Podcasts about Audio description

I wanted to give some more time to the topic of audio description so that we can explore it, both as an important way to make films, series, and live events accesible to visually impaired people, and as a new area of work for language professionals to explore.I got together with a group of language professionals from my network with different types of experience, different working languages (English, German, Italian, and Spanish), to talk about both the role of the audio description script writer and the voice artist.During our discussion, we covered topics such as: The guests' stories and how they became involved with audio description The process of creating scrips and recording the voice-over tracks Challenges and points to consider when thinking about creating content in different languages Different types of information that the audience needs, depending on the type of content Training available for those interested in this kind of work The interaction between scrip writers, voice-over artists, and end users Practical tips for people who want to find out more or get into either of these areas of work.Thanks Sion, Francesca, Philipp, Dolores, and Zayda for sharing your experience with us – I think we all learned something!We had some minor technical difficulties towards the end. It was important to me that we got all of the points into the episode, so I have added in a couple that were rerecorded so that none of the information was lost.Do you have any tips or comments to add?You can find the show notes page and further links here: https://englishwithkirsty.com/podcast/episode276/

The European Accessibility Act is a new piece of legislation that will apply to EU member countries from the end of June, but what effects might it have on the UK given that it is no longer an EU member state. The Act covers a wide range of products and services that blind and partially sighted people use daily. To help analyse this are Antoine Fobe, head of advocacy and campaigns with the European Blind Union and Léonie Watson, Director of accessibility consultancy and auditing company TetraLogical.The Audio Description Association is looking for more visually impaired people to join their organisation as members, with the aim of shaping the future of audio description provision for consumers. They are currently offering some free memberships and to find out more, email: membership@audiodescription.co.uk Presenter: Peter White Producer: Beth Hemmings Production Coordinator: Liz Poole Website image description: Peter White sits smiling in the centre of the image and he is wearing a dark green jumper. Above Peter's head is the BBC logo (three separate white squares house each of the three letters). Bottom centre and overlaying the image are the words "In Touch" and the Radio 4 logo (the word ‘radio' in a bold white font, with the number 4 inside of a white circle). The background is a bright mid-blue with two rectangles angled diagonally to the right. Both are behind Peter, one is a darker blue and the other is a lighter blue.

Each month, RNIB Connect Radio's Allan Russell talks with Anne Hornsby from MindsEye Description about some forthcoming events with Audio Description. AD makes television, movies, galleries  and other arts events more inclusive, accessible and enjoyable for blind and partially sighted people. This month they're looking at An American smash hit, a children's classic and more. If you'd like more information on audio described events, go to www.mindseyedescription.co.uk #RNIBConnect Image Shows  Anne Hornsby from MindsEye Description, Sitting In front Of The Microphone, Wearing Headphones.

Last week was the interview with ChatGPT, with it's synthetic voice. Here's the twist - today is the same interview, this time featuring Rebecca Davis, AD Performer, giving her take on the script. Enjoy!

Lizzie Eastham and Sam Rickard present Studio 1 - Vision Australia Radio’s weekly look at life from a low vision and blind point of view. On this week’s show "Francois and Victoria: Audio Description” We give you everything you want to know about Audio Description. Lizzie and Sam are joined by Francois Jacobs, who is one of two Audio Description reviewers at SBS, and as well as Victoria Hunt, SBS’s Manager for Access and Media Services Studio 1 welcomes any input from our listeners. If you have any experience or thoughts about issues covered in this episode or believe there is something we should be talking about. EMAIL: studio1@visionaustralia.org or leave comment on the station’s Facebook page: https://www.facebook.com/VARadioNetwork Thank you to Victoria and Francois for a great interview, and to Jason all his help setting this up. SBS Audio Description; About: https://www.sbs.com.au/aboutus/audio-description-services/ How to Enable Audio Description: https://help.sbs.com.au/hc/en-au/articles/360002077816-How-to-enable-and-access-audio-description SBS On Demand – List of Audio Described Progammes: https://www.sbs.com.au/ondemand/collection/available-with-audio-description This program was made possible with support from the Community Broadcasting Foundation. Find out more at https://cbf.org.au/ See omnystudio.com/listener for privacy information.

20250424 ADP presents Audio Description Town Hall Originally Broadcasted April 24, 2025, on ACB Media 6   Participants joined the Audio Description Project and made their voices heard. Come tell us how you use audio description, what you like about audio description,, and where   Sponsored By: The Audio Description Project       Find out more at https://acb-community.pinecast.co

Alyscia is an independent filmmaker that believes inclusivity includes disabled audiences, and she's included closed AD in her screenings. She shares her process in this short and insightful interview.

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description. RNIB Connect Radio's Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the NT and a couple that are available online with audio description via NTatHome.com. Audio described performances included:  Here We Are - Saturday 31 May, 2.15pm, touch tour 12.15pm and Thursday 26 June, 7.30pm, touch tour 5.30pm, National Theatre's Lyttelton Theatre London Road - Friday 20 June, 7.30pm, touch tour 5.30pm, National Theatre's Olivier Theatre Nye - Saturday 26 July, 2pm, touch tour 12noon and Friday 8 August, 7.30pm, touch tour 5.30pm, National Theatre's Olivier Theatre From NTAtHome.com with audio description David recommended ‘Life of Pi' and ‘The Other Place'. To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.uk And for more about NTatHome.com and to view many theatre productions online with audio description do visit - https://www.ntathome.com (Image shows National Theatre logo, A capital N and T in black against a white background)

In this exciting episode of ADNA Presents, host Roy Samuelson welcomes Lee Pugsley and Alex Howard from the Dark Room Podcast. Lee Pugsley, a visually impaired actor, producer, writer, and director, shares his passion for storytelling and accessibility in media. Alex Howard, an accessibility consultant and co-host of the Dark Room podcast, joins the conversation to discuss the importance of AD. They delve into their love for AD, the reasons behind starting their podcast, and the gaps in understanding and quality within audio description. They also touch upon their positive and negative experiences with feedback from the industry, and envision a future where audio description is universally present. Tune in for an enlightening discussion that also covers their personal wishlist for the future of audio description and how you can advocate for better accessibility in media.

Each month, RNIB Connect Radio's Allan Russell talks with Anne Hornsby from MindsEye Description to look at some forthcoming events with Audio Description. AD makes television, movies, galleries  and other arts events more inclusive, accessible and enjoyable for blind and partially sighted people. This month they're looking at a recent teaching trip to Albania plus performances of The 39 Steps and Bat Out Of Hell. If you'd like more information on audio described events, go to www.mindseyedescription.co.uk #RNIBConnect Image Shows Anne Hornsby from MindsEye Description, At The Microphone

20250403 Audio Description, Poetry, and more! Originally Broadcasted April 3, 2025, on ACB Media 5   Participants joined Malissa Hudson as she welcomed Inger Tudor—audio description narrator, voiceover actor, and poet. In celebration of our 5th anniversary, Inger read a poem on community. Be inspired! Sponsored by: High Priest Productions     Find out more at https://acb-community.pinecast.co

To make the beauty and grandeur of nature accessible to everyone, Bartram's Garden teamed up with a local audio describer and visually impaired accessibility consultant to produce audio descriptions of three gardens on their grounds. Join White Canes Connect contributor Simon Bonenfant, as he speaks with audio describer Beth Feldman Brant, along with Accessibility Coach Charmaine Parrish, about everything you need to know as part of this exciting initiative! Recorded audio descriptions include a Know Before you Go, detailing an introduction and orientation to the Welcome Center, Ann Bartram Carr Garden, the Historic Bartram House, and the Common Flower Garden. You can access the recordings here. https://www.bartramsgarden.org/audio-descriptions/ The audio descriptions will be debuted at the upcoming Bartram's Garden Spring Fest on Saturday, April 19. The fest runs from 10:00 to 2:00 PM, with the audio description portion from 12:30 to 1:30. Here is a description of what to expect.  “As part of Bartram's Garden's SpringFest event, join Beth Feldman Brandt and Charmaine Parrish for a guided walking tour featuring their new audio descriptions of select areas of the Garden, including the Ann Bartram Carr Garden, the Historic Bartram House, and the Common Flower Garden.  After we tour together using the recorded descriptions, you are invited to share refreshments and community, and to give feedback on the experience.  Friends and family are also welcome!  Note that while this tour is designed for safe navigation by people with visual impairments, exploring other areas of the Gardens is best done with a sighted companion. Registration is encouraged but not required. Register at https://www.bartramsgarden.org/event/audio-description-tour/.  Light refreshments will be served. In the event of inclement weather, this tour will be rescheduled for Saturday, May 10 at 10 AM. These audio descriptions were provided by Beth Feldman Brandt and Charmaine Parrish as part of the Sowing Excellence Awards, a collaboration of the IDEA Center for Public Gardens and the U.S. Botanic Garden. We are also grateful for the expertise of  Sarah Pharaon as well as staff members Mandy Katz and Emily Constantino in supporting the creation of these audio descriptions.” Those wishing to utilize the service should prepare to bring their mobile device and, if preferred, headphones for the best listening experience. After the 19th, anyone is welcome to come to the specified gardens and listen to the audio descriptions whenever the gardens are open! You can learn more about the project by reading the following article.  https://www.bartramsgarden.org/new-tools-for-garden-visitors-with-low-vision-created-by-local-accessibility-advocate-and-philly-poet/  To contact Bartram's Garden, give them a call at: (215) 729-5281 or send them an email at: info@bartramsgarden.org To contact Beth, go to https://www.brandtwords.com/aboutcontact.html. To contact Charmaine, send her an email at Hi@ABLEphilly.com.    Interested in receiving the most up-to-date information about monthly audio described offerings? Send an email to adlearningnetwork@gmail.com to be added to their monthly newsletter! Have you attended an audio-described event before or have comments about this upcoming event? We want to hear from you! Give us a call at: 267-338-4495 or send us an email at: whitecanesconnect@gmail.com Like what you hear from White Canes Connect? Please support the National Federation of the Blind of Pennsylvania at https://www.nfbofpa.org/give/.

Each month, RNIB Connect Radio's Allan Russell talks with Anne Hornsby from  Mind's Eye to look at some forthcoming events with Audio Description. AD makes television, movies, galleries  and other arts events more inclusive, accessible and enjoyable for blind and partially sighted people. This month they're looking at a footballing classic, a staple of high school English lessons and Anne's got some travel news too. If you'd like more information on audio described events, go to www.mindseyedescription.co.uk #RNIBConnect Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

Accessible communication with Josélia NevesJosélia's name came up when I was doing some research about an upcoming episode on audio description. That episode is coming soon, but when I discovered all the other things that Josélia is doing, I decided it would be good to have a conversation with her on her own so that we could explore her work in more depth.We talked about:

20250321 Diversity and Representation in Audio Description Originally Broadcasted March 21, 2025, on ACB Media 6   A panel of audio description professionals discussed what diversity and representation in audio description is like now, what it can be, and what it looks like in the industry itself.   Sponsored By: Audio Description Project     Find out more at https://acb-community.pinecast.co

New for 2025! On The ADNA Presents podcast, host Roy Samuelson dives deep into the heart of disability inclusion in the workplace with two powerhouse guests: Melody Goodspeed and Mindy May. Melody, Associate Director of Development at the American Foundation for the Blind (AFB), shares how authentic storytelling and connection can inspire donors and corporations to invest in accessibility, not as charity, but as a strategic advantage. She sheds light on the damaging impact of outdated perceptions of blindness and challenges companies to reframe inclusion as a pathway to excellence and innovation. Mindy, a certified career coach and HR strategist, reveals how bias still blocks opportunities for disabled professionals, and what leaders can do about it. From inclusive hiring practices to mentorship and accessible tech, she outlines actionable steps companies can take to create workplaces where everyone can flourish.   Together, they explore how accessibility benefits us all, with real-world examples like curb cuts and closed captions - and how small, intentional shifts can transform company culture, boost retention, and spark meaningful engagement. They also discuss the surprising value of integrating audio description into workplace settings as a tool for deeper inclusion.   Their message? Start small, lead with empathy, and let connection drive change.

The Audio Description Association (ADA) is looking for blind and partially sighted people to join their new VI audio description users discussion group.  RNIB Connect Radio's Toby Davey was joined by Yusuf Osman from the audio Description Association to give a bit of background to ADA before explaining more about their new VI Group, what it is all about and the benefits for blind and partially sighted people of joining the group and having the opportunity to discuss their experiences of audio description . To find out more about the new VI Group do email vigroup@audiodescription.co.uk and for more about the Audio Description Association do visit their website - https://www.audiodescription.co.uk (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

The Mic Drop: Roy Samuelson Chats with Eagles Voice Bill Larson Roy Samuelson interviews Bill Larson, the voice of the Philadelphia Eagles and a passionate audio description performer. Despite their differences, both fields demand precision, preparation, and a deep connection with the audience. Bill's journey into audio description was accidental but life-changing. "Once I realized how many people rely on AD, I was hooked," he says. His announcing background helps him bring the same energy and timing to AD, ensuring audiences stay immersed. "Whether it's a touchdown or a dramatic scene, people count on me to deliver," Bill shares. His advice? "Prepare relentlessly and never give up." Find Bill's work at Bear Hug VO—a name as warm as his voice.

In this session, Laura Wilkinson and Ben Fredericks talk about the development process for incorporating accessibility in their immersive show "Choosing Children" from the outset of the creative process, the lessons learned, and where accessibility in immersive can go from here.Choosing Children was a dramatic and interactive live spectacle for an intimate audience, which aimed to be fully accessible and inclusive. Audiences could request British Sign Language, Audio Description, and/or Captioning in every performance through an integrated Access System.This talk was recorded at the Immersive Experience Network Summit in October 2024 and is supported by Arts Council England and our industry partners Illusion Design & Construct, Mance Communications, White Light, Deterministic, Immersif, d&b audiotechnik, Scene2, Little Lion Entertainment, Entourage, and Vista Insurance.Discover more content from IEN: https://immersiveexperience.network/articles/ Hosted on Acast. See acast.com/privacy for more information.

In today's episode of Double Tap, Steven Scott and Shaun Preece dive into a jam-packed inbox, unpacking listener feedback on everything from AI in audio description to the social implications of the so-called “blindness uniform.” They debate the pros and cons of TTS (Text-to-Speech) in audio description for Netflix shows, weighing accessibility against the loss of human nuance. Is TTS good enough, or does it cheapen the experience?Listeners also chime in on the WeWalk Cane usability, raising questions on using it left-handed and the implications for sensor accuracy. The conversation then takes a philosophical turn as Negative Julian challenges the notion that sunglasses are part of the “blindness uniform,” sparking a deep dive into societal perceptions and the context behind using blindness indicators.The episode also explores the latest in smart glasses technology. From Meta's AI-powered Ray-Bans to Samsung's upcoming prototypes, the discussion covers current limitations like battery life, language support, and the practicality of ChatGPT integration. Are we on the brink of true AI-enhanced vision?There's also an enlightening discussion on disability advocacy, identity politics within the blind community, and how internal and external pressures shape perceptions.

Audio Description for live events is ever evolving. Let's talk about how AD is offered, and differences in preferences, with Art Consultant Christine Malec.Unlocking stories one voice at a time, Steven Vine brings us his newly released podcast, The Disability DiariesPlus, Protein gets all the hype, but fibre is the real MVP. Chef Mary Mammoliti has five high-fibre pantry staples you need to stock up on—your gut will thank you. Find Kelly & Company on YouTube!About AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaIncEmail feedback@ami.ca

As the national Theatre continues to make their productions accessible to everyone on Wednesday 5 February 2025 1,000 primary school children from within Greater London attended a schools performance of ‘Ballet Shoes' in the National Theatre's Olivier Theatre with audio description and a pre show touch tour for the young visually impaired children from the primary schools too. The live description for ‘Ballet Shoes' was delivered by Eleanor Stollery, a young visually impaired Actor, Voice Over Artist and Audio Describer who had previously delivered the live description for the national Theatre's schools performance of ‘The Witches' too.  RNIB Connect Radios Toby Davey went along to the schools performance of ‘Ballet Shoes' with Eleanor's live audio description and firstly explored through touch some of the props from ‘Ballet Shoes' that were on display as part of the pre show touch tour for the young visually impaired children.  As part of the touch tour there was also a ballet lesson for the young visually impaired children so that they could experience some of the ballet moves that feature in ‘Ballet Shoes'.  Shortly after the ballet lesson Toby caught up with a group of visually impaired Primary School children to find out how they had found the touch tour and that ballet lesson.   Toby also chatted with Ellara Wakely, Head of Schools Engagement at the National Theatre to find out more about why the National Theatre wanted to make the schools performance of ‘Ballet Shoes' accessible to young visually impaired children. Toby of course also caught up with Eleanor just after the end of the performance to find out how it had all gone for Eleanor delivering the live audio description for Ballet Shoes' at the national Theatre's Olivier Theatre. To find out more about the National Theatre's programme, opportunities and resources for primary, secondary, further education or at SEND/SEMH schools do email LetsPlay@nationaltheatre.org.uk or visit - https://www.nationaltheatre.org.uk/learn-explore/schools/ And for more about access at the National Theatre including details of audio described performances, do visit - https://www.nationaltheatre.org.uk/your-visit/access/ (Image shows one of the children on the touch tour being shown one of the props from the production, an animals skull mounted on a wooden plaque. Photograph credit Natalie Mitchell)

Is this the first TWD episode that many (most?) fans generally don't like much? As such, it was really fun to re-examine it, and we're happy to be joined by Nathan Eshelman, who's a fan of the episode and especially of Tara. Links:Panels at Walker Stalker with Meyrick Murphy (Meghan), Brighton Sharbino (Lizzie), Emma Bell (Amy), and Addy Miller (Teddy Bear Girl): https://podcastica.com/podcast/the-cast-of-us/episode/152-emma-bell-brighton-sharbino-madison-lintz-addy-miller-meyrick-murphy Nathan's writings about horror movies at “Hack or Slash”: https://www.hackorslash.live/search/?q=Nathan+eshelmanThe Zedhead Show 23: TWD Musings & Trivia w/ Nathan & Karen: https://www.patreon.com/posts/zedhead-show-23-72163751What is Audio Description?: https://www.youtube.com/watch?v=i_GrYOruY7w Next up: Finally getting back to Silo, with S2E7-10. Let us know your thoughts!You can email or send a voice message to talk@podcastica.com. Or check out our Facebook group, where we put up comment posts for each episode, at facebook.com/groups/podcastica.Check out all our other shows at podcastica.com. Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi • Or go to buymeacoffee.com/cabassi for a one-time donation.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Each month, RNIB Connect Radio's Allan Russell talks with Anne Hornsby from MindsEye Description to look at some forthcoming events with Audio Description. AD makes television, movies, galleries  and other arts events more inclusive, accessible and enjoyable for blind and partially sighted people. This month they're looking at a classic theatre show, a world premiere dance production and a must attend festival in Liverpool. If you'd like more information on audio described events, go to www.mindseyedescription.co.uk #RNIBConnect Image Shows Anne Hornsby from MindsEye Description Sitting In front Of A Microphone

In this episode of Double Tap, hosts Steven Scott and Shaun Preece discuss the launch of Tapestry, a new app designed to consolidate social media feeds, podcasts, and more into one easy, accessible platform. They interview Gedeon Mayheux from The IconFactory, who shares insights on the app's development, its Kickstarter success, and the importance of accessibility for blind users. The conversation covers the app's features, user experience, and future developments, emphasizing the community's role in shaping the app's functionality. There's also more of your feedback, including the challenges and joys of using Braille, the evolving landscape of AI in narration and the joys of community volunteering.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Tapestry: A New Social Media App09:50 Accessibility Features and User Experience15:03 Navigating Content: RSS, Podcasts, and YouTube20:05 Managing Social Media Feeds and Muffles25:12 Future Developments and Pricing Structure31:34 Feedback: RV Jim's Journey39:09 Feedback: Exploring Braille and Technology50:08 Feedback: AI vs Human Narration57:44 Feedback: Volunteering and Community Engagement

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description. Our Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the National Theatre and a couple that are available online with audio description too via NTatHome.com. Audio described performances included: Lynette Linton Directing Michael Abbensetts' seminal comedy, illuminating the Guyanese experience of 1970s London and the aspirations and sacrifices of the Windrush generation in ‘Alterations' 'Alterations' audio described performances - Saturday 15 March, 2.30pm, touch tour 12.30pm and Friday 28 March, 7.30pm, touch tour 5.30pm, national Theatre's Lyttleton Theatre. Then to the return to the National Theatre of ‘Dear England', James Graham's Olivier-Award winning examination of nation and game which reflects on Gareth Southgate's final chapter as England manager. ‘Dear England' audio described performances - Saturday 12 April, 2pm, touch tour 12noon and Friday 23 May, 7.30pm, touch tour 5.30pm, National Theatre's Olivier Theatre.  From NTAtHome.com with audio description David recommended ‘The Hot Wing King' and ‘Dear Octopus' both available from NTAtHome.com. To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.uk And for more about NTatHome.com and to view many theatre productions online with audio description do visit - https://www.ntathome.com (Image shows National Theatre logo, A capital N and T in black against a white background)

Today on the show, Steven Scott and Shaun Preece discuss the latest advancements in wearable technology for the blind people, focusing in particular on a new product from French company Kapsys.In the news today they also discuss the GA Conf Awards, which recognizes efforts in game accessibility, and they talk about Blazie's new integration of ChatGPT for JAWS users, exploring the implications and potential of these technologies.Our App of the Week this time around comes from Brian Counter, who demonstrates the Talking Tuner app for iOS that helps people tune their guitars accessibly and independently.Plus there's more listener feedback on AI-generated audio descriptions for audiobooks, and personal experiences navigating social interactions with disabilities.Mentions:Kapsys KapX Wearable - https://groups.io/g/tech-vi/message/8546GA Conf Awards - https://www.gaconf.com/gaconf-awards-2024/Blazie Agent for JAWS users - https://www.blazieagent.comTalking Tuner app for iOS - https://apps.apple.com/gb/app/talking-tuner/id421065079Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Intro02:23 Kapsys and Their New Wearable Technology KapX14:16 GA Conf Awards and Game Accessibility21:51 Blazie's New ChatGPT Integration for JAWS Users30:12 App of the Week: Talking Tuner37:50 Listener Feedback: AI in Audio Descriptions48:20 Listener Feedback: Navigating Social Interactions with Disabilities

As the Six Nations rugby tournament kicks off, Hywel Davies has been hearing about how ITV are making matches more accessible for fans at home.

20250123 Nothing About Us Without Us, A Career in Audio Description Originally Broadcasted January 23, 2025, on ACB Media 6   Have you ever considered a career in audio description? Do you ever dream about narrating, writing, editing, or working in quality control? Participants  joined three blind/low vision individuals who work in the field of audio description. They learned about what they do and what it takes to work in the industry.   Sponsored by: Audio Description Media Sub-Committee   Find out more at https://acb-community.pinecast.co

Alex Howard is a host of The Dark Room podcast and is a self-described cinephile. He is all about the implementation of Audio Description for all movies and is an advocate for the blind and low vision community in the film and TV industry. He joins Grant Hardy on The Pulse to talk about compelling AD tracks, navigating sight loss and adapting his hobby of watching movies through his sight loss journey. Plus, Alex gives us a glimpse at some of his picks for Best Picture at the Oscars, and some other award-winning or nominated films that contain disability representation.  Find us on Twitter: @AMIaudio #PulseAMITo contact the Pulse: feedback@ami.caCheck out our website: https://www.ami.ca/ThePulseAbout AMIAMI is a not-for-profit media company that entertains, informs and empowers Canadians who are blind or partially sighted. Operating three broadcast services, AMI-tv and AMI-audio in English and AMI-télé in French, AMI's vision is to establish and support a voice for Canadians with disabilities, representing their interests, concerns and values through inclusion, representation, accessible media, reflection, representation and portrayal.Learn more at AMI.caConnect on Twitter @AccessibleMediaOn Instagram @accessiblemediaincOn Facebook at @AccessibleMediaIncOn TikTok @accessiblemediainc

Transcript: rmad.ac/AIAe066Nicole Cyrille is an actor, voice-over artist, and disability advocate focused on fostering inclusion and authentic representation in entertainment. With a diverse background on stage and screen, Nicole brings powerful performances to life across genres. As a voice-over artist, she lends her voice to characters and narrations with versatility and emotional depth. She also performs Audio Description for shows like Grey's Anatomy and provides live Audio Description for high-profile events such as the Grammys and Tonys, making content more accessible to everyone.Beyond her craft, Nicole is a committed advocate for breaking down barriers for performers with disabilities. She champions authentic casting, accessible production spaces, and fair treatment for disabled artists. Recognized for her leadership, Nicole collaborates with industry professionals to promote inclusion and expand opportunities for disabled talent. Through her art and advocacy, Nicole is reshaping narratives around disability and proving that diverse representation enhances storytelling for all.Connect with Nicole:Nicole Cyrille (@nicole.cyrille) • Instagram photos and videosNicole Cyrille (@nicole.cyrille) • Threads, Say moreNicole Cyrille (@nicolecyrille.bsky.social) — BlueskyConnect with the Rocky Mountain ADA Center at RockyMountainADA.org or find us on social media. Don't forget to subscribe, rate and review us on Apple Podcasts, Stitcher, Spotify, or anywhere else you get your podcasts!

In this festive episode of Double Tap, hosts Steven and Shaun are joined by the stars of AMI, including Jacob Shymanski, Ramya Amuthan, and Kelly MacDonald, who come together to celebrate Christmas Day. They share light-hearted banter about their holiday attire, discuss the changes at AMI-audio over the year, and delve into the evolution of shows like Kelly&Co and AMI Today. The episode is filled with humor, camaraderie, and insightful discussions about media and literature. Amongst other topics, they explore the nuances of audiobooks and audio description, discussing the performance aspect of audiobooks, the accessibility they provide, and the interpretation of media. They delve into the value of audio description in enhancing the viewing experience for the visually impaired, while also touching on personal experiences with technology and Christmas traditions. Come join the party!Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Festive Cheer11:03 Changes at AMI and New Shows19:25 The Role of Audiobooks in Literacy27:10 Debating the Nature of Reading28:35 The Performance of Audiobooks32:46 Accessibility and Interpretation in Media36:59 The Value of Audio Description42:01 Tech Talk: Gadgets and Innovations53:44 Christmas Traditions and Celebrations

It's an all new end of the year That Real Blind Tech show. Yes, we know it has been awhile since our last episode, so we got Allison, Brian, David, and Ed together to record one final episode before the end of the year.   We kick the show off discussing the biggest story of the year. The NYC and New Jersey Drone phenomenon. And just in case they are from another planet, let us from That Real Blind Tech show be the first to say welcome back E.T.   We then discuss the shopping site innosearch.ai.   We then discuss the Solos airGo 3 Glasses and the new Solos AirGo V glasses. Gemini 2.0 is here with real time video, kind of. You can access the real time video at www.aistudio.google.com. Meta Ray Bans is introducing live video in the Meta Early access plan. You can sign up for early access to features here.   The FBI has warned that two factor SMS authentication is not secure after the worst hack in U.S. history.   Amazon is bringing accessibility improvements to fireTV, but one giant thing is missing from all of it.   We then move our focus to 2025, as it is coming up quicker then you think. We discuss whether or not 2025 will finally bring the SmartHome revolution we have been waiting for.   One Arizona school is looking to get rid of all their Teachers, yes, no teachers!   Apple is already being pressured to drop A.I. News Summaries.   ChatGPT now has a phone number you can call when not connected, disappointingly, it is not 8675309.   The EU is considering demanding that Apple open air Drop to everyone. And the EU will be enforcing stricter accessibility guidelines as of June 2025.   We then discuss our favor Holiday movies with Audio Description. And yes, Die Hard is a holiday movie! We then discuss what we are looking forward to in 2025.   And it's more of Watcha Streaming, Watcha Reading.   We close with a somber goodbye to our friend John Panarese. You will be missed. Thanks for all of your help over the years.   To contact That Real Blind Tech Show, you can email us at ThatRealBlindTechShow@gmail.com, join our Facebook Group That Real Blind Tech Show, join us on the Twitter @BlindTechShow , or leave us an old school phone message at 929-367-1005.     

In this festive episode, the hosts reflect on the year 2024, discussing major tech stories, including the revival of AppleVis, the anticipation surrounding the Glide device, and innovations showcased at CSUN. They also delve into the evolving landscape of hearing technology and its implications for accessibility. They also discuss audio description, the rapid evolution of AI technology, and the future of assistive tech. Steven also welcomes Brian Comiskey, the Futurist at the Consumer Technology Association, to discuss what's coming up at CES 2025 and the expectations surrounding new tech developments.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Festive Greetings04:57 Reflecting on 2024: Major Tech Stories11:56 The Glide Device: Anticipation and Skepticism18:05 Innovations from CSUN: Accessibility Tech23:04 Hearing Technology: Bridging Gaps and Stigmas28:52 Siri's Shortcomings and User Expectations35:57 Exploring New Technologies Coming Up At CES 2025

In this festive episode of Double Tap, Shaun and Steven engage in a lively discussion filled with holiday cheer, listener emails, and reflections on technology accessibility. They explore various topics, including smart thermostats, voice assistants, and the evolving landscape of audio description, all while sharing personal anecdotes and insights from their audience.In this episode, the hosts discuss various themes surrounding accessibility, personal experiences with cochlear implants, and the complexities of navigating sight loss in society. They talk about the importance of community, identity, and the need for open conversations about disability.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Intro05:56 Smart Thermostats: Accessibility and Functionality12:02 Text-to-Speech in Audio Description17:56 Getting Out To The Theatre and Audio Description28:00 Reflections on Accessibility and Community33:04 Cochlear Implants: A Personal Journey49:31 Identity and Community: The Blind Experience55:47 Gratitude and Looking Ahead to 2025

In this episode, your host Melody Goodspeed sits down with the audio description team for the AFB documentary film Possibilities (2024). She's joined by AD producer Roy Samuelson, AD writer Colleen Connor, AD QC specialist Serina Gilbert,AD performer Sautana Howery, and AD writer Bridget Melton. The team shares the unique approach they took toward creating open audio description for the film, as well as offer a behind-the-scenes look at the audio description craft and the work it takes to make compelling audio description. AFB Possibilities is a production of the American Foundation for the blind, a podcast that focuses on life, culture, and inclusion for people who are blind or have low vision. AFB Possibilities is produced and edited by Tony Stephens at the Pickle Factory in Baltimore, MD with digital media support by Kelly Gasque and Breanna Kerr. The theme music is by Zizo, compliments of ArtList.IO.. To learn more about AFB, or to help support our work, visit www.afb.org. Be sure to like and subscribe, and you can visit the podcast page at: https://afb.org/news-publications/media/afb-possibilities-podcast This podcast is powered by Pinecast.

In the lead up to Christmas and with many productions of what is a real classic festive ballet treat The Nutcracker, what might it be like going to an audio described ballet performance from a blind or partially sighted persons point of view.  Well for a bit of a festive audio described theatre review RNIB Connect Radio's Toby Davey was not only joined by ITV News Inclusion and Diversity Consultant Vidar Hjarding MBE but also by our very own Allan Russell to go on a magical journey through a number of ballet productions of The Nutcracker. Following the whole AD experience from the pre-show introductory notes, to the touch tour prior to the performance and then to the live audio described performance itself. Allan reflected on going to see the recent Scottish Ballet production of The Nutcracker with Vidar looking back on many performances of Birmingham Royal Ballet's production of The Nutcracker which he has seen many times with audio description. To find out more about Scottish Ballet's access offer do visit - https://scottishballet.co.uk/discover/access/ And for more about Birmingham Royal Ballet do visit - https://www.brb.org.uk Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

20241216 Tis the season to celebrate Audio Description and Holiday Movies Originally Broadcasted December 16, 2024, on ACB Media 6   Participants grabbed their eggnog and sat by their fireplace and joined the Audio Description Project along with 3 blind film critics to discuss audio description and your favorite holiday movie.   Sponsored by: the Audio Description Project Media committee   Find out more at https://acb-community.pinecast.co

For more than 30 years, Bonnie Barlow has been involved in the narration and writing of audio description for the theatre, television, feature films, museums, historical sites, and more. Bonnie gives us an introduction to the role of an audio description specialist and her professional approach to providing accessible services for people who are blind and visually impaired. Bonnie is also a trainer of other audio description specialists and shares some of the foundational lessons and core principles she teaches.

In this special episode of Double Tap, Steven Scott and Shaun Preece are joined by tech guru Michael Babcock to tackle listener questions. As always, the conversation is packed with tips, tricks, and a bit of chaos.  Steven kicks things off by talking about his switch from VMware Fusion to Parallels for running virtual machines on macOS. He shares how it's made his life easier, especially with keyboard shortcuts and overall functionality. Meanwhile, Michael offers his own insights into navigating macOS and Windows simultaneously without losing your mind.  One listener asks for advice on marking frozen foods in a chest freezer without braille. The team dives into solutions like tactile markers, elastic tags, and tech options such as PenFriend and NFC tags, with plenty of laughs along the way about the quirks of cooking when you can't see what's in the freezer.  Michael also takes on a great question about learning VoiceOver gestures on iPhone. If you've ever struggled with swipes, taps, or understanding the rotor, he's got you covered with recommendations like Apple's built-in VoiceOver tutorial and the VO Starter app.  Headphones are another hot topic. From bone conduction options like the Shokz OpenRun Pro to Apple's AirPods, the guys break down what works best for audiobooks, walking, and staying aware of your surroundings. They even touch on budget-friendly alternatives that won't break the bank.  Steven revisits his take on the Apple Watch after recently upgrading. Spoiler alert: He's found new love for its navigation features, health tracking, and Apple Pay convenience, though he admits it's still not perfect for everyone.  For listeners curious about video accessibility, Michael explains how to use the Seeing AI app to make sense of videos and suggests ways to convert formats if needed. They also troubleshoot transferring files between iPhones and the Victor Reader Stream, exploring options like USB-C adapters and SD card readers.  Mac vs. PC debates resurface as the team discusses whether switching to macOS is worth it. Michael shares his tips for tackling the learning curve, while Stephen reflects on how the Mac has become a powerful tool in his workflow.  The episode wraps up with advice on how to amplify specific voices in noisy environments. Whether it's using the iPhone's Live Listen feature with AirPods or investing in a personal listener device, there's plenty of practical info for making family gatherings (or avoiding them!) a little easier.  It's another jam-packed episode full of tech, accessibility tips, and laughs!Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Intro06:02 Virtual Machines and Software Choices11:58  Accessibility in the Kitchen18:08 Understanding VoiceOver Gestures and Controls24:46 Audio Devices: Recommendations and Comparisons31:55 The Apple Watch: A Personal Perspective30:16 Utilizing Seeing AI for Video Accessibility36:02 Transferring Files Between Devices40:30 Transitioning from Windows to Mac49:10 Enhancing Conversations with Technology56:20 Navigating Blindness: Resources and Communities01:02:40 Dog Ownership and Blindness: Practical Tips

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description. Our Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the National Theatre and a couple that are available online with audio description too via ntathome.com. Audio described performances included: The much loved best-selling book ‘Ballet Shoes' is spectacularly reinvented for the stage in a new adaptation by Kendall Feaver. ‘Ballet Shoes' will be audio described on Saturday 21 December at 1.30pm with  touch tour at 11.30am and on Thursday 30 January at 7pm with a touch tour at 5pm in the National Theatre's Olivier Theatre. Max Webster directs a joyful and flamboyant reimagining of Oscar Wilde's most celebrated comedy ‘The Importance of Being Ernest' with Olivier Award-winner Sharon D Clarke, Ncuti Gatwa and Hugh Skinner in this hilarious story of identity, impersonation and romance. ‘The Importance of Being Earnest' will be audio described on Friday 10 January at 7.30pm with a touch tour at 5.30pm at the National Theatre's Littleton Theatre.  From ntathome.com with audio description David recommended ‘Vanya' and ‘Nye' both available from ntathome.com. To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.uk And for more about ntathome.com and to view many theatre productions online with audio description do visit - https://www.ntathome.com (Image shows National Theatre logo, A capital N and T in black against a white background)

Today on the show, Steven and Shaun discuss the new Lotus Smart Switches and hear listener insights on sight loss and the challenges of learning Braille.The guys begin with a short demonstration of the new Lotus Smart Switches from listener Kevin Chao, who shared a video unboxing of the switches and the easy set up process that goes with them.There's lots of interesting topics in the inbox as usual, including the desire for more braille learning opportunities for later learners, the meaning of blind culture compared to other disability cultures, the state of Microsoft and its ARM ambitions, and what exactly UV light does for a water bottle.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Intro05:22 Exploring Smart Home Solutions: Lotus Smart Switches11:24 Learning Braille: Challenges and Recommendations17:37 Navigating Vision Loss: Personal Experiences23:25 UV Water Bottles and Be My Eyes30:01 The Impact of Cochlear Implants on Deaf Communities36:01 Understanding Accessibility and Technology Use41:24 Braille Technology and Its Evolution47:55 ARM Technology and Its Implications53:45 The Future of Audio Description in Live Events

In this episode of Double Tap, Steven and Shaun kick off the week with a lively discussion following listener emails, starting with Glendon, who shares an interesting television commercial about the checkered eye symbol for blind and low vision people. This sparks a broader discussion about the various symbols and methods used to indicate disabilities and the public's understanding of them.Frank writes in about his experience with OrCam's customer service and the challenges of dealing with tech issues. He also touches on the RNIB's banking problems and the frustrations of dealing with IT issues. The hosts discuss the importance of accessible tech and the need for better training and support.Leannda's email brings up the topic of Braille and its accessibility, especially after education. Steven and Shaun discuss the declining use of Braille and the importance of making Braille technology more affordable and accessible to ensure its continued use. They also touch on the recent changes in iOS 18 and the issues some users have faced with the eloquence voice disappearing.Mark from Perth shares his positive experience with Braille screen input on iOS 18 and recommends a helpful podcast episode from BrailleCast which can be found here: https://www.braillecast.com/podcast/x077/Gregory's email connects the recent news about Be My Eyes on Meta's mainstream glasses to the broader issue of universal design and accessibility. The hosts agree on the importance of making all products accessible to everyone and discuss the challenges of achieving this goal.Finally, Callum's message addresses the topic of Neuralink and the possibility of regaining vision. He shares his perspective as someone who has been blind from birth and expresses a desire to experience vision, despite the potential challenges. This leads to a thoughtful discussion about the varying opinions within the blind community on the topic of regaining sight.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:00:00 Intro03:05 Glendon's ‘Interesting' TV Ad05:36 Symbols for Disability Awareness15:44 Frank's Resolved Issues With OrCam19:55 Leannda's Thoughts On The Future Of Braille33:00 Mark's Experience Of Braille Screen Input37:00:Gregory's Thoughts On Teaching Braille To Kids45:19 Callum's Thoughts On Neuralink & Vision Restoration Perspectives

Today on the show Steven and Shaun discuss Apple's final announcement of the week - a new MacBook Pro with M4 chips inside. While not a major surprise Steven does share some interesting news he's found within the announcements.Also listener Norina gets in touch to share her frustrations with getting access to audio description on a TV channel she found playing Christmas movies, sending Steven into a rage and demanding Hollywood stars should be involved in this conversation!And listener CC in Montreal shares his recent issues with the latest iOS 18 upgrade on his iPhone.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.Chapter Markers:0:00 - Intro  4:34 - We Want Your Opinions of the Larq Water Bottle  10:53 - Steven's First Impressions of the Apple Watch Series 10  19:58 - Apple Announces the New M4 Powered Macbook Pro  43:21 - Feedback - Norina on Audio Described Christmas Movies  51:21 - Feedback - CC on iOS 18 Voices  

What can you do to keep your voice in tip-top shape? As podcasters, we use our voices a lot. Chances are, that essential instrument of yours has temporarily abandoned you in the past. Whether the symptom stems from getting sick or from overuse, waking up to croaks, rasps, or silence is an awful feeling, especially if deadlines or interviews are looming. In this timely episode, Mary returns to the mic on the heels of her own voice loss to talk swollen vocal folds and slug tongue with Nic Redman, a vocal coach and voiceover artist who has spent almost 20 years helping professional speakers hone their voices. Nic is a font of healthy voice inspiration, sharing everything from the importance of hydration (and the truth about which beverages count) to warmups that will get your tongue trilling, your lips flapping, and your vocal cords folding. Come to terms with what you can and can't control about your listener's reaction to your unique voice and be reminded about what a privilege it is, literally and figuratively, to have a voice. This episode is packed with light science and exaggerated facial expressions you can practically see, all in the interest of keeping you talking for years to come. Join Nic and Mary for interactive vocal warmups and other voice health tips: Silly faces and weird noises that can help your voice even when you're sick Why you need to get out of your own head and stop self-editing your voice How to sound just as energized at the top of your episode as you do at the end The benefit of vocal warmups beyond just keeping your voice healthy Links worth mentioning from the episode: Podcasting For Business Conference - https://pfbcon.com/ Enter to win a ticket to the conference by sending your voice note - http://www.VisibleVoicePodcast.com/ Listen to Episode 70, How to Use Research and Reports to Guide Your Podcast with Megan Dougherty - https://www.organizedsound.ca/how-to-use-research-and-reports-to-guide-your-podcast-with-megan-dougherty-episode-70/ Engage with Nic: Learn more about Nic's work on her website - https://nicolaredman.com/ Listen to the Voice Coach podcast - https://nicolaredman.com/voice-coach-podcast/ Get your copy of Nic's book at www.onthemicbook.com Connect with her on Instagram - https://www.instagram.com/nicredvoice/ Connect with Mary! Leave a voicemail with your feedback at https://www.speakpipe.com/VisibleVoice or email visiblevoicepodcast@gmail.com Get the full transcript of the episode at http://www.visiblevoicepodcast.com Read up on more secrets with the Visible Voice Insights Newsletter https://www.organizedsound.ca/newsletter To learn more or work with Mary, check out https://www.organizedsound.ca Link up on LinkedIn https://www.linkedin.com/in/marychan-organizedsound/ Engage on Instagram @OrganizedSoundProductions https://www.instagram.com/organizedsoundproductions Show Credits: Podcast audio design, engineering, and edited by Mary Chan of Organized Sound Productions Podcast cover art by Emily Johnston of Artio Design Co. Show notes written by Shannon Kirk of Right Words Studio Post-production support by Kristalee Forre of Forre You VA Transcript with Audio Description: for this particular consultation. MARY: Yes. Thank you. NIC: The first thing is definitely hydration. That's easy, right? Just drink loads. Loads, and loads, and loads of extra fluids. People get a bit hung up on what you can and can't drink. The truth about hydration is it's very, very simple. All fluids count except alcohol. I'm really sorry if that's your tipple. Just chase that whiskey with water. > You can drink tea. It will still help you hydrate systemically within the body, which will hopefully, at some point, help the vocal folds and the mucus and the vocal folds. Even coffee, shock, horror, it's still fluid, it still counts as systemic hydration in the body. There are some elements of diuretic, i.e. it makes you go to the toilet a little bit more. But the actual more recent research about coffee is that you would have to drink an absolute tonne of it for it to actually have any effect on your voice.  So people can relax about coffee, espresso, martinis, whatever you need before you hit record, it's fine. I mean, of course, the caffeine might exacerbate reflux or the dairy might have an impact on the thickness in your mouth, but you can still just have your coffee for hydration. So, look, just hydrate loads. Because if you're coughing or if you're ill and creating more mucus that's thick, you will need the extra fluids to help counterbalance that. The first thing is hydration.  Two easy things, hydrate and rest. But we all know that rest is not easy. Sometimes it's a privilege to say that rest is easy…  MARY: Mhmm.  NIC: …shout out to anybody with a job or caregiving responsibilities or small people in their lives…  MARY: Yes.  NIC: …but if you can rest, that can really help because your body needs time to process the illness. And the more you can rest, the quicker you'll get over it. If you have to, like, record straight away, like, there's no getting over it. There are some rehab exercises you can do, but I say this with caution because obviously, if you have no voice, sometimes there's nothing to do but rest. As in rest your voice as well. I always say to people, manage the expectations of the person who's expecting you to record.  So if you can at any, any possibility delay it, push it back, you know, give yourself an extra day, because you do want to be on point. And it's better waiting a day and be slightly after deadline and sounding great than, you know, showing up half-cocked, as it were.  So that aside, if you do need to record, there's a group of exercises called, um, well, shorthand. We call them SOVT or Semi Occluded Vocal Tract Exercises. And they're designed to help release tension in the body, in the vocal tracts, regulate the breath flow, the airflow, so that the vocal folds vibrate nice and easily. And when they're swollen a little bit, if you're ill, or covered in extra thick mucus, these exercises are really good at just waking them up, encouraging them to close in a more consistent and easy way, which makes speaking better. So those exercises, although they have a big fancy name, are very simple. It's just gliding up and down your range with a partially occluded mouth space. For example… MARY: Yeah, I need an example. NIC: …Yeah. Oh, it's fine. I've got loads. Uh, this one > gentle lip trill is a nice one. MARY: Oh, I love those. Yes. NIC: Those do elude some people, though, so please don't worry, they're not for everybody. And a couple of nice other examples are big puffy TH sounds. So if you stick your tongue out and let your cheeks get nice and puffy like a hamster or a chipmunk and just go as if you're. > You've got your tongue right, like you're doing a TH sound, you know, like this. > So imagine you're just saying this, but you never get past the TH. > MARY: That's a good one. NIC: Okay. These. > That creates exactly the same environment as the lip chill does in your sort of throat area. And then the other ones you can do are any puffy fricatives, really. So these sounds like a puffy V. > You want to be aiming for a lovely feeling. Like the sound is all vibrating at the front of the mouth, rather than stuck at the back. So you don't want, like, >...  MARY: Yeah, that would hurt. NIC: ...you just want to. > Or a Z > or because different accents and different languages have different sound inventories, a puffy worse sound, like you're, you know, you're doing a trumpet with your mouth. > MARY: I can totally picture you doing that. That's awesome. NIC: What a great job I have. I'm glad there's no video. > I've got my face on the Internet doing this far too much. So it's a real free treat to not have my face in. So those exercises, I won't go into the science of it, but basically they put your larynx in a really happy, easy, free place, and they make it really easy for the vocal folds to close.  So if you're ill, what you might find when you glide up and down. And you could try this if you want you might find a few gaps in that glide. So you might end up with something that sounds like M. > Right? Which is because there's swelling because you've been coughing a lot or there's a lot of mucus and mucus in the way. But the thing to do is just keep gently gliding and keep gently gliding because what you'll find is your body, your incredible brain and body go, oh, that's weird. We usually make a sign there what's going on, you know, and I mean, this is not obviously the science, like the, there's real proper neuron stuff happening here. But this is how my brain processes it. It like sends everybody to work fixing basically inside.  So if I'm used to going, > and my body goes, > then my brain's going to go, whoa, we need to fix that. There's something wrong. And it starts helping you. And basically it encourages the vocal folds to close nicely and that will help you sound a little bit more healthy, vocally healthy, and get the mucus moving as well. MARY: Oh, I like that because yeah, so I lost the voice on Sunday, didn't do anything without it. Sunday, Monday, Tuesday, got a little bit of it back. And I was doing some of this stuff yesterday because I thought, oh, like, what's taking it so long?  So I like your idea of like, the brain needs to make this happen. And so I think that's why I was like, ooh, today, yay. I have this interview. My voice is actually working for once all week. So this is nice. NIC: Oh, that's good. The other things I would add to complement the sort of comfort whenever you're getting through this is, people often love steaming. So taking a, well I have this peculiar looking sort of ceramic inhaler with a tube that looks a little bit dodgy to be honest, but you fill it with hot water and you suck on it gently and it's a really nice soothing in the vocal tract.  And then the other thing you can do as well is the sort of. The newest modern day version of steaming is using a nebulizer, like a personal nebulizer. So a little handheld device. There's one internationally you can get that's called VocalMist. They use a 0.9% saline solution and you use that for 10 minutes. And what it does is it helps the mucus on the vocal folds and it reduces, here comes the science, it reduces phonation threshold pressure for up to one hour, i.e. and makes your vocal folds vibrate more easily for a period of time. So they're really good for supporting your health, your vocal wellness, if you're under the weather. MARY: Wait, how does a nebulizer work? When you were describing it, I was thinking of those neti pots for your nasal sinuses. But is that similar? NIC: Yeah. So it's like an electrical device. If you Google, like, handheld, handheld nebulizer, you'll see it's like a little white sort of rectangular cube, like box, > I suppose, with a little spout on it. And you screw off the top, and you put a little vial of saline, note 0.9%. Very important. That's the same makeup as the saline in your body, as your mucus and stuff. And then you turn it on, and it mists, turns it into a mist.  MARY: Oh. NIC: And the mist actually reaches your vocal folds, which, with steaming, they're not sure. The droplets of steam actually hit the vocal folds. These days, the droplets of steam are bigger than the drops of mist, so it soothes your throat when you steam, and it helps thin out the mucus in your mouth. It feels nice. It's like an internal hug. But they're not actually sure if it gets to the vocal folds anymore. Whereas the nebulizer, the science and the research today, it currently shows that the mist does reach your vocal folds and hydrates them from the outside in. So the mist is absorbed at a cellular level because it matches the chemical makeup of the mucus in there, and therefore it creates a friendlier environment for the vocal folds.  So they're really good if you can get your hands on one. In the interest of disclosure, if I've been out to a party and had a few too many whiskeys, sometimes the next morning, a little hit on the nebulizer really helps bring my voice back to life. > I've been on the karaoke, doing a bit of a Bon Jovi. MARY: Yeah, those are the hacks that most people are, like, looking for. What's the hack? NIC: But, like, not pretend. We're all perfect. I have an episode of my podcast, actually, called how to keep your voice healthy during a festive party season. Nice. Because that's when I lost my voice, was when I went to, so I used to do a podcast called the Voiceover Social Podcast. And we have meetups, and I went to the Christmas do. I was already a bit under the weather because I host that party. It was like chat, chat, chat, chat, chat, like a wedding. And then my husband to stand up, and he was doing a gig in the evening, and me and a load of the people from that went to the standup gig. And were chat, chat, chat, laugh, laugh, laugh, chat, chat, chat. And I woke up the next day and I had no voice. I had no voice for 10 days and I lost almost a five figure amount of money in that week anyway. > So that's why I have that podcast episode and that's why I have all the hacks. MARY: Yes. Things we learn from our mistakes. NIC: Exactly. Win, learn, never lose.  MARY: Yep. Okay, so let's get out of the sickness mindset, but into the, when we're just doing our regular thing. We're going to be recording a podcast episode. Vocal warmups,  NIC: my favourite.  MARY: Okay. Honesty on my end. Now, even as a professional myself, you know, I do voiceover stuff too. I worked in radio, I know all the things. But there are many days that I don't even do proper warmups and I feel like it has to do more with the podcasting side. Like if I do the voiceover work, I'm doing the warmups. But when it comes to podcasting, it's more slack, I think today we're, we're trying to record so many different things for our show that we're like, we're going to do one task and the next task and the next task and we don't do the warmups.  So not necessarily looking for that hack or shortcut, but what can we be doing to quickly warm up before we go and set up our microphone for our recordings? NIC: Yes, I'm a big fan of, I suppose what, you know, they would call it the personal training world, compound exercises. So, you know, doing things that, that work multiple areas or doing a couple of things at once. So the very least I do, and I'm, I'm with you, Mary, because sometimes I drop the ball, or sometimes as a voiceover, something comes in and they need it back now, you know, and you have to jump in the booth. There's always time. There's always time to do something if I'm really honest with myself. But sometimes I take it for granted.  So what I love is, for example, a really, really simple one is some nice big, gentle kind of luxurious shoulder rolls and what I call a chewy hum. So you get a hum on the go that gets your lips nice and buzzy, but then you chew your lips roaring like you're eating something. So, again this is audio related, so I'll describe it as much as I can, but big shoulder rolls and then >. MARY: Like you're. NIC: And again with the hum, you're aiming to feel a really nice buzz at the front of the face, not > at the back, it really helps to kind of close your eyes and imagine you're eating something dead yummy. > I find if we're going to put an intention behind this, so you're. And then you can glide up and down your range. > It's a really good one. Oh, that felt really nice, actually. MARY: Yeah, that was great. NIC: So what you're getting there is you're releasing the shoulders, which is great for nervous tension, great for when you're on a microphone, because we often. The shoulders do a lot of our communicative talking for us as well. They're up, they're down, you know, so given the shoulders, release is really nice for the voice. The humming gets the lips released. It also encourages the voice forward a little bit, if we're thinking a bit like, sort of image based with resonance. And it also gets the airflow regulated. And, um, it gets the vocal folds vibrating and woken up as well.  And then, of course, when you glide light up and down, you're increasing the variety. You're showing your voice the high notes and the low notes that it can reach. Because a lot of the time with podcasting things, sometimes people feel they don't sound as vocally varied as they thought they did when they listen back. So, they listen back and they go, oh god, I sound really monotone or dull or. I thought I sounded more excited about that or something. So a very easy glide like that just shows your body the range that it's capable of, so it gives you more options. So that's one really good exercise.  And then I'm also a big fan of exercises that help you go straight into either, you know, practising your intro or practising a few questions. So there's an exercise again, grateful there's no video right now. But if you stick your tongue out on your lower lip like this was called, slug tongue. That's what it was called when it was taught to me, as in my book. I think if you want a picture, stick your tongue out on your lower lip and you're letting your mouth kind of relax down. If you imagine your best sort of Macaulay Culkin shocked face. MARY: Ah, yes. NIC: And that your tongue out and then you're going to speak through days of the week. Well, the first thing you can do is speak days of the week, months of the year and count one to ten with your tongue out like this. Monday, Tuesday, Wednesday, Thursday, Friday, like that. But what you can do with that one is take the intro of your podcast and say it with that slug tongue hanging out. So you're like, hi, thank you so much for joining me, welcome to the Voice Coach Podcast. My name's Nic Redman and today we're going to be talking about warm ups. Then you can take your tongue in and go, Hi, thank you so much for joining me today. Welcome to the Voice Coach Podcast. My name is Nic Redman and today we're going to be talking about warm ups.  So you're taught you're sort of practicing your intro to get your vocal energy going. You're sticking your tongue out, which sort of makes it harder. So that kind of wakes up the energy of the voice a little bit. You know, it wakes up those other articulators because when you put your tongue back in and you speak, it's like, oh, my god, this is so easy now. So that's a really good one for practicing with your intro or your questions. And, this is the final one. I mean, you'll have to just stop me at some point, Mary, because I could go on forever. > Like, I literally wrote the book on this. MARY: Yes. NIC: If you put your finger, pointy finger, horizontally across your lips, as if you were doing a moustache mime, you know, in a sketch show,... MARY: Yes NIC: …but down, lower, in front, like between your lips, and then you're gonna go. > And then you're going to glide up and down your range. >  MARY: Yes. NIC: Really nice for loosening the lips, getting the breath going, getting the vocal folds and the range going. But you can also do that one with your intro. So. > Hi, thanks for joining me today, my name is Nic Redman and this is the Voice Coach Podcast >  And then you can go straight into it with a really big vocal energy. Because some of my podcast clients say by the end of it, I'm really warmed up, but the start always feels a bit low energy and I always end up going back to re-record my intro because I feel like it doesn't match. Do you know how relaxed I was at the end? So this is a really good one because the last thing you want to be doing as a podcast is having to re-record and edit stuff. I mean, who can be bothered? > So doing this, > oh thank you so much, > gets the energy going so you can go in with a bang. MARY: I love this. And also because when, when I do this work too, with people that they're, like, really stuck on this, I need to sound professional thing. And I'm like, warm ups is not about professional, it's about being fun. It is about going outside of your comfort zone. And so we need to act silly. This is a silly thing… NIC: Yeah.  MARY: …And I feel like a lot of podcasters don't realize that even when they are behind the mic, they don't have to put on that professional hat. You know, this isn't a broadcast radio, BBC, NPR, CBC-type show. This is something that is about you and your message and your voice.  And so when we connected over Instagram earlier this year, it was really about how as speakers, we're not able to control how someone reacts to our voice. So there's two parts of this, right? It's the, listeners has their own work to do to figure out what's bothering them, but also, you yourself as the speaker, you've got some work to do too. So, tell me more about this. Expand on it. NIC: Yeah. So one of the things that I come across most with podcast host clients who come to me for help, both independent and in corporate space, is this idea that they're constantly focused on how they sound.  MARY: Mhm.  NIC: You know, podcasting comes through the filter of the edit, the production, the sound effects, the intro, how it looks, how I'm presenting it, what is my logo, what is my image, what is my tile for, like for Spotify and everything. And the same happens with the voice. And people are like, how should I sound? What do I sound like? I need to sound professional, I need to sound engaging. And they come to me and they go, I think I sound to X or I don't think I sound Y enough. And that's the problem for me is this self monitoring and editing of the voice when you're using it, rather than focusing on that connection with the listener and going, doesn't matter how I sound, it matters how they feel. And it's about sort of changing that focus, you know, so we did connect about that whole, I cannot control how someone hears my voice.  Your audience may or may not be aware of the intricacies of Irish politics, right? But I'm a Northern Irish person of a particular religion, right? Technically, people may hear my voice and get really angry because I sound how I sound. Right? If they're from a particular part of Northern Ireland, for example. Now, I cannot do anything about that, in the same way that you might have a listener who has a teacher that they didn't like that sounded like you once. So in their head they carry this vocal baggage with them, this auditory baggage that they kind of listen through a lens with.  So I always say to people, listen, who cares? Because you literally have no idea who's listening to you and you cannot do anything about it. All you can do is be as yourself on the microphone as possible. Or as whoever you need to be on the microphone as possible. And your listeners will find you. And the ones who you annoy will not stick around. And they're not your people anyway. MARY: Yes, Exactly. NIC: Because when we're worrying too much about how we sign, we forget about what we're saying. And that's the point. And funny enough, this links to warm ups. Mary. Because the reason I think warm ups are important is, yes, it's about saving time in the edit and in the record. So, A, you save money, B, you save sanity and your relationship with your editor. > But also, if you warm up, then your voice is ready and you don't have to think about it. And you could focus more on the words. You can focus more on the impact that you're having and the connection you're trying to make with the listener.  So warming up is incredibly generous for your listener and also really good for your voice. Because you are saying, this is important to me. It's not about being professional. It's about caring about what you do and caring that the information that you're going to say is getting to the people in the way that it needs to, to make them feel in the way that you want them to. MARY: I love that tie back into the vocal warmups because that was one of my thoughts. And I'm sure, like, a lot of people too, is like, when you said, who cares? Because I say that too. I'm like, who cares what other people think? It's about how you want and want to feel in this moment. But them who cares? Is easier said than done. So tying it back into that vocal warmup piece is so key. So thank you so much for making that connection and for sharing that. NIC: Yeah. Because it's, warm ups help you get to know your voice and enjoy it. And you said fun. You said warm ups are about having fun. And I completely agree with that. And you know, if you've got a guest, do them with the guest, because you're darn right that guest is going to be nervous or excited. Like, do a few with them. Break the ice, record it, don't record it, doesn't matter. Sure, it's all content, let's be honest. But, like, it's really, really generous, important to do your warm up.  And I have to say, you're right, loving your voice and appreciating how you sound and not caring how other people think you sound is a big piece. And I don't say that lightly because I have done a lot of work with people on that. But remember that if you're. If you're making the step to do a podcast and put your voice out there, you clearly believe you have something to say that is bigger than your ego around your voice. MARY: Actually, this new client of mine said the exact same thing where she's like, this is the biggest fear I have is sharing my voice. Because she used to be a journalist, it was more about writing, and she, now that she's got her podcast out there, she's just like, oh, oh, I'm so embarrassed with my voice. So, what would you say to someone like that who's still embarrassed about their voice? NIC: I would say to them, remember what a privilege it is to have a voice, both literally and figuratively. I have worked with many people who have a big voice baggage for very legitimate reasons. You know, whether it's bosses, or family members, or social circles who have told them their voice is not valid or that they are not worthy of being heard. But we have to take responsibility for the fact that we have a voice in the first place.  So we have to step up to that fear and go, it's incredible that I have a platform, and it's incredible and a privilege that I have a voice to start with. So you just have to kind of give yourself a shake, do the silly warm ups, listen to yourself over, and over, and over again. And the more you listen, the more you'll get used to yourself and your sound and the more you'll hear the beauty in it.  And just remember how amazing is it the only thing we have in podcasting that is unique. The only thing. I'm sorry if you think your idea for podcasts is the most unique thing in the world… MARY: No. NIC: …It is not. It will have been done before. The only unique USP you have in podcasting is your voice. And that's the truth. MARY: Yeah, that's right. I say that a lot because your voice is like a thumbprint. Everyone's is unique. Like, I sound similar to my older sister, sure, but it is still me. The way I say something, the tone, the words I use, it is still you. And I love that you bring that to the table as well.  So you've been working in the podcasting space. You have your own show too. What have you seen that's changed or shifted at all in regards to voice in the podcasting scene? NIC: Thankfully, we're seeing a lot more diversity than we were.  MARY: Yeah. NIC: There's still a lot of work to be done with giving the underrepresented shows more space and more possibility to grow, I think. But there's definitely more diversity out there, which is really exciting. And luckily, a lot more women… MARY: Mhmm. NIC: …which is exciting. As someone who identifies very much as female, this is a really hard thing to be objective about. I say that slowly because I always get subjective and objective confused. And I have to really say it really slowly for my brain to. So, because I am such a podcast nerd, I obviously listen to loads of podcasts, but I also have my preferences. So, I feel like what I think is exciting in podcasting is probably because of the podcasts that I listen to. > MARY: That's right. NIC: But I just love that it's still an open forum. If you have a phone and access to the Internet, you can do a podcast in theory. So I just love the fact that it's still. I know there's a bit more, you know, chitter chatter about things becoming more commercial and it losing some of its grassroots charm, but the truth of it is, anybody can still do it, which is pretty cool. MARY: Yeah. Like you were saying, you have your own show, you have your own podcasting journey. And I've learned quite a lot from your over 80 episodes of your, the Voice Coach Podcast. They're great because they're. They're short and to the point. But what is your. What's been your biggest challenge of making the show for yourself? NIC: Oh, I mean, for me, it was starting as a weekly show and having to keep it up. So when I started that, the person who was producing, I had a team helping me with it. I was like, I'm going all in. And she was like, do weekly for a year and then see how you feel. So I did weekly for, yeah, a year, which was intense. MARY: Oh, yeah. NIC: I mean, even with somebody, you know, a decade's worth of experience and entire degrees in my subject, like, I, it was still like, okay, come on, I. Stay focused, stay strategized. Plan the next 10 episodes. Where are we going with this? What's happening? What's it linking to? What am I launching next? What are my people getting out of this? You know?  So it was keeping it focused and within, like, in line with the strategy and not just going, oh, god, I need an episode this week. I'll talk about hydration. Okay, so definitely keeping the consistency and the quality up, I think, was hard. And for me, when I first started, this was interesting, but I, and I think I reflected more on this when I wrote my book. When I first started the podcast, I think if I'm honest, I was doing it, it might, this is a bit weird, but I don't know if it's deep or whatever, but I felt like I was trying to prove things to my peers rather than serve my audience in a way. In the sense that I felt like I had to show all my academic research, all the links, all the facts, you know, make sure everyone knows I've got a master's degree in Vocal Pedagogy. I'm very well read, da da da. I'm very good. And I know this because of this book, and I know this because of this recent article. And I know this because of. I was like, my listeners don't care about that. They just want the fucking exercise, I feel like.  So as the show progresses towards, you know, the end of the year of weekly, I suddenly realise, obviously some of my peers listen and that's incredible and they're very complimentary about it. I love that. But it's for my clients. The podcast is for my clients. So I think keeping myself on track and remembering that I don't have to prove myself and my academic standing within this world was an interesting journey and I could just be myself and just do the work that I love doing for the people that I love doing it for was an interesting one.  And when I listened to the first one versus, you know, episode 80, whatever, I think you can really tell the difference in that, both my delivery and you know, at the start I was like, word for word scripting it and then reading it. I'm very good at reading something…  MARY: Right, exactly, yes. NIC: …as if I'm not reading something because that's being a voiceover,...  MARY: That's right. NIC: …so nobody could tell. But towards the end it was much more bullet points. > I wasn't scripting it anymore. So that was an interesting challenge. MARY: I love that mindset shift. I went through that too, where when I started the show and even my business in podcasting, because I worked in radio for 20 years, was downsized in 2018. And then I thought, maybe I'll try this podcasting thing. Is this a thing? And I went into it thinking, oh, I need to show that I have the experience. I know what I'm doing. I've, you know, I did this, I did that, and I didn't have the academics behind it.  And it feels like that societal hierarchy of if you have a university degree, you are better, you know, people will like you more or whatnot. And I didn't. I went to a two year radio program 20 years ago, like, that, that all gets into your head. And I did the same thing. I scripted a Lot. And sometimes I still do, depending on how busy I am and stuff. Because I am a voiceover artist, I can do that. But yeah, I think when you get to that point of, I'm serving my listeners for my clients, for my people. Yeah, they don't care. It's back to that. Who cares, part.  NIC: Yeah. And it's funny, you know, one of the things that people talk most about with my podcast is at the time I had a water bottle that was really squeaky when you took the lid off. And people still come up to me and go, and every time I listen to your podcast, when you take a drink, I take a drink, > you know, like, because I was like, you know, um, I can't be bothered editing this squeak. So every time I need to take a drink of water, I'm going to take a drink of water. We do it together. It's collective, you know, it's like a collective hydration experience. And people always come up to me and go, I've got a squeaky bottle. Or like, you know, it's like Pavlov's dog. Every time they hear a squeak noise, they have to take a drink. > So it's those imperfections that I think can also become the charm. MARY: Oh, I love that. Yeah. Because it's, it's an audio medium, so those squeaks work so well. So in that spirit and me still losing my voice, we're going to take a drink, everybody. NIC: Let's do it. Cheers. Or as we say in Ireland, sláinte.  > MARY: Yeah, so helpful. So, so helpful. I, I cannot wait for your show to come back because you're right, I do want just the little tips and the little tricks. So what, what are your podcasting plans? NIC: Oh, god, I have been mulling it over for far too long. I'm still mulling. I'm trying to decide whether I want to start a brand new show or whether I want to start, you know, do a limited series under the same banner as the Voice Coach Podcast. I'm not sure. I need to talk to some friends, some podcast friends and see what they think is the best thing to do. > But I have an idea because I'm working a lot more in corporate at the moment. MARY: Mhm. NIC: So, helping the people who host corporate podcasts to, um, be their best selves on the microphone and show up vocally as the experts and thought leaders that they want to be within their industry. So that's a really empowering, exciting side of the business that I'm moving into. So I'm wondering whether it might be themed or in that I'm not sure. MARY: Yes. NIC: Still mulling it over. Yeah. MARY: It's always going to be like what we were saying, who your listener is. What is that person wanting? Yeah. NIC: Yeah. Maybe they just want more tips. Mary, Mary, this is good market research for me. > Just need to get off my arse and onto the microphone and get the voice coach podcast going again. MARY: Well, like you said, you wrote the book on it, so you can talk about this endlessly. And I'm sure that it will be so, uh, valuable because I know the podcast as it is right now, now, it has been so valuable for me, so. NIC: Oh, thank you. That's so good to know. MARY: Yeah. Nic thank you so much for your time and your unofficial medical glasses off diagnosis with my voice. > NIC: Yes. Please see a medical professional and, uh, if not responsible for any pathologies, that maybe. There's my disclaimer. MARY: Exactly. NIC: Do seek professional help. MARY: Yes. NIC: If your voice changes for more than two weeks. > MARY: This has been so lovely. Thank you so much. NIC: Thank you. MARY: Oh, weren't those tips great? Yeah, the slug tongue she mentioned earlier, > like, those tongue twisters get easier after the slug tongue. > It's a great one to go hand in hand with the lion's roar that I tend to do. I do the trills and the lion's roar. And this is how you do a lion's roar. It has to do with the tongue and all the muscles in your mouth and your jaw. And so you stick the tip of your tongue behind the bottom front teeth. Okay, so the tip of the tongue is at the bottom of your front teeth. You're going to try and stick your tongue out as far as you can and open up your mouth wide like a lion. But that tip of your tongue is still stuck to the back of your lower teeth. Okay. And then you're just going to exhale with a wide mouth and you go. > You're going to make like a lion's roar face, like my eyes, close, my cheeks, wrinkle all of it. Because you're really stretching out the back of your throat as well when you do that. And I find it goes really hand in hand with that slug tongue.  Because then you're also working your tongue or trying to relax your tongue, and then the trills is trying to relax your lips. > That is a tough one. But if you can relax your lips, that's what that does.  So many great tips from Nic. And I'll be sure to also link her book in the show notes because she says it's got some good pictures if you're a visual aspect person so you can go that way and read her book and look at her pictures. But also in the show notes, I will link to her podcast because like I said, I do listen to her show. She's got some great short episodes with vocal tricks and tips. So get more vocal warm ups through Nic and her podcast. You'll love it.  All right, and also just a quick reminder, if you are still listening to this episode before November 1st, or at least the end of the day on November 1st, I still have my giveaway going for a ticket for you to join me at the Podcasting For Business Conference that's happening November 13th through 15th. But on the 14th, right in the middle of it, I'll be on a panel all about using your voice. It's called Your Voice, Using It, Shaping It And Protecting It. And I would love for you to join me at that conference. I'm giving away a free ticket to it. And this is how you enter.  What you need to do between now when this episode is published to, uh, the end of the day on November 1st, all you need to do is leave me a voice note from my website because I want you to share your voice. So go to VisibleVoicePodcast.com There's a purple button there that says send voice mail. Click on that and I want you to leave a 90 second voice note from your device. Quickly state your name, where you're calling from, Hello, Mary Chan, long time listener, first time caller. And two, say and complete the following sentence stems, The first time someone said something about my voice, it made me feel, dot, dot, dot, and then end with today, what I love about my voice is, dot, dot, dot. Okay? I say leave a 90 second voice note, but if it cuts you off, feel free to continue on the next one. It's fine, it's fine because I just want you to share your voice. I would love to hear what someone said to you the first time. You were like, oh, my voice. Okay, maybe I won't do that anymore. It's happened to a lot of people, so I just want to hear it. And I would love to hear how you transitioned, through that to today.  And then I will draw from all the entries for that free ticket to the podcasting for business conference. Again, it's happening on November 13th through 15th, and it is hosted by Megan Dougherty of One Stone Creative. She was a guest on this podcast. So if you haven't listened to that one yet, that one's just fun because she talks all about research and reports, it's episode number 70. Make sure you get on that because, ooh, actually the 2024 report because I interviewed her, for that episode last year, 2023. But the new 2024 report is coming out this same week. If you are listening to when this podcast first came out at the end of October. So, lots of podcasting reports and information that I'm gonna be delving into. So if you're not into the stats and all that stuff, don't worry, leave it with me. > So, yeah, good luck with winning those tickets with me. Just send me your voice note from my website, VisibleVoicePodcast.com.  On the next episode. I want to explore what it means to do less. There's so much overwhelm in the world these days. We're really, really busy in the world of podcasting in your own work, and then there's also your personal life and everything in between. And I've noticed when just talking to podcasters, to other people, just within my networking, creating a business and my friends and family, there is a lot happening and we are all trying to streamline and just do less. What does it mean if we did less and this specifically for a podcast? How do you do less around your show, yet still create episodes that you love? We're going to explore this, the next time, so join me then.  > > >

Meet Sam Gould & Christopher Robinson of Think Outside the Vox, bringing equitable access to the live theater space in Massachusetts. We're talking about American Sign Language, Audio Description, live captioning and more. Anyone interested in making their live space access  more culturally competent and in general, equitable, you need to listen/read this episode.  Subscribe/Follow  wherever you get podcasts. FB/IG: @ReidMyMindRadio Twitter: @tsreid Transcripts & More: ReidMyMind.com

Today on the show Steven and Shaun are joined by friend of the show Michael Babcok to help us answer some of our listeners' burning questions in our ‘Ask Mickey Anything' special. Questions coming up include finding out which podcast app is the best, how to get ChatGPT to summarise and explain PowerPoint presentations to you, why audio description is on a show on one network but not the other, and where do you get those Table Coasters Steven keeps talking about? During the episode Michael refers to an episode of Unmute Presents which he hosts and shared a particular episode on an app to tune your guitar. You can listen to that episode here. Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also find us across social media. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube. Chapter Markers:0:00 - Intro3:12 - Question - Camille is Looking For A Podcast App8:59 - Question - Dave on Text Expanders17:54 - Question - Jim on the Zeitgeist 218:57 - Question - Kerry on LIDAR28:08 - Question - David on Getting A I Description for PowerPoint35:32 - Question - Ronnie on Staying Together in a Crowd41:02 - Question - Tracey Asks About Meta Ray-Ban Glasses & BlindShell44:01 - Question - David on Audio Description47:10 - Question - Larry Wants Table Coasters48:54 - Question - Willy on Chat GPT 

We headed across the pond again, (virtually) to hang out with Elaine, Lesta and Shivaangee AKA SoundScribe. We discuss their origin story, AD philosophy, representation from the global majority, audio description as art  and more. Hopefully this edited version of our conversation captures the fun we had... at least I know I enjoyed our time together. Subscribe/follow wherever you get podcasts.  FB & IG: @ReidMyMindRadio  Twitter: @tsreid  Transcripts & more: www.reidmymind.com

Today on the show Steven and Shaun discuss more of your emails and comments, with another epic rant from Steven coming up, and they discuss a new menstrual tracking device for women. Listener emails are the focus for the first half of the episode, with topics including the challenges of international pricing for tech products, the importance of Safari extensions for smoother browsing experiences, and the accessibility issues faced by Sky's streaming services and the ongoing need for improvements in audio description and accessibility in broadcasting. This topic sets Steven off on a rant following his own experiences and advocacy on the issue, often feeling ignored by those who represent the blind community in the UK. The second half of the episode focuses in on a new product from startup Flowsense. Muna Dawd is the founder of the company and joins Steven to talk about her new device that aims to help end the stigma of menstrual health for women, and empower blind women to get up to the minute information about their monthly cycle, all tracked via an accessible app. Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also find us across social media. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.

It's an unwanted tradition for this podcast to have an annual critique on the state of whitewashing in audio description.  Moving forward: * We'll continue to call out those involved; companies, narrators... * We'll amplify those making equitable access. * We will bring about change, with or without you! #TimesUp Subscribe/follow wherever you get podcasts.  FB & IG: @ReidMyMindRadio  Twitter: @tsreid  Transcripts & more: www.reidmymind.com