Podcasts about te wh

Earlier this week the Government announced that it would introduce the controversial Treaty Principles Bill today, over a week earlier than its original date for introduction on November 18th.  The Bill has received much criticism, with a nationwide hīkoi in protest planned for next week to coincide with its introduction. Producer Sofia spoke to Te Tiriti o Waitangi expert, Professor Margaret Mutu (Ngāti Kahu, Te Rarawa, Ngāti Whātua), from the University of Auckland's Faculty of Arts, as well as lecturer at the University of Auckland's Faculty of Law and spokesperson for and organiser of Toitū te Tiriti, Eru Kapa Kingi (Te Aupōuri, Ngāpuhi, Waikato-Tainui, and Te Whānau-ā-Apanui), about the Bill and the nationwide hīkoi that coincides with it. 

"Pitch it high and don't take your eyes off the prise!" Are you interested in distributed well-being? What do you think about density as a measurement for affordability? How can we use the why-how-what questions for better urban futures? Interview with Dr Haydn Read, a specialist practitioner in systems thinking and action. We talk about his vision for the future of cities, smartness, evidence-based decision-making, organic vs planned city growth, and many more. Dr. Haydn Read found a way to live his best life… as Te Hēteri for Te Whānau-ā-Apanui. He supports his Iwi friends to understand the challenges ahead, as a specialist practitioner in systems thinking and action – and a way forward to tackle them. As a pracademic, Dr Read also finds privilege in working with government supporting initiatives to improve the wellbeing of communities across Aotearoa New Zealand more generally. He has been a Senior Executive in the Private and Public Sectors for nearly 30 years, in Aotearoa New Zealand and internationally. His passion lies in unpacking complex problems and helping others find solutions to the most difficult and intractable ones, some refer to as ‘wicked' – especially those impacting on the most vulnerable in our communities. He has a skill in big data, digital twins and smart cities to support big data analytics and evidence-based decision-making to support those endeavours - something he sees as an imperative for any infrastructuralist. His vision is simple: every person in Aotearoa New Zealand should be afforded the same opportunities as the next. Something we need to rediscover as a nation of people who could be first amongst all equals to achieve this aspiration. But mostly, he will tell you he is a ‘lifestyle' farmer from Waimana in the Eastern Bay of Plenty…. Find out more about Haydn through these links: ⁠Haydn Read⁠ on LinkedIn; Connecting episodes you might be interested in: ⁠No.177 - Interview with Amelia Gaskell ⁠about intergenerational equity; ⁠No.186 - Interview with Tom Bosschaert ⁠about the importance of systems thinking ⁠No.190 - Interview with Adrian McGregor ⁠about cities being complex ecosystems; No.259R - Lessons from nine urban areas using data to drive local sustainable development What wast the most interesting part for you? What questions did arise for you? Let me know on Twitter ⁠⁠⁠⁠@WTF4Cities⁠⁠⁠⁠ or on the ⁠⁠⁠⁠wtf4cities.com⁠⁠⁠⁠ website where the ⁠⁠⁠⁠shownotes⁠⁠⁠⁠ are also available. I hope this was an interesting episode for you and thanks for tuning in. Music by ⁠⁠⁠⁠Lesfm ⁠⁠⁠⁠from ⁠⁠⁠⁠Pixabay⁠

Robyn Kahukiwa (Ngāti Porou, Te Aitanga-a-Hauiti, Ngāti Hau, Ngāti Konohi, Te Whānau-a-Ruataupare, Te Whānau-a-Te Aotawarirangi) is an internationally acclaimed artist whose work explores heritage, identity and rangatiratanga of Māori.  The kaupapa of her work ranges from exploring ideas surrounding colonisation, dispossession, motherhood, wellbeing, whakapapa, and tikanga Māori.  Her newest exhibition, Tuawahine, at Season Gallery centres images of wāhine Māori, emphasising mana wāhine and mana Māori motuhake.  Sofia spoke to co-curator of Season, Francis McWhannell, about the exhibition and Kahukiwa's practice. 

Parents say they're shocked and angry with a Whakatane primary school after it decided to scrap a bilingual teaching unit without consultation. Te Whānau o Awatope at Apanui Primary School immerses 45 students with up to 50 percent of lessons taught in te reo Maori. Two weeks since the abrupt announcement, frustrated parents are meeting with the board of trustees in a final plea to keep the 14 year old unit alive. The board has apologised for poor communication, but says its hand has been forced due to being unable to hire a teacher. Reporter Jordan Dunn has more.

In this episode, we explore a kōrero between two people about te whānau - familyDialogue:Āpera:E pēwhea ana tō whānau, e hoa?Hēmi:E pai ana rātou. I te māuiui tōku whaea i tērā wiki, engari kua ora ake ia. E pēwhea ana tō whānau?Āpera:E ora ana rātou. Kātahi anō tōku māmā ka hūnuku mai ki Tāmaki Makaurau.Tokohia koutou i tō whānau?Hēmi:Tokotoru mātou ngā tamariki a ōku mātua. Ko Karl taku tuakana, ko Tui taku tuahine, ā, ko au te pōtiki o te whānau. Tokohia i tōu?Āpera:Kotahi taku teina, ko Chris tōna ingoa, ā, ko au te mātāmua o te whānau. He tamariki āu?Hēmi:Kāo, kāore aku tamariki, engari he irāmutu āku. Tokotoru rātou. He tamariki āu?Āpera:Kāore anō, ā tōna wā pea.The Everyday Māori Podcast is supported by Te Mātāwai as a part of its contribution to Maihi Māori - Kia ūkaipō anō te reo. Hosted on Acast. See acast.com/privacy for more information.

What Stories Does the Land Hold? is a conversation series co-presented by the Center for Humans and Nature and The New School at Commonweal as part of the Center's Questions for a Resilient Future Series Join Host Christine Luckasavitch (Anishinaabeg and mixed settler) in conversation with Māori artist, designer, activist, and researcher Tanya Te Miringa Te Rorarangi Ruka. Tanya's work is deeply rooted in Indigenous environmental knowledges, encouraging a deeper connection to ancestral place on a global scale through her artistic practices. This conversation will center around storytelling, community building, working alongside our plant relatives, and Indigenous futurisms. Tanya Te Miringa Te Rorarangi Ruka Tanya is a Māori Indigenous artist and designer living in Te Whānganui-a-Tara, Aotearoa (Wellington, Capital City of New Zealand). She is of Ngati Pakau, Te Uriroroi, Te Parawhau, Te Mahurehure Ngapuhi, and Waitaha descent. She is active in environmental issues from an Indigenous perspective in Aotearoa and globally. Working with the Waitaha Executive Grandmothers Council, she has been documenting and mapping the sacred stories of her Tupuna ancestors as evidence for tribal environmental issues involving land and water protection claims through the Treaty of Waitangi. As a Māori artist she is inspired by her ancestry and the creation stories that place the land as Ancestor and the Master Navigator voyagers of the Pacific who always kept their eyes on the horizon in hopeful anticipation, bringing the tribe safely to land. You can hear her speak on YouTube: City Talks: Kaupapa Mauri. Christine Luckasavitch Christine is an Omàmìwininì Madaoueskarini Anishinaabekwe (a woman of the Madawaska River Algonquin people) and belongs to the Crane Clan, and is of mixed settler ancestry including Irish, Swedish, and Polish. Christine continues to live in her ancestral territory, land that her Ancestors have called home since time immemorial. Christine is the owner of two Indigenous knowledge-based companies, Waaseyaa Consulting and Waaseyaa Cultural Tours, both dedicated to enhancing the awareness and understanding of Algonquin Anishinaabeg history and culture. She is executive director of Native Land Digital, an Indigenous-led not-for-profit dedicated to providing free education of Indigenous territories and knowledge systems across the world. Christine has worked as an archaeologist, educator, and in the realm of Indigenous politics. She spends most of her time out on the land, and has a keen interest in learning more about traditional plant use. She is currently writing her first book, Ondjitigweyaa Madaoueskarini Omàmìwininì (Algonquin People of the Madawaska River Headwaters). Find out more about The New School at Commonweal on our website: tns.commonweal.org. And like/follow our Soundcloud channel for more great podcasts.

The champions of Te Matatini 2023 have been crowned, with Te Whānau-a-Apanui from Mātaatua taking out the competition for the third time. It was an emotional festival this year, the first one in four years due to the pandemic, as many performers' hearts were with whanau at home sufferring from the devastating effects of Cyclone Gabrielle. After a disastrous start to the year for many, Te Matatini provided a precious glimmer of joy.  Te Matatini chairman Herewini (Selwyn) Parata spoke to Corin Dann.  

Well the fatal stabbing of Sandringham dairy worker Janak Patel has reignited the debate about punishment versus rehabilitation for offenders. But a Waikato-based trust claims to provide a solution that's based on respect rather than retribution. Te Whāngai Trust is a native plant nursery and training centre, that welcomes people from all walks of life to learn new skills and get paid while they do it. Reporter Tom Taylor and camera operator Nick Monro have the story.

How can education create active citizens? Does digitality impact education? Are single-sex schools bad? What is liberation theology? Mika and Matthew chat with Dr. Bronwyn Wood, a senior lecturer in the School of Education at Te Herenga Waka - Victoria University of Wellington. In this conversation, Bronwyn highlights hope in the role of cooperation and relationship between adults and young people to create civic engagement and real social change. Show notes Praxis: https://www.freire.org/concepts-used-by-paulo-freire Hart's ladder: https://organizingengagement.org/models/ladder-of-childrens-participation/ Radical collegiality: Affirming teaching as an inclusive professional practice (Michael Feilding, 1999) PISA 2018 Worldwide Ranking - average score of mathematics, science and reading McAuley High School Pedagogy of the Oppressed, Paulo Freire (1968) Theodor W. Adorno (1903–69) Max Horkheimer (1895–73) ‘A weekend with Paulo Freire', Salient (29 May 1974) ‘How Robin White learned to make prints', New Zealand Fine Prints blog (May 2012) Tattoos on the Heart: The Power of Boundless Compassion, by Fr Gregory Boyle (2009) Stolen Focus: Why You Can't Pay Attention- and How to Think Deeply Again, Johann Hari (2022) Nga Uruora/the Groves of Life: Ecology and History in a New Zealand Landscape, by Geoff Park (1995) Te Whāriki – Early Childhood Curriculum Many thanks to everyone makes this podcast possible. Music by Toby Sussex. Logo by Adam De Jong. Production, editing, and show notes by Matthew Bartlett and Rayne Aldridge. This podcast is associated with Chaplaincy VUW.

Jacqui Harema is the Director of Whānau Ora at Te Whānau o Waipareira in West Auckland.  She is of Maori and Samoan descent and is currently campaigning as a candidate for the Henderson-Massey Local Board and the Portage Licensing Trust.  Voting ends a week's time after this episode was recorded. For more info on Jacqui Harema click here: https://jacquiharema.com/ --- Send in a voice message: https://anchor.fm/backofthe135/message Support this podcast: https://anchor.fm/backofthe135/support

Davis told Chhour she needed to understand 'exactly how the Māori world operates' and said it's 'no good looking at the world from a "vanilla lens"'. Davis made the comments after Chhour raised questions in the house over the relationship between Oranga Tamariki and Te Whānau o Waipareira Trust.Chhour, who whakapapas to Ngāpuhi, told Tova O'Brien she wants an apology, describing it as the 'least Kelvin can do'.See omnystudio.com/listener for privacy information.

From our episode on Te Ao Maori Te Ao Māori values & Investing with Tipene Kapa-Kingi (Te Aupōuri, Ngāti Kahu ki Whaingaroa, Waikato, Te Whānau a Apanui), an investment associate with New Zealand Trade & Enterprise. Brought to you by Sharesies, with BusinessDesk. Register for upcoming episodes and submit your questions over on crowdcast.io/sharesies. If there are any companies, fund managers, or other special guests you'd like to see on Shared Lunch, flick us an email at sharedlunch@sharesies.co.nz to let us know. Subscribe to the Lunch Money email newsletter for bite-sized market updates twice a week. Investing involves risk. You might lose the money you start with. Content is current at the time. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own. Shared Lunch is not financial advice. We recommend talking to a licensed financial adviser. You should review relevant product disclosure documents before deciding to invest. Shared Lunch is for a New Zealand audience.

In honour of Te Wiki o te Reo Māori we take a look at the Māori economy and how investors can approach their portfolios with a Māori world view. Our guide is Tipene Kapa-Kingi(Te Aupōuri, Ngāti Kahu ki Whaingaroa, Waikato, Te Whānau a Apanui), an investment associate with New Zealand Trade & Enterprise. Brought to you by Sharesies, with BusinessDesk Shared Lunch is a conversation with experts, CEOs, and you. Each week we alternate between an interview with a company leader and an industry deep dive. Episodes are hosted by BusinessDesk journalists including Frances Cook and Dan Brunskill. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own. Shared Lunch is not financial advice. We recommend talking to a licensed financial adviser. You should review relevant product disclosure documents before deciding to invest. Investing involves risk. You might lose the money you start with. Content is current at the time. Shared Lunch is for a New Zealand audience.

BABETECH is a deejay based in Te Whanganui-a-Tara with whakapapa to Te Aupōuri and Te Whānau-ā-Apanui. She embodies a fierce and energetic sound that draws on a love for dubstep, bass, hip hop and R&B. Her sets display the strength of her iwi, a connection to the whenua and hella attitude. Next Thursday, she joins Swamp81 dons Patrice and Loefah for their gig at Valhalla, organised by PRESSURE and racquetclub. Here, we get a taste of what's in store. @babetechnology Willie Hutch - Hospital Prelude of Love Theme [Motown] Quasar - Rumble [Self] Ramadanman - Bass Drums [Soul Jazz] Cleaverhype - Rotary Riddim [Self] Plastician - Shallow Grave [Terrorhythm] Grievous Angel - Gone, Gone, Gone [Elektrik Dragon] TPC - Industry Shkdwn [Self] Grievous Angel - We Want You [Elektrik Dragon] Cleaverhype - Obliter8 [Self] Pimp C - Bitch Get Down [Mass Appeal] Causa - PCR [Self] V.I.V.E.K. - Namaste [System] Fallin' In Love (Casina's Akon Joint) [Self] High Plains Drifter ft. Goldspot Productions - Sholay (Epic Mix) [Tempa]   Muslimgauze - Mullah Said [Staalplaat] Ikonika - What Kinda Pain Are We Talking About? [DBA] Farsight - Tied Hands [Scuffed Recordings] Madlib - Drive In [Bang Ya Head] Siu Mata - Tokamak [Wajang] Acid Arab - Gul l'Abi ft. A-WA [Crammed Discs] Tom Place - Archelon [Eavesdropper Network] Quasar - Speckle Dub [Self] Pinch - Airlock [Tectonic] Kami-O - Aavaas [Self] Lil Wayne - GO DJ (AF1 Rmx) [Self] Sonia - Easier To Love [AOTN]

Dr. Tia Neha, Senior Lecturer in Māori and Indigenous Psychology at Victoria University of Wellington, speaks about community driven research with the example of her own doctoral studies within Māori communities, the importance of language, culture and relationships, the difference in techniques between indigenous research and western research and their place in science as a whole. Dr. Tia Neha's description of the Waiata (song) at the start and end of the episode"Mā Wai Rā – Kō Henare Te Owai te Kaitito. Nō Te Aitanga a Mate, Te Whānau o Hiruharama me te Whānau o Te Aowera.This waiata tangi (song of lament) was composed by my great grand uncle. He was my paternal great grandmother's – Piriote (nee) Te Owai  (brother) and his name was Henare Te Owai. This side of my whānau come from the Ngāti Porou tribe, the East Coast of the North Island of New Zealand. He was well sought after and commissioned by Sir Apirana Ngata (a New Zealand Māori statesman who also features on the NZ $50 note) to revitalise and retain cultural performance aspects of Māori culture in Northland.During that time my Koro lost his close friend Reverend Pine Tamehore and at the time it would take him a long time to get back to the East Coast for his tangi (Māori funeral). During his grief he composed this waiata tangi in his friend's honour as he knew he would miss his tangi.This waiata depicts the emotions of loss and leadership in the homelands to who will be the future leaders for Ngāti Porou from the East Coast of the North Island and in particular for the whānau from Te Aitanga a Mate, Te Whānau o Hiruharama me te Whānau o Te Aowera.The waiata has seven verses and the waiata has become popularised in many events that take place in many Māori settings. The main verse is generally sung at these events. See below. Mā wai rā.                                                     Who will tend   Te marae i waho nei?                                  To the marae here?Mā te tika, mā te pono,                              Truth, honestyMe te aroha e.                                              And love will."Support us and reach out!https://smoothbrainsociety.comInstagram: @thesmoothbrainsocietyTikTok: @thesmoothbrainsocietyTwitter/X: @SmoothBrainSocFacebook: @thesmoothbrainsocietyMerch and all other links: Linktreeemail: thesmoothbrainsociety@gmail.com

We love a child advocate here at Wildlings and on today's episode, I'm chatting with early years childhood advocate Leah from Leah and the first years.

Kurahapainga (Te Rarawa, Te Aupōuri, Te Aitanga-a-Māhaki, Te Whakatōhea, Ngāi Tūhoe, Te Whānau-ā-Apanui) is the founder and artistic director of Hawaiki TŪ, a Māori performance company specialising in kapa haka and haka theatre. She is also a member of the renowned Te Waka Huia kapa haka roopu. In this episode NUKU //098 talks to us about the foundation of haka theatre, she shares her experiences growing up as a child of a gang member and tells us about the realities of trialing for one of our country's top kapa haka groups.

Bay of Plenty iwi Te Whānau a Apanui spokesperson and Ōpōtiki District Councillor Louis Rapihana told Checkpoint the iwi's request for holiday visitors to stay away was partly prompted by local businesses. "Surprisingly it was the local businesses who approached us first as the iwi response unit, in regards to wanting to put best practices in place for them. "The last thing they would want is for us to go into either a level 4 lockdown or red lockdown." He said they are expecting a mixture of responses. Rapihana said there will be checks on campers, but assured there "won't be any friction".

Kōwhiti Whakapae: Practice and progress tools to support competent and confident kaiako and mokopuna draws on the description of the whāriki image presented on the inside cover of Te Whāriki and the importance of weaving rich and responsive curriculum experiences for all children.

We have a special double episode for you. NUKU 095 and 096 are Geneva Harrison (Ngāti Kahu, Te Rarawa, Te Aupōuri) and Mihi Tibble (Ngāti Mākino, Ngāti Whakahemo, Ngāti Rangiwewehi, Ngāti Pikiao, Ngāti Whakaue, Whānau a Hinerupe, Rakairoa, Te Whānau a Karuwai, Te Aitanga a Mate). The friends are the founders of Tuhi Stationery. They create notebooks, diaries, maramataka resources and other stationery products inspired by Māori language, culture, environment and values. They also have a Sāmoan range. In this episode we talk about the realities of small business. The pair share with us their personal stories of growing up with grandparents who lived according to the maramataka and tell us how they are helping to revive our connection to our lunar calendar system.

Māori health providers in Tai Tokerau are sprinting to boost lagging vaccine rates as community cases in the rohe rise. Another two cases have emerged in Kaikohe today and a baby has been admitted to Whangārei Hospital with Covid-19. Local health providers have been joined by teams from Te Whānau O Waipereira to help on the frontlines, and they are using every tool they have to make sure no one gets left behind. Anei te kai ripoata a Nita Blake-Persen, in Kaikohe.

The head of the Te Whānau O Waipareira in West Auckland says the just-announced Super Saturday event is likely to fail to mop up stragglers on the vaccination front. The Government yesterday announced a nationwide immunisation push for 16 October, which it dubbed Super Saturday. But John Tamihere of Te Whānau O Waipareira, which is one of Auckland's leading Māori vaccinators, questions what it will achieve. He spoke to Kim Hill.

Sarah Te One and Nikki Grazier discuss an example of using Te Whāriki principles in assessment from an early learning centre.

The National Party has added its voice to demands that the Government release health data to help boost the Māori vaccination rate against Covid-19. West Auckland's Te Whānau O Waipareira Trust said booking systems aren't working for Māori and others could do the job if given the necessary information. That's backed by National's Harete Hipango. She spoke to Susie Ferguson.

We talk all about how Māori were cooking with some more in depth discussion on hangi, what feasts were for and what they involved and even a few stories from some feasts!Become a Patron!https://www.patreon.com/historyaotearoaBuy some merch!https://teespring.com/stores/hanz-podcastCover photo from Wikipedia of some men around a hangi in Te Whāiti, 1930★ Support this podcast on Patreon ★

Acclaimed New Zealand writer Witi Ihimaera launched his memoir Native Son at Going West in 2019. He gave a powerful and emotional reading from the book, with sonic accompaniment by the multi-instrumentalist Kingsley Spargo. At Going West, we were extremely honoured to host the launch, for what was the second installment of Ihimaera's planned three-part memoir. To mark the occasion, he read an evocative passage drawing on ancient Māori legend and wrestling with the trauma of his teen years. Musical polymath Kingsley Spargo provided a rich, multi-layered soundscape to accompany the reading, with diverse techniques on both taonga puoro and orchestral instruments, mixed with innovative use of digital processing. The session was introduced by Harriet Allan from Penguin Random House. Witi Ihimaera is of Te Whānau a Kai, Te Aitanga a Māhaki, Rongowhakaata, Tūhoe, Te Whānau ā Apanui and Ngāti Porou descent. He was the first Māori to publish a novel, Tangi, in 1973. He has subsequently gone on to become one of New Zealand's leading writers. He is passionate about writing Māori stories and creating opportunities for them to be shown not only in print but also in theatre and on film. The first installment of his memoir, Māori Boy, won the 2016 Ockham Award for the best non-fiction work. His play, All Our Sons, won six Wellington theatre awards. He is currently writing the third volume of his memoir.

Growing up in South Auckland, Jack Scanlan never saw himself as one day being an academic doing pioneering research about the tough community and life experiences that shaped him. From a close to 30-year career spanning university education and working at the frontline with at-risk youth through the police, Oranga Tamariki and Te Whānau o Waipareira Trust specialising in youth justice, he is the first Pacific doctoral candidate confirmed into Massey's Doctor of Social Work programme ­– the only one of its kind in Aotearoa. The degree (not to be confused with a Doctor of Philosophy or PhD) has equivalents in science and education, requiring a thesis that draws on a lifetime of work experience and research. Mr Scanlan's thesis, Ululaau: Exploring the transformational journeys of Samoan social practitioners who were former youth-at-risk to better understand effective ways to reduce Samoan youth offending, is named after and inspired by his late mother, Ululaau. And he is one of the “former youth-at-risk” also mentioned in the title. His research reflects his strong view that social work practices need to be based on indigenous knowledge, transformational change as well as community experiences and values in order to be truly effective. See omnystudio.com/listener for privacy information.

In this episode, Debbie and Josie interview Porina McLeod, owner of Mauao Adventures. Mauao Adventures' core purpose is to connect people with the moana (ocean), the whenua (land) and tangata whenua (local people). Preserving Māori cultural values is important to Porina and these values are woven through every aspect of her business. Porina speaks about her involvement in Te Whānau Tāpoi Māori ō Tauranga Moana, a newly formed Māori tourism collective that demonstrates true collaboration and is an example of living systems principles, bringing diverse individuals together through relationships and structures to form a emergent, thriving collective.  Porina's view of the world, how she operates her business, and Te Whānau Tāpoi Māori ō Tauranga Moana are all examples of living systems thinking and practice. We hope you find much value and inspiration in these examples of regenerative tourism.   Support our Work  This podcast is produced entirely by volunteers. If you are finding value in these conversations, please consider supporting us to continue this work by donating to our givealittle page. We are extremely grateful for your support.     Connect with us Website Connect on Facebook Follow on Instagram  Send us an email: Josie - josie@good-travel.org Debbie - debbie@newzealandawaits.com   Many thanks to: Porina McLeod for taking the time to share the stories of her inspiring work with us The teams at GOOD Travel and New Zealand Awaits Clarrie Macklin for our music and production  Erin Carnes for our logo and graphic design  Our givealittle donors for your generous support for our volunteer produced podcast   Show notes and links Porina's business - Mauao Adventures  kiaora@mauaoadventures.co.nz Te Whānau Tāpoi Māori ō Tauranga Moana Members Te Ara Tourism Ngātahi LoCol Rides Tipu's Tiki Tours Travel Ed  Tauranga Moana Tourism Arataki Systems RiverBug  Mo's Matakana Island Tours  Tauranga Water Transport  Tāpoi Travel  Te Mananui   Glossary: (Our guests will often use words from Te Reo Māori, New Zealand's indigenous language, in their interviews. We welcome and celebrate this, and for listeners outside of New Zealand for whom these may be unfamiliar, we offer an interpretation here to aid your understanding. For more detail, you can reference https://maoridictionary.co.nz/. We also offer explanations of acronyms and other industry terminology used in hope of making GOOD Awaits more accessible.) Moana – ocean Mahi - work Te Ao Māori - The Māori world Kaupapa - purpose, policy or values Taiao – environment  Whenua - land Tangata Whenua - “people of the land”, Māori people local to a particular area Haumarutanga - safety, protection Kaitiakitanga - guardianship, stewardship Whakaaro – mindset, thought, opinion Manaakitanga – hospitality Whanaungatanga - relationships, making kinship connections  Kotahitanga – unity and oneness Matariki – Māori New Year Whakapapa – genealogy, lineage Iwi - tribe, people Rangatira - leader, chief Pākehā – non-Māori New Zealander Urupā – cemetery Wairua – spirit, soul

Introducing Megan Shove As a self-proclaimed “research geek” Megan has quite the experience sinking her teeth into grunty research and methodologies aligned to social value. Pair this up with the history of social conscious action where she would join her sister in protests. And then add on her work in charities, international development, and local government with a healthy splash of travel and it's a winning combination… to land herself in environments focused on social value and impact. Megan contributes to understanding impact on a community development level through working for Te Whānau O Waipareira and Social Value Aotearoa. Connect with Megan via LinkedIn In today's episode you'll learn Social Value, Social Accounting, and Social Return on Investment. Going beyond the terms to get familiar with how these mindsets and methodologies approach impact evaluation with heart. Where does one start with impact evaluation? The number 1 Rule: Involve Stakeholders. Always. The seven guiding principles of Social Value. Putting monetary value on the work you're doing and the impact you're creating. How Aotearoa (New Zealand) compares to others in Social Return on Investment practices. How a game can help you understand your stakeholder's values… Resources mentioned in this episode Social Value Aotearoa's Tools and Resources Social Value Aotearoa's website --- Send in a voice message: https://anchor.fm/beyondconsultation/message

John Tamihere says he's determined to counter vaccine misinformation as his staff prepare to open a vaccine 'super centre' in West Auckland. The clinic is run by John Tamihere's Te Whānau o Waipareira Trust from the former Noel Leeming warehouse in Henderson. The Trust is also running a social media and web campaign, Vax to the Max, which will feature elders getting their vaccinations and would run videos showing people the process so they knew what to expect. Tamihere spoke to Corin Dann.  

Antivaxxers are being warned not to sabotage the hard work of westies as Auckland's latest mass vaccination clinic opens. Te Whānau o Waipareira is running the new clinic, in Henderson, for the city's district health boards. Alongside that is a new campaign - Vax to the Max - aimed at combating the misinformation flooding social media. Health correspondent Rowan Quinn reports.

John Tamihere says he's determined to counter vaccine misinformation as his staff prepare to open a vaccine 'super centre' in West Auckland. The clinic is run by John Tamihere's Te Whānau o Waipareira Trust from the former Noel Leeming warehouse in Henderson. The Trust is also running a social media and web campaign, Vax to the Max, which will feature elders getting their vaccinations and would run videos showing people the process so they knew what to expect. Tamihere spoke to Corin Dann.  

This week, we are joined by Te Rita Papesch, a legendary figure in the Maori tradition of Kapa Haka, and Sharon Mazer, her friend and an American performance studies researcher. Together, they converse about Kapa Haka as a manifestation of the historic relations between the Maori people and their “Kiwi” colonizers, one which is embedded in the everyday life of the community but also undergoing constant change as performers adjust to the increased global visibility of their performances. Mazer describes the national Kapa Haka gatherings, which attract thousands of attendees and are nationally televised, as “a theatrical event incorporated into an Olympic competition encased in a ritual frame.” Papesch is the consummate insider, the matron of a family of Haka performers, whose influence stretches back to the 1970s, whereas Mazer offers the perspective of an informed outsider who has been observing the performances for more than twenty years. Together, they model bicultural conversation as they teach us how to read Kapa Haka’s place in the cultural politics of New Zealand. A full transcript of this conversation will be available soon!Here are some of the references from this episode, for those who want to dig a little deeper:Co-authored writing by Te Rita Papesch & Sharon Mazer:Breaking the Stage: From Te Matatini to Footprints/TapuwaeBut can it be Art? Kapa Haka as a contemporary indigenous performance practiceMaori Performance/Cultural Performance: Stages of PowhiriMore about Te Rita PapeschWaka Huia profile: Part One; Part TwoPerformance: Nga RoimataŌtairongo (audio portrait of Te Rita by artist Maree Sheehan)Tainui Waka Kapa Haka Festival Lifetime Achievement Award, 2018Selected writing:Creating a Modern Māori Identity Through Kapa Haka (2015 PhD Thesis)Te Rita Papesch: case study of an exemplary learner of Māori as an additional languageMore about Sharon MazerSelected writing:Performing Māori: Kapa Haka on the Stage and on the GroundPerformance: Ethnographer/Tourist/CannibalProfessional Wrestling: Sport and SpectacleKapa HakaNational Kapa Haka FestivalRules of CompetitionMaori Television – Kapa Haka commentary; Te Kapa Haka o Te Whānau-ā-ApanuiTe Whare Wananga o Waikato at the NZ Polynesian Festival, 1981All-Blacks and HakaHobbes and Shaw – Haka Haka tourist showsGame of Thrones HakaBeyonce does HakaDiana Taylor – The Archive and the Repertoire Konstantin Stanislovsky – “As If”Haka in support of Black Lives MatterMaori Protest MovementsMore Maori culture:Maori Powhiri (welcome)Ta Moko – Maori tattooRaranga – Maori WeavingMaori Musical InstrumentsMaori ReligionMaori WeaponsShare your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music & Audio clips:Te Whare Wananga o Waikato (1981)Kapahaka Roopu Te Haona KahaTe Whānau a Apanui whakaeke- Te Matatini - 2015 - Entrance (Game of Thrones)“In Time” by Dylan Emmett and “Spaceship” by Lesion X.––––––––––––––––––––––––––––––In Time (Instrumental) by Dylan Emmet  https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

A new Covid-19 vaccination super clinic is opening in West Auckland this morning. The clinic is being opened by the Waitematā District Health Board and Te Whānau o Waipareira Trust. The clinic was blessed at dawn and health reporter Rowan Quinn was there. 

A new Covid-19 vaccination super clinic is opening in West Auckland this morning. The clinic is being opened by the Waitematā District Health Board and Te Whānau o Waipareira Trust. The clinic was blessed at dawn and health reporter Rowan Quinn was there. 

Professor Robert McLachlan talks to Jesse about bringing back a night train service  between Te Whānganui-a-tara and Tāmaki Makaurau.

Arihia Latham with her three top picks from 2020 reading: Funkhaus by Hinemoana Baker (Victoria University Press), Tōkū Pāpā by Ruby Solly (Victoria University Press), Te Whē ki Tukorehe - new bilingual Māori literature journal.

Arihia Latham with her three top picks from 2020 reading: Funkhaus by Hinemoana Baker (Victoria University Press), Tōkū Pāpā by Ruby Solly (Victoria University Press), Te Whē ki Tukorehe - new bilingual Māori literature journal.

Oranga Tamariki boss Grainne Moss has resigned, a move that comes after scrutiny and criticism of the organisation and the refusal of new Minister for Children Kelvin Davis to express confidence in her.In a statement released by Public Service Commissioner Peter Hughes, Moss said it had been a privilege to lead the ministry for over four years through a time of significant transformation, challenge and change."I would like to acknowledge all those at Oranga Tamariki and our partner organisations who work tirelessly in some of the toughest environments."I am proud of all that we have achieved over the last four years. However, I believe it is the right time for the agency for me to step down and make way for new leadership. I feel the focus has been on me rather than how we work together to improve the well-being of children."Hughes said Moss was a dedicated public servant and leader who had made a number of significant improvements in what was one of the biggest and toughest roles in the public service.During her tenure, fewer children and young people had entered care, social worker caseloads had been reduced, investment in iwi/Māori services had doubled and the agency had developed new whānau care partnerships with iwi and Māori organisations.The commissioner said he respected Moss' decision to stand down."I commend Mrs Moss for doing what is, at this time, in the best interests of the agency."What she has done today is selfless."The commissioner has appointed Sir Wira Gardiner as Acting Chief Executive.Gardiner has whakapapa links to Ngāti Awa, Ngāti Pikiao, Te Whānau-ā-Apanui and Te Whakatōhea. He has been involved in significant interactions between the Crown and iwi on Treaty settlements and negotiating between parties on complex issues.He was the founding director of the Waitangi Tribunal, head of the Iwi Transition Agency, and founding chief executive of Te Puni Kōkiri, the Ministry of Māori Development.Davis, who is responsible for Oranga Tamariki, said Moss was stepping down from "one of the toughest roles in the public service" and he "respects the decision she has made and dignified way in which she has done it".He said he welcomed Gardiner into the acting chief executive role."My focus is on working with the leadership of Oranga Tamariki, fixing the system and implementing the Government's work programme."Oranga Tamariki needs to be an enabler, a place whānau go to for help."Crucial to this was partnership with Māori."Now we have a real opportunity to make that happen."Davis said he was not Moss' employer, and she made the decision herself.Asked if he thought she was the right person to be in charge, Davis said he didn't like to talk about chief executives he worked with."She has made the decision to step down, and I respect that decision."Davis said he had met with Oranga Tamariki leadership before Christmas, and spelled out the direction he would like them to go in.This would be more regionally-based, and not just partnerships with Māori but making Māori ways business as usual.Before Christmas Davis refused to say he had confidence in Moss. Davis now said that was a "moot point"."We were still developing a working relationship, now she has tendered her resignation that is a moot point."Asked directly if he asked her to resign, Davis said he didn't."I am not her employer. No, I don't have that ability or power to ask a chief executive to resign."Asked who the new chief executive should be, Davis said there were benefits "having someone familiar with the Māori world".The Māori Party was calling for the next chief executive to be Māori. Davis said it would be the "best person for the job"."It is probably one of the most difficult roles in the public service, we have to make sure we take our time to do it right and get the right person."Davis could not specify a timeframe before a new chief executive was selected, saying it would take "as long as it takes"."I wish [Moss] all...

Part 2 of our focus on metaphorical language in the theme of heavenly bodies looks at more examples of Reo embellishments around the kaupapa of the sky, stars, moon and planets.

Maruhaeremuri Nihoniho (Ngāi Tahu, Te Whānau-ā-Apanui, Ngāti Porou) spent much of her childhood beating high scores on the spacies machines at her local fish and chip shop. That childhood pass time turned into a passion, as Maru became the founding CEO Metia Interactive, developing and producing games for multiple platforms. She uses games to tell Indigenous stories, and her passion project Guardian Maia, is an action-adventure game that explores te ao Māori with a wahine toa, lead character. In this episode we talk about being an Indigenous woman in a male-dominated industry, she shares her transition from a career in hospitality to tech, tells us the realities of pitching for million dollar projects and, shares some memories of favourite old-school game, ghost and goblins.

We delve back into the metaphorical language by going over Kupu Whakarite in the theme of heavenly bodies - using simile to refere to anything that is in the sky - stars, moon, planets, the sun etc. Enjoy!

'Starting with the learning outcomes lead to richer experiences for the children' Sarah Te One and Justine Mason discuss how a space that wasn't being used was reworked by starting with the Te Whāriki learning outcomes and how it transformed the space and made it one of the most creative, popular parts of the ECE.

Acclaimed New Zealand writer Witi Ihimaera launched his memoir Native Son at Going West in 2019. He gave a powerful and emotional reading from the book, with sonic accompaniment by the multi-instrumentalist Kingsley Spargo.  At Going West, we were extremely honoured to host the launch, for what was the second installment of Ihimaera's planned three-part memoir.  To mark the occasion, he read an evocative passage drawing on ancient Māori legend and wrestling with the trauma of his teen years..  Musical polymath Kingsley Spargo provided a rich, multi-layered soundscape to accompany the reading, with diverse techniques on both taonga puoro and orchestral instruments, mixed with innovative use of digital processing. The session was introduced by Harriet Allan from Penguin Random House. Witi Ihimaera is of Te Whānau a Kai, Te Aitanga a Māhaki, Rongowhakaata, Tūhoe, Te Whānau ā Apanui and Ngāti Porou descent. He was the first Māori to publish a novel, Tangi, in 1973. He has subsequently gone on to become one of New Zealand's leading writers. He is passionate about writing Māori stories and creating opportunities for them to be shown not only in print but also in theatre and on film. The first installment of his memoir, Māori Boy, won the 2016 Ockham Award for the best non-fiction work. His play, All Our Sons, won six Wellington theatre awards. He is currently writing the third volume of his memoir.

Scared and stressed - that is how many people are feeling while lining up and having to wait hours to get tested for Covid-19, according to those on the ground.People are turning up in droves to testing stations around the country after more cases of the deadly virus were confirmed in the last few days.In Auckland, there are reports of people waiting anything between an hour or two to get the swab that will determine whether or not they are safe from Covid-19.In one case, an Auckland resident reported waiting in their vehicle for four hours to get to the clinic set up at St Lukes.That incident was reported by Act Leader David Seymour, who said a resident had contacted him about it."The four-hour delay gives rise to serious questions... People already face poor incentives to be tested."Some people can't afford to be taken out of action for two weeks by a positive test.""Making them wait four hours makes it worse. How many people in the queue that day simply turned around after a few hours and went home, potentially spreading the virus?"The queues in and around St Lukes have caused so much congestion in the last few days that buses in the area are now being diverted to avoid heavy traffic in and around St Lukes Road.In West Auckland, the testing clinic at Te Whānau o Waipareira Trust, in Henderson, has seen record numbers in the last three days - not helped by the fact that other testing stations in the area have not opened back up since lockdown.'A lot of stressed people'The trust's chief executive, John Tamihere, said they had seen more than 400 people come through yesterday and about 377 people on Monday."A lot of people have a strong feeling of angst over this. A lot of people sacrificed a lot during the lockdown and they've started to panic again," he said."What we're noticing is a lot of stressed people and we try to temper them."The congestion in the last three days had been so bad that a new route had been panned out today - with the line going down Catherine St and Dora St, towards the main road on Railside Ave.Eight Māori wardens were directing traffic while six social workers and four practice nurses worked. One general practitioner is overseeing the site.Tamihere said they had seen a marked increase in the number of people coming in each day as more cases had been confirmed.It is thought that that, coupled with it being flu season, any given symptom was being checked to ensure it was not Covid-19."No doubt it has [ramped up] because of the confirmed cases. That's what's caused it."Epidemiologist Dr Joanna McKenzie would not be drawn on why she thought there were huge numbers of people lining up to get tested.However, she said the fact that Covid-19 active cases had popped up again was "totally expected.""It's totally expected that we will get cases at the border," she said."That's why it's important to keep things under control [at the border]."Asked if she thought the Government had made the right decision to move back to alert level 1 when it did, she said that was the right decision.Members of the public queue for the Covid-19 testing station on St Lukes Road on Monday. Photo / Greg BowkerThe symptomsAs the number of confirmed active cases reached 10 yesterday, people were once again reminded to remember the Covid-19 symptoms and to get tested.The symptoms are very much like those connected to the common cold or flu: A cough, a high temperature (38C), shortness of breath, a sore throat and a temporary loss of smell are all listed as signs for Covid-19.Anyone with a runny nose or is sneezing regularly should also know that those are also symptoms for the virus.Health authorities have continued to tell the public that symptoms can take up two 14 days to show after someone has already become infected."The virus can be passed onto others before they know they have it - from up to two days before symptoms develop," the Ministry of Health website says.What to do if you have even o...

Hunting was not allowed by the Government on public, private and Māori land under Alert Level 4. Te Rōpū Whakakaupapa Urutā sought to see traditional kai gathering permitted, with hunting and fishing recognised as an essential service within remote Māori communities. On this episode of Te Pūtahi we share a whānau perspective of hunting and kaitiakitanga. Our special guest is Moana-Roa Callaghan from Te Whānau-ā-Apanui.

Rawiri Waititi is our kaikōrero on this hōtaka - joining us by phone to chat about the history, the area and the people of this large East Coast Iwi.

In the run up to the (sold out, but get on the waitlist: https://data.sim.vuw.ac.nz/widsw2019/register/) Women in Data Science (WiDS) Wellington event we find out who, what, where, and why from four of the speakers - you will hear from:MARY-ELLEN GORDONMary-Ellen is a Senior Lecturer at Victoria University of Wellington, and co-host of the WiDS Wellington event.- https://www.victoria.ac.nz/sim/about/staff/maryellen-gordon- https://nz.linkedin.com/in/maryellengordon- https://twitter.com/meginzKAT GREENBROOKKat is the founder of Rogue Penguin, a data visualisation company in Wellington.- https://nz.linkedin.com/in/katgreenbrook- https://twitter.com/katgreenbrook- https://www.roguepenguin.co.nz/who- https://accessgranted.nz/episodes/2017/9/11/kat-greenbrook-visualising-dataAMANDA HUGHESAmanda is a Senior Data Scientist with Nicholson Consulting.- https://nz.linkedin.com/in/amanda-hughes-01a9b06b- https://twitter.com/amandahughes223ERNESTYNNE WALSHErnestynne is an experienced senior data scientist from the East coast (Ngāti Porou and Te Whānau-ā-Apanui) of Aotearoa, New Zealand.- https://ernestynne.github.io/index.html- https://nz.linkedin.com/in/ernestynne-walsh-1a16b795We will have a pt 2 with some out-of-towners (ie, non-Wellington based) speakers coming up next week AND a whole series of chats with as many of the speakers, exhibitors, sponsors, and attendees from the event itself.------------------------------------------------------New Zealand tech, media, & startup podcast hosted by Mike Riversdale, Raj Khushal, Vivian Chandra, and others. Hosts of #WellyTech.All our past shows are on our websitehttps://www.accessgranted.nz Follow and Like us on:https://twitter.com/AccessGrantedNZ https://facebook.com/AccessGrantedNZ https://linkedin.com/company/access-granted-podcast Subscribe to the show however you want:https://www.accessgranted.nz/subscribe/Buy the AG merch:https://www.accessgranted.nz/shop/

Tonight on Kawekōrero, John Tamihere CEO of Te Whānau o Waipareira in West Auckland joins us to discuss the future of Whānau Ora now the Māori party has gone. We cross to Gina Rangi of Te Arawa who has been named as the Rotorua Lakes Council's new General Māori Manager. Finally, Willow-Jean Prime and Kiritapu Allan, two of the 13 Māori Labour MPs who have new born babies joins us to talk about the challenges of motherhood and parliament.   

Jon Myer describes how SVA Consulting worked with Te Whānau O Waipareira to build an outcomes management culture and strategy to measure what really matters for Māori families in West Auckland. Read the article: www.socialventures.com.au/sva-quarterly/how-culture-grows-effective-outcomes/

Pōnga Rā, Pōnga Rā ka tata kii mai te whare o nga ture. In our darkest moment who will you fight for? Explained by Robert Ruha nō Ngāti Pōrou, Te Whānau ā Āpanui

Pōnga Rā, Pōnga Rā ka tata kii mai te whare o nga ture. In our darkest moment who will you fight for? Explained by Robert Ruha nō Ngāti Pōrou, Te Whānau ā Āpanui