Podcast appearances and mentions of Shawn Everett

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dives into Miley Cyrus' upcoming ninth studio album, Something Beautiful, set for release on May 30, 2025, via Columbia Records. Featuring 13 original tracks and a groundbreaking visual film dubbed a "one-of-a-kind pop opera," the project blends hypnotic glamour with societal reflection. Executive-produced by Cyrus and Shawn Everett, with collaborations from Jacob Bixenman and Benoît Debie, the album follows her Grammy-winning Endless Summer Vacation. Analytic Dreamz explores the trailer, legal challenges, and more.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On the show this time, a talented producer meets the right singer and magic happens - the psychedelic soul of the Black Pumas.  It seems unbelievable that the Black Pumas are just now releasing their second studio album. Their first self-titled album came out in 2019, and became an instant classic. It just feels like that record has existed since the 1970's. The new offering is titled 'Chronicles of a Diamond.' It was co-produced by Adrian Quesada and Eric Burton and producer John Congleton, and was mixed by Shawn Everett. 'Chronicles of a Diamond' is available on ATO Records. Recorded August 12, 2024. Mrs. Postman Ice Cream More Than A Love Song Angel Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, a talented producer meets the right singer and magic happens - the psychedelic soul of the Black Pumas.  It seems unbelievable that the Black Pumas are just now releasing their second studio album. Their first self-titled album came out in 2019, and became an instant classic. It just feels like that record has existed since the 1970's. The new offering is titled 'Chronicles of a Diamond.' It was co-produced by Adrian Quesada and Eric Burton and producer John Congleton, and was mixed by Shawn Everett. 'Chronicles of a Diamond' is available on ATO Records. Recorded August 12, 2024. Mrs. Postman Ice Cream More Than A Love Song Angel Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

In this episode, Taylor Rice and Ryan Hahn of Local Natives unveil the behind-the-scenes journey of crafting their 2019 single, "When Am I Gonna Lose You." They reveal that the song underwent a staggering 57 different versions, each a labor of love to achieve perfection. From Taylor's raw personal inspiration to Ryan's lyrical contributions and producer Shawn Everett's innovative techniques, they showcase the magic that brought this hauntingly beautiful track to life. The emotional resonance of the composition mirrors the ride up California's coastline described in the song, offering an intimate glimpse into the artistry that defines this modern masterpiece. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes If you love Chris DeMakes A Podcast and you'd like to support the show AND get weekly bonus episodes, head to http://www.ChrisDeMakes.com to sign up for the Supporting Cast. Learn more about your ad choices. Visit megaphone.fm/adchoices

fWotD Episode 2389: To Be Loved (Adele song).Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Sunday, 19 November 2023 is To Be Loved (Adele song)."To Be Loved" is a song by English singer Adele from her fourth studio album, 30 (2021). Adele wrote it with Tobias Jesso Jr., who produced it with Shawn Everett. The song became available as the album's 11th track on 19 November 2021, when it was released by Columbia Records. A torch ballad, "To Be Loved" has piano instrumentation and sets Adele's echoey vocals over minimalistic production. The song is about the sacrifices one must make upon falling in love and addresses Adele's divorce from Simon Konecki, attempting to justify to her son why their marriage did not succeed."To Be Loved" received universal acclaim from music critics, who highlighted Adele's vocal performance as her all-time best. Several publications included it in their list of the best songs of 2021. It reached the top 40 in Australia, Canada, Sweden, and the United States and entered the charts in some other countries. Adele did not perform "To Be Loved" live but shared a clip of her performing it, accompanied by a piano, on social media.This recording reflects the Wikipedia text as of 00:43 UTC on Sunday, 19 November 2023.For the full current version of the article, see To Be Loved (Adele song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Ayanda Neural.

Stu Watts chats with Gormie (Alex O'Gorman), who is a Recording and Mix Engineer and Producer based at his Collingwood Studio, Purple Wayne. Prior to this Alex worked professionally at Risk Sound Studios in Port Melbourne, with a focus on Voice Over and Short Film Audio. Alex left Risk Sound in 2016 to focus on touring as a Bassist for Melbourne band Big Smoke, and to co-produce their debut LP ‘Time is Golden.' Alex was then fortudiously introduced to Shawn Everett, a multi Grammy award winning Producer (Alabama Shakes, The War on Drugs, The Killers) who had been hired to mix ‘Time is Golden.' Alex later travelled to Los Angeles on two occasions to sit in on recording and mixing sessions with Shawn. Alex now continues in his work with bands and songwriters, producing, recording and mixing at Purple Wayne. Notable Artists Alex has worked with include: Angie McMahon, Blake Scott, Julia Jacklin, James Ellis, A. Swayze and the Ghosts, David M. Western, The Closet Straights, Hannah Blackburn, Gab Strum, Loose Tooth, George Alice, Fenn Wilson, Alexander Biggs, Rachel Baiman, Batts, Tesse and The Florets Alex has worked on two ARIA nominated recordings (Angie McMahon - Salt, 2019 and Tracy McNeil - You Be the Lightning, 2020) and also been nominated for Music Victoria's Producer of the Year in 2021. Topics discussed include: How he went from voice-over engineering, to playing in Big Smoke and taking over Purple Wayne Studios Making artist comfort the #1 priority A discussion about microphone choice and placement ...and more Make sure to subscribe or follow this channel and share it on your socials! Instagram: ⁠⁠@whatsthatsoundpodcast⁠⁠ Stu Watts: ⁠⁠⁠@stu.watts.audio⁠⁠⁠  Gormie: ⁠⁠@gormie.wav⁠ ⁠Gormie website ⁠⁠⁠ ⁠Stu Watts website⁠⁠ ⁠⁠Listen to Stu's work on Spotify⁠⁠ ⁠⁠⁠Listen to Gormie's work on Spotify⁠⁠ ⁠⁠SUPPORT THE PODCAST WITH A DONATION⁠⁠ Email ⁠⁠podcast.whatsthatsound@gmail.com⁠⁠ for any enquiries.

What does The Scream sound like? Shawn talked about listening to paintings to guide your productions, acoustic guitars as synths, how to record Adele and not f#$% up, room mics on vocals, and how to match real EQs to plugins like a rocket scientist. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Shawn Everett a six-time Grammy-winning music engineer and producer originally from Canada and now in Los Angeles whose credits include Alabama Shakes, Kacey Musgraves, The War on Drugs, The Killers, Weezer, Local Natives, and Julian Casablancas to name a few.  Shawn has previously been a guest on episodes RSR137 and RSR270 when we talked with Shawn about his background and starting his studio in LA, and engineering and mixing Sound & Color by the Alabama Shakes.  Today we will talk more about recording and mixing and find out what's new at Shawn's studio. Thanks to Lysee and Vanpelt Management for helping to set up this interview. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6kEpGALJXd2Or442OW4zWb?si=7db92a7e1bd14f04 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/409

For this episode we are joined by Molly Rankin and Alec O'Hanley from Toronto's Alvvays and producer/mixer Shawn Everett to chat about crafting their latest release "Blue Rev" a project that spanned months of home recordings in Canada, sessions with Shawn in Los Angeles, file sharing snafus and more. Enjoy! Sponsored by McDSP https://mcdsp.com

Today, I'm having a GAS with Shawn Everett, a six-time Grammy Award-winning producer and mix engineer. I genuinely believe that Shawn is one of the architects of the sound of pop music between 2010 and 2020. Not that his career ends in 2020, just to say that the huge, deep, wide and saturated sound of that decade is certainly exemplified by his productions. -- After graduating high school, Everett was accepted as a Work-Study participant in the Audio program in Music & Sound at The Banff Centre, Alberta. He took the opportunity to immerse himself in unconventional audio practices over the following four years, experimenting in the campus studios and working on sonic installations. Everett relocated to Los Angeles in 2005 and expanded his industry network through producer Eric Valentine. He began engineering for producer Tony Berg, former A&R executive for Geffen Records and Virgin Music. Hailed in 2017 by Pitchfork as “indie rock's new go-to sound engineer”, Shawn Everett has infused his creative flair into records by a multitude of renowned artists including Weezer, John Legend, Phantom Planet, Blake Mills, Perfume Genius, Haim, Warpaint, Grizzly Bear, The Killers, and Beck. -- Having a GAS™ is the podcast that talks to the great and the good of the creative industries, and in particular finds out what makes great music for film, for TV, for advertising; for dancing to, for cooking to, f*cking to, and more... -- GAS™ Music is a music production agency in Manchester, UK. We compose and produce original music, create awe inspiring sound design and have a fully integrated audio post-production studio. We also have a great record collection, and welcome any additions, recommendations or criticisms. -- http://www.gasismusic.co.uk​​​ -- © GAS™ Music 2022

This week, I want to revisit one of my favorite episodes of Song Exploder, with Perfume Genius telling the story of making Slip Away. This episode originally came out in May 2017. The album the song's from, No Shape, went on to be nominated for a Grammy, and was named one of the year's best in lots of places. And next week, on March 16, Perfume Genius will be playing at the Song Exploder Stage at SXSW. I'm really excited to be putting on a showcase at the festival, and the other artists playing will be Kimbra, Sarah Kinsley, Fly Anakin, and Jenny Owen Youngs. For more information about the show: songexploder.net/sxsw - Mike Hadreas has been making music under the name Perfume Genius since 2008. In May 2017, he put out his fourth album, No Shape to widespread critical acclaim. In this episode, Mike breaks down the song Slip Away. I also spoke with producer Blake Mills, who also plays on the track, and recording engineer Shawn Everett about the unusual way the song was recorded. For more, visit songexploder.net/perfume-genius

No one has been as instrumental in crafting the sound of The War On Drugs' last two albums as Shawn Everett, the multi-Grammy-winner who has formed a remarkable studio partnership with band leader Adam Granduciel.  Perfectly suited to handle all manner of explorations, detours, and deadline elasticity, Shawn and the band talk about their collective dedication to the process of making records, and the many ways their process informs the decisions and revisions it took to craft the final versions of the songs on I Don't Live Here Anymore.  Host: Dominic EastGuests: Adam Granduciel, Dave Hartley, Robbie Bennett, Charlie Hall, Anthony LaMarca, Jon Natchez, Shawn Everett

Welcome to Crimble escape pod EP 91.  Happy to share this chat with Jonathan Rado ! You may know him from his band Foxygen or perhaps his productions with   The Killers,  The Lemon Twigs, Tim Heidecker, Whitney, Alex Cameron, Father John Misty or perhaps Weyes Blood? I had a blast meeting him in the covid lull a while back where we had a rare face to face chinwag. We talk about his work with the killers, his come up and his early sonic adventures. How Richard Swift was a hugely pivotal force, both as a musical inspiration and then as a teacher. We get into his working alongside the magical Shawn Everett on many projects and the secret of his success in terms of the mystical “Rado effect”! ___  In the nitty I get into the rare world of the double head. Yes, not one but 2 Neumann ku100s were used to produce this one. Working a little with the idea of creating a far far away mic fade. We shall answer the age old question, are 2 heads are better than 1? Check it  ____ I chat about my new big modular case. A thing of astounding beauty. Crafted by one of the best. A tremchap named Brock from Emc More on that and my secret next purchase soon ____ Music for the show comes from 2 super talented artists: splitradix https://splitradix.bandcamp.com And Gerald Fjord form his record Fracture https://geraldfjord.bandcamp.com You'll have to guess who's who's music is playing (it's pretty easy) ____ Thanks to Diana Walsh for interview editing :) find her on the gram here @dmwalshmusic _____ Thanks to Distrokid for the kind sponsorship :) Get your music steaming in minutes! Take advantage of the savings HOWA offers ya! Use this 30% off code http://distrokid.com/vip/lidell

The War On Drugs' Adam Granduciel remembers feeling the electricity through the floor and the house shaking, the very first time he played an electric guitar. It was at his friend Jeff's house, on a rig he admits he's been chasing ever since, and it ignited an obsession whose evolution he discusses in episode 68 of the LSQ podcast. We talk about Nirvana and Bob Dylan and songwriting and being a perfectionist in the studio, and his band's brilliant new album, I Don't Live Here Anymore. (There's a fascinating story about an epic mixing session he and producer Shawn Everett undertook in the album's eleventh hour; he describes it as one of the best creative experiences of his life.) The War On Drugs tour extensively next year. Get tickets here. --- Support this podcast: https://anchor.fm/jennylsq/support

Charlotte Cornfield is a singer, songwriter and multi-instrumentalist from Toronto.   Like many other musicians she spent most of 2020 writing and eventually recording a new album.  The new release Highs in the Minuses (out Oct. 29 co/released on Polyvinyl and Double Double Whammy Records), is sonically simpler than her previous release, but lyrically still retains a space for personal reflection and self awareness.   In this episode Joe and Charlotte discuss why she felt this new record was best suited for a band performance, how and why she got back into skateboarding and what it means for an introvert to lose social skills.  Charlotte also shares her experience at Banff Center for the Arts and Creativity and how that led her to her working with Howard Bilerman at Hotel2Tango. Music by Charlotte Cornfield and Joe PlummerUse Code Fret10 for a free month of Music Production Suite Pro and a 10% discount on all other software. Visit Izotope.com

I've known this multi platinum renaissance man for some time now and I could tell, when we worked on the Lianne La Havas song “Green and Gold” that his skills went WAY beyond the technical. I can safely say that were it not for his expert manner in the room, that song never would have made it. Those are the kind of experiences that stay with you. It came as no surprise to later learn he's worked on records by Beyoncé, Nicki Minaj, Mary J. Blige, Common, The Strokes, Robert Glasper, and Erykah Badu. Yep he's rather nasty at mixing and producing. He's also taken a large role in producing work by badass bands like Battles and Die Antwoord. We nerd dive into a wide pool of topics from coffee to the holiest of Mics.. He has one in his possession that has THE most incredible back story. Chris is a master of the studio both in terms of the precise and fast execution of the all important technical stuff to the refined and nuanced energy required to draw out the best in musicians. Needless to say I'm mightily chuffed to have him grace the show :) ______________ In the nitty I dive into the instant joys of the Expert Sleepers app called CROSSFADE LOOP SYNTH Absolutely wicked! Beardyman uses it heavily in his live shows and I can see why. It's a very tasty thing indeed that lets you sample and move with no messing about. INSTANT!! It's like a Casio SK1 on roids. Highly recommended ______________ Music from the show comes from YAW EVANS and this EP is right here! https://yawevans.bandcamp.com/releases ______________ Kind show sponsorship comes from Avid who make a little known app called PROTOOLS! woo. As I mention in the slot, I have made ALL 84 episodes in Protools and I'll tell you why it's still my fave :) Check this link to check out the software. You can now get Protools First to have a try and it's absolutely FREE :) cant beat that. Other Links_____ Chris Tabron homepage - has a cool Spotify playlist of his work. Well worth a look. Plus you get to see his setup which is prime! https://christabron.com Listen to Chris on the excellent DW Fearn podcast also! Did I mention that I LOVE this pod ? ++++ I caught up with mylarmelodies recently on his ace pod which you can find here: Why we bleep with me ++++ In case you missed it here's that Otari CV mod that's now on order from Shawn Everett, Jonathan Rado and more! Hip. Otari 5050 cv video ++++ Other CV tape joy to be found here!! Hainbach got the nagra to varispeed under CV Nagratron    

On the show today, we have the guitarist/bassist/keyboardist Kevin from the band Crown Lands which is a Canadian rock duo. Being a duo, Kevin is actually playing all these instruments at once, which is pretty badass.So, if you are into kick-ass riffs, songs and progressive rock, do check them out (link below)!It was a pleasure talking to Kevin and I hope you will enjoy our conversation as well.In this interview, we spoke about:• How Kevin approaches playing and composing music on the guitar, bass and keyboard• Taking music lessons to further develop his understanding of music• Embracing what you sound like• The importance of TikTok and why Facebook and Instagram are dead• The importance of having the right team behind you who can push you in the right directions• How they got through the first tough years as a band before thing took off• Our shared love for everything Shawn Everett does and the band The War On DrugsAnd much moreCast your vote for the new podcast name, here: https://forms.gle/ewjTQKojhho6WREf6Connect With Crown Lands Here:Website:http://www.crownlandsmusic.comInstagram:https://www.instagram.com/crownlandsmusicSpotify:https://spoti.fi/3eEANJs

Following a suitably down-home Christmas, your intrepid hosts battle Spotify fatigue to huddle round the PSTB dartboard for a Grammy nominations special! Mike has officially melted, and is now tearfully hoovering around the wet-ass elephant in the room. Jon, with his usual grammatical pedantry, has been chewing on pulled pork in the tidy mess of Haim's two-car garage and wishing that Chris Martin were swearing at Jacob Collier. Neither of them can deny the cultural impact of 'Moo', however, or the healing power of kittens, even while Shawn Everett and Gary Paczosa slug it out in a Best Engineering death-match. And if you get peckish, why not tuck into our festive facepalm buffet? There's some surprisingly toothsome mobile-phone multimiking, our infamous Icelandic toast, and all the vocal-recording mistakes you can eat! If you'd like to hear our free bonus Grammy segment (discussing Best Melodic Rap Performance, Best Improvised Jazz Solo, Best Arrangement -- Instrumental or A Capella, and Best Bluegrass Album), you can find it in our public Patreon feed here: https://www.patreon.com/projectstudioteabreak/posts Many thanks to Ellie McDowall for letting us use some snippets of her excellent Field Recordings podcast (https://fieldrecordings.xyz) in this episode. Thanks also to the engineers responsible for the wonderful recordings: Jon Tjhia, Hana Walker-Brown, Philip Revell, Vladimir Kryuchev, Sami El-Enany, Tom Rosenthal, Daria Corrias, Hannah Dean, and especially Andrea Rangecroft! Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merch For more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com.

Following a suitably down-home Christmas, your intrepid hosts battle Spotify fatigue to huddle round the PSTB dartboard for a Grammy nominations special! Mike has officially melted, and is now tearfully hoovering around the wet-ass elephant in the room. Jon, with his usual grammatical pedantry, has been chewing on pulled pork in the tidy mess of Haim's two-car garage and wishing that Chris Martin were swearing at Jacob Collier. Neither of them can deny the cultural impact of 'Moo', however, or the healing power of kittens, even while Shawn Everett and Gary Paczosa slug it out in a Best Engineering death-match. And if you get peckish, why not tuck into our festive facepalm buffet? There's some surprisingly toothsome mobile-phone multimiking, our infamous Icelandic toast, and all the vocal-recording mistakes you can eat! If you'd like to hear our free bonus Grammy segment (discussing Best Melodic Rap Performance, Best Improvised Jazz Solo, Best Arrangement -- Instrumental or A Capella, and Best Bluegrass Album), you can find it in our public Patreon feed here:https://www.patreon.com/projectstudioteabreak/posts Many thanks to Ellie McDowall for letting us use some snippets of her excellent Field Recordings podcast (https://fieldrecordings.xyz) in this episode. Thanks also to the engineers responsible for the wonderful recordings: Jon Tjhia, Hana Walker-Brown, Philip Revell, Vladimir Kryuchev, Sami El-Enany, Tom Rosenthal, Daria Corrias, Hannah Dean, and especially Andrea Rangecroft! Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merchFor more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com.

We had the pleasure of interviewing Devon Gilfillian and Illiterate Light over Zoom video! Alternative folk-rock duo Illiterate Light and soul singer-songwriter Devon Gilfillian have announced their forthcoming joint single, “Freedom,” set for release on Friday, November 13th – pre-save “Freedom” HERE.Alongside the news, the artists have also announced a special ticketed livestream event, to be broadcast from Nashville on release day – Illiterate Light and Devon Gilfillian: Livefrom Brooklyn Bowl Nashville [presented by Fans.com].PURCHASE TICKETS HEREWhile the duo and Gilfillian were originally scheduled to be on the road together at this time, they look forward to celebrating the release of their collaboration with fans during this special evening. Featuring two 40-minute sets from each artist, the show will conclude with a finale featuring the live debut of “Freedom.”Jake of Illiterate Light shares:We met Devon backstage at the Newport Folk Festival in 2019 and hit it off immediately. We crossed paths so often on tour in the following months that it just made sense to do a collaboration and full US co-headlining tour the following year. The dates were all planned for Fall 2020 and we had studio time booked in Nashville for the three of us in March, but it all came to a screeching halt with the initial outbreak of COVID-19. As everything around us shut down, we forged through and wrote “Freedom” together on Zoom, finished the recording from our home studios without ever stepping in the same room, and now we are finally getting together to play it live, streamed from Brooklyn Bowl Nashville + Fans.com on Friday, November 13th!Tickets are available for purchase now on a donation-based system, with GA tickets available starting at $10. Fans who wish to donate $40 or more will be entered into a giveaway for a guitar signed by all artists. The special edition Epiphone electric guitar was purchased from a local record store in Illiterate Light’s hometown of Harrisonburg, VA – continuing the strong support the duo has shown and encouraged for local shops and music stores during these tough times.To purchase tickets + for additional information, please visit: https://fans.live/livestream/20201113-illiterate-light-and-devon-gilfillianABOUT ILLITERATE LIGHT:Illiterate Light’s self-titled debut album was released in 2019 by Atlantic Records. Focused around the alchemic collaboration and camaraderie between members Jeff Gorman (lead vocals, guitar, synth pedals he plays with his feet) and Jake Cochran (vocal harmonies, stand-up drum kit) and recorded with producers Vance Powell (Jack White, Kings Of Leon, Chris Stapleton) and Adrian Olsen (Foxygen, Natalie Prass), the album is part soaring indie rock, part swirling psychedelia, part atmospheric folk and — alongside critically acclaimed performances their summer at Bonnaroo, Newport Folk Festival, and Lollapalooza — signaled their triumphant arrival as an emergent musical force.At the top of 2020, the duo was named to NPR’s “Slingshot Artists to Watch,” with the outlet highlighting the duo’s “energetic live shows,” during which the two play “a full band’s worth of instruments.” NPR also highlighted the group in their “Best Songs of 2019 (So Far),” declaring their single “Carolina Lorelai” to be “an explosive mission statement from a band that’s here to stay.”Alongside critical acclaim from Billboard (“a reverent and downright hypnotic experience”), Uproxx (“a refined vein of My Morning Jacket / Band of Horses-style Americana”), and Relix (5 Artists You Should Know), the album was also met with success at radio – with multiple tracks off Illiterate Light cracking the Top 10 of the Adult Alternative (AAA) charts.The duo kicked off a North American headline tour at the end of January – playing to sold out rooms in Washington DC, Philadelphia, Boston, and an enraptured crowd at Brooklyn’s Rough Trade. This followed heavy touring in 2019 with Rainbow Kitten Surprise and The Head And The Heart. High-energy audio and video from these headline shows were released throughout 2020 as part of the duo’s “In The Moment” live series. While the series began pre-lockdown, it took on significant meaning in recent months, becoming a tribute to the power of the live performances and the community formed during the duo’s shows, leading SPIN to declare: “The promising Virginia-based duo has an ambition that is promising at a time when rock needs it.”ABOUT DEVON GILFILLIAN:Devon Gilfillian’s debut album, Black Hole Rainbow, was released by Capitol Records earlier this year. It includes his top 5 AAA radio hit, “The Good Life,” a rallying cry for inclusion. Streams of “The Good Life” skyrocketed after Gilfillian performed the song on “CBS This Morning Saturday.” The collage-style lyric video for the song incorporates images that Gilfillian captured in Nashville over the summer, during the BLM protests.American Songwriter hailed “The Good Life” as “[a] soul-soothing ode to finding peace and beauty in life.” The Tennessean hailed Black Hole Rainbow as “one of the best albums released this year, period.” The album also won a spot on Iowa Public Radio’s list of “The Best New Albums (So Far) Of 2020.” The New York Times said, “Devon Gilfillian, a soul songwriter based in Nashville, made his formidable debut album, ‘Black Hole Rainbow,’ with Shawn Everett…warping vintage sounds toward something deep and strange.”Gilfillian performed the national anthem at NASCAR 2020 on the day they banned the Confederate flag. He also recently launched The Good Life Fund, which supports organizations that are doing good in the world, including Give A Note Foundation and Rebuilding Together Nashville. Gilfillian has played numerous festivals, including Newport Folk and Montreal Jazz. He has supported such artists as Mavis Staples, Grace Potter, Local Natives, Lauren Daigle, KALEO, Michael McDonald, Chaka Kahn, Keith Urban, Gladys Knight, Brothers Osborne and Michael Franti & SpearheadWe want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod  #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetworkListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

My guest today is Shawn Èverett, a Juno and Grammy-winning Canadian producer, engineer, previously a guest on episode RSR137. In that interview, we talked with Shawn about his background schooling and his production and mixing philosophies.  He has worked with many great artists including Grammy-winning Alabama Shakes, Weezer, Margaret Glaspy, Pete Yorn, Warpaint, John Legend, The Killers, Julian Casablancas, and The Voidz, Kesha, Har Mar Superstar, Local Natives, and many many others. In 2019 he won his fifth Grammy for mixing Kacey Musgraves Golden Hour which included songwriting and production from Daniel Tashian and engineering from Craig Alvin both previous guests on the show as well. You can hear their episodes at RSR176 and RSR232. I’ll have these links in the show notes. I have also become a huge fan of Sound & Color by the Alabama Shakes which Shawn engineered and mixed winning a Grammy in 2015. I feel like this record has set the bar pretty high for my own mixes. Thanks to our sponsors! JZ Microphones: https://usashop.jzmic.com PreSonus Studio One: https://www.presonus.com Spectra1964: https://www.spectra1964.com OWC: Other World Computing: https://www.OWC.com iZotope: iZotope.com/Rockstars code ROCK10 10% off API Audio: http://www.apiaudio.com Soundporter Mastering: https://www.soundporter.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/270

He is a Producer / Mixer / Engineer who's credits range from Alabama Shakes to War on Drugs, Beck, Kacey Musgraves, and more. Please welcome to the desk, Shawn Everett!

He is a Producer / Mixer / Engineer who's credits range from Alabama Shakes to War on Drugs, Beck, Kacey Musgraves, and more. Please welcome to the desk, Shawn Everett!

Phantom Planet drummer Jeff Conrad talks the reformation of not only PP but his original band The Siren Six! from Minneapolis, MN, moving to Los Angeles as a 20 year old and navigating the late 90's LA scene as a Midwestern ska band, playing shows with Fishbone and No Doubt, how Guns & Roses led him to the drums, his first drum set, the bizarre scenario in which Jody discovered the Raise the Dead album, Pete Thomas of Elvis Castello & The Attractions as an influence, the crazy process of shooting the RTD album artwork & his experience working with grammy award winning producer Shawn Everett on the record, delineating between live playing and studio playing, moving back to MN, starting over in the social media world & more! https://www.phantompla.net/ https://www.instagram.com/phantomplanet/ The Siren Six! Documentary: https://www.youtube.com/watch?v=PaBpUvk5JiQ

Welcome to 64. 128 weeks of the pod :) This time I'm in the company of two fifth of the band local natives. I had the pleasure of sharing the stage with these 5 fine fellows many moons ago, somewhere in Ireland. A bland, underwhelming festival that we both remember as such. We had afternoon slots. It was grey. The food was grey. So the contrast of this mini reunion was stark in the most pleasant ways.  Nestled in a secluded sanctuary, up a rambling incline somewhere in sunny LA, I caught up with Ryan and Kelcey.  It was on the 11th day of the 11th month of 2019 at 11 am! Triple 11s.  The chats took in the nature of extended band existence as we explore what it takes to play the long game. We chat of the mystical album making process in a satisfyingly deep yet jovial fashion and I can see that making music with these guys would be a blast.  Their last album was produced by friend of the pod, Shawn Everett. The master of play, the master of effort over convenience.  It's a Shawn love fest after a spell and rightfully so.  Hope you enjoy this deeply pleasant hour and a bit I got to share with this fine fraction of the wonderful band that is Local Natives! ____________________ Music for this episode comes from far far away.  It's songs from an EP called “fishing from an asteroid” by PlaneFace aka Daniel Pliner.  Just amazing work. Such a great grasp of the sound and flow. Damn. I was super impressed by this stuff. Here's a link for your listening pleasure: Fishing from an Asteroid by PlaneFace _______________________ Nitty sees me all clustered up. I'm armed with a crazy computer and Spitfire audio string sounds up the wazoo It only seems right to add layers upon layers of notes and scatter them willy nilly into the ether Clouds of ascending strings.  Yep samplers to the ready ____________________ Kind sponsorship of this episode comes from 2 badass makers in the synth universe     4 m s. http://4mscompany.com Makers of modular magic like the spherical wavetable navigator, the bonkers topographic delay, the shifting inverting signal mingler and LOADS LOADS more. They've been at it since 1996. Amazing to have them on the show Also amazing are the good folks at 1010 music https://1010music.com Makers of some delightful machines Not least the bitbox that I NEED to get my hands on. When I saw Richard Devine play at the korg booth this year at NAMM 2020, I saw he was using 2 of these bad boys. You know if Richard's using them, it's gotta be sick!

Shawn Everett is one of the most in-demand and hardest-working production minds in music today. His skills as a recording engineer, producer, and mix engineer have been put to use on records by The War on Drugs, Weezer, Lucius, Alabama Shakes, Perfume Genius, Kacey Musgraves, John Legend, Kurt Vile, and Vampire Weekend to name just a handful. Along the way, he’s garnered a boatload of Billboard Number One Albums, Juno Awards, and Grammys. He’ll tell us the story of the life journey that has taken him from growing up in small-town Alberta – to having the world beat a path to his door in L.A. It’s a story that, along the way, involves an artist enclave on the top of a mountain, a former boy band star, ninjas, tuning chairs into musical instruments, and a lengthy series of mentorships – being taken under the wing of a succession of amazing production minds.

Rob and Seth talk about the current incarnation of Mike Gordon, and its superb Spring Tour 2019-opening show before tossing to an in depth interview. Scott Murawski, Robert Walter and John Kimock join the hosts at Atlanta's Diamond Street Studios and they quickly find themselves discussing the producing brilliance of Shawn Everett, and how it was vital to the unique feel of Ogogo. Live performance is discussed at length, and Scott talks about how Mike encourages the band to, "push the envelope as far as sound goes and as far as improvisation goes" and Robert relates about how exploring synthesizers and the textures they create with Mike Gordon has directly influenced his 20th Congress work and vice-versa. Scott talks about how he sometimes likes to, "play things in a way that encourages people to think 'I could do that'" after which Walter leads into a conversation about improvisational exercises and the importance of "rudeness" with regard to creating compelling music in the moment. John Kimock explains some of his thinking behind his own approach to improvisation, and to his solo work some of which is with his father, legendary guitarist Steve Kimock. Also discussed are mid-tour musical adjustments, the interactive elements of Mike Gordon (the band) tours and how much fun they are having with the plethora of unrecorded songs specific to Mike Gordon (the band). Scott responds to Rob's suggestion that Max Creek bassist John Rider was a huge influence on Mike Gordon (the person), brings forth his early memories of Mike and band mate Trey Anastasio watching Max Creek from the front row, offers his opinion on an old Phish myth, talks about how horn players influenced him, his recent writing with Mike and spin on the Joni Mitchell "Kill Mommy Syndrome." A discussion about Robert's first pedal leads first to The Police and Bob Marley and in turn about how the "embrace of the economy of parts" was a significant influence on Robert as a musician. Each of these fantastic musicians updates the listener on their own solo projects, and then Seth and Rob offer their own closing thoughts. Late in the episode there are also COMPLETE live versions of Mike Gordon and Robert Walter's 20th Congress songs. Part of the Osiris Podcast Network: www.Osirispod.com Sponsored by Kush Supply Co: Cutting edge, sage and creative medical/recreational marijuana and marijuana supply packaging. KSHB on NYSE ticker https://www.kushsupplyco.com/ Mixed by Spencer Garn at Diamond Street Studios @spencergarn @diamondstreetstudios wTnS Sponsors: Polay + Clark 21st Century Accounting (Don't wait till April and get screwed, get Polayed) www.polayclark.com Inside Out w/ Turner and Seth: insideoutwtns.com Twitter: @InsideoutWTNS Instagram: www.instagram.com/insideoutwtns Facebook: www.facebook.com/insideoutwTnS See acast.com/privacy for privacy and opt-out information.

Even if you don't know the name Shawn Everett, it's very likely that you've enjoyed an album that he's produced, engineered, or mixed in the past several years. In 2015, he rose to prominence for his work on Alabama Shakes' Sound + Color, possibly the best-sounding rock record of the decade, which garnered him two Grammys. Everett won his third Grammy earlier this year for The War On Drugs' A Deeper Understanding, an album he helped to construct with Adam Granduciel in some of the finest studios in Los Angeles and New York City.  Everett's resume doesn't stop there — his recent clients run the gamut of indie rock, pop, and country, including Grizzly Bear, John Legend, Perfume Genius, Kesha, The Killers, Hinds, Mike Gordon, The Voidz, and Kacey Musgraves. But no matter who he works with, Everett applies a personal aesthetic that melds the best of traditional recording techniques with big-eared adventurousness that always feels modern.  I invited Everett on the podcast to talk about his recent experiences in the studio, and to also help clarify the mysteries of record production. Fans love to talk about how records sound, do we really know what we're talking about? What exactly does a producer or engineer do, aside from simply pressing the "record" button and capturing what musicians perform naturally? Everett provides a lot of insight into his process, while speaking in terms that anyone can understand. 

Yo! Welcome to my 18th Birthday. The show is now a ripe 36 weeks old and I'm chuffed to have Sean Obrien on the show. He's a top chap and really down to ground fellow who's a relatively under the radar badass and someone I'd not heard of until our meeting but now he's very much a part of the extended family :) He's worked with Moses Sumney, the national and a whole host of folks include Tony Berg who is a recurring figure on the pod having mentored Blake Mills and Shawn Everett so it's that LA knowledge in the house! check this link: http://seanobrienmusic.com I get into the making MUSIC with delays.. what? yeah THAT! Music from pure feedback. Bucket in a brigade all sining their weird wobbly song! Kiss the hand that feeds you :) Hello hello

We talked about pushing creativity beyond the edge, creating 3d space around your mix, capturing incredible vocals, and lots more! My guest today is Shawn Èverett, a Juno and Grammy winning Canadian producer, engineer, and mixer living and working in Los Angeles. Shawn has a long discography of really cool sounding records! He has worked with many great artists including Grammy winning Alabama Shakes, Weezer, Margaret Glaspy, Pete Yorn, Warpaint, John Legend, The Killers, Julian Casablancas and The Voidz, Kesha, Har Mar Superstar, Local Natives, and many many others. And in 2018 he won a Grammy for engineering and mixing War On Drugs, A Deeper Understanding. And you may remember we have also had Nick Krill on the podcast who did some engineering on this record as well. Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear more from Shawn:  https://www.youtube.com/watch?v=rwooIW__BQc&list=PLbJhbD1bWQsz0VP2i2bNWIRQ4g6P5U5bc Website: http://subtlemcnugget.com/   If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/137

I got to catch up with this amazing fellow as we cruise into the 6th episode. Shawn has his own ways to the gold and gold he HAS! Yes, we are talking about a grammy winner here. He fears no obstacle. He actually CREATES problems for himself along the way to be able to avoid the dull ways of normality. He shares backstory and explains WHY the low ways are as potent as the high ways! I get into realtime beatbox and chop stick beat making and there's a winner in the izotope competition!

Welcome to Episode 5! Please say hello to a true master of his craft(s)! Mr BLAKE MILLS!! I feel very lucky to have been invited into his home to have a coffee and catch up. He's a truly inspired gentleman and very humble man. We cover a little of the binaural history, production tips from the top. We delve into some of the sound making processes from the wonderful perfume genius record he produced and the incredible power combo that forms when he gets together with the fantastic mr Shawn Everett. I'm very pleased to announce that the show is sponsored by https://www.izotope.com WIN WIN WIN a copy of Neutron 2 standard :)))

Last month I wrote about The Baker's Dozen, an historic run of 13 concerts at Madison Square Garden in which the long-running jam band Phish played more than 200 songs without any repeats. It was a blast to watch unfold. When I was offered an interview with Mike Gordon -- Phish's bassist and the cover model for my favorite Phish album, "Billy Breathes" -- I jumped at the chance. Last week, Gordon released a new solo LP, "OGOGO", that was produced by Shawn Everett, who also worked on recent albums by The War On Drugs and Grizzly Bear. We also talked a lot about The Baker's Dozen and "metaphysical" experience of playing music.

Mike Hadreas has been making music under the name Perfume Genius since 2008. In May 2017, he put out his fourth album, No Shape to widespread critical acclaim. In this episode, Mike breaks down the song Slip Away. I also spoke with producer Blake Mills, who also plays on the track, and recording engineer Shawn Everett about the unusual way the song was recorded. For more, visit songexploder.net/perfume-genius