Bureau of Lost Culture

Elmyr De Hory was the greatest art forger of all time.  By the time he was exposed in 1967, it's estimated he had created over 1000 works that had been sold as by Picasso, Modigliani, Matisse, Derand, Duffy, and various other modern masters, and many of which remain undetected in institutions and private collections around the world.   But does it matter if we believe it's a Picasso and we enjoy it as such?   Mark Forgy came to Europe as a 20-year-old backpacker in 1969, bumped into Elmyr on a quayside in Ibiza, and lived with him for seven of the years between his exposure as the greatest art forger of all time in 1967 and his suicide in 1976.     It was a whirlwind life of culture, glamour, intrigue, Hollywood stars, dodgy writers, and psychopathic villains, all of which can be glimpsed in the extraordinary Orson Welles film ‘F For Fake'. Welles visited Elmyr in Ibiza and used his life for a meditation on the poetry of what 'fake' means, of what truth means, of what facts mean in comparison with a good story, a great image, an extraordinary performance.   Mark came to the Bureau to tell us all about it and to muse on whether the products of Elmyr's undeniable genius were really any less authentic than the art world itself.   In our time of fakery, epic frauds, fake news, fake gurus, fake identities, deep fakes, 'my truth not THE truth', feelings over facts, a time when the distinction between Reality and AI-generated content is getting very difficult to spot, this story seems very prescient..   Mark's book The Forger's Apprentice Orson Welles' 'F For Fake'   Photographs courtesy Mark Forgy/   #ElmyrDeHory #BureauOfLostCulture #Elmyr #forgery #artforgery #fake #artworld #OrsonWelles #FforFake #Ibiza #fernandlegros #markforgy    

The ancient temple of Stonehenge is one of the most famous archaeological sites in the world and one of the most visited sites in the UK.    Yet, despite hundreds of years of archaeological investigation and speculation, to some extent it remains a mystery. And it is a mystery that is deep at the heart of the British psyche, for Stonehenge has been a gathering place for thousands of years, and remains a nexus where prehistoric culture, mainstream culture and counterculture interact - and sometimes collide.    40 years ago, in June 1985, an incident occurred near Stonehenge that saw the largest mass arrest of civilians in Britain's history. Over 1000 police, many in riot gear, some with their IDs covered so they couldn't be held accountable for what happened, clashed with a raggle-taggle convoy of travellers, hippies and bohemian folk heading towards the Stones to hold the free Festival, which had happened at Stonehenge every year since the early 70s.   It was brutal   Women with babies were dragged from their mobile homes, others were pulled through smashed windscreens. Vehicles were trashed. People were truncheoned to the floor.   There were huge numbers of arrests, but in the end, virtually nobody was found guilty of a crime, although the police themselves were subsequently taken to court and lost.    Matt Pike came to the Bureau to tell us all about it. Matt has an official role at Stonehenge, as a guardian of the stones, as a guide to visitors and is the official writer in residence of the site. He also has an unofficial role as social historian and archivist of a huge amount of information, oral testimonies and lesser-known histories of Stonehenge and the things that has happened there, including 'The Battle of the Beanfield', the shameful incident 40 years ago, when the British state turned its security forces on its own people as a warning to the counterculture of the times.   Matt's Youtube Channel Matt's Instagram   Photos: Andy Worthington #Stonehenge #BureauOfLostCulture #BattleOfTheBeanfield #policestate #freefestival #wallyhope #thatcher #counterculture #Stonehengefreefestival    

Doug McKechnie is an unsung pioneer of electronic music, a visionary who traversed the fringes of sound and consciousness at a time when technology, art, and radical thought were colliding to reshape culture.    Emerging from the explosive counterculture scene of San Francisco in the late 1960s, Doug was one of the first musicians to experiment extensively, and the very first to play live, with the Moog synthesiser, using it not merely as an instrument but as a portal into new dimensions of experience.    "I wasn't interested in playing melodies. I wanted to find out what electricity sounded like when it told the truth.” He didn't just make music—he made experiences. He played marathon sets in warehouses, at acid-fueled happenings, art galleries, planetariums, and with The Grateful Dead.  His performances were long-form, trance-like explorations of voltage, feedback, and consciousness—music as transformation.  “Those shows weren't performances. They were portals” His music lay largely hidden for decades until re-released by VG+Records Doug's Music: The Complete San Francisco Moog: 1968-72 San Francisco Moog: 1968-72 Vol. 2 With Thanks to Lee Gardner at VG+ #DougMcKechnie #BureauOfLostCulture #lighshows #sanfrancisco #thegratefuldead #frankoppenheimer #goldengatebridge #ElectronicMusicHistory #ModularSynths #MoogMusic #Psychedelic60s #VintageSynthesizers #UndergroundSounds #modularFrequencies #alanwatts

Sunshine + Love, Beats + Drugs   How did a sleepy island off the coast of Spain, metamorphose from an artistic, countercultural haven into the global epicentre of electronic dance music, lighting the touch paper that caused the explosion of club culture?   Alexis Petridis, chief music writer for The Guardian, and Dean Chalkley, one of the UK's leading photographers of British subculture (both seasoned ravers), witnessed this extraordinary rise from the underground at Mixmag, the clubbers' bible, and have documented the subsequent transformations.   Alexis takes us on a trip through the island's bohemian past and tells how its unique combination of natural beauty, 60s counterculture and 70s glamour set the scene for an extraordinary pop cultural explosion in the 80s and 90s that would resonate through the Western world.   The photographs in Dean's new book ‘Back in Ibiza 1998 - 2003' , taken in the heat of many magic moments, capture the golden age of happy, all-in-it-together, 24 hour party people, bacchanalian excess, and sunkissed beach life the island offered before the corporate monsters of superstar DJs, big brands and VIP lounges swallowed it whole.   For more on Dean Alexis on music Alexis on Club Culture   Images courtesy Dean Chalkley #BureauOfLostCulture, #IbizaClubCulture, #Rave, #BalearicBeats, #90sClubScene, #80sClubScene, #IbizaHistory, #AcidHouse #CultureUnderground, #Dancemusic,  #LostCultureFound,#mdma, #pasha, #nickyholloway, #superstardjs   

The Bearded Lady, Zip the Pinhead, Major Tom Thumb, The Elephant Man, The Hottentot Venus - we delve into one of the more controversial corners of popular entertainment: the world of Victorian freak shows — where the abnormal, the extraordinary, and the misunderstood were paraded as spectacle and sold as wonder.   But who were these so-called “freaks” - vulnerable human oddities driven to make a living the only way they could, cictims of exploitation, or pioneers of performance who found power in their difference? We're joined by Dr. John Jacob Woolf, historian and author of 'The Wonders: Lifting the Curtain on the Freak Show, Circus and Victorian Age', a book that offers a deeply researched, empathetic, and eye-opening look at the lives behind the wonderful posters, at the performers who captivated crowds and challenged Victorian notions of normality. We explore Freakery and ask who are the modern freaks? Who do we gawp, marvel and laugh at?   More on John and hs work     #counterculture #bureauoflostculture #lostculture #freaks #freakshow #victorian freakshow #davidlynch #elephantman #ptbarnum #josephmerrick

"I was never going to be a nice little white girl" she says.   Instead, she became an underground star, had hit records with the 2-Tone band The Selector, became a style-icon, an actor, a TV Presenter - and author.   Whilst Margaret Thatcher was reshaping Britain and promoting her very own particular vision of what it meant to be British, in the urban jungle of Coventry, a young woman whose image couldn't be more different than Maggie's, was presenting a radically different vision of what it meant to be British    Belinda Magnus, born on 23 October 1953 was given away as the baby of a white unmarried mother and an unknown black father. She was adopted by a white family and re-named Pauline Vickers.  Growing up in a completely white neighbourhood as the only person of colour, she experienced first-hand the often racist attitudes of the time.   She came to the Bureau to talk about all that, how she overcame it, her life as a star of the 2-tone musical scene with her band Selecter, and how, along the way, she became Pauline Black    For more on Pauline   Image by Dean Chalkley   #PaulineBlack #2ToneRevolution #BureauOfLostCulture #SkaPunkHistory #TheSelecter #WomenInMusic #PunkAndPolitics #CulturalResistance #BlackBritishVoices #MusicAsProtest

Alan Moore first gained recognition in the 1980s with his work for the comic 2000 AD, and DC Comic's Swamp Thing. He went on to create Watchmen, V for Vendetta, Batman: The Killing Joke, From Hell, an extraordinary take on the Jack the Ripper story, and The League of Extraordinary Gentleman.  He's often been at odds with publishers and with Hollywood, and in recent years has removed himself from the mainstream, focusing on writing novels, esoteric pursuits, and the practice of a particular kind of Magic.  This is a slightly unusual episode.  It's a recording of an event we held last October as part of our London Month of the Dead festival.  It features, Alan in conversation with the writer Gary Lachman and the artist John Coulthard.  The occasion was the publication of 'The Bumper Book of Magic'. a kind of modern grimoire, which Alan had written with his friend the late Steve Moore (no relation), another writer of comics and fellow magic practitioner. It is a book that took 20 years to come to publication. John Coulthard was the main artist and designer of the book. Alan is somewhat of a recluse these days so it was great to have him with us to talk about the book, about his friend Steve Moore, about his practice of Magic, and about the unconscious, dreams, consciousness and creativity. Gary Lachman, a previous guest on this show, was once the bass player for Blondie before he put down the plectrum and  picked up the pen, gave up rock and roll for writing, and in the years since has become the U.K.'s foremost writer on the Esoteric John Coulthard is a wonderful graphic artist who worked with Alan on many projects and is a cultural phenomenon in his own right We also hear from the audience with questions to Alan about his practice of magic. Our previous episode with Alan on Counterculture #counterculture, #alanmoore, #johncoulthard, #garylachman, #dreams, #magic, #magick, #magik, #paracelsus, #glycon, #stevemoore, #2000AD, #grimoire  

The evolutionary leap from ape to human was precipitated by primates eating psychoactive fungi, there is an ancient shamanic lineage of psychedelic plant use in the West, mushrooms have their own consciousness, drinking Reindeer piss can get you high.. there are many myths about magic mushrooms.   Meanwhile, we are living through a kind of psychedelic renaissance: psilocybin is often in the press, hailed as a potential treatment, for depression, addiction, grief, psychosis - and a way to be more productive and well-adjusted.   What to make of it all? Has the counterculture gone mainstream? Never mind The Age of Aquarius, is this The Age of the Mushroom?   Andy Letcher is a British scholar, author, activist and musician. His work explores the intersections of psychedelics, culture, paganism and folk traditions, and 20 years ago he published 'Shroom: A Cultural History of the Magic Mushroom'.     He came to the Bureau to discuss it, how things have changed since he wrote it - and the myths behind the magic.   For more on Andy #bureauoflostculture #magicmushroom #psilocybin #terencemckenna #psychedelic #grahamwasson #mariasabina #libertycaps #tripping #psychoactive

The giant stone heads of the fantastically remote Easter Island have gazed out mysteriously for over a 1000 years, fascinating the world since Dutch sailors came across them in the 18th century.   They were created by some lost civilisation it was said, or perhaps they may not have been made by humans at all, but by extra-terrestrial visitors. Most commonly the story has been that the original people who made them brought about their own complete destruction in a kind of unintentional eco-suicide - a narrative that acts as a moral fable, a warning against our own selfish destruction of the planet's resources.   But is that really true?   James Grant Peterkin, historian, author and educator lived on Easter Island amongst its people for 20 years. He is one of the very few outsiders to speak their language of Rapanui and to be accepted in their community.  He came to the Bureau to talk about how he came there, why he stayed and to dispel some of the myths, tell some of the truths about a very particular, and very peculiar lost culture.   James's thoughts on the Easter Island statue in the British Museum     #easterisland, #rapanui, #stoneage #polynesia #earthmystery #esoteric #archaeology #statues #island    

Tangier was a magnet for artists, writers, musicians, and political exiles throughout the mid-20th century, amongst them the writers Paul Bowles and William Burroughs   From 1924 to 1956 the city operated as an international zone under the joint administration of several European powers. This status created an environment of legal ambiguity, which, combined with the city's strategic location at the crossroads of Africa and Europe, made it a haven for those seeking escape from the constraints of conventional society   The zone had  a sense of lawlessness and freedom, attracting a diverse mix of expatriates, spies, smugglers, and avant-garde intellectuals. The city's permissive attitude towards drugs, homosexuality,and radical political thought made it a particularly alluring destination for members of the counterculture.   Composer and writer Paul Bowles, settled there and drew members of the Beat Generation to the city to be inspired, to complete their projects and to live the Moroccan dream. Few lived in human dialogue with the locals, operating rather as economically priveleged colonial bohemians    William Burroughs' time in Tangier in the 1950s deeply influenced his novel Naked Lunch. Burroughs saw the city as a place where the constraints of Western morality could be discarded in favor of a more experimental and uninhibited lifestyle.   He christened it THE INTERZONE   Although the Tnagier International Zone officially ceased to exist in 1956, its mythos lived on in literature, music, and the enduring image of Tangier as a place where the world's outsiders could find a home   Multimedia artist and curator Abdelaziz Taleb, director of The Arab Media Lab Project has taken a deep dive into the Interzone - both its reality and its myth, exploring the blurred line between the two.  He came to the Bureau to talk about it, the often untold influence of Moroccans on the Beats,  and the mystery of Tangier.   For more on Aziz and the Interzone Project and Here   #counterculture, #thebeatgeneration, #thebeats, #tangier, #thetangierinternationalzone, #thetangierinterzone, #interzone, #burroughs, #bowles, #williamburroughs, #paulbowles, #heroin, #nakedlunch, #thearabmediaproject, #allenginsberg, #jakckerouac,#mohammedchakri, #bryingyson, #brianjones, #joujouka,#morocco    

Teddy Boys (and Teddy Girls)emerged in Britain in the early 1950s, becoming the UK's first distinct youth subculture.    Born in the aftermath of World War II, these working-class teenagers rejected post-war austerity and embraced a bold, rebellious style of dandyish suits, long drape jackets, narrow trousers, velvet collars, patterned waistcoats - and of course pomaded quiffed hair for the boys and equally sharp threads for the girls.   Musican and writer Max Decharne, author of 'Teddy Boys: Post-War Britain and the First Youth Revolution', came to the Bureau to talk about the Teddys - and about Mods, Punk, the masssive influence of Bill Haley's Rock Around the Clock and of the impact the working class have had on British fashion.   The Teds became notorious in the media - associated with violence, for clashes with rival gangs and for their alleged involvement in the 1958 Notting Hill riots. But was that really the case? Or was it because, as working class upstarts they rattled the middle and upper class establishment? Embracing American rock'n'roll, they became the foundation for future youth movements, proving that teenagers could form their own cultural identity, shaping Britain's rock and roll scene and inspiring later subcultures like the Mods and Rockers. For More on Max  For his music For more on the book  Ken Russell's wonderful images of Teddy Girls   #teddy #teddyboys #teddygirls #quiff #rock'n'roll #billhaley #rockaroundtheclock #streetstyle #youthculture 

Scar-faced, ex-jailbird Frank Norman was part of the '50s and '60s Soho bohemian set and friends with Francis Bacon, Lucien Freud, Dylan Thomas and other habitues of the infamous Colony Room club.   After being abandoned as a child, growing up in institutions, and working as a fairground worker, he landed in Soho, became a petty criminal and spent time in prison where he learned to paint and write.   Back in Soho on leaving jail, astonishingly he became a succesful author, writer of the smash hit cockney musical 'Fings Aint What They Used To Be', the acclaimed prison memoir Bang to Rights, and several novels - but never painted again.   In the early '60s he penned 'Soho Night and Day', a evocative survey of the area in its seedy, cosmopolitan prime, with photographs by his pal Jeffrey Bernard (later to become the most famous alcoholic in London).   Frank's grandson, Joe Daniel, came to talk  Bureau to talk about him and about the bohemian low-life of Soho in the '50s and '60s.   If you are listening to this in early 2025, and can be in London, we have curated an exhibtion in Soho of Frank's never before shown prison paintings: See BEHIND BARS- Frank Norman's Prison Paintings  for details   The republished wonderful Frank Norman and Jeffrey Bernard book Soho Night and Day   #soho #london #bohemian #colonyclub #colonyroom #Lucien Freud, #FrancisBacon #DylanThomas #FrankNorman #JeffreyBernard #murielbelcher #outsiderart    

The Waterboys' MIKE SCOTT grew up in the '60s in Edinburgh and said: “I accepted the incredible happenings of that decade — with all its rapid evolution, colour, revelations and magic — as the normal order of things".   At the age of 4 he had his first mystical experience and remembers that from the minute he bought "Last Night in Soho" by Dave Dee, Dozy, Beaky, Mick & Tich in 1968 he knew he had to live a life in music. In the years since he has toured the world with The Waterboys and as a solo artist, had hit records with The Whole of the Moon, This is the Sea and Fishermans Blues andhas released 15 albums.   Now, The Waterboys have a new one featuring Bruce Springsteen, Steve Earle and Fiona Apple about to drop and it's a song cycle around the life of legendary actor and countercultural polymath Dennis Hopper.     Mike has been unashamedly open about the importance of spirituality in his life - even when that has been deeply unfashionable in the mainstream culture. He came to the Bureau to talk about all of that, his time at the Findhorn Foundation, Life, Death and Dennis Hopper - and much more.  For Mike and his work, music and adventures Universal Hall   Findhorn Foundation   #thewaterboys #mikescott #brucespringsteen #findhorn #findhornfoundation #steveearle #fionaapple #ladbrokegrove #thewholeofthemoon #dennishopper

She says: ‘I was reared Catholic but got over it, was born male but got over it, stopped sleeping with boys about the time I stopped being one and am much happier than I was when I was younger'. ROZ KAVENY is a poet, a novelist, a writer of science fiction, a reviewer, a cultural critic, a literary journalist and a celebrated  activist.   She has also been a sex worker - a hustler - as she would say, and has been both celebrated and denigrated. She was born a boy in 1949, became a woman all the way back in 1982 and has led a very countercultural life indeed.   This is part of her story. It's a wild and at times shocking ride. It gives an insight into what it was like to come of age as trans in an era before even being gay was legalised in the UK.   Note: contains descriptions of sexualabuse.   #trans #transgender #rozkaveney #sexchange #genderdismorphia #gender #hustlers #gendersurgery  

This morning I sat in my house, took a twenty pound note from my wallet, lit a match and set the note on fire. Why? How did I feel as I watched it burn? Was it a waste, an immoral or stupid thing to do - or was it a deeply countercultural act? Jon Harris, came to the Bureau to talk about his life - as a pornographer, as a rock 'n' roll tour manager, as a bankrupt - and, most importantly, as The High Priest of The Church of Burn. We try to understand what money is, what it might be and what burning it can mean. We hear of Jon's own history of burning money and of the rites of The Church of Burn. Of course The KLF get a mention, as does Serge Gainsbourg and Youth of Killing Joke as we explore the history of the intentional sacrificial destruction of somethign that mainstream culture seems built around and compleltey obsessed with. The Church of Burn Jon's substack ---- I have often been asked about the music that plays during the Bureau episodes. Most of it is from two albums by The Real Tuesday Weld: 'Junskshop Melodies' (which will be released in 2025) and 'Songs For Crow' which has just been released. Detaisl HERE #money #moneyburning #cash #currency #churchofburn #daisycampbell #johnhiggs #youth #killingjoke #klf #theklf #thekfoundation #sergegainsbourg   

What is a mystic, what is mysticism, what is the mystical? Many of us have sense that there is something mystical, or at least mysterious, underpinning things, some countercultural force that defies explanation but survives even in our 24/7 social-media drenched, junked up internet world of money, career and self promotion. Philosophy, along much modern science and many formal religions, poo-poos the mystical - relegating it to the woo-woo, of interest only to the less sophisticated, the superstitious - or the deluded. Yet our guest Simon Critchely is a Professor of Philosophy. He came to the Bureau to suggest that modern philosophy has got it wrong, that mystical experiences offer a practical way to deepen the sense of our lives, whether through mainstream spiritual connection, by taking part in mind-altering experiences  - or just by opening to the mystical in ordinary life.   We hear about some of the extraordinary mystics of the past, talk about how the arts can point to the mystic, and digress into ecstasy,  sex, drugs and rock and roll, Jesus's foreskin, William Blake, the covid pandemic, Nick Cave and Wim Wenders, More on Simon and the book On Mysticism, the Experience of Ecstasy     #counterculture #mysticism #nickcave #philosophy #mysticalexperience #relics #saints #heretics #consciousness #truth #madness 

Genesis P-Orridge was a performance artist, neo Pagan, Industrial music innovator, the co-founder of COUM, Throbbing Gristle and Psychic TV and an arch provocateur. He was variously described as a wrecker of civilisation, transgressive and blasphemous, accused of being a Satanist and of sexually abusing his children (a lie - in fact he was a loving father and grandfather), and claimed to be a threat to society. He could be both very alarming and very kind. In later life Genesis became infamous with attempts to unite as a “pandrogyne”, a single entity, with partner Lady Jaye through the use of extreme surgical body modification intended to make them physically resemble one another Filmaker David Charles Rodrigues, director of S/HE IS STILL HERE an extraordinary, moving film based around interviews made in the last months of Genesis's life, came to the Bureau to talk about the Cut Up technique, William Burroughs, Bryon Gysin, The Exploding Galaxy, industrial music, the Satanic Panic and much more in the life and death of a deeply countercultural artist.   #genesis p-orridge #throbbinggristle #coum #psychictv #thetempleofpsychicyouth #industrialmusic #templeofpsychicyouth #pandrogyne #coseyfannitutti #chrisandcosey #williamburroughs #bryongysin #cutup #thecutuptechnique #ica #censorship #transgressive #satanicpanic #ladyjaye #thexxplodinggalaxy        

In the turbulent late 1970s, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside.   They would share their new home with over fifty other residents  - idealists from all over the world - armed with worn paperbacks on ecology, Marx and radical feminism and drawn together by utopian dreams of remaking the world.  They did not leave for fifteen years.   This was not a hippie commune or a new age retreat but a community run on radical socialist Marxist principles.  Yet, however noble the intentions of the adults, was this suitable place - a suitable home -  for a child to grow up? Susanna wrote a book to try to answer that question and came to the Bureau to tell us all about it - and about the pleasures and perils of growing up in the fallout of the Utopian Dream.   More on Susanna More on her book  Home Is Where We Start More on British Intentional Communities

The Joy of Sex was published in 1972 and for years, was rarely out of the bestseller lists, generating sequels, revised editions and a lot of imitators - so how could it be countercultural? For two reasons: firstly that Dr Alex Comfort who wrote it was a deeply countercultural figure, and second, because its publication represents the moment when the sexual revolution of the countercultural years of the late '50s and ‘60s, threw off its remaining clothes and dived naked into the bourgeous middle class mainstream.   And it changed a lot of peoples' live - well their sex lives at any rate.   Social justice journalist activist and anarchist Eric Laursen, author of Polymath: The Life and Professions of Dr. Alex Comfort, came to The Bureau to tell of the poet, novelist, doctor, biologist, gerontologist, anarchist, scientific humanist, public intellectual, pacifist and activist who also happened to write the world's most famous guide to lovemaking..   For More on Eric   For More on Polymath: The Life and Professions of Dr. Alex Comfort  #sex #sexguide #thejoyofsex #alexcomfort #thesexualrevolution #counterculture #sexmanual #sandstone

*Every society is a high society.  Getting high has been a pursuit of civilisations throughout time.   *Every day, people drink coffee in European cafes, chew betel nut in Indonesian markets, nibble coca leaf on Andean mountainsides and smoke tobacco in every nation on earth.   *Mind-altering drugs have been part of virtually every human culture that has ever existed - from prehistory to the present day. They have shaped cultures, kick-started global trade, transformed our understanding of the mind, built empires and threatened the fabric of society.   *Cultural historian and writer on the psychoactive Mike Jay returned to the Bureau to tell us why   For more on Mike and his book High Society  

“Ima­gin­a­tion thrives in dark­ness”  We talk about The Undergound often at the Bureau - not London's subterranean rail sytem, but the countercultural alternative society of the 50s, 60s, 70s and 80s. But that is just one of the undergrounds - the underworlds - that are the subject of this episode Dizzying ossuaries, freakish creatures of the deep sea, astounding colors of agates, lava and crystals,  mind bending organic structures of mycorrhizal fungi, caverns, crevices, burrows,  bunkers, burial chambers, ghistly shipwrecks, religous hellscapes and surrealist dreamscapes, natural and constructed subterranean realms and the imagined and unconscious worlds of dreams and the human psyche. Image Alchemist Stephen Ellcock came to take us on a deep dive journey down under with his truly astonishing, visually stunning guide book Underworlds, a volume in five sections covering both the real and the imaginary, moving between continents and time periods and disciplines such as philosophy, biology, art history and literature.   We talk of how the actual physical world beneath us has fed our fears, visions and imagination – and conversely, provoked us to imagine a mythic, esoteric, mysterious underground - the afterworld of the dead, of the fairies and of the psychogical unconscious.   For more on Stephen and his amazing work  

*In 1918, Billie Carleton, a West End actress, came off stage, went partying with friends, returned to her flat and was found dead the next morning - apparently of a cocaine overdose. A few years later, Frieda Kimpton, a dancer in Soho bars, committed suicide - with cocaine.   These events blew up into a huge media dope drama - with a cast of characters includes villians - Brilliant Chang, a Chinese restaurant proprietor and Edgar Manning, a black jazz drummer  -  and victims, Billie, Frieda and the other 'Dope Girls'.    *Around them, in the Soho streets off Shaftesbury Avenue, there swirled a raffish group of seedy and entitled hedonists. Britain was horrified and fascinated, and so the drug underground and the moral panic about it, was born amid a gush of exotic tabloid detail.   *MAREK KOHN whose newly revised cult classic Dope Girls has inspired an upcoming BBC TV series, came to the Bureau to tell us how the  panic about drugs that kicked off on the 1920s (bringing in drug laws that are still with us today), was more about the fear of newly emancipated women in society and an imagined menace of foreigners bound on enslaving them, than about any damage done by the drugs themselves.   *More about Dope Girls HERE *More about Marek HERE *More about the upcoming BBC series Dope Girl   #drugs #psychedelics #cocaine #opium #morphine #druglaws #counterculture #drugculture  #drugunderground #soho #overdose #dopegirls #dope #drugunderground 

In 1964 he was a working class hippie student crossing Haight Street, a road in San Francscso, when hit by a vision  - and life as he knew it was over In 1994, he was a multi-millionaire new-age entrepeneur crossing Wilshire Boulevard, a road in Los Angeles, when hit by a car - and life as he knew it was over. In the years in between, along with the co-founder of The Yippies Abbie Hoffman, counter-culture icon, anti-war activist, new age/self-help proponent, social-networking pioneer and all round troublemaker JERRY RUBIN helped articulate the voice of young America in the '60s and early '70s.   He was arrested countless times, carried out many extrardinary protests that used performance art, pranks and provocation including an attempt to levitate The Pentagon and regularly hung out with John Lennon and Yoko Ono in New York. Unlike Hoffman, who lived off grid for several years following a drug bust, died by suicide in 1989 and was canonized as a countercultural saint, Rubin was accused by many of “selling out" - the worst thing a 1960s radical could do - and as a consequence got written out of the hippie history books.   Well that is until our guest for this episode wrote the biography, 'Did It! From Yippie To Yuppie: Jerry Rubin, An American Revolutionary'   PAT THOMAS, archivist, uber re-issue producer, countercultral author and music journalist returned for the third timr to the Bureau.   Previously he was here to talk about The Black Panthers and Allen Ginsberg,and this time, he traced  Jerry Rubin's journey from high school journalist to stoned political freak and multi-millionaire entrepeneur.   Along the way, we hear about The Yippies(the Youth International Party), The Chicago 8, John Lennon and Yoko Ono in the early 70s, EST training - and selling out   And we debate the question: 'Once a revolutionary always a revolutionary?'   Pat's book:  'Did It! From Yippie To Yuppie: Jerry Rubin, An American Revolutionary'     Check out this Rubin related playlist   #jerryrubin #abbiehoffman #theblackpanthers #blackpower #yippies #theyippies #thebeats #allenginsberg #timothyleary #activism #socialism #revolution #levitatethepentagon #eldridgecleaver #bobdylan #nixon #johnandyoko #vietnam #anti-war #protest #johnlennon #haightashbury #thechicago8   

When musician ARTHUR RUSSELL died in 1992, at age 40, of complications related to HIV-AIDS, he was an obscure figure — though a legend in the 70s and 80s underground music scenes at downtown New York clubs such as The Loft and Paradise Garage.  RICHARD KING, author of 'Travels Over Feeling'(Faber) a poignant and evocative visual chronology of Arthur's life and times, came to the the Bureau to tell us about him and why he matters. Despite his prodigious output, his inability to finish songs, and the genre-busting uniqueness of much of his music, meant that he released only two albums under his own name in his lifetime. But in the decades since his death, a series of posthumous releases have generated a deep love and admiration in many who have been lucky to come across his music.   We also get into indie record shop culture, music sobbery, the underground New York club scene of  the mid seventies and ask the question: 'How do you know when, a song, a book or a piece of art is finished?' Thanks to Dan Papps at Faber, to Steve Knutson of Audika Records and Cat Corrigan of Beggars Banquet who have posthumously released much of Arthur's unpublished work, for permission to include his music. We also included two selections from Matt Wolf's film 'Wild Combination: A Portrait of Arthur Russell' Image by Joel Sokolov/Courtesy of Audika Records   #arthurrussell #newyorkclubs #avantagarde #philipglass #audikarecords #richardking #faber #hiv #music  

They helped inspire a whole generation of young ravers and lit the fuse for what was to blow up with Technival and Burning Man - as well as more mainstream festivals across Europe and the US - but their (counter)cultural contribution remains largely unacknowledged in their home country.   Marc Angelo Harrison, one of the orginal founders of the people's sound system, techno, free party, DJ collective Spiral Tribe came to the Bureau to tell some of their story - and about his own journey up and down the spiral. His book A Darker Electricty published by uber-cool electronic music publisher Velocity Press is a rollocking, rumbuctious, beautifully written testament to a deeply countercultural spirit and time.    We dive deep into the free party scene of the early 90s and talk squatting, sound systems, Ladbroke Grove, doing things for free, police brutality, the 'new age' travellers, the tragedy of Castle Morton, ongoing inspiration, community - and the power of bass..   A Darker Electricity- Mark's book A Darker Electricity- The Audio book Free Party: A Folk History - Aaron Trinder's wonderful documentary of the last 80s and early 90s free festival scene   #festivals #counterculture #freefestivals #spiraltribe #squatparty #travellers #newagetravellers #battleofthebeanfield #hippie #castlemorton #techno #drugs #lsd #soundsystem #raveculture #raves #breakbeat #stonehenge 

*Whatever happened to the Greek Gods? if you are a teenager living half way up a 1970s tower block listening to Drill, should you even care? *On this epside we travel in time and space to Ancient Greece, the classical psycho-geographic birthplace of Western Culture (and therefore of counterculture), specfically to the mythic landscape of Epidavros and the sacred temple of Asclepius. *Our guide and guest is Sarah Janes, one of Britain's foremost lucid dreamers, explorer and teacher of ancient mysteries.  *We hear how the Temple of Asclepius's treatment of the sick involved diet, excercise, theater - and comedy - in addition to surgery and medicine. *We revisit the subject of dreams, nightmares and countercultural consciousness  - and hear why the gods are still with us, whether we ignore them or not. •And the Scottish band The Proclaimers make a surprise apearance....  For more on Sarah and her work #dreaming #psychedelics #theunconscious #consciousness #truth #madness #counterculture #sleep #luciddreaming #dreams #neuroscience #consciousness #nightmares #epidavros #ancientgreece #greekgods #asclepius #jung #ecstasy #thegods  

How Queer Culture Shaped Pop Culture "The 1972 version of David Bowie didn't spring from nowhere.  Although he refused to affiliate himself explicitly with gay liberation, he had found both artistic and social inspiration in the gay world, in particular the renewed sense of freedom and possibility that rippled through the British gay subculture in the early 1970s." We finally lured the award-winning, bestselling author, pop-culture, punk penman Jon Savage to the Bureau to talk about his life and epic new book The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) It's an electrifying, massively entertaining - and at times, tragic - look at key moments in music history between 1955 and 1979, which helped move gay culture from the margins to the mainstream and changed the face of pop forever – from the ambiguous sexuality of stars such as Little Richard in the 1950s through to David Bowie, glam rock and Sylvester's ‘You Make Me Feel(Mighty Real)'. We talked about all that, about Punk, Joy Division, Tony Wilson, Johnny Marr, Factory Records and about how Jon grew up in the London of the late '50s and '60s, how he became a writer during one of the most exciting times for music journalism in the '70s and '80s - and about his own Secret Public Life.. More on the book here More on the compilation album here More on Jon here #homosexuality #sex #london #queer #gayliberation #musichistory #sexuality #gay #tomrobinson #gladtobegay #queerculture #counterculture #punk #comingout #homesexuality #joydivision #theclash #sex #johnnymarr #factoryrecords #johnnymarr #faberandfaber #littlerichard #glf #gayliberationfront #bisexuality #pride #london #queer #gayliberation #lgbtq #sexuality #gay #thesecretpublic #musicpress #gaydisco #jonsavage #thesmiths #bowie

'Health care is a right, not a privilege'   *Whilst many of his fellow physicians became business entrepeneurs rather than healers, Dr. Dave opened the Haight Ashbury Free Clinic in 1967, ministering to the thousands of young people and hippies flocking to San Francisco during the Summer of Love.    *Over the years, the patients using the clinic shifted from idealistic hippies with STDs and bad trip experiences to those with serious drug addictions, Vietnam veterans with heroin habits and early AIDS patients - the dispossessed and the marginalised cast adrift by the mainstream culture and excluded by the health industry.   *We hear about Charles Manson, the CIA, mind control, the history of Haight Ashbury, drugs and the darkening of the hippie dream. And we hear about the events and vision that made Dave turn his back on academic fame and fortune to pursue the countercultural life.   *His small office at 558 Clayton St. helped launch the free clinic movement, which has expanded to over 1,200 clinics around the US all built upon his principle of health care as a right, not a privilege.   #counterculture #drug  #lsd #acid #haightashbury #thegratefuldead #psychedelic #sanfrancisco #dr.dave #charlesmanson #CIA #MKUltra #medicine 

*"Punk taught us the future had only just begun” he says *For him that future was to include the bands Killing Joke, The Orb, Brilliant and The KLF; starting various record labels; hit records; producing and remixing a massive range of artists including Paul McCartney, The Verve, Tom Jones, Maria McKee, Kate Bush, Pink Floyd, Guns N' Roses, Primal Scream, Siouxsie and the Banshees, Art of Noise, Crowded House, Erasure, U2, INXS, and the Suns of Arqa- and a Grammy for his recent work with Toots and the Maytalls   *But running beneath it all is a deeply countercultural spirit.   *Uber-Music producer and druid Youth (Martin Glover)returned to the Bureau to talk about his life and times. We get deep into punk, post-punk, London as 'The City of Revelation', psychgeography, The Sacred Thames, squatting, the South London Arts Lab, druidry, turning Stonehenge off, having an epiphany, burning money, sampling other people's records, the second summer of love, the creative process, drugs - and, of course, counterculture.   Check out this playlist of just a selection of Youth's work and music.   https://music.apple.com/gb/playlist/youth-martin-glover-productor/pl.u-EzbdIa0z2vl     #psychogeography #psychedelics #theunconscious #consciousness #thepyramids #yout #counterculture #drug  #lsd #acid #martinglover #theorb #psychedelic #klf #druidry #killingjoke #occult

*Julie Taylor was the police officer who gave her name to  'OPERATION JULIE', the biggest drug bust in UK history and one which resulted in the conviction of over a hundred individuals involved in the trafficking of LSD, including some of the most prolific chemists of the era.   *Christine Bott was a practising doctor living a classic 1970s rural countercultural life in mid Wales, growing organic vegetable, rearing goats and ministering to the local community. She also happened to be part of the biggest LSD manufacturing gang in UK history, an activity that led to her arrest under the Operation Julie bust and imprisonment amongst 'the 36 most dangerous women in Britain' - including the child murderer Myra Hindley.   *Whilst much has been made of Operation Julie in articles, books and even a musical in recent years, Christine's story, like many of those of women in the counterculture, has been largely sidelined - until now.     *Before she died, her friend KATE HAYES promised her that she would tell it - and she has kept that promise by publishing two books: 'The Untold Story of Christine Bott' and 'After Julie: The Kemp Tapes', the latter a record of the only interviews with Christine's partner Richard Kemp, the chemist who invented 'The Microdot' (generally recorded as the best LSD in Christendom.   *Both were driven by a desire to change the world for the better, to save the planet and, however naive their actions may have been, they held to that vision and paid the price for it.   *Kate came to the Bureau to tell us how it all came about and how Christine survived - and even thrived - despite the darkness of prison.   Its truly gripping stuff.   For more on Kate and the books   #tripping #psychedelics #theunconscious #consciousness #operationjulie #christinebott #counterculture #drug  #lsd #acid #richardkemp #myrahindley #psychedelic #microdot #tripping #druglaw #timleary 

*A time when musicians were viewed as revolutionaries and revolutionaries might be considered pop culture icons   *Crate digger / rock critc / reissue producer and archivist extraordinaire Pat Thomas came to the Bureau to tell how black power intersected with counterculture and influenced folk, rock, soul and jazz in the years between 1965 and 1975.   *We hear astonishing stories from his book 'Listen, Whitey: The Sights and Sounds of Black Power' and some amazing sounds from the accompanying album issued by Light in the Attic including tracks by John and Yoko, Dylan, The Watts Prophets and Elaine Brown.   *And we learn how the Black Power Movement, and the Black Panthers in particular, moved from militant political action to community activism whilst interacting with the wider counterculture - and, though bad things were done, how many of their adherants used a pencil, a book of poetry, a typewriter or a musical instrument to bring about change beyond violent revolution.   #counterculture #rockagainstracism #backpanthers #blackpower #angeladavis #racism #thebeats #oakland #tomothyleary #activism #socialism #revolution #rockrevolution #eldridgecleaver #bobdylan #motown #johnandyoko #thewattsprophets 

*Who do the green roads and wide open spaces of Albion belong to?   *This episode is a story is about a collision of two cultures - the counterculture of the twin tribes of urban free party ravers and new age travellers - and the mainstream culture of landowners, the legal authorities, English Heritage and right-wing politicians.   *In the first of a series on '80s and '90s counterculture, Aaron Trinder, director of the documentary 'Free Party: A Folk History' came to the Bureau to tell how that collision played out in the years between 1985 and 1992 when extra-ordinary free festivals and parties built  on youthful passion, music, community, dancing, the desire to connect with the ancient landcape  - and drugs - were violently suppressed.   *We hear of the brutal police tactics at 'The Battle of the Beanfield' and at Britiain's largest ever free rave at Castle Morton; how legislation has curtailed the culture of the travellers, the use of common land and ancient rights of access, and we note that whilst free festivals have been crushed, commercial festivals have become an essential part of the the mainstream culture, the entertainment industry and the economy.   *Upcoming: Mark Angelo Harrison on Spiral Tribe   More on Aaron's film 'Free Party a Folk History'    #festivals #counterculture #freefestivals #spiraltribe #squatparty #travellers #newagetravellers #battleofthebeanfield #hippie #castlemorton #techno #drugs #lsd #soundsystem #raveculture #raves #StonehengeFreeFestival #stonehenge  

In the early to mid '60s many Western cities were magnets drawing the young and hip in from the regions, shaking off the austerity of the '50s, joining their urban peers in experimenting with new and radical ways of loving and living. Communes and squats sprung up all over cities like London. But as the '60s drew to a close, there was a reverse movement as many left the cities heading back out into the shires to rry an d buuld a new kind of sociey in the quieter, slower life of village and market town.  Some settled in North Suffolk and South Norfolk, an open countryside of low hills and wide plains with few towns and many villages where a commune movement was established from 1965. But what was like to live in a commune? What was it like to be born and grown up in a commune? NANCY THOMSON came to the Bureau to tell us. She was born in The Shrubb Family Commune - one that was set up in a big old farmhouse in rural Norfolk in 1970 - and, remarkably, one that is still going today. It's a complex tumultous tale  - and at times a rather bewildering tapestry of overlapping relationships and familes, the British class system, rural life, travellers, gypsies and the gentry, encounter groups, blackmail, rogue psychiatrists, lsd - and horses.. #communes #counterculture #findhorn #findhornfoundation #utopia #alternativecommunities #intentionalcommunities #esoteric #hippie #shrubbfamily #globaltruckingcompany #drugs #lsd #psychiatry The countercultural movement of the 1960s and 1970s in Britain gave rise to a surge of communal living experiments known as hippy communes or intentional communities. These collectives emerged as an alternative to mainstream society, rejecting consumerism, conventionality, and materialism in favor of a more liberated, eco-friendly, and cooperative way of life.   The origins of this communal living trend can be traced back to the mid 60s, when a confluence of social, political, and cultural factors created an environment ripe for such experiments. The widespread opposition to the Vietnam War, the rise of the hippie counterculture, and the burgeoning environmental and back-to-the-land movements all contributed to the growth of communal living arrangements.   One of the earliest and most influential British hippy communes was Findhorn in Scotland, established in 1962 by Peter and Eileen Caddy and Dorothy Maclean. Originally a small caravan park, Findhorn evolved into a thriving spiritual community centered around principles of sustainability, meditation, and harmony with nature. Its success inspired many other like-minded groups to establish their own communes across Britain.   As the movement gained momentum in the late 1960s, a wave of new communes emerged, each with its own unique philosophy and approach to communal living. Some, like The Diggers in Cornwall and the Laurieston Hall community in Scotland, focused on self-sufficiency through organic farming and sustainable living practices. Others, like the Freestone community in Essex and the Newbold Trust in Worcestershire, emphasized artistic expression, alternative spirituality, and personal growth.   Many of these communes adopted a back-to-the-land ethos, seeking to reconnect with nature and escape the constraints of urban living. They often established themselves in rural areas, repurposing abandoned farmhouses, old mills, or purchasing inexpensive land to build their communities from scratch. This allowed them to embrace a more self-reliant and environmentally conscious lifestyle, growing their own food, generating their own energy, and living off the land as much as possible.   While each commune had its own unique character and rules, they shared several common principles. Communal living, non-hierarchical decision-making processes, shared resources and responsibilities, and a commitment to peace and environmentalism were hallmarks of these communities. Many also embraced alternative lifestyles, such as polyamory, nudism, or open relationships, challenging traditional societal norms.   As the 1970s progressed, the hippy commune movement faced various challenges, including internal conflicts, financial struggles, and external criticism from more conservative segments of society. Some communes disbanded or evolved into more structured communities, while others managed to endure and adapt to changing times.   One notable example of a long-lasting commune is Braziers Park in Oxfordshire, founded in 1950 and still active today. While not initially a traditional hippy commune, it embraced many of the same principles in the 1960s and 1970s, becoming a hub for alternative living, education, and environmental activism.   Another enduring community is the Findhorn Foundation, which has grown from its humble beginnings into a thriving eco-village and spiritual center, attracting visitors and residents from around the world.   Beyond the more well-known communes, countless smaller collectives and intentional communities also emerged during this period, often existing independently or flying under the radar. These included urban squatting communities, housing co-operatives, and alternative living arrangements that embraced the communal ethos without necessarily adopting the full-fledged "hippy" lifestyle. These communities served as laboratories for experimentation, pushing the boundaries of what was considered acceptable or possible, and leaving an enduring legacy that continues to influence various aspects of modern life.   The legacy of the British hippy commune movement can still be felt, even as mainstream society has largely moved on from the countercultural ideals of the 60s and 70s. Many of the principles and practices pioneered by these communities, such as sustainable living, cooperative decision-making, and alternative education, have been adopted and adapted by various organizations and movements. The communal living ethos has remained alive, albeit on a smaller scale, with contemporary intentional communities and eco-villages continuing to explore alternative ways of living and coexisting with nature.  

Being the further adventures of English musician broadcaster and LGTBQ activist TOM ROBINSON, as he gets deeply involved in the gay counterculture of London in the '70s whilst on his journey to having a huge hit with the song 2-4-6-8 Motorway We hear about the genesis of another hit - (Sing if You're)Glad to Be Gay - a remarkable, unprecedented protest song that climbed into public consciousness in the late 70s (despite the best efforts of some in the establshment), and about Tom's later hit War Baby. We talk about the desperate times in between, about his activism - not only for the queer commmuity but as part of the Rock Against Racism movement - and how he had to face one his greatest challenges in coming out for a second time, risking the disapproval of the very community he had fought for for many years…   And we learn about Stonewall, the UK's 'Sus Law' and get some terriffic tips for songwriters aspiring stars..   For More on Tom For More on Glad to Be Gay #homosexuality #sex #suslaw #section28 #stonewall #glf #gayliberationfront #bisexuality #pride #pridemarch  #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality 

Tom Robinson is an English songwriter who rose to fame in the 70s as an LGBT and anti-racist campaigner.  He has released over 20 albums and is an award-winning much-loved broadcaster who has made many programs on all six BBC radio channels.   In this, the first of two programs, we trace his story from troubled youth through a suicide attempt and recovery in an alternative community to coming out in the gay counterculture of '70s London.   We hear about his early activism and music, signing to Konk records with Ray Davies of The Kinks and his journey toward a huge hit with the song 2-4-6-8 Motorway.   Next time: the writing of the extraordinary, perennial protest song Glad To Be Gay, more activism, more hits with War Baby and Listen to the Radio and taking further risks on the way to becoming who you really are.   Tom's first band Cafe Society For More on Tom #homosexuality #sex #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality 

YOUTH, producer of a huge range of artists (including Kate Bush, Crowded House, The Orb, KLF, The Verve, Guns 'n' Roses and Primal Scream) and Jesse Goodman of the Allen Ginsberg Estate come to the Bureau to talk of the beat poet's impact on music and the British counterculture.   We hear about Youth's 'Iron Horse' project and two albums of interpretations of Ginsberg's Fall of America poems by an astounding range of artists and we get deep into counterculture, the power of poetry, creativity and the possibility of a third summer of love.. -- Youth and Jesse will be with us in  March, when we are presenting a program of happenings to celebrate Ginsberg's London Life.   See the EVENTS page for full details. -- In May 1965, Allen  arrived in London and gave a free reading at Better Books in Charing Cross Road. It was an event described by poet-provocateur Jeff Nuttall as "the first healing wind on a very parched collective mind” and one that provided the impetus for the International Poetry Incarnation at Royal Albert Hall, a hugely significant catalyst for the first British Summer of Love. Music featured prominently in Ginsberg's work - both in his self-accompanied performances and live collaborations with artists including Dylan, Paul McCartney and Patti Smith - and in the inspiration it has had on the wide range of musicians who have set it to music. Ginsberg In London Events  Youth's Iron Horse Album Youth at The Horse Hospital March 15th The Fall of America albums  Volume 1 and Volume 2 Images courtesy of the John Hopkins Estate  

Britain's own Tin Pan Alley, Denmark Street was once alive with the sound of hammered pianos, and sung melodies and choruses. Its songwriters knocked out tunes on the fly and rushed to the street to sell them to pay for the next round of drinks. In the '60s, The Beatles, The Rolling Stones and The Kinks came here, so did Donovan and Jimmy Page, Eric Clapton and Elton John, Jimi Hendrix and Jeff Beck. A popular rendezvous was La Gioconda, an Italian cafe which most visited at some point or other – David Bowie was said to practically live there. Later when Malcolm McLaren was looking for a rehearsal space for The Sex Pistols, he was delighted to find room in Denmark Street, installing his upstarts in the heart of the traditional music industry - like Greek soldiers inside the Trojan Horse.    Journalist Pete Watts returns to The Bureau to tell us tales of this lost street of dreams  - and at least of one nightmare.   Pete's wonderful book on Denmark Street is HERE     #hipgnosis #pink floyd #london #pop music #london #musichistory #counterculture #soho #musicpublishing #music  #1960s #jimihendrix #thesexpistols #davidbowie #the kinks #the beatles #DenmarkStreet #tinpanalley

Warning: this episode contains discussions of sexual and other adult themes. Julie Peakman is a historian of eighteenth-century culture who specialises in the study sexuality and pornography. She is the author of 'Sexual Perversions, 1670-1890', 'Whore Biographies 1700-1825', The Development of Pornography in 18thC England' and many other books. She came to the Bureau to discuss her latest: 'The Pleasure's All Mine - A History of Perverse Sex' which contains many affecting stories of how benign sexual difference has, in the past, lead to what we would now perceive as unjust and brutal persecution. 'Perversion' has been defined as 'showing a deliberate and obstinate desire to behave in a way that is unreasonable or unacceptable' or 'contrary to the accepted or expected standard or practice' - rather like 'counterculture'. It has at different times included masturbation, male and female homosexuality, cross-dressing, bestiality, sadomasochism, necrophilia, incest, exhibitionism, voyeurism, fetishism, even straight-up vanilla heterosexual sex in certain circumstances. Julie's conviction is that the very word and concept of 'perversion' has reached its expiry date - we discuss. #perversion #sex #london #pornography #fetish #bdsm #sexuality #gay #necrophilia #incest #masturbation #bestiality #prostitution #flagellation #homesexuality #morality   

*In this, the second of a two parter, we hear more of the crazy countercultural life and times of The Incredible String Band  - from the inside looking out  - with Rose Simpson   *Rose was one quarter of the band during what many regard as their creative and countercultural peak in the late 60s and early 70s.   •Her memoir 'Muse, Odalisque, Handmaiden' is an incredible story, relating how she rocketed (as a student without any particular interest in music or the counterculture), via an accidental meeting in a Scottish mountain cottage, to photoshoots in American Vogue and playing at Woodstock - and then came all the way back again.   *It's a fascinating tale, not just because the ISB were fascinating in themselves, but because it is beautifully told with a wealth of detail about a time that is usually dominated by mens' voices.   •She had many psychedelic adventures along the way, narrowly escaped getting involved in Scientology and then - and then left it all behind.   *And she knows where the sitars are buried...   *We dived into drugs, communal life, the ups and downs of free love, the catastrophe of the cult, making it up as you go along, the mysterious life and disappearance of Rose's bandmate Licorice, going full on and far out.   *Rose's memoir 'Muse, Odalisque, Handmaiden' (published by Strange Attractor)    *Adrian Whittaker's compilation book Be Glad for the Song Has No Ending    *Thanks to Peter Neal for the audio clips from his film Be Glad for the Song has No Ending       #tripping #psychedelics #london #consciousness #scotland #scottishcounterculture #counterculture #drug  #lsd #music  #joeboyd #1960s #scientology #rosesimpson #incrediblestringband #begladforthesonghasnoending #woodstock #stephenduffy #hippie  

They were artists, myth makers, story tellers, tribe leaders, psychedelic troubadours; they pioneered "world music” with albums like The Hangman's Beautiful Daughter; they experimented with theater, drugs, film and lifestyle and inspired The Beatles, The Stones, Led Zeppelin, The Pet Shop's Neil Tennant, The Lilac Time and many, many others.   They lived the hippie dream of communes and free love, dressed like mediaeval princes and princesses, were the very essence of the Scottish counterculture, played Woodstock, became cult stars, were acid evengeleists; gathered a following, a tribe that stayed loyal to them long after they had gone.. In this, the first of a two parter, Adrian Whittaker who compiled the epic new book Be Glad for the Song Has No Ending and Peter Neal who made the film Be Glad for the Song has No Ending back in 1970, take us on a trip through the crazy countercultural life and times of The Incredible String Band.    Thanks to Peter for the audio clips from his film Be Glad for the Song has No Ending    #tripping #psychedelics #london #consciousness #scotland #scottishcounterculture #counterculture #drug  #lsd #music  #joeboyd #1960s #scientology #thelilactime #incrediblestringband #begladforthesonghasnoending #woodstock #stephenduffy #hippie  

He was friends with Burroughs and Ginsberg, wrote their biographies along with those of The Beatles, Paul McCartney, Frank Zappa, Charles Bukowski, Jack Kereouc and penned books on The Beat Hotel, Pink Floyd, The Stones - amongst about 70 others.   Barry Miles (known just as Miles) came back to the Bureau to tell us all about it.   We hear how he set up Indica Gallery where Lennon met Yoko, started International Times - the bible of the underground - was instrumental in the UFO club and the 14 Hour Technicolour Dream and jow his wife Sue gave Paul McCartney his first hash brownie - and that was just the sixties.    We will do the seventies next time..     #tripping #psychedelics #london #consciousness #beathotel #thebeats #counterculture #drug  #lsd #memory  #pinkfloyd  #1960s #barrymiles #indica #lennon #mccartney #ginsberg #burroughs #betterbooks  

*Niels Bohr discovered the structure of the atom in a dream, Coleridge wrote Kubla Khan after a dream, Mary Shelley's Frankenstein was inspired by a dream, Hergé 's 'Tintin in Tibet' - the first of many Tintin stories - the same. *Keith Richards claimed to have dreamed the riff to 'Satisfaction', Paul McCartney the melody to 'Yesterday' - the most covered pop song in history. Hell, even Aphex Twin says that 70% of his album 'Selected Ambient Works Volume II' was written whilst lucid dreaming *This episode is all about The Dreaming - and our guide is one of the UK's foremost dream researchers: SARAH JANES. *We talk about dreaming as countercultural consciousness, lucid dreaming, dreams and psychedelics, neuroscience, dreams as creative inspiration, the imagination, sleep cycles, REM, memories in dreams, alchemy, wet dreams, the dream space as the underworld - and dreaming as preparation for the afterlife. *Sarah gives some great tips on how to become a lucid dreamer, tells us about her work - and drops a couple of mind bombs on us. *For more on Sarah and her amazing work   #dreaming #psychedelics #theunconscious #consciousness #truth #madness #counterculture #sleep #luciddreaming #dreams #neuroscience #consciousness 

•Cult icon, enigma, recluse, crazy diamond, he was the founding member of one of the world's most  famous and succesful rock groups, but the life of Syd Barrett is full of unanswered questions.   •Was he a drug casualty of the sixties? Did he walk away from the pressures of the commercial music world? Did he suffer from an undiagnosed mental illness, did his muse abandon him? Was it a combination of these - or was it something more mysterious, something we can never really understand?   •'Have You Got It Yet?', an extraordinary new film about Syd, pieces together his comet-like rise to pop stardom, his creative and destructive impulses, breakdown, his exit from Pink Floyd and his subsequent life alone, all set against the social context of the psychedelic swinging sixties. It is built around interviews with Syd's friends, lovers, family and former band mates Roger Waters, David Gilmour, and Nick Mason. It is, as much as a tribute, a film about memory, friendship, lost youth, regret and the enduring power of music.   •Roddy Bogawa, the award winning co-director of the film and a crazy diamond in his own right, came to the Bureau to talk about 'Have You Got It Yet?' - and to try to answer some of the questions about Syd.    •And along the way, we dig deep into London in the '60s, LA in the '70s, punk, underground films - and of course, counterculture.   •For more details on the film Have You Got It Yet •For more about Roddy *Join our cult   Thanks, as ever, to Jenny Spires for connecting us with Roddy.     #tripping #psychedelics #theunconscious #consciousness #truth #madness #counterculture #drug  #lsd #memorey  #pinkfloyd  #sydbarrett #haveyougotityet? #crazydiamond #darksideofthemoon #wishyouwerehere #shineonyoucrazydiamond #ufoclub #madcap 

*Psychedelics have made a comeback but they remain deeply mysterious.   *They may be now seen as potential 'breakthrough therapy' for mental illness but we still have only a vague idea how they work, and there is a limit to what studies in labs can reveal. Any one who has used them knows that to really understand them, we must broaden our experience of what they actually are. *Neuropsychologist ANDY MITCHELL decided to investigate for himself, taking ten different drugs in ten different settings - from a London neuroimaging lab to the Colombian Amazon via Silicon Valley and his friend's basement. Along the way, in a picaresque, deeply strange and often wild odyssy, he encountered scientists and gangsters, venture capitalists and con men, psychonauts and shamans.   *In this episode  - Number 100 - we follow him and wonder if, whilst big pharma is closing in and whilst psychedelics are being hailed (and monetised), can they still be countercultural, transformatory, consciousness raising?    *Can in fact they still be just .. fun?   *Andy's book TEN TRIPS *Join our cult #tripping #psychedelics #theunconscious #consciousness #truth #madness #counterculture #drug  #lsd #ayahuasca #neuroscience #consciousness

*He is perhaps the biggest name in Russian rock music, famous as the leader of the band Aquarium throughout his homeland and 'Outer Russia' (as the huge and growing number of Russian emigres are called), but he is now listed as a “foreign agent” - basically an anti-patriot, a traitor, for criticising Russia's war *Aquarium were pioneers of the clandestine homegrown rock scene that was born in early '70s USSR before emerging from the underground to become the pied pipers of perestroika, selling millions of albums (but usually getting paid nothing). *After a long and illustrous career, Boris Grebenshikov now lives in London and in response to the conflict has put together an extraordinary compilation aiming to help children in Ukraine - and for the friends and fans he has had to leave behind.   *The album features a star-studded ensemble including Dave Stewart of The Eurythmics, Jethro Tull, Marianne Faithful, Marc Almond, The Waterboys, Jackson Brown, Crowded House and many others.  *We talk of the USSR in the 60s, cultural censorship,the power of music, the KGB arresting your friends, being back on the outside yet again - and we hear selections from the 'Heal the Sky' album.   Thanks to Alex Kan for making this happen.   *For more details and to support the project: Heal The Sky *Let us know where you are at (a few questions about you) *Get Our Bulletin   #counterculture #music #ussr #soho #aquarium #ukraine #russia #war #borisgrebenshikov #perestroika #coldwar #russinemeigre #russianrock  

•He's played with Jimi Hendrix, Sonny Boy Williamson, Paul McCartney, Rod Stewart, Jimmy Page, Billy Cobham, Spencer Davies, Long John Baldry, Rod Stewart, John McLaughlin, Tom Jones, Eric Burdon and many, many more. •With Julie Driscoll he had a huge hit with a masterful psychedelic rendition of Dylan's "This Wheel's on Fire”    •He's been hailed as the godfather of acid jazz, sampled by hip hop stars and nominated for a Grammy Award.   •At 82, BRIAN AUGER is still moving, grooving, sharp as a pin - and 'beginning again' as he says.   •We hear his extraordinary story and of the sign posts pointing the way on his musical journey - from the London Blitz - through the Soho jazz clubs of the 60s - to Venice Beach.   •Thanks to Greg Boroman and Karma Augur for making this happen.   *For More on Brian    * For more on the Auger Incorporated Archive release   *Let us know where you are at(a few questions about you) *Get Our Bulletin   #counterculture #music #hammondorgan #soho #sohoclubs #soho #sohohistory #londonhistory #juliedriscoll #brianauger #hendrix #6oslondon #acidjazz

*Under the counter-culture..   *They were handmade illegal obscene books, a little like early punk zines, typewritten mimeographed manuscripts with two or three pornographic stories or a novella.   *Many contained drawings or photographs and were sold in post-war London and provincial second hand bookshops  Thousands were produced, but only a small proportion survive today.     *Titles like Orgy Twins, Lust and Agony in Double Domination Nunnery Versus Fuckery or Discipline in the Home gave a sense of the contents to eager suburban punters wanting their share of the sexual revolution.   *Archaelogist and curator of forgotten, neglected, stigmatised or hidden phenomena, Dr. HELEN WICKSTEAD, who has written first major study of The Soho Typescripts (or The Soho Bibles as they have become known), takes us through the door and under the counter to take a peep through the curtain at a lost world of smut, desire and money. *And we talk about Mickey Mouse having sex, the secret room of The British Museum, the private case of The British Library, a prehistoric phallus, erotic fish, police corruption, The Obscene Publications Act, Holywelll Street -  and pornography as counterculture..   *For more of Helen *Let us know where you are at(short survey about You) *Join Us   #counterculture #pornography  #porn #sohobibles #sohotranscripts #soho #sohohistory #londonhistory #zines #sex  *Images courtesy of Helen Wickstead /Dave Notaro   

Philosophy as Counterculture?   *For thousands of years, humans have been trying to expand this mysterious thing called consciousness, not only by drugs, dancing, art and spiritual practice but just by thinking, talking and arguing.   *Is philosophy for anyone - or just for the elite in their ivory towers and universities? Can it be of the street, can it be counterculture?   *We try and find out - in the company of philosopher Robert Rowland Smith, author of several books including The Reality Test and the bestseller Breakfast with Socrates and pracitioner of a kind of encounter group called Constellations.   *Robert leads us through what philosophy means now and we get deep into how the living and the dead can communicate, the expansion of unconsiousness, R D Laing on madness,and whether Jacques Derrida was a psychedelic.   *And we hear some deep words of wisdom from David Lynch   *For more on Robert and his work *Join our cult   #counterculture #derrida #davidlynch #philosophy #constellations #scorates #psychedelics #theunconscious #consciousness #truth #madness  

*Their number encompasses the darkest bogeymen of countercultural nightmares- including Charles Manson, Jim Jones, David Koresh and the Reverend Moon -as well as saintly figures devoted to the good of others; outright charlatans, narcissistic psychopaths, deluded New Age prophets as well as genuine gurus. *Since the 1950s, certain charismatic individuals have taken it upon themselves to collect others around them in ‘cults', rejecting mainstream religion and society in favour of a claim to secret knowledge of the path of liberation. The consequences have often been disastrous, involving the devotees actually getting liberated from their money, freedom - and sometimes, their lives.   *Artist and archivist MICAH MOSES has spent twenty years not only studying cults, new religious movements and individuals of a spiritually inspired nature, but broadcasting their soundtracks to a wider world.   *Micah came to the Bureau ahead of his ‘GODBODY' exhibition around the theme of the New Age showing in London at The Horse Hospital in September 2023.   *This episode of the Bureau contains a selection of strange, esoteric and sometimes sinister sounds from the vast archive he has gathered over the years.    *For more on Micah's WFMU Music of Mind Control radio show *For the GODBODY exhibition *Join our cult #counterculture #cults #cultleaders #newage #thenewage #secretsocieties #jimjones #jonestown #marshallapplewhite #heavensgate #thechildrenofgod #manson #charlesmanson #davidberg  #scientology #guru #godbody #thehorsehospital

*Roger Huddle is a born and bred Londoner, a working class music-mad mod who grew up in the 50s, got radicalised in the 60s and became a co-founder of one the most successful activist groups of the 70s - Rock Against Racism (RAR).   *RAR was a political and cultural movement which emerged in 1976 in reaction to a rise in racist attacks on the streets of the United Kingdom and increasing support for the far-right National Front at the ballot box.   •Between 1976 and 1982 RAR activists organised national carnivals and tours, as well as local gigs and clubs throughout the country bringing together black and white fans in their common love of music.   *The musicians came from all pop music genres including some of the UK's biggest post-punk and Reggae artists including The Clash, Misty in Roots, Elvis Costello and X-Ray Spex.   *Roger came into the Bureau to tell us all about it  and to school us in the London club scene of the 60s, radical socialism, agit prop, agit-pop, cultural revolution - and William Morris.   •For  more on Roger:  •For more on RAR and Syd Shelton check out the film White Riot  •Image courtesy: John Sturrock   #counterculture #rockagainstracism #rogerhuddle #sydshelton #thenationalfront #racism #thebeats #london #walthamstow #williammorris #socialism #revolution #rockrevolution #theclash #agitprop #trotsky

The pill, Profumo, pornography. Love, liberation and libido. Larkin, Lady Chatterley, Lolita,  *No era in recent history has been both more celebrated and more vilified than the 1960s.  *For some it was a time when music, fashion and drugs enabled young people to express their individuality and freedom and their hopes and dreams of a better world.  For others, it marked the advent of the permissive society, the undermining of authority, family values and common decency.  *And at the heart of this continuing controversy was ..sex.  *PETER DOGGET, journalist, cultural critic and writer, whose book 'Growing Up: Sex in the 60s' takes an unflinching look at the dark underbelly of the sexual revolution, came into the Bureau to explain that while the orgiastic hedonism, ever-changing partners and polymorphous perversity of countercultural myth was enjoyed by a tiny minority, the vast majority of the British population could only gawp from the sidelines, still living in a world  with a moral code that stretched back to the Victorian Age.   We talk about the battle between two opposing forces: the urge to free the body from guilt, and the desire to control, cannibalise and exploit that liberation for profit or pleasure - plus VD, groupies, The Beatles miniskirts, Germaine Greer and Jane Birkin (RIP).   *For more on Peter and his work   *Get our Counterculture newsletter   *The Bureau of Lost Culture Home   #sex #counterculture #sexualrevolution #sexualliberation #libido #permissivesociety #thepill #miniskirt #hippie #commune #blowup #janebirkin #sergegainsbourg #nabokov #freelove #sohoradio