This is the Gospel Podcast

Eliza R. Snow and Zina D. H. Young served in the Church together, were friends and family, and were known in the early days of the Church as the head and the heart of the Relief Society. In this episode of Unnamed Women of the Doctrine and Covenants, we dive deep into the personal histories of the second and third presidents of the Relief Society. We will look at some of their own words about the settlements in Utah, polygamy, and above all, their testimonies of Christ and the Book of Mormon. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

In this episode of Unnamed Women of the Doctrine and Covenants, we explore the remarkable story of Amanda Barnes Smith, a courageous woman of faith whose trials during the early days of the Church helped lay the groundwork for an unshakable testimony. Amanda's life is a powerful testament to resilience and spiritual strength. Her life had both joys and sorrows, and her story inspires us to build our own solid foundation of testimony amid life's challenges. Learn more about Amanda Barnes Smith on the Church History Topics Essays. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Church history is full of indomitable women. We are going to explore the story of the unlikely link between three such women today and how they refused to be defeated no matter what challenges they faced. Mercy Fielding Thompson, Mary Fielding Smith, and Jerusha Smith impacted early church history and their connected family left a legacy for generations of saints to come. Listen to full weekly episodes of Sunday on Monday with Bookshelf PLUS+ | Start your free trial at deseretbook.com/sundayonmonday

On a wall in the Manti Utah Temple hangs part of the legacy of the woman in Church history we are talking about today. Diantha Morley Billings was living in Kirtland, Ohio, when Joseph Smith and the Saints arrived. She was also the first woman baptized in the Kirtland area. Diantha then started her exciting journey to Zion, which led her to Missouri, Nauvoo, and eventually across the plains to Utah. Her story is one of faith and one worth studying this year. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Joseph Smith's history has been told and canonized in scripture. You may be familiar with the names of the women close to him, but what do you know about their stories and roles in the Restoration? Today, we are focusing on the women from his family: Lucy Mack Smith (his mother) and Sophronia, Katharine, and Lucy (his three sisters). Further reading: At the Pulpit: 185 Years of Discourses by Latter-day Saint Women https://www.churchofjesuschrist.org/study/church-historians-press/at-the-pulpit?lang=eng The Witness of Women: https://www.deseretbook.com/product/P5157256.html?utm_source=ldsliving&utm_medium=podcast&utm_id=pod250320-SOM-S4E2 Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com

There are only two women named in the Doctrine and Covenants, but Church history is filled with stories of strong women of the Restoration. And thanks to diaries, recorded speeches, and family histories, we know many of their names. This bonus series will serve as a companion to our weekly Come, Follow Me podcast this year. And today's episode features two young sisters, without whom we wouldn't have the pages recording the early revelations of this standard work. Teach kids about the Rollins Sisters with the animated scripture stories on churchofjesuschrist.org. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Helaman went to battle with 2,000 young men and they needed every single one of them. They needed to be ready and they were prepared physically and spiritually by incredibly faithful mothers. What did it take to raise a stripling warrior and what can we learn from them? Find great Book of Mormon art at the Book of Mormon Art Catalog. Listen to full weekly episodes of Sunday on Monday with Bookshelf PLUS+ | Start your free trial at deseretbook.com/sundayonmonday

Close your eyes and picture the wilderness. What does it look like to you, and what is or isn't there? If you had to live there, what would those living conditions be like? Today, we are going to study what the word wilderness means, looking at the Book of Mormon's named and unnamed women who not only lived in the wilderness but thrived. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Art forms an impression on our minds. When we visualize scripture stories, it's often in the style we've seen before through art. It's easy to picture Nephi's family on the boat, Moroni praying over the plates, Abinadi before King Noah, and more. But can you picture the women from the Book of Mormon? There's art for them, too. Find all the art mentioned in today's episode at bookofmormonartcatalog.org: Nephi Protected from his Brethren by the Daughter of Ishmael and her Mother by George M. Ottinger And They Were Strong by Tehya Vassar Sariah in the Wilderness by Rose Datoc Dall Holding Holy Things (Sister of Jared) by Caitlin Connolly The Vision of Abish by Anna Wright Morianton's Maidservant by Mandy Jane Williams They Did Not Doubt by Joseph Brickey Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

The scriptures are filled with stories of women once you start looking for them. In conjunction with our weekly Come, Follow Me podcast, this bonus series will explore accounts of women throughout the standard works, focusing on the Book of Mormon this year. Did you know that the only time the word “sisters” is mentioned in the Book of Mormon is when it refers to Nephi's sisters? Today, we'll talk about the sacrifices and faith of the women—named and unnamed—of the first family in the Book of Mormon and what we can learn from their examples. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Mother Teresa said, “Being unwanted, unloved, uncared for, forgotten by everybody, I think that is a much greater hunger, a much greater poverty than the person who has nothing to eat.” Today's story is about Tabitha, a woman who took Paul's charge in Acts 6 seriously and served widows who were neglected and marginalized. In this episode, we get to reflect on her story and discover how we, in our own way, can care for those who are unnamed, unwanted, unloved, uncared for, and forgotten. Listen to full weekly episodes of Sunday on Monday with Bookshelf PLUS+ | Start your free trial today

Have you ever shared something personal only to have someone dismiss or not believe you? Perhaps you tried offering more explanation or information but to no avail. Well, today's discussion includes the experience of a woman named Rhoda in the New Testament who had a spiritual witness to offer but was not taken seriously by the people around her. Rhoda's example may have lessons for us all in how to respond in frustrating moments of others' disbelief. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday  

Many of Christ's miracles in the New Testament have one special word accompanying them—compassion. It is one of those enduring Christlike attributes that conveys full and deep emotions and love for those around us. When He comes across the unnamed widow from Nain He immediately has compassion on her. And wouldn't we all love to stand in the compassion of Christ each day? Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Being offended is a universal experience, but how we react is a very individual matter. In this episode of Sunday on Monday's bonus series, Unnamed Women in the New Testament, we dive into the story of the Syrophoenician woman. She had every reason to be offended and lash out but instead responded with remarkable humility. Let's study her example in Matthew 15 and Mark 7 and see if we can't bring a little more humility—and thereby a little more peace—to our lives. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Linda K. Burton, then Relief Society General President, shared the following quote from Daughters in My Kingdom during general conference: “The New Testament includes accounts of [certain] women, named and unnamed, who exercised faith in Jesus Christ [and in His Atonement], learned and lived His teachings, and testified of His ministry, miracles, and majesty. These women became exemplary disciples and important witnesses in the work of salvation.” In this special episode, we discuss the certain women mentioned in Luke 8:2–3 and how they were certain in their testimonies of Christ and in their ministering to Christ. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Here's an interesting question: How many generations ago were your ancestors speaking a different language than you are now? When Dr. Joel Selway lost his mother when he was 12 years old, he also lost a tie to his Thai ancestry. But shortly before his mission he came across an old book about learning Thai, and something sparked inside of him. Little did he know then that he would embark on a decades-long journey to learn the Thai language and, in turn, discover more about his family history than he could have ever anticipated.

What does sunshine have to do with family history? Well, besides helping our plants and vegetables grow, sunshine has a profound effect on our bodies. One of those effects is melanin production. Melanin is a dark pigment in our hair, skin, and iris of the eye that protects us from the sun's radiation. Tragically, throughout history some have used melanin to create caste systems that determine social status, ultimately affecting our family history. In this episode, Dr. David-James Gonzales discusses how these caste systems and resulting colorism began and the impact they still have on us as we seek to learn more about ourselves and our ancestors. 

Have you ever heard the term “spill the tea”? In recent contexts, this phrase means to perpetuate gossip or rumors. But is spreading gossip and rumors always a bad thing? In family history, it might not be. For this episode, we invited Dr. Sharon Staples to discuss what gossip has to do with family history and whether it can be used as a clue to learn more about our lineage.

“Late at night when all the world is sleeping, I stay up and think of you. And I wish on a star that somewhere you are thinking of me too.” These first lines of legendary singer Selena's “Dreaming of You” may have been written about a romantic relationship, but they also apply to family history work. Our ancestors think of us, and we think about them—and sometimes we even dream about them too. For this episode, we invited Miya's and Michelle's friends (as well as our amazing producer Erika Free) to share how dreams have helped them draw closer to their families in the past, present, and future.

An indigenous teaching in many communities around the world is that in nature, poison is often located very near the antidote. For example, in Mayan legend, the Chechen trees have a toxic sap that causes rashes or burns when touched, but the Chaca trees grow nearby and provide an antidote. This idea of sting and relief can also be found in family histories. In this episode, artist Jalynne Geddes shares in her own life how generational trauma has been a sting and family history the relief.

The Bible is full of stories about women—sometimes you just need to know where to look. In fact, both named and unnamed women are in the opening verses of the New Testament. This year during our Come, Follow Me study, we'll take time to focus on the stories of these women—stories that aren't often told. As we discuss their lives and learn from their examples, we'll see just how important women are in the gospel of Jesus Christ both then and now. So let's start our discussion with the book of Matthew and the women who were a part of the lineage of Jesus Christ. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

When you think about the term “family history tools,” images of gigantic binders, wrinkled family history charts, and dusty rolls of microfilm probably come to mind. While these items can be useful, there's another less obvious set of tools we need when we research—especially when we learn about challenging aspects of our family history. For this episode, we invited Dr. Ofa Hofaka to discuss emotional tools we need as we approach body dysmorphia, mental health, and internalized racism in family history work.

Here's a joke: What did the pickle do when it won the championship? He just stood there to relish the moment. If you're wondering what a pickle joke has to do with family history, just a wait a minute. Miya and Michelle invited Latter-day Saint comedian and actress Lisa Valentine Clark to discuss An American Pickle, a movie all about family history. And just like the movie, Miya, Michelle, and Lisa all ask the question, “Would you be friends with your great-great-grandparents?” and discuss how that answer may be more complicated than we think.

Have you ever heard of Marie Kondo? She's a Japanese professional organizer known for her method of only keeping what “sparks joy” in her life. We can follow her example by becoming a transitional character—someone who breaks cycles of negativity and embraces joyful practices. In this episode, we talk with BYU professor Christopher Jones about what it means to be a transitional character, and how we can spark joy in our own family histories.

Thanks to Encanto, everyone knows we don't talk about Bruno. But there are other aspects of family history we don't talk about, like poverty and shame. Our guest Dr. LaShawn Williams explains, “When we talk about shame, we're talking about this felt sense of unworthiness to be in connection or relationship with other people despite desperately, desperately wanting to connect with other people.” And like we see in the Disney movie, this feeling of shame can be passed from one generation to the next. So how do we combat it? We talk about Bruno. We talk about poverty and shame within our family histories. And that's exactly what hosts Miya and Michelle plan on doing with Dr. LaShawn as they address shame and poverty in this episode. References:  "The problem with pulling yourself up by your own bootstraps is not everyone has working bootstraps"

Dead cats and genealogy might seem like an odd mix. But when it comes to genealogical consciousness, they actually make perfect sense. BYU professor Amy Harris puts this into perspective by explaining that as a child, she would mourn the passing of her pet cats. But then she found peace when she realized that all “relationships are durable and meaningful—even beyond death.” This got us thinking—if we can feel connected to cherished but long deceased pets, shouldn't our feelings about our ancestors run just as deep? In this episode, hosts Miya Jensen and Michelle Thorley discuss with Professor Harris how we can ensure our relationships with our ancestors stretch into the past as well as the future through genealogical consciousness.

Have you ever heard someone sarcastically say, “Who do they think they are, the Queen of Sheba?” Although this question is usually used to poke fun of those who flaunt their wealth, after listening to this Unnamed Women episode, you may think of it as a compliment instead. Because while the real Queen of Sheba was indeed wealthy, she was also wise—and in 1 Kings 10:1–13, we learn that her might and wisdom may have also contributed to the grandeur of the Israelite temple. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

The proverb of a virtuous woman is a famous one, but the woman who sang it—and the woman who it's about—are unnamed. But while we may not know exactly who these women are, they teach us unforgettable lessons of what it means to be truly virtuous. In this special live recording, we'll dig into the profound impact these women have had in our lives by teaching us through their words and examples what it really means to be a virtuous woman today. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday For more about the proverb of a virtuous woman, check out Tammy's book: Far Above Rubies: The Power and Promise of a Covenant-Keeping Woman 

In this final episode of This Is the Gospel, KaRyn, Katie, and Erika sit down and listen to their favorite untold stories from the pitch line—submissions from you that didn't make it into an episode for one reason or another, but that we love all the same. These three-minute stories range from wild, epic bear chases to small, quiet moments of revelation. While the voices and narratives may vary, each illustrates how even in a matter of minutes, individual's stories have the power to bind us all together. See show notes and full episode transcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: Sarah and her brother decide to turn their father in to the police hoping he will find the help he needs to make necessary changes in his life; Chrislyn is deep in grief after learning about decisions her mother made and watching her be sentenced to life in prison. The Atonement of Jesus Christ and the power of forgiveness take on new meaning for both our storytellers, even if their lives haven't yet reached a happy ending. See show notes and full episode transcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

In honor of Women's History month, we wanted to do something new and share one of our favorite podcasts with you. It's called Latter-day Saint Women, and in this episode, the Relief Society General Presidency has an important conversation with a few of their friends: a foster mom who's worried about a little boy she's come to love; a 22-year-old who's angry and confused when she can't serve a mission; and a recent convert whose parents are Mexican immigrants, so she wonders whether she will fit in. Through their discussion we come to see one of the most beautiful parts of Relief Society—we all belong.   Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Building the tabernacle described in the Old Testament was no easy feat. We read about all those cubits and how there were specifications about everything. Even the people who helped had to be “wise hearted” and willing to give only the best of the best. In this episode of Unnamed Women of the Old Testament, we will tell the stories of the weavers—women who lent their hands and wise hearts to create the veils and priestly garments for the first tabernacle. We'll also learn how their vital, sacred contributions were echoed by the women who helped build the Nauvoo and Kirtland temples in the latter days. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

Stories in this episode: Even though she's up against a language barrier, Bonnie takes matters into her own hands after noticing the refugee women she lives among on a military base don't have what they need; All of Ben's resources are expended when he's put in charge of providing meals for thousands of refugees, and he hits a breaking point. So he makes one phone call that teaches him just what—and who—it takes to be Christ's hands while serving His children. See show notes and full episode transcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: Frances struggles in her role as a mom of three kids but is offered a helping hand right when she both needs it most and it's the most difficult to accept; Phyllis has always been eager to accept callings, but in her grief and loneliness after her husband passes away she feels like letting someone else step up to the plate—that is, until she's reminded of how service can deeply affect the lives of those who give. Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: While Rachel's diagnosis of autism spectrum disorder helps her better understand herself, it doesn't ease the lifelong fears she's had of being unable to truly connect with other people. That is, until two sisters in her ward reach out and show Rachel just how much she truly belongs; Medlir grew up seeing Rembrandt Christian paintings during his childhood in communist Albania, and that artwork planted seeds of faith that eventually led him to the restored gospel. Now as president of the first Albanian stake, he strives to understand how to define and create a Zion community. See show notes and full episode transcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: A bucket list adventure through the Uinta Mountains in Utah turns into a night through a dreaded fire swamp as unexpected challenges plague Heather and her friend; Aliah experiences a dream pregnancy until she is rushed to the hospital and doctors scramble to save her and her baby. Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

When Alexis, a teenager battling cancer, learns that a new boy named Ricky is in the same unit of the hospital as her, she expects him to be a sweet child like the other patients she's befriended. To her surprise, however, Ricky is a tall, handsome teen. A friendship develops between the two amidst their chemo treatments and years of relapses and recoveries. Their bond eventually leads to marriage and a life of supporting and loving each other even with the myriad of unknowns they face with their health, each learning all the forms true Christlike love can take. See show notes and full episode transcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Claudia faces one of the darkest nights of her life—both literally and figuratively—when she is taken hostage and held for ransom. Her only comfort comes in the form of a radiant sign from God that He loves her and is aware of her situation. When she is finally let go, she embarks on a journey to seek for more light and develops a relationship with God that she never would have imagined was possible. See show notes and full episode transcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: Adam's mission is more overwhelming than he expected, leading him to doubt whether he's in the right place when suddenly a companion's photo puts everything into focus; LeAnn finds a perfectly placed dad joke in her scriptures at just the right moment; Becky's hopes to adopt are finally fulfilled, but she faces heartache in her relationship with her child until an unexpected dinner guest gives her just the answer she needs. See show notes and full episode transcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: Jolene fully expects a lecture from her father when he invites her to lunch, but is surprised when the conversation takes an unlikely turn; Steven's hopes for a bright future are thrown for a loop when his college football career comes to a sudden stop, causing him to spiral into his addictions until he finds God where he least expects it—an isolated jail cell. See show notes and full episode transdcript at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

You may think you know all about Moses. He was, after all, the prophet who led the captive Israelites out of Egypt. But what do you know about the woman who made that all possible? In this episode of Unnamed Women of the Old Testament, we will talk about the woman who drew Moses out the river and changed the course of history: Pharaoh's daughter. And we can't talk about her without mentioning the other women in Moses' life who helped save him at one point or another. So grab your scriptures, and let's dig into the story of Pharaoh's daughter and the women in Moses' life. Listen to full weekly episodes of Sunday on Monday with Bookshelf+ | Start your free trial at deseretbook.com/sundayonmonday

With family traditions, festivities, and gifts galore, the holidays can be a really exciting, happy time. But not everyone always feels that way. For Amber, the first Christmas after her divorce wasn't coming together for her as she'd hoped. As a mom of young two boys, Amber felt alone with the weight of the world on her shoulders as the early Christmas hours began to tick by. That is, until she did something she'd never done before and offered up a desperate prayer for peace. Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: KaRyn sits down with co-producers Erika and Katie as they each tell a story of their own. Erika struggles to find the confidence and the right words to share her beliefs with a chatty stranger on a flight; Katie decides to train for a marathon to prove that her diagnosis of rheumatoid arthritis won't limit her life; KaRyn's plans to show a family from Uganda all about Pioneer Day goes awry in every possible way, until a surprise encounter reminds KaRyn of who's really making the plans. Click here to take our survey!  Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

A couple of weeks ago we asked you if you had any questions about polygamy. And boy, you guys do not disappoint! We received so many questions on Facebook and Instagram about this practice in early Church history that we decided to create a special bonus episode to answer a few of your questions. So if you have ever wondered why polygamy was practiced or if it will be practiced in heaven, sit tight. Our guests and Church historians Jenny Reeder and Brittany Chapman Nash will answer these questions and more as we dig into this bonus episode about polygamy.

Throughout your study of the Doctrine and Covenants this year, you may have noticed the Lord often commands the Saints to keep a record. We know that studying records from the past is important, but we also know that details have a tendency to sometimes get a little muddled through time and retelling. For example, how can you know if that story that's been passed down for generations about your great-great-grandfather or long-lost cousin is true? In this bonus episode of Sunday on Monday, Keith Erekson, Church History Library Director and author of Real vs. Rumor, shares how to determine if family history stories are real or just rumor, and why it matters that we keep an accurate record for future generations.

Stories in this episode: Julie, Whitney, & Brooke each have a story to tell about the struggle and surprises of a life lived in pursuit of discipleship, but they can't tell their story without one another and they can't tell their story without the extraordinary life of Jonah, the little boy who brought them all together.  Get more info and shownotes at LDSLiving.com/thisisthegospel or find us on Instagram and Facebook @thisisthegospel_podcast TRANSCRIPT KaRyn  0:03   Welcome to "This Is the Gospel," an LDS Living podcast where we feature real stories from real people who are practicing and living their faith every day. I'm your host, KaRyn Lay.  I kind of feel like today's theme doesn't need much of an introduction at all. So I'm going to keep this short and sweet. Because if there is one principle of the gospel that we all understand just a little bit better after a full year of social and physical distance, it's the power and purpose of human connection and just how inextricable that connection is, to our spiritual practice. And have we got a story about connection for you.  Actually, it's one big story with two little stories in the middle. And it's kind of hard to explain, but I think it's going to become clear soon enough. First, we'll start with our storyteller Julie, then you're going to hear from Whitney, and then Julie again, and then Brooke, and then back to Julie, and then Brooke and then Julie.  And just a quick note for sensitive listeners that this story does involve some trauma related to loss. Here's Julie: Julie  1:07   Our first son Jonah came into the world 10 days late. It was my first baby and I had all these ideals about what his birth would be like, and my whole pregnancy had been so good, and I had felt so healthy and strong. And all of our ultrasounds that we had were fine. We never had any indication that there would be any problem or any challenges for our baby.  It was just this beautiful experience to be pregnant and to feel him move inside me. I was sure that I was just gonna let him come on his own terms. And 10 days after his due date, my doctor said, "No, we need to induce you."  That day was so exciting. The birth was good, but when he was finally born, the doctor put him up on my belly. And when I first looked at him, I could tell right away that something wasn't quite right. And I didn't get very much time with them because they whisked him off my belly. And all of a sudden there was this flurry of activity around us and the respiratory therapists came in and they took Jonah and kind of moved him away from me. And I remember my mom coming over and comforting me and I just didn't even know what was happening.  I just said remembered seeing his little ears. They looked almost like little flower petals that hadn't quite opened all the way. My husband Jordan was over by the nurses and he was kind of watching what was going on, and he came over to me and I remember him saying, "Julie, he has the most beautiful lips." And I think he was in this moment of trying to process, you know, what we were experiencing. But it turned out that he had a lot of problems with his facial structures. He had a cleft palate, his jaw was underdeveloped, his cheekbones were underdeveloped, and his ears were not fully open, like they had just started to develop and stopped midway through that development.  We didn't know what caused it or whether he'd be able to see or whether he'd be able to hear. We didn't know if he would have any kind of mental delays, but we loved him so instantly. And it wasn't until the next morning after a night of changing diapers and trying to figure out how to feed him that our doctor came in and told us what his diagnosis was. He told us about Treacher Collins syndrome, which is a syndrome that affects the facial structures and development of the face. And the other thing the doctor told me is, "I'm almost 100% sure that you are the carrier of this genetic disorder."  It was good to know what he had because we knew that he would be able to see and he wouldn't be able to hear with the help of a hearing aid, we knew that he wouldn't have any kind of developmental challenges. But I had this place in my heart that just hurt so bad because I knew that I had carried this, you know, thing that was inside me that had . . . that wasn't my fault. But I felt the strange responsibility for being the carrier of that gene. And almost the immediate realization too, that any children that we tried to have in the future would have a 50% chance of having the same experience that our sweet Jonah was having.  We knew that he was going to face a lifetime of surgeries to correct some of those things that he had to deal with, and it was all so overwhelming. And I tried to put on a brave face and I tried to be really present and to be optimistic. But as soon as I could get up and I got into the shower–that's where I just fell apart. I just prayed that Heavenly Father would help me to know how to move forward. And the distinct impression that I received was that Jonah deserved to have a joyful mom. And that there was a lot that we didn't know, and there was a lot that I couldn't control. But I could control how I approach the experience of being this mom. And so that's what I tried to do. After a while, we just didn't think about his syndrome very much. We were just normal parents, and just raising this little boy and that was beautiful. People just were attracted to him and they wanted to know about him. And my husband and I are, well, especially my husband, we're kind of private, you know, we're not the kind that really reach out, but with Jonah, people just came to us. And it was a heart opening experience to watch how people just loved him right away.  But there was also a realization that people could be cruel. As he got older, we had more experiences of people stopping and staring or children saying things that were hard, and he was young enough, that didn't really affect him, but you know, we wondered how that would affect him as he got older. That was a challenge.  When Jonah was 14 months old, my friend had invited us over, she wanted to can spaghetti sauce, and our kids would play together while we made the spaghetti sauce. That morning, I had felt this hesitation that I couldn't put my finger on, but for some reason, I just didn't really want to go. And she was my dear friend and I love spending time with her and I couldn't understand why I wouldn't want to get out of the house and go there.  But we went, and Jonah played with her kids and we made our spaghetti sauce. After a couple hours, she needed to go and pick up her oldest daughter. And I said, "Okay, that's fine. I'll watch the kids." And we were in the backyard playing. And almost immediately after she walked out the door, the kids had been eating snacks and Jonah ate a fruit snack.  I could tell right away that something was wrong. I could see it in his eyes that he couldn't get any air. And I knew that he was choking. And I was holding my friend's new baby and I have these children around me and I looked around and there was a blanket on the ground. So I put the baby down and I scooped Jonah up and I tried to do the Heimlich maneuver and tried to you know, pound this fruit snack out. It wasn't working and I could feel his body just go limp in my arms.  You know, I started to panic. And I grabbed my phone and I grabbed him and I knew I just went to the front of the house because I thought if I can get out there someone can help me. And I left all these kids in this baby in the backyard and ran to the front of the house and laid him out on the driveway and called 911.  They did their best to help me and I was doing everything I knew how to do to help him. You know, I don't think it was very long before the ambulance got there. But just as I looked at him, I had the strongest confirmation I think I've ever had in my life, and the confirmation was that he was not he was not going to make it.  My friend came around, you know, the corner to see these ambulances and fire truck at her house and she ran out and she didn't know who was in trouble, you know. And when she saw that it was Jonah. She said, you know, "This is the time to have faith and this is the time to be strong." And I said, "He's not going to make it."  Within a matter of 30 minutes I'd gone from being the mom of this vibrant, lovely boy to holding him in my arms and his spirit was so clearly gone. That was the most devastating moment of my life.  And I'll never forget leaving the hospital that day with my husband, Jordan. And we got into his truck and we didn't have children with us, you know. And it was so surreal and strange. And we just drove home together. And then just crawled into bed and just cried all night. We just cried all night.  And then the next day people started showing up at our door. They came until . . . you know we went to bed that night, they just kept showing up. We just all grieved together as a community and as a family and this just tragic loss that we had all experienced.  The weeks and months that followed Jonah's death were just surreal. And at night, when I would try and fall asleep, I would see in my mind the experience of losing Jonah, over and over again. And I prayed for Heavenly Father to help me to be able to . . . to let that go and to be able to sleep. And I had a strong impression that I needed to write it down. And so I started by writing everything I could think of in my journal, and I wrote it down. And that night, I slept. And then I had the impression that I needed to write it in a more public way. And that felt really scary, but I decided, since I had this time, that I would begin sharing my experience and start a blog. I remember pressing, publish, and just feeling sick inside, like just feeling like I put my whole heart and soul out into the world, and not knowing how people would receive it. But that blog, and that ability to write became so therapeutic to me.  Another thing that was therapeutic for me, at that time was gardening. And I decided that I needed to put a garden in a new place in our yard, and I went out one day, and I just started tearing out the grass. It was this hard, physical work. That was just like, I was channeling all my anger and my rage into pulling out this grass. I was so angry and so upset. And I wasn't angry at God, but I just had this anger in me from this experience. And so I just began to pull out this grass. And I was just out there by myself and I was quiet.  I just remember having this feeling settle on me. It wasn't a vision, it wasn't a dream, it was just this quiet impression of two little souls that were going to come to our family. Part of me thought, oh, I'm just, you know, dreaming about what I want, then wondered if it was a real feeling. But it was the kind of feeling that just stays with you. And it just kind of sunk into my heart.  When Jonah died, Jordan and I had this immediate realization that if we wanted to have more kids, we had to decide how we were going to move forward and that felt so overwhelming, because we had just experienced this incredible loss that was tied to Jonah's genetic condition. He had a small airway, and that's one of the contributing factors to why he choked on that fruit snack. And so the idea of just having another baby was terrifying.  So we started talking about it and trying to figure out how we could possibly move forward. We knew that there was a possibility that we could do genetic testing, to help us to make sure that we had healthy embryos, and that we wouldn't pass on this genetic disorder. And I felt this real hesitation in that space when thinking about that possibility.  Because part of me wondered if I was somehow rejecting Jonah and the beauty and light that he brought into our home if I chose not to have another baby like him. And if I chose to use science to select out the healthiest embryos, if I'd somehow be denying myself the experience that I just had, that was so powerful–being his mother. And that was really hard for me to wrestle with.  I have always been the kind of person–I want to do what's right, and I want to do what God wants me to do. And I want to be in tune with the Spirit. And I just wondered if somehow I was leaving God out of the equation. There was part of me that felt like if I had real faith, then I would just roll the dice and let God decide, right? That somehow if I were truly faithful, that we would just move forward without a question.  And luckily, my husband didn't feel that way. He felt that it was okay to move forward with genetic testing. That would still require a lot of our faith. And so we moved forward with that. It took a full year for an embryo transfer and we had one healthy embryo that we could work with.  And so all of our hopes were wrapped up in this one moment. And when it came time to do the transfer, my doctors cancelled it. They discovered that I had scar tissue from my first pregnancy, and that it probably wouldn't work. And so after this full year of waiting and hoping we were faced with this new challenge. During this time, I decided that I needed to get a job to fill my time. And I was lucky enough to get a job at the Springville Museum of Art, which was great. And I had a colleague there who was working at the BYU Museum of Art. And they were getting ready for the Carl Bloch exhibit that was coming up.  Carl Bloch is really well known artist in LDS culture, maybe not by his name, but almost everyone would recognize his paintings. They are beautiful paintings of the Savior and His life. And the BYU Museum of Art was in the process of putting together this incredible exhibit of his works. But they wanted to have a spiritual component that connected to real people in their lives.  And my friend Ashley, who was working there asked me to share my experience of losing Jonah, in relation to one of Carl Bloch's, beautiful paintings, "Christ the Consolator," and I was really hesitant to do it, because I don't like being on video. And I knew it would be seen by a lot of people, but I knew from my experience, writing, that the experience I had of losing Jonah was really a powerful story for other people. that I got so much feedback from people about how it changed their hearts, or changed the way that they mothered their children or brought them closer to the Savior, that I moved past my hesitations and decided to go for it. Whitney  17:07   My husband and I were encouraged by lots of family and friends to go to the BYU art museum to see the Carl Bloch exhibit. So on a Saturday, we went for a little day date. And I was told by my mom, "Make sure you get the iPad version of the tour." So I got the iPad and started to walk around the gallery. And I wasn't as familiar with Carl Bloch before going to the museum.  So I walked in, and I just was like, "Oh my goodness, I know that painting, I know that painting." I didn't realize the Carl Bloch had done so many paintings of Christ. I just was blown away how much beautiful artwork Carl Bloch had done. And then as I kept going around the museum, I turned the corner and walked over to a big painting, a very large size painting of Christ teaching.  And I can't remember the details of it, but I very specifically remember there was an image of a little boy in the painting. And this little boy in the painting, was very intently listening to Jesus. There were other people in the painting, who would turn their heads, were scoffing, not paying attention, but this little boy was so significant to me because he was peacefully listening and looking at Jesus Christ.  So as I'm looking at this painting, I looked on the iPad, and noticed there's a button that you can push to have somebody tell you a story about this painting. So then I clicked on that button to hear a testimony of a woman. And she immediately started to tell some things that were happened in her life. She talked about a baby that was born to her and her husband, that didn't look like every other baby you see.  And as she started to describe this baby, my heart just stopped. I didn't have to see a picture of him, but I knew the second she described it. The way she described his eyes slanting downward, and his little chin and his tiny ears, and his missing of cheekbones, and the jaw, I immediately knew she was describing my son, who was born a month earlier.  There's only one out of every 50,000 births that these babies come into this form. And I knew immediately she was describing Treacher Collins syndrome that her little boy had. And so I kept listening and I actually listened to it twice because my heart was just so moved as I heard her journey of not only having a baby who wasn't a baby you anticipate, but then her experience of losing this baby and my heart just broke for her. And my heart was just in pain and suffering as she described this experience, but then listening to her to she described how much she was able to do it because of Jesus Christ.  And it was a very weird, surreal moment to be in so much pain for somebody, but also feel so much joy. Such anguish and peace at the same time. In that moment, in this large gallery, I completely felt and knew that I wasn't alone, and that God knew me. He knew my son. He knew this woman and He knew her son. And people will say, "Wow, what a coincidence." But to me, it was a knowledge that God knew of my situation. And he had a one of his children–one of my sisters–say, "I know what you're feeling. I know what you're experiencing."  I had this eternal connection with this woman. For the first time since my son was born, I felt like somebody understood. After leaving the museum, I became obsessed. And I know that sounds scary, but I became obsessed with trying to find this woman. So I got on the internet, like all stalkers do, and I started Google searching everything I could find. And I searched and searched, I looked, I knew I knew her picture. I didn't know her full name, I just knew her picture.  So I would Google, "Little boy dies choking on fruit snack," I googled, "Treacher Collins syndrome boy." I googled as many things I could find. And then I clicked on images one day, and I saw her picture and I knew that was her. So I clicked on that link, and it took me to her blog. And then I spent the next three days just reading every word of that blog.  And I just . . . my heart became even more endeared to her. Reading the way she beautifully was explaining her circumstances and situation life. It was like I was reading scripture, it was so holy to me to hear how she explained her trials and her good times, and her hard times.  I knew I needed to make contact with her. I knew I needed to connect with her in person. So I did what the best thing I feel like I could do, and I started to write a letter to her. I wrote a letter just thanking her for the peace she brought into my life, the answers that she brought to my life, the realization that God was aware of me. I remember thinking, she's gonna think I'm crazy. This random person, bearing her testimony, having a very spiritual experience, because of her situation, that was a hard situation, she's gonna be like, "This woman is crazy."  Even my husband was like, "Mmm... Whitney this might be a little bit out there for you." But I felt so prompted to write the letter. So that's why I had to do it. I needed to connect with her and let her know that her story changed my life.  But then I didn't know where she lived! So I started to stalk her again, and I googled, as much as I could to find out, and I found an address. I was a little nervous to send it, but then I kind of in the back of my mind said, "But, you know what? She probably might not even get it." So I sent a letter. And to be honest, after sending it, I kind of forgot about her. Like, it kind of left my mind and left my heart. And I kind of stopped being so obsessed.  And so I thought, "Okay, that's what I needed to do. I just needed to send that letter and I would move on." Even if I never heard back from her. That experience in the museum was a pivotal point for the rest of the journey of my life on this earth. Because it was such a defining moment where I knew without a shadow of a doubt that God knew me. He was aware of me. That He knew the prayers I've been praying the last month. He knew the heartache I was . . . the fears I was having about the future of my son. And in that moment, I can still see where I'm standing when I was looking at that exhibit and feeling as if in a huge museum–I was the only one in the room. And God was personally saying, "Whitney, I hear you. I'm aware of you. And I see you." Julie  24:14   As a mom, I'm constantly telling my children, "Go help your brother and sister do this." "Go help your brother do that." And I truly believe that Heavenly Father and Heavenly Mother are doing that constantly. That they are reaching out to us as their children and saying, "Go help your brother, go help your sister." Because we are all connected. We are all an eternal family and we are all God's children, and our purpose on this earth is to get everyone to come back to Heavenly Father and Heavenly Mother.  Whitney  24:43   So let's say you get a prompting to send a text message or to go visit somebody or to be even maybe write a letter to somebody like I did, my advice would be just do it. Act on that prompting. Write that letter. Send that text message. Go visit somebody. Because Heavenly Father is inspiring you for a reason. Julie  25:11   We were finally ready to do our first embryo transfer. Everything seemed like it was going to work. And the problems that I had had seem to be fixed. They transferred one healthy embryo that we had, and I miscarried almost immediately. It was so devastating. We decided that we couldn't do the genetic testing again. It was just too many variables, too many questions about why I had miscarried.  And so we decided to try an egg donor. And once again, all of the ethical and moral questions and religious questions came up with this choice and not knowing if we were doing the right thing, or if we should do something different. But we felt okay moving forward. And we chose an egg donor.  Around this time, my sister, Brooke, offered to be an egg donor for us. I didn't even know that that was the possibility. I didn't know how that would be. But I did know what it was like to go through an in vitro cycle, and all of the shots and all the hormones, the doctor's appointments that were associated with it, I just felt like it was too much to ask my sister, so we decided to move forward in a different direction.  We were able to get 12 healthy embryos. And when you're doing fertility stuff, they give you constant updates. So they'll call you after three days and say "This many have developed." And then they'll call you in two more days and they'll say, you know, "Five more are looking good." And so you're just waiting for these phone calls and hoping that things go well. The first call we got was good. They said, "We have 12 and they're developing." And the next call we got was not as good. And they said, "Well, now we only have six, but they're still developing." And then the final call, we got said that none of them, they all just stopped developing.  Our fertility clinic said they had never had that happen before. After the anonymous egg donor embryos didn't work out for us, I felt really strongly that we could move forward with Brooke, my sister, and the offer that she had made to let us use her eggs. My sister is so generous, she always has been and she's so willing to guide me and direct me and help me in every way that she can. And it just felt like, "Of course. This is what we're gonna do." And I don't know why it had been so hard before them because at that moment, it seemed to make the most sense of anything in the world, that these embryos would still be connected to my family through her, you know. And they would still have a connection to my parents and to my grandparents. And that just felt like such a gift that I hadn't even realized that I wanted. Brooke  28:26   Julie and I were just typical siblings. As we grew older–we were three years apart–as we grew older, I think our connection just grew apart as well. We were in different places of our life in different stages. I got married really early, I had my first baby really young. So by the time Julie got married, I had five kids.  My youngest was really close with Jonah, when he was about a year old, I had decided to go back to school and I was working a couple days a week and I was going to school a few times a week. And so Julie and Jonah would go pick up Lindsay from school every day. She just have the sweetest little relationship with him, she just loved him so much.  The day he died I was at the preschool that my family owned, and I got a phone call from Julie's friend saying that I needed to call my mom and have her go to the hospital. And I thought well, you know, I had taken kids to the hospital for stitches and stuff like that. and I think in my deep in my heart, that's what I wanted it to be. But I knew from her voice that that's not what it was. And I said "Okay, I'll call her. Is he going to be okay?" And she said, "No, I don't think so." And I remember the world just going fuzzy. I sat there for a long time trying to think about what to do. I didn't want to be at work. I needed to be there. So as I was driving to the hospital, I called my husband and asked him if he would go pick up the kids from school. So I got to the hospital and I was sitting in the parking lot, and I got a phone call from my mom saying that Jonah had died. And I really don't remember how I got to the doors of the hospital. I didn't do it well, because at some point, a nurse came out of the hospital and walked me in. I just remember her arms around me. And she asked me if I was his aunt, and I told her I was. And she walked me in.  I walked in there and I saw Julie holding Jonah, Jordan sitting next to her. And my heart just shattered. It wasn't very long after that, well, maybe about an hour after that. The same nurse came back in and told me that my kids were at the hospital. I walked into this little side room that they had outside the emergency room and I just collapsed. All five kids came running to me and put my arms around them and told them what had happened. And we just grieved. We just wept.  I did not think that I could inflict another heartache on my kids. Two weeks before, I had asked my husband to move out, my kids were really suffering. And I was already foggy, I was already so confused about what was right and what was wrong. But I also knew that I needed to know what the right thing was to do for my children, for my family, how we were going to move through this grief and this heartache.  So I said goodbye to my kids, they went back with their dad. And I walked out to my car and I sat down in my car. My prayers to God at that point were like David in Psalms. You know, like, angry and sad and hopeful . . . and all of those things at the same time. And I sat in the car and I just cried to the heavens, "You have to tell me what to do today. Because I cannot break the hearts of my children anymore that they're broken."  And I started driving, the same prayer just going over and over and over in my head. And by that night, I knew that my marriage was over. It was a really, really, really dark and sorrowful night. And that night, my kids, all five of them climbed into bed with me and I remember us falling asleep to me singing or humming "Abide with me tis eventide." Cause my whole family, my children, myself, my sister, her husband, my parents, we were all slipping into the darkest dark. We spend a lot of time crying.  Julie took care of me. I remember just being awed by her. And how she just in her profound grief took care of me, took care of my children. And sometimes I felt guilty about it because I just I didn't know if I even had the emotional capacity to be able to do for her what she was doing for me.  My darkest dark lasted about two years and it was really, you know, we sometimes it felt black. But I met a man at the end, as I was nearing the end of that and coming through and healing, I met a man that I really loved and who really loved to me and we decided to start our lives together and bring our families together.  At the same time, Julie was still wandering through that dark, dark. And as I healed, I was even more aware I think of the pain and grief she was experiencing.  I started to have dreams that I had something of my sisters that I . . . but I didn't ever know what it was or how to give it to her. I just knew that I had something that I needed to give to her. I would have them pretty regularly. And I'm not a dreamer. Like I don't, I don't get answers to prayer and dreams. I don't . . . my dreams are usually just super weird. But these felt these felt like there was something there that I was supposed to be paying attention to. And I remember I would wake up and I would just lay in bed and think like, what, what is it? What is it? For a long time, I thought it was just grief, I thought that it was . . . I was supposed to be attending to her grief.  At this point, Julie had gone through a miscarriage and a failed IVF. And my mom came to visit and she was out for a couple of weeks and we were driving her back to the airport. And she said, "Julie and Jordan are thinking about using donated eggs." And it was like just this complete knowing. It was a knowing. That's the only way I can describe it. All of a sudden, I knew exactly what those dreams had meant. I knew exactly what I was meant to do.  And I just said, "Well why . . . why not mine?" Like why . . . why are we not doing this? And from there on it was that was just what was meant to happen. I offered Julie, I told her that I would do this for her. And I remember she she was very thoughtful about it. And she said, she said no. I didn't really feel discouraged. I remember thinking that it was a big thing. And that it was something that doesn't happen very often, at least in our experience and known world.  And so I just told her, it's an open offer, if you change your mind, I will do this for you. I don't remember ever thinking it wasn't going to happen. I just knew that she needed time to really think about it and decide if that was okay. And then she came to me and said, "I'm ready. Let's do this." I remember feeling really excited.  I don't know anybody that is supposed to be a mother more than Julie. And watching her go through all those years of sorrow and heartache and loss . . . I was just so happy to be able to help her be a mother. So I was older, I was 35, had to go through a bunch of tests to make sure that I was, it was even a viable option. I was. So we went through the process. And one of the things that we had to do is speak with a psychologist. And I had to be there, my husband had to be there, Julie had to be there and her husband had to be there.  And the feminist in me it really like pushed against that. I was so like . . . why? Why? Why does my husband have to be there? Why did he have to give me permission to do this? I think part of it too, was pushing back against a former life I had had and I wanted to make these decisions.  In the end, I was so glad that he was there because I was able to see just how much healing had happened in my life. The psychologist wanted to know how I would feel about to raising these babies, if I would be okay with that. And I was stunned because they were never mine. They were always meant to be Julie's. Like my dreams had told me from the very beginning, I had something that was hers. And I was just holding on to them until they were ready, until everybody was ready.  My husband was asked how he felt about it. And I remember him saying that he was going to completely support whatever I needed to do and however I needed to do it. And that was such a departure from my former life. Which is why I was so glad he was there because it was just another reminder of the grace of God, another reminder of healing.  There is a quote by Neal A. Maxwell and I'm just going to paraphrase it because I don't remember it completely, but since the moment I heard it, it has always stuck with me. And he talks about how the Star of Bethlehem was placed in orbit millennia before Christ was born, but it was there so that it could shine on that night, it could lead people to Christ.  And I've thought about that a lot, and how that light, that star shone on that night in the darkest dark. And I think about how there are moments in time that are placed in the orbit of our life, that will shine on our darkest darks. We don't know when and we don't even know what they are, but they're there. And they will come. And we will encounter God in those moments. Julie  40:46   We moved forward with Brooke going through an in vitro cycle, and she was able to get four healthy eggs for us. So we scheduled a time that we could implant two of those eggs. And we felt this renewed energy and excitement about it, that this time, it would work. The process is fairly simple. When they put the embryos in and then you just wait until you have a blood draw. And they can check to see if you're pregnant, and then you wait for another blood draw and see how your progesterone levels and all sorts of other levels to see if it's moving forward.  Initially, we got that first blood draw that said, "Yes, we were pregnant." And we were just so thrilled and ecstatic and hopeful. That part of our hearts was always reserved, because we'd experienced so much lost. And we didn't want to get our hopes up. Then we had our second blood draw, and the news was not good. They told me that my progesterone levels were dropping, and that I would probably miscarry.  We were just devastated and heartbroken and I felt lower than I had in any of the previous losses. Not Jonah's loss, but in the previous miscarriages and setbacks that we'd experienced, because I just felt so hopeful about this time. We got the phone call on a Saturday, and the next day was church. My husband was in a bishopric and he would go over early to have meetings and things and I would meet him later. I wasn't even sure I wanted to go to church. I didn't think that I could, because I was so heartbroken and devastated and sad. And I felt like I could have stayed home, and that would have been okay, but I got myself ready and I started driving and I was just crying in the car.  And on my way, I just felt like I needed to go to Jonah's grave. So I turned and I took a detour and I went to the cemetery and I went to his grave and I just knelt down right next to his headstone. I just felt so alone. And I wondered if God cared about what I cared about, if God wanted the same things that I wanted. If he knew me, if he was aware of me and my struggles, and I just didn't know if I could keep going. You know, it was so emotionally draining to go through this process over and over again.  I just prayed and I asked Heavenly Father to show me, to tell me, to let me know somehow that I was loved, that I was known, that there was a greater plan, and to give me the strength to keep going. I stayed there for a while just being alone there in the cemetery. And I got myself up and I went to church. And I don't remember anything about being at church. I just remember sitting around the hall. I'm feeling so sad. The next day, I went to work and I was gone most of the day, just tried to get through it. And when I got home, I checked the mail and there was a letter. It was a letter from someone that I didn't recognize the return address and I went inside and opened it.  Her name was Whitney, and I'm just going to read what she said. "I hope that this note is something that can strengthen your testimony and reminds you The Lord has a divine purpose and plan for all of us. I hope this note reassures you that prayers are truly answered, because you were an answer to ours. When I read what you wrote, it felt like a direct answer to my prayer the day before." I knew that she had written that note days before, weeks before I don't know when, you know, when she wrote it, but it had come to my doorstep the very day after I had said this really heartfelt prayer.  And it had answered all the questions that I had had about whether God was involved in the little day to day parts of my life. And all of the questions that I had heard about whether He cared about me and loved me and what role He played in our choices, and whether I could ask for the things that I really wanted and needed. This little letter just after that for me and confirmed to me that God loved me. And it felt like the most miraculous and beautiful gift from my Heavenly Father. At the time, we only had two embryos left from my sister. And it had been so devastating to miscarry that I wondered if I would be able to do it again and go through the process and the shots and the appointments, and the phone calls, all of it. But this letter just gave me this hope and energy and this belief that God was with us.  And I remembered that feeling I had in the garden as I was pulling up the grass, and that feeling of these two souls and two spirits. And I just felt like we had to keep moving forward, that we were moving towards a greater plan for our family.  During this time, I had many random experiences in which people told me about a different doctor that we should go to. Everyone from my visiting teacher to my phlebotomist that took my blood seemed to be telling me to go to this new doctor. And we had these two embryos, and we decided that what we had been doing wasn't working, and we need to try something else. So we decided that we would go to a new doctor.  The funny thing was that my husband, Jordan had to go get these embryos, from the fertility clinic, he had to pick them up in this little nitroglycerin case, and drive them on the freeway to the other clinic. And he was terrified. He was so worried that they would fall over and they'd get ruined and they're these tiny little cells that he had to move across Utah Valley to this new place. It was so absurd and strange to think of our . . . these two embryos moving before they were even little people down the freeway. But he was brave, and he did it, and he took those embryos to a new doctor.  And our new doctor immediately identified that I had a blood clotting issue and I had an immune reaction that we didn't know about, and he was able to pinpoint these things that had been ending my pregnancies and causing me to miscarry. That was so helpful to move forward with him and to have some answers to what we had been facing.  Knowing that we only had two embryos left, I finally asked my friends and family to fast for us. And I think part of the reason I hadn't asked for that before is because I had worried that if I asked for it, if we didn't have a successful pregnancy, my faith would just be broken. And it's such a vulnerable experience to go through these IVF cycles. Somehow, it felt safer to do it alone. Even though it felt safer, it was undeniable to me that God could use all of these different people in my life to create a powerful outcome.  So we went ahead with embryo transfer and the really amazing thing is that they show you a picture of these embryos before they put them in. So we were able to see what they look like and have a printed out picture of these embryos. And they were our last hope. They were the last two that we had. They did the transfer and it was right before Thanksgiving and I just remember being terrified. I was having panic attacks and I was so afraid, and we found out that I was pregnant. And then that just made it worse because I was so scared.  I was so scared that I would lose another pregnancy. And so we were just hanging on day to day, just taking it one day at a time moving forward. And we eventually were able to have an ultrasound at like eight weeks and we saw their little hearts beating every step along the way. We were terrified and scared but we just kept moving forward. And it was miraculous and amazing to see them growing.  It was hard and long and stressful, but we made it. Simon and Clara were born just after noon, on July 14. I remember before we went to the hospital, Jordan had talked to me and he said, "We shouldn't let people hold both babies at the same time," because he was so afraid of them getting hurt or something happening. And so I said, "Okay, if that's what you mean, like, we'll tell people they can't hold both babies at the same time."  And when I had the C section, they whisked Jordan back to where they were washing up the babies and the next thing I know, he comes out, and he's holding both of these babies at the same time. And it just felt like we had been through this incredibly hard, five years, and we were so afraid, and we were so hurt. And our hearts had been broken, like over and over again. And here he was holding both of these babies at the same time and it felt so brave. You know, I just felt like we were both so brave, and that God had been with us.  Even though I was afraid that I was leaving Him out of this experience, He had shown up for us all along the way. He showed up for us with my sister, when He'd given me that impression in the garden that was so powerful that stayed with me and kept me going. And He'd given me Whitney at the time that I needed this reassurance in this powerful, powerful way. And now here, Jordan was brave enough to hold these babies at the same time and they were with us, and they made it. We were so grateful. Brooke  52:08   The night, well, the day the babies were born, I got a call from my mom saying that it was time and Julie was going to go in to have a C section. And so I got right in the car, and I bought a plane ticket. And I just . . . so much hope and wonder and I couldn't wait to meet these babies. And I got there and got to the hospital. And Julie and Jordan were both just so exhausted. Both so exhausted, and I offered to spend the night with Julie that night and I stayed up all night and just stared at them.  Just in wonder and awe at the miracle of them. I was reminded over and over that night about the scripture at the end of Genesis where Joseph is talking to his brothers, who had sold him into slavery. And because of that, Joseph had suffered and grieved and had lost so much. And as he's speaking to the brothers, he says to them, "What happened was really painful. And it hurt a lot. But God has made it good and I am in the place of God." And that night as I lay there on that really uncomfortable cot with this precious baby in my arms, I just kept thinking, we are in the place to God. He has always been here in every moment, making it good even when we didn't know that it was good. It was beautiful. I've had the opportunity in my life to grieve. And in the moments of grief, I'm not sure I would have called it an opportunity. It was painful. It really, really hurt. But grief is one of those things that if we allow it to open us up, our grief will tether us to the hearts of other people and we will see how connected we are. We will see how similar we are. We will have compassion and love for other people. And I think when that happens when grief really opens us up, we are given the opportunity to participate in miracles and encounter God in everyone and in every story. Julie  54:47   The amazing thing was that Simon and Clara were born just a week after Jonah's birthday. And so as we went through their first year of life, all of their milestones lined up in the same seasons and times, as Jonah's did. And so we had this incredible reminder of Jonah, all through that first year, because it was just like we were walking through the same space that we had walked with Him.  We had not moved past our fear, we were still very afraid, but we have come to this incredibly beautiful moment where I realized that God and His plans are huge. They're enormous, and they're beautiful, and they're interconnected. And we don't always understand them, but they are divine in ways that we cannot even understand. KaRyn  55:52   That was Julie, Whitney, and Brooke. And I don't know about you, but my heart is just swimming with all the feelings after this story. There's just so much to witness here.  But for me, it's all really summed up in that quote that Brooke shared from Elder Neal Maxwell. She paraphrased it beautifully, but here's exactly what he said, quote, "The same God that place that star in a precise orbit millennia before it appeared over Bethlehem in celebration of the birth of the babe, has given at least equal attention to placement of each of us in precise human orbits, so that we may, if we will, illuminate the landscape of our individual lives, so that our light may not only lead others, but warm them as well," end quote.  Couldn't you feel that precision of our placement in orbit as we listened to Julie light the path for Whitney, who lit the path for Julie, so that she could walk towards Brooke who is lighting the path for Julie after Julie lit the path for Brooke? If it sounds complicated or circuitous–it is. But it's also insanely simple. We are all connected to each other by divine design. And when we decide to live our lives focused on Christ and His plan for our happiness, everything we do and everything we are becomes meaningful and useful in his plan. And we can't help but bump into one another in our efforts to live a life of discipleship because we are all pulled into the extraordinary orbit of the Son–together.  And then of course, there is Jonah. Sweet, sweet Jonah and his beautiful life that became the catalyst for so much connection. The whole time I was listening to the story, I was imagining Jonah ascending home like a reverse shooting star, full of joy as he sprinkled his life like powerful star dust to settle on each of these women who longed to see and know God.  I could also imagine his utter delight as he watched them embrace his gift and light up for each other, bringing warmth to the spaces where there was only darkest dark, and knowing to the long, quiet parts of that eternal orbit that felt completely unknowable.  And I could imagine him in that room with Julie and Brooke, and Simon and Clara, testifying that we are all one eternal round, and the connections that we have here on Earth, they're only a tiny part of what waits for us beyond right now. We are all connected. And if we've learned anything from this year of heartache, and masks and air hugs and zoom and loss and reckoning, it's that we can't actually do it alone. We really do need each other desperately. And if we will illuminate the landscape of our individual lives by connecting ourselves inextricably to Christ, the source of all connection, then our light may not only lead others, but it will warm them as well. That's it for this episode of "This Is the Gospel," and I cannot think of a better way to close out the season. Thank you to our storytellers, Julie, Whitney and Brooke for sharing so much of themselves with us all and for showing us the beauty of true connection.  You can learn more about our storytellers in our show notes at LDS Living.com/Thisisthegospel. All of the stories in this episode are true and accurate as affirmed by our storytellers. If you have a story to tell, we want to hear it. You can call and pitch your story on our pitch line at 515-519-6179. And maybe you're listening and thinking I don't have a story to tell. Well, we're going to help you find it. We're working on a few bonus episodes during this in-between time that will help you learn how to find your own story so stay connected with us to know when those bonus episodes are coming by following us on Facebook or Instagram at @thisisthegospel_podcast.  Didn't you love the season? Tell us all about it. We get really lonely during the season breaks and it's so fun to hear from you. You can leave us a review on Apple, Stitcher or whatever platform you listen on. We read every one and truly appreciate your help and knowing what's valuable to you our listeners.  This episode was produced by me KaRyn Lay with additional story production and editing by Erika free and Kelly Campbell. And truly they deserve a medal for making this episode happen from just an idea in my head. It was scored, mixed and mastered by Mix at Six studios and our executive producer is Erin Hallstrom. You can find past episodes of this podcast and other LDS Living podcasts at LDS living.com slash podcast. See you soon   Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: The sudden loss of his corporate job throws Dave into a new and sometimes confusing role at home; Jenny's once-thriving life is upended by an unwelcome diagnosis that offers her a powerful connection to some of her Church History idols. Get more info and shownotes at LDSLiving.com/thisisthegospel or find us on instagram and facebook @thisisthegospel_podcast TRANSCRIPT Coming soon... Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

During a grueling, marathon recording of the concert film Lamb of God, cellist Nicole does what no musician working long hours ever wants to do. She asks composer and conductor Rob Gardner if they can record her difficult solo—again. In this song, called “Gethsemane," Nicole's cello represents the Savior. Rerecording pushes Nicole to her physical and emotional limits, but it is there that she not only finds the ability to depict Christ through the cello, but also learns about the Savior's ability to heal the darkness in her life. View shownotes at LDSLiving.com/thisisthegospel Follow us on instagram and facebook @thisisthegospel_podcast Transcript:  KaRyn  0:03   Welcome to "This Is the Gospel," an LDS Living podcast where we feature real stories from real people who are practicing and living their faith every day. I'm your host, KaRyn Lay.  I remember the first time I learned that there was even a thing called symbolism. It was in my ninth grade English class and we were reading "Silas Marner," the 1861 classic by George Eliot.  I thought George Eliot was so cool because she was a woman writing with a man's name. But what I didn't think was cool was the way Miss Terse, my English teacher whose name aptly described her personality, mind you, how Miss Terse kept pointing out the number three throughout the book. "Oh, look, the chair has three legs. Oh, look, there are three stars in the sky." I couldn't for the life of me figure out why the number three even mattered.  I distinctly remember using this as a jumping off point for some truly terrible junior high awfulness toward Miss Terse. I don't know if she's still teaching at a junior high somewhere in Pennsylvania and even if she is, I really doubt she's a podcast listener. But if by some small chance you're listening, Miss Terse, I was wrong. Please forgive me for being 14 because symbolism is now one of my favorite things in the whole wide world.  The fact that we can find connection and meaning by seeing ourselves in our emotions reflected in the world around us. To me, that is one of the deepest beauties of being alive on this earth.  Now, I still have no idea what the number three symbolizes. But the symbol of light is actually pretty easy. It's goodness, it's hope reflected in the life of Jesus Christ. In fact, we learn about the symbol in John chapter eight, verse 12, when Christ teaches, "I am the light of the world, he that followeth me shall not walk in darkness, but shall have the light of life."  And today, we have one beautiful story from Nicole all about light and pain and music and symbolism. But more importantly, it's about Christ and His ability to show us what light can really do for those of us who long to be made whole. Here's Nicole. Nicole  2:20   I have this sign that hangs in my office and it says, "A positive thinker sees opportunity in every difficulty. A negative thinker sees difficulty in every opportunity."  Recently, I had the opportunity to learn more about forgiveness. I had a really painful experience and to get to the other side of that experience, I had to forgive someone. And it was an act, I considered unforgivable. That wasn't the kind of thing that was just going to go away. It was going to have really lasting consequences not just for a long time, but to a real depth in my life.  I just got really down. I'm usually really positive person and so I went through the motions of life and just tried to keep my spirits up and push it out of my mind. But the more I tried to push it out of my mind, the more power it seemed to have over me, especially late at night. I stopped sleeping, really started worrying a lot and that's really not very good for anyone.  In the meantime, I was having all these cool things happen in my career. What I do for a living is play the cello. And really what that means to be a professional cellist, at least for me, is I get to do three different things. I get to teach children, which I absolutely love. I get to record really cool music. And then I also perform.I used to perform a lot but, of course, performing lately doesn't really happen.  During this difficult time, I was given the opportunity to do something really amazing, which was to record a concert film of the oratorio the "Lamb of God" by Rob Gardner. An oratorio is when someone tells a story, but they tell that story through singing. Unlike a musical or opera, it's not really acted out. Singers just stand in front of an orchestra and choir that's, you know, the most common way in oratory is sung.  The most common oratory most people would have heard of is "The Messiah." Now, "The Messiah" is about Jesus Christ. This oratorio [the "Lamb of God"] is also about Jesus Christ. In this oratorio, the cello, that instrument I play, represents the voice of Christ. So I have to admit, I was super intimidated because that is a role I never expected to play in my life—and I'm a very human person.  At the same time, it made sense because like all the human characters in the life of Christ are represented through people on stage. So it was really a brilliant way of communicating the divine. The cello represents Jesus. The violin also represents a divine person, he represents Heavenly Father. And by the way, if you end up listening to this piece, the cello doesn't always represent Christ. There's a theme that represents Christ. And it's like this. There are different ways that theme appears, and the marker really is a step down and then a leap up. That's when you know that Jesus is speaking.  Recording is always hard. It's never easy. But this was a particularly difficult recording. We did not record to the click. What recording to click means is that there's like a metronome and everyone's earpiece so that the timing of the piece is exactly the same every time you play it. This is how almost everything is recorded, all the time, everywhere. Because what happens is, we're all human beings, even skilled musicians. If we play a song three times in a row, we might play one section best the third time, another section best the first time and another section best the second time. Or we might play a whole song fabulously, but five seconds is not good.  Well, when you record the click, you can take a few seconds from one take, and just snippet into another take and it works. But if you record without click, then you really must play the whole piece not just perfectly, because that's the wrong word for music, you must play the piece with spectacular precision and exquisite emotion over and over. That is what we were trying to do.  We were doing this recording during COVID, which means that we basically had to record the project as fast as we could before anybody got sick and as safely as we could. What should have been like maybe eight hours a day recording for five days in a row, we instead recorded for almost 12 hours two days in a row.  The reason it's so unusual for music to be recorded this way is tiny muscles don't take the abuse that big muscles and the mind do. The voice gets tired, the fingers get tired, lips get tired. So it's really unusual to ever be asked to record more than eight hours in a day. In fact, a recording day is more like five hours, which makes people think we don't work very hard for what we do. But let me tell you, musicians work so hard singers work so hard. So that was one of the things that made this challenging the compressed schedule.  Then there's the weirdness that goes on. Right now, we're all in masks, we're trying not to talk to each other. There was a lot that was really challenging, but there were really many cool parts of this process. And playing the music was definitely the best part.  I've been able to play a lot of concerts since COVID, which is really unusual. But they've all been really small intimate projects. This one involved a lot of people. Even though we weren't talking to each other and socializing, we were making a lot of music together. So here we are in the middle of this process, trying to tell this really grand, magnificent story. I have the responsibility of expressing the voice of God and we come to this song that's called "Gethsemane." "Gethsemane" is about what happens in the garden, which is the Atonement. The Atonement is such a difficult thing for a human being to wrap their head around, obviously, we're not capable. At the same time, it's important that we make that effort to understand what it is.  So here comes the melody of Jesus, the one I told you about where it goes back and forth down and then rises up. There's some narration at the beginning of "Gethsemane," and then you come to the voice of Christ. It's so beautifully written. It's really hard for a composer to write for a string player, most composers use the piano to write, and pianos have five fingers. The string players only can use four fingers at a time. Many brilliant composers don't understand this. Rob totally does. He writes melodies that work for string players, they fit under the hand, they fit across the strings. It's like he plays the cello. Except at the end of "Gethsemane," the cello has to make these really awkward leaps. I didn't know how I was going to execute them gracefully. This is the most magnificent moment in history. This is why I believe in the Savior. So how am I going to pull this off?  Rob starts conducting and I'm thinking to myself, "Okay, I've got one shot to portray it well, beautifully. I think I can do that, which is a lot of confidence there. But this thing coming up farther on, oh my gosh, how am I going to make that sound good? Let alone be in tune, let alone be connected. So I prayed for help.  I was blessed with a calm feeling and the presence of a word—Abba. It's my understanding that Abba is a really unique and remarkable name for father because it doesn't really mean father, it means daddy. At the same time, it indicates a real depth of respect for a father while having this really sweet connection as daddy. So with that feeling, I was able to play through "Gethsemane" and Rob was happy with it. So we went on.  But even though I recognize the beauty of that gift, of that experience, the truth is that I didn't think I had done it good enough. It just kind of kept nagging at me and I was trying to decide, "Okay, am I being too hard on myself? Do I really need to play it again? Am I being inspired somehow?" I actually ruminated about this overnight, and came back to recording the next day. As I had more clarity, this phrase kept coming to mind. The phrase is, "The Lord appreciates effort." That quote comes from President Nelson. Every time I would think of that, I kept thinking of him smiling when he said it. So I thought, you know, "I think I need to play this again."  I got the guts up to ask Rob. I was kind of worried about what he'd say beause it's really expensive to ask an orchestra, a choir, the camera, the lights, the team, the facility, say "Oh, Rob, I know you consider that song done and who knows how much money it's gonna cost but can we play it again?" So anyway, I got the guts up and he was so nice about he said, "Hey, sure, that'd be great. We can rerecord 'Gethsemane' when the whole rest of the oratory is finished." I must admit, I thought to myself, "Yay!" I think because I was pretty wiped out already by then, but it made sense. We had to finish so if we had time to go back, we would.  We finished the oratorio and only the replay of "Gethsemane" was left. I was excited. I was scared. My arms were on fire. My neck was on fire. My back was on fire. I guess it's kind of like an athlete at the end of a marathon. I've never run a marathon but at that point, I was in the marathon of cello playing. My mind was tired, my muscles were tired. I didn't really think that I could actually play this any better at this moment because I wasn't fresh. I wasn't at my best. And, you know, I'm trying to act like none of that's happening because this is my job. I am a professional, at least I try to be. But I had asked for it. So what am I supposed to say? My thoughts were kind of racing, but I took some deep breaths. I thought, "This is gonna be just fine. It's gonna be okay." And then right at that moment, I noticed some drops of blood on the floor. I was like, "Oh my gosh, I'm bleeding." It sounds worse than it really was because for string players and pianists, honestly, our calluses split open in the winter all the time. There's not a lot of feeling to the calluses. So for me, the way I deal with it, some people super glue it shut, but I just stick a bandage on it and some ointment. Luckily, a violist had some handy so I got rescued, put the bandage on my thumb, and he [Rob] started conducting.  Well, as soon as I put my bow on the string and started playing, I realized that it wasn't just that my callus had split but the thumb, the nail was separating from the skin of my thumb. So even though I was holding my bow really lightly, just that little bit of pressure, and every time I moved, I was pulling the skin away from the nail. This had never happened to me before. It was so painful. I really didn't know how I was going to keep playing. But I knew I shouldn't stop. The musician never stops. So I prayed again. This time, I really cried out in my mind, like, "Help." And right away, it felt as if there were hands on my head. I recognize the feeling. That's that's what it feels like when you receive a priesthood blessing. And even though the pain was excruciating, it didn't change the pain, I knew that there was an angel there. I didn't really have a sense of who it was, but I knew I was being blessed and it comforted me.  We went through the piece. To be honest, because it hurts so much I didn't have a lot of awareness of how it was sounding. I was really connecting with that warmth of that feeling. So when it was all done, you know, Rob gives the conductor cue. He looked over at me and smiled warmly and said, "That was absolutely beautiful. Thank you, Nicole, would you like to do that again?" I didn't want to tell him and what bad shape I was in and what had happened to my thumb. But I looked up and I looked at everyone's faces around me and I could tell everybody was just as tired as I was. I'm usually pretty professional at sessions. I tried to behave professionally, but I looked around and I opened my mouth and I said, "I can't. That's too much pressure." Everybody just cracked up because, you know, they're not used to anyone talking like that. So we all just cracked up. And Rob just said, "Well, hey, listen, we're here. So let's do it again." And I thought to myself, "Oh my gosh, typical musician, typical conductor. Of course, you gave him the choice, he's gonna say, "Let's do it again." It's the musicians only lie: one more time.  So we started again. This time, the pain was just as bad as before and I cried out in my mind for a third time. This time I expected a miracle, right? This time, nothing happened. I didn't feel hands. I didn't feel an angel. I didn't hear voice. I felt so alone. I felt so abandoned. So what I did to deal with it, is I just like crawled inside my head. I crawled inside my body.  What was really amazing about what happened then is I found an awareness of my fingers that I'd never had before. My fingers like had a mind of their own. They started just flying through those notes like they had lived their whole life for this moment. Me, the person, I had just been along for the ride this whole time.  So we got to the end, Rob gave the cut off. I just listened to the silence. I looked up, and all of a sudden, everyone started cheering. That was the first time I realized that I had played it well. Rob said, "Well, man, that is how we end." I was so happy to be done like everyone else. That wasn't just happy to be done. We were proud because a collective effort felt like it was worthy of the work. Everyone always gives their whole heart to what they do as an artist. But when you are deprived of the opportunities to communicate your music because of COVID and that is your chosen passion, your chosen vocation, what you've spent your life doing, that gratitude for the experience of performing was so powerful. We really celebrated. We were happy.  But this is the thing. That was an amazing experience, and surely it helped. But I didn't really snap out of it. Even though I wanted to leave my heart behind and genuinely feel happy, smile from inside when I saw people instead of pretending. As hard as I tried that real heaviness that darkness returned. A couple weeks later, I finally hit bottom. It was in the middle of the night. I actually wasn't making any noise. I wasn't tossing and turning. But my husband spoke out loud. And he said, "Nicole, are you okay?" And I said, "No, I am not okay. I'm so not okay." I have spent so many nights of my adult life sad and alone. I am so blessed that right now, I'm married to the most amazing man. He just held me in his arms, and I just cried.  As I cried in his arms, I realized something. I thought, "You have all these tools at your disposal and you're not really using them. You could be praying more, you could be reading your scriptures more, you could ask your husband for a blessing."  And as all these thoughts quickly went through my mind, I blurted out, "Bryce, would you give me a blessing?" And he said, "I would love to, Nicole. I was hoping you would ask me." He just jumped right up. It was like 3:34 in the morning. And I was like, "Oh, you don't have to now. You can go to sleep. He's like, "Let me help you." So there in our PJs, in the middle of the night, a husband and wife got to connect in a really beautiful way.  Then one day, I thought to myself that I should talk to my bishop about this. I made an appointment with him and I went into his office. I told him this whole awful ordeal and it was the first time I had said it out loud. All of it.  I think for many of us, when we bring things to our bishop, we're embarrassed. We don't want to bring these burdens to their life. I definitely felt that way. He just listened carefully and after I had finished, he explained that it was a bishop's job not to take a burden and keep it. But it was a bishops job to take a burden and to give it to the Savior. And ultimately, my job was to take this burden and to give it to the Savior myself. But in the meantime, he could give this much away for me.  We talked about forgiveness. We talked about what it is and what it isn't. And it's interesting growing in the lessons of forgiveness because they're very simple. I think we all know them. It's so like music, you can know something is supposed to be a certain way as a cellist just because you know, it doesn't mean you can play it that way. It really must be practiced. So I think it's the same with forgiveness.  With forgiveness, we know it's not saying that something's okay. It's not saying something was supposed to happen or should have happened. We can completely reject the event. It's even appropiate to completely set up a boundary with that person. What forgiveness really is, is choosing to leave the hurt, choosing to leave that place of negativity, choosing to see opportunity in this difficulty.  At the end of our meeting, I asked my bishop for a blessing. It wasn't till then, when he stood behind me and placed his hands on my head, that I somehow put everything together that final few seconds of the cello passage and "Gethsemane." The ones that I struggled with in that recording, that few seconds that made me ask to do that piece over again. That difficulty was intentional. It was but a shadow of what the Atonement was for the Savior. The Atonement for the Savior is not something I can understand. But I can understand how hard it is to do that. The bleeding, the nails splitting, I was meant to play that at the end of my limits in pain and feeling totally alone.  There's a painting I love by the artist James Christensen. It shows a woman with her hand outstretched with this little tiny coin in her hand. The widow's mite represents this sweet old woman who has almost nothing to give. But the little that she has to give, she presents to the Savior.  In my mind's eye, as I was receiving this blessing from the bishop, I realized that I was that woman and now it was time to give up and submit. Just surrender not just my own widow's mite that I had to give, but the hurt that was locked inside of me. I saw the Savior reaching out to me, and he was smiling.  In that moment, I understood that he had already paid the price. That when I would give Him this burden, it wouldn't make Him hurt. That part was over. The path that lay ahead was one of light of love, and joy.  When we leave our pain and our hurt to the Savior behind, a new path opens before us a path of love, a path of service, a path of bringing light to other people's lives. And being the light that we didn't get to have. We get to be that light for someone else.  The blessing ended. I actually didn't tell my bishop what had just transpired in my mind. We parted with friendly, warm words. Then I left the church building out into this cold, sunny winter day. I could feel the warmth of the sun on my skin, on my hair, even my mind.  I knew it would be different for me now because I was walking in the light. The light and love that really comes from our Savior–here's nothing quite like it. I took a deep breath and almost felt like I was taking the first deep breath of my life. I smiled a smile that came from the inside, all the way from my heart. And I put one foot in front of the other and walked into the light. KaRyn  28:00   That was Nicole, the principal cellist in the film recording of the oratorio the "Lamb of God."  I'm going to tell you so much more about this film because, as you could tell from that little bit that you heard in the story, it is a powerful testimony of the life of our Savior. But before we can even get to that, we have to talk about the light. Couldn't you feel it in Nicole's story?  I love that shift, that symbol of reaching from the bottom of the string to the top in the midst of her suffering so that she could represent the Savior well with the voice of her cello. That moment when she felt the heavenly hands on her head, only to be asked to enter the pain one more time and this time to be left alone in her suffering, but with a supernatural ability to transform that pain and isolation into beautiful music.  And finally, the realization with her Bishop's support that all of those moments were an echo, however faint, of the very experience of our Lord and Savior when he drank the bitter cup, and as it tells us in Alma, chapter 7, verse 13 when he took upon Him the sins of His people, that He might blot out their transgressions according to the power of His deliverance.  All of these symbols, layered upon symbols of representation were exactly what Nicole needed to understand a simple truth. The truth that when we offer our sorrow and our pain and our infirmities to the Lord, especially the ones we don't know how to handle, the ones that cloud our heads and leave us sleepless with worry, we can trust that He can handle it, that He alone has already handled it.  We can trust that He knows the unique shape and heft of our burdens intimately, because He's already held them as He paid the price of our possible transformation. We accept the gift that he gave us in Gethsemane when we lift our hands up in a full surrender of the things that we cling to, just as Nicole did.  In that moment, the real work of His Atonement can begin in each of us. The real work of changing us from the natural man or the natural woman into a true disciple, a child of light.  And now I'm really excited to tell you that we have the incredible opportunity, for the first time ever to experience this oratorio, "The Lamb of God" this stunning work of sacred music in theaters–as they reopen safely in some areas. And I cannot think of a better way to spend an afternoon–oh, I cry every time I say this, I cannot think of a better way to spend an afternoon or an evening as we ride out the tail end of this pandemic, and celebrate the coming of Easter.  We'll have links in our show notes so that you can find it if it's near you. And I know that theatres aren't an option for everyone, especially our friends who are listening across oceans. So we'll have other links to some of the music, including that overwhelming piece "Gethsemane" in our show notes at LDSLiving.com/Thisisthegospel.  I honestly can't wait to hear how this music transforms your worship this year. I know that for me, it's been an important new expression of my faith ever since I discovered it and I am so happy to be able to share it with you. I hope it brings light, more light, into your life. That's it for this episode of this is the gospel thank you to our storyteller Nicole for sharing her story and her gifts with us. I played the cello for a hot five minutes in that same ninth grade where Miss Terse was, and it didn't take me long to realize that I wasn't very good at it. So I really and truly appreciate all of Nicole's talents and the years and years she has spent honing that gift to testify of her love of Christ.  You can read more about Nicole and the "Lamb of God" oratorio in our show notes at LDS living.com/Thisisthegospel. You can also find us on Facebook or Instagram @thisisthegospel_podcast. All of the stories in this episode are true and accurate as affirmed by our storytellers.  And we find a lot of our stories through the pitch line. We'll be gathering stories and ideas for our next season soon. So get ready, get on there, share your stories. The best pitches will be short and sweet. And they'll have a clear sense of the focus. You'll have three minutes to pitch your story when you call 515-519-6179. And if you're still listening this far into the outro of the podcast, you are a true friend. I tried to make them interesting, but I don't always succeed, so it is no small feat that you got this far. And if you've made it this far, maybe you wouldn't mind taking it one step further and leaving us a review. We'd love to hear how this podcast is adding to your practice of the gospel.  You can find us on social media @thisisthegospel_podcast or leave us a review on Apple, Stitcher, or whatever platform you listen on. And from one friend to another, thank you for spending time with us. We truly are grateful for you.  This episode was produced by me KaRyn Lay with special help from Arthur Van Wagenen. It was edited by Kelly Campbell and scored mixed and mastered by Mix at Six studios. Our executive producer is Erin Hallstrom. You can find past episodes of this podcast and other LDS Living podcasts at LDSLiving.com/podcasts.   Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

12-year-old Houston and 10-year-old Hadley find themselves stranded offshore after the weather takes a turn for the worse on a paddle boarding excursion. The dropping temperatures and strong currents make their way home feel almost impossible, until the discovery of the family phone gives them a way to communicate with their mom, MeiLani, on shore, becoming a lifeline for them on their journey home. View shownotes at LDSLiving.com/thisisthegospel Follow us on instagram and facebook @thisisthegospel_podcast Transcript coming soon!  Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: Steve gets to choose the song at his mission farewell and discovers pirates in the hymnal; Lillie finds herself leading a choir of cloistered nuns in singing her least favorite hymn; The last few lines of a treasured song turn out to be Holly’s only solace as she faces heart wrenching disappointment in her journey to adopt. View shownotes at LDSLiving.com/thisisthegospel Follow us on instagram and facebook @thisisthegospel_podcast Transcript:  KaRyn  0:03   Welcome to "This Is the Gospel," an LDS Living podcast where we feature real stories from real people who are practicing and living their faith every day. I'm your host, KaRyn Lay.  I am really excited because we have something so fun to introduce our theme today. I was scrolling through my social media feed–as one does–and this comedy bit from Steve Soelberg popped up. And as I was watching it, I was like, "Oh, my gosh, he's read my diary about some of the hymns that we sing on Sundays." So I thought there was no better way to get us talking about music and our gospel practice than to start by having a good laugh together. Here's Steve. Steve  0:40   You know, I do have this theory, though. I think it is good to be embarrassed and do things that make yourself feel awkward and kind of out of place and stupid sometimes. And I think that's healthy. I think it's good to do that. That's why I went on a, I went on a two year mission for my Church. Because it made me feel embarrassed and awkward. I had a lot of doors slammed in my face, and I think that's healthy.  One of my favorite parts of it was even before I left. Before I left, they said, "Steve, you get to pick the hymns that the congregation is going to sing before you leave." It was like a little farewell thing. And I thought that's cool. That's a big responsibility and I didn't want to mess it up. So I asked my dad, I was like, "What hymn should we sing?" And my dad goes, "I don't care, just don't sing the pirate hymn." And I was like, "Wait, what? There's a pirate hymn? What are you talking about? We have a pirate hymn?" And I've done some research on the pirate hymn. The pirate hymn–the lyrics are used across many Christian churches. And as far as I know, my Church is the only one that uses this particular tune. The tune is also used by 1950's Disney movie that was about pirates and the ocean. And so I go, "Dad, please explain to me, what is the pirate hymn?" And he goes, "Well, it goes, it goes yeah, da da da da," and I was like, "Okay, that does sound kind of piratey, but keep going." And he goes, "Yeah, da da da da da" And that felt so piratey I was like, "Oohh... and I started the swashbuckle a little bit"–I don't know why my pirates are Irish, but they are. It just feels . . . I don't know why that's how that goes, but I don't know how to do a pirate accent. It's all Irish. Sorry, if you're in Ireland, and you're watching this.  I didn't recognize the song yet. Right? "Ya da da da da da," I  was like, "I don't recognize it yet." And I was like, "Dad, please sing it." And he's like, "Ugh." He didn't want to, but he did. And he goes, "Well, I'm gonna sing it the right way. With the pirate accent." My dad sings, he goes, "Okay, this is the song. 'Who's on the Lord's say who? Now is the time you show.'"  I was like "Oh! That is a pirate hymn." "We ask it fearlessly!" Fearlessly? What is that! Like, running the Jolly Roger up like, "Are you on the Lord's side? Fly the flag then, we ask it fearlessly. Who's on the Lord's side?" And then it doubles down on the pirate theme, it goes yeah, "Ya da da da da da da, ya da da da da da" at that point seaspray is hitting you in the face. My favorite part, "Who's on the large side who," And the whole congregation sings that line, everybody goes "Whoooooo," You have grandma's next year going "Whooo." Is that how we sing that? Then you look up at the top for direction and it goes "Sing pirately." You go, "Oh there we go. That makes sense."  Sing it pirately.  You go, "Are you on the Lard's side?" "The Lord?" "The LORD?" "The Lord?" "The Lord's side! He's on the starboard side." Of course we sang that when I left. I was like, "Dad, I'm shoving off! We gotta sing the pirate hymn." So excited. KaRyn  4:55   That was Steve Soelberg at Dry Bar Comedy. We love Dry Bar and Steve Soelberg for lots of reasons, but the fact that they specifically offer stand up that doesn't make us bleep anything, that's kind of a big deal. In fact, Steve has a whole special that you can watch on the Dry Bar app that doesn't require any bleeping.  So maybe you're a better person than me, but I really resonated with this whole thing. I'm admitting here and now that I have giggled through more than a few hymns in my day, "Scatter sunshine," "Put your shoulder to the wheel," those have always made me feel just a little like we're all "Yo, ho ho ho-ing" through the rest hymn. And I just realized that I miss the rest hymn! I miss it. And if that's not a pandemic miracle, I honestly don't know what is.  Music is such a funny thing in our gospel worship. There are a lot of different camps of opinion about our hymns. Maybe sometimes we wish they were a little more lively or a little bit more modern. Or in the case of the pirate hymns, maybe we wish they were a little less lively? A little more reverent? I think the reason we have so many different feelings and opinions about the music in our church is because sacred music is one of the ways that so many of us connect to heaven. It's the workhorse of our spiritual communion. It can be a conduit of praise and revelation, a way to express our gratitude and keep a prayer in our hearts.  We use it to spiritually prepare ourselves for participating in holy ordinances. And for me, it's often the tool that God uses to soften my heart so that he can correct me and invite me to come closer. Maybe I forgot to list the way that sacred music wends its way into your gospel practice. But if you think about it, I'm sure something came to your mind.  Today we've got two stories about the way our sacred music tutors and blesses us as disciples. Our first story comes from Lillie, whose love for music and languages gave her the unique opportunity to start a choir, quite different from any that she'd been a part of before. Here's Lillie. Lillie  6:50   The year my husband and I got married, I was teaching high school Spanish so I had summers off, and he was still in school so he had time in the summers as well. So we decided to volunteer. I needed more experience with Latin American countries so that I could feel like I was a better teacher. So I decided to–we signed up for this nonprofit to go and do nonprofit work in Ecuador, with a man named Washington Zambrano, he was actually a bishop at the time too, but he was a dentist. We signed up to be there for almost four months.  And when we got there, there were a bunch of nurses there that were volunteering with him, actual dentists, dental hygienists, so we basically did whatever he asked us to do. One particular service we were asked to do was go and help a bunch of nuns that lived in a monastery there in the historical district of Ecuador and Quito. Cloistered nuns take vows to never leave the convent. And they vow to just basically study and pray and be close to God. So it's pretty amazing that these women chose these things.  Some of the women that we met while we were in there doing their dental work, had actual jobs before they had taken their vows. And so some of them hadn't entered the convent until they were in like their 50's. And others were young, there were a couple of nuns that hadn't taken the vow to be a cloistered nun yet, so those were the nuns that would go out and get food or take some of the prepared food that the nuns made, and give it to the homeless population there in Quito.  So when we went to do dental work for the nuns who obviously hadn't had dental work in a long time, we felt really lucky to have been invited. And we kept hearing from the director, "We are so lucky to be here. They don't let people come in." And so we did feel that and we were really expressing how happy we were to be there, and we knew that it was probably the only time we'd be let in there.  They were super excited when we came because they didn't see people very often. They were talking our ears off. It was super fun. And so while one nun was getting her teeth cleaned, we'd be chatting with the other nuns and getting to know them. I do remember two nuns, they were actually radio personalities in their previous life. They were hilarious, and I think that they missed the attention. Oh my goodness, they were wonderful.  So somehow music came up with the nuns while we were there, and they had missed music in their lives and didn't have anyone to lead a choir. And my husband is a musician and he plays the guitar really well and oftentimes when we would go to do the dental work at the schools or in little villages I would play the violin and he would play the guitar and we'd just play music for them. They said, "Well, we would love a choir, can you teach us music? Can we form a choir? Would you come and do that?" And it was like our dream come true, "Yes!" You know, because I mean, dental work is one thing, but doing music is is exciting and super fun. So yes, we said we'd love to.  And so myself, my husband, and so we got it all set up, and I got these folders, I thought they would feel really important having you know, their folders. I wanted them to know that I was taking it seriously. So I gave them their folders, they had a pencil, you know, to mark anything. The real problem was I didn't have music. And the only music I had access to was the church hymns. So I found a hymnal. It was in Spanish, of course. And I chose some songs that I thought were simple. And I was really drawn to, "As Sisters in Zion" And then the other song was, "As I Have Loved You", and "Keep the Commandments." [Nuns singing "Love One Another" in Spanish"  So the "Sisters in Zion" song, it was an interesting one, because I'm going to be honest, I haven't always loved that song. I haven't always enjoyed singing it. Maybe because I grew up listening to Relief Society sisters sing it, and maybe, you know, there were older voices in there that weren't always the most lovely to listen to–I don't know, it just wasn't a song that I always loved. But as I read the words in Spanish, the translation, it's called, "We Serve United." And what I think is neat about that is they are, they were cloistered nuns serving together.  The first line, the first part of the song, "We serve together because we're sisters." And then it's saying that they hope God blesses us in our work, and we will edify his kingdom on the earth, bringing service in love. It's very simple, and there's nothing that says even Zion in it. And I felt like it translated perfectly for their situation, I thought that they would relate to it, and that it would help them feel strength in their purpose.  So when I brought this song in their little folders with their little pencils–which, they were just giddy when we arrived, I still remember their faces. And remember, they're wearing habits, just like on "The Sound of Music," and they were so excited to see us that of course, we were just thrilled. And I remember singing the song with them, they really caught on pretty quickly. And after they sang it, they looked at me and they said, "Wow, did you write this for us?" Like, "No, actually Janice Kapp Perry wrote this, but it does relate," like, they loved it. They just loved it, it almost became their anthem.  And what I love about it is it completely changed my perspective on this song. I cannot sing this song. Without thinking about these sisters. I really, I saw them as my sisters. I–when we sang that together, I just felt so much love that Heavenly Father had for them.  They let us come several more times during that time we spent in Ecuador, and they weren't really preparing for anything, they didn't have a choir concert, I think it was for their own edification. I think they just really wanted to sing.  So I've always loved music, and I feel like music is what helped me build my testimony throughout my younger years and even now, if I have questions, they're often answered while I'm singing hymns. And I feel like this experience solidified that for me, because, as we sang, the Spirit was there. Music invites the Spirit. And it doesn't matter what religion we are, we are all children of God, and singing a song or singing a hymn that speaks words of truth invites the Spirit. And I felt that so strongly and I looked around at these faces of these beautiful nuns singing "As Sisters in Zion," and I could see the love that they had for the same Heavenly Father, and I feel like it really did unite us in a cause for good. And I'll never sing that song again without that feeling. KaRyn  15:34   That was Lillie. We first heard her story on our pitch line and were mesmerized by her description of acquire of cloistered nuns in Ecuador singing "As Sisters in Zion." My favorite spark of gospel from Lillie's story is that when we sing songs that speak truth, the spirits present, regardless of our faith tradition. And that's only amplified when we sing those songs together.  All my fellow choir nerds out there know that something really cool happens when we join our shaky, imperfect voices in praise of Jesus. And I think that something is a taste of Zion. The things that make us different or disconnected seem to fall away as we exert the same kind of effort to take individual notes and individual voices, and meld them into one. I think it's a really transcendent experience, and it can change the way that we see one another.  Maybe it's the erstwhile fiction writer in me speaking here, but I have this vision that someday anthropologists in the year 3000, will find this recording of a Spanish translation of Janice Kapp Perry's, "As Sisters in Zion" in an abandoned nunnery in Ecuador, and it'll spark a historical mystery for our posterity that will end with them coming to the conclusion that we were a unified and connected people across cultures and continents.  I know, it's a little far fetched, but a girl can dream, right? And maybe, just maybe, when we get back from this quarantine, we'll all decide to take another look at joining the ward choir. Just a thought. Our next story about the power of music comes from Holly who needed additional strength to move forward after a devastating setback. Here's Holly. Holly  17:16   My husband and I were married in 1986, it seems like a really long time ago. And in 1991, we did our first adoptions. We had three biological children and in 91, we went to Romania, to adopt and adopted two little girls from orphanages there and decided that we would really want to welcome kids into our home who had been abandoned, neglected, in some way–hard to place, because we also had a biological daughter with disabilities, and so it really opened up a world of possibility for us to add to our family.  When we decided to adopt, when we felt inspired to adopt another child, or add another child, we always took it to the Lord. We always prayed, we always got confirmation, we both had to be on the same page. I think my husband would tell you that, if we had adopted every child that I had felt would be a good fit, we'd probably have 50. And we don't have quite that many, but we always got confirmation. And that was one of the things that I relied on, right? Is feeling confirmation from the spirit that these were the children that I needed to add to my home.  So in 2007–actually beginning in 2006–we started to pursue an adoption from a country in Africa, it's no longer open, but at the time it was open, and we had that same familiar feeling, it's time to go add to our family. We did all of the paperwork, and I traveled to that country prepared to adopt. My husband was going to stay home, I was going to go and I took one of my teenage daughters with me to do this adoption. And we actually spent months there.  We lived there to complete these adoptions, and we found three little girls. One was in an orphanage, and two were actually abandoned in the hospital, and they were legally adopted to us. We got birth certificates, and passports in the Richardson name, the courts released them into my custody and I started taking care of them, while we were still undergoing the rest of the legal process and the court process.  Absolutely bonded, I fall in love with my kids very quickly. The last step is to go to the American Embassy and get visas to bring them home to the United States. We went to the American Embassy and they . . . they said "No." They turned us down. First they said "Well, we need to go verify where these girls actually came from." So we tracked down all the information we had, we tracked down the police report where the kids were abandoned, I mean, we tracked all of this information down, provided all of the paperwork, and then there was another reason. And we just couldn't figure it out. And it started to get concerning.  One day with my teenage daughter who had come with me, we got a knock on our apartment door where we were staying and it was Child Services from this country, and they were coming to take the kids back into their custody. Two of them were newborns, one of them was only three months old, so they were really close in age. And I had been their full time caregiver around the clock for a couple of months at least. And here, these people show up and they're like, "We're here to take your babies." And I'm like, "What? What . . . like, How can that be possible?"  And they just said, "Well, we know you're having trouble with the American Embassy, so you go work it out in America, and we're going to take care of the girls here," and told us to go home and work on the problem at home. And we were just like, I was just stunned. I . . .I couldn't believe it, right. It was really traumatic and very sad.  And here I had been, trying to be faithful, following the spirit, and it had not worked out and I was in shock and grief. I did not feel the Comforter, I did not feel supported, I actually felt betrayed. I felt betrayed by God, that He had led me so far, and then taken away the ability for me to get these little girls home.  I had this realization that I was at a moment of choosing. And I did debate a little bit on on whether this was going to be the last straw for me, because we'd gone through some really rough stuff. I could have said, "Okay, I'm done. I'm out." I had, at the time, this was 2007, so I had a laptop, it  used to have a CD player and I had CD's with me from the Mormon Tabernacle Choir. And as I played, "How Firm a Foundation," I was stuck on the last verse. And the last verse says, "The soul that on Jesus hath leaned for repose, I will not, I cannot, desert to His foes. That soul, though all hell should endeavor to shake, I'll never, no never, I'll never no never, I'll never, no never, no never forsake."  And I literally put that on repeat. This music helped calm my soul, it was so soothing, and I just sat there and listened and cried and listened and cried and cried. And made that commitment that I'll never forsake. I'll never forsake, no matter how hard it is, I'll never forsake and that was, that was really my moment of choosing. That music really helped me choose faith.  I heard later, one of the people that was helping us said that they had just participated in a meeting where the woman who had come and taken my children from me, stood up and said that Mormons were not Christian, and that she had saved these children from a fate worse than death by preventing them from coming to an LDS home. I don't know exactly what her difficulties were with my religion, but it was very clear that that was the reason that they decided that they were going to prevent these kids from coming home.  Now what happened is, I went home and I spent, we spent many, many hours with attorneys and working the legal process, and the reality was–it never happened. And they didn't come home.  I entered a period of really dark depression, because I couldn't bring them home. And it just felt so awful that I knew where they were, and I couldn't do anything about it. People would ask me, "How are you doing?" and I would literally burst into tears. I look at pictures from that year, I never did my hair, I never wore makeup, I put on sweats, like I could barely get myself out of bed. But because I chose to stay in the gospel and to do the things that I needed to do to feel the light again, because I didn't for a long time.  One morning, in December of that year, I woke up and I could tell that things were a little bit better. That was the day that I started to really feel like I was healing from that. And now it's been, what, 14 years. And every time I still hear that song, I remember that commitment that I made, both to myself, but to God as well to say, I'm going to stay, and I choose faith.  And I think sometimes. . . II think sometimes people think that, that people stay in the church out of maybe naivete, but, but I choose to stay in spite of the difficulties, and I choose to stay in spite of not knowing. And I chose to stay even when things were really hard and I felt like they were really not fair–and they weren't fair. But I knew that I would have dark times but I also knew that I could rely on Heavenly Father and my Savior, I knew that they would be there, and I knew that I would get through it. And I did it.  And I think part of it for me is knowing that if I hold on during those dark times that the light will come again. I've gone to the temple where I felt not one thing. I've prayed where I felt like not one thing, nobody was listening, nobody cared. But I just did the things I knew I was supposed to do, and the light came back. KaRyn  25:37   That was Holly. Holly and her husband, are parents to 25 children who've come into their family in various ways. And if that doesn't tell you what you need to know about her willingness to commit when the Spirit directs her, I don't know what does.  I appreciate what she learned about the beauty of our hymns as spiritual teachers, that when we listen to and surround ourselves with sacred music as part of our discipleship, we're creating a little well of inspiration that we can dip from when we need to learn something or decide something in a moment, even if that moment is characterized by pain or grief. Those songs will float upward and act as a catalyst for the Spirit. But even better, after we've had that experience with the Spirit, the moment is gonna fade, but that song will still remain.  And just like Holly said, every time we hear it, it becomes this tangible touchstone of a time when we were inextricably connected to heaven, a solid reminder to recommit or to stay strong or to have additional peace.  I suspect that most of us could point to a pivotal moment when a song, a sacred song, offered an answer or comfort to us. I know I can. For me, it always seems to come from the song, "I'll Go Where You Want Me to Go." In fact, that song has become kind of an inside joke between me and the Lord. Every single time I don't want to do something scary, or I'm on the fence about following inspiration or revelation. Invariably, I go to church, I sit in the back pew, I argue with the Spirit about it, and then we sing this song for the closing hymn.  This conversation with music and the Spirit happened when I was trying to decide whether to serve a full time mission. And it happened when I was feeling nervous about my decision to leave my job and move to South Korea. And it happened again when I didn't get into a graduate program that I desperately, desperately, wanted to be a part of. And when the answer was to stay right where I was for the time being. It's this line that gets me every time, "But if by a still small voice He calls to paths that I do not know, I'll answer Dear Lord with my hand in thine, I'll go where you want me to go."  I admit that it has some of the lilting of a pirate hymn, but it's my pirate hymn. And every time I hear it, I am reminded that sacred music is a powerful and personal tool of communion between me and my Heavenly Parents. There's one other piece of this that I think is worth mentioning. In a Church Educational System talk the President Nelson gave in 2008 he spoke about the power and the protection of worthy music.  And at the outset, it might seem like our stories today were all about the power of music, the power to unify, to transcend differences, to anchor us to the gospel and soothe our troubled hearts. But when I look a little bit deeper, I can see what President Nelson was talking about when he said, quote, "Music is not only a source of power, but also of protection," end quote.  Surrounding ourselves with sacred music–and that could be lots of different kinds of music, I'm not just talking about hymns, but surrounding ourselves with sacred music offers a shield against the darts of the adversary. It covers our efforts to share eternal truths when disagreements, misunderstandings, or cultural differences could easily drive a wedge between an ad hoc choir director and her newly formed corral of nuns. Sacred music can hold us still, while our hearts break in a hotel room far from home. And it can fill us with a hope that is strong enough to cast out the doubt and the dissonance that threatens to send us far from God's goodness.  In my own life, I've seen sacred music fill the space between the angry words in my head and my sometimes too sharp tongue. It stopped me from saying things that I couldn't take back. And I have experienced the presence of angels after a light filled song open the gates of heaven against a darkness that felt like it could own me.  Worthy music is a power and a protection. Is it any wonder then, that President Nelson warned us in that talk to use that power and care for that protection intentionally, when he said, quote, "Do not degrade yourself with the numbing shabbiness and irreverence of music that is not worthy of you. It is not harmless. It can weaken your defenses. Fill your minds with worthy sights and sounds. Cultivate your precious gift of the Holy Ghost. Protect it. Carefully listen for its quiet communication, you will be spiritually stronger if you do," end quote.  And to that, my friends, all I can say is amen. And in the spirit of our theme today, I want to leave you with one more thing, a hymn that my Pappy used to sing with all of his heart and soul in our sacrament meeting, arranged and sung by some of my favorite musicians. I hope it gives you an added measure of power and protection today. This is "II Stand All Amazed" by the Bonner family. Bonner Family  31:33   "I stand all amazed at the love Jesus offers me. Confused at the grace that so fully he proffers me. Oh, it is wonderful that he should care for me enough to die for me. Oh it is wonderful, wonderful to me."  "Wonderful to me. I marvel that he would descend from His throne divine. To rescure a soul so rebellious and proud as mine. Oh, it is wonderful that he should care for me enough to die for me. Oh it is wonderful, wonderful to me."  "I stand all amazed at the love, I stand all amazed. Wonderful to me. Wonderful to me."  KaRyn  34:33   That's it for this episode of "This Is the Gospel." Thank you to our storytellers, Lillie and Holly, and comedian Steve Solberg and Dry Bar Comedy for sharing their stories and their love for all worthy music, including the piratey ones.  We'll have a link to Steve's full length comedy special–that again requires no bleeping–and more info about each of our storytellers in our show notes. We'll also have a way for you to find more of that gorgeous music from the Bonners. Seriously, they're bringing a whole new energy to our hymns, and I am here for it. You can find our show notes at LDSliving.com/thisisthegospel.  One of my favorite things besides the Bonner family and cake is hearing from you. We love to hear how this podcast is adding to your practice of the gospel. You can find us on social media at @thisisthegospel_podcast, or leave us a review on Apple, Stitcher, or whatever platform you listen on. Reviews are super helpful in pushing us up in the recommended section of a lot of platforms, so more people can find us easily.  All of the stories in this episode are true and accurate as affirmed by our storytellers. We find so many stories through the pitch line and we'll be gathering those stories and ideas for season four soon so get ready to share them. You'll have three minutes to pitch your story when you call 515-519-6179. This episode was produced by me KaRyn Lay, with story production and editing from Erika Free. It was scored, mixed and mastered by Mix at Six studios and our executive producer is Erin Hallstrom. You can find past episodes of this podcast and other LDS Living podcasts at LDSliving.com/podcasts.   Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Stories in this episode: Brett’s charge to defend a man who has committed heinous crimes is almost too much to bear until a desperate plea to God in the middle of the courtroom restores his hope; As a new judge, Carey faces a crisis of conscience when a temple recommend interview offers new insight; When Jennifer is unfairly judged by her colleagues, the consequences send her into a bitter tailspin that only a vivid dream from heaven can stop. View shownotes at LDSLiving.com/thisisthegospel Follow us on instagram and facebook @thisisthegospel_podcast Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.