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Chapters00:00Introduction and Connection02:26Real Estate Dreams and Retirement Plans04:48Adoption Story and Family Background07:27Understanding Sexuality and Identity09:54Coming Out and Family Dynamics12:35Spiritual Experiences and Past Lives15:07Reflections on Family Relationships17:59Life Lessons and Personal Growth21:52Adapting to New Environments23:34Pets and Their Needs24:21Relationships and Love25:22Career Transitions and Playwriting28:51The Impact of HIV/AIDS on Relationships31:55The Journey to Becoming a Playwright35:25Navigating the Film Industry38:35Upcoming Projects and Aspirations40:42Life Lessons and Philosophies43:42Reflections on Society and PoliticsSummary:In this episode, Stephen Druckman shares his personal journey from his early life in Boston to his successful career as a playwright. He discusses his family dynamics, coming out as gay, and the challenges he faced in his identity. Stephen reflects on his artistic philosophy, the importance of kindness, and his current projects, including a new play. The conversation touches on themes of love, acceptance, and the complexities of navigating life as an artist in today's world.Takeaways:Stephen's early life was marked by family challenges and adoption.He always knew he was different and gay from a young age.His journey into playwriting began as a way to express his identity.Stephen emphasizes the importance of kindness in life and art.He believes love is the core reason for our existence.His experiences in the theater have shaped his artistic philosophy.Stephen's new play explores themes of love and aging.He reflects on the impact of the AIDS crisis on his generation.The conversation highlights the importance of authenticity in art.Stephen's insights on the current political climate reveal his concerns for the future.Bio:STEVEN DRUKMAN was nominated for the Pulitzer Prize in Drama for his play Another Fine Mess (Portland Center Stage). His plays include Pru Payne (Arizona Theatre Company, SpeakEasy Stage in Boston, MA); Going to See the Kid (Merrimack Rep); Death of the Author (Geffen Playhouse, starring Austin Butler in his first stage role); The Prince of Atlantis (South Coast Rep); The Innocents (Asolo Rep); The Bullet Round (Arena Stage, Portland, OR); In this Corner (The Old Globe, winner of the San Diego Circle Best New Play Award); Going Native (Long Wharf Theatre); Flattery Will Get You (Connecticut Rep); and more. Drukman's work has been developed by the Mark Taper Forum, Manhattan Theatre Club, Intiman Theatre, Sundance Theatre Lab, Williamstown Theatre Festival, Playwrights Horizons, New York Theatre Workshop, and many others. As a journalist, Drukman wrote for The New York Times for many years, as well as The Nation, The Village Voice, and International Herald Tribune. He also served as the theatre reviewer for Artforum and WNYC-FM. As an actor, Drukman has been directed by Richard Foreman, Anne Bogart, Maria Irene Fornes and Arnold Wesker, and was a member of the Organic Theater Company in Chicago, where he won a Jeff Award. He received his Ph.D. from NYU, where he is an Associate Professor of playwriting.To contact Steven:To contact Wilkinson: BecomingWilkinson@gmail.com
Khawla Ibraheem is a playwright, actor and director based in the Majdal Shams in the occupied Golan Heights. She is a regular at many theatres in Palestine and outside of Palestine she has collaborated with many theatres and institutions, including as a fellow at the McDowell, and as an artist in residence at the Sundance Theatre Lab. Khawla's one-woman play, A Knock on the Roof, opens at the Royal Court later this month.
Amir Nizar Zuabi and Samar Haddad King talk about the inception and process behind Yaa Samar!'s dance theatre performance: Last Ward which follows one man's journey towards death in a hospital room. They also share with us how they met and began collaborating and discuss how far identity extends into their work.This episode is in collaboration with the Arts Center at NYU Abu Dhabi.Amir Nizar Zuabi is an award-winning theater writer and director, the Artistic Director of ShiberHur, and served as Associate Director of Young Vic London (2009 – 2017). Zuabi is also a member of Union of Theatres of Europe (UTE) for artistic achievement, an artistic advisor for the Palestinian National Theatre, and an alumni of Sundance Theatre Lab.Samar Haddad King (CBA '20), Artistic/Founding Director of Yaa Samar! Dance Theatre (YSDT), graduated cum laude in choreography from the Ailey/Fordham BFA program under the tutelage of Kazuko Hirabayashi.Created and hosted by Mikey Muhanna, afikraEdited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About the afikra Conversations:Our long-form interview series features academics, arts, and media experts who are helping document and/or shape the history and culture of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community still walks away with newfound curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into headfirst. Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience on Zoom. Join the live audience: https://www.afikra.com/rsvp FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on afikra.com
Based on a true story, The Exorcism of Emily Rose opens on a desolate landscape, a weathered farmhouse the only dwelling in sight. One thing we learn right away: Emily Rose, a girl of 19, is dead, and her condition shakes the medical examiner who comes to visit. Emily, we discover, has died as the result of demonic possession… or six demonic possessions… or maybe none. Erin Bruner, a top-notch defense attorney, is assigned to defend the priest who exorcised Emily, Father Richard Moore, who stands accused of having cut off the girl from medical treatments she was undergoing. Father Moore is offered a plea deal, but rejects it, as he feels Emily's story must be told. Hoping to make partner at her law firm, Erin is determined to follow her instincts, but between Father Moore's compelling testimony and some very strange happenings in her own life, Erin starts to wonder if perhaps, against all odds, possession is real, and can be proven in a court of law. Intro, Math Class, and Debate Society (spoiler-free) 0:00-15:20 Honor Roll and Detention (spoiler-heavy) 15:21-41:47 Superlatives (so. many. spoilers.) 41:48-1:01:58 David Grimm is a Brooklyn-based award-winning playwright and screenwriter. His plays include Ibsen in Chicago (Seattle Rep.); a new adaptation of Cyrano de Bergerac (Perseverance Theatre); Tales From Red Vienna (Manhattan Theatre Club); Measure for Pleasure (Public Theater; Bug 'n Bub Award; GLAAD Media Award nominee, Outstanding New York Theater, Broadway and Off-Broadway); The Miracle at Naples (Huntington; Best New Play IRNE Award); Steve & Idi (Rattlestick); Chick (Hartford Stage); The Learned Ladies of Park Avenue (Hartford Stage); Kit Marlowe (Public Theater; GLAAD Media Award nominee, Outstanding New York Theater, Broadway and Off-Broadway); Sheridan, Or Schooled In Scandal (La Jolla); Enough Rope (Williamstown Theatre Festival, starring Elaine Stritch), and Susanna Centlivre's The Gaming Table (for which he wrote additional material; Folger Library Theatre). Grimm's film work includes the dialogue for Matthew Barney's River of Fundament. His work for television includes “The Exorcist” (FOX Television, Seasons 1 and 2) and “NOS4A2” (AMC, Season 2). David is the recipient of an NEA/TCG Residency Grant and has received commissions from The Public Theater, Roundabout Theatre Company, Seattle Rep., Huntington Theatre Company, Hartford Stage, and Pittsburgh's City Theatre Company. He has developed work at the Sundance Theatre Lab, Old Vic New Voices, and New York Stage & Film. David holds an MFA from NYU, a BA from Sarah Lawrence College, and has lectured in Playwriting and Screenwriting at the Yale School of Drama, Brown University, Columbia University, and NYU. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from “The Exorcism Of Emily Rose” by Christopher Young. For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Capítulo 018: On this episode of Ocu-Pasión we are joined by Broadway veteran, university instructor, theatre facilitator, and director Michelle Rios. Listen in as we discuss Theatre within social activism, collective creation, and the art of storytelling. Michelle's credits include the Tony Award nominated Broadway productions of Paul Simon and Derek Walcott's The Capeman, The Sound of Music (starringRichard Chamberlain), and Man of La Mancha (starring Tony Award winner Brian Stokes Mitchell). She also performed the coveted role of “Abuela Claudia” opposite Tony, Grammy, and Emmy Award winner Lin Manuel Miranda in In the Heights and originated the role of “Maria Elena” in the opera Missionaries written and directed by the late Elizabeth Swados, which premiered at both La MaMa, ETC. and New York Stage and Film. A classically trained vocalist, Ms. Rios was also a Metropolitan Opera Mid Atlantic Semi-finalist, and has collaborated with artists on theatrical, classical, and contemporary new works. She was a guest artist in Spoleto Music Festivals in both Italy and Charleston, SC, where she performed the world premiere of Magic & Transformation, a chamber orchestral piece with lyrics by the late Lou Reed and music by contemporary composer Peter Gordon. Other guest artist concert appearances include: The Washington Opera, The National Symphony, The Greenville Symphony, The Arlington Symphony, The Pan American Symphony Orchestra, The Core Ensemble, Opera Maxlrain (Germany), The “In” Series, etc. Ms. Rios has performed and collaborated with such luminaries as Paul Simon, Lin Manuel Miranda, Marc Anthony, Ruben Blades, Uzo Aduba, Lila Downs, and Academy Award nominees Ed Harris, Mare Winningham, and Mary Elizabeth Mastrantonio, to name a few. She performed the role of "Signora Nacarelli" in the World Premiere of the first chamber production of The Light in the Piazza by Tony Award winning composer Adam Guettel. She also originated the role of “Lupe” in the World Premiere of Tony Award nominees Michael John LaChiusa and Sybille Pearson's Giant directed by award winning Broadway and West End director and choreographer Jonathan Butterell ("Everybody's Talking About Jamie"). She performed alongside Grammy Award winning recording artist Lila Downs as “Mama Elena” in the Sundance Theatre Lab workshop presentation of Like Water for Chocolate with music and lyrics by Lila Downs and a book by Pulitzer Prize Award winning playwright Quiara Alegria Hudes. Ms. Rios received a 2018 Helen Hayes Award nomination for her performance as "Abuela Claudia" in the U.S. Spanish premiere of In the Heights directed and choreographed by Luis Salgado with original Spanish lyrics by Lin Manuel Miranda. You may catch Ms. Rios as “Flora” opposite Academy Award nominee Ed Harris in the feature film Frontera (on Netflix). She appears as "Mrs. Lopez" in the first season of Schmigadoon! a musical comedy series starring SNL's Cecily Strong and directed by Barry Sonnenfeld (Addams Family, Men in Black, etc.). Schmigadoon! is currently streaming on Apple TV+ . Ms. Rios received an MFA in Theatre Practice from the University of Alberta (Canada).Follow Michelle : Website: www.mmrios.comDelsy Sandoval is the Executive Producer of Ocu-Pasión. If you want to support the podcast, please rate and review the show here. You can also get in touch with Delsy at www.ocupasionpodcast.comFollow Ocu-Pasión on Instagram: @ocupasionpodcast www.instagram.com/ocupasionpodcastJoin the Ocu-Pasión Facebook Group: facebook.com/groups/5160180850660613/
In this episode Durell speaks with Niegel Smith. Niegel is a Bessie Award winning theater director and performance artist. He is the Artistic Director of NYC's Obie Award winning theater, The Flea; board member of A.R.T./New York; and ringleader of Willing Participant (www.willingparticipant.org) an artistic activist organization that whips up urgent poetic responses to crazy shit that happens.His theater work has been produced at The Alley Theater, The Barbican, Classical Theatre of Harlem, The Flea Theater, The Goodman Theatre, HERE Arts Center, Hip Hop Theatre Festival, The Invisible Dog, Luna Stage, The Melbourne Festival, Magic Theatre, Mixed Blood, New York Fringe Festival, New York Live Arts, Phoenix Theatre Ensemble, Playwrights Horizons, Pomegranate Arts, The Public Theater, St. Ann's Warehouse, Summer Play Festival, and Under the Radar, and his participatory walks and performances have been produced by Abrons Arts Center, American Realness, The Brooklyn Museum, Dartmouth College, Elastic City, The Invisible Dog, Jack, The New Museum, Prelude Festival, PS 122, the Van Alen Institute and Visual AIDS. He often collaborates with playwright/performer Taylor Mac. Smith is co-director of the critically acclaimed ‘A 24-Decade History of Popular Music', winner of the Kennedy Prize in Drama, Bessie Award, the Edwin Booth Award and a Pulitzer Prize finalist. He associate directed the Tony Award winning musical FELA! – restaging that production in London, Lagos and its world tour, assistant directed the off-broadway production of The 25th Annual Putnam County Spelling Bee and both the Broadway and off-Broadway productions of Tony Kushner's Caroline, or Change. He has worked on the artistic staffs of The Public Theater, Trinity Repertory Company and Providence Black Rep. A graduate of Dartmouth College, Smith has received residencies, grants and/or fellowships from Brooklyn Arts Council, Brooklyn Arts Exchange, Lower Manhattan Cultural Council, the MAP Fund, New York Stage and Film, Sundance Theatre Lab, Theater Communications Group, Tucker Foundation, Van Lier Fund and VoxFest. Before surviving high school in Detroit, he grew up in the North Carolina piedmont, fishing with his dad, shopping with his mom and inventing tall-tale fantasies with his two younger brothers. www.niegelsmith.com
Reynaldo Piniella is an actor, writer, educator and activist from East New York, Brooklyn. He is an Advocacy Leadership Institute Fellow with the National Association of Latino Arts and Cultures (NALAC). He currently serves on the Council of the Episcopal Actors' Guild, a nonsectarian charitable organization that provides food and financial assistance to actors in need. He co-runs Youth Onstage!, a free youth theater training program for young people from underserved communities across the country. As an actor, he's been seen Off-Broadway in The Death of the Last Black Man…, Venus (Signature), The Skin of Our Teeth (TFANA), Lockdown (Rattlestick), The Space Between the Letters (The Public/UTR), Terminus (NYTW Next Door). Regional work includes Baltimore Center Stage, Syracuse Stage, Sundance Theatre Lab in Morocco, the O'Neill and the Cleveland Playhouse. TV credits include Blue Bloods, Sneaky Pete, Flesh & Bone, Greenleaf, The Carrie Diaries, Law & Order: SVU, NYC 22, Us & Them, Louie and The Daily Show with Jon Stewart. Film credits include Madeline's Madeline, Shadows, One Percent More Humid and Broken City. His writing has been developed and commissioned by Baltimore Center Stage, the National Black Theater, San Diego Rep, Single Carrot Theater, Pioneer Theatre Guild, Shakesqueer Theater Company, HB Studio and NYU. Piniella's play Black Doves won the Thomas Barbour award for Playwriting. Philanthropic/Activist Causes: Episcopal Actors Guild National Association of Latino Arts and Culture, Weeksville Heritage Center
At the heart of most performance practice is storytelling. How can the arts impact the climate narrative? What can individuals and institutions do to make a difference when it comes to climate change? We'll speak with a variety of artists, activists and experts about their work in shaping the story on climate and then close out with our featured artist, Nefertiti Abdulmalik, also known as SolAR Lightbeam. Be sure to visit our website pivotarts.org and click on "Get Updates" to stay informed about Pivot Arts or follow us @PivotArts.EPISODE 1: RESHAPING THE CLIMATE NARRATIVE GUESTS:Annalisa Dias (she/her) is a Goan-American transdisciplinary artist, community organizer, and award-winning theatre maker working at the intersection of racial justice and care for the earth. She is Director of Artistic Partnerships & Innovation at Baltimore Center Stage and a Co-Founder of Groundwater Arts. Prior to joining BCS, Annalisa was a Producing Playwright and Acting Creative Producer with The Welders, a DC playwright's collective; and a Co-Founder of the DC Coalition for Theatre & Social Justice. For more information on the Green New Theatre Initiative visit: groundwaterarts.com/green-new-theatreHans Detweiler (he/him) Senior Director, Development at Jupiter Power LLC, has a demonstrated history in renewable energy project development. As vice president of development at Clean Line Energy, he directed development of long-distance overhead transmission line projects for wind power. He also oversaw development of a 1,000-MW wind farm in New Mexico, served as director of state policy for the American Wind Energy Association and was deputy director for energy and recycling at the Illinois Department of Commerce and Economic Opportunity.Kristin Idaszak (she/they) is a two-time Playwrights' Center Jerome Fellow and the former Shank Playwriting Fellow at the Goodman Theatre. Idaszak has received commissions from the Goodman, EST/the Sloan Foundation, Cleveland Play House, St. Louis Shakespeare Festival, and TimeLine Theatre. Her play SECOND SKIN received the Kennedy Center's Paula Vogel Playwriting Award and the Jean Kennedy Smith Playwriting Award, and her play ANOTHER JUNGLE was a Relentless Award Honorable Mention. She was the Kennedy Center Fellow at the Sundance Theatre Lab. She is a Resident Playwright at Chicago Dramatists and adjunct faculty at The Theatre School at DePaul University and Northwestern University. SolAR*, Nefertiti Abdulmalik (she/her) raised on Chicago's Northside, recently presented her video animation work Portal to New Earth as part of the 2021 Pivot Arts Festival. She has always been drawn towards the arts and nature. Her current focus is to create works that illustrate nature and how it is interconnected. Nefertiti holds a BFA in Animation from DePaul University and is now beginning her career as a performing artist, combining her love for music, dance, animation and storytelling. By blending together animated visuals, music and story, she shares messages of human empowerment, imagination and nature connection.Episode 1 was produced and edited by Julieanne Ehre with original music by Andrew Hansen and sound engineering by Hannah Foerschler.The Pivot Arts Podcast is made possible by FLATS, a Chicago based apartment community.Mentions in Episode Include:"All We Can Save: Truth, Courage, and Solutions for the Climate Crisis" Edited by Ayana Elizabeth Johnson and Katharine K. Wilkinson"Emergent Strategy: Shaping Change, Changing Worlds" by Adrienne Maree BrownGroundwater ArtsIllinois' Stretch CodeHeat Pump Technology
Andrew Byrne is a voice teacher, vocal coach, composer, performer and music director. He is the creator of The Singing Athlete, a training program that applies functional neuroscience and athletic training to the voice studio. Andrew was twice named one of the “Favorite Vocal Coaches” in NYC Backstage Reader's Choice Awards, and is also a frequent contributor to their experts column. In the past few seasons, his students have been seen in many Broadway shows. Andrew was the singing coach for The Real Thing, starring Ewan MacGregor, Maggie Gyllenhaal and Cynthia Nixon, and The Bridge Project, directed by Academy Award winner Sam Mendes. His Broadway and off-Broadway conducting/keyboard credits include Les Misérables, I Love You, You're Perfect, Now Change and A Class Act. He has music-directed projects for such companies as Sundance Theatre Lab, The York Theater, Primary Stages and the New York Musical Theater Festival. Andrew has served on guest faculty at the University of Michigan's musical theater department. He was also on the faculty of the School of Fine Arts at Boston University, holding positions in both the music and theater departments. He holds a Master of Music degree in vocal pedagogy and performance from Arizona State University, as well as an undergraduate degree in vocal performance from Western Michigan University. As a composer/lyricist, Andrew's songs are performed internationally. His arrangements have been heard on NBC's America's Got Talent, and his song "A Contemporary Musical Theater Song" is featured in the film Waiting in the Wings. His work has been featured on Seth Rudetsky's Obsessed! video series, as well as such prominent blogs as Americablog and Towleroad. Performances of his parody of Goldrich and Heisler's "Taylor the Latte Boy" have received more over a million views on YouTube. ANDREW BYRNE https://www.andrewmbyrne.com https://thesingingathlete.com VOICE CHOICE Listen to Andrew's favourite 'Voice Choice' on the VocalScope Podcast Guests Playlist on Spotify: https://open.spotify.com/playlist/4pjclKQVRnnUnMW0vgu0H0?si=8380f4264b42464e VOCALSCOPE PODCAST & BOOK CLUB Join the VocalScope Book Club: https://vocalscope.ac-page.com/book-club-sign-up VocalScope Linktree: https://linktr.ee/vocalscope
Career Conversations with Matt Bomer, currently starring in The Boys in the Band, moderated by Broadway World's Richard Ridge of "Backstage with Richard Ridge!" on July 12, 2018. Matt Bomer: Theatre: Williamstown Theatre Festival, New York Stage and Film, Sundance Theatre Lab, Alley Theatre. Television: The Normal Heart (Golden Globe, Critics’ Choice Award, Emmy nom.), White Collar (People’s Choice Award), American Horror Story: Hotel, The Last Tycoon, Traveler, Chuck, Glee. Recently, Bomer made his directorial debut with an episode of American Crime Story: Versace. Film: Magic Mike, Magic Mike XXL, The Nice Guys, In Time, The Magnificent Seven, Walking Out. Upcoming films: Vulture Club, Papi Chulo. Bomer is a graduate of Carnegie Mellon University. He previously appeared in a reading of Dustin Lance Black’s play 8, and is grateful to be making his Broadway debut.
Gregory Fletcher (gregoryfletcher.com) is a native of Dallas, Texas, a resident of New York City, a graduate of California State University at Northridge with a BA in Theater Arts, of Columbia University with a MFA in Directing, and of Boston University with a MA in Playwriting. Currently, Fletcher works freelance as an AEA stage manager, author, playwright, and director. Fletcher has also taught various theater courses at the university level (full time for 11 years). As an AEA stage manager, Fletcher has worked on 18 Off-Broadway productions, one national tour, six NYC workshops of new musicals, and six regional productions. For complete details, please see Stage Management Resume. As a playwright, Fletcher has been produced with 12 Off-Off Broadway productions; plus, regionally in Boston, Miami, Moscow (Idaho), and Provincetown. A complete list of plays and productions can be found under Playwriting Resume and descriptions and synopses at the National Play Exchange. As a director, Fletcher has directed nine Off-Off-Broadway productions; plus many staged readings of new plays and musicals. Regionally, Fletcher has directed five productions as well as fifteen university productions. As an assistant-to-the-director, Fletcher worked with Sir Peter Hall (2x) and Adrian Hall (2x). See Directing Resume for a complete list of credits. As a published author, Fletcher’s credits include four essays, two short stories, a craft book, several short plays, and a YA novel. For a complete list, see Publishing Resume. Awards include the Mark Twain Prize for Comic Playwriting and the National Ten-Minute Play Award from the Kennedy Center American College Theatre Festival, and a first runner up for the David Mark Cohen National Playwriting Award from the Association of Theatre in Higher Education. Fletcher was a playwriting grantee at the Sundance Theatre Lab, a nominee for Outstanding Original Short Script for the New York IT Awards, and a national finalist for the Heideman Award and the Reva Shiner Comedy Award.
Paola Lázaro is a playwright and actress born and raised in San Juan, Puerto Rico. She holds a BFA in Dramatic Writing from SUNY Purchase College and an MFA in Playwriting from Columbia University. Paola is Atlantic Theater Company’s 2016/2017 Tow Playwright-in-Residence, supported by The Tow Foundation. She was a member of the Public Theater’s 2015 Emerging Writers Group and was selected as Playwright-in-Residence for the 2016 Sundance Theatre Lab in Morocco. Some of her plays include Contigo and There’s Always the Hudson, which was selected as part of Labyrinth Theater Company’s Up Next Series. Paola is the recipient of the Arts Entertainment Scholarship Award (2011) from the National Hispanic Foundation for the Arts for her TV pilot episode of “Trópico”. In 2015, she was nominated for a Drama Desk Award for Outstanding Featured Actress in a Play for her role in TO THE BONE at the Cherry Lane Theatre. Make sure you follow his journey on: INSTAGRAM: @paolaelisa TWITTER: @PaolaLazaro21 Stay tuned for more interviews like this every FRIDAY. You can follow us on INSTAGRAM: @quierotheshow PODCAST: itunes.apple.com/us/podcast/q... TWITTER: @quierotheshow FB: facebook.com/quierotheshow/
For this week's episode, we trace The Light in the Piazza's fifty-year journey from its first incarnation as a novella by Elizabeth Spencer to a musical idea handed down through one of musical theater's most prominent families. We follow the musical, written by Adam Guettel and Craig Lucas, as it takes shape at the Sundance Theatre Lab, has its first production at the Intiman Theatre in Seattle, is restructured for the Goodman Theatre in Chicago, before making its way to Broaday at Lincoln Center. The show would be nominated for 13 Tony Awards and win 8 of them. It would make stars of its two leading ladies and go down as one of the most important new works of our time. This episode features brand new interviews with composer Adam Guettel, book writer Craig Lucas, actors Victoria Clark, Kelli O'Hara, and Celia Keenan-Bolger, director Bartlett Sher, and Lincoln Center Artistic Director Andre Bishop
Hosts Briana Phipps and Jacque Borowski discuss the musical Fun Home. Fun Home is a musical adapted by Lisa Kron and Jeanine Tesori from Alison Bechdel's 2006 graphic memoir of the same name. The story concerns Bechdel's discovery of her own sexuality, her relationship with her gay father, and her attempts to unlock the mysteries surrounding his life. It is the first Broadway musical with a lesbian protagonist. The musical was developed through several readings and performances, including at the Ojai Playwrights Conference in 2009 and at the Sundance Theatre Lab and The Public Theater's Public Lab in 2012. It opened Off-Broadway at the Public Theater in September 2013 to positive reviews. Its run was extended several times, until January 2014. The Public Theater production of Fun Home was nominated for nine Lucille Lortel Awards (winning three, including Outstanding Musical), two Obie Awards and eight Drama Desk Awards, among others. The original
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