Podcasts about Grand Central Publishing

Financial freedom is something we should all be striving for. Our parents taught us to be practical and get a good, stable job. But life isn't always stable, and if we are going to be bad ass feminists who do what we want with our lives, we need to be financially free. Financial freedom means leaving your cheating husband without worries and about bills, it means fully funding your maternity leave to spend time with your newborn, and it means taking a calculated risk on your time and not anyone else's. This week's guest is a good friend of mine who has done all this and more, and she's going to show you how you can do it too.    Jannese Torres is an award-winning Latina Money Expert. She became an accidental entrepreneur after a job loss led her to create a successful Latin food blog, Delish D'Lites. Now, she helps her clients and listeners build successful online businesses that allow them to pursue financial independence and freedom. Jannese is on a mission to educate marginalized communities on topics like entrepreneurship, investing, and financial independence through her personal finance podcast, "Yo Quiero Dinero." Her new book, Financially Lit!, was published by Grand Central Publishing on April 30, 2024. Order your copy at financiallylitbook.com  Launched in 2019, Yo Quiero Dinero® is an award-winning personal finance podcast for Latinas and people of color. The Yo Quiero Dinero® Podcast educates and empowers listeners on personal finance topics like entrepreneurship, financial independence, building generational wealth, investing, and money mindset through guest interviews & solo episodes.   In this week's episode, my long-time friend Jannese Torres will be catching me up on all her latest adventures, all while sharing what financial freedom can do for you. Whether it's getting yourself out of a bad situation or setting yourself up for a good one, you need to be financially free. No matter what situation you're in now, it is possible!  Follow Jannese on: Website: www.yoquierodineropodcast.com  IG: @yoquierodineropodcast  Pinterest: @dineropodcast  YouTube: @YoQuieroDineroPodcast  Twitter: @dineropodcast  TikTok: https://vm.tiktok.com/TTPdB1ydrw  LinkedIn: https://www.linkedin.com/company/yo-quiero-dinero  Follow Erika on: Instagram @‌theerikacruzTikTok @‌theerikacruzLinkedIn Website: http://www.theerikacruz.com How to work with Erika: Join the waitlist for the Courage Driven Latina program here. Join the waitlist for the Magnetic Mastermind here.   Podcast production for this episode was provided by CCST.

David Shelley is Chief Executive Officer of the Hachette Book Group, which is home to seven publishing divisions – Basic Books Group; Grand Central Publishing; Hachette Audio; Little, Brown and Company; Little, Brown Books for Young Readers; Orbit; and Workman Running Press Group. He also serves as CEO of Hachette UK, the second largest UK publisher, with 12 autonomous divisions and over 50 imprints.  During his tenure, he published bestselling authors including Mitch Albom, Mark Billingham, Patricia Cornwell, Carl Hiaasen, Dennis Lehane, Val McDermid, and J.K Rowling. In 2015, he was named CEO of Orion and Little, Brown, and later appointed Group CEO of Hachette UK in 2018. In 2024, Lagardère tapped David to also oversee Hachette Book Group in the US as part of a new English-language management structure. He has since transformed the New York-based company, ushering in new imprints, high-profile hires, and boosting revenue and profit – HBG sales were up 7% over 2023—the biggest jump posted by any of the groups in Lagardère's publishing business.  David's leadership is defined by the company's four strategic business pillars: Understanding Consumers, Changing the Story, Owner Mentality and Growth Mindset. He fosters open communication with the 3,500 employees he leads across both sides of the Atlantic, cultivating a sense of community while aligning all business teams. David is an Officer and past President of the Publishers Association, a trustee of The Reading Agency, and a director of Tate Enterprises.

In this thought-provoking episode, we delve into the intersection of social media, thorny topics, and the practice of EMDR (Eye Movement Desensitization and Reprocessing) therapy. Social media can amplify sensitive issues, creating emotional triggers that can seep into the therapeutic space. How do EMDR therapists approach these thorny topics—sensitive, triggering, or uncomfortable subjects—while maintaining a safe and supportive environment?With EMDRIA Certified Therapist™ and Approved Consultant™ Rotem Brayer, we explore the challenges that EMDR therapists face when dealing with topics that are often shaped or influenced by online discourse, such as identity, cancel culture, political divides, and trauma responses. How do therapists navigate these conversations when social media discussions have left deep emotional marks on clients?Join us as we unpack the ethical considerations, techniques, and strategies used in the EMDR therapy room to address these complex issues while protecting the therapeutic relationship. Featuring expert insights, real-life examples, and thoughtful discussion, this episode offers valuable takeaways for clinicians and those navigating their healing journeys.Please tune in for a deep dive into how we can maintain empathy, safety, and healing in the age of digital influence.ResourcesWhat Is EMDR Therapy?Introduction to EMDR Therapy (video), EMDRIA, 2020Focal Point BlogEMDRIA™ Library EMDRIA™ Practice ResourcesEMDRIA FoundationEMDR Learning Community (Clinicians Only)Brayer, R. (2023). The Art and Science of EMDR: Helping Clinicians Bridge the Path from Protocol to PracticeDent, A. (2025). Using Spirituality in EMDR Therapy. Taylor & Francis.Newport, Cal. (2020). Digital minimalism: on living better with less technology. Penguin Business.Newport, C. (2016). Deep Work: Rules for Focused Success in a Distracted World. Grand Central Publishing.Netflix (2020). Social Dilemma [Documentary Social Dilemma].Follow @EMDRIA on X,  @EMDR_IA on Instagram, Facebook or subscribe to our YouTube Channel.Musical soundtrack, Acoustic Motivation 11290, supplied royalty-free by Pixabay‌‌‌‌ Learn more about EMDR therapy at www.emdria.org.

A rookie pilot, a prominent politician, a cop, and a criminal find themselves enduring freezing temperatures in the remote wilderness after their plane crashes in Northern Canada. A huge thank you to Erik Vogel, the late Larry Shaben, and his daughter Carol Shaben for sharing this story with Snap!There is so much more we are not able to share with you about Erik and Larry's experience. To find out more about what transpired with Wapiti Flight 402, checkout Carol Shaben's book, “Into the Abyss,” from Grand Central Publishing.Special thanks to Nikka Singh for his help with this story.Produced by Bo Walsh, original score by Renzo Gorrio, artwork by Teo Ducot.Season 16 – Episode 16 Learn about your ad choices: dovetail.prx.org/ad-choices

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

This week, host Jason Jefferies is joined by Andy Corren, author of Dirtbag Queen, which is published by our friends at Grand Central Publishing.  Topics of conversation include bookstores in New York, obituaries, the right side of Fayetteville, nice furniture rooms, a child's perception of enormous riches, Donnie and Marie Osmond vs. RuPaul, and much more.  Signed copies of Dirtbag Queen can be ordered here from Page 158 Books (while supplies last).  Happy reading!

Growing up in a remote corner of the world's largest rainforest, Pio, Maria, and Oita learned to hunt wild pigs and tapirs, and gathered Brazil nuts and açaí berries from centuries-old trees. The first highway pierced through in 1960. Ranchers, loggers, and prospectors invaded, and the kids lost their families to terrible new weapons and diseases. Pushed by the government to assimilate, they struggled to figure out their new, capitalist reality, discovering its wonders—cars, refrigerators, TV sets, phones—as well as a way to acquire them: by selling the natural riches of their own forest home. They had to partner with the white men who'd hunted them, but their wealth grew legendary, the envy of the nation—until decades of suppressed trauma erupted into a massacre, bloody retribution that made headlines across the globe. Based on six years of immersive reporting and research, When We Sold God's Eye: Diamonds, Murder, and a Clash of Worlds in the Amazon (Grand Central Publishing, 2024) tells a unique kind of adventure story, one that begins with a river journey by Theodore Roosevelt and ends with smugglers from New York City's Diamond District. It's a story of survival against all odds; of the temptations of wealth and the dream of prosperity; of an ecosystem threatened by our hunger for resources; of genocide and revenge. It's a tragedy as old as the first European encounters with Indigenous people, playing out in the present day. But most of all, it's the moving saga of a few audacious individuals—Pio, Maria, Oita, and their friends—and their attempts to adapt and even thrive in the most unlikely circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Growing up in a remote corner of the world's largest rainforest, Pio, Maria, and Oita learned to hunt wild pigs and tapirs, and gathered Brazil nuts and açaí berries from centuries-old trees. The first highway pierced through in 1960. Ranchers, loggers, and prospectors invaded, and the kids lost their families to terrible new weapons and diseases. Pushed by the government to assimilate, they struggled to figure out their new, capitalist reality, discovering its wonders—cars, refrigerators, TV sets, phones—as well as a way to acquire them: by selling the natural riches of their own forest home. They had to partner with the white men who'd hunted them, but their wealth grew legendary, the envy of the nation—until decades of suppressed trauma erupted into a massacre, bloody retribution that made headlines across the globe. Based on six years of immersive reporting and research, When We Sold God's Eye: Diamonds, Murder, and a Clash of Worlds in the Amazon (Grand Central Publishing, 2024) tells a unique kind of adventure story, one that begins with a river journey by Theodore Roosevelt and ends with smugglers from New York City's Diamond District. It's a story of survival against all odds; of the temptations of wealth and the dream of prosperity; of an ecosystem threatened by our hunger for resources; of genocide and revenge. It's a tragedy as old as the first European encounters with Indigenous people, playing out in the present day. But most of all, it's the moving saga of a few audacious individuals—Pio, Maria, Oita, and their friends—and their attempts to adapt and even thrive in the most unlikely circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Growing up in a remote corner of the world's largest rainforest, Pio, Maria, and Oita learned to hunt wild pigs and tapirs, and gathered Brazil nuts and açaí berries from centuries-old trees. The first highway pierced through in 1960. Ranchers, loggers, and prospectors invaded, and the kids lost their families to terrible new weapons and diseases. Pushed by the government to assimilate, they struggled to figure out their new, capitalist reality, discovering its wonders—cars, refrigerators, TV sets, phones—as well as a way to acquire them: by selling the natural riches of their own forest home. They had to partner with the white men who'd hunted them, but their wealth grew legendary, the envy of the nation—until decades of suppressed trauma erupted into a massacre, bloody retribution that made headlines across the globe. Based on six years of immersive reporting and research, When We Sold God's Eye: Diamonds, Murder, and a Clash of Worlds in the Amazon (Grand Central Publishing, 2024) tells a unique kind of adventure story, one that begins with a river journey by Theodore Roosevelt and ends with smugglers from New York City's Diamond District. It's a story of survival against all odds; of the temptations of wealth and the dream of prosperity; of an ecosystem threatened by our hunger for resources; of genocide and revenge. It's a tragedy as old as the first European encounters with Indigenous people, playing out in the present day. But most of all, it's the moving saga of a few audacious individuals—Pio, Maria, Oita, and their friends—and their attempts to adapt and even thrive in the most unlikely circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Growing up in a remote corner of the world's largest rainforest, Pio, Maria, and Oita learned to hunt wild pigs and tapirs, and gathered Brazil nuts and açaí berries from centuries-old trees. The first highway pierced through in 1960. Ranchers, loggers, and prospectors invaded, and the kids lost their families to terrible new weapons and diseases. Pushed by the government to assimilate, they struggled to figure out their new, capitalist reality, discovering its wonders—cars, refrigerators, TV sets, phones—as well as a way to acquire them: by selling the natural riches of their own forest home. They had to partner with the white men who'd hunted them, but their wealth grew legendary, the envy of the nation—until decades of suppressed trauma erupted into a massacre, bloody retribution that made headlines across the globe. Based on six years of immersive reporting and research, When We Sold God's Eye: Diamonds, Murder, and a Clash of Worlds in the Amazon (Grand Central Publishing, 2024) tells a unique kind of adventure story, one that begins with a river journey by Theodore Roosevelt and ends with smugglers from New York City's Diamond District. It's a story of survival against all odds; of the temptations of wealth and the dream of prosperity; of an ecosystem threatened by our hunger for resources; of genocide and revenge. It's a tragedy as old as the first European encounters with Indigenous people, playing out in the present day. But most of all, it's the moving saga of a few audacious individuals—Pio, Maria, Oita, and their friends—and their attempts to adapt and even thrive in the most unlikely circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Growing up in a remote corner of the world's largest rainforest, Pio, Maria, and Oita learned to hunt wild pigs and tapirs, and gathered Brazil nuts and açaí berries from centuries-old trees. The first highway pierced through in 1960. Ranchers, loggers, and prospectors invaded, and the kids lost their families to terrible new weapons and diseases. Pushed by the government to assimilate, they struggled to figure out their new, capitalist reality, discovering its wonders—cars, refrigerators, TV sets, phones—as well as a way to acquire them: by selling the natural riches of their own forest home. They had to partner with the white men who'd hunted them, but their wealth grew legendary, the envy of the nation—until decades of suppressed trauma erupted into a massacre, bloody retribution that made headlines across the globe. Based on six years of immersive reporting and research, When We Sold God's Eye: Diamonds, Murder, and a Clash of Worlds in the Amazon (Grand Central Publishing, 2024) tells a unique kind of adventure story, one that begins with a river journey by Theodore Roosevelt and ends with smugglers from New York City's Diamond District. It's a story of survival against all odds; of the temptations of wealth and the dream of prosperity; of an ecosystem threatened by our hunger for resources; of genocide and revenge. It's a tragedy as old as the first European encounters with Indigenous people, playing out in the present day. But most of all, it's the moving saga of a few audacious individuals—Pio, Maria, Oita, and their friends—and their attempts to adapt and even thrive in the most unlikely circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Growing up in a remote corner of the world's largest rainforest, Pio, Maria, and Oita learned to hunt wild pigs and tapirs, and gathered Brazil nuts and açaí berries from centuries-old trees. The first highway pierced through in 1960. Ranchers, loggers, and prospectors invaded, and the kids lost their families to terrible new weapons and diseases. Pushed by the government to assimilate, they struggled to figure out their new, capitalist reality, discovering its wonders—cars, refrigerators, TV sets, phones—as well as a way to acquire them: by selling the natural riches of their own forest home. They had to partner with the white men who'd hunted them, but their wealth grew legendary, the envy of the nation—until decades of suppressed trauma erupted into a massacre, bloody retribution that made headlines across the globe. Based on six years of immersive reporting and research, When We Sold God's Eye: Diamonds, Murder, and a Clash of Worlds in the Amazon (Grand Central Publishing, 2024) tells a unique kind of adventure story, one that begins with a river journey by Theodore Roosevelt and ends with smugglers from New York City's Diamond District. It's a story of survival against all odds; of the temptations of wealth and the dream of prosperity; of an ecosystem threatened by our hunger for resources; of genocide and revenge. It's a tragedy as old as the first European encounters with Indigenous people, playing out in the present day. But most of all, it's the moving saga of a few audacious individuals—Pio, Maria, Oita, and their friends—and their attempts to adapt and even thrive in the most unlikely circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Behavioral View podcast explores the critical topic of supervisory skills in applied behavior analysis. Featuring Amber Valentino PsyD, BCBA-D, the discussion centers around her recent publication on objectively evaluating supervisory behaviors in practice. The conversation delves into the importance of "soft skills" in supervision, strategies for creating a supportive supervisory environment, and methods for giving and receiving feedback. Participants will gain insights into current research on supervision practices and practical tips for improving their supervisory repertoire. This CEU advances knowledge of supervision by providing concrete strategies for assessment and improvement of supervisory behaviors, emphasizing the importance of empathy, presence, and continuous learning in the supervisory relationship.  To earn CEUs for listening, click here, log in or sign up, pay the CEU fee, + take the attendance verification to generate your certificate! Don't forget to subscribe and follow and leave us a rating and review. Show Notes References: Valentino, A. L., Fuhrman, A. M., & Beck, J. (2024). The Development of a Calculator for Objectively Evaluating Supervisory Behaviors in Practice. Behavior Analysis in Practice, 17(3), 932-944. https://doi.org/10.1007/s40617-024-00946-w  Taylor, B. A., LeBlanc, L. A., & Nosik, M. R. (2018). Compassionate Care in Behavior Analytic Treatment: Can Outcomes be Enhanced by Attending to Relationships with Caregivers? Behavior Analysis in Practice, 12(3), 654-666. https://doi.org/10.1007/s40617-018-00289-3  Newport, C. (2016). Deep Work: Rules for Focused Success in a Distracted World. Grand Central Publishing.  Scott, K. (2017). Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity. St. Martin's Press.  Odell, J. (2019). How to Do Nothing: Resisting the Attention Economy. Melville House.  Bailey, J., & Burch, M. (2010). 25 Essential Skills & Strategies for the Professional Behavior Analyst: Expert Tips for Maximizing Consulting Effectiveness. Routledge. LeBlanc, L. A., & Luiselli, J. K. (Eds.). (2016). Behavior Analysis in Practice: Special Issue on Supervision [Special Issue]. Behavior Analysis in Practice, 9(4).    Resources: BACB Supervisor Curriculum Outline: https://www.bacb.com/supervision-resources/  CentralReach Institute: https://centralreach.com/solutions/cr-institute/  CASP (Council of Autism Service Providers) Supervision Training: https://casproviders.org/  Notebook LLM: https://www.notebooklm.com/  MindColor Autism: https://www.mindcolorautism.com/ 

Connie Chung is an icon. It's been almost 20 years since she was regularly on air, but she's still a household name and a namesake for a generation of Asian American women. Americans remember her as one of the faces of the news, from the 1970s through the early 2000s. She interviewed Nixon and Oregon's one-time Olympic darling-turned-national villain, Tonya Harding and covered the events that rocked the country from the O.J. Simpson trial to the Oklahoma City bombing. In “Connie: A Memoir” released Tuesday from Grand Central Publishing, Chung, now 78, tells her own story. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are some celebrities and businesspeople that make where they are from part of their identity.  Jay-Z and New York, Mark Wahlberg and Boston, and who can forget Abe Froman the Sausage King of Chicago.  But as we embark on our 5th year of doing our show, we are going to pay homage to one of the icons of our city.  Ted Turner and Atlanta.  Ted followed loosely in his father's footsteps but built a cable empire that changed the way we watched television.  While Ted was a pioneer in the television world, he went on to do even more in his conservation efforts.  But there has to be some skeletons in that massive, walk-in closet after all these years, right?  Ever wonder why so many people are Braves fans in Pocatello, Idaho?  And what would you do if your wife turned into a religious fanatic mid-marriage?  We'll dive into all this and more in this episode of AHC Podcast.       Intro Music Credits: Joakim Karud - Duck Life" is under a Free To Use YouTube license https://www.youtube.com/user/JoakimKarud Music powered by BreakingCopyright: https://www.youtube.com/watch?v=8NKW7ylXgZc&list=PLfP6i5T0-DkLQwa7v_h5tAhp7hfrcbITx&index=48       Citations: Turner, T., & Burke, B. (2008). Call Me Ted. Grand Central Publishing. Napoli, L. (2020). Up All Night: Ted Turner, CNN, and the Birth of 24-Hour News. Abrams Press. Turner, T. (1998). The Turner Foundation: Conservation & Philanthropy.

Taking control of my finances was one of the best decisions I've ever made, But, it was also one of the hardest things I've ever had to do because I had to do it on my own. I had to seek out resources and teach myself how to be financially literate. And because I did so much research on financial literacy, I know that this week's guest is not only a good friend, but she's also the real deal.     Jannese Torres is an award-winning Latina Money Expert. She became an accidental entrepreneur after a job loss led her to create a successful Latin food blog, Delish D'Lites. Now, she helps her clients and listeners build successful online businesses that allow them to pursue financial independence and freedom. Jannese is on a mission to educate marginalized communities on topics like entrepreneurship, investing, and financial independence through her personal finance podcast, “Yo Quiero Dinero.” Her new book, Financially Lit!, was published by Grand Central Publishing on April 30, 2024. Order your copy at financiallylitbook.com    In this week's episode, Jannese and I talked about the importance of building your wealth, being financially independent, and protecting yourself financially. As women in a marginalized community, we don't always have people teaching us how to take control of our finances. This is exactly why Jannese wrote her book, so that you can learn all this and more from someone who knows where you're coming from. Tune in to access all the info you'll need to start becoming financially lit!  Follow Jannese on: Order Your Copy of Financially Lit Now! https://financiallylitbook.com/  IG: https://instagram.com/yoquierodineropodcast  Pinterest: pinterest.com/dineropodcast  YouTube: youtube.com/c/YoQuieroDineroPodcast  Twitter: https://twitter.com/dineropodcast  TikTok: https://vm.tiktok.com/TTPdB1ydrw  LinkedIn: https://www.linkedin.com/company/yo-quiero-dinero    Follow Erika on: Website: www.theerikacruz.com Instagram @‌theerikacruzTikTok @‌theerikacruzLinkedIn   How to work with Erika: Sign up for the 4 Proven Steps to Reinvent Yourself in Just 90 Days Webinar Join the waitlist for Courage Driven Latina here. Book your Magnetic Mastermind consultation call today!    Podcast production for this episode was provided by CCST.

Happy Monday, Fabulous Listener! Welcome to Inside the Minds of Authors. Summer is here and we have amazing authors to enjoy the season. This evening, we have the pleasure of having a fabulous author duo, M.M. Downing & Sandra Waugh, with us. We are discussing their great Middle Grade trilogy, The Adventures of the Flash Gang. Sandra Waugh is the author of Lark Rising and Silver Eve, books 1 & 2 in the Guardians of Tarnec series published by Random House. Prior to taking up the pen, Sandra was an actress, most notably a co-founder and one-time artistic director of Echo Repertory, a not-for-profit women's theater company based in New York City. She holds a B.A. in English from Bryn Mawr College, a black belt in Nia and 500-hour yoga teacher certification, the latter two she sometimes teaches when not writing. Sandra lives in rural Connecticut with her husband. Melanie Murray Downing, writing as M.M. Downing, is a freelance editor and author who has been previously published at Harlequin and HarperTeen (under the pseudonym Claire Ray.) She has a B.F.A. from New York University and worked for six years at Warner Books and Grand Central Publishing. She lives in New Jersey. To learn about their incredible series, check out their site at https://downingwaugh.com/. You are truly going to enjoy it. Thank you for joining us this evening. Always a pleasure bringing you new books from incredible authors. If you are enjoying the podcast and would like to stay in touch, subscribe. You don't want to miss a single episode. Happy Listening, DC

This week on ‘The Write Question,' host Lauren Korn speaks to Dr. Alan Townsend, author of ‘This Ordinary Stardust: A Scientist's Path from Grief to Wonder' (Grand Central Publishing, Hachette Book Group).

This week on ‘The Write Question,' host Lauren Korn speaks to Dr. Alan Townsend, author of ‘This Ordinary Stardust: A Scientist's Path from Grief to Wonder' (Grand Central Publishing, Hachette Book Group).

Jannese Torres is an award-winning Latina Money Expert. She became an accidental entrepreneur after a job loss led her to create a successful Latin food blog, Delish D'Lites. Now, she helps her clients and listeners build successful online businesses that allow them to pursue financial independence and freedom.  Jannese is on a mission to educate marginalized communities on topics like entrepreneurship, investing, and financial independence through her personal finance podcast, Yo Quiero Dinero.Her brand new book, Financially Lit!, was published by Grand Central Publishing on April 30, 2024. Order your copy at financiallylitbook.com.In this week's episode, I interview my sister, Jannese Torres, about her new book Financially Lit! We discuss the importance of financial independence, the concept of financial abuse in relationships, and the need for prenuptial and post-nuptial agreements. We also touch on the power of community support and the role of fear in preventing financial progress.Jannese shares practical advice on how to navigate conversations about money in relationships and offers guidance on rebuilding after financial ruin.Being financially free, especially as a woman, is such an important topic the world needs to talk more about. It's essential for escaping toxic situations and building a better life. I hope by listening to this week's conversation, it empowers you to also get your financial ish together. I'm right there with you!I want you to remember this quote Jannese said during this powerful conversation: "Choose yourself. The money will come, but you have to get out of a situation that is literally like taking your most precious resource, which is your time."You got this, sis! Share this podcast & leave a rating + review on Apple. New episodes premiere every Tuesday.Follow me on Instagram, Threads, TikTok, LinkedIn, Facebook, Twitter & YouTube!Get your free copy of The Thrive Guide!Visit my website to stay up-to date.Sponsors:BetterHelp®— Get professional support when you need it. Receive 10% off your 1st month with my sponsored link!

Follow us at @reedingbetweenthelinespod on Instagram https://www.youtube.com/channel/UCQTwwca940URfX9iyZ6yOpQ https://sisterschoice.typepad.com/sisters_choice_quilts/ Books mentioned: Sara's Books Real Americans by Rachel Khong, published in April 30, 2024 by Knopf Little Thieves, by Margaret Owens, published Oct, 2021 by Henry Holt and Co The Missing Sister by Elle Marr, April 1, 2020 by Thomas & Mercer Shōgun by James Clavell, Blackstone Publishing Nicole's Books Adelaide by Genevieve Wheeler, a debut published in April, 2023 by St. Martin's Press The Berry Pickers by Amanda Peters, published April 2023 by Catapult. An Own Voices Debut. The House is On Fire by Rachel Beanland, published by Simon & Schuster in April, 2023 The Light Pirate by Lily Brooks-Dalton, published by Grand Central Publishing in Dec 2022 Colton Gentry's Third Act by Jeff Zentner UK Bookshops Elvis and Shakespeare, McNaughtons and Typewronger, Topping & Company Booksellers, Hatchards Books, Foyles, Daunt

This week, NYT Bestselling Author, Television Personality & Podcast Host, Hannah Brown, joins Savannah Chrisley as she unlocks all the tea. Hannah spills about her bachelor exes, including working with ex, Tyler Cameron, on his new Amazon show. She is open about feeling lost and how she found her way again after reality TV, and even how she met her current fiance. The two bond, and laugh, over their shared experiences- from Special Forces to being engaged to someone they are currently not with. They also talk about Hannah's long list of accomplishments, including being a New York Times Best-Selling Author and her new book, Mistakes We Never Made, that releases today!!Book promo link: https://www.hachettebookgroup.com/titles/hannah-brown/mistakes-we-never-made/9781538756775/?lens=foreverThank you to our sponsors for supporting our show! - BETTERHELP: This episode is sponsored by BetterHelp. Give online therapy a try at https://www.betterhelp.com/SAVANNAH and get on your way to being your best self!- PROGRESSIVE: Join the over 28 million drivers who trust Progressive at https://www.progressive.com(Restrictions apply. Not available in all states and situations.)- NURX: Thanks to Nurx for sponsoring this podcast! Taking control of your reproductive health starts here. Go to https://www.nurx.com/unlocked to get started. Results may vary. Not offered in every state. Medications prescribed only if clinically appropriate, consultation required.LET'S BE SOCIAL:Follow Savannah Chrisley:Instagram (@SavannahChrisley)TikTok (@SavannahChrisley)Twitter (@_ItsSavannah_)Follow Hannah Brown:https://hannahbrown.komi.io/Instagram: (@hannahbrown)TikTok: (@hannahkbrown)Facebook: (@hannahbrownofficial)YouTube: ( @hannahbrown)Podcast, Better Tomorrow: @BetterTomorrowAbout Hannah Brown:Hannah Brown is a television personality, model, author and beauty pageant titleholder. Brown first gained recognition after placing in the top seven in season 23 of The Bachelor (2019). She subsequently starred as The Bachelorette in season 15 of The Bachelorette (2019). She competed on season 28 of Dancing with the Stars and won with Alan Bersten.On November 11, 2021, her memoir titled God Bless This Mess: Learning to Live and Love Through Life's Best (and Worst) Moment was published by HarperCollins. God Bless This Messy Journal: A Guide to Embracing the Beautiful, Messy You was published on April 12, 2022.In 2023, Brown appeared on the first season of Fox's quasi-military training series Special Forces: World's Toughest Test. She was one of two contestants, alongside Carli Lloyd, to survive all 10 days and was also the last non-athlete standing. In September 2023, Variety reported that Brown signed a two-book deal with Grand Central Publishing's imprint Forever. Brown's first romance novel called Mistakes We Never Made, is set to be published on May 7, 2024 and her second book scheduled for summer 2025.Follow Unlocked Podcast:Instagram (@UnlockedWithSavannah)TikTok (UnlockedWithSav)Produced and Edited by "The Cast Collective" in Nashville, TN(www.thecastcollective.com)Follow The Cast Collective on Instagram & Twitter! -- (@TheCastCollective)

Award-winning journalist and author, Tom McGrath joins us to share his recent opinion piece on how bad became the new good and discuss his new book, Triumph of the Yuppies: America, the Eighties, and the Creation of an Unequal Nation, which will be published by Grand Central Publishing in June 2024. Tom is also the author of the newsletter Common Good, which explores issues related to politics, culture and the economy. He was previously the editor-in-chief of Philadelphia magazine, as well as chief content officer of the magazine's parent company, Metro Corp. (which also publishes Boston magazine). He continues to write for both publications, as well as several others, including Politico. In 2022 he was named Writer of the Year at the National City & Regional Magazine Awards. Read his work at tommcgrathwriter.com. Subscribe to his newsletter at tmcgrath.substack.com. He lives in suburban Philadelphia. Tune in for this broadcast on Wednesday, April 17 @ 6pm EST!

Interview — Professor Dante Lauretta— The Asteroid Hunter: A Scientist's Journey to the Dawn of our Solar System (hachettebookgroup.com)— facebook.com/AZAstrobiology— threads.net/@azastrobiology— instagram.com/azastrobiology— Thanks to Grand Central Publishing (twitter.com/GrandCentralPub) (instagram.com/grandcentralpub)

Episode 72 with Kyle Beachy, skateboarder and writer from Saint Louis, Missouri. Together we discussed his life and career from growing up and picking up his first board in Saint Louis, Missouri in 1986 to releasing his second book “The most fun thing” (published by Grand Central Publishing in August 2021), a collection of essays focused on skateboarding, and everything in between through surprise questions from friends of his: Indigo Willing, Dan Piquard, Patrick Kigongo, Cole Nowicki, John Matson, José Vadi, Iain Borden, Alex White, Jason Waters, Sam Korman, Wes Miller, Janie Porche, Ted Schmitz, Kristin Lueke, Jim Daley, Ted Barrow, Terry and Roger Beachy, and John Dahlquist. (00:13) – Intro(01:13) – Kyle life recap(07:12) – Indigo Willing(11:14) – Dan Piquard(14:11) – Patrick Kigongo(16:09) – Cole Nowicki(32:42) – John Matson(36:09) – José Vadi(43:44) – Iain Borden(52:02) – Alex White(54:58) – Jason Waters(59:37) – Sam Korman(01:05:08) – Wes Miller(01:12:00) – Janie Porche(01:14:05) – Ted Schmitz(01:19:32) – Kristin Lueke(01:29:12) – Jim Daley(01:31:41) – Ted Barrow(01:35:50) – Terry and Roger Beachy(01:39:44) – John Dahlquist(01:47:55) - ConclusionFor more information and resources: https://linktr.ee/beyondboards

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito's. The two murders merited a few local news stories, and then the rest of the world moved on. But for the families of the slain teenagers, it was impossible to move on. And for Laurence Ralph, the stepfather of Sito's half-brother who had dedicated much of his academic career to studying gang-affiliated youth, Sito's murder forced him to revisit a subject of scholarly inquiry in a profoundly different, deeply personal way. Written from Ralph's perspective as both a person enmeshed in Sito's family and as an Ivy League professor and expert on the entanglement of class and violence, SITO: An American Teenager and the City that Failed Him (Grand Central Publishing, 2024) is an intimate story with an message about the lived experience of urban danger, and about anger, fear, grief, vengeance, and ultimately grace. Laurence Ralph is a Professor of Anthropology at Princeton University, where he is the Director for the Center on Transnational Policing. Before that, he was a tenured professor at Harvard University for eight years. He is the author of Renegade Dreams: Living Through Injury in Gangland Chicago (2014) and The Torture Letters: Reckoning With Police Violence (2020), both published by University of Chicago Press. He is currently a Guggenheim Fellow, a fellow of the Radcliffe Institute for Advanced Study, and a member of the Institute for Advanced Study at Princeton; he has also been the recipient of fellowships from the Guggenheim National Science Foundation, the Carnegie Corporation, and the Ford Foundation. He lives in Princeton, New Jersey with his wife and daughter. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

Hannah Robinson has been an editor at some of publishing's biggest houses. HarperCollins, Simon and Schuster—where we met—and now Grand Central Publishing, a division of Hachette. She primarily works with non-fiction, which is a massive slice of the publishing pie that seems to get all but ignored on social media. We had a discussion about what the job of an editor is, what it isn't, and whether they're the scary gatekeepers aspiring authors make them out to be.  And because I couldn't resist, we talk a bit about the making of The Dabbler's Guide to Witchcraft and why certain things did and didn't make the cut.  Social links: Instagram: https://www.instagram.com/headonfirepod/ Twitter: https://twitter.com/headonfirepod TikTok: https://www.tiktok.com/@headonfirepod Support my work on Patreon: https://www.patreon.com/headonfirepod Buy me a Ko-Fi: https://ko-fi.com/headonfirepod Subscribe to the Head On Fire podcast Apple Podcasts: https://podcasts.apple.com/us/podcast/head-on-fire/id337689333 Spotify: https://open.spotify.com/show/4qTYYhCLMdFc4PhQmSL1Yh?si=5387b774ed6e4524 YouTube: https://youtube.com/c/HeadOnFirePod

In this last episode of Season One, we speak with Tree Abraham – a brilliant book designer, illustrator and writer. Tree was born and raised in Ottawa, Canada before studying graphic design in the UK and interning at various publishers in London. Tree then went on to work in New York City where she's been ever since, working for Abrams, Bloomsbury and Grand Central Publishing. Tree is now an Art Director for Amazon Publishing. Tree is also a writer and her first book Cyclettes came out in 2022. We speak about studying in the UK, what it's like living and working in New York City, Tree's process, working your way through the ranks at a publishers, the benefits of working on more commercial titles and about Tree's book Cyclettes. Visit Tree's website to see her work and follow her on Instagram. Read about Tree's process when producing the covers for Cyclettes over on Spine Magazine. Watch Neil Buchanan on Art Attack that we spoke about during the podcast here. Cover Meeting was hosted by Steve Leard and produced by James Ede of beheard.org.uk.    

"I try to minimize harm and maximize truth," says Kim H. Cross, author of In Light of All Darkness: Inside the Polly Klaas Kidnapping and the Search for America's Child (Grand Central Publishing).In this episode we touch on: Giving people agency The ethics of writing true crime Being a human first and a journalist second, And the importance of setting up writing retreats for yourselfSupport: Patreon.com/cnfpodShow notes: brendanomeara.comNewsletter: Rage Against the AlgorithmSponsor: Liquid IV, promo code cnfSocial: @creativenonfictionpodcast on IG and Threads

This week I spiraled out with the brilliant & SUPER funny stand up comic & writer Amy Silverberg! (Comedy Central, The Paris Review)  We talked Jewish parents, boundaries, talking about your students and boyfriends in your stand up, fake vs real vulnerability, codependency and hurting people more in trying NOT to hurt them, how being teased can feel like love, being a recovered ghoster, and SO MUCH MORE. Amy also shared several juicy shame stories AND we went deep into the world of her relationship with her now infamous therapist, DR. BARBARA.  Amy's debut novel First Time, Long Time is forthcoming from Grand Central Publishing in 2024, and you can spy her short fiction in The New Yorker, The Paris Review, Best American Short Stories, and more. She performs stand up regularly in LA and tours all over the country- follow her on Instagram & Twitter @amysilverberg and TikTok @amysilverbergrules to stay in the know of her upcoming shows! You can follow me on Twitter, Instagram, and TikTok @elykreimendahl, and the pod on Twitter and Instagram @podshamespiral, where I'm regularly posting fun video clips of especially juicy or hilarious moments from the episodes.  And if you're enjoying the pod, please rate, review and subscribe! If you do, I will SPIRAL-but in the good way.  Editor: Kalie McAlexander, Twitter @kaliebud & IG @kaliebuddOriginal Music: Shadwick Wilde, Instagram and Twitter: @shadwickwildeCover Art: Cassidy Kulhanek, Instagram, Twitter and TikTok: @heavenlygrandpatwitter.com/podshamespiralinstagram.com/podshamespiralinstagram.com/elykreimendahltiktok.com/@elykreimendahltwitter.com/elykreimendahl

This week we're talking all things public relations for founders & VCs with the knowledgable Jenna Birch. Jenna Birch is the founder of Sisu Brand & PR, a communications consultancy serving both venture capital firms and startups. She has previously worked as the VP, Narrative & Communications at NFX, as well as the Head of Content & Communications at Forerunner, crafting inventive marketing and PR strategies for both firms. In those roles, she's also worked with startups across sectors like consumer, enterprise, SaaS, bio, digital health, travel, crypto, fintech/e-commerce, and more. Prior to working in-house at VC firms, she was a longtime journalist and published author (THE LOVE GAP, Grand Central Publishing, 2018).In this explained episode, Erica and Jenna talk about Jenna's windy journey from being a freelance journalist to writing a dating book to uncovering her passion for storytelling which landed her in the world of venture capital. Jenna has since left venture capital and kickstarted her own firm to support mostly female founders and fund managers with everything PR related. She's a wealth of knowledge and we're so glad she shared her time with us!Twentysomethings, listen now for an hour of inspiration with Jenna Birch!Follow Us!Jenna Birch: @jennabirchEmail Jenna at: jenna@sisubrandpr.comErica Wenger: @erica_wengerDear Twentysomething: @deartwentysomething

There is no question we hold so much shame around our pleasure. I've found that this is causing people to lose their zest for life and even impacting our mental, emotional, and physical wellbeing. So, I am bringing a trauma informed sexologist, Priestess Francesca, to dive into why we have so much shame around intimacy.  Francesca is an erotic activist, sexual revolutionary, and advocate for collective liberation through erotic embodiment of all forms.  She has founded The School of Erotic Mysteries and is the trusted professional sex worker for spiritual seekers healing, growth and transformation journey. She's been featured in Cosmopolitan, Health Magazine, and Grand Central Publishing as she passionately destigmatizes and celebrates non-traditional sex, intimacy, and relating pathways. Website: https://www.priestessfrancesca.com/ Instagram: @priestessfrancesca1 The School of Erotic Mysteries: Learn More & Join!

What if animals and humans could speak to one another? Tom Mustill—the nature documentarian who went viral when a thirty‑ton humpback whale breached onto his kayak—asks this question in his thrilling investigation into whale science and animal communication. “When a whale is in the water, it is like an iceberg: you only see a fraction of it and have no conception of its size.” On September 12, 2015, Tom Mustill was paddling in a two-person kayak with a friend just off the coast of California. It was cold, but idyllic—until a humpback whale breached, landing on top of them, releasing the energy equivalent of forty hand grenades. He was certain he was about to die, but they both survived, miraculously unscathed. In the interviews that followed the incident, Mustill was left with one question: What could this astonishing encounter teach us? Drawing from his experience as a naturalist and wildlife filmmaker, Mustill started investigating human–whale interactions around the world when he met two tech entrepreneurs who wanted to use artificial intelligence (AI)—originally designed to translate human languages—to discover patterns in the conversations of animals and decode them. As he embarked on a journey into animal eavesdropping technologies, where big data meets big beasts, Mustill discovered that there is a revolution taking place in biology, as the technologies developed to explore our own languages are turned to nature. From seventeenth-century Dutch inventors, to the whaling industry of the nineteenth century, to the cutting edge of Silicon Valley, How to Speak Whale: A Voyage into the Future of Animal Communication (Grand Central Publishing, 2022) examines how scientists and start-ups around the world are decoding animal communications. Whales, with their giant mammalian brains, virtuoso voices, and long, highly social lives, offer one of the most realistic opportunities for this to happen. But what would the consequences of such human animal interaction be? Here are some recordings of whale songs:  Humpback Orca Blue Frances Sacks is a graduate of Wesleyan University where she studied in the Science and Society Program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gathering the Kings welcomes the creative powerhouse, William C Warren, Founder, and CEO of The Sketch Effect. His journey, far from predictable, took him from a child with a dream of becoming a famous cartoonist to an entrepreneur whose services are now solicited by nearly every Fortune 500 company in the United States. Warren's love for artistry inspired him to return to art school for his master's degree, even as he worked at a marketing firm to fund his education.In this episode, we dive deep into topics such as finding fulfillment in your job, the potent influence of visual communication, and handling a business amid crisis. We also explore how Warren established clear quality standards for each role on his team. The Sketch Effect's story isn't just about doodles and diagrams; it's about harnessing creativity to redefine communication in the corporate landscape. Ready for a dose of inspiration? Don't miss out; tune into the episode now!During this episode, you will learn about;[00:47] Intro to William and his business[05:57] What is the burning desire deep down inside of William?[08:21] The journey that William took to find his purpose[12:39] How did William come up with the idea for The Sketch Effect?[23:33] What is a good business decision that William made?[27:29] What pushed William to innovate his business before he knew there would be a crisis?[31:46] William's process for handling a crisis[34:23] A bad decision that William was able to learn from[36:18] The process that William uses when hiring new employees[42:19] What is the number one KPI that William is tracking?[44:13] Book recommendations from William[47:10] How does William obsess over his family like he does his business?[51:43] What advice would William give to the younger version of himself?[54:29] How to connect with William[56:31] Info on Gathering The Kings MastermindNotable Quotes"It's so valuable to be in a group, surrounded by other people who can push you, challenge you, and encourage you to think in different ways. And then, they hold you accountable to it." - William C Warren"I believe crisis creates clarity. When the world is falling apart, it can be a very clarifying thing." - William C Warren"Crisis can create confusion if you're not locked into purpose." - William C Warren"I was freaking out on the inside, but on the outside, I wanted to project courage." - William C Warren"One thing I want to pull out here for the listener is that as entrepreneurs, a lot of times, we have great ideas. Well, let me rephrase that. We have a lot of ideas. I don't know how great most of them are." - Chaz Wolfe (Host)Books and Resources Recommended:Lansing, Alfred. Endurance. Basic Books, 1959.Amazon.com: Endurance: Shackleton's Incredible Voyage (Audible Audio Edition): Alfred Lansing, Simon Prebble, Blackstone Audio, Inc.: Audible Books & OriginalsNewport, Cal. Deep Work: Rules for Focused Success in a Distracted World. Grand Central Publishing, 2016.NEW-Deep Work: Rules for Focused Success in a Distracted World: Cal Newport: Amazon.com:...

Franchesca Ramsey, also known as Chescaleigh, is an American comedian, activist, television, and YouTube personality, and actress who has appeared on MTV and MSNBC. Join Michael Jamin and Francheca as they explore her path to success, lessons learned, and what it takes to make it in Hollywood.Show NotesFranchesca Ramsey's Personal Site - https://www.franchesca.net/Franchesca Ramsey on Wikipedia - https://en.wikipedia.org/wiki/Franchesca_RamseyFranchesca Ramsey on Instagram - https://www.instagram.com/chescaleigh/Franchesca Ramsey on TikTok - https://www.tiktok.com/@franchesca_leighFranchesca Ramsey on Twitter - https://twitter.com/chescaleighAutomated TranscriptFranchesca Ramsey (00:00:00):No. You, you never, you never know. And, you know, on the topic of Nose and Failures, I went to the red carpet for the Emmy's in 2008 and I swore that was gonna be my big break. I thought, I was like, I'm never going back to the chamber. Like I, I remember my boss.Michael Jamin (00:00:15):So you went as what?Franchesca Ramsey (00:00:17):As I was a red carpet reporter for.com. Oh yeah. I was on the red carpet. I interviewed like Kathy Griffin and Neil Patrick Harris. And I sang with Josh Groin. Like I had the best time. Right. And then I had to fly back to Florida and go to work. And I was heartbroken. I thought I was gonna get an agent. I thought I was gonna, I just thought like, this is it. I'm, I'm making it. And I did not make it.Michael Jamin (00:00:42):You're listening to Screenwriters. Need to hear this with Michael Jamin.(00:00:50):Hey everyone, it's Michael Jamin. Welcome back to another episode of Screenwriters. Need to hear this. I have a wonderful special guest today and she's extremely inspiring. And if you want to be a screenwriter, you need to hear how this woman broke in because it floored me. I'm here with Franchesca Ramsey and she has all, she's a multi-talented person cause she's an actor or writer performer. But she started as a YouTuber.Franchesca Ramsey (00:01:13):I started on the internet. It's honestly, it still blows my mind when I say it. But the internet opened so many doors for me and I could not be more proud of the career that it's helped me build.Michael Jamin (00:01:26):And you have so much. But I think what's most, like, I wanna talk about all your successes, but to me, what I really interested by are all the failures that led up to yourFranchesca Ramsey (00:01:35):Success,Michael Jamin (00:01:36):. Cause this is not overnight. No. that you made it.Franchesca Ramsey (00:01:39):No, absolutely not. And I really try to be transparent about those things because I know how it is when you're on the other side and you're watching people have all of these wins and you're comparing yourself to them and you're suing that everything is going their way. And the reality is, more oftentimes than not, there are so many nos behind the scene before they got to the yeses that you're getting to watch and experience. Right. So I, I've had a lot of them. ,Michael Jamin (00:02:09):We're gonna go through 'em, but lemme just tell everyone how we met. Cuz we only met on, on Friday. On Friday. I'm not big on Twitter, but I checked it for some reason, fate told me to check it. And someone had tagged me in a tweet saying, there are two screenwriters you need to follow me and you and your your, your Twitter is tr is is ChecheFranchesca Ramsey (00:02:26):Lee. Yeah,Michael Jamin (00:02:27):Chely. Which is, which is Lee's probably your middle name.Franchesca Ramsey (00:02:29):Lee is my middle name. Yeah.Michael Jamin (00:02:31):Okay. And so they tagged me and you and I, I didn't know you, so I was like, oh, look at her. And I clicked on your link and then I, and I realized, oh, what, you got a huge following and you have some interesting, you talk about interesting things. So I follow you. And then later that day, literally that day, I'm picketing cuz run, strike the Disney lot. And then you call out to me cuz you recognized me.Franchesca Ramsey (00:02:49):Yeah. Oh my God. I mean, I, I mean I, so I started following you on TikTok. It's been a while. I'm still pretty new to TikTok. I think I've only been on there like a year. I'd begrudgingly joined. I was one of those mm-hmm. . and so there's not a lot of TV people on there. Right. And the thing that I was saying to you at the Disney lot was, I appreciate that you have demystified the, the process and the business because there are a lot of people who love and enjoy television, talking about the business, and yet they have never worked in the business. And you come from a place of, yeah, I have sold shows. I've worked in hit series. I, you know, you've done so many things. And just being able to see someone who knows what they're talking about, but again, is making it accessible, is really inspiring. And it really is in line with the ethos of my work.Michael Jamin (00:03:39):And and you do all of that. I wanna talk about, jeez. Well, actually, actually, I should probably say how everyone knows you. Okay. Yes. You've done a ton. You first of all, you were a correspondent on the Nightly Show with, with Larry Wilmore, who Yes. It's funny I know so many writers and he, I, I think of him as a sitcom writer because he's written, he's a writer. Yeah. But he's also a performer's. Like you're singing yourself. He's a multi-talented person, but also decoded on m comedy Central. Mm-Hmm. Franchesca Ramsey (00:04:05):Mtv. Mtv. Decoded. Oh,Michael Jamin (00:04:06):Mtv. Yeah. Okay. I, Carly, which you did one season on Yeah.Franchesca Ramsey (00:04:09):The reboot. I, yeah, I did the first season of the reboot.Michael Jamin (00:04:12):Right. And that must have been, oh, I don't wanna talk about that. Yeah,Franchesca Ramsey (00:04:16):Yeah.Michael Jamin (00:04:16):We'll talk about that. We're gonna get into all that. You, you wrote for the Oscars in 2020. Mm-Hmm. you were, you were recurring on superstores an actor, right?Franchesca Ramsey (00:04:24):I was, yeah. I was recurring, recurring for 12 episodes in season six.Michael Jamin (00:04:28):Wow. That's, that's, that's,Franchesca Ramsey (00:04:29):Yeah. And I did that and I did that while I was a writer, producer on iCarly. So I had They didn't let you leave? They did let me leave. And I had many a times that I was on set at five o'clock in the morning to shoot, to go to shoot a superstore. And then I still had to get my outline and on time , and I did it. Oh my God.Michael Jamin (00:04:51):But, but Oh, and but you started mm-hmm. , even before this, you had a, you had a viral video Yeah. That went on YouTube.Franchesca Ramsey (00:04:58):Yeah. So I, I started making YouTube videos when I was in college. Not to date myself Right. But my senior year of college, YouTube was founded and I started making YouTube videos. And I had my very first viral video in 2012, which was Shit, white Girls Say to BlackMichael Jamin (00:05:15):Girls. Oh, you started, but you didn't start in 2012.Franchesca Ramsey (00:05:17):When did you start? No, I started in, I started in 2006.Michael Jamin (00:05:20):And then, right. So you had many, you did years of not making viralFranchesca Ramsey (00:05:25):Videos. Yes, yes, yes, yes. I was working as a graphic designer. I worked I worked in beauty and fashion mostly. So I worked at Maybelline, I worked in the package department. I was Photoshopping eyelashes on packages. The mascara does not make your eyelashes that long. , that was me. And then I also worked at Anne Taylor and I was working at Ann Taylor when I went viral in 2012.Michael Jamin (00:05:50):But did you not, did you, like when you were in high school, in college, did you want, I mean, guess, did you wannaFranchesca Ramsey (00:05:55):Be a writer performer? Yeah, no, actually I wanted to be an actor. I went to a performing arts middle and high school. There are a number of alumni from my high school. The person that most people know is Eric Andre. He's a comedian. Right. He was a year older than me. And there are a lot of us from my high school that are still in the business. And I went to college for acting. I went to the University of Michigan, but I left largely because I was struggling after losing my acting scholarship. I had a scholarship my first year, my second year I didn't. And I got a job. DidMichael Jamin (00:06:26):They, could you a scholarship for only one year? IsFranchesca Ramsey (00:06:28):That how works? Well, it was so it was not a need-based scholarship, meaning that it was not based on your parents' income. It was a talent based scholarship. So I auditioned for the school. I got a scholarship my first year. And then after that, the whole faculty voted on who got the scholarship. And because I was only a sophomore, I didn't know everybody. So most of the people that got the scholarship the next year were like juniors and seniors. So I was working part-time at school. I worked for the School of Public Health. I was working on their website. I was a self-taught designer had a bootleg of Photoshop and I'd gone to H T M L camp in middle school. And so I was like uploading files and shit, and I was getting paid 20 bucks an hour. And I was like, yo, this is it. I was like, maybe I should be a graphic designer. . So I left Michigan, moved back to Florida, which is where I'm from, and went to design school and was Oh, really? Studying graphic design. Yeah. And, you know, just I always kept a blog. I'd had a website since middle school. And when YouTube came out, I was like, yo, this is, this is really neat. ButMichael Jamin (00:07:34):This was just cuz you wanted personal expression.Franchesca Ramsey (00:07:37):Yeah. I just thought it was cool. I'd always, I was on live journal and I had dreadlocks at the time, and so I was always like taking photos of my hairstyles and like doing tutorials and just writing about my daily life. I mean, before, before there were digital cameras, I had like a scanner. And so I would go and get my photos developed and then I would scan them and I would post them on my little website. And it was just, I've always been a journaler. I've always like really loved, like just keeping track of my life. I am an only child, so I, I just like, I, that's just always been my form of expression. And so when YouTube came out, I felt like it was the perfect combination of all the things I was already interested in. Right. So I started making YouTube videos in 2006.Michael Jamin (00:08:21):But, and some of those, cause I went, I I scrolled down. You got a long list.Franchesca Ramsey (00:08:24):Yeah. I have so many .Michael Jamin (00:08:26):And some of them were just like, oh, here's, here's how I do my hair. And here's like, yeah. But then you started venturing off into more scripted, you know,Franchesca Ramsey (00:08:33):Compliment stuff. Yeah. I mean, so honestly what happened was I was watching Eric become a successful standup, and I remember him calling me and him saying, there are no black girls in New York doing standup. And I was like, really? And he was like, yeah. Oh my, this is my bad Eric. He's like, yeah, yeah, yeah. You got it. You got you. They're so funny. You should be doing this. And I was like, oh, I don't know. Like, I've never done standup. Right. And so I got a copy of the Comedy Bible, which is a great book that I recommend. Okay. And I used it to write my first standup set and was doing comedy in, in Miami and was making sketches and trying to promote my comedy career via YouTube. AndMichael Jamin (00:09:14):Was that working? I mean,Franchesca Ramsey (00:09:15):Yeah, it was. I mean, I was, it's so interesting because where we are with social media is just like, it just feels so accessible now. But like back in my day, I didn't know anyone that had a website. Right. And I had business cards that had my website, my YouTube on them, and I would go to comedy shows and I would say like, oh, you should watch my YouTube channel and like, get on my email list. And, you know, when I would do competitions at the Hollywood Improv, like I would send out emails and I would say, please come to my shows. And did people I Yeah, they did, they didMichael Jamin (00:09:51):Come. So these are your fans would come basically people who were on your email list? JustFranchesca Ramsey (00:09:55):People that I would, I would, I would, if you met me somewhere, I was asking you to be on my email list. Really. And after I graduated college, I got a job as the communications manager at the Miami Beach Chamber of Commerce. So I was doing all of their graphics and PR stuff. And so I was learning how to write press releases. And so like, I was using that to build my online community for my YouTube channel. Right. And I, yeah. And I entered a YouTube contest in 2008, I guess. Yeah. 2008. It was the Red Carpet Reporter contest. Really? And I went to the Emmy's. Yeah. And I I You,Michael Jamin (00:10:33):You entered and you won?Franchesca Ramsey (00:10:34):I entered and I won. And I, I , I really used the things I learned at the Chamber. Like I sent out a press release about myself, , to like, local news. And news was on like my local news. Wow. I threw a party so people would vote for me. Like .Michael Jamin (00:10:52):So this is like, it was a lot. Cause so many people say, well, you know, how do I get an agent? How do I, people expect agents, managers, producers to make their career. And that's not what you are doing. No,Franchesca Ramsey (00:11:03):No.Michael Jamin (00:11:03):You're doing it yourself and you're not asking for permission, you're doing it.Franchesca Ramsey (00:11:07):No, I, working at the Chamber was really eye-opening for me because I learned so much about the power of networking. Right. I always had business cards. Every time I would meet someone like a tip that I learned was I would keep a little sharpie in my bag and I would write a interesting tidbit about them on their, on their business card. And then I would email them and I would talk about something that they had said to me. So like, if you said, oh, I gotta leave for my kid's soccer game, I would email you and I'd say, it was really great meeting you at the, the Coffee with the President event. I hope your kid, you know, killed the soccer game. You know, some, just something like that. And then people would be like, oh my gosh, she was so thoughtful. Like, yeah.Michael Jamin (00:11:44):But these are people who you, you don't, are are these people that you think that can help you? Like, who are these people you're meeting that you want their business card, that you wanna wanna email them? No, they'reFranchesca Ramsey (00:11:52):Not, they're not people that I think can help me. Like, I, I just think of it as, you know, when you meet someone and you connect with them, it's not necessarily that they're gonna help you get further mm-hmm. . But like, if, if we have a connection and we like each other, like maybe there's a world in which we work together, or Yeah. I've got this, I'm doing this contest and I need as many votes as possible. And I met you at an event and we got along, or I'm doing standup now and I'm like, Hey, you know, remember I was kind of funny when we met, like come to the standup,Michael Jamin (00:12:22):But how often would you, if you met, I don't know, let's say, I don't know how many people we've met in a month, let's say it's a dozen. How often are you contacting them to stay in touch to let them know they'reFranchesca Ramsey (00:12:32):Live? So I was, so, so again, I was working at the Miami Beach Chamber of Commerce, which is a membership organization for small businesses. Mm-Hmm. . And we would put together events. We had a weekly coffee with our president every Friday. We had dinner galas, we had golf tournaments. We would go to like, opening of businesses. Like we were doing events all the time. And at every event I was just like, hi, hey, nice to meet you. And I was just meeting as many people as possible and I was doing some of this on Company Jam. I was sending emails and being like, Hey, I met you at this event, can I put you on my email list? You know? Right. soMichael Jamin (00:13:06):I How did you get to be so smart about this though? I mean, like, like did someone teach you this or is this like, I'll just gonna, I like thisFranchesca Ramsey (00:13:11):Idea. I, I will say I learned a lot from the Chamber because we had we had like a women's group and we had like a young professionals group. And because I worked at the Chamber, I was there for all of these events. And I will also add, this was my first job outta college. I am still friends with the people I worked with at the Chamber. I'm still friends with the members that, you know, I met when I did my book tour in 2018, I was able to do it at a bookstore that was one of the members of the chamber when I, you know, I was like trying to get something together. And the bookstore was like, yes, we will absolutely buy copies of your book. We remember you. Right. And right. And it's, I think oftentimes people think about networking for like, these selfish, you know, I'm gonna move forward.(00:13:57):Right. But if you come from a genuine place of just getting to know people and, and showing real interest, my dad always says, be interested. Not interesting. Right. Actually, just like getting to know people and connect with them, you will find that people are like, yeah, you know what? I could throw you five books. You know what? I got a place that you can host a comedy show a actually I will buy a book. Like, people wanna help you. And I was really fortunate I got that job not knowing what it was. And I say all the time, it really like laid the foundation for me when it came to the power of networking and that people like who, you know, really does help you get ahead. But it also enriches your life and your career.Michael Jamin (00:14:38):But how else did it help you knowing any of these people later? Like how, how else did it, you know, materially Okay. I get, yes, you had a and you could, you could do a signing at the store, but how else did it help you?Franchesca Ramsey (00:14:50):I think just helped me to see people that like believed in me. You know, when it was time for me to have comedy shows and stuff. And especially there's so many places where you have to ha bring 10 people. Oh, okay. You, you, you gotta do a bringer show if you're gonna get on stage. And so, you know, kind of corralling my email list to get people to come and support me when I did that YouTube contest and I needed people to vote for me. Right. I, there was a member who had a nightclub and so I threw a party at the nightclub and it was genuinely me just being like, can I throw a party here? And they were like, yeah, no problem. Your, are your friends gonna buy drinks? Right? Yes. . So I set up little laptops and I had people voting for me at the party and Wow. And I, and I won the contest.Michael Jamin (00:15:35):So these are just so small, little, little unexpected ways that just pay that just pay off. But you don't know how or whenFranchesca Ramsey (00:15:41):Yeah. Pay off. No, you, you never, you never know. And, you know, on the topic of knows and failures, I went to the red carpet for the Emmy's in 2008 and I swore that was gonna be my big break. I thought, I was like, I'm never going back to the chamber. Like I, I remember my boss. WellMichael Jamin (00:15:57):You went as what? AsFranchesca Ramsey (00:15:59):I was a red carpet reporter for people.com. Oh yeah. I was on the red carpet. I interviewed like Kathy Griffin and Neil Patrick Harris and mm-hmm. , I sang with Josh Groin, like I had the best time. Right. And then I had to fly back to Florida and go to work and I was heartbroken. I thought I was gonna get an agent. I thought I was gonna, I just thought like, this is it. I'm, I'm making it. And I did not make it. I went AndMichael Jamin (00:16:24):How did you get that job to begin with? The, you know, the red carpet shop? I, because you didn't have an agent?Franchesca Ramsey (00:16:29):I, I entered the YouTube contest. So theMichael Jamin (00:16:31):Contest that was just from that.Franchesca Ramsey (00:16:31):Okay. Yeah. So you had to send in a video of you doing an interview. And I interviewed like my boyfriend at the time and my dog. And then I, you know, I was in the finalist and then I went on the streets of Miami Beach and I just interviewed people. Right. And and then it was voting. So then I, you know, I was doing all, I was hustling to get votes.Michael Jamin (00:16:50):It's so funny cause you are not shy. I mean, no, like, that's how I met. I mean, right. And good for you and good for you. I mean, who else is gonna advocate for you, if not for yourself? I think people want agents. Like they want an advocate. Well be your own advocate. HowFranchesca Ramsey (00:17:02):About that? No. Yeah, no, it's totally true. And look, I, I, I did that red carpet reporter contest and I, you know, I was kind of thrown to the wolves in that nobody was helping me. Right. interview people. They gave me a list of potential celebrities and I watched as many shows that were nominated as possible. I wrote jokes. There was a person under the camera poking me in the leg being like, you gotta hurry it up, wrap it up, wrap it up. I was like, I don't know what I'm doing. Like, I just was going for it. And I really thought, and my videos were, they were funny, the clips were viral. I was doing great. And then nothing happened. Like, it was it,Michael Jamin (00:17:39):Did they ask you back the year later? Or No?Franchesca Ramsey (00:17:41):No. Nothing. No. They didn't even do the contest again. It just, it just was over. I thought people, people.com was like, we loved you. And I was like, great. Do you wanna hire me? And they were like, no, ,Michael Jamin (00:17:53):No. What makes you, why, why would you think we wanna hire you ?Franchesca Ramsey (00:17:57):I was so heartbroken. I moved, I moved to New York the next year, Uhhuh, and I did kind of like the little tour. Like I went to the people offices. I got all dressed up and I was like, remember me? I won that contest. And they were like, yes. When like, what, what do you want? I was like, I, I thought I would get a job. .Michael Jamin (00:18:14):Really? Yeah. And so then what happened? So, okay, good, good. , you got, you're here and then you fell back a couple pegs. That's fine. And then what happened?Franchesca Ramsey (00:18:21):Yeah, so I was kind of pounding the pavement in New York. I did all sorts of jobs. I stuffed envelopes for like a a temp agency. And, you know, I'd gone to school for graph graphic design and I was going to lots of events in New York. Like I went to social Media week in New York. Right. And I met a guy at Social media. He probably was trying to date me in, in hindsight, I had a boyfriend. Right. But I met this guy at Social Media Week and he worked for a creative temp agency. And he was like, oh, well I can help you find a job. And I was like, really? And he was like, yeah. So as this, at this temp agency, I was just doing design for a bunch of different places. So I did some design for the botanical gardens. I had to ride a hour plus train up to the freaking Bronx. Mm-Hmm. . And I was, you know, pushing pixels around for the for the botanical garden. I also worked for this place that did like a big book of I guess it was like a, it was like a fashion book that got put out every year. I, I don't really remember what it was, but I was, you know, just doing a lot of photo editing and stuff. And that's, and then I got the Maybelline job through a friend.Michael Jamin (00:19:32):But that wa I, I wanna, but Okay. But then all the while you're still putting out YouTube videos, right?Franchesca Ramsey (00:19:36):Yeah, I was still making YouTube videos. I was usually like waking up early and editing. I was stealing my neighbor's wifi so I would upload before I went to work because Uhhuh, that was when nobody was on the internet. Youtube was very slow back then. So Yeah. You to like, leave your computer uninterrupted to upload videosMichael Jamin (00:19:57):And, but, but pe people were slowly finding you at this point, or no?Franchesca Ramsey (00:20:01):Yeah. I mean, I was building a little bit of an audience cuz I was making those hairstyle videos. And remember I had had a website in middle school and high school. Right. So I had, I was building my audience. Like I was in this live journal community called, oh no they didn't, which was like a gossip community. Uhhuh . So I posted my videos there. I was in a dreadlock community called Get Up, dread Up, and I would post my hair videos there. And, but atMichael Jamin (00:20:28):Some point you, you decided to make a leap Cause you you had that one video that went viral.Franchesca Ramsey (00:20:32):Yeah, so actually before that, I entered another contest in 2011 called the YouTube Next Up Contest, Uhhuh . And and I won that contest. It was a contest to find like YouTube's next big stars. Right. And it was me and 25 other people. And we each won $35,000. Nice. And we spent a week at YouTube learning how to like better produce our videos and we got new cameras andMichael Jamin (00:20:57):Out here YouTube and, and my, inFranchesca Ramsey (00:20:59):New York? InMichael Jamin (00:21:00):New York. Oh, New York. Okay. Yeah. You know, my partner and I ran a show by from Renton Link.Franchesca Ramsey (00:21:04):Oh, well yeah. I love them.Michael Jamin (00:21:05):Yeah. They're, they had a show, YouTube offered them money, like a lot of money to make a sitcom and they hired us to, to be the right to run.Franchesca Ramsey (00:21:11):Oh, cool. Yeah. No, I love, I love them. I was in one of their, I was in the old collab video with them years ago. Oh wow. Yeah. So I got to meet so many YouTubers from that, and actually my current writing partner, I met her through the YouTube. Next up she was a freelance producer at YouTube and they put us in little teams and had us make YouTube videos, Uhhuh. And she and I, she and I really hit it off and we stayed friends. And the, the year after I did next up is when I had my first big viral video. And I really believe that next up taught me a lot about, you know, tentpole content. Like thinking about my content around holidays and special events and trending stories and finding ways to infuse my personal voice. And so I started kind of like changing my content right. Where I was just doing hair stuff. Right. And I was doing random comedy things, just being more focused.Michael Jamin (00:22:03):And what was your focus?Franchesca Ramsey (00:22:04):Well, my focus was more of looking at trends and finding ways to infuse myself in them uhhuh. And looking at what everybody's talking about and how can I put my own unique spin on it. Right. And so what happened was, there was a viral video called Shit Girls Say. Right. And it was a guy in a wig just doing a bunch of different things that girls say. And there were lots of parodies. There was like, shit, black girls say shit, moms say shit, dad say, and I was trying to figure out, I was like, I wanna do one, but I don't know what I wanna do. And I had gone home for the holidays and I was at a party, a Christmas party mm-hmm. and everyone was drinking and I was not, because I was the designated driver. And as my friends were getting drunker, people were starting to say some things to me that just were at the time things that a lot of my white suburban friends would say to me.(00:22:57):And I wouldn't think twice about, but because I had this video in my head, I was like, oh, maybe this is the video. People were like touching my hair and, you know, just saying things that I don't believe were coming from a bad place. Right. But I was like, something is in this. But I was like, I don't know, like, I don't know what to make this. It's like, I was like, shit black girls say, I was like, shit, white girls say, and I hate to even say it. My ex was like, maybe it should be shit white girls say to black girls. And I was like, no, that doesn't make sense. The the meme is shit. Girls say so it has to be that. And my ex was like, why, why does it have to be like that? And I was like, I dunno, I don't, I really wrestled with it. And then I thought, well, maybe that's what it'll be. So I wrote down all of the things that people had said to me. Right. I shot the video, I uploaded it before I went to work. And by lunchtime it had like a million views. And my email was just like blowing up. My phone was just like going nuts. No one at Ann Taylor knew I made YouTube videos, Uhhuh . And I was like freaking out. It was like, what? The frick is happening?Michael Jamin (00:24:02):Freaking out. Because you were worried you were just in trouble, Atara, or what? No,Franchesca Ramsey (00:24:06):No, I was just freaking out in the sense that I was feeling overwhelmed because my inbox was suddenly, you know, NPR wants to interview you and the Huffington Post wants to write something about you. Yeah. And like all of these agents and S n L reached out to me and they were like, we would love for you to audition for S N L. And I was like, what the f I was at work while this was happening. Wow. And I was like crying at my desk and, and my coworkers were like,Michael Jamin (00:24:31):What is all like tears of joy. No tears.Franchesca Ramsey (00:24:33):Yeah. Tears of joy, but also tears of like, I'm very emotional. I was very, I was just overwhelmed. Like, I don't know how to handle this. And, butMichael Jamin (00:24:43):That video is, is wonderful. Yeah. obviously I watched it, but were you, I mean you were making a statement?Franchesca Ramsey (00:24:50):Yeah. I mean, I don't think I knew I was making a statement. I thought I was just genuinely, I thought I was making a video about being from West Palm Beach, going to private school, where oftentimes I was the only black person in my class. And having my friends who were well-meaning say things to me that I knew made me feel uncomfortable, but I wasn't really sure why.Michael Jamin (00:25:14):You weren't sure why?Franchesca Ramsey (00:25:15):I wasn't sure why, but I knew I, but I knew there was something funny about it. Right. And I, and I think my surprise was realizing that I had captured a universal experience that other black people and just marginalized people in general experience where people in their lives are like, you're different from me. And they're acknowledging it in a way that is not necessarily malicious, but it does still feel uncomfortable.Michael Jamin (00:25:39):But, but some of them were kind of cringy. Some were like, Ooh, did someone, some of them really say that to you?Franchesca Ramsey (00:25:45):Like, oh my god, really? Oh my God. Yeah. Yeah. And, but that's also what was incredible to me about it is because the comments were like, this is my life. The comments were saying, I am the only black girl in my school in Idaho, and this has happened to me. And, and I'm, I'm watching these comments coming come in and realizing like, oh, I did something with this that I didn't anticipate. Yeah. I, you know, I got invited to be on Anderson Cooper. They did a whole segment about me in that video. I had never been on national television before. And, and, and I, I was like, I had no agent. I had no help. I did my own makeup, which mm-hmm. I think I did good. But like, I was like, I don't know what I'm doing. And I stillMichael Jamin (00:26:25):Have How did your friend, how did your friends react to it though when they saw it?Franchesca Ramsey (00:26:29):Oh my God, they thought it was amazing. My whole, I I mean this was, butMichael Jamin (00:26:32):But they were the ones who said these things to you.Franchesca Ramsey (00:26:34):Yeah. And they were like, this is really fun. One of the girls that like was the main culprit came with, with me to Anderson Cooper .Michael Jamin (00:26:39):But aren't they supposed to apologize for, I mean, they're not supposed to think it's funny. They're supposed to say, I'm sorry. I said those things.Franchesca Ramsey (00:26:45):, you know, I, I I think it's also just a symptom of where I was in my life because at that time now we talk about privilege and microaggressions in a way that feels, you know very forward thinking and, and progressive. And in 2012, we were not. Right. And so again, while I knew that those comments made me uncomfortable, I did not have the language to explain why. Right. And I, and I did not believe my friends were malicious, and I still don't believe that they were malicious. It's just a symptom of your privilege. And that is something that people do all of the time, right? Mm-Hmm. , like straight people do that to gay people. Right. Gay bodied people do that to disabled people. Like cis people do that to trans people. It happens across every dynamic and, and every identity. And so I don't think my friends, some of them did feel like, oh my God, this makes me like look bad. Right? But I didn't have anyone that felt like, oh, Francesca hates me. Like, everybody knew I was making comedy content. Mm-Hmm. . And a lot of my friends that were sharing it across all backgrounds were like, oh my God, this has happened to me. Or Oh my God, I need to check myself. Because Right. In the context, this doesn't seem great. Right.Michael Jamin (00:27:59):Do Now I imagine putting yourself out there, cause I know what it's like, it exposed you to backlash too. And myFranchesca Ramsey (00:28:07):God. Oh my God, yes.Michael Jamin (00:28:09): What, what and what was that like for you the first time? And what's your advice? For me itFranchesca Ramsey (00:28:13):Was r it was really hard. It was really hard. So that video got about 12 million views in the first week. Right. And, you know, again, today 12 million views maybe. Doesn't seem like a lot.Michael Jamin (00:28:24):No, it's a lot. It's aFranchesca Ramsey (00:28:25):Lot. I mean, I, I, you know, TikTok, people are blowing up all the time, but it was really big for me. Right. But again, because I was talking about race, there were a lot of people that were uncomfortable and there were people that were calling me a racist. They were saying that I hate white people and you know, this is not right. And if it was reversed and, and I, for better or for worse, am very accessible. So I was in the comments, like fighting with people. I was arguing back and forthMichael Jamin (00:28:52):And why? So that's the thing.Franchesca Ramsey (00:28:54):Yeah. And I, and I do youMichael Jamin (00:28:55):Should you do that?Franchesca Ramsey (00:28:57):No, I, I think you really have to pick your battles mm-hmm. . And I think that, I think that there are some people that are always gonna dislike you no matter what. And they always have, they already have their mind made up about you. Yeah. And so you have to decide like, what is the purpose of me engaging with this person? And for me, especially on Twitter, even if I engage with someone who I disagree with, if I think I can make a broader point about the misconception, or I can clarify something, or I can use them as an example of how to better defend yourself on certain topics, I'll do it. Versus there are a lot of people I just don't engage with at all. ButMichael Jamin (00:29:37):You, I I'm gonna guess I'm taking a wild guess though. I'm gonna guess that you've never once changed anybody's mind.Franchesca Ramsey (00:29:45):I dunno that that's, I don't, I I'm gonna push back and say I don't necessarily think that that's true because I got a lot of emails from people that said that I did change their minds. Really. But I think, but I think it's, again, it's also a matter of what your approach is. And it also has to be somebody who actually wants to have their mind changed. There's a difference between somebody that just wants to argue. Right. And someone who genuinely says, I don't understand this thing and I want to, and I think whether it's online or in real life, we have to be better at gauging the difference because it is a waste of your time to argue with the person who already has their mind made up. Mm-Hmm. versus to engage with the person who says, you've made me think about this differently. I'm not sure I agree yet, but I'm like close to figuring out if, if I could be.Michael Jamin (00:30:31):And that makes you feel good knowing that, I mean,Franchesca Ramsey (00:30:34):Yeah. I mean me, it'sMichael Jamin (00:30:35):Exhausting. That's all. Yeah.Franchesca Ramsey (00:30:37):It isMichael Jamin (00:30:37):Exhausting. It really is.Franchesca Ramsey (00:30:39):It is exhausting. But I think what that video taught me about myself, and it really kind of shaped the direction that my content went in Yeah. Is that there's a lot of, that comedy is really powerful, that we can tell stories that we can tell the stories of people that don't necessarily see themselves represented and feel like they're being heard. We can expose people to new ideas. Mm-Hmm. , we can get people to think about the world that they inhabit and how they move through the world differently. And I realized like using comedy to talk about serious stuff is something that I wasn't seeing other people do on YouTube. And so I really started like shifting my content Yes. In that direction.Michael Jamin (00:31:19):That's almo. Would you say that's kind of your brand now? I mean, what? Whatever that means.Franchesca Ramsey (00:31:23):Yeah. It was, and I'm, I don't know. It's hard. I'm trying to get out of it if I'm being honest.Michael Jamin (00:31:28):Why? Okay. Yeah. Why?Franchesca Ramsey (00:31:29):Because it is exhausting. Because, because as a black woman moving through the world, I'm constantly being asked to justify my existence and educate people mm-hmm. and talk about serious topics all the time. Right. So then to do that for my job is, is dually exhausting. And, and I, I struggle with it because I know I'm good at it. Right. And I know it's important, but it takes a lot out of me. Yeah. It ta and, and you know, like, I'm dealing with this right now with the writer strike where I'm making a lot of content about the strike because I think it's important. But I'm also being asked and pulled and every direction where people like, explain this will tell me this, well, it makes sense, da da da da da. And I'm like, this is actually my livelihood. Like this is not just a trending topic on Twitter. Like this is about how I'm gonna continue to make a life for myself, you know?Michael Jamin (00:32:21):But Okay. So you're, are you're still, are you still making original content on YouTube? No. No. Why not? I think you should Franchesca Ramsey (00:32:29):I have, I have a, cause I, I have a complicated relationship with YouTube Uhhuh. I guess the, the best way to say it is, you know, after, after, after I went viral, I got an agent. I left my day job, I started auditioning and, andMichael Jamin (00:32:45):The, and the, I say want, I wanna slow it down. The agent reached out to you?Franchesca Ramsey (00:32:49):Yes. Yes. Okay. Yes. Okay. And I will also add that prior to that, I had made DVDs of all my standup and all my sketches, and I had mailed them out to every agent in New York. And not one person got back to me.Michael Jamin (00:33:03):This is exactly what Okay. So I do a, a monthly webinar, free webinar where I talk about Hollywood and how to break in, this is exactly what I talked about yesterday. Yeah. Is that you have to make them beg Yeah. If you're begging them, it's not gonna happen. Right. It's not gonna happen. Right. They have to look at you like you are, like you have dollar signs on your face Yeah. And you're a big bag of money. And when they see money on your face, they'll come after you. Yeah. Which is what they saw with you. Okay. This isFranchesca Ramsey (00:33:27):Someone, it was like the, it was like the year prior I had sent out those DVDs and I did not get one person to get back toMichael Jamin (00:33:33):You. Same person, same talent. Yeah. You just didn't have the platform yet.Franchesca Ramsey (00:33:37):Yeah. And then suddenly everybody wanted me. So then I, you know, I got this agent and, you know, I got the opportunity. I, I met with a manager and she said like, what's your dream? And I said, I want my own TV show. AndMichael Jamin (00:33:50):She What kind of show, by the way?Franchesca Ramsey (00:33:52):Well, I didn't really know. I just knew I wanted a show. And she looked at my YouTube channel and was like, well, we should pitch like a sketch show. So I was out pitching the sketch show, nobody bought it. Mm-Hmm. . And one of the places I went to though was M T V. And M T V was like, well, we really like you. We have this show about feminism and and pop culture that's doing really well. Would you be interested in developing something similar about race? And I was like, yeah, that sounds cool. So I met with this production company called Corn Neighbor Brown. Mm-Hmm. , we started developing what then became M T v Decoded mm-hmm. . And, you know, I, Dakota has opened so many doors for me. I'm, I'm so proud of that show. But I dealt with so much harassment because of that show so much. And YouTube, for Better for worse, did not really support me. And, and I, and I, and I really struggled with that becauseMichael Jamin (00:34:45):What kind of support were you hoping to get from them?Franchesca Ramsey (00:34:48):Well, people were making death threats. Oh. People were taking my content and they were editing together videos of me to make me say that I hate all white men and I hate all white people. Oh my God. And I think people should die. And, and, and, and YouTube was like, well, you know, it's not a copyright violation. And I was like, how is this not a copyright violation? Like, soMichael Jamin (00:35:07):What do you do when that hap what do you do when that happens?Franchesca Ramsey (00:35:10):I mean, what I did was I ended up walking away. I mean, I did it for six years. And again, I am so thankful for all the doors that it opened, but I had to ask myself like, is this worth it in terms of what I want? And what I want is to be a comedy writer. I don't want to be a professional educator. I don't want,Michael Jamin (00:35:29):But I imagine you were also monetizing this from YouTube. You were making monies, right?Franchesca Ramsey (00:35:32):Well, it was MTV's content. So I was not making, I was making a flat rate on every episode. I was credited as executive producer because I had developed the show. So I was being paid as the host and executive produ producer, and I was paid anytime I wrote an episode mm-hmm. . And I wrote about, I'm gonna say I wrote about like 50% of the episodes, and then I got hired on the nightly show. Right. So I was on TV and I was doing Dakota at the same time. So we brought in writers. Right.(00:36:02):so I was making a flat rate. I wasn't making, I wasn't making a ton of money. I I I, I worked part-time jobs. I worked as a writer for Upward for three years. Mm-Hmm. , I was speaking at colleges, I was doing like little TV things here and there, but I was M T V was not paying all my bills. Right. and so when I really like took a step back and looked at where I wanted to go in my career, I was like, I just don't wanna be an internet personality for the rest of my life. Mm-Hmm. . And I don't wanna be the girl who just talks about race. And I was like, I'm glad that this is given me a platform and opened all these doors for me. But I would meet people and they would, they were surprised that I was funny. And, and I would say, well, I'm a comedian. They're like, no, you're not. I see you onde coded. And I'm like, right. Well, Dakota is like an educational show. I'm, I'm not, I'm not know. But the thingMichael Jamin (00:36:54):Is, people say to me, I'm afraid about, like, they're not even in the business yet. I'm afraid about being put into a box. Right. I'm afraid of about doing this one thing that getting stuck in the box. And my attitude is get in a box first. You know, you need to get work.Franchesca Ramsey (00:37:06):Yeah. Get in the box first. Yeah. And thenMichael Jamin (00:37:07):You worry about getting out of the box.Franchesca Ramsey (00:37:09):Yeah. Right. Yeah. And I, and I would, yes, I, I agree. Like, and if, for me, I didn't know I was getting into a box. I was following what was being successful for me and what I was enjoying and what I was good at. And I did that for six years. You know, I was on the nightly show. And, and even that, like, I started for a minute. I was like, oh, I think I wanna be a late night host. And then I was realizing like, oh, this is really hard. Like mm-hmm. talking about the news and, and, and writing about news, writing about what's happening in the world and trying to put in a funny spin is just a, it's hard. It's so hard. And again, I learned so much, but I think what I really learned was, I was like, if I have a TV show one night a week, I don't wanna do five nights a week, .Michael Jamin (00:37:51):But even on your channel, which I poked around, I was like, oh my God. Like you interviewed Michelle Obama. I was like, what? Like what? How did that come about? ?Franchesca Ramsey (00:37:58):Yeah. I mean that was, that was through YouTube. I, so, because I was so active and I had won that Emmy's contest and I won that next step contest, like I had a relationship with YouTube, like I would speak at events there. Mm-Hmm. one time they had this party where they had an airplane circling LA with like celebrities. And I hosted the plane. Like I was speaking over like the, the speaker in the plane. It was so weird. It was very fun. But like, that was because of YouTube. And so they would regularly reach out to me and say like, oh, we're doing this event which you hosted, or would you speak on this panel? Or whatever. SoMichael Jamin (00:38:36):Leaving, it must've been very hard for you because on the one hand, they were good too. You on the other hand,Franchesca Ramsey (00:38:41):Yeah. I mean, I wasn't getting paid for a lot of those things. Like I Oh really? No, no, it was justMichael Jamin (00:38:45):Exposure.Franchesca Ramsey (00:38:46):Yeah. It was just ex it was exposure. And that was also part of it. Like, that was me making a conscientious decision that I wasn't gonna do unpaid work anymore. Uhhuh. . But I started saying like, okay, cool. Like, you guys are happy to have to fly me out and have me speak on a panel, but I then have to run back to my hotel room and like write these articles because I'm, I don't have money. You know? And like, my visibility, I think a lot of times people think like, oh, I see you everywhere. So that must mean you're making a lot of money. That must mean you're, you're, you're crushing it. And that's just not always the case.Speaker 3 (00:39:23):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (00:39:47):But even on your videos of, on your YouTube videos, you were mon like, cause you can't monetize them. Yeah. You just didn't, you weren't getting a lot. That'sFranchesca Ramsey (00:39:53):No, I wasn't, I I was never one, I was never consistent largely because I always had a regular job. Like I, I tried being a full-time YouTuber and I just, the money is so inconsistent. It's a once a month paycheck. Yeah. And you don't know how much it is because some months you have a really good month and your views are really up. Other months your views are really down. The, I don't know what they're like now, but at the time your ads did not automatically come on your video. Sometimes the ads wouldn't show up for like a day or two. Uhhuh . So if you got all your views in those first two days and then they dropped off by the time you got ads, you didn't make any money.Michael Jamin (00:40:30):Oh, interesting.Franchesca Ramsey (00:40:31):And then there's like certain times of year that were really good, I was always trying different things. Right. Like I was making Holiday vi, I made these Christmas card videos. I made these videos that you were supposed to send to people for their birthday. I did Parodies, lady Gaga came out with a song. So I did a video for like, you know, I stayed up all night like editing this video. So Yeah,Michael Jamin (00:40:50):You did Gwen Stefani, you sounded just like her. Yeah. I was like, that was great. I wouldFranchesca Ramsey (00:40:53):Do all these impressions and I was, I was just realizing that the amount of hours I was putting in were not, it wasn't paying off for me is what I was realizing. And that was a big part of my transition into like, I want to be in tv. Right. That's always been the goal. You know, I, I went to acting school. I didn't know I was gonna become a writer and, and I was so glad that I was doing that, but I was like, this is, I don't wanna be on YouTube for the rest of my life. I don't wanna make videos in my apartment. I don't wanna make videos about my life. I want to work in tv. So really focusing on that, and again, doing Decoded was awesome, but I realized what I have to do is I gotta get a sample. Right.(00:41:36):Like I have to, I have to put together a packet. Like I have to start doing the things that are gonna move me into the next phase. Mm-Hmm. . And I think kind of to your point about being in a box, I think you have to be open to, if you're in a box or people are seeing you one way, being open to saying, what else can I do? And like, how can I show people that I'm more than this one thing? Mm-Hmm. and taking that risk and believing in yourself is really scary. But it's essential because I could have done decoded for the rest of my life and I don't want to do that ,Michael Jamin (00:42:11):You know? But then, so iCarly was prob was your first scripted? Yeah.Franchesca Ramsey (00:42:15):And then it wasMichael Jamin (00:42:16):What, so how did you get that? Cuz that's a big leap you have toFranchesca Ramsey (00:42:19):Write. Yeah. So before iCarly, what did I do before iCarly? So I did the nightly show and then I sold a pilot to Comedy Central. Mm-Hmm. . And the pilot was with the same producers that did Decoded and it was kind of like a late night sketch type show, Uhhuh . And we didn't go to series. They actually gave us a mini room and I did not know it was a mini room at the time. I was just happy that I was getting a writer's room. And so we wrote 10 episodes of the show. We didn't go to series. I wrote a book. Right. I did a book tour.Michael Jamin (00:42:54):And how, how did the, how did the book come about? Which the book is called, well that escalated quickly, , which I imagine and the memoir and memo, it's memoir Mistakes of an Accidental Activist, which is Yeah, that's a perfect idol. Cause I think that's exactly what you were, right?Franchesca Ramsey (00:43:08):Yeah. Yeah. I mean, it, it really was a collection of essays about a lot of the mistakes that I had made in communicating with other people on the internet and talking about things that were important to me and all the lessons that I had learned along the way. And after Shit White Girls say Went viral, I had a number of people reaching out to me, asking me to write a book, but I just didn't know what I wanted to write a book about. TheseMichael Jamin (00:43:32):Were agents or publishersFranchesca Ramsey (00:43:34):Literary agents saying like, you should write a book. And I just didn't know what I wanted to write a book about. I kept putting it off funny. And then after I was a nightly show was still on the air and I, I decided, I think I wanna give this a chance. And I finally had initially I wanted it to just be called Accidental Activists and that was gonna be the title. And I started putting together a book proposal and meeting with literary agents. And I met this great literary agent and she gave me like really good notes on my proposal. She really ripped it apart . Mm-Hmm. . And I was so happy because I had felt like she was the first person I talked to that wasn't like blowing smoke up my ass. She was the first person that was like, this is good, but it could be better. Right. and so she and I worked together for like two months on the proposal and then we went and did a number of meetings. I think we met with like six publishers andMichael Jamin (00:44:28):I And you didn't wanna write it first, you wanted to pitch it first as get it sold first?Franchesca Ramsey (00:44:32):Yeah. So in with non-fiction, you don't have to write it first. With fiction, usually you do have to write it first. Right. If you've written a book before the fiction proposal usually don't have to write the whole thing. But for non-fiction you usually write like two or three chapters mm-hmm. and then you do like a summary of what the book is about and a bio and who you are and, and why this book and you know, what are books that are in the same family as yours and Right. What your plan for press would be and all that stuff. And I'm, you know, I went to school for graphic design, so I made like a really beautiful book proposal with like photos and Oh wow. Artwork and I drew all these little charts and graphs and stuff cuz that's kind of like, I love infographics. And so yeah, we went to maybe six or seven publishers and I got four offers. Wow. And they went kind of head to head and my agent was pitting them against each other. Wow. yeah. And I got a six figure book deal, which was a big deal. .Michael Jamin (00:45:30):That is a big deal. Yeah.Franchesca Ramsey (00:45:32):And thenMichael Jamin (00:45:33):Did they help you, what, you know, promote it, put you on tour?Franchesca Ramsey (00:45:36):Yeah, so I mean, that's part of when you work with a publisher is they have a a publicist, like an in-house. I was at Grand Central Publishing, so they had a publicist and we did a photo shoot for the book. And I spent my own money, like I got a publicist. I also had a website built for the, for the book. And then we did an eight city book tour and I got cities added because I really wanted to do something in Florida where I'm from. And that was where I reached out to some of my contacts from the chamber and got my local Miami bookstore.Michael Jamin (00:46:09):Why these, the only eight cities, though. Like, what, when they say they're putting on tour, like, I don't know.Franchesca Ramsey (00:46:14):Well, they looked at, they looked at the analytics from like my Facebook and my Instagram and, and my YouTube to see like where my audience was at. Okay. And they used that to pick what citiesMichael Jamin (00:46:25):And then people came out. Yeah. And, and you read, you read and signed books.Franchesca Ramsey (00:46:28):Yeah. Yeah. So I kind of, I picked, I reached out to friends in different cities and I had different people as kind of like my co-host in each city. And it was awesome. But it was, it was exhausting. It was really exhausting. And I was doing that at the same time that I was doing my comedy Central pilot. And all of this is to say that like, in that moment I thought like, I'm making it. I was like, I'm making it. I'm like, I'm about to be like a star .Michael Jamin (00:46:55):That's what I would think. But you know,Franchesca Ramsey (00:46:56):It wasn then my showed didn't go. No. Cause then I showed it didn't go. ButMichael Jamin (00:46:59):That's normal. Most shows don't goFranchesca Ramsey (00:47:01):Right. But I didn't know that didn know that. I, I, I didn't know that. I, I thought I'm a failure. Especially because, like, really think about it. Yeah. Well, think about it this way. When, when you, when a pilot gets announced, right? I, this is my first time having a, having a pilot ever. Mm-Hmm. , a pilot gets announced and people that don't work in TV think that means you have a TV show. They're like, where is the show? And I'm like, oh, well I'm making the pilot now. And they're like, well, when does it come out? I'm like, I don't know. It hasn't been ordered a series. So like, people were writing articles about me, like 10 Reasons Franchesca's gonna change late night. And like, we need Franchesca's show. And like, she's amazing. And Larry Wilmore had gotten canceled. So it was like Franchesca Ramsey's gonna be the only black woman late night host. And like all of this hype was coming for me, and my book was coming out and, and, and, and my publisher was really like, this is it. We're gonna time it with the show. And then, and youMichael Jamin (00:47:54):Were believing this too.Franchesca Ramsey (00:47:56):And I was believe of course I was, of course I was believing it. I was like, oh my God, I want this so badly. Yeah. You know? And and hindsight is 2020. Like it was not the show for me. I'm glad that I didn't end up making that show because I, I really don't wanna host a late night show about identity. Right. I, I thought I did, but I don't want to anymore. And so like, when it didn't go to series, and then, well, we, we did the mini room and, and that was kind of like a consolation prize, but even then I was like, it was another year of staffing and, and, and putting the room together and trying to figure out what the show was, and then waiting around for Comedy Central. And then they said, we're not going to series. They were like, well, let's sell it somewhere else. So I was like, shooting these sketches. And we,Michael Jamin (00:48:44):That doesn't, that doesn't happen. . Right. But that so rarely happens, but, okay.Franchesca Ramsey (00:48:47):Right. Well, especially because other networks are like, well, you didn't want it. Why do we want it?Michael Jamin (00:48:51):Yeah. We don't, they don't want damaged goods. You don't,Franchesca Ramsey (00:48:53):You don't. You didn't want it. So now you think I'm gonna make the show. Like, yeah. Right. Again, and I'm just kind of like, I, I'm just like, I'm just going along. Right. Like Right. I'm going and taking these meetings and, and you know, you have meetings and they're like, we love you. You're amazing. You're great. We're passing, you know, .Michael Jamin (00:49:09):Yeah. Yes. I know. All those meetings. .Franchesca Ramsey (00:49:11):Right. And so I was just like, I was just like, oh my God, my career is over. And I got a writing job on yearly Departed, which is was a late an end of the year comedy show. Mm-Hmm. . And that was through Twitter. BES Calb, who was our showrunner, followed me on Twitter. We were friendly, and my reps were like, Hey, there's this late, this end of the year comedy special, do you wanna take a meeting? I took the meeting and Bess was just like, I love you. I think you're super funny. She had read my sample and yeah, it was kind of, it was like a series of eulogies for different things throughout the year. Uhhuh .(00:49:54):And we did it over Zoom Oh, wow. During the Pandemic. And I was still auditioning, and that's when I booked Superstore. I booked Superstore while I was doing Yearly Departed. So I went to LA to do Superstore and it just worked out that it was at the same time that yearly was gonna film. So I got to go be on set and, and Seeba happened. And and after being here for Superstore again in the middle of the pandemic, I was like, I don't really wanna go back to New York. Right. What if I just stay ?Michael Jamin (00:50:25):Well, you, but you're married, aren'tFranchesca Ramsey (00:50:26):You? I was, I got divorced. You was? Okay. I got divorced in 2019.Michael Jamin (00:50:30):Okay. So you don't have to worry about your husband coming overFranchesca Ramsey (00:50:32):Here. No, no. We got divorced before, before I got hired on that show. Yeah. I mean, right. Like the year before the pandemic. Right.Michael Jamin (00:50:42):And then how did I, Carly come about then?Franchesca Ramsey (00:50:45):My managers were just like, Hey, you know, I, I told them I wanted to staff. Right. And so, yeah, I took a meeting with Ally Shelton, who was our showrunner, and again, she read my sample. And I think what she really appreciated was that I had this background as an internet person and mm-hmm. You know, Carly is an internet person personality, and I had actual experience and dealing with trolls and dealing with going viral and Yeah, of course. Live streaming and course bands and social media course. And so Allie was a perfectMichael Jamin (00:51:18):Choice. Yeah.Franchesca Ramsey (00:51:19):Yeah. Allie was like, you really understand this world. And I I came, I went into my meeting and I had watched episodes of iCarly and I pitched some ideas as for what I felt like would be the direction that I would be interested in going in. And and prior to that, I had my friend Shameka that I mentioned that I had met through YouTube. She and I had sold a pilot to Fox. And so I learned a lot about the scripted process through that. Right. Just through development. It was with Kay Cannon and and Kay is amazing. I learned so much from her.Michael Jamin (00:51:55):But was it intimidating for you to be, cuz now you're in out of your element again, you haven't done scripted, soFranchesca Ramsey (00:52:01):It, it wasn't intimidating. I, and I, again, I really feel very fortunate because I was able to work with a friend of mine that I had known for, you know, almost 10 years. And she and I had made YouTube videos together and we had come out to LA for pilot season as actors and we got an apartment together. And through the audition process we were like, all of these scripts are bad, we could fucking do this. Right. We were like, we could write a script better than this. . Yeah. Right. And so we wrote like a treatment. We didn't even write a full script. And then we, through our agents, went and took a bunch of meetings and we met with Amy PO's company. Mm-Hmm. . We, we went to Kay Cannon, which is K and l. We went to a whole bunch of places, but Kay and Laverne, her business partner, we just, we just loved them. And they were like, we wanna develop this with you. And so they really taught us how to develop and structure a scripted pitch. ThatMichael Jamin (00:52:57):Was the Fox show.Franchesca Ramsey (00:52:58):Yeah. Yeah. Okay. I had never pitched a scripted project before. Everything was like sketched late night. Yeah. Variety. And so yeah, off of that, again, we didn't go to series, but we wrote the pilot. And so I used that as like a sample, even though I'd written it with someone else. And then I had a sample that I'd written by myself, and then I had like all my decoded videos and I had sketches from my Comedy Central pilot an

Susan, your host, welcomes Stephanie Sarazin. Stephanie is a writer, researcher, and experiential expert in ambiguous grief. Her work began with her own experience of mid-life trauma, which sparked an ambitious journey — spiritually and around the world — to understand, name, and heal the grief she found within her. Her efforts revealed a first-of-its-kind definition for “ambiguous grief,” whereby grief is onset by the loss of a loved one who is still living and wherein the experience of hope presents as a stage of the grieving process. Stephanie's work brings new resources to reframe disruptive, activating events as a gateway to discovering your highest self, in turn championing ambiguous grief as nuanced, natural, and navigable. Stephanie is also the founder of Rise Up Rooted, an online resource center for those navigating ambiguous grief, a grief educator, and a TEDx curator in her community. She is a graduate of Michigan State University and earned a Master of Public Policy from The University of Chicago. She is an avid reader, recreational runner, and aspiring camper, and lives in North Carolina, where she is training to trek to Mt. Everest's Base Camp. Her book, Soulbroken: A Guide for Your Journey Through Ambiguous Grief, is published by Balance, an imprint of Grand Central Publishing, and was released in October 2022. It is currently available for order at Barnes & Nobel, Amazon, or your favorite independent bookseller.   Key Takeaways: Stephanie shares her grief story that started when she discovered that she was living in a marriage that was not what she thought it was. Ambiguous loss: Losing a loved one but not necessarily through death. Share your story; someone will benefit from it; you are not alone. It is an honor to share your story and to the listeners to hear it. Shame cannot grow when there is empathy. When talking to someone grieving, avoid starting sentences with ‘At least…” since you are probably about to give a consolation prize that won't be appreciated. We are not taught how to show up for others. If you don't know what to say, try: “Thank you for telling me, I am glad you told me.” This is a way of validating someone's grief. Sometimes holding hope can restrict healing and delay acceptance. Define what you have control over; focusing on what is possible for you to change will bring you closer to healing.   Resources Tendrilsofgrief.com Email Susan: susan@tendrilsofgrief.com   Meet Stephanie  Learn more about Stephanie   Find her book Soulbroken: A Guidebook For Your Journey Through Ambiguous Grief at Amazon or Barnes and Noble.  

Feeling stuck? Caught in the dregs of self-doubt and too-much planning? AE Osworth is here to save us all with Joy First Drafting (seriously, give it a try).For a list of my fave craft books and the most recent works by our guests, go to our Bookshop page.A.E. Osworth is a transgender novelist whose debut, WE ARE WATCHING ELIZA BRIGHT was long listed for The Center For Fiction First Novel Prize, The Brooklyn Public Library Literary Prize, and The Tournament of Books; it was a finalist for The Oregon Book Award. They are currently a Visiting Assistant Professor at The Ohio State University, where they teach both fiction and nonfiction. Their next book, AWAKENED, about a coven a transgender witches fighting artificial intelligence with magic, is forthcoming from Grand Central Publishing in March 2025. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Today, I'm talking with Jannese Torres about how to build a million dollar brand. She has built an incredible brand through Yo Quiero Dinero and has made such an imprint on the online Latina community. She's an incredibly example of a brand that represents Latinas, entrepreneurship — all while remain authentic.  How does she conserve her energy? How has her brand brought in over a million dollars? These are the questions we answer on today's episode of Latinas Booked Out.  Tickets are now available for Jannese's Our Money, Our Power Financial Freedom Summit. Early bird tickets are on sale right now at this link: https://courses.yoquierodineropodcast.com/our-money-our-power The Financial Freedom Summit is designed to write a new cultural narrative. One that goes beyond consumerism and capitalism and focuses on the POWER you have to build generational legacy and wealth. Beyond inspiration and education, you'll walk away with a blueprint for the true vision and value for your life. -------- Jannese Torres is an award-winning Latina Money Expert. She is on a mission to educate marginalized communities on topics like entrepreneurship, investing, and financial independence through her 3X award-winning personal finance podcast & platform, “Yo Quiero Dinero.” Her forthcoming book, Financially Lit, will be published by Grand Central Publishing in early 2024. -------- Applications for Show Up & Lead are closed. Next enrollment opens in July. Get on the waitlist here. Want more content? Watch my FREE training: How To Sell Out Your Offer in 4 Simple Steps. --------- If you have not reviewed Latinas Booked Out, I would deeply appreciate a written review on Apple Podcasts! --------- Latinas Booked Out is a show dedicated to putting more cash in the hands of Women of Color. Host, Catalina Del Carmen, shares sales & marketing strategies that keep your business simple, mindset-focused, bank account big, and the impact even bigger. So if you are on a mission to create generational change AND you want to make a lot of money doing it, welcome to the show! Cat Del Carmen is a Guatemalan-American wife, mom, and business coach who shares sales, marketing, and mindset coaching for online coaches, consultants, and service-based businesses. She teaches her clients how to secure their first four-figure client and then get fully booked without working around the clock. For more on Cat Del Carmen, follow her on Instagram @CatDelCarmen and visit catdelcarmen.com

A rookie pilot, a prominent politician, a cop, and a criminal find themselves enduring freezing temperatures in the remote wilderness after their plane crashes in Northern Canada.  A huge thank you to Erik Vogel, the late Larry Shaben, and his daughter Carol Shaben for sharing this story with Snap! There is so much more we are not able to share with you about Erik and Larry's experience. To find out more about what transpired with Wapiti Flight 402, checkout Carol Shaben's book, “Into the Abyss,” from Grand Central Publishing. Special thanks to Nikka Singh for his help with this story. Produced by Bo Walsh, original score by Renzo Gorrio, artwork by Teo Ducot Season 14 - Episode 4