incide il suo terzo album per la Riverside, Abbey Is Blue: fra i brani, Let Up è firmato dalla cantante, che si distinguerà anche come autrice di molto del proprio repertorio. Let Up è anche un eccellente esempio della sua inclinazione a focalizzarsi sul testo, con una interpretazione di grande temperamento e la tendenza al recitativo: ecco un aspetto della Abbey Lincoln che si differenzia da un canto jazz più convenzionale e swingante, e che cambia il ruolo della cantante nel jazz e apre innovativamente la strada alle audaci ricerche della vocalità jazzistica sperimentale degli anni sessanta e settanta.

Join Dakota Jackson and Benjamin WIltz as they deep dive into the life and contributions of Curtis Fuller. 

This is one of the many great bands that drummer Art Blakey led. In honor of his centenary: Blakey was born in Pittsburg Pennsylvania on October 11,1919 so tonight we pay tribute to his Birthday Anniversary, This particular edition lasted from 1961 through to mid 1964 with the same personnel and they achieved a greatness few other groups possessed. This album called "Free For All" was recorded near the end to this band's existence and remains one of it's most intense and valued recordings. It is a good representation of how the band could sound in person on a good night. The music was captured in the recording studio the the energy is palpable. Only four tunes grace this album: two by Wayne Shorter, one by Freddie Hubbard and one by Clare Fischer. The band's personnel is Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor saxophone (he was also the band's musical director), Cedar Walton on piano, Reginald Workman on bass and of course Mr. Blakey on drums. The Jazz Messengers!