Podcasts about Kapa

A special interview with Dr. Ross Bender, who recently finished his translation of the Shoku Nihongi, including a capstone work on the court of the 8th century.  We cover his work, from his training with some of the greatest names in Japanese historical circles to his dissertation on the Hachiman cult and the Dokyo Incident, and then to his most recent work publishing translations of the various senmyo, the edicts, as well as the entirety of the Shoku Nihongi.  Throughout the discussion we touch on many different  topics, and for notes on everything, please check out our blogpost page:  https://sengokudaimyo.com/podcast/bender-interview   Rough Transcript: JOSHUA: Welcome to Sengoku Daimyō's Chronicles of Japan. My name is Joshua, and this is a special episode I'd like to share with you an interview I had with Doctor Ross Bender, translator of the shogunate. Now, some of you may know Doctor Bender from his work translating the Shoku Nihongi, the official history of the Japanese court compiled in 797 and covering from the end of the Nihon Shoki in 697 through the entirety of the Fujiwara capital and Nara periods ending at the 10th year of the reign of Kanmu Tennō in 791. Not only has he translated the historical chronicles, but he has a series of books on the senmyō, the edicts, as well as more about that period, including institutional life more generally. And we cannot forget the paper that started at all, the Hachiman cult and the Dōkyō incident. We'll have links to all of this and more over on the episode blog post page. Now, in this interview, we cover the Shoku Nihongi and Dr. Bender's academic journey. Throughout that journey, he has had the chance to converse and study with some of the big names in Japanese historical circles, such as Donald Keene, Alexander Vovin, G. Cameron "Cappy" Hurst, and more. It was absolutely a pleasure to be able to talk with him about his career, his work, and about the Shoku Nihongi and this period more generally, and I really hope you all enjoy it as much as I did. So without further ado, I give you Sengoku Daimyo's interview of Dr. Ross Bender.    Dr. Bender, thank you very much for joining me for this. Dr. Bender has done some absolutely wonderful work, in particular with translating the Shoku Nihongi, which is going to be very key to some of the stuff we're going to be looking at here in the coming years. I want to thank you, first of all, for all of your efforts and welcome you to Sengoku Daimyo's Podcast, here; our little Chronicles of Japan.    DR. ROSS BENDER: Thank you. Happy to be here.    J: So your translation of the Shoku Nihongi: how did you come about deciding to do that? What was it that pulled you into the translation?    R: Well, it's a long story, but it does go back to my time in graduate school at Columbia in the 70s. In 1974, I finished my Master's thesis, which was "The Hachiman Cult and the Dōkyō Incident". I started grad school in 1971, and after a lot of intensive language training, became interested in Hachiman because, as you know, the common definition was that Hachiman was the Shinto god of war. Of course, at the time, the Vietnam War was raging. And so I became interested in, you know, what was this theology of a war God. And so I became rather obsessed with Hachiman, and, two things: In 74, I was in a seminar with Donald Keene on the Noh theater, and I found a play--a Hachiman play--called "Yumi Yawata". And I translated that and became interested in the way that Hachiman was portrayed in this Noh play. And then at the same time, I became interested in the Dōkyō incident and the Hachiman Oracle. So that was really my first encounter with Shoku Nihongi.    Two things I suppose really struck me. The first was that although the text is in classical Chinese or literary Sinitic, the senmyō and a few of the- there are a few poems are in the old Japanese script inscribed in Shoku Nihongi.    J: And the "senmyō": They are specifically the edicts.    R: They are the imperial edicts that are recorded in old Japanese.   And Motoori Norinaga, in the 18th century did an intensive study and interpretation, really, of them. And he came up with a canonical number of 62. There are some quibbles with that number, but that's the number. And so at the same time, I was discovering that some of the pioneers in the field had done work on these. So, for example, George Sansom in the 1920s had started to translate the senmyō, and he had also done work on the ritsuryo. And then in the 30s, JB Snellen had begun translation of the Shoku Nihongi, and he completed the years 697 to 715. So the reigns of Monmu and Genmei and-    J: I remember actually going through that translation. I think at one point I found it and was so enamored of like, oh, we have some of this, but then it then it stops.   R: Then it stops. And so both Sansom and Snellen are published in the Transactions of the Asiatic Society of Japan. And as I say, these were real pioneers, you know, digging into this stuff. And it was amusing because Snellen prefaced his work by saying that Shoku Nihongi is "dry as dust". And he further said that translating it was like "intellectual coolie labor". But his translation, you know, is still very useful and extraordinarily well documented, footnoted. And of course, I was able to use that, although it needed updating.    J: You mentioned that you had language training before going into this.    R: Well, I started at Columbia in fall of 71 with no Japanese at all. I had visited Japan and as a teenager in 67, but no language training. So they gave me an intensive full year of language study. So you had first year, second year, and third year all in the first calendar year. And then in the second year of study you started Bungo and further modern Japanese. And I have to say that I was very fortunate to be at Columbia at a time when some of the giants and pioneers of the field were there. So Ivan Morris had the first class in classical Japanese, and we did bits of Hōjōki and Heike Monogatari. And he told us that when we eventually went to Japan, we might find ourselves at a cocktail party, and we could be sure to amaze the hosts. And so he had us memorize the opening lines of both of those.    J: That's fascinating. So, so all about the Gion bells, and-    R: Yes. "Gion shōja no kane no koe...", and "Yuku kawa no nagare wa..." So I actually- I think there was one time I was at a party with, oddly enough, bunch of pediatricians from Kobe Children's Hospital, and I tried them out and with Hōjōki, and they couldn't get it. They said, oh, is that Hyakunin Isshu?    J: [laughing] R: So I was kind of pleased about that. But then everybody knew the "Heike".    J: Right.    R: Yeah. So actually my first class in ancient Japanese history was with Morris. He tragically died in 1976, so he had the Bungo introduction in the fall. And then Donald Keene came back from Japan and did it in the spring. And so he introduced us to a Noh play and "Oku no Hosomichi" and Shinkokinshu, I think. So the language training was just excellent. And then in the third year, Doctor Hakeda did Shingon Buddhism and classical Chinese and so forth. So yes, there was a lot of front-loading and intensive language study, but it was very pleasurable.   J: As you're studying about Dōkyō and the Dōkyō Incident and Hachiman, that then allowed you to access these sources and the senmyō, and all of that, correct?   R: Right. That was my first introduction to them. Both the "Yumi Yawata" and the "Hachiman and the Dōkyō Incident" were published in the late 70s in Monumenta Nipponica, and then in 1980, I finished my dissertation, which was the political meaning of the Hachiman cult in ancient and early medieval Japan.    J: I came across that as I was going through Ōjin Tennō's period. R: Yes, it was sort of a simplistic construction, but what I did basically was to posit three stages of the Hachiman cult. The first at Usa, which was the oracular stage, the second at Iwashimizu, which was where the Ōjin Tennō connection developed, and also the Hachiman Daibosatsu connection. And then the third stage, you know, identified with Tsurugaoka in Kamakura, which was the Minamoto- Where the martial aspect--the god of war--really developed.    J: And that is fascinating because, you know, you go to Hachiman shrines today and that's probably where people's minds will first go. But it is such a fascinating religious exercise of like Shinto, but also kind of Buddhist and kind of continental.    R: Yes. And I don't know what the statistics are today, but at least I think 35 or 40% of Shinto shrines have some connection with Hachiman. So it's yeah, it's a fascinating study all by itself.   J: So as you were doing this, you come across the Shoku Nihongi. Can you talk a little bit about where the Shoku Nihongi falls in all of this?    R: Yes. Well, the notable thing about both Nihongi and Kojiki is that they begin with the Age of the Gods, so that the first sections, the Shinwa, are the mythologies. Nihongi probably becomes historically accurate sometime in the late, I don't know, it's late six hundreds, but for the seven hundreds it's probably pretty much historically accurate. And of course, you know that John Bentley just recently did the first English translation since I think 1898 was going to ask, so that was long overdue. And that's a very useful publication. J: It's interesting to see the differences in some of the things he updates and the different take he has on it in terms of how to do some of the translating.    R: Yes. And he is a historical linguist. And so he has a very valuable exegesis and commentary. And then, of course, Matthieu Felt just published the first volume of his translation. It was Oxford Press. That just came out a few months ago. That's also a useful document. He actually has the text of the Nihon Shoki along with the translation. And so that's very useful. And I'm not sure when he's going to be publishing the second half, but that's something to watch for.    So the first one started with The Age of the gods. Now, Shoku Nihongi is the second of the Rikkokushi, or 'Six National Histories', and it, unlike the first two, is judged to be a very accurate historical chronicle. And it, of course, was presented to the Court of Kanmu in two recensions, 794 and 797, and takes the story up to 791, which I think was the 10th year of Kanmu's reign. That's where it fits. And then, of course, you have the rest of the Rikkokushi. The next one is Nihon Kōki, which I'm just starting to get into now. Then Shoku Nihon Kōki, Nihon Montoku Tennō Jitsuroku, and then Nihon Sandai Jitsuroku. So they take the story up to 887, and they become increasingly detailed, and the language becomes more intricate as time goes on. But that's where Shoku Nihongi sits in terms of the six national histories, and they're all court chronicles, compiled by court scholars and ordered by the emperors. And of course, the point of view is that of the central court.    J: Right. You're not getting Kyūshū's take on things.    R: No. Although, you know, Kyūshū is a fascinating place. A lot happens there. So of course you have the Dazaifu, the Kyūshū government headquarters, which is an important outpost, almost a mini capital by itself. J: The first several dazai sōchi, I think, all become Daijin. Like Sadaijin, Udaijin. They kind of come back and do that if they don't pass away in the meantime.    R: Yeah, it's an important post. People take that position and come back. But also what's interesting is that the Hayato people of southern Kyūshū begin to appear in the chronicles, and in the early years, there are some major Hayato rebellions, and that's a story all by itself. Those rebellions are, for the most part, put down. And then there's some sort of accommodation because Hayato people show up at court almost as envoys from, you know, the barbarian realm, and then some of them become guards. So they are assimilated more or less early on. And then, of course, there's the whole question of the Hayato and the Emishi and where did they come from? There are some theories that when the Yayoi people came in they mixed with the Jōmon people and assimilated. But some theories that the Hayato in the far southwest and the Emishi in the northeast were remnants of the old Jōmon. So that's, you know, it's a possibility, but it's certainly interesting. And unlike the Hayato, the Emishi, as you know, were constant problem for the Nara court. And all through Shoku Nihongi, but particularly from about oh 780 on, there were more and more intense periods of warfare. And these are described in great detail in Shoku Nihongi. Karl Friday and Wayne Farris back in the 90s, both did books on. I think Farris was the "Heavenly Warriors: History of the Samurai". And then Karl Friday also did a book on the samurai, but they paid a lot of attention to these Emishi wars, so that's well documented in English. J: Getting back to the Shoku Nihongi, which includes all of this, really, what were some of the biggest challenges you found?    R: Well, part of the story is that after I finished my dissertation, I went off and did a variety of things, this and that, and finally wound up at University of Pennsylvania teaching in the English Language Programs, which was the program to teach English to foreign students. At that time the majority of the students when I started were from Japan. So I actually ran a program for the Monbushō, and they would send over Japanese high school teachers of English for a summer session, and we would give them language classes, but also pedagogical training, how to teach English. And so that was my connection with Japan during that period. And so I really was away from my original interest until the early 2000s. I took early retirement and I visited my old advisor, Paul Varley. He had, of course, taught at Columbia, but then he had retired and moved to University of Hawaii. I visited him, he introduced me to Wayne Farris, who was also there at the time, and they both encouraged me to get back, get back to work. So that was sort of the impetus. I have to give them credit for that. So I found myself in Kobe for several months in 2006, and that was when I decided I was interested in the senmyō. So my first thought, my first ambition was to translate the senmyō. As you know, in the late 80s and 90s, the immense five volume Iwanami collated and critical edition had come out, the one edited by Aoki Kazuo and his team. That was still a magnificent piece of work, you know, with I'm sure you've seen it with all of the head notes and footnotes, and on one page there's the kanbun and on on the facing page is the yomi-kudashi, and, you know, more than you could ever hope to know. But also at that time there were three modern Japanese translations, so that was very useful. It was a good time to be starting into this, so I went to a secondhand bookstore in Kobe and got myself the books, and that started, I guess, what's turned out to be a 20 year project.    J: 2006 to 2026.   R: Right.    J: And it looks like you're doing most of this through self-publishing. Is that correct?    R: Yes. I discovered early on that what's now called Kindle Direct--it used to be called Create Space--through Amazon was a very useful piece of software. In fact, I first published several volumes of poetry in 2012, and that was my introduction to using this platform. And I've been very pleased with it, because I don't have to wait years and years to try to find an academic publisher. And actually they pay royalties through Amazon, so... J: That's not bad.    R: Yeah, that's worked out well for me. So I never had a chance to have an academic position teaching Japanese studies. Although when I was at Penn, my friend Cappy Hurst--Cameron Hurst--was the chairman of the department and he had been a student also of Varley's at Columbia, although before my time. And he invited me to give some lectures in his class on Japanese history. So another thing was that my classical Chinese needed an upgrade. Fortunately, at Penn, Victor Mair was teaching a year long course in classical Chinese, and so I sat through that and he was extremely, extremely helpful. Then one other thing was that I also got to know Alexander Vovin, who at the time was at Hawaii, and he, of course, is *the*- was *the* authority on old Japanese. And, you know, his Man'yōshu translations and, and commentary are just really helpful. So he gave me some good advice. So I had good teachers all the way through. And, you know, I'm always very grateful for that.    J: You mentioned classical Chinese. I'm curious how much of it is a standard classical Chinese, or is it kind of their own thing in the archipelago? I'm curious what the language is like in the Shoku Nihongi.    R: Okay, so of course, at that time, the eighth century was sort of the apogee of the Tang dynasty, and at least from what Victor Mair told me. And he was very helpful in beginning this translation. And he would look at some of my stuff. And according to him, it was pretty much like the Tang dynasty Chinese. I think that's called Early- I forget- Early Middle Chinese. So at least for the eighth century, that seemed to be the case. And, you know, you have records in the Shoku Nihongi of teachers who come from the mainland and lecture and teach the correct pronunciation and how to read. And then, of course, with the Buddhist monks, they're using the Chinese translations of some of the Sanskrit, and they have their own techniques for reading. So, yeah, the eighth century is a really dynamic time because the Japanese, at least at the elite level, are and with the help of the Koreans and that should be emphasized after the fall of Paekche there were a large number of refugees and high ranking aristocrats who came to Japan and helped them to learn to read and write Chinese. And then, of course, the Japanese started sending students to China and, you know, staying there for ten, twenty years. So, yeah, it was a very dynamic time. And then, of course, they were learning how to use Chinese characters to express old Japanese. And that's another story in itself, using the characters as semantograms, but also as phonograms. That's one of the things I found really fascinating about old Japanese, about the senmyō. J: And how does that compare to- I think we usually just refer to "Man'yōgana" as any of that. Is it very similar to what's going on in the Man'yōshu, or is once again, is there something else going on with the senmyō?    R: The standard edition of the senmyō I think notes that there are about 250 some--if I've got the number right--of phonograms used in the senmyō. There is a huge number used in the Man'yōshu; much greater. In fact, I think Vovin once said that it's not really known that you can't count. Although Bentley has a very excellent book, I think it's called an ABC Dictionary of Phonograms, like that. He has really scoured the landscape. So- But you could say that the phonograms in the senmyō are Man'yōgana, but that the set of Man'yōgana is far, far greater. J: Only 250 phonograms to have to worry about, as opposed to going through the Man'yōshu and seeing every once in a while a character and going, which pronunciation or what are they trying to represent here?    R: Yeah, yeah. So I mean, Man'yō studies, you know, or a whole realm in themselves and some of the, the emperors--I'm thinking of Genmei especially, or is it Gensho? I think it's Gensho. She has three poems in the Shoku NIhongi and they may be included in Man'yōshu. So there's some crossover. I was going to say that, of course, once you start reading these phonograms, you begin to see where the kana systems developed from, from Man'yōgana.    J: Right. So I think I've read that in Old Japonic, we think that there were more or at least different sounds than maybe we have today. R: Yes.    J: And so you see it represented in different ways. You'll see the same--what we would think of as the same character--represented differently, because to them it was different.    R: Yes. So there's still, as far as I know, no absolute standard for representing old Japanese. You'll see different scholars have their own takes on it, and Vovin, in his Man'yōshu translations, has his own very intricate system. Another good place to look that's freely available. The Oxford, I think it's called the Oxford Ninjal Corpus of Old Japanese Texts, is an ongoing project. It's actually been ongoing for many years, but you can go there. They have laid out all of the Man'yōshu poems with their  romanization system. I suspect that, you know, that's very prestigious and will eventually become a standard. But that's where you find all these things. Like is it "Himiko" or "Pimiko"?    J: Do you say "Kapa", "Kaha", or "Kawa"?    R: Yes. There you go.   J: [Laughter]    R: Right. Yeah.    J: I'm constantly wondering that myself.    R: Yeah. So you'll see different scholars have different ways of approaching it. But my opinion is that the Oxford, which is a very long standing and slow running project, will probably produce the standard.   J: In doing this translation, were there any favorite moments or items of particular interest that you found? R: So yes, actually my first go at the senmyō were the edicts of the lady we call Koken/Shotoku. Actually, I think almost half of the senmyō were produced during her reign. And so that was where I started. I think the first article I got around to writing in 2009 was for the journal Oral Tradition, and it was called Performative Loci of the Shoku Nihoingi Edict 749 to 770. And also because of my interest in Dōkyō my interest in her went way back. So 2015 I did the edicts. I called it the Edicts of the Last Empress, and it was a translation of all of the edicts from her reign. That year and the next year I did the four volumes I called them, Nara Japan 749 to 757, 758 to 763. So that period was, yeah, my first period of interest. And of course it went back to the Hachiman cult and the Dōkyō incident. I mean, you know, the stories about this wild empress I saw I saw an article that's just come out. I think it's a compilation of Women in Japanese Buddhism. And the title of the article by Emily Simpson is "The Depraved Empress". So that was one of the things that, early on, I decided was not accurate. That's a whole rabbit hole by itself. But according to Shoku Nihongi, there's no evidence, you know, of any illicit goings on between the two. But in Nihon Ryoiki, which appears in the early Heian period, not much later, you find the first really scurrilous story that about Dōkyō and the Empress. And then, as if you look at, for example, Donald Keene's "Seeds in the Heart," he has a long excerpt from a medieval tale. I forget which one that, you know, really rings the changes. And what fascinated me was that in there was a Playboy fable- I forget they were called. Some sort of fabulous stories. This one was done anonymously, but it was a very scurrilous, licentious story about Dōkyō and the Empress, and done anonymously. But it was later found to have been Bill LaFleur--William LaFleur--who taught at Penn and passed away unfortunately, some years ago.    J: So then in the Shoku Nihongi, it's just straight up politics, right? Just about Dōkyō's rise. And then it's just the political conflict going on rather than anything else?   R: Right. And it's a very intense period of political- So of course, the story was that when she was at the Hora capital, which was up near Otsu, it was a brief capital, and she was there and she was ill, and Dōkyō apparently at that time attended her as a physician. And that was the beginning of their relationship. So this would have been 760 or so. But the only phrase is that Dōkyō received the favor of the Empress, but it doesn't have a sexual connotation. It's used in other political settings also.    J: Yeah, I have to wonder how much they weren't looking back at Wu in the Chinese, which of course she also gets excoriated for stuff that is questionable. How much worse was it than anything that any of the men did? But she was a woman doing it.   R: Yes. Well, that's what happens to female rulers. You know, you have Catherine the Great in Russia. So. Yes. So that was initially my what really excited me. It was that period. And then I finished the "Edicts" translation. This was 2012. Bryan Lowe, who's a good friend at Princeton, he was finishing his doctorate and he had a workshop on Shosoin documents, and he invited Dr. Sakaehara Towao to present at the workshop. And he had been Bryan's advisor in Japan. So I was able to meet him and then talk to him and said, you know, I think I'd like to translate Shoku Nihongi. And he basically said, go for it. But I met him later that fall in Nara. He was at the Todaiji Museum, and so he encouraged me. A lot of people gave encouragement along the way. Yeah. So 20 years later, actually, I finished the translation 2025. And then this year in the spring, I did what I- is sort of considered the capstone, the volume: "The Japanese Imperial Institution in the Eighth Century." That's available as an e-book and also paperback and hardcover. And so there I have about a 75 page overview of the eighth century and then the introductions, not the translations, but the introductions to each of the emperors throughout the period. I'm very happy with that. And that sort of puts a cap on it. I should mention that that was in memory of Herschel Webb, another one of my great teachers at Columbia. He had done a book way back in 68 called "The Japanese Imperial Institution in the Tokugawa Era". And so this is sort of an homage to his memory.   J: And we very much thank you for it.  I remember when that came out, and we definitely snapped it up as soon as we saw it.    R: Well, great.    J: [Laughter]   R: Yeah. And you know, it's all available on Amazon. So let me let me make my plug.    J: Absolutely. Absolutely. You mentioned something about the Nihon Kōki. Are you are you serious about taking this project on and moving forward, or is that just kind of something you're toying with? R: Well, no, I'm actually I've actually made a start. That's an immense document. And what I'm interested in is finishing the reign of Emperor Kanmu. He dies in 806. And so Nihon Kōki begins in 792, and I'm currently up to 799. But I'm not putting as much energy into it. I do maybe an hour a day if I feel like it, but it's slow going. But there's some really fascinating stuff. So Wake no Kiyomaro died in 799, and they've inserted this immensely long biography of his life at this point, although it was obviously produced later and it's set apart. But that has details of his miraculous trip to the Usa shrine. And, you know, it's not clear if somebody cut his tendons, but he was lame and so he was on his way to Kyūshū, and suddenly a pack of wild boars appeared and sort of escorted him down to the shrine. It is just a really wonderful story. Then he has a vision of Hachiman, which is not part of the Shoku Nihongi tale. Yeah, I'm trucking along. My ambition is at least to finish the reign of Emperor Kanmu, and then we'll see what time there is beyond that.    J: So do you have any recommendations for current students of Japanese history? Those coming up? R: Actually, there are some young scholars. I was at the Association for Asian Studies meeting in Columbus, Ohio, which was, I guess, yeah, 2025. And for some reason there were a good number of presentations on eighth and ninth century. So there's a scholar by the name of Nadia Kanagawa. She finished a dissertation at USC on immigrants in the eighth century. Then Abigail McBain finished up at Columbia, and her dissertation was on specifically Tang Buddhist monks and interchange with Japan. Yeah, so there are some young scholars who are digging in to this. You know, I was just looking the other day at Wikipedia, which is a good start for anyone. I would say, you know, take it with a grain of salt. But if you want to know the names of the, you know, the famous emperors and the rebels, you know, Tachibana no Naramaro, and Fujiwara no Nakamaro. And just, just the other day I found this amazing thing called 'Grokipedia', which apparently is a new. But it's one of those AI things. Yeah, but it had the best summary of the Shoku Nihongi that I've seen. So with the AI revolution, goodness knows what's going to happen. But yeah, I find that it's possible to dip in and a lot of things are available. For example, the Rikkokushi text is online, it's been online, and it was first published by Asahi Shimbun way back when. But I used that and then that the Oxford project that I mentioned is online -- more and more it's becoming possible to access, you know, original documents. J: Yeah, combination of making them available online, better online translations.    R: Machine translation is going great guns. Yeah-   J: Yeah. Although I have to admit, it can get you a sense of what the classical Chinese is kind of saying sometimes, but the translation for some of the old stuff just it still has some work to do. I think it's better if you can translate the at least the modern Japanese translation, rather than sometimes going back into this. It's still tricky.    R: Yeah, well, it's I admit I'm getting old, but this this stuff is getting kind of frightening. This machine translation...   J: It is, yeah.    R: I feel like I'd be out of the job if I had a job.    J: Well, I think there's still a lot of questions to be asked on that. I don't think we need to get into a whole thing on AI right now, but I think there's some great benefits, obviously. And then, you know, I definitely know there's some concerns too, because every once in a while it can just hallucinate an answer. And you might be going through things that seem absolutely wonderful and then find something that you're like, wait a minute, I never knew that. [laughter]     R: And then it turns out not to be true.    J: Yeah, I don't know if you heard there was one, and I mean, this was a year ago, which already seems, in AI terms, ages and ages, but apparently it hallucinated entire papers and authors.    R: Yes, that's there was I don't know if you follow the PMJS list.    J: Oh yeah.    R: But I think there was a discussion and an example of that. So it's-  J. But the world is going to be different. J: Things are changing. And I think we will figure out how to use the tools that are useful will hopefully win out. And there's always going to be certain things. For instance, I remember early days, Wikipedia and still, you know, looking at Wikipedia sometimes for certain things around more popular subjects got to be a little more wary, though I have found the Japanese Wikipedia has been great when you're just trying to look for something and go, let me at least get what a common sense of this is so that I know the other things to go research. R: Well, I was going to say, just to sort of sum up, yeah, we're in a very dynamic time, but the eighth century was very similar because the new technologies were pouring in from the continent and the peninsula, and people were learning these new methods of reading and writing and orality to literacy.    J: So any last thoughts? I do appreciate all your time. But any last thoughts as we finish up here?    R: Not really, but I noticed that yesterday you came up with a long spiel on the UNESCO World Heritage site, and that's exciting. The Asuka region you seem to have links to photographs that took me back to wandering around that area. The Ishibutai, I remember, was something. So party on and keep up the good work. J: Thank you very much and thank you again. Thank you for your time today, and thank you for all the work that you've put into this. You have made these sources so much more accessible for people in English, and I think that is going to be critical as we move forward. I know for me this is a huge help. I was looking at Shoku Nihongi going, okay, I know we've got like the first so many years so I can get through that and then I'm really going to have to up my game. Then I saw all the work that you'd been doing and it was like a big load felt lifted off of my back. Now I can, you know, take a look. But at least with the idea that someone more experience than I has already done some of the really hard labor. I really want to say thank you for all of that.    R: Yeah, you're very welcome.    J: And once again, I would like to say thank you to Doctor Bender and thank all of you for listening. If you think that this is something you would like to see more of, please let us know. We'll see what we can do. Perhaps we can make it the start of a new interview series. In the meantime, next episodes we get back to our regularly scheduled program. And as always, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more and want to help us keep this thing going, we do have information about how you can donate on Patreon, where we have early and add free episodes for you to listen to. You can also donate through our Ko-Fi or BuyMeACoffee Sites. Just look up SengokuDaimyo for all of that. You can also find the links over to our main website, SengokuDaimyo.com, where we will also have more discussion on topics from this episode. Finally, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.Sengoku.Daimyo@gmail.com. Thank you also to Ellen for their work editing the podcast. And that's all for now. Thank you again and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan

Mariameno Kapa Kingi Sensei, sits down to talk about her journeys in the world of Budo, studying Aikido at Iwama, a place that some would describe as the cradle from which Aikido springs. Te Ao Māori (Māori World) meets with Japanese Bujitsu, she reflects on her much respected and loved Saito Morihiro Sensei and his lovely Wife and all the many lessons that were imparted by them and indeed the culture itself! A fascinating Budoka applying Aikido in her everyday life in the “lions den” all whilst standing on her Whenua, with future Generations firmly in her gaze! Its a go! Silver fox 2027 Feb 27-28, Te Kupenga Orongomai, Maidstone Sports hub, 2 days of training, exploration and motivation! There will be more info as we get closer to the day, please checkout our early bird registration as well, and invest in YOUR Karate, open to all styles, 12yrs and over, Karate, Kobudo, Bunkai, Randori, Kumi-Bo and much much more, full info sheet with hyperlinks imbedded: Siverfox Seminar Info form to enrol & Info sheet https://forms.gle/Fg6DWLmNdFjhKbM46 and to checkout our seminar shirts: https://budovibe.store/product/silver... Put it in your plans and let's get to training! DM for any or further information!! Learn more about your ad choices. Visit megaphone.fm/adchoices

The term “Koha” is not a Japanese term, it is in fact a Māori word, it is often used to describe a gift, but it goes a lot deeper. In part 2 of 2: Mariameno speaks of the gift of being an Uchi Deshi (live in student) and what she received form the experience, but also what she gave back in return. Hence the “Uchi Deshi Koha.” Mariameno Kapa Kingi Sensei, sits down to talk about her journeys in the world of Budo, studying Aikido at Iwama, a place that some would describe as the cradle from which Aikido springs. Te Ao Māori meets with Japanese Bujitsu, she reflects on her much respected and loved Saito Morihiro Sensei and his lovely Wife and all the many lessons that were imparted by them and indeed the culture itself! A fascinating Budoka applying Aikido in her everyday life in the “lions den” all whilst standing on her Whenua, with future Generations firmly in her gaze! Its a go! Silver fox 2027 Feb 27-28, Te Kupenga Orongomai, Maidstone Sports hub, 2 days of training, exploration and motivation! There will be more info as we get closer to the day, please checkout our early bird registration as well, and invest in YOUR Karate, open to all styles, 12yrs and over, Karate, Kobudo, Bunkai, Randori, Kumi-Bo and much much more, full info sheet with hyperlinks imbedded: Siverfox Seminar Info form to enrol & Info sheet https://forms.gle/Fg6DWLmNdFjhKbM46 and to checkout our seminar shirts: https://budovibe.store/product/silver... Put it in your plans and let's get to training! DM for any or further information!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Demokracja, prawa człowieka, wolność religijna i kara śmierci – stosunek Kościoła do tych zagadnień wyraźnie ewoluował w ostatnich dekadach. Czy więc Kościół katolicki pogodził się z liberalizmem? Od Piusa XII, przez Jana XXIII i Jana Pawła II, aż po Franciszka można dostrzec stopniową zmianę politycznego kursu Watykanu.DEMOGRAFIA WALCZĄCA | Trwa ZBIÓRKA środków na wydanie nowej „Polityki Narodowej”, poświęconej kryzysowi demograficznemu. Link do zbiórki: https://zrzutka.pl/fn9dfh

The Greatest Rivalry Tour is officially underway, and naturally that means it's time for everyone to start drawing enormous conclusions from a handful of rugby games that probably don't deserve enormous conclusions.First up, the All Blacks took on the Stormers in Cape Town and, for a good chunk of the game, it was a seriously butt-puckering affair. The All Blacks stuttered, spluttered and at times played more like poo than an international rugby side, while an under-strength Stormers team — missing their Springboks — gave them absolute hell. The ageless Deon Fourie was somehow still out there causing problems, before the All Blacks eventually located their rugby brains, pulled away late and finished with a 38–21 win.Then it was the Springboks' turn, heading to Argentina with plenty of big names left back in South Africa but still carrying some serious quality. Against an under-strength Pumas side, however, they made life look considerably harder than anyone expected.Cue several days of South African fans and pundits performing Olympic-level mental gymnastics explaining why the Bok performance was actually encouraging while the All Blacks' was apparently evidence that New Zealand rugby had entered its final death spiral.The more boring answer? There probably wasn't that much to read into either game.Then came Durban.On a sodden track, the All Blacks faced the Sharks in game two of the Greatest Rivalry series — and suddenly Ma'a Nonu appeared in a Sharks jersey. Because apparently 2026 has completely stopped obeying the normal laws of rugby.Before kick-off, Nonu produced one of the most surreal and memorable moments of the tour so far, standing alone and returning Kapa o Pango with a one-man haka.Unfortunately for the Sharks, that was about as competitive as the evening got.The All Blacks absolutely pumped a young Sharks side 54–0 in what eventually became more training run than test of character. Nonu arrived around the 60-minute mark, produced a couple of nice touches, and reminded everyone that he remains approximately 400 years old and still capable of playing professional rugby.Elsewhere, Australia edged Japan in a relatively tight affair, we attempt to decide whether anything we've seen so far actually matters, and begin the inevitable overanalysis as the real meat of the Greatest Rivalry Tour creeps closer.Sorry this one's a little late.Massive thanks to Sports4cast.com for the beers.Grab a beer and Enjoy

At the time of setting up the show we have heard there is an unscheduled National Party caucus called for tonight with much speculation over Christopher Luxon leadership so as we write this we genuinely don't know if we will be talking about PM Christopher Luxon, or someone else at the head of the tableMariameno Kapa-Kingi spent some time with Moana Maniapoto talking the difference in leadership style in her new party and if she was at all disappointed that no other wahine followed her out of TPMChris Hpkins did the rounds this morning talking about why he finally ruled out Winston Peters++++++++++++++++++++Like us on Facebook.com/BigHairyNetwork Follow us on Twitter.com/@bighairynetworkFollowing us on TikTok.com/@bighairynetworkSupport us on Patreon www.patreon.com/c/BigHairyNewsCheck out our merch https://bhn.nz/shop/Donate to our work https://bhn.nz/shop/donation/

Det är inte ofta men det är nu i alla fall ...passa på att njuta av fotbollssnacket efter 3 MFF–matcher och totalt 1 poäng.Vad ska vi göra i Sveriges finaste fotbollsförening?

Zataknjene pravljice, Iskrice , so povzete po različnih svetovnih pravljicah. Slike: Artistly, bere Nataša Holy.

Birželio 12-14 dienomis keliaukite į Birštono kurorto šventę „Birštonuokimės!“ Muzika, pramogos, gera nuotaika ir vasaros pradžios šventė viename gražiausių Lietuvos kurortų.FM99 svečiai - Birštono turizmo informacijos centro direktorė Rūta Kapačinskaitė ir Birštono muziejaus direktorius Simonas Matulevičius.

56 milliárd forintot ért Pollock absztrakt festménye Csak pár óra autóval, és máris a világ legjobb hideg vizes fürdőhelyén csobbanhatunk Krausz Gábor Mikes Annáról: Ott szerettem bele Elhunyt Scherer Péter Meghan Markle megmutatta, mi ment a kulisszák mögött a nyolc évvel ezelőtti királyi esküvőn Így mentette meg Sváby András életét Scherer Péter – itt vannak a részletek Imádnivalóan old-school Az univerzum védelmezői utolsó előzetese Scherer Péter halála miatt elmarad Kapa fellépése "Szabad a szívem" – reagált a pletykákra a mentalista, akit a Nagy Ő új főszereplőjeként emlegetnek Lesz egyszer egy Hollywood az IMAX-ben: Brad Pitt-tel jönnek ősszel Cliff Booth kalandjai Nemi erőszak a Házasság első látásra forgatásán A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

56 milliárd forintot ért Pollock absztrakt festménye Csak pár óra autóval, és máris a világ legjobb hideg vizes fürdőhelyén csobbanhatunk Krausz Gábor Mikes Annáról: Ott szerettem bele Elhunyt Scherer Péter Meghan Markle megmutatta, mi ment a kulisszák mögött a nyolc évvel ezelőtti királyi esküvőn Így mentette meg Sváby András életét Scherer Péter – itt vannak a részletek Imádnivalóan old-school Az univerzum védelmezői utolsó előzetese Scherer Péter halála miatt elmarad Kapa fellépése "Szabad a szívem" – reagált a pletykákra a mentalista, akit a Nagy Ő új főszereplőjeként emlegetnek Lesz egyszer egy Hollywood az IMAX-ben: Brad Pitt-tel jönnek ősszel Cliff Booth kalandjai Nemi erőszak a Házasság első látásra forgatásán A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After an unlawful expulsion and a high-stakes power struggle, Mariameno Kapa-Kingi is breaking away to start her own political party.  In this exclusive interview with The Hui presenter Julian Wilcox, she speaks candidly about leadership tensions, misogyny claims, and why she says “the time is right” for a new political movement. Ngā mihi ki a NZ On Air & Te Māngai Pāho 

Mark Mitchell and Ginny Andersen are back with Mike Hosking to delve into some of the biggest political stories of the week thus far. They discussed the 24 year political career of Judith Collins, who is resigning from Parliament and taking up a new role with the Law Commission. They also discussed Mariameno Kapa-Kingi's split from Te Pāti Māori to form her own party and what this may mean for Labour and the Māori seats – plus, the former Labour staffer linked to the troll social media account. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Mariameno Kapa-Kingi spoke to John Campbell following her announcement to form her own political party.

Te Tai Tokerau is shaping up to be an electorate to watch this election. MP Mariameno Kapa-Kingi is splitting from Te Pāti Māori to form her own party after months of ructions between her and the party's leaders. She'll run in her electorate under a party of the same name. Former Māori Party Co-leader Te Ururoa Flavell told Mike Hosking she could win the seat as she has a foothold in an electorate already. But he says history is typically against smaller parties – particularly those wrapped around a single individual. LISTEN ABOVE See omnystudio.com/listener for privacy information.

A political science lecturer says party affiliation isn't everything in Māori seats, as Mariameno Kapa-Kingi breaks away. She's cut ties with Te Pati Māori to create the Te Tai Tokerau Party and run in the seat of the same name. Te Pati Māori's wished her well - but is promising to put up another candidate to take her on. Victoria University's Lara Greaves says it's an open race for all seven seats. "They're hyper-local, so local issues are really important - but also, sometimes, strategy is important. Again, really hard to tell." LISTEN ABOVESee omnystudio.com/listener for privacy information.

An election law expert says it could work in Labour's favour for it to not win many Māori electorate seats. Te Tai Tokerau MP Mariameno Kapa-Kingi has announced she is splitting from Te Pāti Māori and forming her own party. Otago University Law Professor Andrew Geddis says there could be overhang seats if either party wins electorates with a relatively small party vote. He says told Ryan Bridge it would then increase the number of MPs needed for a majority. Geddis says winning the Māori electorates could mean Labour falls short of being able to form a government. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Winston Peters again has gazumped the government by releasing early the cancellation of the fees free. Labour spokesperson for Tertiary Education Shannan Halbert joins us tonight to discuss what this change means for young New Zealanders.Christopher Luxon was live in Newstalk ZB this morning talking about National's proposed changes to the retirement age. While with Hosking, Luxon also talked about the cancellation of the fees free scheme as well.Mariameno Kapa-Kingi has officially quit Te Pati Maori and started her own party to take on this year's election. What does this mean for the left, the left bloc, TPM and more?++++++++++++++++++++Like us on Facebook.com/BigHairyNetwork Follow us on Twitter.com/@bighairynetworkFollowing us on TikTok.com/@bighairynetworkSupport us on Patreon www.patreon.com/c/BigHairyNewsCheck out our merch https://bhn.nz/shop/Donate to our work https://bhn.nz/shop/donation/

A public memorial on Thursday honored the life and service of longtime Hawaii politician and attorney Colleen Hanabusa. Meanwhile, Zavier Cummings, known for his comedy online, was out on the Kapa’a bike path earlier this week when he stumbled upon something that was no laughing matter: syringes in the sand.See omnystudio.com/listener for privacy information.

With over two thirds of this election term complete, the Gals take the opportunity to talk to politicians about how it is all going.   In this episode, Mariameno Kapa-Kingi, MP for Te Tai Tokarau has a kōrero with the Gals about winning the her seat by about 500 votes in 2023, whānau, Te Reo Māori and that strange place called Parliament

... in raziskovanje človeške vasi. Pripovedujeta: Judita Zidar in Zvone Hribar. Napisal: Zdenko Matoz. Posneto v studiih Radia Slovenija 1999.

Chemoterapie či jen chemo, biologika čili biologické léky, imunoterapie, hormonální léčba a potom třeba slova remise a relaps – v „onkologickém názvosloví“ se vyznají asi především pacienti a jejich okolí.

''Zafer Algöz tencere kapağı şeklinde diyerek nelerden serzenişte bulundu ?'' | 245.Bölüm by Zafer Algöz Can Yılmaz

MP Mariameno Kapa-Kingi isn't saying if she has confidence in Te Pāti Māori's leadership, after her reinstatement. A High Court this week ruled her expulsion last year was unlawful. She says she'll maintain separate offices from the Party for now, and consider the ruling with whanau and iwi. Newstalk ZB senior political correspondent Barry Soper explained further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Te Tai Tokerau MP Mariameno Kapa-Kingi has officially been reinstated to Te Pāti Māori, after a High Court decision ruled her suspension and expulsion was unlawful. The court found the decision breached the party's rules and requirements, and the relevant tikanga principles were not applied. Meanwhile, despite National's recent low polling the Prime Minister has received wholehearted backing from his caucus. Political reporter Giles Dexter spoke to Lisa Owen. 

We preview this weekend's performances of "A Streetcar Named Desire" by Tennessee Willams, one of the most beloved masterworks in the history of American theater. The performances are being done by the Kenosha Academy of Performing Arts Repertory Theater. We speak with Braxton Molinaro, Creative Director and the director of this production (in which he is also appearing) .... and Elizabeth McLaughlin (Eunice), who is one of the professional actors brought in to be part of this production. She has appears in things like "Pretty Little Liars" and "Hand of God." Performances of "Streetcar" are Feb,. 20 and 21 at 7:00 and Feb. 22 at 2:00 at Circa on Seventh in Kenosha. Tickets are avalable through kaparep.com.

There'll be a wait until we learn the outcome of today's court case between expelled Te Pāti Māori MP Mariameno Kapa-Kingi and her former party. The High Court at Wellington today heard arguments relating to the MP's expulsion from the party last year, which followed allegations she misused party funds. Newstalk ZB political reporter Ethan Griffiths says Kapa-Kingi's lawyers suggest the party was trying to hold her responsible for comments by her activist son, Eru Kapa-Kingi, who called out Te Pāti Māori's leadership. "Kapa-Kingi's lawyers say that she's not remotely responsible for her son's comments." The court's decision has been reserved. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Měl to být původně velký průlom v polsko-maďarských vztazích, zamrzlých po začátku ruské agrese proti Ukrajině a nadbíhání maďarského premiéra Viktora Orbána Kremlu.

Ousted Te Pati Maori MP Mariameno Kapa-Kingi has been awarded a temporary court order to reinstate her into Te Pati Maori. Her case was heard by Justice Paul Radich in the High Court at Wellington on Thursday morning. She spoke with Mihi Forbes about her future plans.

MP Mariameno Kapa-Kingi has been reinstated as a member of Te Pāti Māori, following an interim ruling by a high court judge, and will now attend the party's Annual General Meeting this weekend. Kapa-Kingi was expelled from the party, alongside Takuta Ferris, in early November after a period of internal conflict. The party's co-leaders said the decision had been make in response to "serious breaches" of the party's constitution. Both MPs have fiercely disputed their expulsions, with Kapa-Kingi taking her case to the high court. Political reporter Lillian Hanly spoke to Lisa Owen.

Nyheter och fördjupning från Sverige och världen. Lyssna på alla avsnitt i Sveriges Radios app.

Mariameno Kapa-Kingi's membership of Te Pāti Māori has been reinstated after she took her expulsion from the party to court. Although, the decision is an interim measure ahead of a substantive hearing on February 2, where legal expert Graeme Edgler believes her reinstatement will be reversed. Edgler told Heather du Plessis-Allan, "ultimately, if Te Pāti Māori wants to get rid of this person from their party, they'll probably be able to do it, and the courts will probably let them." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Newstalk ZB senior political correspondent Barry Soper talked to Heather du Plessis-Allan about today's political hot topics. Mariameno Kapa-Kingi has been reinstated to Te Pāti Māori, for now, after she took her expulsion from the party to court. A leaked phone call between European leaders shows confidence in Trump's loyalty to Ukraine is not strong. And, ten years ago we voted against changing the flag. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Newstalk ZB senior political correspondent Barry Soper talked to Heather du Plessis-Allan about today's political hot topics. Expelled MP Mariameno Kapa-Kingi was heard by Justice Radich in the Wellington High Court in regard to her interim injunction against Te Pāti Māori president John Tamihere. Prime Minister Christopher Luxon attended the IKEA opening in Auckland today. And, head of the Justice Ministry, Andrew Kibblewhite, defended Sunny Kaushal's work as chairman of the Ministerial Advisory Group (MAG) for victims of retail crime, including more than $227K in pay and a $3200 morning tea. LISTEN ABOVESee omnystudio.com/listener for privacy information.

This weekend people from Tai Tokerau will gather in Kaikohe for a hui with MP Mariameno Kapa-Kingi. She was expelled from Te Pāti Māori last week. 

Ousted Te Pati Maori MP Mariameno Kapa-Kingi has called a hui for this weekend, where she wants an explanation from the party's executive about her expulsion. Kapa-Kingi spoke to Corin Dann.

The Iwi Chairs Forum says a breakdown in communication is to blame for tensions boiling over within Te Pāti Māori. MPs Mariameno Kapa-Kingi and Takuta Ferris have been expelled from the party. They're both remaining defiant and have labelled the process illegitimate. Iwi Chairs Forum spokesperson Bayden Barber says he was trying to set up a meeting between the two factions for tomorrow, but that's not going ahead. He told Mike Hosking the two sides haven't talked in a month. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Te Pāti Māori's co-leaders won't share why their National Council decided to expel Tākuta Ferris and Mariameno Kapa-Kingi. The Council met last night to decide on the two MPs' fate. The expulsion comes after weeks of public sparring between the pair and Party President John Tamihere. Newstalk ZB senior political correspondent Barry Soper explained the situation further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

A sense the fall-out isn't over, after Te Pāti Māori's National Council has ejected two MPs from the party. Tākuta Ferris and Mariameno Kapa-Kingi are calling it unconstitutional, and will sit as independents in Parliament for now. It's after weeks of party in-fighting playing out in public. The party's co-leaders say they haven't considered invoking the waka-jumping law, but didn't rule it out. Former co-leader Te Ururoa Flavell says that seems to be the leadership's intention. "I still think there's a little bit of water to go under the bridge as yet - I understand there may well be some sort of legal challenges to process." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Te Tai Tokerau MP Mariameno Kapa-Kingi says she isn't going anywhere. Te Pāti Māori's President, John Tamihere, has suggested she and Te Tai Tonga MP, Takuta Ferris, should resign from the Party. That's his response to a petition launched by 'Te Tai Tonga Executive' - calling for his resignation. He's accusing the two MPs of avarice and entitlement, referencing Hone Harawira's split from the Party in 2011 - and telling them to do the "honourable thing'. Newstalk ZB senior political correspondent Barry Soper recaps the ongoing saga. LISTEN ABOVESee omnystudio.com/listener for privacy information.

 Today we dive deeper into the layers of the mind and personality with Ayurvedic Psychology 102: The 3 Doshas and the 3 Gunas. At the heart of Ayurveda lies a timeless template. One that explains not just your body and mind, but consciousness itself through the lens of the five elements and their expressions as the Doshas and Gunas.This isn't just about understanding your stress responses or emotional habits, though that's part of it. It's about learning to see the world through the lens of nature's intelligence. We'll begin with the 3 Doshas: Vata, the principle of movement and change; creative, spontaneous, but prone to anxiety and fragmentation.Pitta, the force of transformation focused, passionate, and discerning yet can burn out or become irritable. Kapa, the energy of structure and cohesion, loving, loyal and calm, but sometimes resistant to change. And then we'll move into the 3 Gunas, the subtle forces of the mind: Sattva brings clarity, peace, and harmony.Rajas brings action, ambition, and restlessness. Tamma brings stillness, but also inertia, confusion or ignorance. These 6 forces, the three Doshas and the three Gunas form a living map of consciousness. They help us understand why we feel, what we feel, do what we do, and how to come back into alignment with our higher self.When you begin to see yourself and others through this elemental lens, life starts to make more sense. You stop personalizing everything and start realizing and relating to your experience with compassion, insight, and greater freedom. Send us a textFor 20% off Kerala Ayurveda products, use code OjasOasis at checkoutFor 20% off GarryNSun products, use code OJASOASIS20 at checkout Book a 1:1 with Sasha at https://www.ojasoasis.com/book For 50% off your initial intake consultation, mention you're a subscriber of the podcast. Support the showTo learn more about working with us, please visit www.OjasOasis.com Connect with us @ojasoasis on Instagram

After a period of colonial suppression, traditional kapa making is enjoying a sustained resurgence. In recent decades, a growing number of Native Hawaiian artists have mastered the labor-intensive process of harvesting, scraping, and soaking the bark of the wauke plant and embellishing the resulting fabric with colorful traditional designs. A new generation of artists is benefiting from this reclaimed expertise. This is an encore show so we won't be taking listener phone calls

In Pacific Waves today: Kapa haka group celebrate Matariki in NZ's Northland; NZ's pause on funding is 'patronising' - Cook Islands PM; New faces eager to enter Samoa politics; Experts brought in after cyber-attack on Tonga health database. Go to this episode on rnz.co.nz for more details

This week marks Men's Mental Health Week in Aotearoa – a time to kōrero about the challenges that many men face, and to break down the stigma that still surrounds emotional well-being. For a long time, the phrase ‘harden up' has shaped the way men think about vulnerability, and in turn, often pushes men to bottle up emotions, instead of reaching out for help. ‘Soften Up Bro' is a kaupapa grounded in Te Ao Maori values, encouraging men to embrace softness, honesty and connection. To talk about men's mental health in Aotearoa and this movement, I spoke to co-founder of ‘Soften Up Bro', Heemi Kapa-Kingi.

The discourse in this episode embarks upon an incisive examination of the recent box office performance of "Sinners," a film that has garnered significant acclaim and is projected to elicit notable accolades. We delve into the contributions of Kaleb Parham and KaPa ENT, reflecting on their innovative approaches within the realm of mobile gaming, particularly with the launch of "Panic Gem Odyssey." Furthermore, we navigate the intricate narrative developments within the first three episodes of "Andor" Season 2, scrutinizing its thematic depth and character arcs. Additionally, we explore the implications of Ryan Coogler's monumental deal, positing its potential to reshape the landscape of cinematic storytelling. Join us as we offer a comprehensive breakdown of "Sinners," elucidating its cultural significance and broader impact within the entertainment industry.New Episode Alert!We're going full GOD MODE this week with special guest Kaleb Parham @kalebpdev , Game Designer and CEO of KaPa ENT! He's joining us to break down what it really takes to build epic experiences for mobile and console gaming, from indie grind to industry impact.What makes a great game?• Immersive storytelling• Fluid mechanics• Balanced gameplay• Replay value• AND—respecting the player's timeKaleb shares how KaPa ENT is leveling up the game world with innovation, representation, and passion for the culture.PLUS the latest in nerdy and entertainment news:• First look at Alien: Earth teaser has fans buzzing with terror!• Sinners holds strong at the box office in its second weekend!• Andor Season 2 drops episodes 1-3 all at once — the rebellion grows stronger!• Star Wars: Revenge of the Sith returns to theaters for a limited epic re-release!Catch us LIVE and in full Blerd Mode!Don't miss this one — it's a side quest you WANT to take.#BlerdsAssemble #BlerdsEyeview #KalebParham #KaPaENT #GameDevLife #MobileGaming #ConsoleGaming #BlackGameDevelopers #IndieGamesMatter #NerdCulture #GamerTalk #AlienEarth #SinnersMovie #AndorSeason2 #StarWars #RevengeOfTheSith #GeekNews #LevelUpWithBlerds #PressStartWithKaPa #seiTwitch: / blerdseyeview1 Youtube: / @blerdseyeview>> The podcast episode delves into a multitude of engaging topics, predominantly focusing on the impressive box office performance of "Sinners" during its second week, highlighting the trajectory of the film as it continues to garner acclaim. The discussion encompasses insights from industry insiders, such as Kaleb Parham of KaPa ENT, who provides a unique perspective on the burgeoning mobile gaming sector, particularly in relation to emerging titles and their market presence. Moreover, the hosts examine the recent episodes of "Andor" Season 2, exploring the narrative developments and character arcs that unfold throughout the series. The conversation shifts to the broader implications of the Indie Primetime Initiative, emphasizing the importance of independent content creation and its impact on the entertainment industry. Additionally, the episode features a detailed breakdown of the film "Sinners," contemplating the accolades it might receive, while also reflecting on Ryan Coogler's monumental deal, which underscores the evolving landscape of film production and distribution. The hosts adeptly weave these themes together, creating a rich tapestry of commentary that resonates with both casual listeners and avid fans alike, reaffirming the podcast's commitment to celebrating diverse and inclusive storytelling in contemporary media. >> The discourse in this episode is vibrant and multifaceted, as it navigates through the recent triumphs of "Sinners" at the box office, particularly in its second week, which sets the stage for a discussion on the potential for future accolades. The

Recently, the Justice Select Committee has called for the Treaty Principles Bill to be thrown away. This comes as an analysis by Newsroom shows that 90% of public submissions were against the bill. The committee accepted close to 300,000 public submissions, with 90% opposing the bill, roughly 270,000, 8% in support, and 2% indifferent. News and Editorial Director and Monday Wire Host, Joel, spoke to the spokesperson for Toitu te Tiriti and Professional Teaching Fellow in the Faculty of Law at the University of Auckland, Eru Kapa-Kingi, about these recent developments and how he believes the Hīkoi mō te Tiriti has come into play regarding the public submission protest. They also spoke to Māori Studies Professor at the University of Auckland and Chair of Te Rūnanga-ā-Iwi o Ngāti Kahu, Margaret Mutu, also about these recent developments, and how Te Tiriti o Waitangi is viewed in the country overall.

Le haka, célèbre danse rituelle exécutée par l'équipe de rugby de Nouvelle-Zélande avant chaque match, est bien plus qu'une simple démonstration de force ou un rituel sportif. Il trouve ses racines dans la culture maorie, le peuple autochtone de Nouvelle-Zélande, et possède une signification historique et spirituelle profonde.Un héritage guerrier maoriÀ l'origine, le haka était une danse traditionnelle des Maoris, utilisée dans divers contextes : pour célébrer un événement, accueillir des visiteurs, montrer la fierté d'une tribu ou encore intimider l'ennemi avant une bataille. Il existe plusieurs types de haka, dont certains sont pacifiques et d'autres martiaux, destinés à effrayer les adversaires et à exalter le courage des guerriers avant le combat.Le haka le plus célèbre dans le rugby, le Ka Mate, a été composé au début du XIXᵉ siècle par Te Rauparaha, chef de la tribu Ngāti Toa. Il l'aurait créé après avoir échappé de justesse à ses ennemis, symbolisant ainsi la survie et le triomphe sur la mort. Ce haka est aujourd'hui le plus connu et est celui principalement exécuté par les All Blacks avant leurs matchs.L'introduction du haka dans le rugbyL'histoire du haka dans le rugby néo-zélandais remonte à 1888, lorsque la première équipe de rugby de Nouvelle-Zélande, composée en partie de joueurs maoris, effectua une tournée au Royaume-Uni et en Australie. Ils utilisaient alors le haka comme un moyen de représenter leur culture et d'impressionner leurs adversaires.En 1905, l'équipe nationale néo-zélandaise, connue sous le nom de "Originals", effectua une tournée historique en Europe et intégra officiellement le haka avant chaque match. Ce rituel devint rapidement une tradition incontournable et un symbole du rugby néo-zélandais.Un symbole identitaire et fédérateurAvec le temps, le haka a dépassé sa simple fonction sportive pour devenir un symbole d'unité et de fierté nationale en Nouvelle-Zélande. Il ne représente pas seulement les joueurs d'origine maorie, mais l'ensemble du pays et son attachement à ses racines culturelles.Depuis 2005, les All Blacks utilisent aussi un autre haka, le Kapa o Pango, spécialement conçu pour eux. Plus agressif et personnalisé, il reflète leur identité unique en tant qu'équipe et leur engagement à dominer le rugby mondial.ConclusionLe haka, dans le rugby néo-zélandais, est un héritage vivant de la culture maorie. Il incarne l'esprit de combativité, le respect des traditions et l'unité nationale, faisant des All Blacks une équipe à part dans l'histoire du sport. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Sermon delivered on the Feast of the Circumcision of Our Lord Jesus Christ, the Octave Day of Christmas, 2025, in Kapa'a, Hawaii, by Rev. Tobias Bayer. Epistle: Tit. 2, 11-15. Gospel: St. Luke 2, 21.

After a period of colonial suppression, traditional kapa making is enjoying a sustained resurgence. In recent decades, a growing number of Native Hawaiian artists have mastered the labor-intensive process of harvesting, scraping, and soaking the bark of the wauke plant and embellishing the resulting fabric with colorful traditional designs. A new generation of artists is benefiting from this reclaimed expertise.

Native Hawaiian and former Oregonian Lehuauakea has created 10 kapa paintings and digital art posters that will be on display this weekend at the Patricia Reser Center for the Arts in Beaverton. Kapa is a textile made from the bark of certain trees after going through a process involving soaking and beating to create the fabric. Lehuauakea’s work for this exhibit focuses on belonging, especially at a time where there are more native Hawaiins living on the U.S. mainland than in Hawai’i. Lehuauakea joins us to share more about their art and the upcoming exhibit.