Podcasts about Cherry Lane Theatre

Michael Wolk is a Broadway producer (Once Upon A Mattress, The Hills of California, Job, Prince of Broadway, Pacific Overtures, and the forthcoming The Karate Kid), and he has also produced in the U.K. (Kenrex), at Lincoln Center (Musashi and Temple of the Golden Pavilion), Kennedy Center (Up In The Air), BAM (MacBeth) and in Central Park (Japan Day @ Central Park 2007-2017). His nonprofit All For One Theater (www.AFO.NYC) has staged over 50 solo shows Off-Broadway since 2011. He is also the author of the new cyber thriller DevilsGame, and the mystery novels The Beast on Broadway and The Big Picture. He wrote the play Femme Fatale (Broadway Play Publishing) and wrote the book, music and lyrics for Deep Cover (New York Musical Theatre Festival) and Ghostlight 9 (Cherry Lane Theatre), and wrote the book for the musical, THE PILOT AND THE LITTLE PRINCE, which premiered in Fall 2024 at Poland's Katowice Miasto Ogrodow.   He directed the award-winning documentary You Think You Really Know Me: The Gary Wilson Story, which screened at the Film Society of Lincoln Center (Plexifilm DVD). He is a member of the Dramatists Guild and works and lives in Times Square.  Make sure to check out this author @wolk_michael

Check out this podcast replay of our SDCF Panel: The Journey from Dancer to Choreographer with Mayte Natalio, Adesola Osakalumi, and Ellenore Scott. This conversation focuses on career transitions or expansions, specifically for dancers who have shifted or added choreography to their artistic practice. We hosted this panel at Sunlight Studios in February 2024. This video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Ellenore Scott (she/her) is a BIPOC, New York based choreographer and director. Through her work, Scott values lifting diverse voices in her community while creating a joyous space where the creative process can bring as many people in as possible. Her Broadway credits include Grey House, Funny Girl, Mr. Saturday Night. Her Off-Broadway credits include Little Shop of Horrors, Titanique (Lucille Loretel Nomination), I Can Get It For You Wholesale. Other choreography credits include: So You Think You Can Dance?, Single All the Way (Netflix). In 2023, Scott co-directed The Lonely Few, a world premiere rock musical at the Geffen Playhouse in Los Angeles, CA that will transfer to Off-Broadway's MCC Theatre in Spring of 2024. Scott's work has also been seen at The Bushwick Starr, The Old Globe, Hudson Valley Shakespeare Festival, McCarter Theatre, Cherry Lane Theatre, Asolo Repertory Theatre, Cape Fear Regional Theatre and Seattle Repertory Theatre. In 2020, Scott was a finalist for the SDC Breakout Award for the first ever TikTok Music Ratatouille: The TikTok Musical which raised over $2 million for The Entertainment Fund. As a performer, Scott appeared in numerous television shows (Marvelous Mrs. Maisel, Smash, The Blacklist, Glee! to name a few) and was a finalist and All-Star on So You Think You Can Dance? Scott is the Artistic Director of ELSCO Dance, a contemporary-fusion dance company. Mayte Natalio: Broadway: Suffs (spring 2024), For Colored Girls… (Associate Choreographer). Off-Broadway: Measure for Measure (The Public Theater, Mobile Unit). Regional: The Winter's Tale (DTC, Public Works), Into the Woods (Barrington Stage Company), Love in Hate Nation (Two River Theater), Hair (The Old Globe), Kiss My Aztec (Hartford Stage), How to Dance in Ohio (Syracuse Stage). Adesola Osakalumi: is a Bronx native, Bessie Award-winning, Drama Desk-nominated Choreographer and Actor. Inspired by his family's dance company Africa 1 Dance Theater, he began performing at an early age and was immediately captivated by popping, locking, and all diasporic hip-hop dance styles. He began training seriously at every opportunity possible while maintaining a strong presence in the New York club scene where these styles flourished. Selected Choreographic credits include: Fall For Dance/Jam On The Groove 3 For 30 (City Center),Skeleton Crew (Broadway MTC), Cullud Wattah, Coal Country, Othello (Public Theater), runboyrun, Eyewitness Blues (NYTW), Good Grief (Vineyard), Jam on the Groove (Minetta Lane) and the film School Of Rock. Upcoming: The Hippest Trip (Soul Train Musical) Associate Choreographer & Dance Consultant and Syncing Ink (Victoria Theater) Spring 2025.  As an Actor: Skeleton Crew, Fela!, Equus (Broadway), runboyrun (NYTW), Syncing Ink (Flea/Alley Theater) and the films Red Pill, IBRAHIM, Enchanted, Across the Universe, and Sex and the City 2. TV: "Endgame", “Ice”, Blue Bloods. Awards: Bessie Award Recipient, Drama Desk Recipient. I give thanks to my Ori, Ancestors, and Family for their constant support and love. adesola.com IG @adesolaosakalumi.

Broadway power couple Annaleigh Ashford and Joe Tapper join The Art of Kindness with Robert Peterpaul to discuss teaching kindness and empathy to their son, overcoming shame, self-care in the theatre and their seminal show The White Chip. ANNALEIGH ASHFORD is making her producing debut with The White Chip and believes in supporting plays that provide an act of service to the community. As an actor she has received a Tony, two Drama Desks, the Drama League, an Outer Critics Circle and Clarence Derwent Awards, Emmy and Grammy nominations. Broadway: Sweeney Todd, Sunday in the Park with George, You Can't Take It With You, Sylvia, Kinky Boots, Hair, Legally Blonde, Wicked. Select TV: “American Crime Story,” “Welcome to Chippendales,” “B Positive,” “Masters of Sex.” She will soon begin production on the true crime drama series “Happy Face” for Paramount+, and will next star in Searchlight Pictures' horror thriller, DUST, opposite Sarah Paulson and Ebon Moss-Bachrach. JOE TAPPER stars in The White Chip. Broadway: You Can't Take It With You. Off Broadway: Manahatta, Socrates, Henry V (The Public Theater); The White Chip (59E59); A Midsummer Night's Dream (Delacorte Theater); Gym at Judson; Cherry Lane Theatre; Mabou Mines/La MaMa. Regional: Shakespeare & Co., Berkshire Playwrights Lab, Huntington Theatre Company, Pioneer Theatre, Yale Repertory Theatre. TV: “Chicago Med,” “Blue Bloods,” “Masters of Sex,” “Odyssey,” “Brooklyn Taxi,” “Law & Order: SVU.” Training: Ithaca College BFA, Yale School of Drama MFA. Get tickets to The White Chip at whitechipplay.com. Recover Together at recovertogether.withgoogle.com. Follow us: @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

It doesn't matter if you are an aspiring director or a veteran, there is a non ending question of "HOW AM I GOING TO GET PAID TO DIRECT?!" In this live Q&A conversation we give you some ideas on how to do just that. How do you get clients/brands to work with you? How do you use TikTok to grow your directing career/video biz? How do you keep getting asked back? And more! (Episode 55) Hosted by Director/Producer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when we open our doors to our green screen virtual production studio dedicated to indie filmmakers (and indie film budgets) and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Katie Hunter: Katie Hunter is a Chicago Emmy-nominated director. She creates commercials, short films, documentaries and viral moments for brands including Claire's, Lincoln Park Zoo, Northwestern Medicine and more. Her creative work has been featured in the Washington Post, staged off-Broadway at the Cherry Lane Theatre in NYC and viewed by more than 15 million people on TikTok. Katie graduated from the University of Chicago where she studied theatre and film. After working as a playwright for the American Theatre Company, Katie began writing and directing indie film projects with comedians from Second City, iO and Reductress, including an improvised mockumentary web series, RideShare, a surrealist, feminist corporate comedy, It's A Sign, and the first several episodes of a late night talk show filmed live in front of a studio audience, The L8-Bit Show. DM her your cool ideas at @mkatiehunter on all platforms. Katie's TikTok & Instagram: @mkatiehunter See Katie's work at KatieHunterCreative.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theworkingdirector/message

Katie Northlich is an actress, solo performer, improviser, writer, and performing arts coach. She is a Four Time National Monologue Champion, having written, performed and produced original work since 2001. Her solo shows have played to critical acclaim and sold out Off-Broadway houses in New York City, including the Cherry Lane Theatre.  Her work was chosen as a premiere piece in opening Stage Left Studio's inaugural season, NYC's only Solo Repertory theatre.   Katie's play "Two Of Them, Looking," was produced in New York in 2015, and Katie is on the fifth draft of her first novel.  As an acting, movement, and solo performance instructor, Katie has taught upward of 1000 students over 15 years in both NYC and LA, including international TV stars as well as NBA and NFL players, and she currently teaches comedy and acting at colleges, conservatories, and privately in greater LA.  Katie was a lead acting instructor at the New York Film Academy in NYC for 7 years, and was the first acting faculty member to develop and launch the academy's improvisation curriculum in the Animation and Game Design departments.   Select Acting credits include: CBS, The Discovery Channel, Lifetime, AMC, VH1, and feature films.  Over 20 National commercials shot over past few years.  Comedy/International featured: The Groundlings, The Improv, Improv Olympic, Upright Citizen's Brigade, Comedy Central Stage, Stand Up NY, New York Comedy Club, Caroline's on Broadway, The People's Improv Theatre, The Magnet, Stage Left Studio, The Bowery Poetry Club, Gotham City Improv, Parkside Lounge, The Nuyorican Poets Cafe, Comix, The World Expo and La Sala Mirador.  As a dancer, Katie toured Europe. UC Irvine: BA, Drama.  Www.katienorthlich.com  @KatieNorthlich

Gabriel Barre is an American director and actor. Best known for creating original musicals, his work has been seen on Broadway, throughout the United States, and across four continents internationally. Gabriel directed the Broadway production of Amazing Grace, which also toured the country and was a sit-down production at the new Museum of the Bible in Washington, DC in 2019. In New York City, he is known for his off-Broadway work: he directed the original production of Andrew Lippa's, The Wild Party at the Manhattan Theatre Club starring Idina Menzel, Taye Diggs, Brian Darcy James and Julia Murney. He was awarded the Calloway Award for Best Direction, and was nominated for five Outer Critics Circle Awards and thirteen Drama Desk Awards, both including Best Direction of a Musical. He directed the original production of John Cariani's Almost, Maine at the Daryl Roth Theatre, which has become one of the most frequently produced plays in the United States with over 4000 productions to date. It has been translated into a dozen languages and recently unseated Shakespeare as the most produced play in North American high schools. Other Off-Broadway productions include a new adaptation of Cyrano De Bergerac at the St. Clement's Theatre, using the Anthony Burgess translation, brought to life by a cast of only eight actors and featuring direction by Barre (who also appeared in the leading role), action direction by Rick Sordelet and an original musical score by Alexander Sovronsky, performed live, by the actor/musician cast.  He also directed the original productions of Summer of '42 at the Variety Arts Theatre, Honky Tonk Highway at Don't Tell Mama (winner of a MAC Award and Bistro Award for Best Review), Stars in Your Eyes at the Cherry Lane Theatre, Andrew Lippa's, john & jen at the Lamb's Theatre and Son Of A Gun at the Samuel Beckett Theater. Tricia Paoluccio is a multi talented actor, unique visual artist, and creator. Growing up on an almond farm in Modesto, CA, with an inventor as a father and school teacher mother, Tricia moved to NYC and sold her art on the street before she could make a living as an actor. Since making her Broadway debut in Arthur Miller's A View from the Bridge, she has worked consistently in NY theatre on Broadway and off, in television and film. As a visual artist, Tricia has been commissioned to create botanical designs for luminaries in the fashion, publishing, and music industries. As a creator she has created and produced an optioned web-series, and, during the pandemic, cowrote a show in which she will star, premiering this Fall of 2022, where she gets to play her lifelong idol: Dolly Parton. This show, entitled Here You Come Again, was approved by Dolly, who has given Tricia permission to play her and given the creative team the world wide grand rights to all of her music. She divides her time between her California farm and NYC, where she lives with her two sons and husband, director Gabriel Barre. She is passionate about prison reform, having spent a dozen years serving as a volunteer chaplain at Manhattan Detention Center. Bruce Vilanch is an American comedy writer, songwriter and actor. He is a two-time Emmy Award-winner. Vilanch is best known to the public for his four-year stint on Hollywood Squares, as a celebrity participant; behind the scenes he was head writer for the show. In 2000, he performed off-Broadway in his self-penned one-man show, Bruce Vilanch: Almost Famous.

Meet Douglas Taurel. Douglas Taurel recently played Joe Petito in the upcoming Lifetime Movie, The Gabby Petito Story. He worked opposite Thora Birch, who also directed the film. He was cast as a voice in the popular video game Red Redemption and has appeared in numerous television shows and independent films. Including The Cobbler (starring Adam Sandler and Dustin Hoffman) and The Kindergarten Teacher (starring Maggie Gyllenhaal), which premiered at Sundance. He's built a seasoned resume with characters living on the edge of life. The Los Angeles Times said his work on Nurse Jackie, "Nurse Jackie gets her most fascinating character yet to date."  He recently finished directing and starring in the TV series Landing Home which he wrote. It recently earned Best Drama at the GI Film Festival, and he was nominated for Best Actor and Best First Time Director at the GI Film Festival. The series also earned Best Drama by the Wings of Honor Festival. It is now streaming on Amazon, Apple, Google Play, Tubi and Vudu, and Vimeo On Demand.  Douglas is well known for his solo show, The American Soldier, which has been nominated for the Amnesty International Award. A play that he wrote to honor Veterans and their families. It is based on actual letters from veterans and their families that span from the Revolution through the recent wars in Iraq and Afghanistan. It is touring throughout the country and has performed in over 34 cities. Including notable spaces like The Kennedy Center in 2016 and 2019, The Library of Congress, and Off-Broadway at 59east59th street. It earned four out of 5 stars at the Edinburgh Festival Fringe, and The Huffington Post said the play was "Flawless and powerful ." It's been mentioned featured in The Washington Post, Washington Times, DC Metro, US Veteran Magazine, Austin Chronicle, Broadway World, The Military Times, Playbill, and Time Out, to name a few.  As a writer, he was commissioned by the Library of Congress to write, create and perform his second solo show, An American Soldier's Journey Home. It commemorates the ending of the First World War and tells the story of Irving Greenwald, a soldier in the 308 Regiment and part of the Lost Battalion. He has performed the play twice at the Library of Congress and the Hoboken Museum.  In addition, he's been nominated for the Innovative Theatre Award. He has performed in numerous Off-Broadway productions in some of New York's most established theaters, and The New York Times said his work as George in Of Mice and Men. "Douglas Taurel is a fine actor." Other Off-Broadway plays include Hard Rain (Cherry Lane Theatre), An Enemy of the People (Barrow Group Theatre), (The Shakespeare Project), Gloria(Playwrights Horizons), The Deputy (Theatre for a New Audience), and King Lear (Houston Shakespeare Festival). He reversed both roles of Lee & Austin in True West at the Edinburgh Festival Fringe and Three Weeks Daily, saying his portrayal of Austin was "a moving and stunning work by an actor."   Douglas grew up in Houston, Texas, and is the son of Latin American parents. His mother is from Colombia, and his father is from Argentina and is fluent in Spanish. Constantly challenging himself mentally and physically, Douglas boxed in college, has run two marathons (New York & Philadelphia), bagged all 10 Scottish Munros, and ran with the bulls in Spain on his honeymoon, and in 2012 climbed Mt. Kilimanjaro. He's lives in Hoboken, New Jersey, loves a good bourbon, and is an Ole Miss alumni. www.DouglasTaurel.com  --- Support this podcast: https://podcasters.spotify.com/pod/show/moviemakingpod/support

90 minutes of brilliant insight. The amount of real estate this episode with Matt Williams covers couldn't be covered in a set of Time Life books. Matt provides so much knowledge, it was hard to know when to stop and move on to the next question. In this chat we cover learning playwriting from dramaturgical books opposed to those focused on actual playwriting, driving action vs inciting incidents, achieving simplicity through elimination, embodying character through action, bad feedback and notes, the trap of directing your own work, and when to pull the plug when someone else is in the driver's seat. We also discuss how to make your play director proof, developing a writing routine, trusting actors and directors, putting vibrance on the page, the point of view character and the protagonist, beginning and ending a scene and so much more. I'd be hard-pressed to believe any playwright won't walk away with a treasure trove of goodness from what Matt brings to the table. As always, ENJOY!Matt Williams has worked in theater, film and television as a writer, director, and producer. In pursuit of his passion to see children succeed, Williams recently formed the Laughing Angels Foundation, a non-profit organization dedicated to helping children around the world by creating stories that celebrate the human spirit. He also serves on the board at the Cherry Lane Theatre, a resident non-profit theatre founded by his wife, Angelina Fiordellisi. Playwriting credits include Fear, Actually, We're F*cked, Bruce Lee Is Dead and I'm Not Feeling Too Good Either, Jason and the Nun, and Between Daylight and Boonville.To view the video format of this episode, visit the link below -https://youtu.be/6xwnYokPgV0Links to sites and resources mentioned in this episode - New Play Exchange -https://newplayexchange.org/users/37356/matt-williamsSamuel French -https://www.concordtheatricals.com/a/4946/matt-williamsCherry Lane Theatre -https://www.cherrylanetheatre.orgWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

We are excited to bring you this podcast series, Choreographers in Conversation. This series allows choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode Choreographer and Creative Director Ellenore Scott interviews Choreographer Camille A. Brown to hear more about her career and where her love of dance and choreography comes from, what inspires her, working with collaborators, and how Camille approaches her work with ranges in size and types of stages. They also discuss Broadway debuts, the preproduction process, and staying true to yourself in your work. Bios: Camille A. Brown: Broadway: for colored girls… (7 Tony award nominations including Best Direction of a Play and Choreography), Choir Boy (Tony & Drama Desk Nominee), Once on This Island (Drama Desk, Outer Critics Circle, Chita Rivera Nominee), A Streetcar Named Desire. Off Broadway and regional: Much Ado About Nothing (Audelco Award), Toni Stone (Audelco, Lortel Nominee), Bella (Playwrights Horizons, Lucille Lortel Nominee, Audelco Award), Fortress of Solitude (Lucille Lortel Nominee); tick, tick...BOOM! (Encores!). The Wiz (MUNY), Stagger Lee (DTC); Once (Pittsburgh CLO). Opera: Fire Shut Up in My Bones (co-directed with James Robinson- Bessie nomination), Porgy & Bess, Champion.  Television: Harlem (Amazon Prime), Nike/Jordan commercial. Jesus Christ Superstar Live” (NBC). Film:  Ma Rainey's Black Bottom (Netflix). Company: Bessie winning Camille A. Brown & Dancers. Awards: Obie Award for Sustained Excellence in Choreography, ISPA's Distinguished Artist, Dance Magazine Award, Guggenheim, Doris Duke Artist, Princess Grace Statue Award, Jacob's Pillow Award, and New York City Center, USA Jay Franke & David Herro Fellow, TED fellow, Kennedy Center's Next 50, Ford Foundation Art of Change Fellowship www.camilleabrown.org  Ellenore Scott (she/her) is a New York based choreographer and creative director. Broadway: Funny Girl, Mr. Saturday Night. Off-Broadway: Little Shop of Horrors, Titanique. Other choreography credits include: So You Think You Can Dance?, Single All the Way (Netflix), Ratatouille: The TikTok Musical. Scott's work has been seen at The Bushwick Starr, The Old Globe, Hudson Valley Shakespeare Festival, McCarter Theatre, Cherry Lane Theatre, Asolo Repertory Theatre, Cape Fear Regional Theatre and Seattle Repertory Theatre. As a performer, Scott appeared in numerous television shows (Marvelous Mrs. Maisel, Smash, The Blacklist, Glee!) and was a finalist and All-Star on So You Think You Can Dance? Scott is the Artistic Director of ELSCO Dance, a contemporary-fusion dance company. As a content creator, Scott makes lifestyle, dance and comedy videos for over 1 million followers on TikTok. @helloellenore https://www.ellenorescott.co/ Stage Directors and Choreographers Foundation: Founded in 1965, Stage Directors and Choreographers Foundation (SDCF) exists to foster, promote, and develop the creativity and craft of stage directors and choreographers. SDCF's mission is to create access to the field, to connect artists to each other and to the public, and to honor these artists' theatrical legacies. The centrality of directors and choreographers in theatre and the impact they have on other artists' careers—from playwrights to designers to actors—makes SDCF's services essential to the wider theatre industry's continued health and vitality. Through its dynamic educational programming, including Observerships, Fellowships, public panels, and day-long symposia, SDCF serves the needs of directors and choreographers at every stage of career. www.sdcfoundation.org

Whether you refer to it as "sunsetting" or "supernova'ing," what's true is that there are few resources to guide those wanting to intentionally shutdown an organization's operations. While a multitude of resources exist dedicated to starting and scaling ventures, the same can't be said when one finds themself on the other end of the organizational life cycle. In this episode, host Tim Cynova connects with guests who were tasked with leading companies through this final phase. We'll hear how they came to the decision, how they approached the work, and what resonates for them as they reflect on it all.This episode include two conversations. The first is with Michelle Preston and Megan Carter who helped lead the transition at SITI Company. The second is with Jamie Bennett who helped lead the transition at ArtPlace America. In all of this, we consider how centering values when closing a company can help us even when we're not.MEGAN E. CARTER is a creative producer, strategy consultant, and dramaturg with a track record of sustained success in theatre, interdisciplinary performing arts and live events. Most recently, she led SITI Company, an award-winning theater ensemble, through a comprehensive legacy plan, archive process, and finale season. She is currently a creative consultant with A TODO DAR Productions on rasgos asiaticos, a performance installation by Virginia Grise and Tanya Orellana exploring migration, borders, and family. Megan has developed and produced new and classic works Off-Broadway, as well as internationally at theatres, venues, and festivals like The Fisher Center at Bard, BAM, City Theatre in Pittsburgh, Singapore International Festival of the Arts (SIFA), REDCAT (LA), Teatr Studio (Warsaw), Wuzhen Theatre Festival (Wuzhen, China), Under the Radar Festival, the Huntington Gardens (LA, site-specific), International Divine Comedy Theatre Festival at Małopolska Garden of Arts in (Krakow), the Walt Disney Modular Theater (LA), Classic Stage Company, Cherry Lane Theatre, WP Theater, the World Financial Center (site-specific). At WP Theater, she led the Lab for Directors, Playwrights, and Producers and managed new play development and commissions. Megan served as dramaturg on the American Premiere of Jackie by Elfriede Jelinek and has edited the English translations of a number of Jelinek's plays, including Rechnitz and The Charges (The Supplicants). She has also edited the SITI Company anthology – SITI COMPANY: THIS IS NOT A HANDBOOK, coming out in 2023. Megan has been on faculty at the Brooklyn College, SITI Company Conservatory and California Institute of the Arts. She is currently on faculty at Primary Stages' Einhorn School for the Performing Arts (ESPA). Education: MFA in Dramaturgy, Brooklyn College/CUNY; BA in Theatre, Centenary College of Louisiana.MICHELLE PRESTON began her career in arts administration at the Columbus Symphony Orchestra before coming to New York City where she has worked with Urban Bush Women, Bill T. Jones/Arnie Zane Dance Company and the School of American Ballet. She began at SITI Company in 2012 as the Deputy Director and served as Executive Director from 2014-2022. While at SITI, Michelle produced 9 world premieres, 17 domestic and international tours, and 5 New York City seasons. She also led the multi-year strategic planning process that resulted in the SITI Legacy Plan, a comprehensive set of activities meant to celebrate the accomplishments and preserve the legacy of the ensemble before the organized and intentional sunset at the end of 2022. She is currently the Executive Director of the José Limón Dance Foundation. She holds an M.F.A. in Performing Arts Management from Brooklyn College and a B.F.A. in...

Today's guest, author and producer Matt Williams, shares all about how he made the switch from writing for TV to learning to write prose. Matt has learned the value of practicing writing, listening to your “Spirit Voice,” thinking carefully, and not rushing the process. He has so many nuggets of wisdom to share for aspiring writers, especially those who are interested in improving their craft! Plus, he shares the origin story of Home Improvement, which you do not want to miss! Matt Williams is best known as the creator and Executive Producer of the hit series Roseanne and the co-creator and Executive Producer of Home Improvement, one of the most successful programs in television history. Williams started his television career when he joined The Cosby Show during its premiere season and worked as a writer/producer on the show for three subsequent seasons. He also co-created the series A Different World. Matt's work was nominated for Emmy and Humanitas Awards and won a Peabody Award for Outstanding Achievement in Television Writing.In 1989, Williams formed the bi-coastal production company Wind Dancer Films with principals Carmen Finestra and David McFadzean. Williams' projects under the Wind Dancer banner include the television programs Carol & Company, Soul Man, Buddies, and the PBS children's program Ready Jet Go! In film, Matt wrote or produced Wild Hearts Can't Be Broken, Firelight, Where the Heart Is, What Women Want, Bernie, and The Keeping Room.Matt has directed numerous productions in regional and Off-Broadway theatres. He directed the world premiere of Robby Benson's musical Open Heart at the Cherry Lane Theatre. Along with Daryl Roth Productions and his partners at Wind Dancer, he co-produced the stage production of Camping with Henry and Tom. He and Wind Dancer co-produced The Bubbly Black Girl Sheds Her Chameleon Skin at Playwrights Horizons.In addition to his many credits, Matt is a founding board member of The New Harmony Project and the Cherry Lane Theatre. Matt is currently an Adjunct Associate Professor at Columbia University School of the Arts Theatre Program. He lives in New York with his wife, actress Angelina Fiordellisi, the Artistic Director of the Cherry Lane Theatre.IG: @mattallenwilliams

Dylan and Connor are joined by Uly Schlesinger (This Beautiful Future, “Genera+ion”) & Francesca Carpanini (All My Sons, The Little Foxes). The stars of off-Broadway's This Beautiful Future at the Cherry Lane Theatre, a New York Times Critics Pick, sat down to chat all about bringing this gorgeous, unconventional piece of theatre to life. This episode covers all the bases, including Uly's time on HBO Max's “Genera+ion,” jerking off on-screen in the pilot, working with Martha Plimpton, and his humble beginnings as Soldier #2 in Antigone in Rhode Island. Meanwhile, Francesca shares her passion for performing, as well as regales the guys with tales from appearing in two Broadway revivals: All My Sons with Annette Bening and Tracy Letts, and Lillian Hellman's The Little Foxes with Laura Linney and Cynthia Nixon. Adele karaoke, post-show snacks, Love Island, Carly Rae Jepson songs, and Uly and Francesca's experience working with legends in This Beautiful Future are all covered. Get your tickets before they're gone!Follow Uly on InstagramFollow Francesca on InstagramGet tickets to see This Beautiful Future in New York City through October 30!Follow DRAMA. on Twitter & InstagramFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanGet your DRAMA merch (t-shirts, stickers, and more) HERE!SUBSCRIBE TO OUR PATREON HERE! Bonus episodes, Instagram Close Friends content, and more!

Note from Chion: This episode of Audacious deals with themes that may be disturbing to some listeners, including stories from our guests about rape and assault. Ten people talk about why they had an abortion, how they feel about it years down the road, and how they felt when Roe v. Wade was overturned. Plus, what it's like telling your abortion story as a comedian. Alison Leiby, a Brooklyn-based writer and comedian, created her show, "Oh God, A Show About Abortion," which premiered at the Cherry Lane Theatre in New York in April of 2022. The phone number for the Rape, Abuse & Incest National Network (RAINN) is 1-800-656-4673. That line is open 24/7. GUESTS:  Janice Wolf: Had her abortion 15 years ago after the fetus was diagnosed with cystic hygroma Emily Woodward Tracy: Had her abortion after an unplanned pregnancy when she was 16 "Anastasia" (pseudonym): Had her abortion when she was in her early 20's after being drugged and raped Katrice Claudio: Had her abortion at 23 years old after an unplanned pregnancy Linda Storms: Had her abortion after she had an "incomplete miscarriage" Ryan Lindsay: Had her abortion after an unplanned pregnancy Amy Philips: Creator of the Facebook group, “I Regret My Abortion”. She had hers after an unplanned pregnancy when she was 22 Serena Dyksen: Had an abortion at 13 years old after being raped by her uncle Jarrell Prichard: When he was in high school, was the partner of his teenage girlfriend who had three abortions Alison Leiby: A comedian who has a show called "Oh God, A Show About Abortion". She had hers after an unplanned pregnancy when she was 35 Support the show: https://www.wnpr.org/donate See omnystudio.com/listener for privacy information.

[REBROADCAST FROM May 20, 2020] Steve Earle discussed his album Ghosts of West Virginia, including songs he wrote for the play "Coal Country." The interview features the exclusive premiere of Earle's song "The Mine," as well as the North American debut of an acoustic version of "It's About Blood." 'Coal Country' re-opened at the Cherry Lane Theatre earlier this week. 

Rocco Natale is a Newington-Cropsey Fellowship recipient for dramatic writing and research. Rocco's plays ("Great Expectations", "Smoke Signals", "Room at the End of the Hall") have had the honor of being performed in countries around the world to audiences of all ages. Rocco's work "Room at the End of the Hall" has been a semi-finalist in the Eugene O'Neill National Playwright's Conference and Premiere Stages and was last seen at Arena Stage in Washington, DC. Rocco has had the pleasure of working with Signature Theatre Company, Urban Stages, New York Theatre Workshop, The Cherry Lane Theatre, Mirror Repertory Company, The University of Connecticut and Shakespeare on the Sound. Rocco is also the Executive Director of Open Arts Alliance, a non-profit social service organization that uses therapeutic arts programs to educate students and engage senior citizens. Follow us on Instagram! Questions? Comments? Send us an email at castpartyshow@gmail.com! Help support the show by donating at https://anchor.fm/michael-busani/support Editing and mixing by Ben Seaman --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-busani/support

Episode 25: Alex Edelman stops by AH"M and talks stage presence, story telling, and shepping nachas. About our guest: Alex Edelman is an actor, writer, and comedian whose third show, Just For Us is currently running at the Cherry Lane Theatre in NYC. Alex has made numerous TV appearances including multiple performances on CONAN. He's written for programs on Netflix and CBS, as well as countless awards shows including the BRITs and the BAFTAs. Follow Alex on Instagram @AlexEdelman. Follow Alex on Twitter @AlexEdelman.For information about upcoming shows visit www.modilive.com.Follow Modi on Instagram at @modi_live.

Alex Edelman is a comedian and writer whose Orthodox Jewish upbringing has informed his critically and commercially acclaimed work for the stage and screen. He is known for both his TV writing and his solo stage shows, all three of which have been award-winning, sell-out hits in London's West End and the Edinburgh Fringe Festival. His current solo show, Just For Us, is playing at the Cherry Lane Theatre in New York City from January 24th to February 19, 2022. Visit, https://www.justforusshow.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

In December Mike presents Alex's Edelman's solo show, "Just for Us" off-Broadway at the Cherry Lane Theatre. It's an award-winning comedy in which Alex (who is Jewish) tells the story of being accidentally invited to a gathering of white nationalists & then what happened when he…showed up. Mike & Alex crack open that story as well as working out jokes about rollerblading into museums, why Socrates had a hard time at parties, & how texting the tooth fairy can backfire. https://www.childrensdefense.org/

This week on Unorthodox, our national nightmare is over: Stephanie returns to the show! We talk to comedian Alex Edelman, whose new one-man show, “Just For Us,” is about the time he infiltrated a white supremacist gathering. Edelman, who was raised Orthodox, tells us about starting to wrap tefillin again during the pandemic, his work on Saturday Night Seder, and why some Jewish comedians miss the mark for him. “Just For Us” runs Dec. 1-19 at the Cherry Lane Theatre in New York. Then we visit Sherry Herring, New York City's latest culinary import from Tel Aviv and Liel's favorite place on Earth, to sample chipotle tuna and piri piri sardine sandwiches and learn about the Jewish love of smoked fish. Unorthodox is produced by Tablet Studios. Please consider making a tax-deductible donation at bit.ly/givetounorthodox. Send comments and questions to unorthodox@tabletmag.com, or leave us a voicemail at (914) 570-4869. You can also record a voice memo on your smartphone and email it to us. Subscribe to our weekly newsletter to get new episodes, photos, and more. Join our Facebook group, and follow Unorthodox on Twitter and Instagram. Get a behind-the-scenes look at our recording sessions on our YouTube channel! Get your Unorthodox T-shirts, mugs, and baby onesies at bit.ly/unorthoshirt. Want to book us for a live show? Email producer Josh Kross at jkross@tabletmag.com. Check out all of Tablet's podcasts at tabletmag.com/podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rylie Butzbaugh-Patrick an actor and singer hailing from Madison Wisconsin. She is a graduate of Shenandoah Conservatory where she earned a B.F.A in Acting. In her time since graduating, she has been working with Cherry Lane Theatre, in NYC, as an artistic intern. Rylie can next be seen in the Featured Film, Cupid For Christmas - set to be released this upcoming holiday season!   Alia Shahid was born and raised in Fairfax Station, VA. Alia graduated with a BFA in Acting from Shenandoah Conservatory, where she found a deeper love and understanding for her craft, and honed newfound talents, such as playwriting and theatre production photography. In 2020, she had her off-Broadway/Zoom debut in Dipti Bramhandkar's Feet In The Forest Leave No Mark, and had her feature film debut in CUPID FOR CHRISTMAS, which is set to release this December on Hulu. She is currently living in Los Angeles, California to pursue film. When Alia isn't doom-submitting on Actor's Access, you can find her on the hunt for the best breakfast burrito in Burbank, rewatching Euphoria, or supporting local businesses. She's very grateful to be given the opportunity to chat with The Farm Theater about her experiences, and hopes to inspire other artists with her thoughts on moving forward during the pandemic.   Diana Smith is an actor, writer, and theatre educator who is currently completing a postgraduate year of service with an Americorps Program in Chicago, where she is exploring the improv and sketch comedy scenes. Since graduating from Centre College with degrees in English & Dramatic Arts, Diana has studied sketch comedy writing with Upright Citizens Brigade (L.A.) and written for and performed in “Moxie,” a virtual sketch lab produced by Magnet Theater (NYC). In the past year, Diana has also worked on a number of projects with DCSG Theatre, a group of talented creatives striving to create compelling theatre in the digital age.

Sophia is a playwright, screenwriter, and a film & theater director.  She is a producing artistic director of Garden of the Avant-Garde Productions and she's also a member of the New York City Bar Association, working in human rights.She was the screenwriter and producer for the international arthouse film Poor Liza, which won a Garnet Grand Prix award. The film starred Emmy and Golden Globe Award winner Ben Gazzara and Emmy & Academy award winner Lee Grant. Sophia has written and directed three films for New York University's Tisch School of the Arts Dramatic Writing Program.Outside of film, Sophia has written fourteen different stage plays which have been produced either off-Broadway or “off, off Broadway”.Sophia's latest project, which is currently streaming on Amazon Prime is Used and Borrowed Time. It is a 2020 time travel film about an aging actress who is magically returned to the year 1965 in segregated Alabama. Sophia penned screenplays and directed three films for New York University's Tisch School of the Arts Dramatic Writing Program.  She also wrote and directed a series of cutting-edge short films for the New York Film AcademyPornography!" and "Commercial America in the 90's." She wrote the screenplay for the documentary "Call Girls for Hire: The Sex Slave Trade Epidemic in Eastern Europe," for which she was honored with Moscow's Social Awareness Documentary Film Award at the Moscow Women Make Documentaries Film Festival.  Romma also wrote and directed a series of cutting-edge short films for the New York Film Academy: "Underneath Her Make-Up" (unveiling the stigmatized and hounded LGBTQ community in India) and "The Frozen Zone" (shedding light on the supernatural healing powers of ancient shamanism and its infinite wisdom).Dr. Romma is the author of fourteen stage-plays, produced Off-Off Broadway/Off-Broadway, three of which were produced at La MaMa E.T.C. Her play, “The Past Is Still Ahead” which she wrote and directed, ran at the Cherry Lane Theatre, at the Midtown International Film Festival and toured Montauk, London, Moscow, Montreal and Seoul. The Negro Ensemble Company presented “The Mire” at the Cherry Lane Theatre; it was heralded by the New York Times for “grinding down stubborn cultural borders with love's symphony.” Romma's “Cabaret Émigré” was lauded by The Villager for "delving deep into the dislocated émigré's soul in erotic quantum verse.”Romma graduated from Tisch School of the Arts, earning her B.F.A. from the Dramatic Writing Program and her M.F.A. from the Dramatic Writing and Cinema Studies). She holds a Ph.D. in Philology from Maxim Gorky Literature Institute and a Masters of Law from Fordham University School of Law.gardenoftheavantgarde.comgardenoftheavantgarde@gmail.com Support the show (https://www.buymeacoffee.com/ThatsHowWeRole)

Growing up outside of Philadelphia, Pennsylvania, Charlotte Morris discovered her passion for music at a young age. After starting violin lessons at the age of four, Charlotte taught herself how to play the guitar, piano (and melodica), ukulele, banjo, acoustic bass guitar and mandolin, and began taking her songwriting seriously by the age of twelve. Describing her unique style as genuine, raw and emotional music with a purpose, Charlotte takes inspiration from female story-telling artists like Delta Rae, Brandi Carlile, Sara Bareilles, and The Chicks. In January of 2018, Charlotte joined Lonesome Traveler – a concert tour where the cast performed the history of folk music, starting with Woody Guthrie and ending with songs by the likes of Bob Dylan, Joni Mitchell and Joan Baez. Charlotte released her debut EP “To New York, with Love” in June 2018, which received positive recognition from newspapers, music blogs and playlists worldwide. Since then, she has released a number of singles, including two “quarantunes” about the Covid-19 global pandemic, as well as a five-song EP (produced by Nashville-based Mitch Dane) entitled “Sputnik.” In the spring of 2019, Charlotte embarked on her first fully-acoustic tour, performing in over fifteen different cities across the United States, including Nashville, Austin and New York City. Charlotte released her first full-length album, “Songs For My Next Ex,” in December of 2020. The eight-part “story album” takes the listener through the highs and lows of a tumultuous, yet transformative, relationship. The album received rave reviews from both national and international press. She also recently made her Off-Broadway debut at the Cherry Lane Theatre in (The Making of) How to Save the World in 90 Minutes. Charlotte majored in Theatre, with minors in Musical Theatre, Business and Marketing at Northwestern University. When the nomadic singer/songwriter is not writing or releasing music, she is an actor, personal trainer and avid crossword puzzle solver. Follow Charlotte on Instagram @Charmor17. Follow us on instagram @ivegotasongforthat and @laurenandersonmusic.* *All music on this episode is either in public domain or written, recorded and is owned by Lauren Anderson, including master copies, publishing and copyrights. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ivegotasongforthat/support

John and Irene have written countless books and pieces for stage and screen, including Agnes of God, Choices of the Heart, Hook's Tale, The Memory Keeper's Daughter, and many more. Irene O'Garden has won or been nominated for prizes in nearly every writing category from stage to e-screen, hardcovers, children's books as well as literary magazines and anthologies. Her critically- acclaimed play Women on Fire (Samuel French), starring Judith Ivey, played to sold-out houses at Off-Broadway's Cherry Lane Theatre and was nominated for a Lucille Lortel Award. Her play, Little Heart, won her a Berilla Kerr Playwriting Fellowship and was awarded full development at the New Harmony Play Project. For her work in children's literature, Irene received the Alice Curtis Desmond Award. She also won the Gold Oppenheim Toy Portfolio Best Book Award for her book The Scrubbly Bubbly Car Wash (Harper). Her first children's book, Maybe My Baby (Harper), has sold over 90,000 copies. Irene has presented at children's literature conferences at Vassar and NYU and teaches poetry workshops at New York City schools. Irene is especially pleased to bring the national River Of Words program to Hudson Valley schools under the auspices of The Beacon Institute of Rivers and Estuaries. Irene is a proud member of The Dramatists Guild, The Authors Guild, Actor's Equity Association, The Society of Children's Book Writers and Illustrators, and The Society of Scribes. Her newest children's book is simply beautiful, titled Forest, What Would You Like? To learn more about Irene: https://ireneogarden.com/ John Peilmeier is an actor, playwright, novelist, poet, and screenwriter with decades of literary achievements. His play Agnes of God was a co-winner of the Great American Play contest and premiered professionally at Actors Theatre of Louisville, which was followed by several regional productions and a seventeen-month run on Broadway. Choices of the Heart, a television movie he wrote about the slain American missionaries in El Salvador, received a Christopher Award, the Humanitas Award, a Writers Guild of America nomination for Best Teleplay, and an Honorary Doctorate of Humane Letters from St. Edward's University in Austin, Texas. He has written over 25 movies for television, including Sins of the Father (which broke viewer records when it was first aired on FX; also nominated for the Humanitas Award and a Writers Guild of America Award); Happy Face Murders (which broke viewer records when it was first aired on Showtime); To learn more about John: https://johnpielmeier.com/

John and Irene have written countless books and pieces for stage and screen, including Agnes of God, Choices of the Heart, Hook's Tale, The Memory Keeper's Daughter, and many more. Irene O'Garden has won or been nominated for prizes in nearly every writing category from stage to e-screen, hardcovers, children's books as well as literary magazines and anthologies. Her critically- acclaimed play Women on Fire (Samuel French), starring Judith Ivey, played to sold-out houses at Off-Broadway's Cherry Lane Theatre and was nominated for a Lucille Lortel Award. Her play, Little Heart, won her a Berilla Kerr Playwriting Fellowship and was awarded full development at the New Harmony Play Project. For her work in children's literature, Irene received the Alice Curtis Desmond Award. She also won the Gold Oppenheim Toy Portfolio Best Book Award for her book The Scrubbly Bubbly Car Wash (Harper). Her first children's book, Maybe My Baby (Harper), has sold over 90,000 copies. Irene has presented at children's literature conferences at Vassar and NYU and teaches poetry workshops at New York City schools. Irene is especially pleased to bring the national River Of Words program to Hudson Valley schools under the auspices of The Beacon Institute of Rivers and Estuaries. Irene is a proud member of The Dramatists Guild, The Authors Guild, Actor's Equity Association, The Society of Children's Book Writers and Illustrators, and The Society of Scribes. Her newest children's book is simply beautiful, titled Forest, What Would You Like? To learn more about Irene: https://ireneogarden.com/ John Peilmeier is an actor, playwright, novelist, poet, and screenwriter with decades of literary achievements. His play Agnes of God was a co-winner of the Great American Play contest and premiered professionally at Actors Theatre of Louisville, which was followed by several regional productions and a seventeen-month run on Broadway. Choices of the Heart, a television movie he wrote about the slain American missionaries in El Salvador, received a Christopher Award, the Humanitas Award, a Writers Guild of America nomination for Best Teleplay, and an Honorary Doctorate of Humane Letters from St. Edward's University in Austin, Texas. He has written over 25 movies for television, including Sins of the Father (which broke viewer records when it was first aired on FX; also nominated for the Humanitas Award and a Writers Guild of America Award); Happy Face Murders (which broke viewer records when it was first aired on Showtime); To learn more about John: https://johnpielmeier.com/

Lois has been hailed by critics as one of the most highly respected directors in the Bay Area. She has directed over 75 productions at Playhouse West and other theatres throughout the country. Her versatility as a director ranges from Pinter’s Betrayal “Betrayal Sparkles” (San Francisco Chronicle) to Noel Coward’s Private Lives “The production is crisp, clean and wonderfully vicious in a velvet-lined sort of way” (Contra Costa Times) to Sandy Wilson’s The Boy Friend (Bay Area Critic’s Circle awards for Best Entire Production and Best Direction of a Musical) “Every facet of this musical gem has been polished – Leaves the audience cheering” (San Francisco Bay Times). Pat Craig of the Contra Costa Times wrote: “Playhouse West is the most consistently excellent theatre on this side of the hill, and one of the best in the entire Bay Area.” Lois has personally won 7 Bay Area Critic’s Circle Awards, 6 for directing and choreographing and 1 for Best Actress in 2001. Her World Premiere Production of the musical In This House garnered 4 Critic’s Circle Awards, 2 of which were awarded to Lois for Best Musical and Best Direction of a Musical in 2008. Lois Grandi launched her performing career at age of 12, as a solo ballet dancer with The Philadelphia Orchestra. At age 17, she ventured from Philadelphia to New York, where she became enamored with Musical Theatre.  Shortly thereafter, she found herself doing the Charleston, singing and having a blast in the Off Broadway production of The Boy Friend at The Cherry Lane Theatre. Thus, her initiation into the professional theatre! Roles that followed, included Louise in Carousel with John Raitt, Leisl, in The Sound of Music, Tiger Lily in Peter Pan with Sandy Duncan and Betsy Palmer, and Laurey in Oklahoma! opposite Peter Palmer. While in New York, she made many TV commercials and industrial films. She launched the choreography facet of her career, with The Music Man starring Bert Parks. Lois moved to The San Francisco Bay Area and raised her family. Back to work after a little break, she sang in many clubs in The Bay Area and made numerous industrial films and TV commercials. She had a recurring role in the TV series Up and Coming for PBS, and performed in and directed productions in various theatres in the area. In 1984 she founded The Performing Arts Academy (later re-named The Playhouse West Academy) and founded Playhouse West Theatre in 1995. In 2005, Lois performed as Melinda Metz in Michael Weller’s What the Night is For. “Melinda changes before your very eyes – from coquettish to a neurotic mess. The actress does an emotional striptease with unusual skill in peeling off the character’s protective layers.” (Talkinbroadway.com). Earlier at Playhouse West she played the heart wrenching, handicapped Edna in Light Sensitive by Jim Geoghan. This role won her the Best Actress Critic’s Circle Award. “Lois Grandi shines in the role of Edna” East Bay Express. She was most recently seen in the TV series Trauma and played Melissa in Love Letters at The Willows Theatre in 2009. www.loisgrandi.com --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support

In honor of GODSPELL's 50th anniversary, Lauren Van Hemert interviews original cast members from the musical's first production at the Cherry Lane Theatre. Hear stories from all those who are alive today: Peggy Gordon, Joanne Jonas, Robin Lamont, Sonia Manzano, Gilmer McCormick, and Stephen Nathan. Also joining them will be the original music director Stephen Reinhardt. Links: https://caroldegiere.com/the-godspell-experience/ (The Godspell Experience (Carol de Giere)) https://www.youtube.com/user/larkluster (Peggy Gordon's YouTube Channel) https://youtu.be/R48pnaTk70A (Beltline to Broadway's Live Chat with the Original off-Broadway Cast) Connect with Beltline to Broadway Facebook – @beltlinetobroadway Twitter – @beltlinetobroadway Instagram – @beltlinetobroadway Web http://www.rduonstage.com/ (www.beltlinetobroadway.com) Support this podcast

Elana Gartner talks with Mark Redfield about playwriting, and her new 2021 play “Runtime Error”, and its first public reading with Transformation Theatre in May of 2021. This interview was conducted by telephone, May 2021. For more great audio visit http://www.RedfieldArtsAudio.com About Elana Gartner: Internationally produced and recognized playwright Elana Gartner is a native Brooklynite and a lifelong playwright, starting as early as first grade when her teacher allowed her to direct and act in the first play that she wrote "The Good Butterfly". That experience led her to believe that a career in playwriting was possible. Since then, she has written Before Lesbians (Dayton FutureFest Finalist 2020, 2nd Place Recipient of the 2018 Henley Rose Playwriting Competition for Women (Readings: Oberlin College, Henley Rose, due for a staged reading at Good Luck Macbeth Theatre), Because of Beth (Productions: Howick Little Theatre; The Workshop Theater), Daughter (Reading: UpTheater Company; PlayLab Selection, 2013 Great Plains Theatre Conference), Pilar’s Brother (Reading: Repertorio Español), Cortex Kin(Reading: Dixon Place), Spinning (Production:Fabrefaction Theater Company), and Ernie Evan (Productions: Genesis Repertory Theater; Heights Players, 6x10 Festival). Two monologues from Elana’s plays Daughter and Because of Bethwere published in “Audition Monologues for Young Women #2: More Contemporary Auditions for Aspiring Actresses “(Meriwether Publishing, Ltd., 2013). Elana founded the EMG Playwriting Workshop and is also a member of the Manhattan Oracles playwriting group. Elana founded the International Centre for Women Playwrights (ICWP) 50/50 Applause Awards and served on the ICWP board for five years. Elana is a member of the Dramatists Guild and is currently an MFA candidate at Spalding University. In addition to playwriting, Elana has worked in many aspects of the theater: stage management, technical theater, theater education, literary, producing and some dabbling in acting and directing. Through these, she has had the great fortune of working at Williamstown Theater Festival, Lincoln Center Institute, Cherry Lane Theatre, Second Stage Theater, Brooklyn Academy of Music, and the Theatre Development Fund. During the corona virus crisis, she founded Four Walls Theater, a socially responsible theater company presenting new works online, using artists from around the nation. Elana's freelance writing covers gender parity, parenting, theater and disability. She lives with her family in Prospect Heights, Brooklyn. https://elanagartner.com https://www.transformationtheatre.org/ About the play “Runtime Error”: Tal is trying to get a competitive internship when he approaches his college advisor and mentor for an introduction to the company. The famous Professor Carson is all too willing to make the introduction but for a terrible price. While hiding his experiences from everyone in his life, Tal tries to figure out what he could have done differently. A play inspired by the #MeToo movement and the Brett Kavanaugh hearings, this play explores similar themes for men and how they cope or don’t. SEMI-FINALIST 2021 EUGENE O'NEILL NATIONAL PLAYWRIGHTS CONFERENCE Thank you for listening, sharing, and subscribing! The Redfield Arts Audio Podcast and its original content © Mark Redfield Studios. All Rights Reserved. For more great audio visit http://www.RedfieldArtsAudio.com

Taylor (she/her) is a New York based actor, but a Kansas girl at heart (read: constantly inviting these East Coasters to potlucks). She made her Off-Broadway debut in “First Love” at the historic Cherry Lane Theatre and has performed around the country and across the pond. A proud UMN/Guthrie grad. Her quarantine has largely consisted of narrating audiobooks, playing Dungeons & Dragons, and helping people share their stories as Publishing Manager at Burning Soul Press. Please excuse the *faux* fur coat. It was a very cold room. IG @TayTayHarvs

Filmmaker extraordinaire & pitch pro Jamie Monahan is all about getting creative work made. Both her own and yours. She currently teaches at Actors Connection, Tom Todoroff, NYC Women Filmmakers, and The Collaborative - to name a few. In this episode, Jamie shares her tips for pitching scripts, pilots, and concepts in today's streaming marketplace. Pitch Deck examples: The Moon Unit - https://themoonunit.com The Betterment Society - https://www.thebettermentsociety.com/genre-film-tv Aaron Davis - https://aarondavis.com *Jamie's worked with Aaron as a freelance designer on some of his projects. Here's the link to Jamie's next Pitch Perfect class: https://www.eventbrite.co.uk/e/pitch-perfect-tickets-143529862683 BIO: Jamie Monahan is an award-winning filmmaker, director, producer and actress. She produced and directed ALMOST MAINE at The Shell Theater and produced SWINGTIME CANTEEN (Off Broadway) at Cherry Lane Theatre. Jamie produced and directed the award nominated short THE WISHING TREE, and assistant directed the award nominated short ANATOMY OF AN ORCHID. Fall 2017 she produced and cast the proof of concept for ASTRAL (greenlit by Adaptive Studios) and FLAT EARTH (Sundance New Voices Lab Finalist). Summer 2018 she executive produced TRIAD, and produced BELOW THE BELT. She executive produced, wrote, directed, and starred in LUCID (nominated for Best Pilot at the 2019 NYC Web Fest), a new original sci-fi series. Her latest project LEGACY was a finalist for the Sundance 2020 Episodic Makers Lab. Jamie's Social links: www.jamiemonahan.com www.instagram.com/jmemonahan www.facebook.com/jmemonahan www.twitter.com/jmemonahan Jamie's award-winning short, LUCID, is available on DUST, YouTube, etc. Lady Eleonor Alright, your curious curator/host, is a screenwriter with an MFA in film. She brings stories to light and light to your stories. Enjoy!

Felix Solis (Actor) plays Ray Vera on Ozark and is currently filming season 4. He started booking Film and Television gigs starting with shows set in NYC such as New York Undercover, NYPD Blue and Third Watch and the film Empire (starring opposite John Leguizamo and Peter Sarsgaard). Soon Felix appeared in acclaimed television Shows such as The West Wing, OZ, Law & Order: SVU, The Sopranos, Law & Order: Criminal Intent, Damages and Fringe (to name only a few); and numerous films such as The Forgotten (opposite Julianne Moore), Wes Craven's My Soul To Take, Man On A Ledge (opposite Sam Worthington and Ed Harris) and Arbitrage (opposite Tim Roth). With his roots in theatre, Felix has also continued to work on stage receiving the HOLA 2013 Award for Outstanding Performance by a Male Actor for the production of Basilica at New York's prestigious Cherry Lane Theatre; a Connecticut Critics Circle Award in 2008 for Boleros For The Disenchanted and a Helen Hayes Award nomination for Outstanding Lead Actor in a Passion Play in 2006. He is especially proud of a letter Al Pacino wrote him to thank him for his performance in the original production of Our Lady Of 121st Street with the LAByrinth Theatre Company of which he has been a member since 1999. In addition to acting, Felix co-created a film production company, Subway Token Films, where their first short film, TINTO, premiered at the Tribeca Film Festival in 2014; their next short film, iHeart (which he directed), made its world premiere at the Hoboken International Film Festival; it won the Award of Merit at One-Reeler Short Film Competition.

Welcome everyone! You're in for some deep nourishment today. Our conversation is with Ren Dara Santiago. We cover so many heart centered things in this conversation. We talk about how to dispel narratives through truly seeing someone's heart, building families, her work as a playwright, and so much more. Ren is a Big Sister first and foremost! Every space carries Beanie, Butchie, and Kaying. This Fila-Rican playwright was born in the Bronx, raised in Yonkers and Harlem at intersections of Coded Streets and Bodega Avenues. She's proud of her history and shares in the practice of uplifting the wisdom that comes from her community. From the originators and generators. From creators thriving despite the exploitation of our cultures, loved ones, systematic debts, and geographies. Ren writes stories that activate our potential for deep loving, for brave loving, for healing, for the hustlers. For people that work hard. For the real heroes, who deserve their lives to be honored in stories; complex, expansive, simple and great. Theater should give communities room to dream. To honor the unknowable, conjured by theater-makers of resilient lineages, offering us the opportunity to shift the limits of possibility. Ren is currently working with Rattlestick Playwrights Theater as the showrunner for the MTA Radio Plays, launching December 13th; and commissions with En Garde Arts, The Drama Club NYC, The Theatre Co, and New York Rep. Ren teaches playwriting at the National Theater Institute, MCC Youth Company, Williams College, and Williamstown Community Works. She is a founding member of Middle Voice at Rattlestick, a member of Rising Phoenix Rep. She's the recipient of the TOW Foundation 2020 Residency at Rattlestick, Rising Phoenix Rep's Cornelia Street American Playwriting Award, and the MCC Alumni Award. She's developed work with The Bushwick Starr, Cherry Lane Theatre, Clubbed Thumb, Gingold Theatrical Group, LAByrinth, The Lark Play Development Center, MCC Theater, Ojai Playwrights Conference, Rattlestick Playwrights Theater, Rising Phoenix Rep, and SPACE on Ryder Farm. www.rendarasantiago.com @rendsanti, @rattlestickny --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/britt-dorazio/support

Become the Supraconscious Actor of your life. The one for whom life springs from spiritual intuition.Learn everything you need to become an authentic actor and experience multiple breakthrough transformations in your life.PAD Method - a special workshop with acclaimed Greek Director, Maria Olonwith our On Air Players Zoe Anastassiou and Claude Isbell Introduction andd dad endorsement by NYC Theatre veteran and award-winning director, Jak Prince.BiosZoe Anastassiou -Zoe is a Greek-Aussie British theatre/TV/film/voiceover actress. She was last seen physically on stage in Thomas Walters’ (Julie Walters’ brother) new play Help a Handicapped God Trot Across the Universe at the 13th Street Repertory Theater in NY, and can next be seen physically (once quarantine has lifted) in various new works she is helping develop; British Emma Gibson’s Water in my Hands as part of Miranda Theatre Company’s Liz Smith Reading Series at the Cherry Lane Theatre in NYC, and Jamie Ramburg’s Castles in the Air with Midtown Direct Rep in NJ. In the interim, in Quarantine, Zoe shot a short role in a play adaptation of Emily Bohannon’s Virtue with Cowboy Bear Ninja productions which is soon to be released later this month, and is featured in Howard Pflanzer’s short play Space with Crossways Theatre that just premiered on YouTube. Zoe has been collaborating with various other projects for development and future engagement both for the stage and screen. Zoe can currently be heard as audio drama regular Maddie the 8 yr old CEO on How We Manage Stuff, which was selected and is now featured in the Hear Now Festival online, and, she can be seen daily in her longstanding 365 Blog video series. Learn more at www.zoeanastassiou.comClaude Isbell-Claude was a child actor doing commercials and theater. He has recently gotten the acting bug back, while studying acting and directing with Austin Pendleton. He is in pre-production of his autobiographical web series “CYRUS.Director / Author BioΜaria Olon Tsaroucha is a pioneer in researching philosophical systems that study human nature, personal development and consciousness. She studied theater at the American Academy of Dramatic Arts in New York (AADA) and sociology at Deree College, the American College of Greece. Sher specialized in Shakespearean repertoire and Stanislavsky method at the “Webber Douglas Academy of Dramatic Arts” in London. She has attended acting and film directing seminars with Mikhail Ilyenko, dean of the Kiev University of Cinema.She is a member of the NAMA group of the Epi Kolono theater. For nine years she systematically participated in a group of creative writing, literature and Theory of Philosophy at the “Center for Creative Writing and Theater for Conflict Resolution” by the author and activist Christiana Lambrinidis. At the age of thirteen she had published her first book “First steps, first thoughts”. She was awarded by Antonis Samarakis and Costas Tachtsis, as the “youngest Greek writer”. He is the author of the book “Clear empty head” (Eridanus Publications).She created the Magic Room Theater, a group of artists who have inspired and based on the musical-theatrical performances “this is a duck”, “a suspicion on stage”, “Lola΄s Cabaret”, “Reunion”, “Maria in Abundance “,” It’s a Wonder Full World “produced and directed by her.She has worked as an actor in the performances “Trainspotting”, “Bug”, “Sakura”, “The Lunch”, “Mala, the music of the wind”, “Adam and Halima” for the National Opera, “La nonna”, “The janitor of the night”, “Missing people, an interesting life”. Adapted and directed Elena Ferante’s “Days of Abandonment” entitled “The Poor of Naples”, directed “IRAQ, 9 Places of Desire” under the auspices of the Iraqi Embassy, ​​”A to n, when the soul meets the universe “and the performance” Phenomena “under the auspices of the Union of Greek Physicists, the” Dorian Gray Frames “and the presentation of the files” ACROPOLIS OF ATHENS FILE “for the arrival of the ancient Parthenon in Greece, at the Acropolis Museum. He collaborates with the Tango Acropolis Festival and the consulate of Ivory Coast in Greece for charitable purposes.She starred and participated in feature films for the cinema and has worked for Greek television.She participated in TEDXAUEB with the performance “Knowing thyself, the eternal process”. She has been working as an acting coach for twenty-two years. She teaches PAD and Method Acting to professional and amateur actors and performers.She is an assistant member and a collaborator in the Science and Art platform of the Union of Greek PhysicistsShe is a Founding member with Golden membership of the Actors Society of the American Academy of Dramatic Arts (AADA) and in the advisory board of Lifeboat thinktank as an Artist and Futurist.She is a mother.--------------------------------------------------------------------------------------------Maria Olon, the originator of Perceptual Acting and Directing, introduces the use of quantum physics, new trends of psychology, self-awareness, neurolinguistics programming, meditation, empathy, Ethos value system, and acting as tools for a substantial difference and evolution in human consciousness. During her years as an actor, director, and acting teacher, she developed her philosophical and practical approach to a new interpretation of what it means to be an actor in life and on stage. She wrote her first book at the age of thirteen and is acclaimed to be the youngest Greek author ever. She is a founding member of the Actor’s Society of the American Academy of Dramatic Arts, a member of the Hellenic Physicist Association and of the Advisory Futurist and Media and Arts Board of Lifeboat foundation. She participated in TEDXAUEB, presenting her work through the performance “Knowing Thyself: The Eternal Process.” She works on helping the vulnerable groups of women and children at war. Her research and study on the supraconscious actor began seventeen years ago and is in progress. Website Info: www.mariaolon.comMaria Olon TsarouchaActor, Director, Educator, AuthorFounder of PAD theory and methodwww.mariaolon.cominfo@mariaolon.compad@mariaolon.com

LISA RAMIREZ (playwright/actor) Associate Artistic Director at Oakland Theater Project, Artistic Associate at Cherry Lane Theatre.  Roles include, The Angel in Angels in America at Berkeley Rep, Blanche Dubois in A Streetcar Named Desire at the Ubuntu Theater Project in Oakland. Lisa has performed extensively at theaters on both the East and West Coast such as the Cherry Lane Theatre, Atlantic Theatre Company, Working Theater, The Foundry, Ubuntu Theater Project, Magic Theatre, Berkeley Rep amongst others. Writing credits include, Exit Cuckoo (nanny in motherland) was first presented Off Broadway by the Working Theater (Colman Domingo- director) and subsequently toured in various theaters throughout the U.S. and Ireland; Art of Memory, a dance theatre piece, commissioned by Company SoGoNo and presented at the Ontological-Hysteric Theater and the 3-Legged Dog in New York (Tanya Calamoneri- director) Invisible Women-Rise, Foundry Theatre & Domestic Workers United; To The Bone, originally a Working Theater commission, was a finalist for the 2012 NPN Smith Prize, the O'Neill National Playwrights Conference and the Ellen Stewart Award; All Fall Down was conceived/written in at INTAR during the Maria Irene Fornés Hispanic Playwrights in Residency Lab; Contributing playwright for In Mother Words, presented at the Geffen Playhouse and various regional theatres (Lisa Peterson- director); In 2012/13 Lisa was part of the Mentor Project at the Cherry Lane Theatre where she wrote Pas de Deux (lost my shoe), (Bryan Davidson Blue- director); In September 2015, the Cherry Lane Theatre presented the world premiere of To The Bone (Lisa Peterson- director).

Three Women Various By Brian McAvera Three Women Various By Brian McAveraNow. Imagine.Three women, all of whom have been friends since schooldays.Further imagine that each of these three women exists in three separate but parallel universes. In each universe any given woman retains her basic emotional baggage but the circumstances of her life, in terms of job, partner, culture, decisions taken, and so on, will have changed her.Carrie Wesolowski ("Three Women Various" Director/Amelia/Abby/Anne) is a NYC-based actor, director, host, and singer who has appeared in numerous community theatre and off-Broadway productions (at venues such as The Players Club, Theatre for the New City, Expanded Arts), independent film productions, television and international news programs. Carrie is a graduate of the Gushee/Anania Studio where she studied with Phil Gushee and Joe Anania. Carrie hosted “Movie Talk Show” from 2014-2018 and served as its Associate Producer, giving indie film actors, writers, and directors a platform for their work. Carrie's recent projects include acting in and directing “Love, The TV, and Me" at Julia’s Reading Room and directing and acting in Coni Koepfinger’s “Simon Says, “ a finalist in Playbill VTF Live: You can still view "Simon Says" On Demand until December 31, 2020 at; https://vtf.live/simon-says/Recent AirPlay 2020 directing projects include "It Ain't No Sour Cherries for Dinner." Carrie is always happy to be part of AirPlay 2020--this time acting in and directing this all female cast in Brian McAvera's "Three Women Various" exploring the camaraderie of female friendships that make life worth living. Zoe Anastassiou is a Greek-Aussie-British theatre/TV/film/voiceover actress. She was last seen physically on stage in Thomas Walters’ (Julie Walters’ brother) new play Help a Handicapped God Trot Across the Universe at the 13th Street Repertory Theater in NY, and can next be seen physically (once quarantine has lifted) in various new works she is helping develop; British Emma Gibson’s Water in my Hands as part of Miranda Theatre Company’s Liz Smith Reading Series at the Cherry Lane Theatre in NYC, and Jamie Ramburg’s Castles in the Air with Midtown Direct Rep in NJ. In the interim, in quarantine, Zoe shot a small role in a play adaptation of Emily Bohannon’s Virtue featuring Margaret Colin with Cowboy Bear Ninja productions which is currently playing on Broadway on Demand, and has been collaborating with various other projects for development and future engagement both for the stage and screen. Zoe can currently be heard as audio drama regular Maddie the 8 yr old CEO on How We Manage Stuff, and she can be seen daily in her longstanding 365 Blog video series. Learn more at www.zoeanastassiou.com Katherine Elliot (SAG-AFTRA) Cofounder/Actor/Producer-Wild Banshee. Former producer/performer-The Tempest Ladies (The Taming of the Shrew, A Midsummer Night’s Dream). Off-Broadway producer/performer (Sammy’s Bowery Follies, Dog Sees God). Producer/performer (Paulette Goddard) Hannah, Can You Hear Me? - Best Arts Film, Cannes Festival. Director-The One And Only Amanda Palmer...,45 Coffee Dates, The Deed Is Done). Serves on the Board of Directors for The League of Professional Theatre Women.Byron C. Saunders - Arts Management Consultant / Actor / Director / Producer / Dramaturge / Historian Byron’s highlight’s and many credits currently include working as an independent Arts Management Consultant helping artists and arts organizations with grants administration, fund development, marketing, public relations, event planning, and capacity growth and development. byroncsaunders2020@aol.com

Stephanie Klapper is a New York based Casting Director who has been in the business for 25 plus years. Her work is frequently seen on Broadway, Off-Broadway, regionally, internationally, on television, and film. Projects she has cast have won numerous awards including the Tony, OBIES, Drama Desk, Pulitzer Prize, Sundance Audience Award, Cannes Prize Du Publique, Comic Con and Artios. Stephanie, along with her incredible casting team, comprise Stephanie Klapper Casting, an Independent Casting Group who is known for their limitless imagination and creativity and for their work on a wide range of projects all over the country and the world.Frequent and longtime collaborators include Primary Stages, Mint Theater Company, NY Classical Theatre, american vicarious, The Peccadillo, Voyage Theatre, Masterworks, Resonance Ensemble, Hudson Valley Shakespeare Company, Capital Repertory Theatre, Cincinnati Playhouse, Actors Theatre of Louisville, Adirondack Theatre Festival, Ford’s Theatre, Kansas City Rep, The New Theatre, The Philadelphia Orchestra, as well as many more in New York, the regions, and internationally. Recent projects include: The Night of the Iguana (La Femme Theatre Productions); Chekhov/Tolstoy Love Stories (Mint); Sideways, the Experience (Peccadillo); A Sign of the Times (Off-Broadway); The 24-Hour Plays on Broadway Gala Celebrating Kathy Bates; Paradise Lost (FPA/Directors Company); Miss America’s Ugly Daughter (Off-Broadway); Grace, a song cycle (Actor’s Theatre of Louisville); Once on this Island (Cincinnati Playhouse/Actor’s Theatre); The Hope Hypothesis (Voyage Theatre Co.); The Importance of Being Earnest (NY Classical); Hamlet (Utah Shakespeare Festival); Daniel’s Husband (Penguin Rep/Primary Stages); Actually We’re F**ked (Cherry Lane Theatre); A Letter to Harvey Milk (Off-Broadway); Pride and Prejudice (Kate Hamill)(Hudson Valley Shakespeare Festival/Primary Stages); Candide, Westside Story and Bernstein’s Mass (Philadelphia Orchestra). Select Recent Broadway includes: Bronx Bombers; A Christmas Story, the Musical; Dividing the Estate; It Ain’t Nothin’ But the Blues.Select Film/TV credits: Netuser (with Denis O’Hare); Epiphany V; Theresa Rebeck’s Poor Behavior; Stag; Alice Jacobs is Dead (Adrienne Barbeau); The Feast of the Goat (Isabella Rossellini); Uncertain Terms; Altamont Now!; Sidewalk Stories; Roberta; Eve Ensler’s One Billion Rising, the video; webisode: Battery Park; Parking Lot Chronicles; Highlights of a Mom’s Life. Television: Lazytown.Ms. Klapper is a graduate of Manhattan’s famed Music and Art High School and SUNY College at Purchase. She is a frequent guest teacher and lecturer at many colleges and universities including: New York University (The New Studio on Broadway), Drew, UNCSA, USC, Oklahoma University, Ohio University, Kenyon College, University of Michigan, UMKC, Florida State University (Asolo), Skidmore College, Penn State, SUNY Purchase, SUNY New Paltz, Indiana University, UNC Chapel Hill, New York Conservatory of the Dramatic Arts, and the Tepper Semester through Syracuse University, where she is also a mentor to students interested in pursuing work in the casting profession. Ms. Klapper is passionate about working with creative teams to develop new work and expand the scope of established work. In addition to casting and teaching, Ms. Klapper is a member of the New York Board of the Casting Society of America, Casting Society Cares, and New York Women in Film. She is passionate about continuing to expand and champion diversity, equity, equality and inclusion in the business. She loves working with emerging artists to help them develop their careers.

Three Women Various By Brian McAvera Three Women Various By Brian McAveraNow. Imagine.Three women, all of whom have been friends since schooldays.Further imagine that each of these three women exists in three separate but parallel universes. In each universe any given woman retains her basic emotional baggage but the circumstances of her life, in terms of job, partner, culture, decisions taken, and so on, will have changed her.Carrie Wesolowski ("Three Women Various" Director/Amelia/Abby/Anne) is a NYC-based actor, director, host, and singer who has appeared in numerous community theatre and off-Broadway productions (at venues such as The Players Club, Theatre for the New City, Expanded Arts), independent film productions, television and international news programs. Carrie is a graduate of the Gushee/Anania Studio where she studied with Phil Gushee and Joe Anania. Carrie hosted “Movie Talk Show” from 2014-2018 and served as its Associate Producer, giving indie film actors, writers, and directors a platform for their work. Carrie's recent projects include acting in and directing “Love, The TV, and Me" at Julia’s Reading Room and directing and acting in Coni Koepfinger’s “Simon Says, “ a finalist in Playbill VTF Live: You can still view "Simon Says" On Demand until December 31, 2020 at; https://vtf.live/simon-says/Recent AirPlay 2020 directing projects include "It Ain't No Sour Cherries for Dinner." Carrie is always happy to be part of AirPlay 2020--this time acting in and directing this all female cast in Brian McAvera's "Three Women Various" exploring the camaraderie of female friendships that make life worth living. Zoe Anastassiou is a Greek-Aussie-British theatre/TV/film/voiceover actress. She was last seen physically on stage in Thomas Walters’ (Julie Walters’ brother) new play Help a Handicapped God Trot Across the Universe at the 13th Street Repertory Theater in NY, and can next be seen physically (once quarantine has lifted) in various new works she is helping develop; British Emma Gibson’s Water in my Hands as part of Miranda Theatre Company’s Liz Smith Reading Series at the Cherry Lane Theatre in NYC, and Jamie Ramburg’s Castles in the Air with Midtown Direct Rep in NJ. In the interim, in quarantine, Zoe shot a small role in a play adaptation of Emily Bohannon’s Virtue featuring Margaret Colin with Cowboy Bear Ninja productions which is currently playing on Broadway on Demand, and has been collaborating with various other projects for development and future engagement both for the stage and screen. Zoe can currently be heard as audio drama regular Maddie the 8 yr old CEO on How We Manage Stuff, and she can be seen daily in her longstanding 365 Blog video series. Learn more at www.zoeanastassiou.com Katherine Elliot (SAG-AFTRA) Cofounder/Actor/Producer-Wild Banshee. Former producer/performer-The Tempest Ladies (The Taming of the Shrew, A Midsummer Night’s Dream). Off-Broadway producer/performer (Sammy’s Bowery Follies, Dog Sees God). Producer/performer (Paulette Goddard) Hannah, Can You Hear Me? - Best Arts Film, Cannes Festival. Director-The One And Only Amanda Palmer...,45 Coffee Dates, The Deed Is Done). Serves on the Board of Directors for The League of Professional Theatre Women.Byron C. Saunders - Arts Management Consultant / Actor / Director / Producer / Dramaturge / Historian Byron’s highlight’s and many credits currently include working as an independent Arts Management Consultant helping artists and arts organizations with grants administration, fund development, marketing, public relations, event planning, and capacity growth and development. byroncsaunders2020@aol.com

Anton Volovsek is a set designer who's worked either as the head designer or associate designer for theatrical institutions like the Williamstown Theatre Festival, the Vineyard Theatre, and the Cherry Lane Theatre. Anton's also worked for educational arts programs and is earning his M.F.A. in Scenic Design at NYU’s Tisch School of the Arts. Anton's newest project is as a founding member and creator for the New Phase Collective, which is a novel theatrical experience whose creators "are following the evolving truths of what performance is now, has always been, and can be in the future." NPC's first show, called "Phase One: The Underbrush," is a combination of audio, video, and live components, and runs from August 7th-8th, 2020. Full information can be found in the links below. Learn More about Anton's Work Below: http://www.antonedward.com (Anton's Website) https://www.instagram.com/antonvolov/ (Instagram) New Phase Collective https://www.newphasecollective.com/ (NPC Website) https://www.facebook.com/NewPhaseCollective/ (NPC Facebook ) https://www.instagram.com/newphasecollective/ (Instagram) Arts Equity and Antiracist Support Resources https://www.broadwayworld.com/article/How-BroadwayWorld-Will-Stand-with-Black-Lives-Matter-20200602 (BroadwayWorld Collection of Links) https://docs.google.com/document/d/1DxR4B-GNwdeY8qH7FaTPZQ7DyWJTGtYzx-H_kP4JZC4/edit#  (Playwrights Horizons Google Doc) http://bit.ly/ANTIRACISMRESOURCES (Collection of Antiracism Resources) https://docs.google.com/document/d/1H-Vxs6jEUByXylMS2BjGH1kQ7mEuZnHpPSs1Bpaqmw0/mobilebasic (Lesson Plan for Learning More) Anton's Recommendations https://www.weseeyouwat.com/ (We See You, White American Theatre) https://www.americantheatre.org/2016/06/20/the-ground-on-which-i-stand/ (August Wilson's "The Ground on which I Stand") https://ta-nehisicoates.com/books/between-the-world-and-me/ (Between the World and Me) https://www.nytimes.com/2020/01/23/podcasts/1619-podcast.html ("1619" from the NYTimes) https://www.youtube.com/watch?v=krfcq5pF8u8 (The Documentary "13th" (Watch Free Here)) https://www.amazon.com/Conversations-Anne-Bogart/dp/1559363754/ref=nodl_ (”Conversations with Anne” by Anne Bogart) Show Links: https://www.creativeconsumptionpodcast.com/ (Creative Consumption Website) https://www.facebook.com/creativeconsumptionpodcast (Facebook) https://www.instagram.com/creativeconsumptionpodcast (Instagram) https://www.twitter.com/_createconsume (Twitter) https://www.patreon.com/creativeconsumption (Patreon)

Bless the Lord, O my soul, and all that is within me, bless his holy Name. ~Psalm 103:1 (NRSV) Image: Godspell, Original Broadway poster from the Cherry Lane Theatre, 1971, Fair use, https://en.wikipedia.org/w/index.php?curid=27351257 --- Send in a voice message: https://anchor.fm/bob-johnson9/message Support this podcast: https://anchor.fm/bob-johnson9/support

In a world filled with distressing news, finding ways to rejoice in the simple, everyday things that happen isn't a luxury, it's critical for one's well being. If you really look, you can find plenty of reasons to feel gratitude and hope, peace and joy, but we all need a little help sometimes. Today's special guest, Irene O'Garden, actress, playwright, artist, poet, and award-winning writer, reminds us of the radiance of human existence. In her book Glad to Be Human: Adventures in Optimism  there is one simple message: Through contemplation, meditation and with literary style, you're invited to view life through a positive leans. From small daily activities to journey's overseas, O'Garden has a knack for finding beauty and meaning in all life's adventures--even in our deepest pain and suffering--helping all of us feel glad to be human. Yes, there is a lot of breaking news in our lives right now. Everyone needs a break now and then from the anxiety and discomfort of the current national conversation. This is a simple, necessary invitation to take a little break to just breathe, relax a little, and regroup to get grounded. Irene O'Garden has won--or been nominated for--prizes in nearly every writing category from stage to e-screen, hardcovers, children's books, as well as literary magazines and anthologies. Her critically acclaimed play Women on Fire (Samuel French), starring Judith Ivey, played to sold-out houses at Off-Broadways' Cherry Lane Theatre, and was nominated for a Lucille Lorgel Award. O'Garden's new memoir, Rising the Rapids: How My Wilderness Adventure Healed My Childhood was published by Mango Press in January 2019.

A farcical intergalactic play in one-actPenned by Sophia RommaABOUT THE PLAYThe Virus Corazón is causing chaos among the human population. This stoic and unruly viral infection infiltrates all those who show the ability to covet, to love and entraps those who possess the deep and insatiable desire to fornicate. Three outcasts have been weeded out to populate a new planet, called the Voon. These soon to be Vonanians are to be reformed and purged for their transgressions of depicting feelings and falling in and out of love. These natural human emotions deriving from the ardent passion and amorous adventures, which have particularly imbued the lives of these three slightly off-kilter but ardent fugitives and pariahs—are no longer desirable emotions and land all those who portray a propensity for showing feelings in the penitentiary or the psychiatric ward—as well as in freezers or in bathroom urinals. As punitive measures in the spirit of reformation. These outsiders are mandated to be beheaded by the guillotine at the hands of a sadistic otherworldly vengeful alien, an intergalactic trooper, who uses her bewitching powers and stark wit to, in a totalitarian manner, elicit confessions from these fugitives as she cannot merely deliver these inmates traveling in an out of control pod, to a novel full of hope planet without forcing these cellmates to repent first—as ordained by the dictatorial government of our unholy planet earth. CAST OF CHARACTERSIN ALPHABETICAL ORDERMr. Clas Duncan in the role of Chaz CormierMs. Ana Maria Jomolca in the role of Milagros AlvarezMs. Maureen O’Conner in the role of Shannon DooleyMs. Victoria Guthrie in the role of Intergalactic Trooper Riley WretchedAnd Ms. Sophia Romma as the Narrator ABOUT THE PLAYWRIGHT AND THE NARRATORSophia Romma, Ph.D., Esq.Playwright/Screenwriter/Director, Dr. Sophia Romma is the author of fourteen stage-plays, produced Off-Off Broadway/Off-Broadway, three of which were produced at La MaMa E.T.C. Her play, “The Past Is Still Ahead,” which she also directed ran at the Cherry Lane Theatre, at the MITF and toured Montauk, London, Moscow, Montreal and Seoul. The Negro Ensemble Company presented "The Mire" at the Cherry Lane Theatre, heralded by the New York Times for “grinding down stubborn cultural borders with love’s symphony.” Romma’s “Cabaret Émigré,” was lauded by The Villager for: “Delving deep into the dislocated émigré’s soul in erotic quantum verse.” Romma graduated from Tisch School of the Arts (M.F.A), holds a Ph.D. in Philology from Maxim Gorky Literary Institute, and a Master of Laws from Fordham University School of Law. She directed plays by Leslie Lee, August Wilson and Austin Phillips at the Schomburg Center, FDCAC, and Mayakovski Academic Art Theatre. Romma served as Literary Manager and Dramaturg of NEC. She is the Producing Artistic Director of The Garden of the Avant-Garde Film and Theatrical Foundation and is an International Law and Human Rights attorney. http://gardenofavantgarde.com ABOUT THE CASTAna Maria Jomolca as Milagros Alvarez: studied Film and Creative Writing at The New School and received her MFA in Fiction at Hunter College. She is an actress, director, producer and published writer.Clas Duncan as Chaz Cormier: Clas is a twenty-six-year old from Washington DC Metro area born on August 15th. Lover of life, passionate creator, considerate being and an actor of the screen. Maureen O’Connor as Shannon Dooley: I am an American actress of Mexican and Irish heritage, born in Philadelphia in 1964. I've been on stage off and on since grade school, first time on film in 2017, and I've got the bug, now, hoping I'll be working for the rest of my life - because this is just FUN! Victoria Guthrie as Trooper Riley Wretched: Theater: Off Broadway: The Shanghai Gesture Julia Miles Theater, Absolute Clarity at The Players Theater, Off-Off Broadway: Steel Magnolias at The Snarks, How The Other Half Loves ACC, It’s Only A Play ACC, The Pillowman T. Schreiber Studio, Blood Sky T. Schreiber Studio. TV: Grave Murders, Diabolical, REDRUM, The Haunting of Patty Stanger, Counter Terror Intel and The Onion News Network. Victoria has appeared in over one hundred films, television shows and commercials receiving numerous nominations for best actress and best supporting actress, including a win for best actress for “Tales of Creation” The Brightside Film Festival 2016. *AEA. To see my reel, go to www.VictoriaGuthrie.com.

A farcical intergalactic play in one-actPenned by Sophia RommaABOUT THE PLAYThe Virus Corazón is causing chaos among the human population. This stoic and unruly viral infection infiltrates all those who show the ability to covet, to love and entraps those who possess the deep and insatiable desire to fornicate. Three outcasts have been weeded out to populate a new planet, called the Voon. These soon to be Vonanians are to be reformed and purged for their transgressions of depicting feelings and falling in and out of love. These natural human emotions deriving from the ardent passion and amorous adventures, which have particularly imbued the lives of these three slightly off-kilter but ardent fugitives and pariahs—are no longer desirable emotions and land all those who portray a propensity for showing feelings in the penitentiary or the psychiatric ward—as well as in freezers or in bathroom urinals. As punitive measures in the spirit of reformation. These outsiders are mandated to be beheaded by the guillotine at the hands of a sadistic otherworldly vengeful alien, an intergalactic trooper, who uses her bewitching powers and stark wit to, in a totalitarian manner, elicit confessions from these fugitives as she cannot merely deliver these inmates traveling in an out of control pod, to a novel full of hope planet without forcing these cellmates to repent first—as ordained by the dictatorial government of our unholy planet earth. CAST OF CHARACTERSIN ALPHABETICAL ORDERMr. Clas Duncan in the role of Chaz CormierMs. Ana Maria Jomolca in the role of Milagros AlvarezMs. Maureen O’Conner in the role of Shannon DooleyMs. Victoria Guthrie in the role of Intergalactic Trooper Riley WretchedAnd Ms. Sophia Romma as the Narrator ABOUT THE PLAYWRIGHT AND THE NARRATORSophia Romma, Ph.D., Esq.Playwright/Screenwriter/Director, Dr. Sophia Romma is the author of fourteen stage-plays, produced Off-Off Broadway/Off-Broadway, three of which were produced at La MaMa E.T.C. Her play, “The Past Is Still Ahead,” which she also directed ran at the Cherry Lane Theatre, at the MITF and toured Montauk, London, Moscow, Montreal and Seoul. The Negro Ensemble Company presented "The Mire" at the Cherry Lane Theatre, heralded by the New York Times for “grinding down stubborn cultural borders with love’s symphony.” Romma’s “Cabaret Émigré,” was lauded by The Villager for: “Delving deep into the dislocated émigré’s soul in erotic quantum verse.” Romma graduated from Tisch School of the Arts (M.F.A), holds a Ph.D. in Philology from Maxim Gorky Literary Institute, and a Master of Laws from Fordham University School of Law. She directed plays by Leslie Lee, August Wilson and Austin Phillips at the Schomburg Center, FDCAC, and Mayakovski Academic Art Theatre. Romma served as Literary Manager and Dramaturg of NEC. She is the Producing Artistic Director of The Garden of the Avant-Garde Film and Theatrical Foundation and is an International Law and Human Rights attorney. http://gardenofavantgarde.com ABOUT THE CASTAna Maria Jomolca as Milagros Alvarez: studied Film and Creative Writing at The New School and received her MFA in Fiction at Hunter College. She is an actress, director, producer and published writer.Clas Duncan as Chaz Cormier: Clas is a twenty-six-year old from Washington DC Metro area born on August 15th. Lover of life, passionate creator, considerate being and an actor of the screen. Maureen O’Connor as Shannon Dooley: I am an American actress of Mexican and Irish heritage, born in Philadelphia in 1964. I've been on stage off and on since grade school, first time on film in 2017, and I've got the bug, now, hoping I'll be working for the rest of my life - because this is just FUN! Victoria Guthrie as Trooper Riley Wretched: Theater: Off Broadway: The Shanghai Gesture Julia Miles Theater, Absolute Clarity at The Players Theater, Off-Off Broadway: Steel Magnolias at The Snarks, How The Other Half Loves ACC, It’s Only A Play ACC, The Pillowman T. Schreiber Studio, Blood Sky T. Schreiber Studio. TV: Grave Murders, Diabolical, REDRUM, The Haunting of Patty Stanger, Counter Terror Intel and The Onion News Network. Victoria has appeared in over one hundred films, television shows and commercials receiving numerous nominations for best actress and best supporting actress, including a win for best actress for “Tales of Creation” The Brightside Film Festival 2016. *AEA. To see my reel, go to www.VictoriaGuthrie.com.

Isra Elsalihie is an award-winning Iraqi-Swedish actor. Her credits include “Noura” directed by Johanna McKeon (The Old Globe), “The Invaders” (2018 BFI London Film Festival), “Arresting God” (Diaspora Creative/Sundance Institute Development Track), “Another Girl” (Amazon Prime), “Anne Frank in the Gaza” directed by Shaun Peknic (PCTF Outstanding Supporting Actress award), and LAByrinth Theatre Company's Barn Series and Installation America at Cherry Lane Theatre. Find her at www.IsraElsalihie.com and on Instagram @isra.elsalihie *CORRECTION: At the top of the show I say Isra is Iranian when I'm fact she is Iraqi. My apologies*Merch available at: https://www.teepublic.com/user/caryallenpictureshow

Anne Washburn's plays include Mr. Burns, The Internationalist, A Devil At Noon, Apparition, The Communist Dracula Pageant, I Have Loved Strangers, The Ladies, The Small and a transadaptation of Euripides' Orestes. Her work has been produced by 13P, Actors Theater of Louisville, American Repertory Theatre, Cherry Lane Theatre, Clubbed Thumb, The Civilians, Dixon Place, Ensemble Studio Theater, The Folger, London's Gate Theatre, Playwrights Horizons, NYC's Soho Rep, DC's Studio Theater, Two River Theater Company, NYC's Vineyard and Woolly Mammoth. Awards include a Guggenheim, a NYFA Fellowship, a Time Warner Fellowship, Susan Smith Blackburn finalist, and residencies at MacDowell and Yaddo. She is an associated artist with The Civilians, Clubbed Thumb, New Georges, and is an alumna of New Dramatists and 13P. Currently commissioned by MTC, Playwrights Horizons, Soho Rep, and Yale Rep. Anne's most recent, Shipwreck, just had its U.S. premiere at the Woolly Mammoth in Washington, D.C.

Jake Arky is the Program Manager for The Unusual Suspects Theatre Company and an artist in residence for The Geffen Playhouse after serving as the Associate Director of Education-Playwriting for TheatreWorks | Silicon Valley. Theatrically trained at the University of Utah’s Youtheatre Conservatory, Jake began writing and producing original plays before completing his Bachelor of Fine Arts in dramatic writing at New York University’s Tisch School of the Arts. He is the author of the plays Brothers of Emery, The Green Flash, The Birthday Girl, Little Perfections, and Erasers. Short stories include Video Tape Sleepover, The Green Flash, and #deathies, all published by SSWA Press. Jake is a 2014 National Playwriting Conference finalist with The O’Neill Center, as well as a New American Voices Award recipient at Landing Theatre Company and the Great Plains Theatre Conference. Jake has worked with The Cherry Lane Theatre, The La Jolla Playhouse, The Playwrights Project of San Diego, ’06 Ensemble, Dragon Theater, The 68 Cent Crew (NYC), PianoFight, and Cat & Owl Theatre. Film work includes production assistant credits on the films Everything Is Illuminated (2005), Sunshine Cleaning (2007), and the Academy Award-winning Little Miss Sunshine (2005). His original comedic television series, Open (2017) and Amateurs (2018), have been developed by CineStory. Jake co-founded So Say We All: a non-profits arts production and education organization specializing in the literary and storytelling arts. He regularly performs stories on stage with The Moth, RISK!, Fireside Storytelling, Busting Out, and the Oakland Story Slam.

On this episode of Baring It All with Call Me Adam, on the Broadway Podcast Network, I am recording at The Houdini Museum in NYC with Director Carl Andress, whose long time collaboration with Tony nominee Charles Busch is continuing at the Cherry Lane Theatre with Charles' hilarious new show The Confession of Lily Dare, running through March 5. The Confession of Lily Dare is part of Primary Stages 35th Anniversary Season. The Confession of Lily Dare tells the story of one woman’s tumultuous passage from convent girl to glittering cabaret chanteuse to infamous madame of a string of brothels—all while hiding her undying devotion to the child she was forced to abandon. This comic melodrama celebrates the gauzy “confession film” tearjerkers of early 1930s pre-code cinema, such as The Sin of Madelon Claudet, Frisco Jenny, and Madame X. The Confession of Lily Dare will play at The Cherry Lane Theatre (38 Commerce Street) through March 5. Click here for tickets! The Houdini Museum is located at 213 West 35th Street, 4th floor, in Midtown Manhattan. Like what you hear? Then become a member of my Patreon Page for exclusive behind-the-scene perks! For more "Call Me Adam" interviews visit: https://callmeadam.com  Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ)  Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY)  Edited by Drew Kaufman (https://bit.ly/2OXqOnw) More on Carl: Carl Andress is an American theater director whose credits include the world premieres of Charles Busch’s critically acclaimed comedies, such as: The Confession of Lily Dare (Theater for the New City, Cherry Lane Theatre with Primary Stages in 2020); The Tribute Artist (Primary Stages); The Divine Sister (Soho Playhouse, Theater for the New City, Bucks County Playhouse, LA TheaterWorks); The Third Story starring Kathleen Turner (MCC Theater, La Jolla Playhouse);  Charles Busch's Cleopatra and Judith of Bethulia (Theater for the New City, GPR Records); Die! Mommie Die! (New World Stages, LA TheaterWorks); Queen Amarantha (WPA Theater); Bunnicula (DR2 Theater, TheaterWorks USA); and Shanghai Moon (Drama Dept., Bay Street Theater, Theater for the New City). Carl is the director of such plays as FAKE by Carmen Pelaez (Colony Theater, Miami New Drama), Still at Risk by Tim Pinckney (Theater for the City), Matthew Lombardo's Who's Holiday! starring Lesli Margherita (Westside Theater);  Joe Godfrey's Romance Language (Ars Nova); Crush the Infamous Thing - the Adventures of the Hollywood Four (Coconut Grove Playhouse); My Fair Lady (Tent Theater); Paul Rudnick's I Hate Hamlet (Dorset Theater Festival); Carmen Pelaez's Rum & Coke (FringeNYC, Abingdon Theater); and Douglas Carter Beane’s The Cartells (Drama Dept.). Other credits include the New York concert premieres of Kander, Ebb and McNally's musical, The Visit, starring Chita Rivera and John Cullum (Ambassador Theater); Sheldon Harnick and Joe Raposo’s A Wonderful Life (Shubert Theater); Charles Busch & Julie Halston Together on Broadway (Music Box Theater); Mr. Magoo's Christmas Carol (Actors Fund); The Tale of the Allergist’s Wife (Paper Mill Playhouse; Coconut Grove Playhouse; Royal Poinciana Playhouse); the annual Times Square Angel (Theater for the New City); It's Not My Fault, It Was On Fire When I Got There (FringeNYC, Theater for the New City); Tenderloin, Harold & Maude, I Love My Wife and The Mad Show (all for “Musicals in Mufti” – York Theater Co.); Here's to the Girls! and Being Comden & Green (Lyrics & Lyricists – 92nd Street Y); numerous galas and special events, including the annual Broadway on the Boardwalk concert series in Atlantic City, Valley of the Dolls and A Party for Comden & Green for The Actor’s Fund. Carl is also the co-writer and costar of the independent feature, A Very Serious Person (Tribeca Film Festival, available on DVD).

Gideon Glick was nominated for a Tony award for his performance as “Dill Harris” in the Broadway adaptation of To Kill A Mockingbird, written by Aaron Sorkin and based on Harper Lee’s classic novel. Previously, he reprised his role as Jordan Berman in the Broadway production of Significant Other at The Booth Theatre, for which he earned a 2017 Drama League Award nomination. Gideon made his Broadway debut in the original cast of the groundbreaking Tony-winning musical Spring Awakening, and has starred Off-Broadway as Tom in Samuel Hunter’s The Harvest for LCT3/Lincoln Center and Matthew in The Few for the Rattlestick Theatre Company. Other stage credits include Speech and Debate for the Roundabout Theatre Company, Into the Woods at the Delacorte, Spider-Man: Turn Off the Dark on Broadway, Peerless at the Cherry Lane Theatre, and Wild Animals You Should Know for the MCC Theater. In film, Gideon recently appeared as ‘Kyle McCallister’ in Gary Ross’ Ocean’s 8, and will be seen in Noah Baumbach’s upcoming film Marriage Story. Additional onscreen roles include Speech & Debate, Song One, A Case of You, Gods Behaving Badly, One Last Thing, “The Detour,” “Devious Maids,” “Elementary,” “The Good Wife,” “Margot vs. Lily,” “Man Seeking Woman,” “It Could Be Worse” and “Wallflowers.”

Two phenomenal artist-activists for social justice and the human rights of trans, nonbinary and gender nonconforming (GNC) folks, Ianne Fields Stewart and Maybe Burke, join us to talk about the pervasive experiences of sexual violence and gender oppression within their communities, and ideas that help support healing. Ianne Fields Stewart is a Black queer nonbinary transfeminine New York-based storyteller working at the intersection of theatre and activism. Their work and she are dedicated to interrupting the exclusivity of luxury by making things like entertainment, nourishment, and self care accessible to the most marginalized in their community. In a world that is constantly traumatizing Black bodies she believes that Black queer and trans people should have the space and time to center collective emotional, physical, and sensual pleasure. Ianne is also the founder of The Okra Project which hires Black Trans chefs to cook healthy and culturally specific meals for Black Trans People in their homes or community centers if they’re experiencing homelessness. Most recently, Ianne was named by Gay Star News as one of the 21 non-binary artists including Ezra Miller and Indya Moore who are redefining gender.Maybe Burke s a New York based actor, writer, and human rights advocate interested in telling the stories that haven't been told. Their work has been seen at Joe's Pub, Lincoln Center, Cherry Lane Theatre, Ars Nova, New Dramatists, HERE Arts Center, The NYC LGBTQ Center, and more. Their solo show, Love Letters to Nobody, received the 2017 Fresh Fruit Spirit Award for Fostering Pride, Survival, History, and Progress and earned them a nomination for the 2018 Doric Wilson Independent Playwright Award. Maybe and Ianne are co-founders of the Topics Include Podcast, available on Apple and everywhere.The #HealMeToo Podcast is hosted by Hope Singsen--the artist, creativity researcher and survivor-activist who founded the #HealMeToo Festival in NYC this Spring. You can watch Maybe Burke's work from the Festival on the episode details page. While there, you can also link to other #HealMeToo Festival performance videos, and sign up on our email list to hear about future pop-up #HealMeToo Festival events.Subscribe now. Let's talk about how we can #HealMeToo.Find the #HealMeToo Podcast on Apple Podcasts at bit.ly/hm2pod. Or visit healmetoopodcast.com to find links to other platforms.The recording facilities and engineer for this episode were provided through the generous support of Fr. James Hauver, Pastor of St. Columba Church, and Fr. Walter Niebrzydowski of The Fr. Walter Outreach, inc., a nonprofit organization working to repair the effects of sexual violence and gender oppression. You can learn more about their mission to promote the true, the good, and the beautiful through spirituality, media, and technology at fatherwaltersparish.org.Recorded & Engineered by Corey KaupEdited by Hope SingsenMusic performed by Micah Burgess:If I Can by Hope Singsen & Dillon KondorRockabye by Hope Singsen, Dillon Kondor & Micah BurgessGorgeoSupport the show (https://fundraising.fracturedatlas.org/healmetoo-festival)

Episode Seventy Seven Show Notes CW = Chris WolakEF = Emily FinePurchase Book Cougars Swag on Zazzle! AND at Bookclub Bookstore & More.If you’d like to help financially support the Book Cougars, please consider becoming a Patreon member. You can DONATE HERE. If you would prefer to donate directly to us, please email bookcougars@gmail.com for instructions.Join our Goodreads Group! Please subscribe to our email newsletter here.– Upcoming Readalongs –We are hosting co-reads in June 2019 with Jenny Colvin of the Reading Envy Podcast. Gone with the Wind – Margaret Mitchell (record date 6/4/19)The Goodreads discussion page can be found HERESapphira and the Slave Girl by Willa Cather (record date 6/27/19)The Goodreads discussion page can be found HERE– Currently Reading –Gone with the Wind – Margaret Mitchell (EF)(CW)Mrs. Everything – Jennifer Weiner (EF) release date 6/11/19The Real Jane Austen: A Life in Small Things – Paula Byrne (CW)– Just Read –Coming, Aphrodite! – Willa Cather (CW) which is part of the Willa Cather Short Story ProjectMiracle Creek – Angie Kim (EF)Very Nice – Marcy Dermansky (EF) release date 7/2/19Like a Mule Bringing Ice Cream to the Sun – Sarah Ladipo Manyika (EF)– Biblio Adventures –Emily traveled to Minnesota and stayed at the Saint John’s Abbey in Collegeville. She visited Birch Bark Books & Native Arts owned by the author Louise Erdrich, Milkweed Editions bookstore Open BooksChris went to the The Flock Theater to see their adaptation of Pride and Prejudice at the Shaw MansionChris did a camera flip video for Shawn the Book Maniac’s BookTube Channel – check it out HEREEmily watched the Brene Brown special on Netflix– Upcoming Jaunts –Chris and Emily will be attending Book Expo America May 29-31, 2019Emily will be going to RJ Julia’s Bookseller in Madison, CT to see Jean P. Moore in conversation with Sande Boritz Berger discuss their books Tilda’s Promise and Split-LevelThere is a performance of Little Women at The Cherry Lane Theatre in NYC, May 15-June 29, 2019– Upcoming Reads –Heart Berries – Terese Marie Mailhot (EF) (Literary Disco discussion of Heart Berries) Daring Greatly: How the Courage to be Vulnerable Transforms the Way We Live, Love, Parent, and Lead – Brené Brown (CW) (audio) Why Religion?: A Personal Story – Elaine Pagels (CW)(audio)Forged: Writing in the Name of God – Bart D. Ehrman (CW) (audio)Frederick Douglass: Prophet of Freedom – David W. Blight (CW) (audio)– Also Mentioned –Jane Austen books: Mansfield Park, Sense and Sensibility, Pride and Prejudice, Persuasion, Northanger AbbeyRussell of Ink and Paper Booktube ChannelEckhart TolleMinnesota Prison Writing WorkshopLittle Free LibraryRachel Maddow – Drift: The Unmooring of American Military Power The Gnostic Gospels – Elaine PagelsMisquoting Jesus: The Story Behind Who Changed the Bible and Why – Bart D. Ehrman Man’s Search for Meaning – Viktor Frankl

As part 2 of the focus on auditions, John Ort joins the podcast. He is a member of CSA (Casting Society of America) and works on TV, film, new media and theatre. His insights on the audition process are informative and useful as we continue to navigate this sometimes rough and mysterious process. John sheds light on on-camera vs theater auditions, how best to do self-tapes, and even tackles some of your questions. John's work includes: CBS’s “Bull,” feature films Last Ferry and Anya, and short films The Water Song and Etymology. Associate credits include season 1 of the series “Ozark” (Netflix) for which he won an Artios Award for outstanding casting, the pilots of “Bull” (CBS) and “Blindspot” (NBC), “Younger” seasons 1 & 2 (TV Land), and the last 2 seasons of “Royal Pains” (USA). Previously, John was Manager of Casting at ABC Primetime NY searching for series regulars for numerous pilots and series. For 7 years he oversaw the casting and production of the annual Disney | ABC Talent Diversity Showcase in NY. Independent theatre projects include musicals, plays and cabarets produced downtown at the legendary Joe’s Pub at The Public, Green Room 42, The Cherry Lane Theatre, Le Poisson Rouge, The Duplex Cabaret and various venues in the NY International Fringe Festival. Follow John on Twitter. He is also on the board the Artist's Patron Fund, a 501(c)(3) charity founded in 2016 that provides fiscal sponsorship of mid-career artists, with project-specific grants. http://artistspatronfund.org ----- Please consider buying me a coffee to support this work that goes into each episode.   Join the WINMI community by following on Instagram or Twitter as well as reaching out to Patrick with any questions or comments: contact.winmipodcast.com

What Others are Saying About Irene O’Garden’s Risking the Rapids (there are numerous other wonderful reviews!) For many years now, the poet, playwright, and memoirist Irene O'Garden has been a hero to me. I think of her as a walking, writing, beam of light. It is my hope that ...numberless others will come to know her gifts and, most of all, her captivating talent for wonder and marvel. —Elizabeth Gilbert, author of Eat, Pray, Love and Big Magic “Family is landscape,” writes Irene O’Garden in her breathtaking memoir, Risking the Rapids. She gives us a bold dose of both as she embarks on a remote river trip to help make sense of a family wild and dangerous. In her brave eloquence, O’Garden adds a thoroughly welcome voice to the rich vein of American literature on the singular healing powers of wilderness. —Florence Williams, author of The Nature Fix, LA Times Book Prize winner and editor at Outside Magazine Risking the Rapids is a deep and powerful memoir. Irene O’Garden sifts through her family’s shared pain (and shared joy!) with elegance and care — searching for nothing less than ultimate understanding and supreme forgiveness.” —Martha Beck, Bestselling author, columnist for O, The Oprah Magazine Irene O’Garden has won or been nominated for prizes in nearly every writing category from stage to e-screen, hardcovers, children’s books as well as literary magazines and anthologies. Her criticallyacclaimed play Women on Fire (Samuel French), starring Judith Ivey, played to sold-out houses at Off-Broadway’s Cherry Lane Theatre, and was nominated for a Lucille Lortel Award. Her new play, Little Heart, won her a Berilla Kerr Playwriting Fellowship and was awarded full development at the New Harmony Play Project. O’Garden was awarded a Pushcart Prize for her lyric essay “Glad to Be Human,” (Untreed Reads.) Harper published her first memoir Fat Girl and Nirala Press recently published Fulcrum: Selected Poems, which contains her prize-winning poem “Nonfiction.” On January 31, 2019 O’Garden’s upcoming memoir, Risking the Rapids: How My Wilderness Adventure Healed My Childhood is being published by Mango Publishing. O’Garden’s poems and essays have been featured in dozens of literary journals and awardwinning anthologies (including A Slant of Light, USA Book award Best Anthology), and she has been honored with an Alice Desmond Award and an Oppenheimer for her children’s books. A seasoned and entertaining presenter both on stage and video, O’Garden has appeared at top literary venues: including The Player’s Club, the Bowery Poetry Club, Nuyorican Poetry Café, and KGB in Manhattan; The Poetry Café, Mycennae House and Vinyl Deptford in London, and all throughout the Hudson Valley. She’s a regular contributor to 650―Where Writers Read, in New York City and Sarah Lawrence College and has received several grants from Poets and Writers.

    Today's guest, Irene O'Garden, has won or been nominated for prizes in nearly every writing category from stage to e-screen, hardcovers, children's books as well as literary magazines and anthologies. O'Garden's critically acclaimed play, Women On Fire, starring Judith Ivey, was twice extended and played to sold-out houses Off-Broadway at the Cherry Lane Theatre. It was nominated for a Lucille Lortel Award for Best Solo Show and is published by Samuel French. Two of its monologues are published in Best Women's Stage Monologues. Her new play, Little Heart, about artist Corita Kent, won her a Berilla Kerr Playwriting Fellowship and was awarded full development at the New Harmony Play Project. In this episode, Irene and I embrace the paradise of a writer's mind. Although writing is a solitary process; the impulse is communicating with others.     Irene shares many tips for those of us who are newer writers on the path + committing ourselves more deeply to our writing practice. Especially ways in which to write in the landscape of a busy life. Later, we immerse ourselves in Irene's book Risking the Rapids + how she wrote about her family members. Irene then weighs in on victimhood, taking inspiration from others, and the inquiring consciousness. In This Episode: Today's guest, Irene O'Garden [ 6:25 ] Writing is a safe place of healing expression [ 9:15 ] Spontaneity creates order [ 11:20 ] Navigating the fullness of life + finding the time to write [ 17:20 ] Risking the Rapids  [ 27:45 ] Write what you must write + decide the destination [ 30:40 ] Victimhood is an unpractical way to live [ 38:55 ] Should we read another person's work while trying to write our own? [ 42:55 ] Writing is a process + needs no maintenance [ 47:00 ] Find a therapist to help you talk about family struggles [ 52:20 ] The inquiring consciousness [ 56:00 ] Irene's most beloved writers [ 57:30 ] Irene finally got a pet canary  [ 60:30 ] Soul Shifting Quotes: “The kindness part is important too; that you're around people who are treating your dream with kindness.” “So often we are afraid to look within ourselves. It is actually within us where that universal energy, love, power, and healing takes place.” “Noticing within myself something is knocking on my heart; it wants to be written down.” “If you can train yourself to relax in any situation, you can feel what is going on inside of yourself in a very loving way.” “There is nothing that affects us more than the family that we were brought up in.” “What we want to do is enlarge our vision, scope, and heart to include what is going on behind the behaviors of the people we love.” “Begin playing a little bit more with the energies in life.” Links Mentioned: Learn more about Jennifer Reis Yoga here Psychic Politics by Jane Roberts A Wrinkle in Time by Madeleine L'Engle Agnes of God by John Pielmeier Purchase your ticket to the Ignite Your Soul Summit! To learn more about Irene head to her website: www.ireneogarden.com and follow her on Instagram: @iogarden Tag me in your big shifts + takeaways: @amberlilyestrom Did you hear something you loved here today?! Leave a Review + Subscribe via iTunes Listen on Spotify  

Risking the Rapids: How My Wilderness Adventure Healed My Childhood with Irene O’GardenAired Wednesday, 20 February 2019 at 4:00 PM EST / 1:00 PM PSTIrene O’Garden has won or been nominated for prizes in nearly every writing category from stage to e-screen, hardcovers, children’s books as well as literary magazines and anthologies. Her critically-acclaimed play Women on Fire (Samuel French), starring Judith Ivey, played to sold-out houses at Off-Broadway’s Cherry Lane Theatre, and was nominated for a Lucille Lortel Award. Her new play, Little Heart, won her a Berilla Kerr Playwriting Fellowship and was awarded full development at the New Harmony Play Project. O’Garden was awarded a Pushcart Prize for her lyric essay “Glad to Be Human,” (Untreed Reads.) Harper published her first memoir Fat Girl and Nirala Press recently published Fulcrum: Selected Poems, which contains her prize-winning poem “Nonfiction.” On January 31, 2019 O’Garden’s upcoming memoir, Risking the Rapids: How My Wilderness Adventure Healed My Childhood is being published by Mango Publishing.O’Garden’s poems and essays have been featured in dozens of literary journals and award- winning anthologies (including A Slant of Light, USA Book award Best Anthology), and she has been honored with an Alice Desmond Award and an Oppenheimer for her children’s books.A seasoned and entertaining presenter both on stage and video, O’Garden has appeared at top literary venues: including The Player’s Club, the Bowery Poetry Club, Nuyorican Poetry Café, and KGB in Manhattan; The Poetry Café, Mycennae House and Vinyl Deptford in London, and all throughout the Hudson Valley. She’s a regular contributor to 650―Where Writers Read, in New York City and Sarah Lawrence College and has received several grants from Poets and Writers. Irene also presents to an audience of hundreds annually at the Global Seth Conference.O’Garden has presented at children’s literature conferences at Vassar and NYU and teaches poetry workshops at New York City schools. She is especially pleased to bring the national River Of Words program to Hudson Valley schools under the auspices of The Beacon Institute of Rivers and Estuaries. O’Garden is a proud member of The Dramatists Guild, The Authors Guild, Actor’s Equity Association, The Society of Children’s Book Writers and Illustrators, and The Society of Scribes.Irene O’Garden has lived joyfully with her husband John Pielmeier for over 40 years. Pielmeier, who is most known for his play Agnes of God, also writes movies and miniseries for television. In 2018 Scribner published his first novel, Hook’s Tale, and his stage adaptation of The Exorcist played London’s West End and will open in New York this year. They live and write in Garrison, NY.For more info: ireneogarden.com

Center Theatre Group’s Artistic Director Michael Ritchie hosts “30 to Curtain,” a podcast featuring 30-minute interviews with some of the theatre artists creating work across the stages of the Ahmanson Theatre, Mark Taper Forum, and Kirk Douglas Theatre in Los Angeles.  Joining this episode of “30 to Curtain” is playwright Eliza Clark and director Neel Keller. Clark—a member of Center Theatre Group’s L.A. Writers’ Workshop—has developed plays at organizations including Manhattan Theatre Club and the Studio at Cherry Lane Theatre and is a writer and co-executive producer on “Animal Kingdom” for TNT. Keller—an Associate Artistic Director at Center Theatre Group—is directing the World premiere of Clark’s play “Quack,” onstage at the Kirk Douglas Theatre October 21 – November 18, 2018.  For more on Center Theatre Group, its programs and upcoming productions, visit CenterTheatreGroup.org.

In this episode we speak with three people with a lot of great advice to offer theatre artists. First, Angelina Fiordelissi talks about her work as founder and artistic director of the Cherry Lane Theatre, and especially about their mentor project to encourage new artists.   Next, Raissa Katona Bennet talks about her career as a theatre actress and cabaret artist, with tons of great advice for those starting out. We might even listen to a couple songs from one of her many albums.    Finally, Philip Galinsky and Jeff Cherzczon talk about their project, The National Monologue Slam. They are dedicated to bringing training and opportunities to underserved areas of the United States, and have no shortage of advice for actors.   All this, inside.

Paola Lázaro is a playwright and actress born and raised in San Juan, Puerto Rico. She holds a BFA in Dramatic Writing from SUNY Purchase College and an MFA in Playwriting from Columbia University. Paola is Atlantic Theater Company’s 2016/2017 Tow Playwright-in-Residence, supported by The Tow Foundation. She was a member of the Public Theater’s 2015 Emerging Writers Group and was selected as Playwright-in-Residence for the 2016 Sundance Theatre Lab in Morocco. Some of her plays include Contigo and There’s Always the Hudson, which was selected as part of Labyrinth Theater Company’s Up Next Series. Paola is the recipient of the Arts Entertainment Scholarship Award (2011) from the National Hispanic Foundation for the Arts for her TV pilot episode of “Trópico”. In 2015, she was nominated for a Drama Desk Award for Outstanding Featured Actress in a Play for her role in TO THE BONE at the Cherry Lane Theatre. Make sure you follow his journey on: INSTAGRAM: @paolaelisa TWITTER: @PaolaLazaro21 Stay tuned for more interviews like this every FRIDAY. You can follow us on INSTAGRAM: @quierotheshow PODCAST: itunes.apple.com/us/podcast/q... TWITTER: @quierotheshow FB: facebook.com/quierotheshow/

Meet actress Angelina Fiordellesi who is about to open in First Love, a brilliant and touching Charles Mee play at the Cherry Lane Theatre. (38 Commerce Street, a charming cul de sac between Barrow and Bedford Streets in the West Village) Mee explores a later-in-life relationship and the things women of a certain age may feel but never say. Comedic and tender, First Love opens Thursday, June 7 and continues through July 8. www.cherrylanetheatre.org

Listen in as writer and performer Lucie Pohl and director Kenneth Ferrone of Lucie’s auto-biographical solo show Hi, Hitler, currently playing at The Cherry Lane Theatre, discuss post-show snacks, David Hasselhoff, inhabiting dozens of characters, what is (and what isn’t) … Continue reading →

Where were you the morning of November 9, 2016? As artists, that moment was a moment of profound change. Primary Stages, an off-Broadway theater company, became one of the many to begin processing this moment through art, examining our need to mourn before we can move on. In this episode we talk with Artistic Associate Erin Daley and we hear from some of the cast of Morning in America: November 9, 9:00AM. They record their monologues for us, read live on February 18th and 19th, 2017 at Cherry Lane Theatre, in our studio.

Paola Lázaro is fierce. Here’s a young, talented and emerging wordsmith, in a very crowded landscape, standing as a unique voice. Recent credits: Selected by the Atlantic Theatre Company to be its Tow Playwright-in-Residence as part of the Tow Foundation’s 2016–17 playwright residency program.  She was part of the 2015 Emerging Writers Group at the Public Theater. Received an Arts Entertainment Scholarship Award from the National Hispanic Foundation for the Arts for the pilot episode of her TV show, Trópico. Appeared in "To the Bone" at the Cherry Lane Theatre and received a 2015 Drama Desk nomination for Outstanding Featured Actress. In May of this year, Paola participated in the Sundance Institute’s pilot Theatre Lab in MENA, held in Morocco.

Theater Talk focuses on the new comedy "Out of the Mouths of Babes" at The Cherry Lane Theatre with its playwright Israel Horovitz and company members Estelle Parsons, as well as Angelina Fiordellisi, who is also the Artistic Director at The Cherry Lane.

In 1993, the photojournalist Paul Watson took three photographs of Somali dragging the body of an American soldier through the streets of Mogadishu. As he took the shots, he thought he heard the soldier, William David Cleveland, whisper: "If you do this, I will own you forever." The moment and its aftermath is the subject of a play, "The Body of An American", on through March 20 at the Cherry Lane Theatre. Brooke speaks with the playwright, Dan O'Brien, and with Watson about the photographs, the play, and their friendship.  Information about 'The Body of An American' is available through the Cherry Lane Theatre's website. For more On the Media, follow us on Twitter @OnTheMedia, and subscribe to our newsletter on our website, www.onthemedia.org/newsletter. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Next up in my series of conversations with cabaret and pop musicians is Gretchen Reinhagen. Gretchen is a multi-award winning artist, receiving the coveted TRIPLE CROWN of cabaret awards in 2010: the Nightlife Award, Bistro Award and MAC Award - for her show “Special Kaye: A Tribute to the Incomparable Kaye Ballard” directed by Barry Kleinbort, with Musical Director David Gaines. Gretchen has worked with some of the biggest names in cabaret including Steve Ross and Karen Mason. Her shows cover a broad range of material from Musical Comedy to Blues and Rock. Former Back Stage and Citysearch critic Roy Sander said, “Gretchen Reinhagen's shows are marked by intelligence, warmth, a lovely spirit of benevolence, and fine vocals. It is always a pleasure to spend an hour in her company.” As both a singer and an actress, she's performed in a broad range of theaters and concert halls from the House of Blues in New Orleans to the Assembly Rooms in Edinburgh, Scotland. Her professional theater credits include Janis Joplin in Beehive, Louise Segar in Always Patsy Cline, Domina in A Funny Thing Happened on the Way to the Forum, the Narrator in Joseph and the Amazing Technicolor Dreamcoat, the lead role of the therapist in the premiere of Mother Me Therapy at the Cherry Lane Theatre in New York, and the Queen Mother in the European premiere of Rumpelstiltskin's Daughter at the Edinburgh Fringe Festival in Scotland. At her recent show at the Metropolitan Room in Manhattan, I was struck by her ability to take on songs that are so strongly identified with other performers -- singing a "Streisand song" or a "Fanny Bryce" song, for example -- and show them from an altogether different perspective.  We'll talk about her inspirations for her art, how she approaches a lyric, and get some insight into the world of cabaret.  Learn more about Gretchen at www.gretchenreinhagen.com.

Wednesday, October 8, 6pm EDT: This weeks guest are George Bartenieff and KarenMalpede, of the theatrical performance Extreme Whether. George Bartenieff, (Uncle) has had one of the more illustrious careers in American theater. At age 14, he made his Broadway debut in The Whole World Over, directed by Harold Clurman with Uta Hagen and Herbert Bergoff. At age 16, he was again on Broadway in Lillian Hellman's Monsteraat, directed by the author, with Julie Harris and Emlyn Williams. He then left the United States to study at RADA and the Guildhall. Returning to New York, he starred as Peter in Edward Albee's Zoo Story and Krapp in Samuel Beckett's Krapp's Last Tape, at the Cherry Lane Theatre, directed by Alan Schneider. He went on to leading roles with the most influential avant-garde theaters in New York: the Judson Poet's Theater, The LivingTheatre, Bread and Puppet, Joseph Papp's Public Theater, Mabou Mines. In 1970, he co-founded Theater for the New City where he acted in and produced over 400 new plays for the American theater, including premieres of major works of Sam Shepard and Maria Irene Fornes. In 1987, he starred in Us by Karen Malpede, directed by Judith Malina and won an Obie for Susatained Excellence as an Actor. He would win an Obie for Acting again for I Will Bear Witness, adapted with Malpede and directed by her. Extreme Whether marks their ninth collaboration.  Karen Malpede (Playwright/Director) is author of 17 plays; she has directed premieres of nine of them. Her most recent, a post-9/11 trilogy, are: Another Life (New York, London) a surreal retelling of the U.S. torture program; Prophecy (New York, London, Berlin) about the cost of war to veterans and those who love them; Iraq: Speaking of War (New York) a docu-drama. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/abwmitchellrabin/support

Few weeks ago, I went to see a play at the Cherry Lane Theatre in New York. But it was not one of the typical off-broadway productions that you expect to see at such a venue. It was one of … Continue reading →

Two-time Tony-winning actress Judith Ivey talks about her transition to directing; why she was drawn to direct Lee Thuna's "Fugue" at the Cherry Lane Theatre rather than play the leading role; what she's learned from directors she's worked with, including Mike Nichols and Daniel Sullivan; why she moved from Chicago to New York in order to get better roles in Chicago -- only to find great success in New York once casting directors realized she wasn't British; her extraordinary year with "Hurlyburly"; and why she's willing to direct musicals, but won't ever act in them again. Original air date – April 13, 2007.

Two-time Tony-winning actress Judith Ivey for her performances in Steaming and Hurlyburly, talks about her transition to directing; why she was drawn to direct Lee Thuna's Fugue at the Cherry Lane Theatre rather than play the leading role; what she's learned from directors she's worked with, including Mike Nichols and Daniel Sullivan; why she moved from Chicago to New York in order to get better roles in Chicago -- only to find great success in New York once casting directors realized she wasn't British; her extraordinary year with Hurlyburly; and why she's willing to direct musicals, but won't ever act in them again.

Two-time Tony-winning actress Judith Ivey talks about her transition to directing; why she was drawn to direct Lee Thuna's "Fugue" at the Cherry Lane Theatre rather than play the leading role; what she's learned from directors she's worked with, including Mike Nichols and Daniel Sullivan; why she moved from Chicago to New York in order to get better roles in Chicago -- only to find great success in New York once casting directors realized she wasn't British; her extraordinary year with "Hurlyburly"; and why she's willing to direct musicals, but won't ever act in them again. Original air date – April 13, 2007.