Podcast appearances and mentions of Roberto Sierra

Jaume Segalés habla de El legado universal de Ligeti y entrevista a la violinista de la formación 4Sonora, Émilie Langlais.El legado universal de Ligeti Así se llama el concierto que va a tener lugar este miércoles 30 de abril en los Teatros del Canal (c/ Cea Bermúdez, 1). En la Sala Verde a las 19:30, a cargo del cuarteto de cuerda 4Sonora, conjunto enfocado a la recuperación, experimentación y promoción de la música de los siglos XX y XXI escrita para este tipo de formación, con especial atención a la creación iberoamericana. Con este recital, se suman a la conmemoración del nacimiento, hace poco más de 100 años, de György Ligeti, compositor de nacionalidad húngara, rumana y austríaca no sólo reconocido en los círculos musicales clásicos, sino también por el gran público gracias a que Stanley Kubrick lo incluyó en la bandas sonoras de 2001, El resplandor y Eyes Wide Shut. 4Sonora, integrado por los violinistas Raúl Suárez y Émilie Langlais y con Alfonso Noriega en la viola y Sara Chordà en el violonchelo, ensalza el legado de este gran compositor, que es una de las figuras más influyentes en la música de nuestro tiempo. Y lo hace a través de las piezas de los cuatro colaboradores y compositores más cercanos que Ligeti tuvo en vida: el húngaro-rumano Péter Eötvös, la finlandesa Kaija Saariahoy. dos de sus alumnos más insignes, el puertorriqueño Roberto Sierra y la surcoreana Unsuk Chin. Entrevistamos a la violinista de la formación 4Sonora, Émilie Langlais.Comparecencia de Pedro Sánchez Jaume Segalés y Juan Pablo Polvorinos siguen y comentan en directo la rueda de prensa del Presidente del Gobierno de España sobre el apagón.

El compositor Roberto Sierra nos habla acerca de su nuevo álbum con obras para piano y de cámara interpretadas por el ensemble Continuum.

SynopsisIn the early 1990s, flutist Susan Morris de Jong and guitarist Jeffrey Van commissioned Puerto Rican composer Roberto Sierra to write three sets of chamber works that have become classics for their combination of instruments. Sierra titled these Crónicas del Descubrimiento, or Chronicles of Discovery, and said they were his vision of the bewilderment the native Indians of Puerto Rico must have felt during first interactions with the Spanish conquistadores, and vice-versa.Each of the three sets contains two contrasting pieces in which flute and guitar seem to observe, excite and provoke each other, with the first slow atmospheric piece followed by a more rhythmic second one. On today's date in 1994 in Minneapolis, De Jong and Van presented the third and final set of Sierra's Chronicles of Discovery, containing two pieces: the first titled Song, and the second, more ominously, Battle.Sierra left his native Puerto Rico to study composition with György Ligeti in Hamburg in the late 1970s, served as the composer-in-residence of the Milwaukee Symphony in the 1980s and was elected to the American Academy of Arts and Letters in 2021.Music Played in Today's ProgramRoberto Sierra (b. 1953) – Battalia, from Tercera Crónica del Descubrimiento (Marcelo Barbozab, flute; Fabio Zanona, guitar) Somm CD-0669

SynopsisThe Milwaukee Symphony was one of the first American orchestras to offer recordings of their live performances as digital downloads – and along with Beethoven, Brahms and Bruckner, occasionally offered more contemporary fare, as well.For example, on today's date in 2005, Andreas Delfs led the Milwaukee Symphony in the world premiere performance of an orchestral work they had commissioned from Puerto Rican composer Roberto Sierra, and they offered it as a download.  Sierra's Sinfonia No. 3, subtitled La Salsa, turned to the dance music of Cuba, the Dominican Republic and Sierra's native Puerto Rico for its basic materials, referencing riffs and rhythmic patterns familiar to salsa dancers for the work's outer movements, with a slow second movement in habañera form.“Puerto Rican music,” says Sierra, “especially salsa and folkloric music, has been in my compositional DNA. The vitality of the rhythms and the unique way in which melodic structure merge with the rhythms has inspired me to the present day. I always remember with nostalgia my childhood experiences in the Puerto Rican countryside, and these feelings of longing are also present in my work.”Music Played in Today's ProgramRoberto Sierra (b. 1953) – Sinfonia No. 3 (La Salsa) (Milwaukee Symphony Orchestra; Andreas Delfs, cond.) MSO Classics MSO11 (digital download)

durée : 00:16:46 - Le Disque classique du jour du lundi 05 juin 2023 - Lorsqu'elle a été présentée au public de Liverpool par Domingo Hindoyan, la musique de Sierra a été accueillie par des ovations debout. Aujourd'hui, le label Onyx nous permet de la découvrir au disque.

durée : 01:30:07 - En pistes ! du lundi 05 juin 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous entamons la semaine avec la musique du compositeur Roberto Sierra présentée par Domingo Hindoyan et l'Orchestre royal de Liverpool. Egalement au programme : Handel par Les Arts Florissants, Rchamaninov par le pianiste Simon Bürki ou encore Glinka interprété par Viacheslav Shelepov.

A collection of highlights of my conversations from the past year, with short musical excerpts, starting with the Zach Brock episode from January and including Natalie Haas, Sara Caswell, Billy Contreras, Roberto Sierra, Diana Ladio, Danny Seidenberg, Sirius String Quartet, Tomoko Akaboshi, Mark Summer, Mia Asano, Eugene Friesen and Daniel Bernard Roumain. 

Roberto Sierra nos habla acerca de su nueva grabación IBS Classical con obras para piano interpretadas por Matthew Bengtson.

Synopsis London might seem an unlikely venue for the premiere of this quintessentially Spanish music—but it was a decidedly international affair when Manuel de Falla's ballet “The Three-Cornered Hat” received its premiere performance at the Alhambra Theatre in London on today's date in 1919. The ballet was choreographed by the Russian dancer Leonide Massine, who performed in the premiere with the Ballet Russe company headed by Serge Diaghilev, who had commissioned de Falla to write the work in the first place. The conductor for the premiere, Ernest Ansermet, was Swiss, but the scenery, costumes and curtain, at least, were designed by de Falla's countryman, the famous Spanish artist Pablo Piccasso. Andalucian by birth, but living in Paris, de Falla must have found it frustrating that during this time his music was sometimes snubbed in Spain as sounding too cosmopolitan, and then pigeon-holed abroad as sounding too Spanish! The career of Latino-American composer Roberto Sierra has also turned out to be similarly cosmopolitan. Born in Puerto Rico in 1953, Sierra studied in Europe—with the Hungarian composer György Ligeti among others—before returning to the United States where he now lives and works. His music has been performed by leading American ensembles and orchestras—including the Philadelphia Orchestra, where Sierra served as composer-in-residence. This chamber work by Sierra, titled “Eros,” was written for flutist Carol Wincenc. Music Played in Today's Program Manuel de Falla (1876-1946) – The Three-Cornered Hat (Ballet Suisse Romande Orchestra; Ernest Ansermet, cond.) London 414 039 Roberto Sierra (b. 1953) – Eros (Jeani Foster, flute; Stefanie Jacob, piano) Fleur de son Classics 57950

Tracy Silverman is truly an inspiring musician in every respect and it was such an honour to meet him and be able to record this memorable episode! This interview is also available as a video, and the transcript will soon be published, everything linked here:  https://www.leahroseman.com/episodes/tracy-silverman-electric-violinist-and-author-of-the-strum-bowing-method  We talked about his classical roots, studying with legendary teachers Lewis Kaplan and Ivan Galamian, his rejection of the classical world and his fascinating career, through his years in rock bands,  we even talked about some of his early gigs, including learning the ropes as a strolling violinist, getting the job as first violinist of the innovative Turtle Island string quartet, and the development of his Strum Bowing method.  We talked about many musicians, including some of his collaborators and mentors including Terry Riley, Darol Anger, Roy “Futureman” Wooten, Mark Wood, and composers Roberto Sierra and John Adams.  In this conversation one of the many topics we covered was the new concerto writtten for Tracy  called “Ficciones” by Roberto Sierra.   Finally, we dived into his creative process, how music affects our emotions, and how to stay open by listening to others, and learning to show up as ourselves.  Tracy Silverman website: https://www.tracysilverman.com/ Please help me keep this podcast going! https://ko-fi.com/leahroseman (00:00:00) Intro (00:02:29) Concerto "Ficciones" by Roberto Sierra, premiered with the American Symphony Orchestra (00:06:13) Tracy's 6-string electric violin built by Joe Glazer with demonstrations, and more about "Ficciones" (00:13:14) Tracy's support system for the instrument and hisi progression from classical violinist through his rock days (00:21:37) Lewis Kaplan (00:24:25) Ivan Galamian (00:27:40) Tracy's approach to Bach (00:31:04) Tracy's childhood, starting to study composition (00:33:14) intersection of improvisation and composition (00:35:17) more about "Ficciones"  (00:37:20) "Between the Kiss and the Chaos" (00:39:51) Turtle Island String Quartet and career advice (00:43:35) Strolling violin gigs, wedding singer (00:46:41) John Adams, "Dharma at Big Sur", solo recital versions of concerti (00:49:00) Looping with demo (00:56:27) Album "Beats and Jams" with son "Toby Beats" (01:01:11) mentor and collaborator Terry Riley (01:03:23) process of improvisation (01:09:56) using Strum bowign principles in different styles (01:16:47) Egberto Gismonti, Darol Anger (01:19:24) Caito Marcondes (01:21:00) teaching, strum bowing in school music programs (01:23:43) Turtle Island String Quartet, Darol Anger and the origin of strum bowing (01:27:08) how music affects our emotions (01:31:10) Roy "Futureman" Wooten, positive mindset (01:36:30) challenges with the 2020 lockdowns (01:43:25) manager Brian Horner and putting together commission for "Ficciones" with different orchestras (01:45:21) Rudolph Hawkin, Mark Wood, Matt Bell, Chuck Bond Trager, Tracy's mission with string playing (01:50:23) How Tracy practices (02:03:28) Advice on being open and listening to other musicians --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Composer Roberto Sierra speaks about the new electric violin concerto he is in the middle of composing for me. It's called "Ficciones" and is inspired by short stories by the Argentine author Jorge Luis Borges. We also talk about writing and playing in the musical vernacular, the popular musical styles of our time. And then I quiz the composer of "Fandangos" about...WWE wrestler Fandango.

¡Ave, OG Gara! Todo un descubrimiento de artistazo y persona, que además nos ha acompañado en una de las mayores fumadas que se han vivido en este programa. Cada vez que viene el tito Rober, esto se lía. Show en colaboración con PAX, el verdadero vaporizador de doble uso, para hierba seca y concentrados. Todos los modelos disponible aquí: https://www.pax.com/ PAX 3 Vaporizador Portátil Premium: https://www.amazon.es/PAX-Vaporizador-Port%C3%A1til-Concentrado-Garant%C3%ADa/dp/B08HQZT7GW/

Puerto Rican, Roberto Sierra is one of the most important living composers of contemporary classical music. Sierra's work draws from the 20th century avant-garde music and the 19th century romantic traditions alike and synthesized his European and Latino influences. The post Roberto Sierra: Composer appeared first on WFMT.

Ahora sí: último programa de la temporada. Un bonito revival con invitados que se vieron unidos por el poder de la ganja. Cócteles, petas y un entorno incomparable en el club de “La Natura al natural”, en Marbella. La única pega: se nos estropeó el archivo con casi toda la grabación, aunque el tío Kiko le pudo hacer un remiendo. Nos vemos la temporada que viene. ¡Feliz verano y buenos humos! ¡Programa patrocinado por Flower Farm! Recordad que tenéis un 15% de descuento en su web utilizando el código COFONDECAUCH. http://flowerfarm.es

durée : 00:30:09 - Musique de Cuba et d'Espagne par Manuel Barrueco - par : Sébastien Llinares - Pour son dernier CD, le grand guitariste cubain Manuel Barrueco fait un pont entre les musiques espagnoles et cubaines avec des pièces de Luis de Narváez et Sebastián Iradier, Ignacio Cervantes et une création de Roberto Sierra ! - réalisé par : Patrick Lérisset

Avec : La troupe de l'Impro Cirque : Philippe Trepannier, Francis Gadbois, Valérie Doucet, Dom Bouchard, Arianne Cabana, Joseph Pinzo et Roberto Sierra Animé et édité par Armand du Verdier. Un épisode inter-disciplinaire où l'on revient sur un concept unique, tant dans le milieu de l'impro que du cirque. Un concept spectaculaire élaboré en 2009 et qui bouscule les codes du cirque traditionnel en s'inspirant de ceux du match d'impro. Parmi les sujets abordés : la mise en place du concept et la réponse du milieu circassien ; la place de l'improvisation dans les disciplines du cirque ; une diversité effervescente au sein de la communauté. Références : - Le site de l'Impro Cirque : https://www.improcirque.com/ - Le Cirque Éloize : https://www.cirque-eloize.com/fr/ - La TOHU : https://tohu.ca/fr Impro-Blabla, des échanges et discussions autour de l'impro, de la vie, et tout ce qu'il y a entre les deux. Retrouvez l'ensemble des épisodes d'Impro Blabla sur rocambolesque.ca/improblabla Cours d'improvisation à distance pour partager le plaisir de jouer avec des improvisateurices du Québec et d'ailleurs : rocambolesque.ca/incubateur-en-ligne Spectacles publics, ateliers en ligne, cours d'impro, séances de jeu privées, etc. Retrouvez toutes les activités et offres en improvisation de la Rocambolesque sur ROCAMBOLESQUE.CA Générique : Musique proposée par La Musique Libre Amarià - Lovely Swindler : https://youtu.be/AchlJ29XQYU Amarià : https://soundcloud.com/amariamusique/

Jesús es un cómico y guionista que ha dedicado media vida a escribir para el Hormiguero, así que, tenerlo con nosotros es casi como tener a Will Smith. Y, haciendo de Rick, nos acompaña también Roberto Sierra, con sus magias de Natura. Pasen y vean a tres señoros hablando sobre alopecia. Show en colaboración con PAX, el verdadero vaporizador de doble uso, para hierba seca y concentrados. Todos los modelos disponible aquí: https://amzn.to/37ePtK4

Cette semaine et pour commencer la 2ème saison du podcast , je recevais Michelle Desrochers pour parler d'humour et de tout son parcours ! On a donc parlé de beaucoup de choses comme : de rester créative en période de confinement et les shows sur zoom en période de confinement ! des podcasts au Québec et en Europe, le podcast "sous écoute" avec Mike Ward, ses parodies avec le podcats de l'émission "le prochain standup" animé Mary-lyne Joncas et les 3 membres du jury , P-a Méthot, Mariana Mazza, Louis Morissette de sa participation à l'émission « Roast battle » animé avec talents par Alexandre Barette de son enfance, ses études en littérature d'improvisation (ses débuts, les tournois d'impro en Europe, ce que cela lui a apporté, ...) de comment l'humour est devenu un outil pour faciliter les rapports sociaux de son expérience "L'école nationale de l'humour " et de ce que cela lui a apporté. de sa première scène au bordel comedy club des premières parties de François Bellefeuille, Patrick Groulx, Christine Morency Ses chroniques à "la soirée est encore jeune" d'humour en général et des aspects qu'elle aime et qu'elle déteste du métier de L'émission coup de cochon animé par patrick groulx avec Matthieu Pepper et Guillaume Pineault Son personnage de scène, les thèmes qu'elle souhaiterait aborder. ... On a enfin conclu par le traditionnel "Name dropping " en citant beaucoup d'humoristes et d'improvisateurs pleins de talents comme : Adib Alkhalidey, Sam Breton, Dieudonné, Simon Leblanc, Rosalie Vaillancourt, Jean Michel Martel, Coco Béliveau, Charles Beauschene, Catherine Ethier, Mike Ward, Jean Thomas Jobin , Richardson Zéphir, Roberto Sierra, Vincent Dargis, Jean-Alexandre Giguère, Courtemanche , Laurent Paquin , Lise Dion, Louis José Houde, Seinfeld, Louis CK, François Bellefeuille, , Pierre-Olivier Forget, Martin Perizzolo, Maude Landry , Jean thomas Jobin ,...

Al es coctelero especializado en llenar sus copas de magia; Dani es cómico y doctor en filosofía y, Roberto, un druida. Mezclar, agitar y servir. Bienvenidos a Cofondecoctel.

Al es coctelero especializado en llenar sus copas de magia; Dani es cómico y doctor en filosofía y, Roberto, un druida. Mezclar, agitar y servir. Bienvenidos a Cofondecoctel.

Épisode en collaboration avec LE DEBRIEF, enregistré en direct le 5 août 2020 sur la chaîne Twitch de Jo_Impro. Avec : Armand du Verdier & Jonathan Labbé. Animé par : Marie Elisabelar et Abdelmalek Dahmani. Édité par Armand du Verdier. Parmi les sujets abordés : la naissance des projets alternatifs pendant le confinement,  les risques et opportunités de faire de l'impro en ligne, l'ouverture vers de nouveaux types de spectacles, l'obligation de se réinventer (sic). Références : - La chaîne Direct Impro, qui propose différents types de spectacles en ligne. - Les cours d'impro en ligne de Roberto Sierra. - Rudesse - Regroupement contre la violence sexuelle en improvisation Impro-Blabla, des échanges et discussions autour de l'impro, de la vie, et tout ce qu'il y a entre les deux. Retrouvez l'ensemble des épisodes d'Impro Blabla sur www.rocambolesque.ca/improblabla Spectacles publics, cours d'impro, séances de jeu privées, etc. Retrouvez toutes les activités et offres en improvisation de la Rocambolesque sur ROCAMBOLESQUE.CA Générique : Musique proposée par La Musique Libre Amarià - Lovely Swindler : https://youtu.be/AchlJ29XQYU Amarià : https://soundcloud.com/amariamusique/

La música de Roberto Sierra está inspirada en su Puerto Rico natal, y refleja la rica paleta de ritmos y sonoridades del continente latinoamericano.

Seguimos dándole al kenke y creando este crisol de conocimientos y desvaríos que entretiene a la par que informa. Roberto Sierra, de la Natura Cura, nos habla de su próxima experiencia en Humbolt. Y con “Big Kahuna” Facu Diaz salsearemos sobre la actualidad y el maldito bicho. ¡Enjoy the joint!

Seguimos dándole al kenke y creando este crisol de conocimientos y desvaríos que entretiene a la par que informa. Roberto Sierra, de la Natura Cura, nos habla de su próxima experiencia en Humbolt. Y con “Big Kahuna” Facu Diaz salsearemos sobre la actualidad y el maldito bicho. ¡Enjoy the joint!

Avec : Louise Hébert, Lore Brit, Nicolas Tardif, et Roberto Sierra Animé et édité par Armand du Verdier. Parmi les sujets abordés : des raisons différentes de prendre des ateliers, l'apport du formateur, l'évolution du style de coaching, talent vs travail. Impro-Blabla, des échanges et discussions autour de l'impro, de la vie, et tout ce qu'il y a entre les deux. Générique : Musique proposée par La Musique Libre Amarià - Lovely Swindler : https://youtu.be/AchlJ29XQYU Amarià : https://soundcloud.com/amariamusique/

Dos artistas del trap y un fitoterapeuta (míralo en Google) nos visitan para profundizar sobre música y cannabis, y encima se marcan un temita en directo (Los del trap, el otro solo mira) Todo ello mientras Dr.Feis nos encandila con su magia. Préndelo, coge hueco en el sofá, y dile adiós a la realidad.

Dos artistas del trap y un fitoterapeuta (míralo en Google) nos visitan para profundizar sobre música y cannabis, y encima se marcan un temita en directo (Los del trap, el otro solo mira) Todo ello mientras Dr.Feis nos encandila con su magia. Préndelo, coge hueco en el sofá, y dile adiós a la realidad.

En este episodio tenemos al primer invitado de la segunda temporada, Roberto Sierra (https://www.instagram.com/robbielikemargot), y nos emociona cabrón que sea para un tema que esperemos ayude en algo a la conejiza: salir del clóset. Anjo nos confiesa sus acercamientos al mundo homosexual y cómo se dio cuenta de que no era gay; yo les discuto por qué creo que no es tan fácil darse cuenta si eres o no y Roberto nos platica a detalle cómo salió del clóset y cómo fue esa experiencia. Evidentemente, no abarcamos todos los factores y consecuencias de lo que significa salir de clóset, pero sí llegamos a la conclusión que es prioridad hacer todo lo posible para vivir tu sexualidad libre y sanamente. Denle play y compartan con nosotros cómo ha sido su experiencia. Enjoy it.   —Olivia   Agradecemos mucho el apoyo de Luis Gonzalez y Maison Artemisia (www.maisonartemisia.com) que nos prestaron sus increíbles instalaciones para grabar este episodio. Si viven en la CDMX o están de visita dense una vuelta y prueben sus cocteles. Están épicos. Síganlos en sus redes sociales:   T: https://twitter.com/maisonartemisia I: https://www.instagram.com/maisonartemisia F: https://www.facebook.com/maisonartemisiamx   También queremos agradecer al gran Christian Giraud (https://www.instagram.com/chegiraud/) por grabarnos y aguantarnos. Te queremos, Chris.   Y, por supuesto, a Prudence por su patrocinio y apoyo. Síganlos en:  https://www.prudence.com.mx/ T: https://twitter.com/PrudenceMexico I: https://www.instagram.com/condonesprudence/ F: https://www.facebook.com/CondonesPrudence/   Información: sehablasucio@gmail.com   Síganos en: Instagram: https://www.instagram.com/hablamesuciomx/   Twitter: https://twitter.com/hablamesuciomx   Facebook: https://www.facebook.com/hablamesuciomx/     Conducción: Anjo Nava T: https://twitter.com/AnjoNava I: https://www.instagram.com/anjonava/   Olivia Aguilar T: https://twitter.com/oliviaguilar I: https://www.instagram.com/oliviaguilar/   Edición: Catalina Ballesteros T: https://twitter.com/catibd I: https://www.instagram.com/catalinabdd/     Música: Rafael "El Pana" Pérez

Just the fourth person to hold the position as conductor of the Eastman Wind Ensemble, Mark Scatterday joins the show to discuss that ensemble and his career, and to share advice about conducting and teaching. Topics: Mark's early years growing up as a musician and his path to becoming a music educator and conductor.  The importance of being prepared and how, as a high school band director in Ohio, a chance meeting with Donald Hunsberger changed his life and his career. A lengthy discussion of the program at Eastman including the challenge of programming up to 85 pieces of music every year. Practical tips for score study. Links: Mark Scatterday Eastman School of Music Husa: Music for Prague 1968 Biography: Mark Davis Scatterday is professor of conducting and chair of the Conducting and Ensembles Department at the University of Rochester’s Eastman School of Music. As only the fourth conductor of the Eastman Wind Ensemble, Scatterday joined a prestigious line of conductors – Donald Hunsberger, Clyde Roller, and Frederick Fennell – in the past 65 years of the famed ensemble. Since his appointment, he has led the EWE on tour to Japan, Taiwan, and China and conducted the EWE in highly acclaimed performances at Carnegie Hall, Canadian National Musicfest, and the Midwest Clinic. He has recorded five new CDs with the EWE, Eastman Virtuosi, and  Eastman Music Nova and led the Eastman Harmonie on a highly acclaimed tour of Germany, Austria, and the Czech Republic. Having received a doctor of musical arts in conducting at the Eastman School of Music, Scatterday has directed wind ensembles and orchestras throughout North America, Europe and Asia. Previous to his appointment at Eastman, he was professor and chair of the Department of Music at Cornell University. Scatterday maintains an active guest conducting schedule as well as researching and writing articles involving score analysis, performance practices, and conducting.  Scatterday has conducted the premiere recording of Roberto Sierra’s Cancionero Sefardi with members of the Milwaukee Symphony (2001), Judith Weir’s Consolations of Scholarship with Ensemble X (2005), Danzante with James Thompson and the EWE (2006), Barcelonazo with Musica Nova (nominated for a 2008 Latin Grammy), and Manhattan Music with the EWE and the Canadian Brass (2008, nominated for a 2009 JUNO). In 2012, he recorded with the EWE and the Eastman Virtuosi featuring Stravinsky’s music and celebrating the EWE’s 60th year (2013, AVIE, London) and most recently released a new live recording of Roberto Sierra’s music with the EWE (Summit, 2017).  

Primer episodio oficial del Podcast Manta y Gloria. Orquestado por Adrián Carmena (Elektra Cómic), Daniel Santamaría, Yasmín Gutiérrez, Amanda Gil y Roberto Sierra. Contenido: 2:06 Devilman Crybaby 20:40 It Came From The Desert 34:15 El amor (bien tratado) en series 57:10 Gorrión Rojo 1:11:26 Black Panther: Película vs Cómics Más Black Panther en Elektra Cómic: https://elektracomic.com/

Texas composer Daniel Montoya Jr. joins me on the eve of TMEA 2018 to discuss his career as a composer and share his opinions on a variety of topics, including writing for marching bands and why sometimes it is better to not talk too much! Topics: Daniel’s background, growing up in the Texas band tradition, and the story of his humorous biography. The inspiration behind Daniel’s early efforts as a composer and how relationships he built over time led to early success as a published composer of percussion music and eventually to his current career as a composer of music for marching band and concert band. The process of commissioning a piece of music and Daniel’s advice for how to deal with your percussion section. In what is the greatest soliloquy in the history of this podcast, Daniel dishes on competition and band and keeping everything in its proper perspective. Links: Daniel Montoya Jr. The Portfolio Composer, Episode 25: Aprille Janes Mahler: Symphony No. 2 “Resurrection” Maslanka: Symphony No. 4 Biography: Daniel Montoya, Jr. is a native of Austin, a 90’s music aficionado (followed closely by the jams of the 80’s), and denies his “hipster-ness” whenever possible. He also, occasionally, writes music (since being musically moved by his first viewing of the James Cameron film Titanic and wanting to write the music to the sequel, Titanic 2: Jack of Spades: Jack Dawson’s Revenge: This Time It’s Personal). His oeuvre spans several genres, including original pieces and arrangements for wind band, percussion ensemble, and the marching arts. His works, which resound with bristling energy and color, have won numerous awards from national organizations. His education includes a master’s degree in wind conducting from Texas State University where he studied with Dr. Caroline Beatty, a master’s degree in music composition from Central Michigan University where he studied with David R. Gillingham, and a baccalaureate degree in music composition from Texas State University (he fully expects to be called Grand Master Montoya, or “Montstro“). He has also studied and participated in masterclasses with such composers as Kevin Beavers, William Bolcom, Michael Ippolito, Cindy McTee, Kevin Puts, Russell Riepe, and Roberto Sierra. While not tending to Mont Shoemore, his outlandish and somewhat offensive collection of sneakers, Montoya has been known to make public appearances at performances of his music, which have included concerts at Avery Fisher Hall, the Midwest International Band and Orchestra Clinic, the Percussive Arts Society International Conference, the Texas Music Educators Association Conference, the North American Saxophone Alliance Biennial Conference, and the Texas Bandmasters Association Conference, among others. When in attendance at these events, he can usually be identified by denim, sneakers, and his satchel (man purse or, “murse” for the layman). Although the closest he’s been to being a man in uniform was as a member of “The Pride of the Hill Country” and possibly some ill-advised Halloween costumes, he served as the arranger for the U.S. Army All-American Marching Band in 2012 & 2013. His involvement with marching bands engages him throughout the nation. Among the organizations that have used his compositions and arrangements on the field are champions and finalists at various state- and national-level competitions, and major Division I intercollegiate bands. Montoya is the Program Coordinator & Brass Composer/Arranger for The Guardians Drum & Bugle Corps from Houston, TX and has arranged for The Colts Drum & Bugle Corps from Dubuque, IA and Revolution Drum & Bugle Corps from San Antonio, TX. His innovative approach to field arrangement involves imbuing new vitality and dramatic elements into his charts without sacrificing the integrity of the source material, creating a new and vibrant musical object rather than a mere transcription of the original. When not submerged in his mild-mannered Clark-Kent-esque composition day job, Montoya enjoys engaging in the indigenous Austinite culture and trying to slowly conquer the universe of social media. He is frequently mistaken for Andy Garcia on Congress Avenue. His sidekicks on this mission are his better half, known to the Twittersphere simply as “The Girl,” their daughter, known to the world as “The Heir,” and a slightly overweight puggle named Mahler who runs the household and sleeps in the big bed. He has coined the term “portmonto” as a portmanteau of his name with the word “portmanteau” to refer to his love of making up senselessly long words (partially inspired by his love of mash-ups) and he was a fan of using hashtags on Facebook way before it was cool. Montoya’s music is published by C-Alan Publications, Row-Loff Productions, Tapspace Publications, and his publishing company, Underwater Theme Productions/Montoya Music. Montoya is an Artist/Educator for Innovative Percussion, Inc. and is a member of ASCAP and Phi Mu Alpha Sinfonia.

Bon jeudi à tous! C’est tellement l’heure de ta balado du jeudi! Aujourd’hui, on plonge plus profond pour en connaître un peu plus sur notre invité Mathieu. Au programme: On commence en parlant du merveilleux “Blades of Glory”, Mathieu est bien content d’avoir sa soeur pour le “backer”, les humoristes avec leur cicatrices, Mathieu a été une superstar de l’impro en Europe, Mathieu nous fait état de l’impro au Québec, la réputation de Roberto Sierra, Mathieu et son histoire de suppositoire avec Maxime “Pic-Bois” Gervais, Nick et son oncle animateur, Marie vit très bien son rôle d’artiste dans les partys de noël, l’oncle de Marie est le plus cool de la terre, le père de Mathieu est un vrai “real fan” d’humour, Chuck avoue ne plus trop quoi faire avec son projet Flixation, Mathieu a dû canceller sa soirée d'impro, Mathieu et l’effervescence de la culture parmi le cégep de Valleyfield, Vanessa penser laisser le théâtre de côté, Marie veut changer son site (mais pas son nom), on parle du très louche “nous sommes le web”, Chuck déverse tout son amour pour Joël Martel et plus! Un autre p’tit show qui se prend bien en attendant le week-end. À demain!   Notre grand invité farfelu: http://www.facebook.com/LeGrosNiquette Marie “the one and only” JetsSet: http://www.facebook.com/mariejetset?fref=ts La fantastique sorteuse nationale: http://www.facebook.com/vanessa.chandonnet?fref=ts Votre sidekick en chef: http://www.facebook.com/nicprovo?fref=ts Le gars qui anime le show: http://www.facebook.com/charles.tleduc   Facebook - iTunes - Youtube - Google Play - Stitcher     Twittinons ensemble:   Marie-Soleil: http://twitter.com/MarieJetset Vanessa: http://twitter.com/lasorteuse Nick: http://twitter.com/NickProvost Chuck: http://twitter.com/Chucktl LPB: http://twitter.com/lepbonheur   Merci de nous suivre!

In this episode of Music For Life, Music From DePauw...Maya Beiserchoir director Kristina Boerger fills us in on what our choral ensembles are bringing us in their upcoming concert... Hannah talks to three of our students who had the opportunity to be coached by visiting composer Roberto Sierra... Anna chats with Elleka Okerstrom and Dan Hickey about what's happening with the Fifth House residency this week... piano faculty member Darcy McCoy comes in to invite us to her solo recital of Spanish and Latin American music... and cello professor Eric Edberg talks with me about our next Green Guest Artist, the phenomenal Maya Beiser! SOURCES From the chamber music concert of our Music of the 21st Century festival featuring guest composer Roberto Sierra, Darcy McCoy performs Sierra's piece Toccata. From our student recital hour of March 4th, 2015, saxophonist Spencer Schillerstrom and pianist Nicholas Reynolds perform two movements from John Williams' piece "Escapades," "Reflections" and "Closing In." From her CD "World to Come," Maya Beiser performs John Tavener's "Lament to Phaedra." From their performance of March 4th, 2015, the DePauw University Jazz Band, under the direction of Steve Snyder, performs Frank Mantooth's "Angelika."

In this episode of Music For Life, Music From DePauw...Soprano Ann Chase with composer Roberto Sierrawith our next Living Composers Festival right around the corner, Steven Linville and Elleka Okerstrom come in to tell us about Jason Robert Brown's upcoming visit, and Hannah talks with a pair of students who have prepared some of his music to perform for him in masterclass...Anna talks with Brooke Addison about another DePauw student-conceived outreach program in our community...our Jazz Ensemble and Band directors come in to tell us about concerts they’ve prepared for this week...and, just having finished this year’s Music of the 21st Century festival, we talk with guest composer Roberto Sierra about his work and his visit to DePauw!! SOURCES From our just-concluded Music of the 21st Century Festival featuring guest composer Roberto Sierra, the DePauw Chamber Singers, under the direction of Kristina Boerger, perform Sierra's "Cantos Populares." The DePauw University Band, under the direction of Craig Paré, performs the first movement of Sierra's Sinfonia no. 3, "La Salsa," entitled "Tumbao." Concluding our episode, the DePauw University Orchestra, under the direction of Orcenith Smith, perform Sierra's "Carnaval."

This week, on Music For Life, Music From DePauw...Putnam County Public Libraryprofessor Carla Edwards stops by to talk about our upcoming Music of the 21st Century festival featuring guest composer Roberto Sierra...our 21CM interns, Anna Gatdula and Dan Hickey, tell us about an exciting new performance opportunity at the Putnam County Library for DePauw music students...Hannah Gauthier chats with this week's Almost Home performers...and right in the middle of their whirlwind visit, we get a chance to talk to our Green Guest Artists, the world-renowned vocal ensemble The King's Singers! SOURCES From the CD "Ciphers," the North Texas Wind Symphony performs Roberto Sierra's "Alegria." From the Albany Records CD "Roberto Sierra: Souvenirs," pianist Ian Hobson plays Sierra's piece "Reflections on a Souvenir." From the MSR Classics CD "Music from Raritan River," featuring the Newman & Oltman Guitar Duo and Daedalus Quartet, Laura Oltman and Michael Newman perform Roberto Sierra's "Three Hungarian Tributes" in honor of Bartók, Liszt, and Ligeti.

Saxophonist James Carter is back with an ambitious new album, Caribbean Rhapsody (Emarcy, 2011), featuring the compositions of Roberto Sierra. In this interview, Carter talks about finding ways to connect with an audience; his collaboration with Sierra on the new compositions; and his view of an artist's responsibility to the listener and vice versa. Learn more at jamescarterlive.com.

In this podcast, Manuel Barrueco talks about Roberto Sierra and Placido Domingo with Jonathan Palevsky.