Podcasts about Lewitt

In this thought-provoking episode of Lines of Thought, Danna, Mohamed, and Ian dive into the mind of Sol LeWitt, one of the most influential conceptual artists of the 20th century. Together, they explore how a simple set of instructions can become a powerful, evolving work of art—and what that means for originality, ownership, and the definition of art itself. Through meaningful discussion, personal insights, and engaging questions, the group unpacks the deeper themes behind LeWitt's famous wall drawings and reflects on how conceptual art challenges traditional ideas of authorship and creativity. Tune in to hear how this artist's legacy continues to shape the way we see—and think about—art today.

In this short podcast episode, we explore the fascinating world of conceptual art through the lens of Sol LeWitt's wall drawings and the ongoing debate about authenticity, authorship, and originality. Using the case study of a major LeWitt piece owned by the Carnegie Institute in Pittsburgh, we unpack what it means to “move” a work of art that exists primarily as an idea. Can a redrawn wall drawing still be considered the same artwork? What happens when someone follows LeWitt's instructions without his approval? Join us as we question everything—from the role of artistic intent to the value of replication in conceptual art.

In this episode, we dive into the world ofconceptual art and minimalism with theiconic artist Sol LeWitt. From hisgroundbreaking wall drawings to histheory that the idea behind the artwork ismore important than the final product, weexplore how LeWitt forever changed theart world. Discover the fascinating wayshe used geometric shapes, systematicpatterns, and collaborative processes tochallenge conventional notions of art-making. Whether you're a seasoned artlover or new to the world of conceptualart, this episode offers a freshperspective on how one artist'srevolutionary ideas continue to inspireand influence the creative landscapetoday. Tune in for a journey into the mindof Sol LeWitt!

In a podcast that delves deeply into Sol LeWitt's ground-breaking wall drawings, discover his innovative mindset, where the idea comes before the actual execution.  Learn how he revolutionized authorship and uniqueness in the art industry by emphasizing teamwork and following directions.  Take part in stimulating conversations around ownership, authenticity, and the audience's role in understanding conceptual art.  Come explore the many facets of LeWitt's art and its enduring influence on conceptual and contemporary art.

Audio/Video:  https://www.geeksrising.com/shows/bsp421 Support: http://podcastage.com/support   Topics discussed: Has everyone lost enthusiasm and passion and has everyone become jaded and nonchalant?, 3 things I've been enjoying the last few weeks, Trying YouTube DreamScape AI background replacement tool, the Lewitt Connect 2, YouTube Premium Lite, Appreciation for Disturbing movies, and the Terrifier UHD Box Set from Umbrella.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Neumann U87 Ai: https://geni.us/u87aikit Lewitt Connect2: https://geni.us/connect2   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:27 - Why is Noone Enthusiastic Anymore? 05:24 - 3 Things I've Been Enjoying Hard Knock Life: https://www.youtube.com/watch?v=l0VOxDGm1bY Are You Garbage: https://www.youtube.com/watch?v=sRHos2ww388 14:22 - Trying YouTube DreamScape AI 16:24 - WIBT: Lewitt Connect 2 19:45 - WYHTS: YouTube Premium Lite Blog Post: https://blog.youtube/news-and-events/introducing-premium-lite/ Premium Lite: https://support.google.com/youtube/answer/15968883 24:26 - WYHTS: Appreciation for Disturbing Movies 31:00 - Value for Value 37:20 - FTW: Terrifier UHD Box Set 40:50 - Conclusion

In this episode, we delve into the pioneering work of conceptual artist Sol LeWitt, exploring his theories concerning ownership and art reproduction. LeWitt's process put into question many more orthodox ways of thinking about art-making, emphasizing the idea behind the work rather than the product itself. We talk about the powers of LeWitt's thesis, Paragraphs on Conceptual Art, in bringing about a collaborative notion of making, viewing, and understanding art that is still resonant in today's art scene. Join us for a stimulating analysis of the convergence of art, ideas, and the changing notion of authorship.

O filozofii jedzenia, które staje się profilaktyką dla chorób cywilizacyjnych i mądrej trosce o nasze ciała.

This was an interview that was done late in 2021 by Bud Alheim. It would change how I would record audiobooks. The reason is that he was using a very good mic with a pre-amp. His end of the interview was so much clearer audio that for the next few months I researched recording equipment and then settled on a Lewitt 440 Pure Mic, made in Austria, and an SSL 2 pre-amp to get the audio that is being recorded for these present narrations. There is a lot of indebtedness that we both have for John Owen that is discussed in the podcast. Bud introduced me to the Sermon, The Goodness and Severity of God in Judging Sinful Churches and Nations.

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"Keep the mix interesting for yourself!" Damian talked about simplifying and optimizing his home studio for fast writing, The ultimate input routing patchbay, the effect of loudness, recording drums, with two mics, and the mystical aspect of vibe. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Damian Taylor is 10 x Grammy nominated producer, engineer, and mixer best known for his work with Bjork, The Prodigy, The Killers, Arcade Fire, UNKLE, TR/ST, Odette, The Temper Trap, City of the Sun, Bomba Estéreo, and Dizzy. He hosts an online community called The Complete Producer Network for folks to talk about all aspects of creating and releasing music. And he has been a guest on the podcast previously for episode RSR316 and RSR406. Thanks to Colin Ramsay at GPS Management for making our original introduction. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html Save up to 60% on pro audio tools! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7yxD0GXOlhzpAAgcDVEwtW?si=ee9d2656c85c46a6 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/460

"I don't go ham, bologna, turkey, on tuning vocals..." Greg talked about building studios, the importance of trying hard in music, adobe brick walls, double bass and drum bands, making mic pres, and how to record killer drums, bass, and guitars. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Greg Norman, a recording producer/engineer and studio technician based out of Chicago, IL. In 1996, he started working at Electrical Audio, initially aiding in the design and construction of the two-studio complex in the north side of Chicago. A few years later, he built his own studio to keep up with the demands of recording projects outside of Electrical.  Over the years, he has recorded over a hundred records as a staff member of Electrical Audio and traveled abroad as a freelance producer/engineer. Greg has also designed, consulted, and installed several studios in Chicago, throughout the states, and Canada. He has unique expertise in analog tape machine and console design and maintenance, which has become a dying art. He also designs, and manufactures custom recording studio equipment. Greg has been a guest on the podcast before for episode RSR014 so please check that out and listen to his discography with the link below. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html Save up to 60% on pro audio tools! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/3sxOa8Esz1M06kQcm6aTZt?si=9dc3efb9af344f82 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/459

Under the hood with great gear: We love the new RAY microphone from Lewitt, the first microphone with autofocus for your voice. It is a large-diaphragm condenser mic that is small, lightweight, ultimately portable, and has an amazing ability to focus on the sound of our voices to eliminate distractions. Plus, it is very affordable. RAY has many features for podcasters and content creators that you will want to hear more about. This conversation between Moritz Lochner, the COO and Head of Product and Marketing at LEWITT, and our host, Cirina Catania, takes a deep dive into that design process. We also talked about the new Control 2 Interface, yet another innovative product from the fine minds at LEWITT. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! You can find OWC RADiO at OWCRadio.com, on Spotify, Apple Podcasts and all other podcatchers! About Other World Computing: Founded in 1988, Other World Computing (OWC), is committed to providing innovative performance-driven, quality solutions that enable the creators of today and tomorrow to realize their imaginations. As a partner to the digital artist, the company provides a range of 21st-century solutions to Capture, Create, and Collaborate. From live recordings to the recording studio, to the film set, to the field and stadium, to ingesting data locally to the storage on an enterprise rack for web or corporate backup or securing of data, from professionals to enthusiasts; Other World Computing knows that there is no room for compromise when it comes to one's vision. With sustainability and exemplary customer service as core values, the company strives for zero waste from both an environmental and strategic business operations perspective. The long-term outlook on everything from refurbishing and recycling to sustainable practices in our offices and manufacturing is a demonstration of the company's dedication to pursuing innovation for the global good. As the provider of the essential solutions to manifest creations, Other World Computing is dedicated to delivering excellence on a planetary scale. ABOUT CIRINA CATANIA: Cirina Catania, is a successful filmmaker, former Sr Vice President of Worldwide Marketing at MGM-UA and United Artists and one of the co-founders and former director of the Sundance Film Festival. She is the founder, CEO and Executive Director of the non-profit, High School Media Collective. Cirina is Founder/Lead Creative at the Catania Group Global, Showrunner and Host of OWC RADiO and partner, Lumberjack System, as well as Tech Ambassador for companies such as Blackmagic Design.  She is a long-time member of the Producers Guild, Writers Guild, Cinematographers Guild, the National Press Club, National Press Photographer's Association, and more. She has worked as a writer, director, supervising producer, cinematographer, post-producer, or marketing exec on over 150 film, television and new media projects for the big screen as well as for networks such as National Geographic and Discovery. Cirina is based in San Diego, D.C. and Berlin when she is not on the road filming in the Amazon or other exotic locations. She is very proud of the fact that she has not yet contracted Malaria and that after all these years, she still loves her job!

Will Ai ever understand emotion in music? Bobby talked about writing the Musician's Ai Handbook on how to write lyrics, chords, melodies, and beats, generate vocal tracks, mixing and master, create lyric videos, and market your music easily using Ai. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Bobby Owsinski a Producer/engineer and one of the best-selling authors in the music industry with 24 books that are now staples in audio recording, music, and music business programs in colleges around the world, including The Mixing Engineer's Handbook, Social Media Promotion For Musicians, and now The Musician's Ai Handbook.  He's also a contributor to Forbes as a category expert on the new music business, his long-running production and music industry blogs have won numerous industry awards, and he's appeared on CNN and ABC News as a music branding and audio expert. Bobby's highly-rated Inner Circle podcast is now in its 10th year, with more than 500 episodes that feature mover and shaker guests from all parts of the music industry.  He's also recently produced and mixed albums that appeared at #2 on the Billboard Blues Chart and #5 on the Apple Music Rock Chart. Bobby has been a guest on the podcast on episode RSR010 and RSR395 and is back today to share how Ai can help us create, complete, publish, and promote our music from all the cool stuff he learned writing The Musician's Ai Handbook. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html iZotope RX 11 is here! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/35qyOhVhDyTtol0MGSyCjf?si=c36b293c0e6e4582 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/458

The best ad for mixing was "Leave the door open!" Glenn talked about mixing at the Power Station and Sigma Sound, recording Madonna, Springsteen, U2, Talking Heads, Ziggy Marley, the birth of remixing, and renewing Fame Studios in Muscle Shoals. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Glenn Rosenstein a Multi Grammy-winning producer, engineer, and mixer who began his music career at the legendary Power Station Recording Studio in NYC, assisting alongside some of the best producers, engineers as well as at New York's historic Sigma Sound Studios where Glenn became a mixer and remix engineer, creating work for such artists as U2, Madonna, Talking Heads, The Ramones, Ziggy Marley, Lisa Lisa & Cult Jam, James Brown, Miles Davis and many others. Glenn's music production & mixes continue to be highly visible & diverse, from Whitney Woerz, Carly Simon and Earl “Chinna” Smith to James Taylor, Black Uhuru, Wes Sheffield and Bif Naked. He produced Benedictines Of Mary project for Decca/Universal which was Billboard Magazine's #1 Classical release for the 2012 to 2013 holiday season. As a producer, mixer, & engineer, Glenn's projects have won 3 Grammy Awards, 5 Grammy nominations, an Oscar and a Golden Globe Award. His work is responsible for record sales well in excess of 300 million units. His music production & mixing credits for film & television include The Sopranos, Celebrity Circus, The Last Emperor, Blown Away, Married To The Mob, Charmed, Beverly Hills 90210, All My Children and Buffy The Vampire Slayer. As both songwriter & producer, Glenn's work with reggae artist Snow led to a chart-topping single in Canada. In addition, Glenn has overseen production of a landmark multi-DVD project for Saturday Night Live‘s 25th Anniversary, producing the surround remixes and audio for 60 unique music performances, as well as 60 musical comedic sketches. This project features the live performances of Mariah Carey, Sting, Aretha Franklin, Metallica, Nirvana, Paul McCartney, Snoop Doggy Dog, Paul Simon, Alanis Morissette, James Brown and Bruce Springsteen, to name just a few. Glenn has also partnered in the renovation and restoration of the historic Fame Recording Studios in Muscle Shoals AL, where he maintains a residence and studio and where we join you today.  And last but not least I consider Glenn a longtime friend and mentor here in Nashville. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html iZotope RX 11 is here! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7hJRXvS4M6FURuZurWyWth?si=3bd7089aa93e4e1b If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/457

In this episode of The Pro Audio Suite, we dive into the results of our recent Facebook group poll on favourite microphones. From the Shure SM7B to the Sennheiser MKH 8060, we discuss the mics you love and why. Robbo, George, AP, and Robert share their insights on the top picks, including some surprising mentions like the Austrian Audio OC18 and the affordable Audio-Technica AT875R. We also touch on some great customer service stories from Sennheiser and explore the nuances of various microphone features and performance. Join us for a passionate discussion about the tools that shape our sound! Episode Highlights: Introduction and shout-outs to our sponsors: Tribooth and Austrian Audio. Overview of the Facebook group microphone poll. Detailed discussion of popular microphones including the Shure SM7B, Rode NT1A, Neumann TLM103, Audio-Technica AT2020, and the Sennheiser MKH 416. Insights into user preferences and experiences with these microphones. Special mention of the Austrian Audio OC18 and its popularity among listeners. George's recommendation of the Audio-Technica AT875R as an affordable shotgun mic alternative. Stories of exceptional customer service from Sennheiser. Discussion on the Sennheiser MKH 800 Twin and its advanced features. Encouragement for listeners to join the Facebook group and participate in the ongoing conversation. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson #ProAudioSuite #Microphones #AudioEngineering #Podcasting #Voiceover #SoundDesign #AudioProduction #MicReview #ProAudioTips #RecordingGear Y'all ready to be history? Get started. (0:02) Welcome. Hi.   Hi. Hi. Hello, everyone.   (0:05) To the pro audio suite. These guys are professional, they're motivated. (0:09) Thanks to Triboose, the best vocal booths for home or on the road voice recording.   (0:14) And Austrian Audio, making passion heard. (0:17) Introducing Robert Marshall from Source Elements and someone audio post Chicago. (0:22) Darren Robert Robertson from Voodoo Radio Imaging, Sydney.   (0:25) Next to the VO stars, George the Tech Whittem from LA. (0:28) And me, Andrew Pinkers, voiceover talent and home studio guy. (0:32) Line up, man.   Here we go. (0:36) And welcome to another pro audio suite. Thanks to Triboose.   (0:39) Don't forget that code, T-R-I-P-A-P 200 to get $200 off your booth. (0:45) And Austrian Audio, making passion heard. (0:48) We've had a bit of a passionate response to our new Facebook group, (0:52) which is the pro audio suite podcast group.   (0:56) And Rubbo threw up a survey about microphones, (1:00) which one people would like to use and do use and don't use. (1:04) Yeah, I just, I kind of figured a robust discussion about microphones is always well received. (1:10) So I figured I'd start one and it's only a small sample because we've only just started the group.   (1:15) But some of the results sort of had me thinking a bit. (1:18) So basically what I did was I did a poll. (1:20) And I didn't go with my favorites.   (1:23) I just went with the microphones that as a freelance audio engineer, (1:27) when I'm walking into other studios, I come across a lot. (1:30) And I stuck them up there with an option for people to put their own up there as well. (1:34) So the ones I put up were the SM7B, the NT1A, the TLM103, AT2020, 416, of course.   (1:43) And that was about it. (1:44) And then left it open for people to sort of put their own up. (1:48) And the question was, which one's your best mate? (1:51) So what's the microphone that you choose in your studio? (1:55) Now, I've got to be honest, I kind of did figure that the 416 would feature fairly heavily and it has.   (2:02) I mean, the 7B sort of comes in fairly close and the TLM103 are exactly the same in terms of response. (2:11) But then some of the ones in the comments were sort of interesting as well. (2:15) Well, the one I thought was interesting was someone jumped on to Bill.   (2:21) Now I've got to try and get his name right. (2:25) Bill Answa. Is that right? (2:26) Answa.   (2:27) Yeah, I think it's Bill Answa. (2:28) Anyway, sorry, Bill, if I got your name wrong. (2:31) He is using the Austrian audio OC18 into an SSL2.   (2:36) Well, someone's been listening to our podcast. (2:38) And is he using the 4K button? (2:40) He says. (2:41) Yes, he does.   (2:42) Yeah, he goes, yes, indeed. (2:44) Thanks for teaching me that. (2:44) Yeah, and Phil writes on the Lewitt, which doesn't feature fairly.   (2:49) Yeah, we mentioned it on the show, but I don't see it a lot. (2:55) What else was the other one? (2:56) What's the 875R? What's that, a shotgun? (3:00) It's an excellent, excellent bargain shotgun mic. (3:05) Is it? (3:05) Right.   (3:05) It's the one that you recommend, George, isn't it? (3:07) It's so good. (3:08) Like, it's only Achilles heel is that it's not the quietest mic. (3:12) Self-noise is, you know, not as good as a 416.   (3:15) But it's a damn good substitute. (3:18) You know, it sounds similar. (3:20) I have one.   (3:21) So one of these days we'll pull it out and we'll compare it. (3:23) Yeah, I'd love to hear it. (3:25) But it sounds similar.   (3:26) It's not quite as large. (3:28) It's sort of like a short shotgun. (3:30) Is the polar pattern as tight as a 416? (3:32) I would say no.   (3:33) I would definitely say it's not as tight at all. (3:37) It's a more, nowhere near sophisticated mic. (3:40) It doesn't have that very complex line tube interference design.   (3:45) Yeah. (3:45) So anyway, it's a very simple mic, but it just sounds good. (3:49) And they're always under 200 US, 175 maybe.   (3:53) So that one's a... (3:54) 169 B? (3:55) That one's a great value. (3:56) And we've been recommending it a lot to folks who want a stunt mic. (4:00) Well, this is an interesting one from Jeff Berlin.   (4:03) Obviously the obligatory 416. (4:06) But he also has a Bosch or Soundalux U195. (4:10) I don't know that microphone.   (4:12) What do you say? (4:12) I have a Soundalux U99. (4:15) And it is basically a clone of a U67 using an actual EF86 tube. (4:22) And the Soundalux mics became Bach.   (4:25) Yeah, that's right. (4:27) Yeah. (4:28) And they are pretty high-end mics.   (4:30) They got bought by Universal Audio. (4:32) Yeah, that's correct. (4:33) Oh, really? (4:33) Yeah.   (4:33) Wow, that's too bad? (4:35) Is that too bad? (4:36) I don't know. (4:36) I don't know. (4:37) I mean... (4:38) It's kind of weird.   (4:38) I thought they bought Sphere microphones. (4:40) They had to buy all of them microphone companies. (4:42) So I threw all the mics that were in the comments, I think, into the survey.   (4:46) So it's easier to see. (4:49) And it's going to make it easier for people to continue voting. (4:51) But did you see anything that surprised you here? (4:55) Not me.   (4:55) Nothing really. (4:56) I mean, there's certainly plenty of ones that you don't see regularly in professional studios, (5:01) not that that means jack shit. (5:02) Because in a professional studio, you're looking for a workhorse that will do a whole bunch (5:07) of things, I guess, especially in post-production houses, as opposed to music studios.   (5:13) There's just no representation of a PZM mic here. (5:16) Come on. (5:17) There's no crown PZMs? (5:19) Oh, man.   (5:21) Like, turn my wall into the microphone. (5:22) Yeah, that's right. (5:24) The MK4, the Sennheiser, what's an MK4? (5:27) It's like a lower end shotgun.   (5:29) No, actually, no. (5:30) It's their entry-level side address LCD. (5:34) Large diaphragm.   (5:35) Oh, okay. (5:36) Large diaphragm. (5:37) It's like, I mean, I think in character, it's somewhere very similar to a TLM102 or (5:43) 103.   (5:44) It's in that range. (5:45) Is it kind of like the AKG perception? (5:48) Kind of. (5:48) It's like that zone.   (5:50) But I mean, it's not that cheap. (5:51) It's still a $400 mic. (5:54) I think it's more like a two.   (5:56) Oh, it's used. (5:57) Maybe it's used $200. (5:59) Yeah, maybe.   (6:00) I mean, Guitar Center's got them, but maybe those are used. (6:02) But Sweetwater's trying to sell it for $400. (6:05) How much is an AKG perception? (6:07) LDC.   (6:08) I don't know. (6:08) They're quite a bit cheaper, like 200 range. (6:13) So, yeah, the Sennheiser MK4 is not bad at all.   (6:15) There's quite a few people who have those. (6:17) Well, speaking of Sennheiser, just as an aside, Chris McCallum, who we've (6:22) had on the show, he's probably one of Australia's best known location (6:25) recordists, put up a post about his Sennheiser. (6:30) He says, I have an interesting occurrence with a 10 year old Sennheiser (6:35) MKH8060 shotgun mic.   (6:36) One day it stopped working without warning and only issued a static (6:40) frequency. (6:41) I've taken it to Sennheiser's service and they've discovered that they are (6:44) unable to open the mic as the special screws holding the electronics (6:47) inside the barrel are completely seized. (6:49) They say they can see no sign of corrosion, but are unable to open (6:52) the mic, sort of shoring it open.   (6:54) What has surprised me is they have offered to take possession of this (6:57) mic and offer me a brand new one for an exchange of $700. (7:01) These mics now retail for well over $2,300. (7:04) So, I'm very happy with the outcome.   (7:07) So, this is now the second new exchange I've had since the (7:10) original purchase, as there was a recall in the very early serial (7:13) numbers. (7:13) So, it was replaced then as well. (7:15) I can't really fault their response and commitment to their brand.   (7:18) So, hey, that's... (7:18) Did you see my response on that? (7:21) No. (7:22) What's yours? (7:22) What did you say on that? (7:23) But they're charging him... (7:24) I was the original recording of the screws falling out. (7:30) They're basically saying they'll do the repair for $700.   (7:33) So, they're basically giving him a brand new mic for $700, yeah. (7:36) As the repair? (7:37) As the repair, I guess, yeah. (7:39) I'd say yes if it came with a one year warranty.   (7:41) Right. (7:42) At least. (7:42) Or whatever the new warranty is, I guess.   (7:45) It's a bit of a bummer though. (7:47) But yeah. (7:48) I had a similar thing.   (7:49) I actually had a similar thing happen with my 416. (7:52) It was an old one and it was playing up, (7:55) I sent it into Sennheiser and they kind of said, (7:57) look, we can fix it, but it's probably going to cost, (8:00) you know, almost the same price as a... (8:02) Probably about half the cost of a new one. (8:05) And then they... (8:06) Yeah.   (8:07) But then they sort of said, look, you can fix it, (8:09) but we can't guarantee it because it is old (8:11) and there's components could let go. (8:13) Then did me a cracking deal on a new 416. (8:17) Nice.   (8:17) As long as the mic wasn't cracking, that's a good deal. (8:19) Yeah, exactly. (8:20) Well, the first one was, the second one wasn't.   (8:23) Are you making fun of this London accent? (8:25) So, that's 8060 is a step up from the 416 in terms of... (8:28) Yeah, it looks like it. (8:29) Yeah, yeah. (8:30) Better signal response, maybe.   (8:32) Yeah. (8:33) The 8000 series is sort of their... (8:35) That's their new flagship line. (8:38) You know, small diaphragm mics in the head.   (8:40) Did Chris mention it in the episode when we had him on? (8:42) I feel like he did. (8:44) I feel like he's sort of go to mine. (8:46) Yeah, yeah.   (8:46) But see, Chris doesn't have a microphone locker. (8:49) He has a microphone walk-in wardrobe. (8:52) Yes, exactly.   (8:53) That's right. (8:55) Yeah. (8:56) He's the Imelda Marcos of microphones.   (8:59) I think Sennheiser makes a sight address version in that 8000 series. (9:03) It's multi-pattern and it's like $4000, (9:06) but it's supposed to be really excellent. (9:08) You know what I'm talking about? (9:09) 800.   (9:10) Is it the 800? (9:11) Is that what it is? (9:11) It's a really odd little mic. (9:13) It's very small. (9:16) And let's see if I can share.   (9:18) No, it's a multi-pattern. (9:19) It's not the little small tiny ones. (9:21) I know, but it's really small.   (9:23) I mean, I saw it at NAB. (9:25) I was like, oh my God, that thing's tiny. (9:28) I think I saw your video.   (9:29) I'm looking at the MKH 800 Twin. (9:34) This is a new model of microphone they just launched. (9:36) This is a different animal completely from what you're describing.   (9:40) This one's 3200. (9:43) And it is their variable pattern mic where you just simply... (9:48) What's that? (9:49) MKH 800 Twin? (9:51) Yeah, this is it right here. (9:52) I have it on screen, I think.   (9:54) Maybe. (9:54) There it goes. (9:56) There it is.   (9:57) Look at that sexy baby. (9:58) Quite spendy. (9:59) This picture doesn't show... (10:01) Well, you see how small it is by... (10:02) Because you can see the XLR barrel.   (10:05) The tail, it's small. (10:06) It almost looks like a mic port pro, the original one. (10:09) It is like the old KM86.   (10:13) The Neumann KM86, which is a side address, multi-pattern, small diaphragm mic that people go kind of gaga over. (10:21) Well, that's quite a spendy mic, 3200. (10:24) Which is two symmetrical push-pull... (10:28) It's a dual diaphragm.   (10:31) Is it dual output too? (10:33) Like, could we use it with our... (10:34) Yeah, so the way it works is you simply pot up and down the other capsule, and that's how you go. (10:40) So it's like... (10:41) But do you have a separate output of the other capsule so we can run it into our new software that you and I have purchased? (10:47) Right. (10:49) Yeah, it is quite a spendy mic.   (10:53) You know, it's so funny. (10:54) I have video of me interviewing the Sennheiser rep at NAB on YouTube, and someone's like, (10:59) Hey, isn't that Julian Kraus standing right behind him? (11:05) It was Julian Kraus standing behind you. (11:08) It was, it was like I missed an opportunity to chat with him.   (11:11) Oh, I saw it when I saw your video. (11:13) I saw him in the background. (11:14) He was having a look at the mics as well.   (11:15) Is that Julian Kraus? (11:17) I'm like, son of a gun, it is. (11:19) There are so many YouTubers at NAB, of course, you know. (11:22) I saw a couple, they were always like in transit, you know, but I would love to send hello to Julian (11:28) and thank him for his unbelievable commitment to very, very consistent and dry videos about audio interfaces.   (11:38) He's like the equivalent of the Sahara desert for YouTubers. (11:42) It is so freaking dry. (11:43) Yeah, but it's useful.   (11:46) And big. (11:46) You know, we're the polar opposite, really, aren't we? (11:50) Exactly. (11:51) And in fact, on that note, if you do want to vote for one of these microphones or tell us what you have, (11:56) go to your Facebook and or the Facebook, as I saw people call it, and look for the Pro Audio Suite podcast group (12:05) and you'll find the thread down there somewhere.   (12:07) Not the page, the group. (12:08) Yeah, the group. (12:09) We can even pin that, I think.   (12:11) Maybe it might be a way to pin it. (12:12) Well, I will. (12:13) I'll pin it to the top of our Facebook page.   (12:14) Oh, I can do it right now. (12:15) Oh, you can do that. (12:16) There you go.   (12:17) Pin the feature. (12:18) There you go. (12:18) So yes.   (12:19) Done. (12:20) Out. (12:21) Pinned.   (12:24) Pinned. (12:25) So that was fun. (12:27) Is it over? (12:29) The Pro Audio Suite.   (12:30) Thanks to drivers and Austrian Audio, recorded using Sauce Connect, edited by Andrew Peters and mixed by Blue Doo Radio Imaging. (12:41) Don't forget to subscribe to the show and join in the conversation on our Facebook group or leave a comment, suggest a topic or just say kiddo. (12:48) Drop us a note at our website

Was Elvis the real phantom of the Opry? Bill talked about songwriting with artists over Zoom, writing for Mojo, the Brill Building in 1961, confederate ghosts, Crowded House, Jill Sobule, Tin Pan Alley, and finding inspiration in artwork & cartoons. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Bill DeMain, a successful author, songwriter, journalist, tour guide, and musical historian who has been on the podcast previously for episode RSR200. As one half of the pop duo Swan Dive, he has released ten acclaimed albums with his singing partner Molly Felder, enjoying several Top 5 singles and tours of Japan, Thailand and Korea. He's also written songs for and with many other artists, including Curtis Stigers, Marshall Crenshaw, Teddy Thompson & Kelly Jones,  David Mead, Bleu, Kim Richey, Jill Sobule and Boo Hewerdine. His songs have appeared on TV shows like Sons of Anarchy, Private Practice, Felicity and The L Word, and in commercials for Laneige Cosmetics, Unicef and Sky Mobile. Bill is also a much-published music journalist, who's written for MOJO, Uncut, Entertainment Weekly and Classic Rock. He has written five books, including 2017's Amazon best-seller Sgt. Pepper At 50, and two of collections of interviews with noted songwriters such as David Bowie, Stevie Nicks, Ray Charles, Dolly Parton, Barry Gibb, Kate Bush and Smokey Robinson.  In addition, he is the owner of the music history walking tour Walkin' Nashville, a radio correspondent for BBC Glasgow and a cartoonist whose work has been published by Reader's Digest and Funny Times. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html iZotope RX 11 is here! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7bB32vult4uY4TTaLa6X08?si=6fafbae7c9834d61 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/456

Learn to mix first! Mike talked about setting up a home studio, recording remotely, how to record drums, bass, and guitars, where to stand for a vocal mic, how to sing with speakers, contact mics, and why 60-70Hz is causing so many problems for you! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mike Senior, a professional recording, mixing engineer, teacher and writer for years at Sound On Sound magazine. He is also the author of the popular books 'Mixing Secrets For The Small Studio', and its sequel 'Recording Secrets For The Small Studio', which has recently come out with the updated second edition. Mike has also been on the podcast for episodes RSR124 and RSR253 which you can hear in the attached playlist. Today we are going to focus on the new version of his popular book and see what tips we can learn for making great recordings in your home studio. Especially if you are starting out in recording you will love to content covered in this book but even if you have been recording for a while it can be fun to discover new techniques and ways of recording. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html iZotope RX 11 is here! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify and Cambridge Music Technology web site: https://open.spotify.com/playlist/2bdazycFzK3o2b4IX4pkSu?si=c7bab9a7e3fb4674 https://cambridge-mt.com/misc/rsr-3-resources/ If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/455

Uboats will float your Atomic Instruments! Joe talked about his new mastering studio Garage Masters, how to get loudness right for streaming, set up your mastering session in Presonus Studio One, do song spacing, and choose limiters, eq, and plugins. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Joe Hutchinson, a mastering engineer at Garage Masters in Nashville, TN where Joe has been providing mastering services for over 10 years.  Joe works in a well-designed room built in 2022 and uses a combination of analog and digital tools to give each song or project what it needs. Every project is different, and what happens in mastering can vary from heavy-handed processing to being almost transparent. Often mastering will catch little things missed in the production/mixing process since a mastering engineer offers a fresh set of ears, and in that sense acts as the quality control at the end of the recording process. Joe was my mastering engineer at the Hay Bale Studio at Bonnaroo for many years and has been a guest on the podcast for episode RSR013 where you can hear his backstory. Today we will talk about what's new in mastering and see what we can learn for our own studios as well. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html iZotope RX 11 is here! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify and Apple Music: https://open.spotify.com/playlist/350G63oGE5wvg0nj8372lB?si=070311db68c440ce If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/454

This is a quick update to let you know that iZotope RX11 is here, featuring enhanced modules such as Dialogue Isolate, Spectral Editor ARA (for Logic Pro), Loudness Optimize, Streaming Preview, Music Rebalance, Repair Assistant, Dialogue Contour, Audio Device Handling, and Mid-Side display mode. Don't miss out on a special 10% discount on this or any iZotope product with our coupon code: ROCK10." https://www.izotope.com/en/lp/rockstars.html Adam Audio proudly presents the limited-edition Arctic White series of the A4V and A7V speakers. Not only will they sound incredible in your studio, but they'll also add a touch of style with their sleek, cool design. https://www.adam-audio.com/en/news/industry/a4v-and-a7v-limited-edition-white-studio-monitors/ LEWITT brings you the RAY microphone with advanced Aura technology on board to create autofocus for your voice! You no longer have to worry about levels or boominess for voice and instruments -the RAY automatically adjusts your levels for perfect sound every time. https://www.lewitt-audio.com/ray

Rack-mount your own real transformers! Todd talked about recording with dynamic mics, mixing with real transformers as plugins, setting up Atmos, automating Pro Tools with Soundflow, how to 3-mic drums, building a studio, and mastering your own mix. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Todd Burke who has been recording and mixing records and underscores in Los Angeles for over 25 years. His album credits include Ben Harper, Jack Johnson, The Kooks, Belle and Sebastian, M83, and Fitz and the Tantrums. More recently, he has been enjoying mixing Atmos versions of records by Albert Hammond Jr, Christina Perri, and Jeff Goldblum and working as a Score Mixer. A few notable films include The Big Sick, Daddy's Home 1 & 2, Second Act, I Feel Pretty, The Lovebirds, Stargirl, The King of Staten Island, Yes Day, and The Bubble. He also dabbles a bit in Album Mastering with recent projects for The Lickerish Quartet, Motochrist, and Greyboy Allstars. As a teacher he's a main contributor on the recordBetter project and is passionate about handing the art of record making on to young creators. And he is a Brand Ambassador and Artist Representative for Antelope Audio. He's available for engineering bookings in Los Angeles and abroad. Favorite tracking rooms include Sunset Sound and Capitol Studios. His own studio, affectionately coined Listening Room LA, is in the foothills east of LA and outfitted with an Aurora Audio 10 channel sidecar, a 24 channel Aurora Audio GTM Mixer, the most modern generation of digital conversion from Antelope Audio and Chord Electronics, ATMOS monitoring on an array by Wilson Audio, as well as mastering-grade stereo monitoring on a custom Tannoy system by Chris Pelonis. Thank you to Ken Sluiter for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html Save up to 50% on RX 10, plus get a free RX 11 upgrade next month! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify and Apple Music: https://open.spotify.com/playlist/0v9xRXdPy0KdTbD1x55IMC?si=78a133f941304aaf If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/453

Olá, eu sou Leo Lopes e está no ar o POD NOTÍCIAS, a sua dose semanal de informação sobre o mercado de podcasts no Brasil e no mundo! Hoje é segunda-feira, dia 6 de maio de 2024 e esta é a nossa décima segunda edição! A gente está de volta depois de 2 semanas de uma breve pausa e tem muita coisa acontecendo no universo do podcast, mas antes de entrar nas notícias eu quero dizer que você pode anunciar com a gente aqui no Pod Notícias. Se você tem uma marca, produto ou serviço e quer atingir um público qualificado que se interessa pelo podcast aqui no Brasil, manda um e-mail pra gente no contato@podnoticias.com.br, que a gente vai ter o maior prazer em conversar com você. Além disso, se você quiser colaborar com a gente, mandar texto, mandar pauta, também é muito bem-vindo, e pode fazer isso através do mesmo e-mail. 1 - Começando as notícias desta edição, a empresa Mattrics de tecnologia em anúncios de áudio fez uma análise sobre os motivos que levaram o podcasting a se popularizar tanto nos últimos anos. O podcast, que era considerado entretenimento de nicho a poucos anos atrás, hoje em dia está em todos os lugares. E como foi que isso aconteceu? De acordo com a Mattrics, esse boom foi impulsionado por vários fatores, incluindo acessibilidade, conveniência de consumo e o estilo de vida multitarefa do público atual. O fácil acesso a várias vozes, a intimidade que o formato cria com os ouvintes e a criação de comunidades são outros motivadores importantes. Os investimentos da indústria de tecnologia no áudio e nos podcasts também fazem parte desse crescimento. Quando a podosfera começou a querer ficar popular, empresas como Spotify, Microsoft, YouTube e outros gigantes quiseram fazer parte desse mundo - e aí surgiu essa grande gama de plataformas e agregadores de podcast que a gente tem hoje. Se você quiser saber em detalhes a análise completa da Mattrics sobre a ascensão do podcast, ela está disponível na íntegra lá na nossa página do LinkedIn do Pod Notícias - já traduzida, então não deixa de conferir. Link 2 - E é claro que nessas duas semanas em que o Pod Notícias ficou em pausa, aconteceu muita coisa, e não tem como a gente não comentar, então a gente vai fazer um breve resumo dos acontecimentos principais: O primeiro deles, foi que o Spotify deixou de fazer parte do IAB (o Interactive Advertising Bureau), e não é mais uma empresa certificada IAB. Pra quem não sabe, a IAB é uma entidade que desenvolve cada vez mais o mercado de mídias interativas, incentivando a criação de normas e padrões pro planejamento, compras, vendas e veiculação de mídia no digital. A decisão do Spotify de não participar mais da IAB foi tomada silenciosamente nos últimos três meses. Em paralelo, o Spotify também publicou o seu relatório financeiro do primeiro trimestre de 2024, onde a empresa anunciou que alcançou 1 bilhão de euros em lucro bruto, com essa sendo a primeira vez que a empresa atinge esse valor. Além disso, o lucro líquido registrado foi de 197 milhões de euros. Outra movimentação importante pra podosfera, foi o desligamento de uma das maiores repórteres de podcast do mundo, a Ariel Shapiro, do portal The Verge. A saída de Ariel foi anunciada alguns dias antes de seu desligamento e mesmo assim pegou muita gente de surpresa. A jornalista era head de conteúdo da Hot Pod, uma das maiores newsletters sobre podcast - que agora está em hiato e sem uma data de retorno. Link / Link / Link 3 - E o último relatório de benchmarking da Signal Hill mostrou como os podcasts corporativos são eficientes em influenciar o público e as suas decisões de compra. Analisando programas de marcas como Google, Dell e Ford, o estudo destacou que esses podcasts não só aumentam o reconhecimento e a consideração das marcas, mas também geram maior afinidade entre os ouvintes. O segredo pra criar essa conexão é aquele mesmo de sempre: conteúdo bom e relevante. Se o que estiver sendo apresentado não for relevante, ninguém consome, não importa o que seja - ou, nesse caso, quem seja. Além disso, a pesquisa mostrou que mais da metade dos ouvintes se lembra da marca associada ao podcast após um único episódio, sem precisar de nenhum estímulo adicional. O relatório da Signal foi um compilado de 8 anos de estudo de mercado, e mostrou que nos últimos 3 anos, os resultados dos podcasts corporativos tiveram um salto muito grande. Se tem um momento bom pras marcas investirem em publicidade em áudio, o momento é agora. Link AINDA EM NOTÍCIAS DA SEMANA: 4 - A iHeartMedia, em uma colaboração com a Deep Blue Sports, lançou alguns dias atrás a Women's Sports Audio Network, a primeira plataforma de áudio dedicada exclusivamente aos esportes femininos. A parceria oferece conteúdo gratuito em podcasts, relatórios diários de esportes e presença nos maiores eventos da indústria do esporte feminino. E, de acordo com o Sports Audio Report, o lançamento já tem sucesso garantido, porque os fãs de esporte nos Estados Unidos consomem, por dia, pelo menos duas horas a mais de conteúdo em áudio do que o público médio. Além do mais, os ouvintes de áudio esportivo também gastam mais em produtos esportivos, e têm maior chance de comprar mercadorias anunciadas por atletas que gostam, especialmente os ouvintes de podcasts. Lembrando que esses dados são sobre os ouvintes dos Estados Unidos, tá? Aqui no Brasil os números podem variar, mas é fato que o interesse do brasileiro em esporte também é muito grande. Link / Link 5 - De acordo com um novo relatório da Magellan AI, que fez um comparativo ano-após-ano desde 2020, os investimentos em publicidade em podcast cresceram 29% no primeiro trimestre de 2024. O estudo também cobriu detalhes sobre quais temas de podcast mais têm crescido com o público, qual o posicionamento mais popular dos anúncios dentro dos episódios e qual é o tipo de marca que paga por anúncios em áudio. A Magellan AI também publicou uma lista com as empresas que mais investiram em publicidade em podcast em março desse ano. Alguns dos nomes mencionados foram BetterHelp, Amazon, Toyota e Apple. O gênero de podcast que recebeu a maior 'fatia' desses investimentos foi Esportes, seguido por Sociedade & Cultura, e Saúde & Bem Estar. Se você quiser ver o ranking completo, ele está disponível no blog da Magellan, e também na página do LinkedIn do Pod Notícias. O link de cada uma das notícias que a gente comenta aqui, como sempre, vai estar na descrição deste episódio. Link E MAIS: 7 - Os americanos gastam mais tempo ouvindo rádio do que com redes sociais e podcasts, de acordo com o The Record da Nielsen com a Edison Research. No entanto, para os ouvintes com idades entre 18 e 34 anos, o tempo gasto com podcasts, rádio e redes sociais é quase o mesmo. Essa pesquisa é refeita a cada três meses pra entender como está sendo o comportamento de escuta de áudio nos Estados Unidos, e como esse consumo se relaciona com outras mídias. De acordo com o Record, nos primeiros três meses de 2024, os ouvintes dedicaram cerca de 70% do tempo de escuta diária de áudio com as rádios AM/FM, 20% desse tempo foi dedicado aos podcasts e o resto foi pros streamings via satélite. A maior parte dessa escuta de rádio acontece durante o dia, especialmente no carro. Os temas mais populares foram Notícias, Conversas Adultas e Clássicos & Country, com as estações de Notícias e Conversas liderando também no streaming. Link 8 - As empresas Otonal Inc e The Asahi Shimbun Company lançaram em conjunto uma série de informações sobre o consumo de podcasts no Japão. Os dados mostraram que 1 em cada 3 japoneses com idades entre 15 e 19 anos ouve podcasts todos os meses; no geral, 16% dos adultos japoneses escutam podcasts. A pesquisa afirmou também que a escuta de podcasts é tão popular quanto o consumo de TikTok em todos os grupos etários. Além disso, em uma resposta aberta à pergunta "Qual a vantagem de ouvir podcasts?", muitos responderam que gostam de poder ouvir os podcasts enquanto fazem outra coisa. Alguns dos entrevistados também mencionaram que usam os podcasts como ferramentas de aprendizado, dizendo que graças aos podcasts aprenderam a ouvir em inglês, e que suas habilidades linguísticas melhoraram como resultado do consumo de podcasts. Link 9 - Ainda falando sobre a podosfera da Ásia, um estudo da UNPAC Research com o estúdio Ideabrew revelou que apenas 12% das pessoas na Índia ouvem podcasts. No entanto, embora o número seja baixo comparado com outros países, a UNPAC destacou a oportunidade de crescimento no país, já que 78% dos ouvintes indianos só descobriram os podcasts há menos de um ano. A Índia é um desses países em que ainda não existem padrões consolidados de consumo de podcasts. Segundo o blog do Ideabrew, a intenção deles é fazer novas pesquisas de mercado na Índia pra explorar mais padrões de consumo, dinâmicas de gênero, perfis e as nuances entre podcasts de áudio e vídeo. E você reparou no quanto de pesquisa e relatório a gente trouxe nesse episódio? Isso não é segredo nenhum, inclusive deveria ser a régua mínima pra um programa de notícias, mas é bom reforçar que a gente aqui do Pod Notícias tem um grande compromisso com a verdade, que tem fontes e referências. Como sempre, todas as fontes das notícias vão estar na descrição do episódio, pra você poder fazer a sua própria consulta sobre tudo que você ouviu aqui. Link HOJE NO GIRO SOBRE PESSOAS QUE FAZEM A MÍDIA: 10 - A nossa amiga Aline Hack, mestra e pesquisadora em podcasts, teve seu artigo publicado pela Radio Doc Review, uma revista científica australiana que divulga pesquisas sobre o áudio. O artigo, sobre a comunidade feminista de produtoras de podcast no Brasil, foi feito com base em um estudo que mapeou o trabalho de 511 mulheres brasileiras e produtoras de podcast. A maioria dessas mulheres tem diploma universitário, renda variável e se identifica como feminista. Os resultados do artigo mostraram também o quanto a atuação das mulheres no podcast aumentou até 2020. E aqui a gente dá os nossos sinceros parabéns pra Aline, e que cada vez mais pessoas sigam os passos dela na pesquisa acadêmica sobre essa mídia que a gente ama tanto. Link 11 - Também durante o nosso pequeno hiato, o Laboratório de Podcasts Narrativos da Uerj (Lunar) comemorou seu primeiro ano de atividades. Durante esse período, o Lunar alcançou marcos muito significativos com os participantes, bateu metas, e agora a equipe tem ainda mais planos de continuar contando histórias e criando podcasts de qualidade. Se você quiser acompanhar o trabalho do laboratório, pode seguir a página deles no Instagram, no arroba @podcastnarrativo. Os nossos parabéns pelo primeiro ano do projeto, especialmente pro coordenador, o grande a=Andriolli Costa, que trabalhou pra fazer o Lunar acontecer. Link / Instagram E nessa última semana a influencer Viih Tube anunciou que foi demitida do podcast "MaterniDelas", que até então era apresentado por ela e sua companheira de bancada Tata Estaniecki. O motivo foi 'questões contratuais com patrocinadores'. A Viih Tube está grávida do seu segundo filho, e quando divulgou a segunda gravidez, ela acabou fechando contrato com uma marca que é concorrente da marca de produtos para bebês que patrocina o MaterniDelas. Apesar da demissão, ela disse que continua sendo muito amiga da Tata, e que a decisão do seu desligamento do programa foi estritamente profissional. Link SOBRE LANÇAMENTOS: 12 - No dia 18 de abril foi ao ar um novo podcast da Amazon: o Má Influência, apresentado por Maria Bopp e Babu Carreira. O podcast segue o mesmo molde do podcast norte-americano "Scamfluencers", que desmarcara "influenciadores" que são, na verdade, golpistas, charlatões e até estelionatários. Um dos primeiros episódios foi dedicado ao caso de Pablo Marçal, aquele coach que levou um grupo de 32 pessoas pro Pico dos Marins em um dia de chuva e teve que ser resgatado de helicóptero (todo mundo aí se lembra disso? Quem não se lembra, né?). O Má Influência já tem vários episódios disponíveis em todas as principais plataformas de áudio, e também no canal do YouTube da Wondery Brasil. Link 13 - E sobre lançamento de equipamentos, chegou recentemente no mercado o Lewitt Audio Ray, um novo microfone que faz autofoco na sua voz através de laser. A tecnologia é completamente nova e ajusta a voz dependendo de quão perto ou longe a pessoa está do microfone. O Audio Ray tem uma cápsula verde de 1 polegada, parecida com o PURE (que outro microfone da Lewitt), e é um condensador XLR com padrão cardioide. Mas a grande sacada dele, realmente, é o laser classe-1 que permite a ele mutar automaticamente quando não tá em uso e ajusta o foco pra um áudio bem equilibrado, ótimo pra ambientes menos tratados - é quase um photoshop de voz em tempo-real. O James Cridland, do Podnews, já testou e aprovou o microfone, que já está disponível para compra pela bagatela de 350 dólares. Link RECOMENDAÇÃO NACIONAL: 14 - Na semana passada nós tivemos o Dia do Trabalho, uma data que pra alguns significa um feriado de descanso, e pra outros significa... mais trabalho! Então hoje, a nossa recomendação da semana vai pra um podcast que tem tudo a ver com a data: é o Conexão Trabalhista, apresentado pela Michele Mary e a Mariana Bombach. O programa oferece um monte de insights muito valiosos pra gestores e donos de empresas que precisam entender o universo do direito trabalhista. E o tema, claro, também é totalmente pertinente pro trabalhador que precisa conhecer os seus direitos. O Conexão Trabalhista é um programa curtinho e direto, a maioria dos episódios tem cerca de 15 minutos, e é publicado toda semana com um novo tema. As questões são as mais variadas: redução da jornada de trabalho, remuneração, igualdade salarial, enfim; é uma ótima fonte pra se manter atualizado e preparado para lidar com os desafios legais no ambiente de trabalho. Então, não deixa de conferir. Link E assim a gente fecha esta décima segunda edição do Pod Notícias. Acesse podnoticias.com.br para ter acesso à transcrição e os links das fontes de todas as notícias deste episódio! Acompanhe o Pod Notícias diariamente:- Page do Linkedin- Instagram- Canal público do Telegram Ouça o Pod Notícias nos principais agregadores:- Spotify- Apple Podcasts- Deezer- Amazon Music- PocketCasts O Pod Notícias é uma produção original da Rádiofobia Podcast e Multimídia e publicado pela Rádiofobia Podcast Network, e conta com as colaborações de:- Camila Nogueira - arte- Eduardo Sierra - edição- Lana Távora - pesquisa, pauta e redação final- Leo Lopes - direção geral e apresentação- Thiago Miro - pesquisa Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço no Pod Notícias.See omnystudio.com/listener for privacy information.

Lower that cheese flag dude! Mark talked about writing music for sync that is fun and relatable without being too obvious, building a hotel studio in Mexico, placing music in feature films, using the iPhone mic, horn arrangments, and Shruti boxes. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mark Rudin, an accomplished artist, producer, and songwriter with a masterful command of multiple instruments - particularly horns. His song "Miracle" was a winner on season 2 of the NBC show Songland, and his work has been featured in major ad campaigns for brands such as Grey Goose and Simple Mills, as well as trailers for the Tom and Jerry Movie and the movie, Easter Sunday. Mark newest release "That Looks Good On Me" ft. KONG is out now and we have a playlist of his music and discography in the show notes. Thank you to Rodger Alan Nichols for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html Save up to 50% on RX 10, plus get a free RX 11 upgrade next month! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify and Apple Music: https://open.spotify.com/playlist/1eYoDa0YmDmSfQpEiqvdyb?si=3dd3f7b784a9415f If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/452

Video: https://youtu.be/K-huKM8r8KA Topics discussed: The United States TikTok ban and what I suggest content creators do, comparing the Lewitt Ray to the Lewitt LCT440, testing if face masks make good pop filters, discussing if redundant items are luxury items, explaining why audio gear is high value, and then insane ramblings and tangents.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Lewitt Ray: https://geni.us/lray Universal Audio x8:  https://sweetwater.sjv.io/uax8   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:20 - The U.S. Tik Tok Ban Verge Article: https://www.theverge.com/2024/4/24/24139036/biden-signs-tiktok-ban-bill-divest-foreign-aid-package BSP-222 Discussing Tik Tok Ban: https://youtu.be/aAOt9fABjaM?si=vn5KxQLe_V3EisZ2 08:00 - WYHTS: Lewitt Ray vs. Lewitt LCT440 10:24 - WYHTS: Do Face Masks Make Good Pop Filters? 12:51 - WYHTS: Redundant Items are Luxury Items 21:26 - WYHTS: Audio Gear is High Value 28:00 - Value for Value 30:13 - Conclusion

Send Santa's sleighbells to the chimney object of course! Brad talked about recording awesome drums, creating your own snare and kick samples, how to get a great kick drum sound, how to capture a guitar DI without the buzz, and mixing 9.1.4 in Atmos. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brad Wood, a producer originally from Chicago where he had Idful Music Corporation - a small but mighty recording studio in Wicker Park. There he recorded albums by bands like Seam, Tar, Shrimp Boat and Eleventh Dream Day. In 1993 he produced Exile In Guyville for Liz Phair which became the catalyst for what became a very long and prosperous career as a producer and mixer. Brad wrapped up the 90's with many debut albums under his belt, including Sunny Day Real Estate‘s Diary, Veruca Salt‘s American Thighs, Placebo's self-titled LP, Placebo, and Ben Lee‘s Grandpaw Would. He also notably produced the Original Broadway Cast Recording for Hedwig and the Angry Inch. Throughout the iconic decade, Brad also worked with bands such as Far, that dog., Menthol, Pete Yorn, and The Smashing Pumpkins' Adore (which peaked at #2 on the Billboard 200 charts). Later Brad relocated to Los Angeles, California, where he built Seagrass Studio where he's tracked and mixed for Say Anything, mewithoutyou, The Bangles, Sherwood, Touché Amoré, and many other artists. I am excited to have Brad back on the podcast again. You can catch his earlier episode RSR095 when he talked about his work in Chicago and moving to LA. Today we will catch up with Brad to see what's new at Seagrass Studio and talk about producing and mixing in Atmos among other things. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html Save up to 50% on RX 10, plus get a free RX 11 upgrade next month! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify and Apple Music: https://open.spotify.com/playlist/3We6XxggtXJnXLbshGlXy4?si=3b400d4983f84fc7 https://music.apple.com/us/playlist/brad-wood-atmos-mixes/pl.u-8aAVVjjszJ8P8 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/451

Organization is everything! Marc talked about recording Bill Frisell & John Zorn, producing The Ramones tribute with Steppendoom, how to make a great compilation album or killer remix, traveling the world to collect vintage ribbon mics, and backup. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Marc Urselli a 7-time Grammy Award nominated, 3-time Grammy Award winning music producer, audio engineer, mixer, sound designer and front of house engineer. Marc Urselli is an interdisciplinary artist, scholar and devotee of all things art, sound & music and works for and collaborates with musical & visual artist, bands, musicians, composers, theater directors, film, TV, brand & mixed media multi disciplinaires from around the world. He has worked with U2, Foo Fighters, Nick Cave, Lou Reed, Sting, Keith Richards, Kesha, Jeff Beck, Les Paul, Buddy Guy, Luther Vandross, Bill Frisell, Kronos Quartet, Laurie Anderson just to name a few in syles ranging from rock, pop, metal, jazz, experimental/avantgarde/new music, urban and electronica and classical. He also collaborates as an artist on some of his records which you can hear in the playlist below. Marc currently resides and works as Chief House Engineer for the historic & legendary recording studio EastSide Sound. And he has been a guest on the podcast before for episodes RSR264 & RSR 378 where you can hear his backstory in music and get some excellent recording and mixing tips! Thanks again to Rudy Roopchan for our original intro, and to Adam Audio! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://iZotope.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5CVeF9QRgrsPOK6L6uqa7G?si=62a3c9476b5b4634 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/450

The microphone claims it has autofocus for sound - we review it. Sponsored by Podcastle. Create, Edit, Publish, and Grow your podcast -- all in one collaborative, AI-powered platform. Make your voice heard with Podcastle. Visit https://podnews.net/update/frickin-laser-beams for the story links in full, and to get our daily newsletter.

A hit recording might only be 2.5 min in 13.8 billion years of the universe! Dom talked about playing bass for the Queen of England & Obama, the history of KC jazz, learning to make beats, the power of publishing, and 5 reasons to use Ableton Live. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dominique Sanders, an accomplished producer and composer from Kansas City Missouri. By age 16, he had performed for the Queen of England and established himself as a mainstay in the Kansas City music scene. During one of his many shows in the area, Dom was discovered by Tech9, which started a writing/producing partnership that continues to this day. Dominique currently resides in Los Angeles California and is a published songwriter and producer at prescription songs Notable works include many of Tech9's #1 Billboard chart debuts, and collaborations with Nipsey Hussle, James Fauntleroy, Jidenna, Janelle Monea, The Game, Jay Prince, Snoop Dogg, and Boyz II Men, Herbie Hancok, Robert Glasper, Wiz Kalifa, Chance the rapper, and many more. Thank you to Kelle Musgrave at Linear Management for making our introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://iZotope.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0UcRqH42rUJHbGh84b9Zb4?si=d7f33eded3b443bd If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/449

Don't pull my beard... unless you're Les Paul! Vance talked about recording Phish on tour with 244 mic inputs over MADI in a remote truck, mixing low-end bass and kick, how to mic a rock drum kit, studio wire and why tweaking mixes is a fool's errand! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Vance Powell, a multi-Grammy award-winning producer, engineer and mixer, and owner of Sputnik Sound in Nashville with Mitch Dane. Vance's many credits includes Chris Stapleton, The White Stripes, Arctic Monkeys, and Wolfmother to name just a few. Vance is a repeat guest on the podcast and you can hear his previous episodes on RSR002, 171, 293, 360 and 403 all of which are in the music playlist below so please click through to listen to his discography and to hear about his backstory and get some great tips on mixing and mixing in Atmos. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://iZotope.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0aFDgLgTsWaFId0n4YSX75?si=0c47704c4609452e If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/448

Make mine a phantom center! Steve talked about the birth of mixing in Atmos, recording strings for the last Beatles song, Now And Then, how to record immersively, building a home mixing studio, mics for strings, object bed mixing, and the LFE sub. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Steve Genewick a Grammy-nominated recording engineer with 30 years of experience, both as a studio and live recording and mix engineer. Steve has had the pleasure of working at iconic recording studios around the world such as United Recording, East West Studios, Sunset Sound and Village Recorders in Los Angeles, Abbey Road and Angel studios in London and La Fabrique Studios in France. For 20 years, Steve had the great honor of working alongside the legendary 23-time Grammy award-winning producer and engineer, Al Schmitt. They worked with artists such as Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach and Paul McCartney. Steve also joined Al for “Mix With The Masters” seminars for nine years in the south of France, in addition to collaborating on their instructional film “The Art of Recording a Big Band”. Steve worked primarily out of the famed Capitol Studios in Hollywood as a staff engineer from 1994 to 2022. At Capitol, he worked with countless renowned artists such as Elton John, Bastille and Trisha Yearwood. Steve was among the first studio mixers to begin mixing music in Dolby Atmos, working on projects with Beck, Gregory Porter, LL Cool J, Sam Smith and Niall Horan, and on the popular video game Apex Legends. In 2017, Steve received the Pensado Award for Best Recording Engineer. He was also a part of the Universal Audio and Capitol Studios team that won a 2020 TEC Award for their Capitol Chambers plugin. Check out Steve's earlier episode on RSR231. Thanks to Matt BOUDREAU at the Working Class Audio podcast for making our introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Apple Music: https://music.apple.com/us/playlist/steve-genewick-atmos-mixes/pl.u-76oNkrMF1JKbp If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/447

Trust your first instinct! Sara talked about setting up your monitors for accurate mixing, how to place your subwoofer, learning to balance a mix first, why 85db is too loud, the power of a high pass filter, group vs solo audition, and mixing vocals. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Sara Carter, a BBC trained mixing engineer based in Leicester (pronounced “lester”) in the UK. Sara started recording and mixing music as a hobby in the mid-90s then later turned it into a full-time career after studying Audio Engineering at the SAE Institute in London and working as a Sound Engineer for the BBC.  Sara learned her trade at the BBC's Maida Vale Studios by working under the mentorship of some of the best engineers in the business. During this time, Sara worked with a wide variety of artists such as Adele, The Black Keys and Rod Stewart to name a few. More recently she focuses on helping home studio musicians mix music at home through her training courses, coaching sessions and YouTube channel, Simply Mixing. If you enjoy this interview please check out our earlier episodes RSR204 and RSR377 when we talked about her background in music and shared some great home studio mixing tips. Today we are going to focus more on how to eq everything and then get into some compression talk. Thanks again to my brother from another podcast Matt Boudreau at Working Class Audio for making our original introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7iHVIaNmuiGyjC7D23sUya?si=21cfbcec1aa842fc If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/446

Is your home studio the best place for your client? Ken talked about recording at home vs a big studio, playlists vs endless sessions, why pressure is good for music, riding the master fader, mixing with drum samples, and setting up for Atmos. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Ken Sluiter, a Grammy-nominated recording engineer/producer/mixer who has been on the podcast before for episodes RSR111 and RSR194 when we talked about his background and shared some awesome mixing tips for the studio. Ken's credits include artists such as Morrissey, Flogging Molly, Andra Day, Divine Fits, Heart, Jerry Lee Lewis, James Blunt, Weezer, the Mekons, The Jesus Lizard and Ok Go to name a few. He has worked with many audio greats like Joe Chiccarelli, Jim Scott, and Andrew Scheps.  It has been a few years since we've chatted with Ken so today we will be focusing on what's new at his studio and surely sharing some more thoughts on mixing in stereo and immersive audio. Thanks to Brad Wood for making our original introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2npn62Oc7269nmVWKIDXK8?si=cf72bda775f84634 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/445

Do frozen cats make your mixes cooler? Joe talked about the history of Ocean Way Studios, how to fix cymbals ruining your drum mix, how to make a Decca tree in your home studio, double miking vocals, mixing with parallel dynamics, & immersive audio. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Joe Baldridge, a multi Grammy winning engineer with over 36 years of professionally credited experience in music production, recording, mixing, artist management and brand / artist development with nearly 600 credits on AllMusic.com, and has received a nomination for 2014 Record of the Year for work on Taylor Swift's RED and won a Dove award for production work for Toby Mac.  Joe is a graduate of Belmont University where he also now teaches. He joined the Audio Engineering Technology department at The Mike Curb College of Entertainment and Music Business as an adjunct in 2010, Fulltime Lecturer in 2013 and Instructor in 2019. He is now the Director of Studio Operations at Ocean Way Nashville, designed by Allen Sides and purchased by Belmont in 2001, and the number one tracking room in Nashville and a world-class teaching facility that also serves an impressive client roster.  Housed in a 100-year-old Gothic revival gray stone church, Ocean Way Nashville provides an exceptional acoustical space, all in the rich visual beauty of a sanctuary. The studio serves a diverse list of clients spanning various styles from pop, rock, hip hop, country, gospel while emerging as the premier scoring facility in the Southeast. Besides being a sought-after space for full band tracking, Ocean Way Nashville has become an internationally favored destination for orchestral recording and scoring for today's most popular films and video games.  Joe continues to teach in the classroom through an adjunct role teaching master mixing techniques, a course he designed which meets at Ocean Way. Joe was a guest on the podcast back on episode RSR061 when he shared his story of getting into music and later teaching, and today I am happy to have him back to talk more about what he teaches in the master mixing class and to focus on the future of music making in the studio. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2OCN8Qnz21WfI6RX5Q3Nzj?si=e87f2fc5562f4945 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/444

Produce records with bands or bricks? Dave talked about assembling a production for an artist, songwriting for publishing vs self, how to get songs finished, the importance of sightlines and headphones, and how to find your voice on stage and studio. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dave Coleman who grew up near the Big South Fork National River and Recreation Area, in Jamestown, Tennessee. He thought he'd become a park ranger, but his love of guitar and music sent Dave to Belmont University in Nashville. He started a band (The Coal Men, still active after 24 years), had a brief publishing deal with Acuff-Rose Music, played for years with Duane Jarvis, and a long list of Nashville's roots and Americana artists. Producing, recording, and mixing became his day to day around 2010. He's a self described “multi-instrumentalist with a community-driven heart.” Dave has produced and recorded albums for Amelia White, Tim Carroll, The Rough & Tumble, Lynn Taylor and the BarFlies, Ned Hill, and lots more. The Coal Men, have released 5 albums, with another coming in 2024. I have had the pleasure of knowing Dave for many years and in 2013 worked with Dave here at The Toy Box Studio doing overdubs and mixing his record Escalator. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/21Gcyt7Lbqzq3Bu10WEMGo?si=89bebc45b6c34ef3 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/443

Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio session! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is John Arrucci, an acclaimed master artist in Classical, Jazz, North Indian, Afro-Cuban, Afro-Brazilian and other indigenous traditions and someone I first met when he moved to Nashville to build his studio. Having composed, performed, and instructed for over 40 years, John has studied on three continents and received numerous honors.  His work as drummer and percussionist is featured on scores for feature films, television, commercial spots and recordings including on Sony, Polygram, Mercury, Chesky, Koch Jazz, Chiaroscuro, Rykodisc and other labels. He has performed and/or recorded with Michael Brecker, John Patittucci, Mariah Carey, David Byrne, Philip Glass Ensemble, and for Dalai Lama, Bishop Desmond Tutu and many other dignitaries and has performed at notable venues such as Carnegie Hall, David Geffen Hall, Jazz at Lincoln Center, Town Hall, Merkin Hall and United Nations. His percussion can be found on programs including Patriot, Late Show with Stephen Colbert, Oprah Winfrey and Rosie O'Donnell.  As a composer, John has received numerous commissions, grants and awards from members of The New York Philharmonic, The Manhattan Marimba Quartet, The Mannes College of Music and many others. His acclaimed 2011 release “Metaphors” features 9 of his compositions and performances on Drum Set, Vibes, Marimba and Percussion. John taught for over 20 years at Princeton University, the City University of New York, and many other prominent institutions including an Eastman School of Music where he graduated with distinction. The Smithsonian Institution awarded him a Post-Doctoral level research fellowship to study Tabla in Benares, India with Pandit Sharda Sahai. He has also studied music in Brazil, and Shekere and Agbe with the renowned Chief James Hawthorne Bey, and Conga and Afro-Cuban drumming with Frank Malabe and Tabla with Robert Becker. He has basically done a tremendous amount of music and finally landed in Nashville, Tennessee making himself available for in-studio and remote recording, live performances, touring, commissions and Master Classes, one of which I recently took to learn Samba drumming which was amazing! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/79yhhF3Yr5dp4a9iMhkqBn?si=6869fa6d30e44433 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/442

Which is actually more... less or more? Brandon talked about mixing with guitar pedals, Velcro walls, installing the Neotek Elite console, working with Jacquire King, and why you should be using SSL UF8 and UC-1 with UAD Luna and Harrison Mixbus 32C. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brandon Highfill, head engineer at Schematic Studios and the owner of Eastside Music Supply here in Nashville, TN. Originally from Jacksonville, FL Brandon moved here in 2009 and with his friend and bandmate Blair, started Eastside Music Supply in 2014.  Brandon played guitar in bands since high school and was always fascinated with the recording process but didn't really catch the "bug" until he set out to build a practice space for himself in 2016 which morphed into a full-blown studio as he became obsessed with making the room sound good and building it right the first time. This quickly led to sell more than half of his pedal collection to invest in a small handful of microphones, an interface, his first analog mixer and a Tascam 388.  Brandon was hooked and gone were the days of making music in his bedroom as it became less about recording his own music and more about recording anything at all. “I just wanted practice and it became like a drug honestly”.  THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5dmXQKHhEVeXnDpxCksLJh?si=dcf85a8abb54419a If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/441

Are you listening to the gnomes? Al talked about recording in Iceland, studying Grateful Dead lyrics, finding Oteil's voice, band tracking setup, the importance of bleed, mono vs stereo, mixing templates, Aquarian Rescue Unit, and Michael Jackson. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Al Evans a multi-instrumentalist, engineer, producer, artist, and record label owner based in Western Massachusetts. Alan has been making music on stage and in the studio for over 30 years, most notably with his band Soulive as well as with artist like Oteil Burbridge, John Scofield, George Porter Jr., Karl Denson, Ivan Neville, and Reggie Watts.  Al has been a guest on the podcast previously for episode RSR183 and RSR339 to talk about recording at his studio Ironwax. And today we get to talk about his recent production for Oteil Burbridge “Lovely View Of Heaven” recorded in Iceland, and recording new material with his band Soulive. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=9fba70c2aa574145 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/440

Sing it again or mix it with a doubler plugin? Brian talked about producing layered vocal bedroom-psych rock, recording and mixing super punchy drums, finger-picked acoustic guitar, and using the LEWITT LCT1040 on vocals with LCT640TS on guitar amps. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brian K. Fisher, a Seattle-born musician, mixer, and producer currently residing in Boston, MA. By day he works as a marketing manager for LEWITT, an innovative Austrian microphone and audio company, and on nights and weekends, he's producing, mixing and writing as much music as possible. Shaped by Seattle's eclectic and tight-knit indie music scene, he's been producing and performing music under the moniker Eastern Souvenirs for the past 10+ years and mixing, engineering and producing for other like-minded bands and artists for the past 3 years. His remote mixing business has steadily grown as home recording and virtual collaboration become a standard practice (and budgetary necessity) in modern record-making. Brian loves to help bands overcome the obstacles of home recording and achieve the artistic vision they hear in their heads. He's also been a consistent presence on LEWITT and iZotope's YouTube channels, sharing home recording and mixing tips for aspiring producers. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4ndllgGmCsSmgRNDA9HOAU?si=3c2154d44bb6478e If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/439

Can you write a song on an island? Dave talked about capturing the seeds of songs, mixing with Chris Shaw, signing Nataniel Rateliff, Clap Your Hands and Say Yeah, and Ween to Rounder Records, and finding inspiration in Native Instruments Kontakt. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dave Godowsky, a veteran in the music industry, having spent the past 20+ years in Management, A&R, and Artist Relations. On the label front, he served as Director of A&R for Rounder Records (where he discovered and signed artists including Nathaniel Rateliff and Delta Spirit) and GM at Partisan Records (home to artists like IDLES, Fontaines DC, and Deer Tick). On the management front, he served as VP for Danny Goldberg at GoldVE, managing the careers of artists including Against Me!, Okkervil River, Speedy Ortiz, and Cass McCombs. On the technology front, Godowsky handles all artist and industry relations for the pioneering audio tech innovator iZotope, and now Native Instruments, and Plugin Alliance .  A songwriter and producer himself, Godowsky has released three records, and co-written/collaborated with many others including Adam Duritz (Counting Crows), Lianne LaHavas, and Gene Ween (Ween). He has toured nationwide, including performances at major festivals and on the Late Show with David Letterman. Godowsky was named one of Billboard's "30 Under 30" and has been profiled by the Boston Globe for his industry and musical contributions. He currently lives with his wife and 18-month-old son in Maine. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0kydSMaB05NOHklabBVrH6?si=2299ff470a794d0b If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/438

Take care of your unicorns! Jordan talked about using a Neve console with Pro Tools, capturing the moment and letting the vibe happen, recording your heroes and when to push them for even more, and microphones for vocals, guitar, piano, and drums. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jordan Hamlin, a multi-instrumentalist, composer, engineer and music producer based in Nashville, TN. A lifelong advocate for Creatives, she is the owner and founder of a 20 acre residential recording studio and retreat space, MOXE. In the studio, she's produced and/or engineered albums or new musical works for the GRAMMY winning duo, Indigo Girls, KT Tunstall, Tenille Townes, Allison Russell, Lucy Wainwright Roche, Sasha Sloan, Lila Blue, Rufus Wainwright, Adia Victoria, and many others. As a touring and session musician, her contributions on stage and in the studio have included collaborations with Brandi Carlile, Missy Higgins, Amy Ray, Ruby Amanfu, Loudon Wainwright III, Katie Herzig, Dar Williams, The Secret Sisters and The Nashville Ballet. Please check out the discography playlist in the show notes. Jordan is making awesome sounding records with exceptional singers and you will love it! Thanks so much to Cheyenne Medders for making our introduction and for Dave Kalmusky and Addiction Studios for reconnecting us recently. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5xMVMDXiILPAl7pDwZigA5?si=48b5eb4eabc54f74 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/437

Digital or real guitar cabinet? Nathan talked about going from intern to engineer at Blackbird Studios, running a studio like a high-end hotel, how steel drums are heavy metal, why tape should always be rolling, and how to create crankable records. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Nathan Yarborough, a heavy rock and metal music producer, engineer, and mixer who started out in North Carolina with a Tascam 4 track studying recording in college and finding his way to Nashville to intern at Sony/Tree and Blackbird Studios where he worked for eight years with some of the greatest engineers like Vance Powell, Niko Bolas, George Massenburg, Joe Chiccarelli and many others. He then went on to engineer records for producer Nick Raskulinecz for 10 years and now he works with a variety of bands at all different levels to make great recordings here in Nashville. I met Nathan recently at the 25th Annual AudioMasters Benefit Golf Tournament when we stopped at hole. That was sponsored by the Nashville Recording Supply Company. I came home with a crappy golf score but a new role of black galf tape for the studio and an amazing playlist of Nathan's discography of hard rock and metal albums including artists like Korn, Mastadon, Glasswalker, Code Orange, and Evanescense. So please give a listen to that in the show notes below. Thanks to Adam Dalton and Eric Masse for making our introduction. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6Bw6JShspe4ypBp6Jb6Pw7?si=4324eda8e5fb45cd If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/436

Don't let the gear eclipse the performance! Jacquire talked about creating 1+1 Management, the five tiers of an artist's professional team, mixing in UAD Luna, making music for META, why social media is important, and how to mix with delay & reverb. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jacquire King, a Grammy-winning music producer, mixer, and engineer with over 13 billion streams and more than 35 Grammy nominations. His extensive credits include: Tom Waits, Kings of Leon, James Bay, Shania Twain, Modest Mouse, Smash Mouth, Norah Jones, Buddy Guy, Zach Bryan, Punch Brothers, Ingrid Michelson, Cold War Kids, City and Colour and many many more. And I'm going to quote from his great website bio: “Jacquire has just one gold record hanging in his studio. It's Mule Variations by Tom Waits, a personal favorite in the mile-long list of critically acclaimed albums, multiple GRAMMY Awards, and national accolades he's earned in more than 30 years as a sought-after recording engineer and producer.” He grew up in the Washington, DC area, absorbing a rich mix of influences from reggae to punk rock. While his friends were forming hardcore bands, Jacquire was studying the noise, making cassette mixes, and learning to transform raw live music into a complex listening experience. If he maintains one constant aesthetic in his work, it's blending traditional recording artistry with emerging tools and technology. “Curiosity moves an art form forward, so I incorporate whatever gives the artist the freedom to create. I always want to be part of that evolution.”  Jacquire is committed to playing an active role in the recording industry's next chapter, serving as an ambassador for new technology and acting as a frequent mentor to up-and-coming professionals. “I don't have any studio secrets,” he said. “If I can help someone figure out their own combination of talent and technology, I want to do that. If I can give an artist a new tool to make something great, count me in.” He has his own studio, The LBT, just outside of Nashville, Tennessee.  Thank you to Matt Boudreau and Mark Rubel for connecting us - and for API putting us on the same golf team for the The Annual AudioMasters Benefit Golf Tournament for the Engineers Relief Fund. If deals really do get made on the golf course then this interview might be one of them! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5UoWocMmVdpSlAbDDi0i8K?si=6b016c9b4c5b4d21 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/435

How many engineers can you fit on a podcast? Pete, John and Brandon talked about the good and bad of a shared studio, Atmos mixing and mastering, how to make great bass, vinyl records, and why their worst day is better than most jobs' best days! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guests today are Pete Lyman, John Baldwin & Brandon Towles mixing, mastering, and cutting vinyl at Infrasonic Sound East here in Nashville. Pete Lyman who has been a guest on episode RSR165 is a GRAMMY-nominated mastering engineer, and owner of Infrasonic Mastering, an audio and vinyl mastering studio with locations in Los Angeles, CA and Nashville, TN. Pete's digital and vinyl mastering career spans thousands of titles with clients like Chris Stapleton, Jason Isbell, Brandi Carlile, Sturgill Simpson, John Prine, Weezer, Panic! At the Disco and more.   John Baldwin is a GRAMMY-nominated mastering engineer based in Nashville, TN. In 2010 John launched John Baldwin Mastering out of a studio he built in his house, eventually moving to Historic RCA Studio A. John joined the Infrasonic Mastering roster in 2021, bringing a wide spectrum of genres and skills, including restoring and remastering from vinyl and tape. His discography includes artists such as Nancy Sinatra, Deer Tick, Emmylou Harris, The Jesus Lizard, Sly Stone, The Stone Roses, Margo Price, Delta Spirit, and many others INCLUDING Twiggs II a record I produced at The Toy Box Studio. Brandon Towles is a Mixing Engineer and Assistant/Engineer/All Around Good Guy to multi-Grammy winner F. Reid Shippen. Originally from Georgetown, KY, after traveling the country for a few years, Brandon landed in Nashville to work with Reid and Infrasonic Immersive. He has Co-Mixed and Assisted on projects for artists including Dierks Bentley, Keke Palmer, Parker McCollum, The Aces, Kenny Chesney, and many more. Outside of music, Brandon loves playing basketball, the Detroit Lions, and very, very short walks on the beach. Thank you to Raelynn Janicke for setting this interview up! THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to these guests' discography on Spotify: Pete Lyman: https://open.spotify.com/playlist/7MjQvecFkWiCvpVubFQ1Xe?si=8a3c8e75085945b1 John Baldwin: https://open.spotify.com/playlist/5Bc7sk7fQyTR4zIGpukczw?si=8e56f9203b114ee8 Brandon Towles: https://open.spotify.com/playlist/5cYne80PW7Q0RJgBHzzNNn?si=b8ca212e598247db If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/434

Is that my voice over the Walmart pa? Katrina talked about writing songs for advertising, hearing her own vocals in unexpected places, songwriting production camps, recording great piano, and how to write about heartbreak when you're happily married. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Katrina Stone a songwriter and music producer recently moved from Los Angles to a countryside studio near Nashville creating soulful pop music which has landed her performance residencies at the Universal CityWalk stage and Margaritaville.  She has gained international attention through scoring brand endorsements, performing on national stages like the Van's Warped Tour, and earning critical praise for her songwriting heard in advertisements, trailers, movies, and TV shows around the world. I met Katrina on my flight to LA for NAMM 2023 and we connected over many things including songwriting, producing, family life and the freedom to live and make music outside of a sometimes suffocating urban environment. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7rXEbvThxUWDJwdF12EW3y?si=ec44f4abeeee4125 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/433

How not to be invisible... Orlando talked about his successful mixing career despite growing up illegally in the US, calculating your flat mix rate, getting the best mix notes from an artist, networking tips, and how to mic timbales, congas, & bongos! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Orlando Torres a mixer/engineer based in the Los Angeles area who has worked with legendary musicians, including Abraham Laboriel, Joey DeFrancesco, Alex Acuña, Justo Almario, percussionist Ron Powell, Lee Rocker (Stray Cats) and Little Willie G. But he is equally proud of his work with up-and-coming local bands and artists. Orlando has worked on television productions that include an Emmy nominated song for The Young And The Restless and ADR cutting for Law & Order. In 2019 he worked with Kobe Bryant at his Granity Studios as a recording engineer for Kobe's ESPN Detail and as an audio editor for The Punies podcast.  He is also an active live sound engineer with experience in all genres including orchestral classical music and house of worship and works as a “Playback” engineer running backing tracks for Trace Adkins, Sheila E, Brittany Howard (Alabama Shakes), Mary Mary, Alex Fernandez, The President's Own Marine Chamber Orchestra and the Fox Network to name a few. I met Orlando at our NAMM 2023 meetup and learned that he has a unique story which includes immigrating from Mexico with his family and becoming a naturalized citizen as part of his life and career journey. Today we will talk about the importance of networking and the challenges we all face in connecting with artists and musicians and how to overcome them even when faced with overwhelming obstacles. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5rPj20gsl2b74HEyrXulHZ?si=b44cddc6db7c4408 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/432

Can you say "do another take" in any language? Ady talked about breaking the language barrier recording bands in Morocco, Armenia, and Poland, traveling with a studio in a camper van across the desert, the pros and cons of remote recording spaces, getting your phase right, how to mix with headphones, and how not to electrocute the talent. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Ady Parzentny, a musician since the age of 11 (year 2000)'s, switched to production in 2017, specializing in location recording, remote mixing, and producing (writing, composing) songs for artists worldwide. Ady Spent 2 years in Morocco during COVID, supporting local artists with 50+ Singles/Music Videos and 2 LPs and 6 live shows Ady partnered with Warren Huart and Produce Like A Pro since 2020 and provided 20+ Music Production Tutorials on Promix Academy/PLAP Academy and YT channel Hit The Road Music with Documentaries about their travels. One of the records hit #10 on the charts in 2021 with Noam Vazana and her Album "Ke Haber". Today we are going to talk about producing world music for Film/TV and recording music with a mobile studio. Thank you to Chaz for the introduction! THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on YouTube: https://www.youtube.com/playlist?list=PLf56z6z8Sc4wXXoclaVuTwPoZSC4ohfh7 Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7vfBoVjGt8E3mKy00ynJO4?si=c06cd52eb01c4c75 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/431

Register for the FREE Awesome Mix Workshop with Bobby Owsinski: https://go.bobbyowsinski.com/musicmix/#a_aid=LShaw   Bass! How low can you go? Sam talked about studying with Bruce Swedien, the best way to record vocals in a home studio, the importance of phase, how to mix kick & bass for huge low end, when distortion is good, and the secrets to a killer vocal mix. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Sam Sherbin, a mixing engineer based in Los Angeles, California. First cutting his teeth at various studios in New York City, he went on to develop his skills under the mentorship of the late Bruce Swedien at his home studio in Florida. Since then, Sam has scored cuts with international stars like CL, Stray Kids, Rachel Platten, Ebony Obsidian and more. He collaborates closely with the likes of multi-platinum producer and composer Nick Lee, expanding Sam's footprint in both music and network television shows like NBC's Grand Crew. I ran into Sam at NAMM and am excited for us to dive into learning more about mixing and particularly mixing pop and bass music. Knowing how to get the low end just right is crucial whether you are mixing 808 kick drums and sub bass or just getting a rock band to sounds great. And Sam clearly knows how to get the low end to sounds awesome! THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1e91uz20embf5PFLygVBIO?si=7fa7548cbf5e4c70 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/430

Sometimes it's better to conform! Jermaine talked about hybrid composing music for film, making the music fit ever-shrinking film edits, switching to Cubase, how to create an orchestra in your home studio, and the secret to realistic-sounding scores. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jermaine Stegall, a film composer and conductor. With over 50 projects to his credit, Jermaine most well-known for the score to “Coming 2 America”, the highly anticipated sequel to the Eddie Murphy classic, with Murphy, Arsenio Hall and James Earl-Jones all reprising their roles. Jermaine recently completed the score for "Praise This" for Universal Pictures. Other scoring and conducting assignments have included “Senior Year” (2022) for Paramount Pictures, and the upcoming film “Oracle” for Universal Pictures. As a musical conductor, Stegall led a live string orchestra alongside Grammy-winning artist Tori Kelly at the televised 2019 ESPY Awards. A year prior, he conducted the orchestra to Camila Cabello's performance of “Consequences” on ABC's American Music Awards. In addition to scoring 2 seasons of "Our Star Wars Stories,” an original digital series from Lucasfilm and StarWars.com, in which host Jordan Hembrough uncovers heartfelt tales of fans and families who have found inspiration in the galaxy far, far away, Jermaine was also nominated for a MPSE Golden Reel Award for scoring the animated Netflix short film "Canvas" directed by Pixar's Frank Abney III. Thank you to Chris James for the introduction! THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/19cZq4Xs7gomhZQFuBeSBW?si=95b1f8256d154fb5 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/429

Cutting edge technology vs technically cutting edges... Nick and J talked about mixing and mastering vinyl records, Atmos vs Sony 260AR, how to listen to immersive audio, mixing for Halloween, old school vs modern low-end, and how to rescue a snare. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guests today are Nick Townsend and J Clark joining us from Infrasonic West in Los Angeles.  Nick Townsend's musical prowess is rooted in the punk rock scene. He began drumming for punk bands at the age of 16, and has been playing professionally ever since. His trained ears, and passion for music production, is owed to recording bands in his grandmother's garage. He attended the Audio Engineering School at Citrus College in Glendora, CA. He then landed his first audio job with Infrasonic Mastering in 2012 where he assisted Pete Lyman, while simultaneously learning the craft of vinyl mastering and lacquer cutting. Soon thereafter, he started his own Townsend Mastering until 2021 when he rejoined Infrasonic Los Angeles. Nick has mastered records for The Egyptian Lover, Militarie Gun, No Pressure, Fleshwater, Spanish Love Songs and many more, and specializes in vinyl mastering and lacquer cutting of over 2,000 vinyl records including artists such as Cheap Trick, Paramore, Weezer, Iron Maiden, Bad Religion, Garbage, Dr. Dre, 2pac, Grimes and more. His work can be identified by the hand scribed “NT” found on the lock groove of each vinyl. J Clark is an engineer, mixer, composer, and multi-instrumentalist based in Los Angeles, CA. He spent the majority of the late 90's and 2000's playing and touring in the bands Pretty Girls Make Graves, Killsadie, Jaguar Love, and Sharks Keep Moving. After moving to Los Angeles in 2010, he began composing music for ads and movies before expanding into post production; Re-Recording mixing, Sound Design, and Dialogue editing for film and television. In late 2020 he began mixing and mastering music in Dolby Atmos and Sony 360RA. His spatial credits include artists such as Jennifer Lopez, MK, The Hold Steady, Nelly, Nicky Jam, Marc Anthony, and many others. J's studio was designed and built in collaboration with PMC Loudspeakers, Dolby Laboratories, and Sony Home Entertainment and boasts an impressive 24 speakers! It's built to handle the present and future of multichannel sound for music, picture and gaming offering an 11.1.6 ATMOS and a 13.1 Sony360 array for the most precise playback and detail of your immersive projects. Thanks to Raelynn Janicke for setting this interview up! THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to these guests' discography on Spotify: Nick Townsend: https://open.spotify.com/playlist/3D9JMrWjXz6DqbFm4gye44?si=5743505ecee14f2b J Clark: https://open.spotify.com/playlist/5LVwyfmZsaoQZOcPX3DW5G?si=1fefc4e4813c44c2 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/428

It's gotta slap to be right! Rae talked about mastering everything from pop to hard rock and punk to EDM and respecting the bass drop, how to master Atmos mixes, tips for managing a studio, when loudness matters, and the importance of level matching. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Raelynn Janicke, a mastering engineer and the studio manager for Infrasonic Mastering, based in Nashville, TN. Before joining Infrasonic in 2019, Raelynn worked at Tommy's Tracks, where she fulfilled a variety of roles alongside owner Tommy Wiggins including mastering and archival. Raelynn has mastered and assisted on projects for The Shins, Kayla Hall, Nefesh Mountain, Talia Stewart, Big 50, and Eli Howard. Raelynn got her Bachelor's Degree in Applied Arts and Sciences, with Concentrations in Audio Engineering and Computer Science, from The Rochester Institute of Technology. Much like her career thus far, Raelynn's path to her degree was self-made. She was initially drawn to the practicality of a job in computer programming, but switched majors halfway through her program after assisting on a college a cappella record. From there, she discovered the school's modest audio program, created an individualized degree, and threw in minors in history and music technology, just to keep things interesting. Raelynn brings this level of enthusiasm and exploration to every project she works on at Infrasonic Mastering, both as manager and engineer. She describes herself on her website as a “Mastering Engineer Who Loves Tacos and Is Taller Than Danny Devito.” Thanks to F Reid Shippen for connecting us. Today we will talk about the tech meets art of mastering, running a busy multi room facility, Atmos immersive audio, and how AI in mastering could affect our future of music. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/59yLjwPFClRklas9dGbfBA?si=f65808e2d4f241e3 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/427

Why would you put a Pultec on every track? David talked about mixing with fewer plugins to keep the best ones special, how to create a great mix template, the sound and feel of hybrid mixing, compression as tone, and mixing with the SSL UF8 and UC-1. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Vignola, a professional audio mixing engineer with over 20 years experience who has mixed and mastered music for hundreds of artists all over the world. He has been in studios all over the country, working in many analog/digital hybrid studios. He also studied under the mixing engineer Michael White whose credits Include The Rolling Stones, Whitney Houston, Kiss, and the Talking Heads, just to name a few. Over the last decade David decided to start giving back by helping musicians and engineers learn the craft of audio engineering. He found that teaching was something he really enjoyed and that led him to create Home Recording Made Easy.com and now Mixing Made Easy.net. His main focus is on the beginner/intermediate recording musician and aspiring audio engineer to help students improve their recording/engineering skills. I have enjoyed watching David's Youtube videos and I highly recommend that you check them out Rockstars. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4j5NKwYW3CUQuKQu2UNjGe?si=0399d24bbce2469d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/426