Podcast appearances and mentions of ruben blades

La música es una de las formas más poderosas de contar historias, y muchas canciones que conocemos y tarareamos están inspiradas en hechos reales que marcaron la historia. En este episodio, exploramos la verdad detrás de algunas de ellas.

Revisando el disco nuevo del gran Ruben

Mix Name: DJ Kenny Fiesta – Salsa Clasica Website: https://www.iamlmp.com/ Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/dvjcarter/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp —— #salsa #iamlmp #salsaclasica

Poema de Antonio Choperena como introducción a un tema de Ruben Blades

Karl Perazzo is a World Class percussionist who has played with Carlos Santana for 33 years. He's played with the best in Pop, Jazz, Rock and Latin music including Cal Tjader, Dizzy Gilespie, Sheila E., Mariah Carey, Paquito D'Rivera, Tito Puente and Ruben Blades. He's performed on American Bandstand, Soul Train and the American Music Awards.My featured song is “It Don't Matter” from the album East Side Sessions by my band, Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Karl at:Instagram (@karlpperc)—---------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

En este episodio Jota y Luis continúan el homenaje de Maestra Vida de Rubén Blades, pero con su Segunda Parte. Ambos se sientan a seguir hablando de esta historia que cada vez coge más relevancia. Este epsidio se grabó el mismo día que la Primera Parte, pero estuvo casi dos meses exclusivo por Patreon. Si no quieres quedarte atrás en nuestro podcast, únete a Patreon. www.patreon.com/acordesyrimas

Rubén Blades entiende la fama mejor que nadie y estuvo cerca de nos ser el gran músico que todos conocemos hoy día.'El cantador de historias' como lo bautizó Gabriel García Márquez nos cuenta hoy sobre su salida de Panamá, sus estudios de abogacía, su activismo social, su carrera, sus luchas y sus sueños. 

This week on Beale Street Caravan, we feature the electrifying sounds of international rock n' roll band, Making Movies. The band was nominated in 2019 for the Latin Grammy Album of the Year for their collaboration with Ruben Blades on the song “No Te Calles”. Comprised of Panamanian brothers Enrique and Diego Chi, along with Juan-Carlos Chaurand from Mexico, and Duncan Burnett from Kansas, the band's sound is one that represents all of the Americas, together. Grammy nominated blues man, Guy Davis, will also be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Conrad Herwig, commercial and jazz trombonist from New York City. About Conrad: New York jazz artist CONRAD HERWIG has recorded nearly 30 albums as a leader, receiving four GRAMMY®-nominations for his own projects. His latest CD release is The Latin Side of McCoy Tyner (Savant; 2024). This albums marks 27+ years of the “Latin Side . . .” series, and is a follow-up project to The “Latin Side of ...” tributes to Charles Mingus (Savant 2022), Horace Silver (Savant; 2020), Joe Henderson (Half Note; 2014), Herbie Hancock (Half Note;2010) Wayne Shorter (Half Note; 2008), Miles Davis (Half Note; 2004), and John Coltrane (Astor Place; 1996). These exciting and individualized projects feature an array of special guests including Randy Brecker, Ruben Blades, Michel Camilo, Joe Lovano, Eddie Palmieri, Paquito D'Rivera, Dave Valentin and many of the hottest players on the international scene. Herwig is equally facile in a non-Latin arena. He has been voted #1 Jazz Trombonist in DownBeat Magazine “Jazz Critic's Poll” and nominated for “Trombonist of the Year” by the JazzJournalists Association on numerous occasions. In constant demand as a sideman, Herwig has performed with Joe Henderson, Horace Silver, McCoy Tyner, and Joe Lovano (featured as a soloist on Lovano's GRAMMY® Award winning 52nd St. Themes CD). In the Afro-Caribbean genre he has toured with legends such as Eddie Palmieri, Tito Puente, Paquito D'Rivera, and Michel Camilo. He is a longtime member of the the Mingus Big Band (where he has served as musical director and arranger including on the 2011 GRAMMY®-winning “Live at the Jazz Standard”). In other big band settings Herwig has also performed and recorded with Clark Terry, Buddy Rich, Frank Sinatra, Miles Davis & Quincy Jones, and the Gil Evans Orchestra. All told Herwig has appeared on more than 200+ albums in what is now a 40 year career. In 2006 Herwig received the Paul Acket Award (formerly the “Bird Award”). The prize, presented at the North Sea Jazz Festival, is intended for an artist who, according to the international jury, deserves the attention of a broader audience. Herwig is also a recipient of performance and teaching grants from the National Endowment for the Arts. Conrad was elected to the Board of Advisors of the International Trombone Association and has taught at Mason Gross School of the Arts in the prestigious jazz program at Rutgers University in New Brunswick, N.J. where he currently serves as Artistic Director and Chair of Jazz Studies.

Join us for another week of laughter, TV shows, streaming, movies and all things entertainment. THIS WEEK WE'RE TALKING MOVIES It Ends with Us (2024) TV My Lady Jane (S1) Presumed Innocent (S1) Fear the Walking Dead (S8B) WATCH OF THE WEEK & PEAK PERFORMANCE Fear the Walking Dead: Starring: Kim Dickens, Ruben Blades, Colman Domingo, Alycia Debnam-Carey & Lennie James. And finally our Peak Performance nominations are in for Juliette Lewis. Come and have a listen EPISODE TITLE This weeks episode title is dedicated to Paul and I for watching eight mostly painful seasons of Fear the Walking Dead. We did it for you faithful HMP listeners. RUNNING ORDER 03m47s | What we've been watching 33m39s | Watch of the week: Fear the Walking Dead 53m23s | News & Mailbag 01h02m10s | Peak Performance: Juliette Lewis GET IN TOUCH Support us on Patreon Follow us on Instagram Post (Tweet) us @HalfMeasuresPod Talk to us on Discord Follow us on Facebook Visit our website halfmeasurespodcast.com This episode of the Half Measures Podcast is brought to you by our ⁠Patreon⁠ Producers: Samara Whiting-King, Diana Knauer, Tricia Brady, Michael Chalmers & Tony "Baby Horse" Foale.

New month, new theme... after spending last month looking at the past, in September we're "going back to (look at) the future!" That means we'll be talking about movies set in the future relative to film's release but in a year that has already happened in the real world. For instance: 1990's Predator 2, set in near-future 1997 in Los Angeles. Ben, Bree, Sam, and Vaz discuss the extremely sweaty, trash-strewn action of this non-Arnold sequel. Directed by Stephen Hopkins and starring Danny Glover, Gary Busey, Ruben Blades, María Conchita Alonso, Bill Paxton, and Kevin Peter Hall.

Color of Night Directed by Richard Rush Starring Bruce Willis, Jane March, Ruben Blades, Scott Bakula New York psychologist Bill Capa becomes traumatised and flees to Los Angeles after one of his patients commits suicide. When a fellow doctor there is brutally murdered, the psychologist agrees to take on his clients, with chilling results.

En este episodio Jota y Luis reseñan la primera parte de Maestra Vida de Rubén Blades. Dan un background del concepto, hablan de sus músicos y analizan toda la historia. Esto es una joya de la música latina que cada vez se hace más relevante. www.patreon.com/acordesyrimas

Legendary musician and undisputed queen of percussion Sheila E., launched her first salsa record titled BAILAR today, Friday April 5. The album is set to captivate her fans and Latin music enthusiasts worldwide with the release of her highly anticipated debut salsa album, BAILAR. This remarkable project showcases Sheila E.'s versatility and undeniable talent as she delves into the vibrant world of salsa, infusing it with her unique musical percussion style. The album is a testament to the ever-evolving career of this iconic artist which features exceptional collaborations with icons such as Gloria Estefan, Ruben Blades, Gilberto Santa Rosa, Luis Enrique, José Alberto “El Canario” and Debi Nova, creating an exquisite tapestry of sounds and styles.

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

My guest, Bobby Sanabria, is a 7 time Grammy nominee. He is noted drummer, percussionist, composer, arranger, conductor, producer, documentary filmmaker, bandleader...and most important to me, educator. He has played with some of the all time greats, including Dizzy Gillespie, Mongo Santamaria, Tito Puente, Celia Cruz, Ruben Blades, Randy Brecker, to named a few. He was named Percussionist of the Year in 2011 and 2013 by Jazz Journalist Association. He has a radio show in the New York area entitled, "Latin Jazz Cruise" on WBGO FM (wbgo.org). Simply a magnificent episode not to be missed! Produced, directed, edited and hosted by Stephen E Davis.

Jimmy Bosch is a world-class salsa and jazz artist Trombonist, Director, and Vocalist,  Performing in over 100 countries, and has been revolutionary in the New York style Afro Caribbean music known as “Salsa Dura” or Hard Salsa. Salsa Masters is performed by Bosch and his incredible band, Adan Perez, with Piano, and Background Vocals. Alex Apolo Ayala, Bass. Brian Pozo, Bongos, Bells, Background Vocals. Ricky Rosa, Timbales,Background Vocals. Jesus Muñoz, Congas. Daniel Arboleda, Tenor Sax. Jorge Castro, Baritone Sax. Guiro Gonzalez, Trumpet. Dan Lehner, Trombone.  Bosch has worked with Eddie Palmieri, Ruben Blades, Ray Barretto, Mambo Legends, and Pete El Conde Rodrigez.Jimmy Bosch joins us for an extraordinary salsa podcast and will be Performing at SING AND SWING on Sunday, February 25th at 4 PM!   The concert is a celebration of the Great American Songbook featuring the spectacular trumpet and vocal talents, Bria Skonberg and Benny Benack III, with the opening act, the legendary salsa and jazz trombonist, Jimmy Bosch with his band Salsa Masters! Event: Lehman Center for the Performing Arts proudly presents Jazz at Lincoln Center SING AND SWING on Sunday, February 25th at 4 PM.Tickets: at LehmanCenter.orgSponsored by: Lehman Center!Support the show

EP#3 - Eddie Rodriguez Tropical Latin Music Showcase  Tonight- The music of Singer, Songwriter, Composer, Arranger, Recording Artist, Performer, Musician, Bandleader, Record Label Owner, signed to Fania Records in the 60's at the age of 16 the artist who was responsible for bringing Puerto Rican teenagers in NYC to become Salsa Music Fans, Raised in the Bronx the amazing Willie CO-LONE  the first teenager to be signed to a record deal with the most popular Tropical Latin Music Label of the 60's and 70's he is a pioneer with over 5 decades of recordings to his credits, hit songs with different singers and on his own as lead vocalist, the producer of the album Siembra the most sold Salsa recording in history plus his Christmas Album Asalto Navideño which has sold for decades every Christmas Season, a disciplined talent on stage touring globally to reach his millions of fans in the multimillion dollar industry we know today as the Salsa Music Business. We are going to close the show with more Willie Colon a friend and artist I have followed since the 60's next we will listen to Willie Colon and lead singers he has worked with creating hit records as a producer the late Héctor Lavoe RIP the Queen Celia Cruz RIP and singer songwriter Ruben Blades we are going to wrap up the show with more music by the creative genius of the tropical Latin Music scene called Salsa. This artist is a pioneer who helped create the  popularity the Latin dance genre much is owed by the work he recorded by the Artists touring the globe performing Salsa Music. Today we celebrate his contribution to the world of music. He is the one and only, the Amazing Willie Co Lone. 

EP 2- Eddie Rodriguez Thursday Night Tropical Latin Music showcase. Tonight the music of the winner of the 2024 Grammy Award for Best Tropical Album of the year Poet, human rights activist, singer, songwriter, composer, actor, band leader, recording artist the amazing Ruben Blades. http://www.rubenblades.com/

My guest is Audio Engineer/Producer Jeanne Montalvo, who has worked with Ivy Queen, Making Movies and Ruben Blades, Flor de Toloache, and Williamsburg Salsa Orchestra, Bobby Sanabria, Renee Goust, Erni Lu, and Lucy Kalantari.  In this episode, we discuss Dominican Republic Settling in New York Music in Household Classically Trained  Distracted by Musicality Tendonitis Human Jukebox Georgia State Foreign Language Studies Studying in Barcelona Starting from Scratch Falling Asleep on Mackie Manuals What is a Buss? AES Paris Jim Anderson from NYU The BANNF Center Tanglewood Festival Opera Gig Doing Podcasts Live from Latino USA 24 Hour Engineer Classical vs Latin Music Recording Getting Work Being a Women in Audio Needs-Based Audio Gear Podcasting Matt's Rant: Persistence Links and Show Notes Jeanne on Linkedin Jeanne on Instagram Sara Carter WCA #194 Sara Carter WCA #382 Steve Jobs Video #1 Steve Jobs Video #2 Credits Guest: Jeanne Montalvo Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith

My guest, Bobby Sanabria, is a 7 time Grammy nominee. He is noted drummer, percussionist, composer, arranger, conductor, producer, documentary filmmaker, bandleader...and most important to me, educator. He has played with some of the all time greats, including Dizzy Gillespie, Mongo Santamaria, Tito Puente, Celia Cruz, Ruben Blades, Randy Brecker, to named a few. He was named Percussionist of the Year in 2011 and 2013 by Jazz Journalist Association. He has a radio show in the New York area entitled, "Latin Jazz Cruise" on WBGO FM (wbgo.org). Simply a magnificent episode not to be missed! Produced, directed, edited and hosted by Stephen E Davis.  

Hoy traemos a un experto en política y muertos vivientes. El gran Soziedator. El pastoreo de zombis en Ferraz ha sido posible gracias a Ojo Pocho, hijo de Juancho Pocho y padre de Ojo picha. Hay disturbios con zombis con menos hielo que el cubata de Herman Terscht. Antón Pirulero te come el ciruelo y Carapiedra te rasca la almendra. Ludovica te la pica mientras Ruben Blades te come el berberecho en Llanes. Esto es un subnorpod, tu familia está en mi nido, me los follo sin condón, varios hijos ya he tenido. Kioskron rules. Besos y Almuerzos

This week on Beale Street Caravan, we feature the electrifying sounds of international rock n' roll band, Making Movies. The band was nominated in 2019 for the Latin Grammy Album of the Year for their collaboration with Ruben Blades on the song “No Te Calles”. Comprised of Panamanian brothers Enrique and Diego Chi, along with Juan-Carlos Chaurand from Mexico, and Duncan Burnett from Kansas, the band's sound is one that represents all of the Americas, together. Grammy nominated blues man, Guy Davis, will also be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame.

As broadcast October 5, 2023 with plenty of love left over for all buskers everywhere.  Tonight we had another pair of exclusive interviews with current contestants at this year's Gwangju Busking World Cup.  First up is a very talented singer-songwriter in Daisy Chute, an American-British singer-songwriter born in Scotland now based in London.  Her playlist is a collection of artists she works with and respects highly, a collection of gorgeous organic indie folk and ambient orchestral soundscapes.  For hour 2, we welcomed an internationalist quartet based in Barcelona in S. Taki, who are led by Sergio Taki and accompanied by Nacho Padron, Diego Gonzalez, and Tommy Min.  All the members hail from different places in the world but work with one heart and mind, creating a multi-genre cumbia-centered sound in their work.  Great discussions with both of these very talented artists to watch out for at this year's Busking World Cup!#feelthegravityBusking World Cup 2023 Special #22023.10.05Tracklist (st:rt)Part 1 with Daisy Chute (00:00)Daisy Chute – Lion Eyesmidori jaeger – Breeze (Acoustic)Hannah White – Chains of OursMichele Stodart – Push & PullLady Nade – Everything Is FreeJacob Koopman – Ego  Part 2 (37:30)Daisy Chute feat Hannah Brine – Spirit of the Singers (Live)Beth Nielsen Chapman – This KissLara Eidi – SunFern Maddie – Ca' the YowesFlo Perlin – BaghdadMatt Kent feat Daisy Chute – Fly to You Part 3 with S. Taki (69:06)S. Taki – La SemilleraXavier Rudd – Follow The SunCelia Cruz – La Vida Es Un CarnavalManu Chao – Bongo BongRuben Blades – Amor y Control Part 4 (1:44:15)S. Taki – Verde RayaoLos Angeles Azules – Como Te Voy A Olvidar  Alonso Del Rio – Viejo TamborBad Religion – Sorrow 

Episode 165: in this episode, Mark talks with artist and photographer- Ricardo Betancourt, the man behind the iconic cover for LL Cool J's third album "Walking With a Panther". We talk about the idea of having a panther for the cover, where it was shot and speculate what's in the briefcase on the cover. Betancourt has also done covers for artists like Santana, Ruben Blades and more. Check out Ricardo Betancourt at https://www.saatchiart.com/betancourtimagesMark also talks about how much he is a fan of that album and how it is underrated.

Justin and Paul are back! This week they discuss the early 90's comedy gem . . . THE SUPER, starring Joe Pesci and Ruben Blades. Nothing says comedy like slumlords taking advantage of honest families in New York!

El pitcher mexicano de los Dodgers de Los Angeles fue arrestado por cargos de violencia doméstica y además, podría ser reincidente. Bad Bunny, Luis Miguel y Marc Anthony son los tres artistas latinos más taquilleros de todos los tiempos, según datos registrados desde la década de 1980 por Billboard Boxscore.

Saxophonist, Multi-Reedist, Composer, Recording Artist, Bandleader, and Educator Sharel Cassity (pron. "Sha-Relle") is a musician well-established on the New York and Chicago jazz scenes. Listed as "Rising Star Alto Saxophone" in Downbeat Magazine for the past decade, Sharel has appeared on the Today Show, won the 2007 ASCAP Young Jazz Composers Award & has been inducted into the Oklahoma Jazz Hall of Fame. Her four albums released as a leader have received top-rated reviews in publications like JazzTimes, Jazziz, Downbeat & American Indian News & earned her a cover story in Saxophone Journal. Cassity's latest album, "Evolve," was recorded and distributed on her record label, Relsha Music. Selected to attend The Juilliard School Jazz program under full scholarship for a Masters in Music, Sharel earned her BFA from The New School for Jazz & Contemporary Music in 2005. A skilled and versatile sideman, Sharel is a regular member of the Dizzy Gillespie Latin Experience, Nicholas Payton TSO, Cyrus Chestnut Brubeck Quartet, and the Jimmy Heath Big Band. She has also performed regularly alongside renowned Grammy-winning artists Roy Hargrove, Lewis Nash, Joe Chambers & Darcy James Argue. Sharel has toured 24 countries and performed at leading venues like the Newport Jazz Festival, Monterey Jazz Festival & the North Sea Jazz Festival. Additionally, she has shared the stage with Herbie Hancock, Wynton Marsalis, Dee Dee Bridgewater, Christian McBride, Jeremy Pelt and Natalie Cole. Sharel was lead alto in the Diva Jazz Orchestra from 2007-2014 and performed in Wynton Marsalis' Broadway musical After Midnight. In mainstream genres, Sharel joined Top 40 hit singer-songwriter Natalie Merchant on her recording "Paradise is Here." She has also performed with Aretha Franklin, Vanessa Williams, K.D. Lang, Fantasia, Trisha Yearwood, Seth MacFarland (Family Guy), Ruben Blades, and DJ Logic. Sharel appears in publications "I Walked with Giants" by Jimmy Heath, "AM Jazz: Three Generations Under the Lens" by Adrianna Mateo and "Freedom of Expression: Interviews with Women in Jazz" by Chris Becker. An alumnus of IAJE Sisters in Jazz, Betty Carter's Jazz Ahead, and the Ravinia Summer Residency, Sharel has received Downbeat Student Music Awards for Best Jazz Soloist, Composition, and Ensemble. As a classical pianist, Sharel placed third in the Disney International Piano Concerto Competition at the age of 10, among many other collegiate and state piano competitions. An accomplished classical saxophonist, Sharel was offered a full scholarship to North Texas State University for classical saxophone. Currently, Cassity has accepted a temporary full-time position at the University of Wisconsin-Madison as Professor of Saxophone for the Fall 2019 semester. Additionally, she has three adjunct positions in the Chicago area at Elgin Community College, Columbia College, and DePaul University. Between 2016-17 Sharel taught internationally as the Woodwind Professor at Qatar Music Academy in Doha, Qatar.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

El Mundial Femenil de fútbol Australia-Nueva Zelanda 2023 representará un parteaguas en la historia de este deporte; ahí, el equipo de EE.UU. buscará el tricampeonato. Liseth Pérez entrevistó al genial Rubén Blades, quien recientemente relanzó "Siembra", uno de sus álbumes más icónicos. Además, nueva música de René Pérez y Karol G.

Jack Black canta "Peaches" con La Filarmónica de Los Angeles y que dijo Ruben Blades de la musica moderna y su tecnologia?. Escucha mas con Omar y Argelia 7am en Mega 96.3 Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca is joined by ethnomusicologist Chris Washburne, author of Sounding Salsa: Performing Latin Music in New York City, and professor at Columbia University. As a professional trombonist, he played with Tito Puente, Celia Cruz, Eddie Palmieri, Ruben Blades, La India, and many others.  We discuss the influence of Cuban music in New York in the first half of the 20th century, the controversy around the term "salsa," and the way Puerto Rican and other Latinos built on this foundation to create a new musical style. Songs played:I Like It Like That, Pete RodriguezMi Gente, Hector LavoeCalle Luna, Calle Sol, Hector Lavoe and Willie ColonSupport the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Benjamin Lapidus is a Grammy-nominated musician who has performed and recorded throughout the world as a bandleader and supporting musician playing guitar, Cuban tres, Puerto Rican cuatro, touch style/tapping instruments (Warr guitar and Chapman Stick), as well as organ. As a scholar, he has published widely on Latin music, and he is a professor at John Jay College of Criminal Justice, CUNY, and The Graduate Center. Since the 1990s, Lapidus has performed and/or recorded Cuban tres, Puerto Rican cuatro, guitar, voice, and other instruments on film soundtracks, video games, television commercials, and albums with some of the most notable musicians in Latin music and jazz. Some of these collaborations include performances and/or recordings with Andy and Jerry González, Ibrahim Ferrer (Buena Vista Social Club), Pío Leyva (Buena Vista Social Club), Manuel “Puntillita” Alicea (Buena Vista Social Club), Bobby Carcassés, Orlando “Cachaíto” López, Juan Pablo Torres, NEA Jazz Master Cándido Camero, Larry Harlow, Ruben Blades, Típica 73, John “Dandy” Rodríguez, David Oquendo, Xiomara Laugart, Nicky Marrero, Nelson González, Carlos Abadie, Los Hacheros, Pedrito Martínez, Roman Díaz, Paul Carlon, Adonis Puentes, Pablo Menéndez, Bobby Sanabria, Ralph Irizarry, Charlie Sepulveda, Luis Marín, Humberto Ramírez, Harvie S., Hiram “El Pavo” Remón, Gene Jefferson, Frank Anderson, Enid Lowe, Jared Gold, Greg Glassman, Bobby Harden, Brian Lynch, Mark Weinstein, Jeff “Tain” Watts, Larry Goldings, Chico Álvarez, Alfredo “Chocolate” Armenteros, Emilio Barretto, Eddie Zervigón, José Fajardo, Rudy Calzado, Los Afortunados, Jose Conde, Kaori and Yuko Fujii, Roberto Rodríguez, Maurice El Medioni, Michael Torsone, and many others. As the leader of the Latin jazz group, Sonido Isleño (founded in 1996), he has performed throughout North and South America, Europe, and the Caribbean while releasing five internationally acclaimed albums of his original compositions. In 2007, Lapidus served as musical director and arranger for Garota de Ipanema(JVC/Victor Japan) with Kaori Fujii and toured Japan twice. In 2008, he recorded Herencia Judía and in 2014, he released his eighth album as a leader, Ochósi Blues. Blues for Ochún (2023) is his ninth album as a leader. As a composer, Lapidus' music has been recorded by groups in Cuba and Japan and has been featured in documentaries and television. In 2015, Latin Jazz USA awarded Lapidus a lifetime achievement award for his contributions to Afro-Latin music. In 2015, he wrote the liner notes, contributed an original composition, sang, and played electric guitar and Cuban tres on Andy González's Grammy™-nominated album, Entre Colegas. As profiled on the 2023 television show, Shades of Us (https://youtu.be/I_xMYUtgAhA), Benjamin Lapidus was born in Hershey, PA in 1972 to first-generation Brooklynites and the family moved almost 15 times before returning to New York City when Lapidus was 14. Trained in piano from a young age, he moved through a variety of instruments including trumpet and bass before concentrating on the guitar. Lapidus was exposed to music by his grandmother and his father, who played in Latin and jazz bands in the Catskills in the 1950s. Through his father's record collection and stories of his father's visits with his Latin American relatives, the seeds of Latin music were planted. Yet it wasn't until the 1980s that the youngest Lapidus became immersed in Latin music when he moved to a predominantly Latin neighborhood in New York City, where numerous important musicians also resided. Living a block away from Mikel's jazz club, Lapidus still has vivid memories of practicing in Mario Rivera's house or seeing Mario Bauzá walk down the street. Deciding he needed a complete musical education, Lapidus earned two degrees from Oberlin Conservatory and Oberlin College, becoming one of the program's first jazz guitar graduates. In 1994, Lapidus started to play the Puerto Rican cuatro and Cuban tres. After leading his own quartet at festivals and clubs throughout Europe and winning a grant to study briefly with Steve Lacy in Paris, he returned to the U.S. and worked with Joe McPhee, Joe Giardullo, Tani Tabal, Thomas Workman, and other creative improvisers. At the same time, Lapidus began performing with Larry Harlow, Alex Torres, and other Latin music luminaries in New York and Puerto Rico. Lapidus earned a Ph.D. in Ethnomusicology at the CUNY Graduate Center in 2002. His travels to Cuba acquainted him with distant relatives and grounded him in the music of Eastern Cuba. He has taught guitar and Cuban tres at the New School and popular music of the Caribbean, Latin music in New York, and world music at Queens College and John Jay College of Criminal Justice, CUNY. Today, Lapidus is a professor in the Department of art and Music at John Jay College of Criminal Justice and on the Doctoral Faculty of the Graduate Center, CUNY. In addition, he has served as scholar-in-residence with the New York Center for Jungian Studies and the Jewish Museum during several humanitarian missions to the Jewish communities of Cuba between 2004-2016. In 2008, Lapidus published the first-ever book on the Eastern Cuban musical genre changüí called Origins of Cuban Music and Dance: Changüí (Scarecrow Press). He has published numerous peer-reviewed articles and book chapters, translations, and presented papers at international conferences on Cuban music, Puerto Rican music, Latin jazz, and improvisation. He has also written liner notes for a number of recordings. In 2013, Lapidus won a prestigious National Endowment for the Humanities (NEH) fellowship for his critically acclaimed book New York and the International Sound of Latin Music, 1940-1990 (University Press of Mississippi, 2021). With endorsements from Rubén Blades, Ilán Stavins, and other prominent academics around the world, this ground-breaking book has been featured on BBC 3 Music Matters, NPR's Afropop, and Alt. Latino shows as well as the Miami International Book Fair and countless news outlets. The book maintains its bestseller ranking in Amazon's top 20 salsa books since its release. In this episode, Benjamin shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

En este episodio, tenemos al duo panameño, Monalisa y Rodrigo. Hablamos sobre su nuevo album "Ruben Blades es su nombre", la influencias, sobre las canciones y el ultimo video que lanzaron. Así que no se lo pierdan. Enlace de Monalisa y Rodrigo: https://open.spotify.com/album/04K3ojqnJuAYMuM3rXeDz9?si=GWRRKxxfRbm1LpxU75FgIg Síguenos en: Instagram: @mixtape_lado_a Spotify: Mixtape: Lado A Amazon Music: Mixtape Lado A Apple Podcast: Mixtape Lado A Envíen sus comentarios o propuestas de sponsor en nuestro correo: Mixtapeladoa@gmail.com

Del "CAUCE DEL ORINOCO"(ENYA) y "LA INCONDICIONAL"(LUIS MIGUEL) a "BUSCANDO GUAYABA"(WILLIE COLON), "RIO MANZANARES"(JOSE ALBERTO "EL CANARIO") o "PEDRO NAVAJA"(RUBEN BLADES). POLICE, BILLY JOEL, ROXETTE, MADONNA,... Del TOUR DE FRANCIA y RAY "SUGAR" ROBINSON a "PATULIN", "EL FRANCOTIRADOR" o JORGE LUIS BORGES. OSCAR DE LEON, FRANCO DE VITA, GUILLERMO DAVILA, RICARDO MONTANER,... y mucho mas! DE COLECCION! --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

De SIMPLE RED, BILLY JOEL, TRINO MORA, DONNA SUMMER, MARVIN GAYE o LUIS MIGUEL, LAS CHICAS DEL CAN a GUALBERTO IBARRETO, HUGO BLANCO, RUBEN BLADES, CAIFANES, MADONNA, PRINCE, AKON, UB40, FANIA,... Y TRIUNFADORES DECENAS MAS! De "EL GOLPE", "COLUMBO", "SPLASH" a "DIRTY DANCING" o "RAICES",... --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

Over time, more and more Latin Americans have left their nations and traveled across the world – sometimes out of necessity, other times out of the desire to triumph in a nation that offers them opportunities. However, this has sometimes brought conflict with the locals, who have disregarded them or their culture. In this episode of the Learn Spanish with Stories podcast, we want to remind the world of how special Latin Americans can be, whether in the arts, the sciences or any other fields where they apply their efforts. With Nobel Prize winners, world-class musicians and even NASA scientists featured in this episode, we are about to dispel all the myths you've ever heard about Latin Americans. Check it out and enjoy! Transcript of this episode is available at: https://podcast.lingomastery.com/listen/1159

Bobby Sanabria is an eight time Grammy-nominee as a leader. Known as a drummer, percussionist, composer, arranger, conductor, documentary film producer, educator, activist, and bandleader, his versatility as both a drummer and percussionist, from small group to big band, has become legendary. A native son of the South Bronx born to Puerto Rican parents, he has performed and recorded with every major figure in the world of Latin jazz and salsa, from the founder of the Afro-Cuban/Latin jazz movement Mario Bauzá, to Tito Puente, Mongo Santamaría, Dizzy Gillespie, Chico O'Farrill, Ray Barretto, Candido, to Larry Harlow, Ruben Blades, Celia Cruz, and jazz luminaries as diverse as Henry Threadgill, Charles McPherson, Randy Brecker, Joe Chambers, Jean Lucien, The Mills Brothers, and others. DRUM! Magazine named him Percussionist of the Year (2005); he was named Percussionist of the Year by the Jazz Journalists Association in 2011 and 2013. In 2006, he was inducted into the Bronx Walk of Fame. He was a recipient of the 2018 Jazz Education Network (JEN) LeJENS of Jazz Lifetime Achievement Award for his work as a musician and educator. In 2008 Congressman Dennis Kucinich honored his work as a musician and educator by reading his name into the Congressional Record and in 2018 the U.S. Congressional Black Caucus honored him as a musician, educator. Every single one of his big band recordings, seven in total, have been nominated for Grammys. His 2018 recording, ‘West Side Story Reimagined,' reached #1 on the national Jazz Week radio charts, was nominated for a 2018 Grammy, and won the prestigious 2019 Record of The Year Award from the Jazz Journalists Association. Partial proceeds from sales of this double CD went to the Jazz Foundation of America's Puerto Rico Relief Fund for musicians. He is the Co-Artistic Director of the Bronx Music Heritage Center and the forthcoming Bronx Music Hall. His lifetime dedication to spreading the history, culture, of jazz and Latin jazz to the general public as a performer, as well as educating a new generation of players, composers, arrangers, has no parallel. A member of Max Roach's legendary M'BOOM percussion ensemble, he is on the faculty of the New School (his 26th year) and was on the faculty of NYU, his alma mater Berklee, and was on the faculty of the Manhattan School fo Music for 20 years where he conducted/taught the Afro-Cuban Jazz Orchestra receiving two Grammy nominations for recordings he did with directing his students. Sanabria is also the on air host of the Latin Jazz Cruise on WBGO FM and wbgo.org, the number one jazz station in the nation. Lehman College in NYC has recently awarded Maestro Sanabria an Honorary Doctorate. His new double CD, which will be released on May 12 2023, is a double CD with his Multiverse Big Band entitled VOX HUMANA. Recorded live at Dizzy's Club-Cola in NYC, it features three of jazz's finest contemporary vocalists - Janis Siegel from the Manhattan Transfer, blues and jazz Queen Antoinette Montague, and multi-lingual powerhouse Jennifer Jade Ledesna. In this episode, Bobby talks about:    His MULTIVERSE Big Band    Seeing Tito Puente perform at 12 years old    The new record - VOX HUMANA    Inspiring the next generation    The history of music as related to the history of America    Afro-cuban rhythms and their origins

This week on MMM we have a blast reviewing the cult thriller, Color of Night (1994), It has everything! Car chases, sexy saxophones, and Bruce's willie! My guest is Mike Justice. A new York shrink takes over a therapy group for his murdered college bestie in Los Angeles and becomes entangled in a web of lust. Staring Bruce Willis, Lance Henrickson, Jane March, Leslie Ann Warren, Brad Dourif, Ruben Blades and Scott Bakula.

As the island donde hasta la piedras cantan –“where even the rocks sing”– Puerto Rico is home to a dizzying breadth of musical expression. From the lyrical boleristas of the 1930s, to the electric salseros of the '70s, to the reggaetoneros of today who have taken music from the margins and made it a global sensation, this season takes listeners on an exciting, richly-reported, cross-genre adventure that captures the ceaseless creativity, emotional resonance, and yes, la brega that are hallmarks of Puerto Rican music across eras and formats. Voices featured in this trailer include Elena Martínez, José Massó, Gabby Rivera, Afrika Clivillés, Lia Camille Crockett, Bianca Graulau, Omar Alfanno, Ruben Blades, Mireya Ramos, Velcro, Susana Baca, and Alberto “Ringo” Martínez. The first episode drops Thursday, January 26. Subscribe now.

As the island donde hasta la piedras cantan –“where even the rocks sing”– Puerto Rico is home to a dizzying breadth of musical expression. From the lyrical boleristas of the 1930s, to the electric salseros of the '70s, to the reggaetoneros of today who have taken music from the margins and made it a global sensation, this season takes listeners on an exciting, richly-reported, cross-genre adventure that captures the ceaseless creativity, emotional resonance, and yes, la brega that are hallmarks of Puerto Rican music across eras and formats. Voices featured in this trailer include Elena Martínez, José Massó, Gabby Rivera, Afrika Clivillés, Lia Camille Crockett, Bianca Graulau, Omar Alfanno, Ruben Blades, Mireya Ramos, Velcro, Susana Baca, and Alberto “Ringo” Martínez. The first episode drops Thursday, January 26. Subscribe now.

As the island donde hasta la piedras cantan –“where even the rocks sing”– Puerto Rico is home to a dizzying breadth of musical expression. From the lyrical boleristas of the 1930s, to the electric salseros of the '70s, to the reggaetoneros of today who have taken music from the margins and made it a global sensation, this season takes listeners on an exciting, richly-reported, cross-genre adventure that captures the ceaseless creativity, emotional resonance, and yes, la brega that are hallmarks of Puerto Rican music across eras and formats. Voices featured in this trailer include Elena Martínez, José Massó, Gabby Rivera, Afrika Clivillés, Lia Camille Crockett, Bianca Graulau, Omar Alfanno, Ruben Blades, Mireya Ramos, Velcro, Susana Baca, and Alberto “Ringo” Martínez. The first episode drops Thursday, January 26. Subscribe now.

Conocida como la isla donde hasta las piedras cantan, Puerto Rico alberga una vertiginosa amplitud de expresión musical. Desde los boleristas líricos de la década de 1930 hasta los salseros eléctricos de los 70 y los reggaetoneros de hoy que han tomado la música de los espacios marginales y la han convertido en una sensación mundial, esta temporada lleva a los oyentes a una emocionante aventura rica en reportajes y cruce de géneros musicales que captura la creatividad incesante, la resonancia emocional y, sí, la brega, que son sellos distintivos de la música puertorriqueña en todas las épocas y formatos. Las voces que aparecen en este tráiler incluyen Victor Guys, Bobby Sanabria, Ana Macho, Afrika Clivillés, Lia Camille Crockett, Bianca Graulau, Omar Alfanno, Ruben Blades, Mireya Ramos, Velcro, Susana Baca, y Alberto “Ringo” Martínez. El primer episodio se estrena el jueves 26 de enero. Suscríbete ahora.

Eddie Rodriquez A South Bronx Tale “Legends of Salsa Music past and Present” Otra noche caliente - Louie Ramírez & Ray De La Paz Spotlight on the great musician, arranger, composer, Record Producer the late Louie Ramirez RIP. On vocals on our opening track was Ray De La Paz. Together they opened a new chapter in Salsa Music with a 80's release by K-Tel records called noche caliente. Yo soy la rumba - Louie Ramírez y ray de la paz Ray De La Paz - Solo Tu Y Yo (Audio Oficial) Ladron De Tu Amor A Esa End of segment 1 - Salsa takes a new direction . Smooth Dancing with Love lyrics (covers of top Latin pop artists/songwriters). Arrangements by Louie Ramirez RIP lead vocals Ray De La Paz. Next up is more Louie Ramirez. Latin Blues Todavia Los Timbales De La Salsa,Salsa Vibes Louie Ramirez Now more Louie Ramirez with lead vocals of artists like Ruben Baldes and others Milestone SIN TU CARIÑO - RUBEN BLADES PAULA C Rubén Blades con Louie Ramírez | Álbum: Louie Ramírez y sus amigos (1978) A Esa.we'll be back next week with more Legends of Salsa Music A SOUTH BRONX TALE by Eddie Rodriquez To wrap up we will listen to Salsa Music with a positive message by Living Legends Willie Colon and Ruben Blades. Plástico Siembra 

Conocida como la isla donde hasta las piedras cantan, Puerto Rico alberga una vertiginosa amplitud de expresión musical. Desde los boleristas líricos de la década de 1930 hasta los salseros eléctricos de los '70 y los reggaetoneros de hoy que han tomado la música de los espacios marginales y la han convertido en una sensación mundial, esta temporada lleva a los oyentes a una emocionante aventura rica en reportajes y cruce de géneros musicales que captura la creatividad incesante, la resonancia emocional y, sí, la brega, que son sellos distintivos de la música puertorriqueña en todas las épocas y formatos. Las voces que aparecen en este tráiler incluyen: Victor Guys, Bobby Sanabria, Ana Macho, Afrika Clivillés, Lia Camille Crockett, Bianca Graulau, Omar Alfanno, Ruben Blades, Mireya Ramos, Velcro, Susana Baca, y Alberto “Ringo” Martínez. El primer episodio se estrena el jueves 26 de enero. Suscríbete ahora. Esta temporada de La Brega existe gracias a The Mellon Foundation.

As the island donde hasta la piedras cantan — “where even the rocks sing” — Puerto Rico is home to a dizzying breadth of musical expression. From the lyrical boleristas of the 1930s, to the electric salseros of the '70s, to the reggaetoneros of today who have taken music from the margins and made it a global sensation, this season takes listeners on an exciting, richly-reported, cross-genre adventure that captures the ceaseless creativity, emotional resonance, and yes, la brega that are hallmarks of Puerto Rican music across eras and formats. Voices featured in this trailer include: Elena Martínez, José Massó, Gabby Rivera, Afrika Clivillés, Lia Camille Crockett, Bianca Graulau, Omar Alfanno, Ruben Blades, Mireya Ramos, Velcro, Susana Baca, and Alberto “Ringo” Martínez. The first episode drops Thursday, January 26. Subscribe now. This season of La Brega is made possible by the Mellon Foundation.

Jack Nicholson directs and stars in the sequel to “Chinatown”.Directed by Jack Nicholson. Written by Robert Towne. Produced by Robert Evans. Starring Jack Nicholson, Harvey Keitel, Madeline Stowe, Meg Tilly, Ruben Blades, Frederic Forrest, Richard Farnsworth & Tracy Walter How is the world wrong about “The Two Jakes”? From Andras: You'd think people would be into a Roman Polanski-less “Chinatown” sequel but they were not. Nicholson manages to give us a continuation of Robert Towne's detective story about the evolution of Los Angeles that is simultaneously sleazier AND more compassionate than the original. If the world had been a little less wrong about this film we might've got a third installment, all about pollution and the LA freeway which, as Bryan points out in the episode, is kind of the plot of “Who Framed Roger Rabbit”? which may be the closest we'll get to the completion of the Chinatown series.Here's the JJ Gittes site I referenced on the podcast as a resource for the information I shared: http://j-j-gittes.blogspot.com/Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Director's Wall with Bryan Connolly & AJ Gonzalez&The Radio8Ball Show hosted by Andras JonesSee omnystudio.com/listener for privacy information.

A SOUTH BRONX TALE PT 5  spotlight on Salsa dance Music recordings adding string arrangements in the 70's most notably by Fania Records. We just heard the best best Salsa singers of all times heard Hector Lavoe RIP and Ruben Blades.  we will hear more Salsa music with Strings from a Latin Opera called Hommy by Larry Harlow and by the Fania All Stars. Fania All Stars tours the world sells millions of records and tapes to become the definitive Best Salsa Orchestra in the World. Celia Cruz, Pete El Conde Rodiguez, Hector Lavoe, 

spotlight on Salsa dance Music recordings adding string arrangements in the 70's most notably by Fania Records. We just heard the best best Salsa singers of all times heard Hector Lavoe RIP and Ruben Blades.  we will hear more Salsa music with Strings from a Latin Opera called Hommy by Larry Harlow and by the Fania All Stars. Fania All Stars tours the world sells millions of records and tapes to become the definitive Best Salsa Orchestra in the World. Celia Cruz, Pete El Conde Rodiguez, Hector Lavoe,