Podcasts about Audio description

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description.RNIB Connect Radio's Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the NT and a couple that are available online with audio description via NT at home.Audio described performances included: ‘Pride' - Saturday 18 July, 2pm, touch tour 12noon and Friday 7 August, 7.30pm, touch tour 5.30pm, National Theatre's Dorfman Theatre‘Electra/Persona' - Saturday 12 September 1pm, touch tour 11am and Thursday 8 October 7pm, touch tour 5pm, National Theatre's Lyttelton Theatre‘The Story' - Saturday 19 September 2.30pm, touch tour 12.30pm and Friday 2 October 7.30pm, touch tour 5.30pm, National Theatre's Olivier TheatreFrom NT at home with audio description David recommended ‘Oklahoma' and ‘The Audience'.To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.ukAnd for more about NT at home and to view many theatre productions online with audio description do visit - https://www.ntathome.com(Image shows National Theatre logo, a capital N and T in black against a white background)

Each month, RNIB Connect Radio's Allan Russell talks with Anne Hornsby from MindsEye Description to look at some forthcoming events with Audio Description.AD makes television, movies, galleries  and other arts events more inclusive, accessible and enjoyable for blind and partially sighted people.This month they're looking at something classic, something new and something for the Teeny Weenies.If you'd like more information on audio described events, go to www.mindseyedescription.co.uk#RNIBConnectImage Shows RNIB Connect Radio Logo, White Background, RNIB In Bold Black Letters, A Solid Pink Line Below With Connect Radio Underneath

The Department for Work and Pensions is in the process of hiring nearly 500 new members of staff to help clear the Access to Work backlog and tackle long delays. The Access to Work scheme can help disabled people gain and maintain employment by providing funding for things like support workers and assistive tech. A review of the scheme is currently underway which aims to reform the scheme as it is struggling to keep up with rising demand, these new recruits are a separate measure by the department which aims to quicken the processing of people's claims. In Touch speaks to Minister for Social Security and Disability Sir Stephen Timms about these new roles. For the first time, the UK communications regulator Ofcom is introducing access requirements for streaming services like Amazon Prime Video, Disney Plus and Netflix. This is following the Media Act 2024, and Ofcom's proposals will not only apply for audio description, but also for subtitling and signing. Cathy Taylor is part of Ofcom's Broadcasting Team and describes to In Touch what these new requirements could look like, and about a consultation which is seeking the views of access service users. Contact details for Ofcom's consultation are below: General advice telephone number: 0300 123 3333 Consultation email address: Tier1accessibility@ofcom.org.uk And the consultation web page: https://www.ofcom.org.uk/tv-radio-and-on-demand/accessibility/tier-1-accessibility-code Closing date for responses: 7th August 2026Presenter: Peter White Producer: Beth Hemmings Production Coordinator: Helen Surtees Website image description: Peter White sits smiling in the centre of the image, wearing a dark green jumper. Above Peter's head is the BBC logo (three individual white squares house each of the three letters). Bottom centre and overlaying the image are the words "In Touch"; and the Radio 4 logo (the word Radio in a bold white font, with the number 4 inside a white circle). The background is a bright mid-blue with two rectangles angled diagonally to the right. Both are behind Peter, one of a darker blue and the other is a lighter blue.'

Connor Scott-Gardner is a blind accessibility advocate, disability rights writer, and someone who has spent years thinking carefully about what it means to be helped, witnessed, and included. In this second half of our conversation, Connor names something the accessibility world doesn't say often enough: good intentions are not the same as ethical behavior. He talks about Be My Eyes volunteers who filmed blind users without consent, what that reveals about power and trust, and why intent is never the whole story. He also turns the mirror on himself, reflecting on a viral video he made years ago that still sits uncomfortably with him. Then the conversation opens up. Connor shares his complicated early relationship with Audio Description, how the field has changed in its treatment of race and identity, and why the expansion into live performance, including ballet, represents something bigger than access. It represents a field that is finally asking the right questions. This is a conversation about trust, craft, and what it looks like when an industry stops assuming it knows what its audience needs and starts listening instead.

Ofcom has recently published a draft code requiring major streaming platforms to provide audio description for at least 10% of their content. This follows provisions in the Media Act 2024.In this episode - a first for In Touch - Peter White is joined by visually impaired guests, Nia Greer and Glen Turner to discuss the audio description of their chosen programmes.Our trio follow a broad approach, discussing not only the audio description itself, but also issues such as how easily it could be accessed and whether the 10% minimum provision is reasonable.The chosen programmes are the first episode of:The Dinosaurs, available on Netflix;Scarpetta, available on Amazon Prime Video, and;The Night Manager (Series 2), available on BBC iPlayer.Who chose what, did audio description improve their experience and were they inspired to watch the other episodes in the series?Presenter: Peter White Producer: Fern Lulham Production Coordinator: Helen Surtees Website image description: Peter White sits smiling in the centre of the image, wearing a dark green jumper. Above Peter's head is the BBC logo (three individual white squares house each of the three letters). Bottom centre and overlaying the image are the words "In Touch"; and the Radio 4 logo (the word Radio in a bold white font, with the number 4 inside a white circle). The background is a bright mid-blue with two rectangles angled diagonally to the right. Both are behind Peter, one of a darker blue and the other is a lighter blue.'

Something went wrong during a live show. An aerial performer fell. The Audio Description professional described it as it happened. Then told the audience the performer was okay. No script covered that moment. No algorithm was ready for it. A human was paying attention, and that made all the difference. Dr. Cynthia Bennett is a blind researcher at Google who studies what happens when technology is built without the people it's supposed to serve. In this conversation, we get into why imperfect, unpredictable human moments are exactly what AI struggles with most. Why she thinks claiming to be objective is less honest than just telling you where you stand. And how the process of making research accessible to her, as a blind researcher, actually changed what her research found. This one stays with you.

Josh Miller came to accessibility through telecom, media consulting, and a business school project at MIT. That project ran headfirst into a quote so high it would have eaten up half the program's annual budget. That collision between intention and financial reality is where 3Play Media was born. 19 years later, Josh leads one of the largest media accessibility company in North America, serving over ten thousand customers across education, entertainment, and enterprise. He sits on the CTA's Content and Entertainment Council. He has watched captions go from a niche accommodation to something people without hearing loss prefer. And now, he's watching Audio Description continue on that same journey. In this conversation, Josh talks about what it actually takes to build quality at scale, why not all content is equal (and what that means), and what he believes filmmakers owe a blind audience as storytellers. He also says a sentence that carries a lot: Accessibility is about enabling people to consume content however they want or need to. We unpack what it means in practice.

Dr. Cynthia Bennett is a blind researcher at Google who studies the AI systems that are supposed to serve blind people. She found out blind people were making Audio Description, and she, a blind person, had no idea. That gap changed how she works. In this conversation, we get into what authentic representation actually requires, why "good enough" accessibility protects the wrong people, and the tool she helped build so blind professionals can finally create AD themselves.

Alex Howard and Lee Pugsley are back on The ADNA Presents, and a lot has changed since their first visit. The Darkroom podcast hosts and co-founders of the Blind Film Critic Society join Roy Samuelson for a conversation about what it means when blind critics evaluate Audio Description -- not just as consumers, but as people who can now name the performers, writers, and engineers responsible for the work. They talk about why crediting the full Audio Description team is gaining ground, how the back catalog movement is raising the bar for quality, and what it looks like when the field shifts from technical compliance to genuine artistic contribution. Alex also shares something personal: that bad Audio Description at a movie theater still makes him feel like he doesn't belong. It's a quiet, honest moment that says something important about what's actually at stake. The Blind Film Critic Society is growing. Darkroom is expanding its scope. And the conversation about who gets credited -- and who gets to evaluate that work -- is getting sharper.

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description.RNIB Connect Radio's Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the NT and a couple that are available online with audio description via ntathome.comAudio described performances included: ‘Les Liaisons Dangereuses,' - Saturday 25 April, 1.30pm, touch tour 11.30am and Thursday 14 May, 7pm, touch tour 5pm, National Theatre's Lyttelton Theatre‘War Horse', Saturday 20 June, 2.15pm, touch tour 12:15pm, Friday 24 July 7.30pm, touch tour 5.30pm, National Theatre's Olivier Theatre,‘The Misanthrope', Saturday 11 July, 2.30pm, touch tour at 12.30pm, Friday 31 July 7.30pm, touch tour 5.30pm, National Theatre's Lyttelton Theatre.From NT at home with audio description David recommended ‘The importance of being Ernest' and The Other Place' . To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website- https://www.nationaltheatre.org.ukAnd for more about NT at home and to view many theatre productions online with audio description do visit - https://www.ntathome.com(Image shows National Theatre logo, A capital N and T in black against a white background)

Darian Rodriguez Heyman has spent thirty years helping mission-led organizations stop reinventing the wheel. He's the author of AI for Nonprofits, founder of Helping People Help, and someone who has thought seriously about why good intentions so often produce predictable, avoidable mistakes. What drew me to this conversation is that the gap he keeps closing, between what's available and what people actually reach for, lives in Audio Description too. We talk about the nonprofit assumption, what AI adoption actually looks like inside organizations right now, and why the accessibility sector may be solving important problems, and why you don't have to live in sacrifice to do the right thing. There's also a moment where he shares something he couldn't find while researching his book. It stuck with me. I think it'll stick with you too.

The critically acclaimed theatre show ‘The City for Incurable Women' by International theatre-collective fish in a dress will be ending it's tour at Home In Manchester on Saturday 4 April at 7.45pm with integrated audio description as part of the performance making the show accessible to blind and partially sighted people.RNIB Connect Radio's Toby Davey was joined by Helena McBurney, co-founder of the International theatre-collective fish in a dress to find out more about ‘The City for Incurable Women'  and how the play has been made accessible to everyone too.To find out more about fish in a dress do search for them on Instagram and for more about the performance of ‘The City for Incurable Women' at Home in Manchester on Saturday 4 April at 7.45pm do visit - https://homemcr.org/whats-on/the-city-for-incurable-women-ttyc (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

This week, we're starting our new series with Sony, hearing all about the way they've made products, packaging and apps accessible. We'll find out about a new website that champions audio description. Plus, the work that RNIB has been doing to help make sure video streaming services are offering more content available with audio description.You can listen to the show live in the UK every Tuesday at 1pm on Freeview Channel 730, online at RNIB Connect Radio | RNIB , or on your smart speaker.You'll hear new episodes of the Tech Talk Podcast every Tuesday afternoon, so make sure you're subscribed to never miss an episode.We'd love to hear your thoughts on accessible technology, drop us an email at techtalk@rnib.org

Struggling with inaccessible apps, confusing audio description, and missing Facebook buttons? Steven Scott and Shaun Preece dig into the frustrations blind users face with tech, from invisible back buttons to over-talkative AD, sharing practical tips, funny rants, and community solutions. In this lively Double Tap episode, Steven and Shaun open the inbox and explore the highs and lows of accessible tech. They start with the latest Facebook issue: the back button has gone invisible for VoiceOver users, sparking frustration across the blind community. The hosts share quick workarounds, including screen recognition and the two-finger scrub gesture, while joking about the challenge of explaining gestures that make no sense to newcomers. The conversation shifts to other real-life accessibility problems faced by our listeners —VoiceOver reading call times in iOS 26, inaccessible CNN and Dish Network streaming apps, and the ongoing struggle for reliable audio description. Steven shares a personal story of how a monotone, overly descriptive AD track ruined a heartfelt movie night, while listeners report inaccessible prescription labelling and the quirks of Script Talk. Listener feedback from around the world—Pakistan, Kentucky, and Minnesota—highlights global accessibility gaps, the power of tech like the OneCourt device for live sports, and the demand for more practical, hands-on guidance for tools like ScribeIt.io. Throughout, Steven and Shaun mix humour with honest insight, reminding us why persistence and community matter in pushing for better accessible experiences. Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Charity VICTA UK is supporting young people is working to develop some exciting accessible materials for the Canal Museum in London. They recently held workshops around it in Scotland and Paulina caught up with one of the participants, Emmy Anstee, to learn more.Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

20260311 The Oscars and Audio Description Originally Broadcasted March 11, 2026, on ACB Media 5 Participants grabbed their popcorn, favorite candy, beverage of their choice and joined us to discuss the films that were nominated for the 98th Academy Awards Ceremony which aired on ABC on March 15 with audio description. Attendees joined the ADP in a lively discussion on their opinions of the films. Sponsored By: Audio Description Project

Magan Harms, Director of Audio Description for MindsEye and Luke McKeown, a high school junior who's blind, join Amy and Chris in-studio. MindsEye provides descriptions of live events to the visually impaired, and will be covering the St. Patrick's Day Parade on Saturday with the help of Luke.

J. Michael Collins has 30 years in voiceover, 50+ industry awards, and runs the largest voiceover conference in the world. He also still has things worth saying. In this conversation, J. Michael and Roy talk about why the voiceover industry is unusually decent, what abundance actually means in a business full of competition, and how Audio Description continues to earn its place at the table at VO Atlanta. J. Michael is candid about the cost of people-pleasing, the math of saying no, and what it looks like to take real risks in a career that spans agency work, online casting, and everything the pandemic threw at everyone. If you are curious about Audio Description and want to hear from someone who built his career by moving toward things before everyone else caught on, this one is worth your time. If you like, please share and like!

2609 The Craft of Audio Description (Mar. 4, 2026) Show Notes Transcript Audio description brings performances to life for blind audiences by turning visuals into clear narration. Hosts Nancy and Peter Torpey talk with Roy Samuelson about writing and performing descriptions that match on screen action, carry the emotion of scenes, and make the experience … Continue reading 2609 The Craft of Audio Description (Mar. 4, 2026) →

Voice actor Maren Garcia joins host Roy Samuelson to talk about how she first discovered Audio Description, and why it immediately felt personal.   Maren shares the moment she was hired for a full feature film, after being found through the Disabled Voice Actors Directory, a resource built to support authentic casting.   She talks candidly about vetting an unfamiliar company before saying yes, then falling in love with audio description as both craft and service.   They dig into what makes audio description work when it is done well: intention, empathy, and choices that support the story. Audio description is the narration track that communicates essential visual information that the audio alone cannot carry.   Maren also describes an experiment watching a dance show with audio description, just to feel how writers and performers decide what matters when everything is visual.   Then the conversation pivots to NPC Chronicles, a Kickstarter soundboard project for Dungeons & Dragons non-playable characters, and why Maren sees it as an access and connection tool, inspired by assistive communication devices and her experience working with kids with disabilities. A soundboard is essentially an on-demand toolbox of sounds you can trigger in real time.   Follow Maren at @MarenGarciaVO.

Each month, RNIB Connect Radio's Allan Russell talks with Anne Hornsby from MindsEye Description to look at some forthcoming events with Audio Description.AD makes television, movies, galleries  and other arts events more inclusive, accessible and enjoyable for blind and partially sighted people.This month they're looking at Mean Girls, Here And Now and an exhibition at the Lowry.If you'd like more information on audio described events, go to www.mindseyedescription.co.uk#RNIBConnectImage Shows Anne Sitting In Her Studio In Front Of A Mic Wearing Headphones

Each week, RNIB Connect Radio's Allan Russell sits down with Simon Antrobus, CEO of RNIB, to look at some of the big stories coming from the UK sight loss charity.This week Simon talks about the RNIB's Eye Care Liaison Officers and the power of Audio Description.If you, or someone you know, would like information on the support and services available from RNIB, go to www.rnib.org.ukYou can call our Helpline on 0303 123 9999 or ask your Smart speaker to call RNIB's Helpline.#RNIBConnectImage shows Simon smiling for the camera. He is a white man with neat, short fair hair, dressed in a white shirt and charcoal suit jacket.

In this solo episode, I recap the latest good vibes in DEI. This week the stories are about Miis matching real people, Bad Bunny breaking the Grammy ceiling, and Olympics coverage getting more accessible, and more!Here are this week's good vibes:Miis Finally Match Real PeopleBad Bunny Breaks Grammy CeilingKnitting Turns Into Collective PowerHappy Trees, Public Media ReliefOlympics Coverage Gets More AccessibleGood Vibes to Go: If you haven't yet watched Schitt's Creek, now is a great time to settle in and laugh and laugh and laugh. RIP Catherine O'Hara. I'm re-watching.Read the Stories.Subscribe to the 5 Things newsletter.Watch 5 Things Live on YouTube. Join thousands of readers by subscribing to the 5 Things newsletter. Enjoy some good vibes every Saturday morning. https://5thingsdei.com/

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description.RNIB Connect Radio's Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the NT and a couple that are available online with audio description via NT at home.Audio described performances included: ‘The Playboy of the Western World' Friday 20 February, 7.30pm, touch tour 5.30pm, National's Littleton Theatre.‘Man and Boy' Saturday 28 February 1.30pm, touch tour 11.30am, National's Dorfman Theatre.‘Summer Folk' Saturday 4 April 2pm, touch tour 12noon and Monday 20 April 7.30pm, touch tour 5.30pm, National's Olivier Theatre.From NT at home with audio description David recommended ‘The Land of the Living' and ‘A Tupperware of Ashes'.To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.ukAnd for more about NT at home and to view many theatre productions online with audio description do visit - https://www.ntathome.com(Image shows National Theatre logo, A capital N and T in black against a white background)

In episode 294 of iCantCU, I kick off 2026 by connecting a few things that don't seem related at first: Chinese food on Christmas, audio description on TV and movies, and what happens when accessibility goes mainstream. I share what the holidays look like in our house—with Hanukkah, Christmas, New Year's, and both kids' birthdays packed into a few short weeks—along with stories about a cloth menorah, cookie decorating that didn't go quite as planned, baking classes at Sur La Table, and Ziggy's absolute obsession with his Christmas pickles. From there, I get to the bigger point. Just like Chinese restaurants on Christmas, audio description works best when more people discover it—and start using it. I talk about how audio description helps blind viewers while also benefiting sighted people who want to follow shows without watching a screen. The episode wraps with thoughts on where accessibility is improving, where it still falls short, and what I'm looking ahead to in a busy start to the new year. Show notes at https://www.iCantCU.com/294    Links Mentioned Product links are affiliate links so that I may earn a commission. Ray-Ban Meta Glasses, Wayfarer: https://amzn.to/42EU0Sy Like the sunglasses Jane bought for me? https://amzn.to/4oGWLfx Another big dog toy that may be on Ziggy's list: https://amzn.to/4nWcib1 Federation Focus on the NFB of PA YouTube channel: https://www.youtube.com/@nfbofpa I edit the show with Descript and love it!: https://www.iCantCU.com/descript/ Be My Eyes app (free): https://www.bemyeyes.com/  Seeing AI app (free): https://www.seeingai.com/  That Real Blind Tech Show ep 195: https://podcasts.apple.com/us/podcast/episode-195-ces-26-hard-tech-and-soft-balls/id1526258077?i=1000744724124 Index of That Real Blind Tech Show episodes: https://www.icantcu.com/trbts/  Watch iCantCU episodes on YouTube: https://www.youtube.com/@iCantCU Support iCantCU When shopping at Amazon, I would appreciate it if you clicked on this link to make your purchases: https://www.iCantCU.com/amazon. I participate in the Amazon Associate Program and earn commissions on qualifying purchases. The best part is, you don't pay extra for doing this! White Canes Connect Podcast Episode 148 In episode 148 of White Canes Connect, we share the powerful General Sessions remarks of David DeNotaris from the 2025 National Federation of the Blind of Pennsylvania State Convention in Harrisburg. Speaking from a lifetime of experience, David reflects on growing up with Braille, discovering the Federation, and the profound influence of Dr. Kenneth Jernigan on his understanding of blindness and self-respect. Through humor and deeply personal stories, he explores what it truly means to believe that it is respectable to be blind—and how that belief unlocks confidence in using Braille, mobility tools, technology, and advocacy skills without apology. Apple Podcasts https://podcasts.apple.com/us/podcast/respect-belief-and-action-david-denotaris/id1592248709?i=1000744088201 Spotify https://open.spotify.com/episode/3dHOmknIOgW9R7UEo69EH9 YouTube https://youtu.be/0oawJQcbBkA?si=Y7K-rnaBg6UQx50- White Canes Connect Website https://www.whitecanesconnect.com/148/      My Podcast Gear Here is all my gear and links to it on Amazon. I participate in the Amazon Associates Program and earn a commission on qualifying purchases. Zoom Podtrak P4: https://amzn.to/33Ymjkt Zoom ZDM Mic & Headphone Pack: https://amzn.to/33vLn2s Zoom H1n Recorder: https://amzn.to/3zBxJ9O  Gator Frameworks Desk Mounted Boom Arm: https://amzn.to/3AjJuBK Shure SM58 S Mic: https://amzn.to/3JOzofg  Sony ZV-E10 camera : https://amzn.to/4fFBSxM  GoPro Hero 11 Black: https://amzn.to/3SKI7WX Rode Video Micro (used on GoPro): https://amzn.to/4kVMJWI Sennheiser Headset (1st 162 episodes): https://amzn.to/3fM0Hu0  Follow iCantCU on your favorite podcast directory! Apple Podcasts: https://podcasts.apple.com/us/podcast/icantcu-podcast/id1445801370/  Spotify: https://open.spotify.com/show/3nck2D5HgD9ckSaUQaWwW2  Audible: https://www.audible.com/pd/iCantCU-Podcast-Podcast/B08JJM26BT  IHeart: https://www.iheart.com/podcast/256-icantcu-podcast-31157111/ YouTube: https://www.youtube.com/@iCantCU   Connect on Social Media Twitter: https://www.twitter.com/davidbenj Instagram: https://www.instagram.com/davidbenj Facebook: https://www.facebook.com/davidbenj LinkedIn: https://www.linkedin.com/in/davidbenj Are You or Do You Know A Blind Boss? If you or someone you know is crushing it in their field and is also blind, I want to hear from you! Call me at (646) 926-6350 and leave a message. Please include your name and town, and tell me who the Blind Boss is and why I need to have them on an upcoming episode. You can also email the show at iCantCUPodcast@gmail.com.

Discover the story behind Mr. F, the voice and driving force behind AMI Audio, as Steven Scott and Shaun Preece pull back the curtain on the evolution of accessible broadcasting. From live newspaper readings to YouTube podcasts and the impact of AI on media, this conversation dives deep into how radio and podcasting connect the blind and partially sighted community.This episode is supported by Pneuma Solutions. Creators of accessible tools like Remote Incident Manager and Scribe. Get $20 off with code dt20 at https://pneumasolutions.com/ and enter to win a free subscription at doubletaponair.com/subscribe!In this engaging episode of Double Tap, Steven and Shaun sit down with the legendary Mr. F to explore the origins and growth of AMI Audio, a pioneering service for blind and low-vision listeners. They discuss the early days of volunteer-driven newspaper readings, the rise of audio-described television, and the transformative role of community storytelling. Together, they reflect on how radio and podcasting have evolved in the age of streaming and AI, and why genuine human connection and trust remain at the heart of accessible media. The conversation also touches on: The history and mission of AMI and AMI Audio The shift from weekly to daily tech shows Bringing Double Tap to YouTube and building a global community AI voice technology, accessibility, and the future of reading services The creation of Reflections, AMI's mini-documentary series Relevant LinksAMI Audio: https://www.ami.ca/audioDouble Tap Podcast: https://www.doubletaponair.comReflections on AMI: https://www.ami.ca/reflections Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Inside the World of Described Video: A Voice Actor's Niche You've Never Considered with Cynthia DePando Most voice actors focus on commercial, corporate, or video game work — but what about the niches almost nobody is talking about? Today's episode takes you deep inside one of the most overlooked, underserved, and surprisingly meaningful genres in voice over: described video (also known as audio description). Joining Marc is award-winning voice actor Cynthia De Pando, who has carved out a successful career in this highly specialized niche, narrating projects for Netflix, major films like Wicked, animated features, and more. In this episode, you'll learn: • What described video actually is (and what it is not) • How the craft works — timing, tone, storytelling, rules, and restrictions • Why dubbing studios are often the entry point • Why this genre is growing fast thanks to legal accessibility mandates • What makes it creatively challenging and rewarding • How actors can position themselves for opportunities • Why AI can't simply replace this work • The surprising places described video shows up beyond film & TV Cynthia also shares unexpected insights into: • Describing action scenes vs. quiet atmospheric moments • Why animated films (like Trolls) can be harder than horror movies • How described video is used by sighted people, language learners, and multitaskers • The intense timing required to stay “invisible” while still telling the story This episode is a must-listen for voice actors looking for niches where fewer people compete — and where the work genuinely makes a difference. CONNECT WITH CYNTHIA DE PANDO

What happens when we stop treating audio description as an afterthought, and start treating it as storytelling? In this episode of The ADNA Presents, Roy Samuelson sits down with researcher and accessibility innovator Alison Eardley, whose work reshapes how museums understand inclusion, perception, and the power of narrative. Allison reveals why audio description guides attention, builds emotional journeys, and creates experiences where everyone belongs. SO much more than visuals. She shares how pan-disabled co-creation transforms design, why "neutrality" is a myth, and how a patch of living moss became one of the most compelling examples of inclusive storytelling you've ever heard. Whether you're in film, television, museums, or simply obsessed with great narratives, this conversation will expand how you think about sensory experience-and why AD has the potential to enrich everyone's engagement, not just those who rely on it. It's warm, thoughtful, surprising, and full of perspective shifts you'll carry with you into your next project.

This episode of Chax Chat features guest Roy Samuelson, a renowned audio description performer and consultant, who discusses the craft and impact of audio description in making video content accessible to blind and visually impaired audiences. The conversation covers the nuances of producing effective audio descriptions, the artistic and technical roles involved, and practical guidance for organizations looking to implement audio description in their media. Chad, Dax and Roy also emphasize the broader benefits of accessible content, drawing parallels between audio description and other forms of accessibility. they also share actionable tips for including blind professionals in the process and leveraging new features on platforms like YouTube for inclusive content delivery. Link for Disney Frozen Audio Description Sample - https://www.youtube.com/watch?v=O7j4_aP8dWA Link to Roy's blog post - https://roysamuelson.com/why-i-dont-say-audio-descriptions/ Roy's version of IMDB for AD - Link to TheADNA.org - https://theadna.org/ The link for the blog article we referenced when discussing how blind people can work as Audio Description actors. https://roysamuelson.com/blindcreatorslead/  

Picture this - five ladies, two blind and three sighted and from Canada, the States, and Europe; getting together in a group to practice the skill of creating good quality audio description. Practice requires we now put our training into practice. Introducing “PICTURE THIS ADC (Audio Description Collaborative)” This week on Outlook, find out who the founders of Picture This are as individuals and the skills they bring to the collaboration - join in with Kerry Kijewski, Stephanie Johnson, Kristina Cosumano, Maureen Austen, and Lolly Lejewski. The five of them gather for a group chat to share what experiences with audio description have taught them, how each came to the group initially, the art and the craft of it, and the mission undertaken collaboratively to make audio description clear and inclusive. Picture This (in the mind's eye) creates quality audio description for blind people...for short films and documentaries, streaming programming, along with exhibits, museums, and galleries. Their combined experience, knowledge, and skill pooled together has made the collaborative they now are and they care deeply about making art, culture, and media accessible for blind users, coming together from across North America and Europe to do just that. For inquiries email the team at: picturethisadc@gmail.com Check out Kerry's previous work on behalf of audio description availability: https://www.woodstocksentinelreview.com/2018/03/21/woodstock-resident-hopes-to-help-blind-people-enjoy-the-movies-with-better-descriptive-audio And check out links for where you can find some of us and our work: https://www.stephaniejohnson.pro https://kayconsulting.ca https://licustranslation.com Thanks to Brian Kijewski and Nick Marrs for their audio engineering.

Discover how ViddyScribe and its breakthrough real-time audio description tool are transforming video accessibility. Patrick Burton from Benvision joins Steven Scott and Shaun Preece to reveal how AI automatically adds audio descriptions to videos and even streams YouTube content with live narration for blind and visually impaired users. Thanks to Turtleback Low Vision for sponsoring this episode of Double Tap. As a thank you to the Double Tap community, Turtleback is offering 12% off your entire order with promo code DT12. Visit https://www.turtlebacklv.com to shop the full lineup!In this episode, Steven and Shaun are joined by Patrick Burton, co-founder of Benvision, to dive into ViddyScribe—an AI-powered platform that makes video accessibility simple. Patrick shares the journey from struggling to add audio descriptions manually to building an award-winning web app using Google Gemini AI. Listeners learn how Vidi Scribe automates the entire process of creating audio-described videos, the difference between extended and standard AD, and how the new ViddyScribe RealTime service allows you to add audio description to YouTube videos instantly, without downloading or editing. Patrick also explains subscription options, file format support, and how the service is helping creators and organisations meet accessibility standards in the US and EU. Relevant LinksViddyScribe: https://www.viddyscribe.comViddyScribe Real Time: https://www.viddyscribe.com/realtime Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

20251028 Lets Get Spooky-A Discussion on Horror Movies with Audio Description Originally Broadcasted October 28, 2025, on ACB Media 6 In honor of Halloween, The Audio Description Project presented a panel discussion on horror movies with Ad. Participants Joined John Stark, Alex Howard and Ren Leach talked about their favorite audio-described horror movies to celebrate Halloween. There have been so many fantastic new horror movies but also there are outstanding classics to discuss as well! Sponsored By: Audio Description Project Find out more at https://acb-community.pinecast.co

20251028 AZCB Presents: The Stage Is Set: Experience Audio Description Originally Broadcasted October 28, 2025, on ACB Media 6 Participants joined us to learn how live theater is made more accessible. We were joined by Sheila Young from the Audio Description Project to discuss her experience with audio description. Discover how this powerful tool brings the magic of the stage to life. Sponsored by: Arizona Council of the Blind Find out more at https://acb-community.pinecast.co

Is human audio description better than AI voices? Steven Scott and Shaun Preece explore the rise of text-to-speech (TTS) in TV and film audio description with Eric Wickstrom from International Digital Centre, uncovering the creative, technical, and ethical challenges shaping the future of accessibility. AI-driven text-to-speech is becoming more common in audio description, but is it good enough to replace human narrators? In this in-depth conversation, Eric Wickstrom shares his insights on why human narration still delivers a richer, more emotional experience for blind audiences, the importance of skilled writers and audio engineers, and the ethical implications for voice actors and accessibility professionals. The discussion also explores: How emotion and tone transform audio description from functional to immersive. The growing pressure from studios to cut costs with TTS. When synthetic voices might be acceptable, such as for older or niche content. Why advocacy and audience feedback matter to preserve quality. Relevant LinksInternational Digital Centre: https://www.idcdigital.comAmerican Council of the Blind: https://www.acb.orgDouble Tap Contact: feedback@doubletaponair.com Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when you start teaching for connection? In this conversation with Dr. Tabitha Kenlon, an English professor who teaches students across the world (including in Afghanistan), we explore what it really means to see one another when sight isn't the main channel. Tabitha shares how her experiences with low vision reshaped her classroom, and how vulnerability, curiosity, and access can transform both teaching and storytelling. We talk about authority as a bridge instead of a throne, about “sprinkling” inclusion instead of siloing it, and how risk can become an act of generosity. You'll hear insights that reach far beyond education: from redefining presence to building authentic connection in spaces where visuals fall short. If you've ever wondered what inclusion sounds like in practice, this episode is a masterclass in human-centered connection.

Thanks to Turtleback Low Vision for sponsoring this episode of Double Tap. As a thank you to the Double Tap community, Turtleback is offering 12% off your entire order with promo code DT12. Visit https://www.turtlebacklv.com to shop the full lineup!Explore the latest in accessible technology with Vision Ireland's David Redmond as we discuss the WeWalk Smart Cane and its new WeAssist service in the UK, the Apple Watch Ultra 3, Sky TV's breakthrough in on‑demand audio description, and how LinkedIn turned its accessibility struggles into a success story.Steven Scott welcomes David Redmond from Vision Ireland's Talking Technology podcast to dive into a packed programme of tech updates for blind and visually impaired users. They discuss LinkedIn's iOS accessibility fixes, the importance of balanced advocacy, and the rise of smart glasses and AI navigation tools shaping the future of inclusive tech.David also shares insights on the Apple Watch Ultra 3, including its battery life, action button, and real‑world accessibility features, while Steven reflects on his experience with the Series 11. The conversation then turns to Sky TV's long‑awaited on‑demand audio description, improving entertainment access for blind viewers. Steven also talks about the arrival of WeAssist, WeWalk's integrated visual assistance service now in UK beta, and how it compares to services such as Be My Eyes and Aira.Relevant LinksVision Ireland – Talking Technology Podcast: https://visionireland.ieWeWalk Smart Cane: https://wewalk.ioBe My Eyes: https://www.bemyeyes.comSky Glass & Stream Accessibility: https://www.sky.com/help/articles/accessibilityApple Watch Ultra 3: https://www.apple.com/uk/apple-watch-ultra-3 Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Filmmaker Naomi Ross thought audio description was just an obligation - until it changed the way her whole family watches movies. Join Roy Samuelson as they dive into the power of sound, representation, and what happens when storytelling becomes an invitation instead of a checkbox.

In this final segment of Bridget's interview, Roy Samuelson pulls back the curtain on a years-long campaign to get audio description performers formally recognized by the Television Academy, a move that opens the door for blind professionals to take their rightful place at the table. He shares the staggering 180-degree shift from being told “there's nothing we can do” to a full green light, and reveals what happened behind the scenes to make it possible. Roy and Bridget dive into the emotional labor, strategic advocacy, and sometimes frustrating opacity of accessibility progress, including a powerful reflection on the ADNA's wishlist of shows (and how that list is quietly shrinking thanks to unseen efforts and community pressure). They unpack what makes audio description succeed or fail: from clunky synthetic voices to breathtaking human narration, and explore Roy's vision for “Kevin's Way,” a tone that signals to blind audiences that they're in good hands. It's a wide-ranging, emotionally resonant, and eye-opening conversation that challenges how we think about advocacy, allyship, and the evolving role of AI in storytelling. Listen in to hear how change happens, not with one loud speech, but through years of unseen effort, deep collaboration, and a refusal to give up.

Links to disability artistry projects mentioned in this podcast:POD Access by Thomas Reid and Cheryl GreenReid My Mind Radio hosted by Thomas ReidSocial Audio Description CollectiveKinetic LightKayla HamiltonChristopher Unpezverde NúñezKrishna WashburnCuriosity Paradox

Discover the latest updates on audio description in the UK, challenges with streaming platforms, and the accessibility issues blind users face when content moves across services. Plus, hear insights on the WeWALK smart cane, NVDA vs JAWS in the workplace, and first impressions of Apple's AirPods Pro 3 and iPhone 17.Steven Scott and Shaun Preece are joined by Elliot Stonhill to unpack the RNIB's audio description symposium. They discuss why AD often disappears when shows move between broadcasters and streaming platforms, the role of legislation, and the ongoing fight for true accessibility. The hosts also dive into listener emails on signing PDFs, the frustrations of workplace IT assumptions about screen readers, and the reality of daily blind tech use. Steven shares his hands-on experience with the WeWALK smart cane and how updates have improved battery life and usability. Wrapping up, Elliot gives his first impressions of Apple's new hardware—including the iPhone 17, iPhone Air, and AirPods Pro 3—while debating battery life, audio quality, and whether the upgrades are worth it.Relevant LinksWeWALK Smart Cane: https://wewalk.ioRNIB: https://www.rnib.org.ukNVDA Screen Reader: https://www.nvaccess.org Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A film about blindness that actually gets it right: Roy sits down with Tony Stephens of the American Foundation for the Blind to talk Possibilities, a powerful new doc that reclaims Helen Keller's legacy and centers blind voices, on-screen and behind the scenes. From international buzz to an all-blind audio description team, this episode dives into what it really means to make media that's not just accessible, but authentically inclusive.

In this final episode of the FTS season, I'm taking a fresh, dramatic look at the state of AD. It's an artistic exploration of how audio description went from a promising, groundbreaking career path to something threatened by AI and text-to-speech. To do this, we're taking on the true crime genre, but the case is about Audio Description itself. Follow or subscribe wherever you get podcasts. Transcripts available at ReidMyMind.com. FB/IG @ReidMyMindRadio

What does hitting snooze have to do with solving a 75% unemployment rate for blind professionals? Everything. In this episode, Roy Samuelson sits down with Paul Conley, Executive Director of the TAD Foundation, to explore how possibility becomes action, and how blind talent are rewriting the rules of leadership, confidence, and career success. We cover: Why audio description is more than access - it's opportunity. How the TAD Foundation equips blind students with Fortune 500 skills. The secret mindset shift that turns rejection into rocket fuel. What businesses get wrong about disability employment (and how to fix it). Simple ways you can mentor, hire, and support blind professionals.   If you're ready to stop drifting and start designing a life (and workplace) full of clarity, intention, and impact, this episode is your wake-up call.

In this episode, blind film critic John Stark shares his lifelong passion for movies and how it led him to watch and review over 500 films a year for more than two decades. From his early days reading Entertainment Weekly at age nine and being inspired by Jurassic Park, to becoming a recognized critic on Rotten Tomatoes, Stark explains what fuels his love of cinema and his unique perspective as a blind critic. He talks about founding the Blind Film Critics Society with Alex and Lee, with the goal of building a community of diverse blind and low-vision voices in film criticism-so audiences can hear more than just one “unicorn” perspective. Stark outlines his vision for the next one and five years: increasing representation in critics' organizations, doubling the amount of audio described content on streaming platforms, and shifting the narrative around accessibility from tokenism to true inclusion. The conversation digs into his views on audio description quality, the dangers of over-relying on text-to-speech, and the frustration of studios sitting on existing AD tracks without making them available. Stark also discusses the tension of being a critic in a small field-where honest reviews can sometimes clash with the companies he wants to support. Through it all, his message is clear: blind and low-vision audiences deserve full access to film, and blind critics deserve a seat at the table in shaping cultural conversations about cinema.

In this latest episode, we're joined by Nic Novicki, founder of the Easterseals Disability Film Challenge (EDFC) - an annual competition that gives disabled creatives the chance to showcase their talent in front of and behind the camera. We discuss: Nic's career and the relationship to EDFC And plenty more... Follow or subscribe wherever you get podcasts. Transcripts available at ReidMyMind.com. FB/IG @ReidMyMindRadio

What if the voice guiding blind audiences through your favorite show was never credited? Or never even acknowledged? In part two of her conversation with Roy Samuelson, Bridget asks more insightful questions about the unseen artistry of Audio Description (AD). From the SAG Awards adding AD to both screeners and the live broadcast, to Netflix requiring crediting AD for performers as well as writers, this episode reveals how a behind-the-scenes craft is becoming a movement. Roy shares the origin of the ADNA, the push to get AD talent recognized by the Television Academy, and why AD is more than narration: it's performance, precision, and presence. They explore the rise of blind professionals in media, the power of proper tools and coaching, and the industry's slow but thrilling shift toward honoring every voice in the room. This is the story of inclusion done right. And it's just getting started. Roy's book is available at roysamuelson.com/book

Studios hate him. A blind film critic dropped one review on Rotten Tomatoes and suddenly producers are begging him to reconsider… and he might, if they add audio description in film. That's power. That's disruption. That's John Stark. He launched the Blind Film Critic Society with Alex & Lee (because if the Razzies can start in a living room, why can't blind critics start a movement?) He's now a legit Rotten Tomatoes blind critic. And when he posts? Studios listen. Or panic. Sometimes both. He's exposing how credits for audio description accessibility are erased. Writers invisible. Narrators uncredited. Audiences cheated. He's calling BS. And here's the kicker: he's proving exactly how audio description helps blind audiences experience films fully, while showing the industry why ignoring it costs them money, loyalty, and credibility. This episode slaps. It's not just film reviews with audio description; it's a playbook for shaking an entire industry awake.

In this latest episode, we feature, educator, musician, and composer Estevan Carlos Benson, exploring the power of sound design in film. We're breaking down how sound shapes our understanding of a story—often without a single line of dialogue. Estevan shares tips for “active listening,”we discuss audio easter eggs and I have some fun with audio... Follow or subscribe wherever you get podcasts. Transcripts available at ReidMyMind.com. FB/IG @ReidMyMindRadio

Tables turned! Bridget Melton sat in the host chair for The ADNA Podcast, grilling me about my new book A Voice Actor's Guide to Audio Description Performance. We dug into privilege, allyship, and why I open the book by addressing the awkward-but-important question: “Why listen to a sighted guy talk about AD?” Bridget appreciated that the book stays laser-focused on performance for film and TV, without wandering into every other AD niche, and we explored how performers and writers can “salsa dance” between script and delivery to keep blind audiences immersed, even when the words are limited. I shared why access to visuals matters for performance, how production ownership of AD could change everything, and the surprising ripple effects of SAG Awards requiring AD on screeners. From deft “dialogue dodging” to scene-shift signaling, from the dream of live, in-production AD collaboration to the reality of working in silos, we covered the craft, the advocacy, and the small-but-mighty ways performers can elevate the work. Bridget's thoughtful questions brought out the heart of why I do this, and why better AD is access as well as honoring the story. Bridget was one of the first to ask to interview me about my book, A Voice Actor's Guide To Audio Description Performance. Follow her at BridgetMelton.com

Krystal, Emily and Saagar discuss the flagrant podcast turning on Trump, Dersh claims Epstein coverup, billionaires plot to defeat Zohran & MORE! To become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: www.breakingpoints.com Merch Store: https://shop.breakingpoints.com/See omnystudio.com/listener for privacy information.