Podcasts about living tradition

What if our cities weren't just places we lived, but places that made us feel alive? In this episode, we welcome back Coby, an urban planner, developer, and author of Building Optimism, to talk about how we can move beyond pessimism and reclaim the built environment. We dive into the philosophy of traditional urbanism versus traditional architecture, how to balance art and economics in development, and why optimism in city building isn't just wishful thinking—it's already happening. Coby shares how his latest project integrates affordability, beauty, and human-scale design, and why zoning reform is beginning to shift the landscape of American cities. We discuss why preservation alone isn't enough, how small developers can create lasting impact, and why the best cities aren't built overnight—they evolve, adapt, and improve over time. If you've ever wondered why some places feel right and others don't, or how we can design spaces that actually serve human beings, this episode is for you. TAKEAWAYS Great places aren't about height or style but about how spaces are formed. Streets, plazas, and courtyards dictate how we experience a city more than the aesthetics of individual buildings. Traditional architecture isn't about copying the past; it's about principles that create beauty, durability, and livability across cultures and time periods. Keeping historic buildings is important, but we should also be building new ones that are worthy of being preserved in the future. Fear of losing the past shouldn't stop us from creating great new places. The best cities have a mix of housing that allows people of different income levels to live side by side. Segregating wealth or poverty harms economic mobility and community vitality. The hardest part of building great places isn't the architecture—it's getting the financing. Small-scale, human-centered development struggles to compete with big box projects, but that can change with the right approach. Building better cities isn't a fantasy—it's already happening in pockets across North America. The real challenge is scaling those successes and proving that beautiful, walkable, thriving communities can be the norm, not the exception. CHAPTERS 00:00 Exploring Urban Beauty: A Vision for Cities 01:32 The Intersection of Urban Planning and Development 03:58 The Journey to Writing 'Building Optimism' 10:02 The Current State of Urbanism: A Turning Point 18:41 Traditional Urbanism vs. Architecture: Finding Balance 22:59 The Role of Preservation in Modern Urbanism 38:20 Creating a Living Tradition in Architecture 44:06 Exploring Kingston's Urban Fabric 51:04 Innovative Infill Housing Solutions 58:13 The Importance of Diverse Housing Options 01:06:56 Creating Integrated Communities 01:12:12 The Role of Capital in Urban Development CONNECT WITH COBY X: https://x.com/Cobylefko?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor  Website: ⁠https://cobylefkowitz.com Substack: https://ourbuiltenvironment.substack.com/p/a-call-to-build-a-better-world MENTIONED RESOURCES Coby's  Book: https://www.amazon.com/Building-Optimism-World-Looks-Better/dp/B0DJV2WLXR/?_encoding=UTF8&pd_rd_w=Q3 Patrick Sharkey's Trapped in Place: https://www.amazon.com/Stuck-Place-Neighborhoods-Progress-Equality/dp/0226924254  Samuel Hughes' Article: Making Architecture Easy: https://worksinprogress.co/issue/making-architecture-easy/ CONNECT WITH AUSTIN TUNNELL Newsletter: https://playbook.buildingculture.com/ https://www.instagram.com/austintunnell/ https://www.linkedin.com/in/austin-tunnell-2a41894a/ https://twitter.com/AustinTunnell CONNECT WITH BUILDING CULTURE https://www.buildingculture.com/ https://www.instagram.com/buildingculture/ https://twitter.com/build_culture https://www.facebook.com/BuildCulture/ SPONSORS Thank you so much to the sponsors of The Building Culture Podcast! Sierra Pacific Windows: https://www.sierrapacificwindows.com/ One Source Windows: https://onesourcewindows.com/

Nigel Walter of Archangel Architects discusses his practise and vision with Fr Toby, including his most recent book, Making Your Church Sustainable. JUST LIFE is a human formation programme brought to you by Radio Maria, airing on weekdays at 10am and rebroadcast at 10pm.  If you enjoyed this programme, please consider making a once off or monthly donation to Radio Maria England by visiting www.RadioMariaEngland.uk or calling 0300 302 1251 during office hours. It is only through the ongoing support of our listeners that we continue to be a Christian voice by your side. 

This month on Travel Notes we head north to Canada where we talk with Laura Risk, assistant Professor in the Music and Culture program of the Department of Arts, Culture and Media at the University of Toronto Scarborough and professional Scottish and Québécois fiddler. Her fiddling has been described by filmmaker Ken Burns as "a revelation and achingly beautiful” and Living Tradition hails her 'powerful, percussive style… bursting with energy and passion.”Today, we dive into some of her research projects and explore tunes and musical traditions that are hundreds of years old with relations to music from all over the globe. We also listen to a few songs off her newest album, Traverse, which was released in 2023 and is a 10 track musical journey through traditional fiddle music. https://laurarisk.com/ https://www.gracemcnallymusic.com/

With Rachel Mackintosh & Betsy Marshall Recorded @ Auckland Unitarian Church 14 April 2024 Unitarians are a mixed metaphor. Roots from flora, wings from fauna. There is no exact Greek mythical creature to represent this idea but perhaps we can think of a dryad or tree-nymph, maybe combined with a phoenix, the bird who rises. We are a mixed metaphor and a mixed faith, one that values pluralism and whose hymn book is called Singing the Living Tradition. For more information, see:- https://aucklandunitarian.org.nz/roots-hold-me-close-wings-set-me-free/

The message was delivered on Sunday, March 24, 2024, at All Souls Unitarian Church in Tulsa, Oklahoma, by Rev. Dr. Marlin Lavanhar, Senior Minister. DESCRIPTION: Join us as we honor the rich heritage of All Souls. During today's service, we contemplate the significance of our lives. Does this life matter? This question resonates deeply, challenging us to consider our purpose beyond the transient nature of existence.  We reflect on the fleeting essence of life and the enduring impact we seek to leave behind. As we witness the world continue after our departure, we yearn to contribute meaningfully to life's mosaic. Happy 103rd birthday, All Souls! SUBSCRIBE TO WATCH OTHER VIDEOS: @allsoulsunitarian WANT TO LISTEN? SUBSCRIBE TO AUDIO PODCAST: http://itunes.apple.com/us/podcast/all-souls-unitarian-church/id193096943 GIVE A DONATION TO HELP US SPREAD THIS LOVE BEYOND BELIEF: http://www.allsoulschurch.org/GIVE or text AllSoulsTulsa to 73256 LET'S CONNECT: Facebook: https://www.facebook.com/allsoulstulsa Instagram: https://www.instagram.com/allsoulstulsa All Souls Church Website: http://www.allsoulschurch.org

Vikram Sampath is an Indian historian, author, and researcher known for his work on the history of music, culture, and political history in India .His contributions to the field of music helped preserving and promoting India's rich musical heritage, his work ensures that the legacy of Indian music is celebrated, studied, and continues to inspire generations. In this episode, Vinamre and Vikram Sampath discuss: - The impact of Gauhar Jaan on recorded music, and the historical context of recording companies and techniques in the early 20th century - The establishment of the Archive of Indian Music, discoveries made through the archive, and its role in preserving India's auditory heritage - The importance of historical documentation, living traditions and future sources for future historians nature If recordings and how it started in India excites you then this episode is for you Timestamps: 00:00 - Introduction 2:43 - Ethnomusicology vs Musicology 3:13 - The Legacy of Gauhar Jaan 14:53 - How his Music Training started 18:29 - Record Companies in the early 20th Century 18:56 - Recording Techniques Back Then 26:21 - Discovering Berlin's National Sound Archive 30:36 - How He started the Archive of Indian Music 34:47 - Gaining Followers for the Archive 39:02 - How he pursued a PhD in History 43:25 - Archiving Criteria Explained 44:34 - Discoveries from the Archive of Indian Music 50:58 - “India has a Living Tradition” 59:11 - Sources for future historians 1:04:17 - Conclusion ==================================================================== This is the official channel for Dostcast, a podcast by Vinamre Kasanaa. Connect with me LinkedIn: / vinamre-kasanaa-b8524496 Instagram: / vinamrekasanaa Twitter: / vinamrekasanaa Dostcast on Instagram: / dostcast Dostcast on Twitter: / dostcast_tweets Dostcast on Facebook: / dostcast Dostcast on Snapchat: / dostcast ==================================================================== Contact Us For business inquiries: dostcast@egiplay.com

Today, we proudly present something a little different on American Songcatcher. Instead of the usual documentary podcast-style piece, this is a compilation of field recordings I did in Buncombe and Madison Counties just outside of Asheville, NC. Considered the mecca of the long held traditions in ballad singing and old-time mountain music, this area is also home to the “Minstrel of the Appalachians”, one of the most important yet lesser-known figures in folk and old time music, Bascom Lamar Lunsford - who was born on this day 142 years ago.  Over the last year, I was fortunate enough to visit North Carolina several times, to visit with Bascom's old home and talk with head of the non-profit that now owns it, perform at the annual Lunsford Festival at Mars Hill University, and witness the return of filmmaker David Hoffman, who first filmed Bascom in the 1964, and was coming back to visit the area for the first time in the nearly 60 years since. This is a window into a living tradition. GoFundMe for Bascom's Home Restoration (for the Pondering Bascom non-profit) Documentaries mentioned: Music Makers of the Blue Ridge - David Hoffman (1965) Madison County, North Carolina - Where Music History is Alive (2023)⁠ Special thanks to: Rare Bird Farm Golden Shoals Madison County Mars Hill University Tim Duggan David Hoffman Support Educational Programming: Make a Tax Exempt Donation Join the Patreon Community Send a one-time donation via Venmo or PayPal Follow American Songcatcher on Instagram  Credits:  Nicholas Edward Williams - Production, research, editing, recording and distribution --- Send in a voice message: https://podcasters.spotify.com/pod/show/americansongcatcher/message Support this podcast: https://podcasters.spotify.com/pod/show/americansongcatcher/support

"Written in Pencil" Sunday, March 17, 10:50 am, 2024 We sing from a hymnal called Singing the Living Tradition. What does it mean that ours is a living tradition? In light of the changing landscapes of religion and Unitarian Universalism how do we keep the tradition alive rather than stagnant history? Rev. Cheryl M. Walker, Guest Minister; Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Greggory Stevens and Nancy Munn, Canvass Testimonials; Galen Workman, Trustee; Reiko Oda Lane, Organist; UUSF Choir led by Mark Sumner, Music Director; Jon Silk, Drummer; Wm. García Ganz, Pianist Jonathan Silk, Communications Director; Eric Shackelford, Camera; Athena Papadakos, Flowers; Linda Messner, Head Usher

"Written in Pencil" Sunday, March 17, 10:50 am, 2024 We sing from a hymnal called Singing the Living Tradition. What does it mean that ours is a living tradition? In light of the changing landscapes of religion and Unitarian Universalism how do we keep the tradition alive rather than stagnant history? Rev. Cheryl M. Walker, Guest Minister; Rev. Vanessa Rush Southern, Senior Minister; Rev. Laura Shennum, Minister of Congregational Life; Greggory Stevens and Nancy Munn, Canvass Testimonials; Galen Workman, Trustee; Reiko Oda Lane, Organist; UUSF Choir led by Mark Sumner, Music Director; Jon Silk, Drummer; Wm. García Ganz, Pianist Jonathan Silk, Communications Director; Eric Shackelford, Camera; Athena Papadakos, Flowers; Linda Messner, Head Usher

Today I talked to Ravi Gupta and Kenneth Valpey about The Bhagavata Purana: Sacred Text and Living Tradition (Columbia UP, 2013) A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns. Also see: The Bhāgavata Purāna: Selected Readings The BhP Research Project The Bhagavata documentary Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Ravi Gupta and Kenneth Valpey about The Bhagavata Purana: Sacred Text and Living Tradition (Columbia UP, 2013) A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns. Also see: The Bhāgavata Purāna: Selected Readings The BhP Research Project The Bhagavata documentary Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Ravi Gupta and Kenneth Valpey about The Bhagavata Purana: Sacred Text and Living Tradition (Columbia UP, 2013) A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns. Also see: The Bhāgavata Purāna: Selected Readings The BhP Research Project The Bhagavata documentary Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Today I talked to Ravi Gupta and Kenneth Valpey about The Bhagavata Purana: Sacred Text and Living Tradition (Columbia UP, 2013) A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns. Also see: The Bhāgavata Purāna: Selected Readings The BhP Research Project The Bhagavata documentary Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Today I talked to Ravi Gupta and Kenneth Valpey about The Bhagavata Purana: Sacred Text and Living Tradition (Columbia UP, 2013) A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns. Also see: The Bhāgavata Purāna: Selected Readings The BhP Research Project The Bhagavata documentary Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Today I talked to Ravi Gupta and Kenneth Valpey about The Bhagavata Purana: Sacred Text and Living Tradition (Columbia UP, 2013) A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns. Also see: The Bhāgavata Purāna: Selected Readings The BhP Research Project The Bhagavata documentary Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

2 Corinthians 3:3 You are our letter, written in our hearts, known and read by all men; being manifested that you are a letter of Christ, cared for by us, written not with ink but with the Spirit of the living God, not on tablets of stone but on tablets of human hearts. Join Pastor Steve as he shares on the potency of the human heart and it's correlation with the word. 

In this month's episode we discuss the idea of Traditional Wicca as a “Living Tradition,” one that is continually evolving through time and practices while still remaining true to its core as an Initiatory, ritual-based practice. Our views on this are in contrast to some other Initiates, an expected and welcome consequence of coven autonomy. Room for differences is one of the things that makes Alexandrian Witchcraft so fantastic and vibrant.   References: Witches' Way: Principles, Ritual and Beliefs of Modern Witchcraft - Stewart and Janet Farrar Wicca Covens - Judy Harrow

with Rev. Clay Nelson. Recorded at Auckland Unitarian Church 30th April 2023. I was intrigued by excerpts of Diane Miller's reflections on the proposed changes to the Unitarian Universalist Association (UUA) Bylaws to be voted on in June at the General Assembly. Dianne was a young pregnant feminist invited to be on the committee charged with revising our purposes. Her son was born during the committee's work. He was a toddler when what we know as the Seven Principles passed General Assembly in 1985. It was a radical change from such statements in the past. Her son is now a parent with two children, and Diane is retired. She is 74. She is also delighted that the hard work of the committee she served is being revised nearly 40 years later. What struck me most is that, including her generation, which is also mine, three generations of those who became UUs after 1985 have only known the Seven Principles as the definition of who we are. For more information see:- https://aucklandunitarian.org.nz/will-unitarian-universalism-remain-a-living-tradition/

With Rev. Clay Nelson. Recorded 16th April 2023 by Auckland Unitarian Church This morning I would like to focus on what it means to be a living tradition. As Unitarian Universalists we sing about it. We proudly proclaim it as what we are. But what does it mean? Most simply put our beliefs are etched in pencil and not carved in stone. But there are consequences. Like being green, being a living tradition isn't easy. It is a big topic, so this is the first of several random musings exploring who we are, how we got here and where we are being led. My hope is that we might better understand our Kaupapa, our mission and purpose. For more information see https://aucklandunitarian.org.nz/it-isnt-easy-being-a-living-tradition/

Abhay is joined by Padmaja Kumari Parmar, princess and daughter of the House of Mewar, the former royal house of Udaipur in Rajasthan, and the founder of Friends of Mewar.  They chatted about being part of the longest unbroken serving dynasty of over 1400 years, about her journey and philanthropic priorities, and about legacy.(0:00 - 3:18) Introduction(3:18 - 12:32) Part 1: understanding the living heritage (12:32 - 31:32) Part 2: Friends of Mewar, philanthropic priorities(31:32 - 40:42) Part 3: Balancing contrasts as a leader, evolution of a legacy(40:42) Conclusion

Steve Mouzon, www.mouzon.com, is one of the long-time architects and designers from the New Urbanism movement. Steve has written multiple books, including the series of “A Living Tradition” books, and “The Original Green.”We cover what Steve is currently working on in terms of his writing and publication ventures.We also take a dive into The Original Green - what is it, what led Steve to it, and the implications for architecture and cities and towns.Finally, we spend some time talking about our shared interest in New Media, and how (and why) designers can better utilize it in the age of social media. Get full access to The Messy City at kevinklinkenberg.substack.com/subscribe

Unitarian Universalism is a living tradition, which means we are always adapting and learning, trying to get clearer about who we are together. Our UUA constitution requires that we periodically reconsider even our seven principles and six sources, and we are currently in the midst of that process. Today we'll reflect on the suggested changes to our principles and the process for making changes to our core documents. You can read more about this process here: https://www.uua.org/new-england/blog/revision-faithful-practice Written by: Rev. Laurel Gray Music by: Kala Farnham Hosted and Edited by: Amanda Hall

In this episode, Isa and Ariel are joined by a very special guest, Yishaq Ben Dorit! Yishaq is a published writer as well a proud student of religion, history, and philosophy. They are also someone who is especially dedicated to the struggles and transformations of non-Ashkenazim, Jews of Color as well as non-Rabbinics. They dive into multiple topics such as Jewish diaspora history, the importance of oral storytelling traditions, and the need to challenge ashkenormativity. You'll also get to hear about the ways much of their inspiration and pride in their Ethiopian heritage and Beta Israel identity stemmed from their family and teachers along their path. Having been raised by a family of teachers and storytellers, not only is educating others about Jewishness important to them, but so is continuing with one's relationship to Jewishness outside of the classroom and scripture. So, it's no surprise that Yishaq certainly plants important seeds in this interview and drops gems that we hope everyone truly sits and grapples with. You can check out Yishaq's work here: “What is Black Judaism?” (explores the diversity of Black Jewry) “Ashkenormativity Is a Threat to All Jewish Communities” : Ethiopian Jews like myself have faced racism from within the Jewish community for far too long. “It's Hard to Celebrate Sigd Knowing My Ethiopian Family Is in Danger How the Jewish Holidays Helped Me Deal with the Trauma of This Year Learn more about Tlaim, the upcoming Jews of Color cookbook that Yishaq is an editor/ contributor to! -- Episode Glossary here! -- Resources Yishaq recommends: The Other Zions The Black Panther Haggadah The Theodosian Empire and the Rabbinic Refusal of Religion "A Short History of The Jews" by Michael Brenner https://www.972mag.com/ Direct Mutual Aid / Charity for Families & Children in Gaza - CREDITS Hosted and Produced by Ariel Rachel Peckler and Isa K.G. Starring Guest: Yishaq Ben Dorit Edited by Isa K.G. Social Media Artwork by Ariel Rachel Peckler Original music featured in this episode, including our show music, all composed by Marni Loffman. You can find their original and covered music on TikTok, SoundCloud and Instagram under the handle @singing_jewess --- Send in a voice message: https://anchor.fm/house-of-neshama/message

"What Do We Believe about God? Unitarian Universalists have many ways of naming what is sacred. Some believe in a God; some don't believe in a God. Some believe in a sacred force at work in the world, and call it “love,” “mystery,” “source of all” or “spirit of life.” We are thousands of individuals of all ages, each influenced by our cultures and life experiences to understand “the ground of our being” in our own way. Unitarian Universalists are agnostic, theist, atheist, and everything in between. We join together not because we have a shared concept of the divine. Rather we gather knowing that life is richer in community than when we go it alone. We gather to know and be known, to comfort and be comforted, to celebrate the mystery that binds us, each to all. We welcome you in the fullness of your beliefs. Join us in exploring life's deepest questions in a spiritually diverse, supportive, and challenging community. We are excited to meet you where you are, and see how we can all learn and grow together. Explore “Words of Wonder and Reverence”—Unitarian Universalist (UU) words for describing the sacred, drawn from our hymnal Singing the Living Tradition and gathered in the adult curriculum "Spirit of Life." Essays: "Unitarian Universalist Views of God" From UU World: "Got God?" by Myriam Renaud "UU Kids Say: God Is..." Related Content From inSpirit: The UU Book and Gift Shop: God Revised: How Religion Must Evolve in a Scientific Age From Beacon Press: A House for Hope: The Promise of Progressive Religion for the 21st Century For more information contact info@uua.org." --- Send in a voice message: https://anchor.fm/antonio-myers4/message Support this podcast: https://anchor.fm/antonio-myers4/support

“The Living Tradition” Sunday, July 10, 10:50 am, Worship Service Livestream Rev. Mr. Barb reflects on 51 years of practicing Unitarian Universalism. Oh how we have (and have not) changed. Imagine with Barb as he shares his dreams for our next 51 years. Rev. Mr. Barb Greve, Guest Minister; Lucy Smith, Worship Associate; Larry Chinn, Pianist; Richard Fey, Songleader Jonathan Silk, Communications Director; Jackson Munn, Camera; Joe Chapot, Live Chat Moderator; Remigio Flood, Sexton; Kelvin Jones, Sexton; Amy Kelly, Flowers; Linda Messner, Head Usher; Ralph Fenn, Les James, Tom Brookshire, Zoom Coffee Hour

“The Living Tradition” Sunday, July 10, 10:50 am, Worship Service Livestream Rev. Mr. Barb reflects on 51 years of practicing Unitarian Universalism. Oh how we have (and have not) changed. Imagine with Barb as he shares his dreams for our next 51 years. Rev. Mr. Barb Greve, Guest Minister; Lucy Smith, Worship Associate; Larry Chinn, Pianist; Richard Fey, Songleader Jonathan Silk, Communications Director; Jackson Munn, Camera; Joe Chapot, Live Chat Moderator; Remigio Flood, Sexton; Kelvin Jones, Sexton; Amy Kelly, Flowers; Linda Messner, Head Usher; Ralph Fenn, Les James, Tom Brookshire, Zoom Coffee Hour

"When the chalice is extinguished, words are again recited. This is one commonly- used phrase. “We extinguish this flame, but not the light of truth, the warmth of community, or the fire of commitment. These we carry in our hearts until we are together again.” Some common affirmations at a UU service are: “Love is the spirit of this church, and service is its gift. This is our great covenant, to dwell together in peace, to seek truth in love, and to help one another."“Love is the doctrine of this church. The quest for truth is its sacrament, and service is its prayer. To dwell together in peace; to seek knowledge in freedom, to serve humankind in fellowship--Thus do we covenant with each other. “ When the children leave the service, they are often sung out. These are two of the songs that may be sung at this time. “As we leave this friendly place, love gives light to every face. May the kindness which we learn, light our lives till we return.”“Go now in peace. Go now in peace. May the spirit of love surround you. Everywhere, everywhere, you may go.” The hymns tend not to focus on the worship of a deity, but instead express love for life, the earth, and other people. The hymns are usually taken from the hymnbook, Singing in the Living Tradition. Universalism was founded in the sixteenth century in Transylvania. Its main doctrine was the belief in an entirely loving God who will ultimately redeem all human beings; no one is condemned to Hell; everyone is “saved.” This sect was relentlessly persecuted by the established Christian church for heresy. Unitarianism rejected the doctrine of the Trinity and proclaimed the singular nature of God. It was founded in America in the late 1700's. Some modern day UUs who do not believe in God at all like to say that the “Unitarian” part of “Unitarian Universalist" means that all people are one people, and the “Universal” part means that Earth is part of a larger universe. Unitarian Universalism (called UU for short) became a recognized religion in 1961 when the Christian Unitarian and Universalist denominations merged. Although it has its roots in Christianity and some UUs (as members call themselves) consider themselves to be Christian, it is closer to secular humanism than to traditional religions. UU is sometimes described as “the religion that puts its faith in you.” There is no doctrine, creed, or dogma. There are no holy scriptures; there are no required beliefs or practices. Members are free to believe in God or not. Although most consider themselves to be simply UU, some prefer a hyphenated designation (e.g., Christian-UU, Jewish--UU, etc.) People are comfortable with this because all religious faiths (and no faith) are respected in UU congregations." --- Send in a voice message: https://anchor.fm/antonio-myers4/message Support this podcast: https://anchor.fm/antonio-myers4/support

Our six Sources of the Living Tradition as UUs speak to “Spiritual teachings of Earth-centered traditions which celebrate the sacred circle of life and instruct us to live in harmony with the rhythms of nature.” What does Beltane, a Pagan celebration traditionally celebrated at the beginning of May have to teach us about that? Music: Chalice Choir

Who are the people and the organisations that have had the most influence over planning during the past couple of years? One could make a case for Jack Airey and Policy Exchange. Airey, who joined Localis having graduated in geography, became Head of Housing at Policy Exchange before being appointed Downing Street's special adviser on housing and planning. In the spirit of Dominic Cummings' shake-up of government apparatus, the attraction of Airey could have been his Policy Exchange paper called ‘Rethinking the Planning System for the 21st Century', some of which found it's way into the albeit now seemingly-jettisoned ‘Planning for the Future' White Paper. One could also make a case for Nicholas Boys-Smith and Create Streets. Boys-Smith, a history graduate, desk officer in the Conservative Research Department and banker, founded Create Streets in 2013; was a co-chair of the Build Better, Build Beautiful Commission; and was appointed by the previous Secretary of State as chair of an ‘Office for Place'. Conspicuously neither are planners... Could a case be made for present planning policy being influenced by Think Tanks to a degree not seen since the simplified planning promoted by right-leaning Think Tanks like the Centre for Policy Studies in the 1980s? Either way, it is a reminder of the influence of Think Tanks on the planning policy agenda, which makes it a topic worthy of conversation on a town planning-based podcast. Why and how do Think Tanks do what they do? Where do policy ideas come from? And how do bright ideas get turned into actual policy? Sam Stafford puts these questions to Samuel Hughes (@SCP_Hughes), Research Fellow at the University of Oxford and Senior Follow at Policy Exchange; Anya Martin (@AnyaMartin8), Director at PricedOut and a researcher in the social housing sector; and Matthew Lesh (@matthewlesh), Head of Public Policy at the IEA. Some accompanying reading. 'Rethinking the Planning System for the 21st Century' by Jack Airey https://policyexchange.org.uk/publication/rethinking-the-planning-system-for-the-21st-century/ ‘Beware of ‘Policy Intern Brain' – the source of so many bad ideas' by Anya Martin https://capx.co/beware-of-policy-intern-brain-the-source-of-so-many-bad-ideas/ ‘Build me up, level up: popular homebuilding while boosting local communities' by Matthew Lesh https://www.adamsmith.org/research/build-me-up-level-up ‘Strong Suburbs' by Samuel Hughes and Ben Southwood https://policyexchange.org.uk/publication/strong-suburbs/ ‘Living Tradition' by Samuel Hughes https://www.createstreets.com/wp-content/uploads/2021/08/Living-Tradition.pdf ‘Learning from History' by Ben Southwood https://www.createstreets.com/wp-content/uploads/2021/12/Tottenham-Paper-1.9.pdf ‘The Green Noose: An analysis of Green Belts and proposals for reform' by Tom Papworth https://www.adamsmith.org/news/press-release-free-up-3-7-percent-of-londons-green-belt-to-build-one-million-new-homes-says-new-report ‘A place in the sun' by Anya Martin https://www.worksinprogress.co/issue/a-place-in-the-sun/ ‘Housing Politics in the United Kingdom' by Brian Lund https://policy.bristoluniversitypress.co.uk/housing-politics-in-the-united-kingdom Some accompanying listening. Wah Wah (Think Tank) by Happy Mondays https://www.youtube.com/watch?v=FyERDM7cbSo Some accompanying viewing. How policy is formulated in Westminster (Part 2 - Please see episode 55 for Part 1) https://www.youtube.com/watch?v=iZXpeH28MpM 50 Shades T-Shirts! If you have listened to Episode 45 of the 50 Shades of Planning Podcast you will have heard Clive Betts say that... 'In the Netherlands planning is seen as part of the solution. In the UK, too often, planning is seen as part of the problem'. Sam said in reply that that would look good on a t-shirt and it does. Further details can be found here: http://samuelstafford.blogspot.com/2021/07/50-shades-of-planning-t-shirts.html

Amadou Hampâté Bâ, quoting his teacher Tierno Bokar, suggest that “writing is one thing and knowledge is another. Writing is the photograph of knowledge but is not knowledge itself” [A. Hampâté Bâ, The Living Tradition, General History of Africa Vol. 1: 166]. According to Hampâté Bâ, “the world's earliest archives or libraires were the brains of men [and I must add women] … The written word is not without thought. The written word without being refined through action and interaction which is articulated through nommo is without power. Without nommo – the African conceptualization of the energy within the spoken word, the power that carries an energy that produces all life and influences everything is the principle upon which the world of meaning is built – power is debased [Nommo, Encyclopedia of African Religion, 2009]. According to Hampâté Bâ, “In African traditions … the spoken word had, beyond its fundamental moral value, a sacred character associated with its divine origin ... an exceptional conductor of magic, grand vector of 'ethereal' forces, it was not to be treated lightly. Contrary to what some may think, African oral tradition is not limited to stories and legends or even to mythological and historical tales, and the ‘griot' – what Bâ calls a wandering minstrel/poet as conceptualized by the French – is far from being its one and only qualified guardian and transmitter. What does all of this point to … for what purpose … and to what ends does this introductory exploration provide our current engagement that you will hear next … how does it connect? The simplicity of the answer is found in understanding its complexity. The simple answer is that it provides a frame within which we can identify and extract the multiple points where spirit and Black resistance converge, whether it is evident as the spark of the Haitian Revolution or found interwoven in the vibrations of John Coltrane's Love Supreme … deeper levels of spirit and Black resistance all always converging. While the complexity is found in our willingness to map its evolution and stand in its genealogy as it is sparked across space and time, evolving itself as it propels African/a peoples to intrinsically seek liberation … It is this space in between space, it is of spirit and Black liberation … one of the many places we can explore and utilize this ancient the praxis of nommo. AWNP's Tasneem Siddiqui recently sat down with Youssef Carter to discuss the interconnectedness of West African Sufi Islam and Black resistance … the embodiment of ancient ways of being articulated in forms of knowledge that 1st make sense of the conditions within which African/a peoples find themselves; and 2nd to struggle against the those conditions when moved out of balance. Dr. Youssef Carter is an Assistant Professor and Kenan Rifai Fellow in Islamic Studies at University of North Carolina- Chapel Hill. Dr. Youssef Carter holds BS from North Carolina A&T, an MA from North Carolina Central University and a Ph.D. in Anthropology from the University of California-Berkeley and is an expert in Sufism and Islam in West Africa and the United States. His book in progress, “The Vast Oceans: Remembering God and Self on the Mustafawi Sufi Path,” examines the discourses and practices of a transatlantic Sufi spiritual network through detailed ethnographic work. Our show was produced today in solidarity with the native/indigenous, African, and Afro-descended communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; Ghana; Ayiti; and other places who are fighting for the protection of our land for the benefit of all people. Listen Intently. Think deeply. Act accordingly. Enjoy the program. Image: M-Eating, Sufi - Artist: https://marianeibrahim.com/artists/36-maimouna-guerresi/biography/

"In Unitarian Universalism, you can bring your whole self: your full identity, your questioning mind, your expansive heart. By creating meaningful communities that draw from many wisdom traditions, and more, we are embodying a vision “beyond belief:” a vision of peace, love, and understanding. We have more than one way of experiencing the world and understanding the sacred. What we call our "Living Tradition" draws from six sources of inspiration from scripture to poetry to modern-day heroes. How do you experience the world? How do you make meaning? What beliefs and traditions are yours? Explore the links below to learn how Unitarian Universalists weave these traditions and identities into who they are today. Atheist and Agnostic Buddhist Christian Earth-Centered Hindu Humanist Jewish Muslim What Unites Us? We are united in our broad and inclusive outlook, and in our values, as expressed in our seven Principles. We are united in shared experience: our open and stirring worship services, religious education, and rites of passage; our work for social justice; our quest to include the marginalized; our expressions of love. We are building an action-oriented community, bridging races, religions, and creeds with a shared desire to make faith, religion, and spirituality verbs. What we do with our beliefs is important. It's how we "walk" our "talk," how we make our faith real. For more information contact info@uua.org." --- Send in a voice message: https://anchor.fm/antonio-myers4/message Support this podcast: https://anchor.fm/antonio-myers4/support

The Jewish sages taught that when we study the Torah we should continuously turn it and turn it, like a gem with countless facets, looking for new and deeper meanings. In this volume of essays on each weekly Torah portion Rabbi Jonathan Kligler shares choice insights from his decades of study and teaching. Drawing on both ancient and modern sources, and weaving scholarship and personal stories, Kligler invites the reader to investigate the countless layers of insight and inspiration that vibrant Torah study can provide.

Thursday, July 22, 2021, 12 noon WPKN 89.5 FM www.wpkn.org Host: Duo Dickinson We have all been in our homes and our neighborhoods more in the last year and a half than we have since World War 2. Now flights are back to 2019 levels, the highways are choked, but what about those places where we live? Not our homes, but our neighborhoods. What was this part of the world like before cars? Planes? Internet? Were neighborhoods families? Were communities just us, not a governmental institution? Was our separation from the world a return to life before these transporters? If so, what does that mean for us, now? Do you think we have changed to understand our localvore reality, or we slide back to simply bypassing our home town in favor of distant appeal, or has our neighborhood become more that what surrounds our home, but a place that we live? This month HOMEPAGE extends the idea of “home” beyond the four walls of our dwellings. fter these eighteen months of both isolation and local connection going to change the definition of home to include those around us? Or has sequestration terrorized us to with hold faith beyond self-protection? HOME brings in four perspectives on what a home is beyond where we live: Steve Grathwohl is the principal of westport property management and is currently on the Board of Directors of the Bridgeport Neighborhood Trust, a nonprofit developer of affordable housing, and is a member of the Affordable Housing Committee in Fairfield. Jason Bischoff-Wurstle is the Director of Photo Archives at the New Haven Museum, but he is also a lover of the history of home, and was a Board Member of the Board of The New Haven Preservation Trust NHPT. Jason's exhibit “Daymarks 1872” highlights New Haven's social history. Jason is also a WPKN fixture. Steve Mouzon is an architect, urbanist, author, blogger, and photographer from Miami. He founded the New Urban Guild, which helped foster the Katrina Cottages movement. Steve Mouzon opened his own architecture firm in 1991 and produces a number of town-building tools and services. He has derived A Living Tradition is a framework for a new type of pattern book that is principle-based instead of taste-based and therefore contributes to the creation of new living traditions. Steve is also a principal of the New Urban Guild in Miami.

If you've enjoyed watching this video, you can become a Supporting Member and get access to the full course here: https://wccm.org/offerings/silence/

This week Mathias and Daniel are sitting down with Tanya Lind, a modern day Völva of the Icelandic tradition. Together with the boys she'll be discussing the roots of her practice starting with Völuspá in the Poetic Edda and contrasting with her own contemporary experiences. Also, Dan discusses his childhood fear of ghosts, and a guest appearance by a cat wearing a loud bell (it goes away quickly, don't worry). Are those two things related? Well, it's complicated...If you would like to learn more about the organization Tanya mentioned, Heathen Women United, you can find out more at: Heathenwomenunited.orgMathias also recently wrote a book about volcanoes and their effect on Nordic Mythology which you can find it at: aup.nl/en/book/9781641892926/volcanoes-in-old-norse-mythologyYou can find us on Instagram at: www.instagram.com/nordicmythologypodcastAnd if you like what we do, and would like to be in the audience for live streams of new episodes to ask questions please consider supporting us on Patreon:www.patreon.com/NordicMythologyPodcastWe've also reached our goal of 100 Patrons and are starting a new show where our hosts Mathias and Daniel watch and commentate along with the popular series Vikings! If you would like to be in the audience and have your questions answered live then all you have to do is become a Patron, the more the merrier!

Welcome back! This episode dives right in to the concept of Living Tradition, one of the core ideas behind the Way of Fire & Ice. Join your host for a discussion of what Living Tradition is, the origins of this concept, and how it works on individually and communally.

As individuals, Unitarian Universalists aspire to keep questioning, growing, changing, and moving. The same is true of our denomination as a whole. Before and since the merger of the American Unitarian Association and the Universalist Church of America (60 years ago this week), the tradition ... read more.

Can science and religion coexist? Who in history promoted the idea that together they are of great benefit to humanity?Chalice Lighting Words by Bruce Sheiman, Read by Adam Byrn-TrittMusic Chopin, Waltz in A-MinorKeyboard Amy RosebushMessage Reverend Amy KindredSong "We Laugh, We Cry" Music by Shelley Jackson Denham  (Located in Singing the Living Tradition, Copyright 1993 Unitarian Universalist Association) Words by Helen BennettKeyboard Amy RosebushVocals Stephen DownenClosing Words  The Living Tradition Unitarian Universalists share includes Source # 5. For more information, go to UUA.org. Read by Art BrosiusReaders  Art Brosius, Lisa Harrington, Adam Byrn TrittAudio Technician Art BrosiusDear Listener,Has our podcast been of help to you?Go to uuffpspacecoast.org andshow us some love by donating online.With Gratitude Always,The Friendship Fellowship Family  "Who we are and what we do increases love, justice and respect among ourselves and in the wider world."

This week, we are joined by Te Rita Papesch, a legendary figure in the Maori tradition of Kapa Haka, and Sharon Mazer, her friend and an American performance studies researcher. Together, they converse about Kapa Haka as a manifestation of the historic relations between the Maori people and their “Kiwi” colonizers, one which is embedded in the everyday life of the community but also undergoing constant change as performers adjust to the increased global visibility of their performances. Mazer describes the national Kapa Haka gatherings, which attract thousands of attendees and are nationally televised, as “a theatrical event incorporated into an Olympic competition encased in a ritual frame.” Papesch is the consummate insider, the matron of a family of Haka performers, whose influence stretches back to the 1970s, whereas Mazer offers the perspective of an informed outsider who has been observing the performances for more than twenty years. Together, they model bicultural conversation as they teach us how to read Kapa Haka’s place in the cultural politics of New Zealand. A full transcript of this conversation will be available soon!Here are some of the references from this episode, for those who want to dig a little deeper:Co-authored writing by Te Rita Papesch & Sharon Mazer:Breaking the Stage: From Te Matatini to Footprints/TapuwaeBut can it be Art? Kapa Haka as a contemporary indigenous performance practiceMaori Performance/Cultural Performance: Stages of PowhiriMore about Te Rita PapeschWaka Huia profile: Part One; Part TwoPerformance: Nga RoimataŌtairongo (audio portrait of Te Rita by artist Maree Sheehan)Tainui Waka Kapa Haka Festival Lifetime Achievement Award, 2018Selected writing:Creating a Modern Māori Identity Through Kapa Haka (2015 PhD Thesis)Te Rita Papesch: case study of an exemplary learner of Māori as an additional languageMore about Sharon MazerSelected writing:Performing Māori: Kapa Haka on the Stage and on the GroundPerformance: Ethnographer/Tourist/CannibalProfessional Wrestling: Sport and SpectacleKapa HakaNational Kapa Haka FestivalRules of CompetitionMaori Television – Kapa Haka commentary; Te Kapa Haka o Te Whānau-ā-ApanuiTe Whare Wananga o Waikato at the NZ Polynesian Festival, 1981All-Blacks and HakaHobbes and Shaw – Haka Haka tourist showsGame of Thrones HakaBeyonce does HakaDiana Taylor – The Archive and the Repertoire Konstantin Stanislovsky – “As If”Haka in support of Black Lives MatterMaori Protest MovementsMore Maori culture:Maori Powhiri (welcome)Ta Moko – Maori tattooRaranga – Maori WeavingMaori Musical InstrumentsMaori ReligionMaori WeaponsShare your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music & Audio clips:Te Whare Wananga o Waikato (1981)Kapahaka Roopu Te Haona KahaTe Whānau a Apanui whakaeke- Te Matatini - 2015 - Entrance (Game of Thrones)“In Time” by Dylan Emmett and “Spaceship” by Lesion X.––––––––––––––––––––––––––––––In Time (Instrumental) by Dylan Emmet  https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

Thomas Merton said, "The fabric of society is not finished. It is still on the loom."Chalice Lighting Words by the Rev. David Breeden, Read by Adam Byrn TrittMusic Sonata Rondo Op. 36, #6 by ClementiKeyboard Amy RosebushMessage Reverend Amy KindredSong  Come Thou Fount of Every Blessing, Words by Robert Robinson (adapted) and Eugene B. Navias, Music by John Wyeth (Located in Singing the Living Tradition, Copyright 1993 Unitarian Universalist Association)Keyboard Amy RosebushVocals Stephen Downen, Lisa HarringtonClosing Words by Gandhi, Read by Amy RosebushAudio Technician Art Brosius, Lisa Harrington, Adam Byrn TrittDear Listener,Has our podcast been of help to you?Go to uuffpspacecoast.org andshow us some love by donating online.With Gratitude Always,The Friendship Fellowship Family  "Who we are and what we do increases love, justice and respect among ourselves and in the wider world."

In a popular Netflix series, Daniel Levy's character explains his affinity for wine and hints at so much more. Music Rustles of Spring Op.32.No. 3, by FruhlingsrauchenKeyboard Amy RosebushChalice Lighting Words by William Butler Yeats, Read by Adam Byrn Tritt, Lisa Harrington & Stephen DownenMessage Reverend Amy KindredClosing Words from "Zami: A New Spelling of My Name" by Audre Lorde, Read by Amy RosebushSong  I Wish I Knew How , Words & Music by Billy Talylor and Dick Dallas, arr. by Mary Allen Walden (Located in Singing the Living Tradition, Copyright 1993 Unitarian Universalist Association)Keyboard Amy RosebushVocals Stephen Downen Audio Technician Art Brosius, Linda Harrington, Adam Byrn TrittDear Listener,Has our podcast been of help to you?Go to uuffpspacecoast.org andshow us some love by donating online.With Gratitude Always,The Friendship Fellowship Family  "Who we are and what we do increases love, justice and respect among ourselves and in the wider world."

Spring is an appropriate time to recall the wise words of a skillfull, compassionate teacher. Where did the most well known promoter of universal love acquire such knowledge? You might be surprised!Chalice Lighting Words Psalm 65 "Shout for Joy" Read by Amy Rosebush and Art BrosiusSong  Life is the Greatest Gift, Words by William Oliver (Located in Singing the Living Tradition, Copyright 1993 Unitarian Universalist Association) Music Adaptation Amy Rosebush Keyboard Amy RosebushVocals Stephen DownenMessage Reverend Amy KindredPsalm 46:10, Isaiah 41:10, Luke 6:31, Matthew 9:13, 1 Thessalonians 5:10, 1 John 4:7Song Lo, the Earth Awakes Again, Words by Samuel Longfellow. Music by Lyra Davidica, 1708, version of John Arnold's Complete Psalmodist, 1749.  Located in Singing the Living Tradition, Copyright 1993, Unitarian Universalist Association)Keyboard Amy RosebushVocals Stephen Downen, Lisa Harrington, Adam Byrn TrittClosing Words from "Heroes in Disguise" by Linda Pastan, Read by Lisa Harrington Audio Technician Art Brosius, Linda Harrington, Adam Byrn TrittDear Listener,Has our podcast been of help to you?Go to uuffpspacecoast.org andshow us some love by donating online.With Gratitude Always,The Friendship Fellowship Family  "Who we are and what we do increases love, justice and respect among ourselves and in the wider world."

In honor of Black History month, what is the truth behind some of those twisted tales in US history?Music Debussy, Dr. Gratis ad ParnassumKeyboard Amy RosebushChalice Lighting Words by Jacquline Woodson, From Brown Girl DreamingRead by Stephen DownenMessage Reverend Amy KindredSong "One More Step" Words & Music by Joyce Poley (Located in Singing the Living Tradition, Keyboard Amy RosebushVocals Stephen DownenClosing Words 8th Source - UUA , Read by Art BrosiusAudio Technician Art BrosiusDear Listener,Have our music and message been of help to you?Go to uuffpspacecoast.org andshow us some love by donating online.With Gratitude Always,The Friendship Fellowship Family "Who we are and what we do increases love, justice and respect among ourselves and in the wider world."

It's amazing how we find one another in these stormy times. May we be a buoy, a life-saver to each other when the water churns.Chalice Lighting Words by May Sarton, Read by Revrend Amy KindredMessage Reverend Amy KindredSong "My Life Flows on in Endless Song"Music: American folksong originally composed as a Christian hymn by American Baptist minister Robert Wadsworth Lowry and adopted by the QuakersLyrics: Carole A. Etzler with some possible adaptation by Pete Seeger (Located in Singing the Living Tradition, Unitarian Universalist Association, copyright 1993)Vocals Stephen Downen, Gairl Hardesty, Lisa Harrington, and Adam Byrn Tritt, Guitar Stephen DownenClosing Words by Mary Oliver, Read by Art BrosiusUkulele for Closing Credits was played by Adam Byrn TrittSoft vocals provided by Adam Byrn Tritt and Lisa HarringtonKeyboard Amy RosebushAudio Technician Art BrosiusDear Listener,Have our music and message been of help to you?Go to uuffpspacecoast.org andshow us some love by donating online.With Gratitude Always,The Friendship Fellowship Family "Who we are and what we do increases love, justice and respect among ourselves and in the wider world."

In this podcast, Shaykh Yahya Rhodus begins by explaining that the prophetic mission is a living tradition and a lived reality. He goes on to give several examples of what is meant by a living tradition, a tradition that is about actions of the limbs and the heart. Shaykh Yahya mentions that all believers should […] The post The Prophet Muhammad’s (Allah bless him and give him peace) Living Tradition- Shaykh Yahya Rhodus appeared first on SeekersGuidance.

Episode 39: Live with Arman Suciyan On the Living Tradition of Master Artisanship in Jewelry. Jeweler Arman Suciyan began his training under two jewelry masters in the Grand Bazaar in Istanbul, part of a 555 year history in Turkey and tradition that encompasses diverse trades including miniature wax carving , sadekar (goldsmith) , kalemkar (engraver), cameo, lapidary, bejeweling, antique granulation, Turkish style (alaturka mıhlama) diamond setting (rose cut diamond setting) and alafranga stone (European style) setting. We will discuss Arman’s role as a product of this unique aspect of Turkish cultural heritage, as well as his time training in jewelry design in England, his work with Stephen Webster and his own sculptural works, which have been described as art by experts including Melanie Grant in her recent book Coveted: Art and Innovation in High Jewelry. Arman shows us around his workshop and much more! We take viewer questions throughout. Interested listeners can also view additional imagery at the Beekman New York instagram @beekmannewyork as well as to view the full interview at the Beekman New York Fine Jewelry Podcast on YouTube. Each episode of the series features a conversation between Dr. Sharon Novak, certified gemologist and co-founder of Beekman New York, and an industry expert within the luxury space, highlighting their shared joy and appreciation of fine jewelry. Topics include mixing period jewelry with modern pieces, heritage and craftsmanship of luxury jewelry houses worldwide, certfied natural and phenomenal gems and collecting vintage jewelry.

What is the symbolism for meandering the winding path toward centeredness? What challenges have you overcome? What gifts are you noticing in the present moment? What are your hopes and dreams for the future?Music Excerpt of "Romance" Op.24, No.9 by Jean SibeliusKeyboard Amy RosebushChalice Lighting Words by Nietzche, Read by Adam Byrn TrittMessage Reverend Amy KindredSong "We are Dancing Sarah's Circle," vs. 1, 4 & 5 Music: African American Spiritual, c. 1750 - 1875 (To the tune of Jacob's Ladder) Lyrics: Carole A. Etzler (Located in Singing the Living Tradition, Unitarian Universalist Association, copyright 1993)Vocals Stephen Downen, Adam Byrn Tritt, Lisa HarringtonGuitar Stephen DownenClosing Words by the Reverend Amy Kindred, Read by Lisa HarringtonAudio Technician Art BrosiusDear Listener,Has our music and / or our message been of help to you?Go to uuffpspacecoast.org andshow us some love by donating online.With Gratitude Always,The Friendship Fellowship Family "Who we are and what we do increases love, justice and respect among ourselves and in the wider world. "

In Episode 2, Mareva Lindo and Emma Rothman explore the Armstrongs' trove of field recordings, focusing on their trips to Beech Mountain, NC, where they collected songs from friends such as the Hicks Family, Frank Proffitt, and Lee Monroe Presnell. Original recordings featured in this podcast include (in order of occurrence): - Bagpipes performed by George Armstrong, 3/20/1982 - “Wondrous Love,” performed by George and Gerry Armstrong, Howie Mitchell, and Lee Monroe Presnell in Beech Mountain, NC, 7/13/1963 - Gerry Armstrong on Frank Proffitt and the first University of Chicago Folk Festival, 1982 - Lee Monroe Presnell telling a story about a girl and seven Indians, 7/13/1963 - “Broken Token,” performed by George and Gerry Armstrong, 7/13/1963 - "Pretty Crowing Chicken," performed by Gerry and Jenny Armstrong, 1982 - “Simple Gifts," performed by George and Gerry Armstrong, 3/20/1982 Texts referenced in this podcast include: - “The Last Chivaree” by Robert Isbell, 1996 - “Frank Warner: A Love Affair with Folk Songs” by George Armstrong in Come For to Sing, vol. 4 no. 3, Summer 1978 - “Folk Tales as a Living Tradition” by Gerry Armstrong in Come For to Sing, vol. 4 no. 4, Autumn 1978 - “Return to Beech Mountain” by George Armstrong in Come For to Sing, vol. 11 no. 3, Summer 1985