Podcasts about Mita

It's week 2 of finding out if documentarian Michael Moore is hot or not. So, Mita picks "Roger & Me" from 1989 for the next movie review. Nadeem and Mita watch "Primetime". Nadeem bitches about Marvel, again. 

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

Mita wants everyone to know she and Nadeem are intellectuals, so she wants to know if acclaimed documentary filmmaker, Michael Moore is hot or not. First up, is 2009's "Capitalism: A Love Story" for the next movie review. In other news, Nadeem and Mita also watch the very high-brow "Resident Evil". 

We're back with another massive episode this week. We start by recapping the massive UFC 331 event which saw Josh Van retain his world title, then we chat with Danny Mac, the man behind International Brawling Championship! IBC05 goes down Wednesday 23rd, and we breakdown the biggest and best fights on the card. This is going to be fireworks guaranteed. Hit the download button and step into the cage. Use code FOOK10 for 10% off all orders at Engage.

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

Mita and Nadeem finally decide if acclaimed Spanish director Pedro Almodovar is hot or not by watching his 2003 Oscar winning film "Talk To Her" for their next movie review. The bastardization of the true crime doc is discussed. 

In this round, Nadeem wants to know if famed Spanish director, Pedro Almodóvar is hot or not. Starting this week with the 2013 comedy, "I'm So Excited!" for the next movie review. Mita and Nadeem try not to fight about Lindsay Clancy

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

Tahun 2022, Karin dan kedua sahabatnya, Mita dan Anggi, bekerja sebagai SPG di sebuah toko perlengkapan bayi. Akan tetapi semuanya berubah setelah Mita dan Anggi dinyatakan hamil secara bergantian, yang berakhir menjadi kisah paling memilukan sepanjang hidupnyaBuat Pasukan Lentera Malam, sekarang film horror di bioskop lagi banyak yg seru-seru buat di tonton! Biar gak kehabisan tiket, belinya di aplikasi GoPay. Karena cuma di aplikasi GoPay pasukan Lentera bisa dapetin GRATIS BIAYA ADMIN! Lumayan banget kan? yuk, download sekarang dan beli tiketnya disini gpy.id/tiketbioskop #SATUaplikasiSEMUAbioskopBagaimana kisah selengkapnya?Simak video berikut, jangan lupa berikan like dan komentarnya.Follow dan nyalakan lonceng notifikasi Spotify Lentera Malam.https://open.spotify.com/show/0H9OgzHgHVos0GNwz0wsHsCopyright 2026, Lentera Malam

This week, Mita and Nadeem watch one of Guy Ritchie'a best films, "Lock, Stock And Two Smoking Barrels" for the next movie review and decide if Guy is hot or not. There's also another visit to the theatre to watch "Coyote Vs. Acme". 

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

For this fortnight, Mita and Nadeem are trying to see if director Guy Richie is hot or not. Starting off, we have his notorious remake of the 1974 Italian comedy "Swept Away" for the next movie review. Nadeem has a lot of opinions this episode. 

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

Week two of deciding if ace choreographer, Farah Khan, is a hot director, so, Mita and Nadeem watch the SRK classic "Main Hoon Na" for the next movie review. Mita watched some movies. Nadeem did not. 

Cours Halakha Time du Jeudi 20 Août 2026 (durée : 2 minutes) donné par Rav Ye'hiel CHARBIT.

Indómita - Quinta Esencia (Remix Estfana) by MedellinStyle

Indómita - Salvia (Mary-X Remix) by MedellinStyle

Indómita - Artemisa (Original mix) by MedellinStyle

Indómita - Quinta Esencia (Original mix) by MedellinStyle

Indómita - Artemisa (Laurel Remix) by MedellinStyle

As expected, Nadeem brings it back to Bollywood and wants to know if renowned choreographer Farah Khan is hot or not as a director. For the worst, Mita and Nadeem watch the 2010 heist caper, "Tees Maar Khan" for the next movie review. Nadeem reluctantly watched "Spider-Man: Brand New Day". 

Memory, Secrecy, and Sisterhood in Juliet Faithful's Liar's DiceToday on Salt Lake Dirt, Kyler sits down with author Juliet Faithfull to discuss her novel Liar's Dice. Set against the backdrop of 1970s Brazil under a military dictatorship, the story follows identical twin sisters Dolores and Mita, who grow up in a rural village. After Mita develops disabilities around age seven, she is abruptly sent away to an institution—a common practice of the era that left families shrouded in silent grief and shame. Driven by a desperate determination to find her sister, 12-year-old Dolores embarks on a quest that requires her to confront her family's denial and overcome her own illiteracy so she can write to Mita. Faithful draws on her own childhood experiences to parallel the family's buried trauma with the broader political climate of censorship, state lies, and resistance in Brazil. During their discussion, Faithful reflected on her long journey toward finishing the book, which was developed over two decades while balancing her career as a therapist and raising two children. She shared how writing the dual timelines was both emotionally challenging and deeply essential, forcing her to confront themes of hidden identity, literacy, and truth-telling. Faithful also explained the origin of the title Liar's Dice, referencing a poker-like game of chance and deception that mirrors the secrecy surrounding the family, government censorship, and Dolores's own quiet rebellions. Readers looking to explore this moving novel can find copies through major booksellers or connect with the author for book club visits at julietfaithful.com. ---Episode Links:Purchase Liar's DiceJulietFaithfull.com

Week two of deciding if America's Sweetheart, Julia Roberts is hot or not. This week, Mita and Nadeem watch her Oscar winning performance in "Erin Brockovich" for the next movie review. Mita watches "Spider-Man: Brand New Day". Nadeem did not.

Mita wanted to know if America's sweetheart, Julia Roberts is hot or not. For her worst, Chat GPT suggested the 1996 gothic drama, "Mary Reilly" for the next movie review. Zendaya features heavier in this episode than she does in any move she appears in this year. 

El líder de Batalla por la Playa explica la lucha comunitaria en Punta de Mita, la revocación de la concesión, las dudas sobre obras costeras y la exigencia de restaurar el acceso público y el equilibrio ambiental.

Week two of finding out if Aaron Sorkin is hot or not. For his best, Mita and Nadeem watched "A Few Good Men" for their next movie review. Apparently, they can handle the truth. It's also time to talk the biggest movie of the year, Christopher Nolan's "The Odyssey". 

La UNAM lamentó el fallecimiento del Dr. Alonso Gómez-Robledo Verduzco  Huracán Fausto no representa un peligro para México: SMN  Cadena hotelera española Meliá baja la cortina en CubaMás información en nuestro podcast#grc

Next, Nadeem wanted to dive into the world of Aaron Sorkin and find out if he's really hot or not. This week, Mita and Nadeem are watching his worst film, the romantic-drama-comedy "The American President" for the next movie review. Mita and Nadeem also watch and review "The Invite". 

Cours Halakha Time du Mercredi 15 Juillet 2026 (durée : 7 minutes) donné par Rav Ye'hiel CHARBIT.

Cours Halakha Time du Mercredi 15 Juillet 2026 (durée : 7 minutes) donné par Rav Ye'hiel CHARBIT.

This week on The Evolving Adventure, I'm joined by Amber Walker — adventurer, surfer, author, holistic wellness practitioner, and my first international guest! Amber joins from Punta de Mita, Mexico, where she can literally see two surf breaks from her recording spot. We talk about growing up in Anchorage, Alaska, competitive swimming, qualifying for Boston, inventing her own “30-tirement,” selling her stuff, buying a one-way ticket to Australia, running around New Zealand, surviving a crazy incident in Indonesia, and eventually finding her way into a completely different rhythm of life in Mexico.This episode is full of the kind of stories that make you want to pack a bag, trust your gut, and maybe rethink the whole “I'll live later” plan. Amber shares how solo travel helped her grow, why learning even a few words of the local language matters, what it means to enter a culture with respect, and how surfing became a form of floating meditation after years of pushing, training, and living in a state of hypervigilance. We also get into dance, play, intuition, chronic illness, faith, Peru, Barbados, wild birthday challenges, trail running through a blizzard, and that beautiful middle place where adventure becomes healing.You'll want to focus later in the episode when Amber and I talk about a number of our bucket list places. You can find Amber at @originwellnessclinic and @breakfreefromchronicillness, and you can find me at @cactusmoose and @theevolvingadventure. Listen to the full episode wherever you get your podcasts — this one is for anyone craving more adventure, more trust, more play, and a little less grind.

Mita and Nadeem finally decide if Charlie Kaufmann and his kookiness is a hot writer or not. This week, they watch the much loved "Eternal Sunshine Of The Spotless Mind" for the next movie review. Nadeem congratulates Mita on Taylor Swifts banana's wedding. 

Over the next two weeks, Mita and Nadeem try to decide if writer Charlie Kauffman is hot or not. For his worst movie, Chat GPT suggested the 2001 comedy "Human Nature" for the next movie review. Nadeem watched movies, Mita watched "Love Island". 

Cours Halakha Time du Mercredi 1er Juillet 2026 (durée : 6 minutes) donné par Rav Ye'hiel CHARBIT.

Week two of trying to decide if Harvey Weinstein is hot or not (his work, not his looks...ew) and Mita and Nadeem are watching "Pulp Fiction" for the next movie review. There's also another post-movie car review after watching Bollywood's, "Main Vaapas Aaunga"

Nadeem wanted something a little controversial and wanted to know if Harvey Weinstein was more than a punch-line. For his worst movie, Mita and Nadeem review the musical "Nine" for their next movie review. "Disclosure Day" was watched. Everyone sings "Cinema Italiano". 

This week, Mita and Nadeem finally find out if Ron Howard is really one of the greats when they review the 2020 biography, "Hillbilly Elegy" for the next movie review. Everyone has thoughts about "Backrooms". 

Welcome back! Season 6 is about finding out if someone really is all that and a bag of chips. For the opener, Mita wants to know if Ron Howard is worth all the hype. So, for his best movie, Chat GPT suggested "Apollo 13" for the next movie review. Nadeem gets caught up no some 2026 movies. 

Welcome to the wildest episode of the Jungle SquadCast yet! Join Ape Loso and Mister Rad as they dive deep into the music scene, relationship dynamics, and unfiltered stories with special guests Mercedes Ortiz and Rita Mita. This is episode 142 and we are keeping it raw and real for the adult audience. In this session, we explore the hustle behind the music and the personal journeys that drive creativity. From Mercedes Ortiz using heartbreak as a catalyst for her rising R&B career to Rita Mita's brave fresh start in Connecticut, we cover the authentic stories behind the artists. We get into the nitty-gritty of modern dating, debating whether men or women are more vengeful and uncovering the truth behind the fear of commitment. The conversation takes a turn into the world of adulting, where we discuss everything from the best grocery shopping strategies to life-changing home hacks like towel warmers. Later in the episode, Daquan joins the booth to discuss the New Haven scene, arcade tournaments, and the hilarious story of how a professional studio session led to his long-term relationship with Rita. We also break down the latest pop culture news, including the Blueface boxing match, Papoose's shots at 50 Cent, and Jack Harlow's experimental new album. Make sure to stick around until the end for our drop a finger relationship challenge to see which guests are the most toxic! Don't forget to like, comment, and subscribe for more unfiltered content from the Jungle Squad. Chapters 0:00 Intro and Adult Audience Disclaimer 2:15 Welcome to Episode 142 5:00 Introducing Mercedes Ortiz and Rita Mita 8:30 Music Origins and Breakup Motivation 12:45 Creative Processes and Music Videos 16:20 Who is More Vengeful Men or Women 21:00 The Truth About Rebounds and Exes 25:30 CT Artist Collaborations and Networking 30:15 Rita's Journey from Rhode Island to CT 35:00 Escaping a Toxic Relationship 40:20 Situationships vs Commitment Fears 45:45 Traditional Gender Roles in 2024 51:15 Adulting Favorites and Grocery Shopping Hacks 56:30 The Importance of Towel Warmers 1:02:00 High School Throwbacks and Backflips 1:08:15 Career Ambition vs Relationship Priority 1:14:30 Balancing Business and Personal Life 1:20:00 Rita's Nail Tech Journey 1:25:40 Daquan Joins the Squad 1:31:00 Arcade Tournaments and New Haven Events 1:36:20 Dealing with Difficult People at Events 1:42:00 The Studio Love Story How Daquan and Rita Met 1:48:15 Blueface vs Chiwoo Boxing Breakdown 1:51:30 Jack Harlow's New Album and AI in Music 1:53:45 Drop a Finger Relationship Game 1:55:21 Outro and Final Thoughts Subscribe to the channel and hit the notification bell so you never miss an episode!

Season 5 is now in the books, and Mita and Nadeem picked the their favourites, and not so favourites from the last 50 episodes. Also on the docket is a sneak peak into a little thing we like to call Season 6. 

You've probably had one. Maybe you even have one right now. And if Glassdoor data is anything to go by, you're far from alone—mentions of "toxic boss" in workplace reviews have surged 6.7x since 2018.

Alexis and Tommy went to Mita's, but what happened?! We get answers on this episode of Second Date Update See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if the “panic habits” leaders default to are the very things burning out their best people? In this Partnering Leadership episode, Mita Mallick—author of The Devil Emails at Midnight—joins Mahan to unpack practical ways senior leaders can replace performative urgency with clear operating rules that people can trust. You will hear why bad bosses are made, not born, and how pressure from markets, role models, and personal crises can turn ordinary leaders into micromanagers.Mita gets specific about power dynamics. A 4:30 a.m. email from the CEO trains teams to jump, even when the intent is “no rush.” She explains how to set explicit after-hours rules and model them yourself. The goal is to stop the 4 a.m. back-and-forth and restore predictable rhythms for high-stakes work.Calendars signal culture. Mita argues for a deliberate meeting cleanse, real breaks, and protected one-on-ones. You will hear why “we are not AI agents,” why canceling a meeting can be the kindest move you make this week, and how simple touch points create loyalty.Leaders also get a playbook for honest feedback. Mita shares how to create safety, why alumni calls six to twelve months after someone leaves yield the most actionable insight, and how a short journaling habit helps you see patterns in your own behavior before they damage trust.Finally, Mita challenges a core assumption: most work is not life or death. Treating it that way creates burnout. She closes with a frank read on the broken employee–employer contract and a likely shift toward more consultant-style work, which makes clarity, expectations, and operating rules even more important for CEOs and boards.Actionable TakeawaysYou will learn how to set a clear after-hours rule that stops the 4 a.m. reply spiral, including what “urgent” actually means in your context.Hear how to replace micromanagement with outcomes and guardrails when life outside work feels out of control.You will learn why your calendar is your culture, and how a simple meeting cleanse reveals time for deep work and real one-on-ones.Hear how to protect one-on-ones without turning them into therapy. Mita shares a practical cadence and a simple check-in script that builds connection.You will learn a low-cost feedback system: invite coaching, thank in the moment, follow up with changes, and never hunt “who said what.”Hear how to get clearer truth with alumni calls six to twelve months after exit interviews, when the emotion is gone and facts are usable.You will learn to write simple hybrid rules that reduce proximity bias and make global teams feel fair and seen.Hear how to reset leader expectations about urgency and burnout, starting with this line: “Most of our work is not life or death.”You will learn why culture becomes the worst behavior you tolerate and how to intervene when disengagement starts to spiral.Hear how to prepare for a future with looser roles and project-based deployment, and why clarity and operating rules will be your retention edge. Connect with Mita MallickMita Mallick LinkedIn The Devil Emails at Midnight: What Good Leaders Can Learn from Bad Bosses  Connect with Mahan Tavakoli:Mahan Tavakoli Website Mahan Tavakoli on LinkedIn Partnering Leadership Website