Podcast appearances and mentions of rob gardner

"On était aux prises avec un tueur en série. Ces types vivent ces expériences comme des fantasmes, et une des choses qui alimente ces fantasmes après le crime, c'est un souvenir, ou un trophée. Quelque chose qui appartenait à la victime."Découvrez les coulisses du FBI à travers le récit de 7 enquêtes. De l'enlèvement d'une adolescente à un projet de coup d'État par un groupe de suprémacistes blancs, suivez les agents en charge de chaque affaire. Profilage, analyses scientifiques, utilisation de la presse ou collaboration avec la police, lorsque des criminels sèment la terreur, le FBI fait l'impossible pour les mettre derrière les barreaux.“Les dossiers du FBI” est un podcast coproduit par Initial Studio et New Dominion Pictures, adapté de la série documentaire audiovisuelle "FBI Files" produit par New Dominion Pictures. Cet épisode a été écrit par Jerome Delayen et David O'Donnell, et réalisé par Bertrand Morin, Dave Haycox, Joe Wiecha, John Kavanaugh, Rob Gardner et Stuart Taylor.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Marie AgassantMontage : Camille LegrasAvec la voix d'Emmanuel Rehbinder Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

"C'est comme s'il avait suivi un scénario établi d'avance. Ce type devait être très ordonné, très organisé."Découvrez les coulisses du FBI à travers le récit de 7 enquêtes. De l'enlèvement d'une adolescente à un projet de coup d'État par un groupe de suprémacistes blancs, suivez les agents en charge de chaque affaire. Profilage, analyses scientifiques, utilisation de la presse ou collaboration avec la police, lorsque des criminels sèment la terreur, le FBI fait l'impossible pour les mettre derrière les barreaux.“Les dossiers du FBI” est un podcast coproduit par Initial Studio et New Dominion Pictures, adapté de la série documentaire audiovisuelle "FBI Files" produit par New Dominion Pictures. Cet épisode a été écrit par Jerome Delayen et David O'Donnell, et réalisé par Bertrand Morin, Dave Haycox, Joe Wiecha, John Kavanaugh, Rob Gardner et Stuart Taylor.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Marie AgassantMontage : Camille LegrasAvec la voix d'Emmanuel Rehbinder Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

“You're going to invest in a fund but this fund is going to own peatlands, sphagnum moss, re-wiggled rivers. It's going to restore farmland, it's going to own oyster reefs.”How are we going to find the funding needed to restore nature at scale? Protecting communities and infrastructure from flooding, and drought, by rewilding river systems may hold the key. In this episode of Rewilding the World, Ben Goldsmith is joined by Rob Gardner of Rebalance Earth, a new initiative which aims to do just this.Ben Goldsmith is a British financier and rewilding enthusiast. Join him as he speaks to people from all over the world who champion nature and are helping to restore habitats and wildlife to some of the most nature depleted parts of our planet.This podcast is produced by The Podcast Coach.Text Rewilding the World here. Let us know what you think of the podcast and if there are any rewilding projects you would love Ben to feature in future episodes. The Conservation Collective support locally-led environmental Foundations around the world. Together we'll protect and restore the wild places we know and love.

SPONSOR: Direct Bullion. Download your free Guide to Gold Pensions Now. (plus get a special bonus).CLICK HERE NOW: https://robmoore.directbullion.com Rob is joined by hedge fund manager Rob Gardner, who has helped over a million clients invest. He shares with Rob how he helps manage other people’s money, his investment strategies and the beliefs and principles he invests and lives by. They also talk about who they think controls the world, the power banks and investment firms hold, and their thoughts on taxation. KEY TAKEAWAYS Rob has a set of investment beliefs and principles that he uses to guide him, particularly with more difficult decisions. It can be easier to work with other peoples money than your own as it isn’t just you working on decisions, but a team, and it also keeps you clear-headed and professional. You have to maintain discipline to be able to invest calmly and safely. It’s also important to recognise that you won’t get every decision right. Rob wants to be financially free by the time he is 55, to meet this target he tries to double his money every year. When investing, it’s important to diversify across equity, bonds and properties. Investing should always be for the long term. For example, when investing in businesses, think about their longevity. Rob believes that we can still live in a capitalist society and reduce on reliance on fossil fuels. The idea of overnight success isn't real, yet people are becoming obsessed with quick results. As a society, we need to think about how we change this mindset to continue to create the entrepreneurs of the future. BEST MOMENTS “Personally I’ve always had a set of investment beliefs.” “Investment is risk, but risk is to shake people off” “I want the freedom to say I don’t want to work” “Ask yourself, if this business didn’t exist, would the world miss it?” “The world and economic growth needs cheap energy and that energy can come from other places” “People don’t realise that a pound note is an IOU” "How do we have radical reform? What is a way to fire up the UK economy again?" VALUABLE RESOURCES https://robmoore.com/ bit.ly/Robsupporter https://robmoore.com/podbooks rob.team ABOUT THE HOST Rob Moore is an author of 9 business books, 5 UK bestsellers, holds 3 world records for public speaking, entrepreneur, property investor, and property educator. Author of the global bestseller “Life Leverage” Host of UK’s No.1 business podcast “The Disruptive Entrepreneur” “If you don't risk anything, you risk everything” CONTACT METHOD Rob’s official website: https://robmoore.com/ Facebook: https://www.facebook.com/robmooreprogressive/?ref=br_rs LinkedIn: https://uk.linkedin.com/in/robmoore1979 See omnystudio.com/listener for privacy information.

This summary is less a trailer than a highlight reel. The year started with a new administration in the US and an explosion of the culture wars and backlash against DEI and ESG labelling. Even engagement has become more cumbersome and some may feel the hard won policies of years ago are going into reverse.  Because we had lined up a list of industry experts with a focus on sustainable investing for this series, we had an excellent opportunity to ask them about the headwinds and the view of them. The views were surprisingly nuanced and positive, from the insights of a sustainable equity manager about the impact that was still happening, to the views of two founders of a nature based solutions manager about the decline of net zero alliances and how the shift of focus from carbon might be a good thing. The guests of Series 1 are Chelsea Smith of Bernstein Private Wealth, Anastasia Guha of Redington, Denise Le Gal of Brightworth, Abdiel Santiago of the Panama Sovereign Wealth Fund, Bjorn Thelander (formerly of the Dyson Family Office), Stephanie Niven of Ninety One, Rob Gardner and Eoin Murray of Rebalance Earth and Steve Neel of New Mexico Educational Retirement Board and Stephen Oxley of OXC. This series of the Fiftyfaces Podcast is proudly brought to you by bfinance—a trusted partner to the world's leading institutional investors. With a proven track record in strategy, implementation, and oversight, bfinance delivers bespoke investment consultancy that empowers asset owners to achieve their unique objectives. Whether it's refining portfolio strategy, selecting fund managers, monitoring performance or getting better value for money, bfinance combines global expertise with tailored solutions to unlock value for their clients. To learn more about how they've supported over 500 clients in 45 countries, managing assets totalling over $9 trillion, visit bfinance.com.

Jim Reid, LoriAnn Persinger, and Rob Gardner join Andrew and Carlos to talk about the RecPoker community and how the needs, goals, and experiences of recreational players differ from those of professionals. LoriAnn first appeared on Episode 394 of the ... Read more...

Our guests on this episode, Rob Gardner and Eoin Murray, both previous guests on this podcast, join us again to discuss how they have come together at Rebalance Earth.  Rob is the CEO and CoFounder of Rebalance Earth, which redirects the flow of capital to protect and restore nature at scale. He was a guest on this podcast in 2021 when we discussed his Redington journey and again last year when we discussed his book EARN IT, KEEP IT, GROW IT. Eoin is the incoming CIO of Rebalance Earth, and was also a guest on this podcast in 2021.  He was formerly Head of Investments at Federated Hermes International. I have gathered Eoin and Rob together to discuss the vision and future outlook for Rebalance Earth, and we start by looking at the case for investing in nature and how instruments and markets have evolved to make this doable. We speak about the hydrology cycle, and how water, not carbon, lies at the heart of bio-diversity preservation as well as many of the risk factors facing companies whether from a shortage of water or an excess of it (flooding). We address the current zeitgeist, and the push back around net zero alliances and sustainable finance in general, and Rob and Eoin share some interesting perspectives. You can listen to Rob's previous podcasts here: https://www.fiftyfaceshub.com/281-rob-gardner-on-attaining-financial-freedom-the-secret-of-earn-it-keep-it-grow-it/ (on Financial Freedom) and here: https://www.fiftyfaceshub.com/robert-gardner-how-to-make-money-a-force-for-good/ and Eoin's podcast is here: https://www.fiftyfaceshub.com/eoin-murray-of-federated-hermes-sustainable-investing-and-mountain-and-water-rescue/This episode of the Fiftyfaces Podcast is proudly brought to you by bfinance—a trusted partner to the world's leading institutional investors. With a proven track record in strategy, implementation, and oversight, bfinance delivers bespoke investment consultancy that empowers asset owners to achieve their unique objectives. Whether it's refining portfolio strategy, selecting fund managers, monitoring performance or getting better value for money, bfinance combines global expertise with tailored solutions to unlock value for their clients. To learn more about how they've supported over 500 clients in 45 countries, managing assets totalling over $9 trillion, visit bfinance.com.

Rob Gardner is the CEO and Co-Founder of Rebalance Earth, which redirects the flow of capital to protect and restore nature at scale, He was a guest on this podcast in 2021, and that show is available here.  He has recently written a book with the title FR££DOM, which advocates three money moves to transform your finances. EARN IT, KEEP IT, GROW IT. This is just one part of his career-long mission to further financial literacy, education and investing for a world worth living in.  This podcast is mainly focused on the book FR££DOM, which is designed as a toolkit for young people to enjoy financial freedom.  We talk about the different attitudes to money and different needs as well as the shifting priorities of generations – e.g. the current young generation seeking to own less and experience more.  On the topic of saving, we discuss how most people are not wired to save and the rise of credit – such as Buy Now Pay Later Schemes. We move then to discuss previous economic crises/property market crashes and what they teach us in terms of fiscal discipline and then discuss the two chapters in the book dedicated to digital assets and crypto currencies. This podcast is kindly supported by GCM Grosvenor. GCM Grosvenor is a global alternative asset management firm with a longstanding commitment to supporting small, emerging, and diverse investment managers. For over 30 years, the firm has developed expertise in funding and guiding these managers as part of its broader activity across alternative investments.  With over $20 billion in AUM dedicated to small and emerging managers and $16 billion in AUM dedicated to diverse managers, GCM Grosvenor leverages its experienced team, broad network, and proprietary sourcing capabilities to support their success. Through the Small, Emerging, and Diverse Manager Program, the firm creates opportunities for investors to access a wide range of talent while seeking to drive strong returns and impact. For more information, visit www.gcmgrosvenor.com.

www.CPOPLAYBOOK.comEpisode TranscriptAboutIn this podcast episode, Robert Gardner, CEO of Rebalance Earth, discusses "toxic talent" in workplaces—highly skilled individuals whose negative behaviors harm team dynamics despite their competence. He stresses early recognition, setting clear expectations, conducting thorough reviews, and using tools like the nine-box grid for assessment. Gardner advocates for prompt action and strategic planning to mitigate risks associated with toxic talent.*Robert GardnerWith 25 years of experience as an entrepreneur and investor with a strong sustainability background in pensions and wealth management, I've committed my career to making money a force for good. I previously served on the Executive Board of St. James's Place, managing £150 billion in investments. I co-founded Redington and Mallowstreet, two B-Corps in the investment and pensions space and RedSTART, a financial education charity.*All media inquiries: media@cpoplaybook.com

Season 6 Episode 8: In this episode, Pete Codella, managing director of business services at the Governor's Office of Economic Opportunity, talks with Rob Gardner, principal of Savory Fund. Gardner shares his journey from his Utah roots to his diverse professional experiences, including his time in public accounting and private equity. He reflects on various aspects of the restaurant industry, its evolution, and the challenges aspiring restaurateurs face to the impact of technology on dining trends. The duo discusses Savory Fund's mission to help restaurants scale effectively by investing in people first. Gardner highlights the importance of perseverance and focusing on key factors like good food, service, and value. He delves into the intersection of technology and traditional dining experiences, articulates a vision for the industry's future, and much more. 

Rob Gardner, an old friend of mine, is the guest this week. We chop it up about life, God, sports, psychedelics, mental health, the shadow self, and more. We sure aren't professionals, but it's a fun conversation.

NBA News, NFL News, MLB News, WNBA News, NHL News, SouthPark, A Farewell to Frank Howard, Bingo Smith, Rob Gardner & Matthew Perry. --- Support this podcast: https://podcasters.spotify.com/pod/show/on-the-radar/support

The seventh episode in this series sees Jessica speaking with Rob Gardner, Founder, Rebalance Earth and William Mitchell, Risk Advisory Investment Management and Wealth Nature Lead, Deloitte and discussing the challenge of nature and biodiversity in the market.

This week on Fraudish we hear from Rob Gardner of Robert Gardner and Associates who specialize in public records and helping Forensic Accountants and Consultants find where the paper trail ends. Listen to this episode to learn more about how to find and utilize public records in investigations. Rob is here to help us be better fraud professionals! Links:Rob's LinkedinRob's TwitterManage RisksBig DataCasino

Rob Gardner, President of American Steam Railroad Preservation Association, provides updates on the restoration of Reading Railroad T-1 2100 and what is planned for the future. This episode is sponsored by Strasburg Rail Road Mechanical Services and Rail and Road Auctions. Related Episodes… The post 135: Reading 2100 – American Steam Railroad appeared first on The Roundhouse.

This Week Rob Gardner returns to the Value perspective podcast to interview Roberta Barr from the Value Team as part of our Meet the Manager miniseries. Both Roberta and Rob have a passion for ESG investing. Since his last appearance on the podcast, Rob has departed St James Place to start his new venture, Rebalance Earth, the world's first holistic natural capital solution. The vision is to offset over a gigaton of carbon through nature based solutions, protecting and improving biodiversity and generating daily income for millions worldwide. He aims to achieve this through piloting several projects in the UK and worldwide that provide the flow of income for nature's ecosystem services. Roberta is the Head of ESG Investing in the Value Team and she joined Schroders as part of the grad scheme six years ago. In this episode Rob and Roberta discuss: how the Value Team integrates ESG factors into their investment process; how the Value Team engage with companies on ESG issues; the tools and frameworks that Schroders and the Value Team use to manage ESG risks, including those related to biodiversity;  and finally, how biodiversity risks have played a significant role in the Value Team's decision making. Enjoy! NEW EPISODES: We release main series episodes every two weeks on Mondays. You can subscribe via Podbean or use this feed URL (https://tvpschroders.podbean.com/feed.xml) in Apple Podcasts, Spotify, Google Podcasts and other podcast players. GET IN TOUCH: send us a tweet: @TheValueTeam  Important information. This podcast is for investment professionals only. This information is not an offer, solicitation or recommendation to buy or sell any financial instrument or to adopt any investment strategy. Any data has been sourced by us and is provided without any warranties of any kind. It should be independently verified before further publication or use. Third party data is owned or licenced by the data provider and may not be reproduced, extracted or used for any other purpose without the data provider's consent. Neither we, nor the data provider, will have any liability in connection with the third party data. Reliance should not be placed on any views or information in the material when taking individual investment and/or strategic decisions. Any references to securities, sectors, regions and/or countries are for illustrative purposes only. The views and opinions contained herein are those of individual to whom they are attributed, and may not necessarily represent views expressed or reflected in other communications, strategies or funds. The value of investments and the income from them may go down as well as up and investors may not get back the amounts originally invested. Exchange rate changes may cause the value of any overseas investments to rise or fall. Past Performance is not a guide to future performance and may not be repeated. The forecasts included should not be relied upon, are not guaranteed and are provided only as at the date of issue. Our forecasts are based on our own assumptions which may change.

This weeks episode is going to make you hungry! it was a great conversation who is on the investment team with Savory fund. They focus on helping existing restaurants scale and grow. He talked about what they look for in a founder when they are making investment decisions and the key aspects he sees in successful entrepreneurs. We hope you enjoy this week's episode. 

Steve wraps up Season 6 with a nice bow! After thanking all the guests from the season and giving some life updates/news, Steve shares the piece that has served as the opening music this season - Semper Solus In Turba (Always Alone in a Crowd). Solus: https://tinyurl.com/y2yus8ak In Turba: https://tinyurl.com/2un7c8jf Thanks to all our amazing guests this season!! Jaakko Mäntyjärvi http://www.jaakkomantyjarvi.fi/CVEN.html Janice Kapp Perry https://janicekappperry.com/ Andrew Morgan Smith https://www.andrewmorgansmith.com/ Diederick van der Laag https://www.diederikvanderlaag.nl/  Jessica French https://www.jessicafrench.net/ Dawn Sonntag https://dawnsonntag.com/ Dwight Bigler http://www.dwightbigler.com/ Sarah Rimkus https://sarahrimkus.com James Knox https://knoxsheetmusic.musicaneo.com/ Juhi Bansal http://juhibansal.com/ Tracy Wong https://tracywongmusic.com/ Rob Gardner http://robgardnermusic.com/ Garrett Breeze https://garrettbreeze.com/ Craig Hella Johnson https://conspirare.org Connect with us! Email: moveabledo@gmail.com Website: https://sdcompose.com/moveabledo Instagram: @Moveable_do_podcast Twitter: @MoveableDo --- Send in a voice message: https://podcasters.spotify.com/pod/show/moveabledo/message Support this podcast: https://podcasters.spotify.com/pod/show/moveabledo/support

Join Steve this week in a discussion with Rob Gardner. We talk about what it's like being the 6th child in a large family (something we share), his early a cappella group, 2-5-9, and the musical he wrote as a missionary. He tells us more about his projects like Cinematic Pops and Truck Tunes. Pieces featured on this episode, "My Kindness Shall Not Depart from Thee" from Joseph Smith the Prophet, "Your Brother by Your Side" from The Price of Freedom, "Stay With Me" from Blackbeard, and "Sometime We'll Understand" from Lamb of God. For more information about Rob and his music, visit http://robgardnermusic.com/. For more information about this podcast and a full archive of episodes, visit https://sdcompose.com/moveabledo. Keep the music moving! Connect with us! Email: moveabledo@gmail.com Website: https://sdcompose.com/moveabledo Instagram: @Moveable_do_podcast Twitter: @MoveableDo --- Send in a voice message: https://podcasters.spotify.com/pod/show/moveabledo/message Support this podcast: https://podcasters.spotify.com/pod/show/moveabledo/support

Palmyra est une île tropicale des mers du sud. Elle est déserte presque toute l'année. En 1974, pendant la saison touristique, 6 voiliers convergent en même temps vers la petite île. Ce paradis terrestre va vite se transformer en enfer, lorsque des plaisanciers montrent leur vrai visage et où la seule loi devient celle de la jungle."Les dossiers du FBI" est un podcast coproduit par Initial Studio et New Dominion Pictures, adapté de la série documentaire audiovisuelle “FBI Files” produit par New Dominion Pictures. Cet épisode a été écrit par Dean Gregory Love et Patrick Prentice. Il a été réalisé par Rob Gardner.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic, Mandy Lebourg et Astrid VerdunMontage : Camille LegrasIllustration : Initial Studio Avec la voix d'Olivier Sitruk

Palmyra est une île tropicale des mers du sud. Elle est déserte presque toute l'année. En 1974, pendant la saison touristique, 6 voiliers convergent en même temps vers la petite île. Ce paradis terrestre va vite se transformer en enfer, lorsque des plaisanciers montrent leur vrai visage et où la seule loi devient celle de la jungle."Les dossiers du FBI" est un podcast coproduit par Initial Studio et New Dominion Pictures, adapté de la série documentaire audiovisuelle “FBI Files” produit par New Dominion Pictures. Cet épisode a été écrit par Dean Gregory Love et Patrick Prentice. Il a été réalisé par Rob Gardner.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic, Mandy Lebourg et Astrid VerdunMontage : Camille LegrasIllustration : Initial Studio Avec la voix d'Olivier Sitruk

No wonder betrayal is one of the most painful experiences when our entire lives orbit around relationships! We hope this episode lets Heaven intervene in your healing

"It is important for our members to be seen in spaces that they've traditionally not been welcome to. When you feel that you belong in a space, it changes something inside of you... You learn to use your voice by singing, and then you have the confidence to go use it in ways that dramatically impact your life and the lives of others."Erin Guinup's pursuit of creative, uplifting, and service-oriented work is the driving force behind her varied career. She is the founding Executive and Artistic Director of the Tacoma Refugee Choir which has included singers from 66 countries and performed for over 40,000 people. With the choir, she has spoken at TEDxSeattle, been featured on PBS, and presented on hope in diverse communities for Starbucks and the Global Migrant Festival in Singapore. She has led national community singing events, spoken at national conferences for NATS, ACDA, and Chorus America, and presented workshops on the voice of leadership for Amazon and small business groups. Erin is a classically-trained soprano and has been featured with groups including Symphony Tacoma, Ensign Symphony and Tacoma Concert Band singing Puccini's La Bohème, Handel's Messiah, Carmina Burana, Disney's Frozen, and her own original songs. Her internationally performed one-woman show about female composers was praised as “an amazing tour-de-force” and another show was described as “life-changing”.  A sought-after teacher in classical and contemporary vocal technique and contributing author for three books, Erin's voice students have found success on Broadway, operatic stages, radio and television. Other career highlights include directing the world premiere of Orson Scott Card and Mark Mitchell's He is There; performing as Mary Poppins; conducting Rob Gardner's Lamb of God; hearing her choral works performed by other choirs; and singing with Israeli-Palestinian choir Common Ground Voices in Jerusalem and Germany. Erin was recently recognized as an American Leadership Forum fellow, OL Reign Legend, one of Tacoma's Most Inspiring Women and one of five Women to Watch by South Sound Magazine. She became a Senior Fellow of the Tacoma/Pierce County chapter of the American Leadership Forum in 2022.To get in touch with Erin, you can find her on Facebook (@erin.guinup) or visit the Tacoma Refugee Choir website, https://www.refugeechoir.org/ .Choir Fam wants to hear from you! Check out the Minisode Intro episode from September 16, 2022, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

Hedge fund manager Rob Gardner joins Rob in this episode to talk all about investing including dealing with the weight of other people's finances and who really controls the world's money! The Rob's also discuss centralised banking, the devaluation of money and how things can be improved for everyone with capital distribution. Rob Reveals: What it feels like to control other people's money The most difficult parts of his job The key to investing The beliefs and principles he invests by Where he sees the UK's financial situation in the future Also featured… Why diversification of Investing is essential Why investing is a long game and how this changes your decision making The role of taxation BEST MOMENTS “You have to have the conviction that you're dealing with people's money in the right way” “You only really lose money when you're invested in businesses that go bankrupt” “Principle number one is decades, not days” “Ask the question, if this company didn't exist would people miss it” “Your money, even before the cost-of-living crisis, is halving every 20 years” “Really successful entrepreneurs are rebellious” VALUABLE RESOURCES https://robmoore.com/ bit.ly/Robsupporter   https://robmoore.com/podbooks  rob.team ABOUT THE HOST Rob Moore is an author of 9 business books, 5 UK bestsellers, holds 3 world records for public speaking, entrepreneur, property investor, and property educator. Author of the global bestseller “Life Leverage” Host of UK's No.1 business podcast “The Disruptive Entrepreneur” “If you don't risk anything, you risk everything”   CONTACT METHOD Rob's official website: https://robmoore.com/  Facebook: https://www.facebook.com/robmooreprogressive/?ref=br_rs LinkedIn: https://uk.linkedin.com/in/robmoore1979   See omnystudio.com/listener for privacy information.disruptive, disruptors, entreprenuer, business, social media, marketing, money, growth, scale, scale up, risk, property: http://www.robmoore.comSee omnystudio.com/listener for privacy information.

This week Jim Reid and the panel interview Rob Gardner, a pro player and content creator who shared a table with Jim in the WSOP main event this year. Rob opens up about his experiences playing as a tournament pro over the last several years, what got him into poker in the first place, how important it is to know if you are playing for fun or money, how he improves and studies the game, how it's crucial to focus on bankroll management and game selection as a pro, how to exploit less savvy players with your sizing techniques, and a lot more! NOTE: In the interview, Rob refers to a 2-year threshold for profitable play - this refers to folks who are actively working hard to become winning players and is not a standard that recreational players who play for fun should hold themselves to. Enjoy! --------------------------------------- Rob can also be found here: Twitter: @robgardnerlive Youtube RobGardner.Live or youtube.com/RobGardnerLive Twitch: twitch.tv/pokerpastor Instagram: RobGardnerLive TikTok: RobGardnerLive Email: TeamPokerPastor@gmail.com ------------------------------------ Timestamps: 00:08 Welcome & Introduction 02:17 Introduction to Rob Gardner 03:13 Rob's 2nd time playing at the main event 06:40 Rob's role in the poker world 13:50 Technical help Rob may provide for the players 20:25 Rob talks about what Chase the Dream is all about 24:34 The 2-year threshold for profitable play 29:43 Rob's advice on doing a stream 33:46 Playing live vs. playing online 35:38 Mistakes in exploiting poker that are actually good 39:06 What does going into the lab entail? 54:42 John: Home Game Result updates --------------------------------------- We also go over this week's home game results and discuss these topics: How to help us out - https://rec.poker/support/ Home Games - https://rec.poker/homegame/ Go Premium! - https://rec.poker/premium/ --------------------------------------- Find our free videos at: http://youtube.com/c/RecPokerCommunity --------------------------------------- Find more info on our sponsors at: https://RunAces.com https://WebsiteAMP.com -------------------------------------- RecPoker is a vibrant and encouraging poker learning community. We are committed to learning the game, but our priority is building healthy relationships where we can not only grow in the game, but grow in our enjoyment of life. The free membership website at rec.poker is awesome, but it's just a tool to help us build that community. You can join for FREE, giving you access to the groups, forums, and other member benefits. If you want to enjoy the premium content, or become part of the RECing Crew, those options are available and you can get $10 off your first payment using the code RECPOKER.

Welcome to UnforMETable, an Amazin' Avenue Audio show that looks back on less heralded, more obscure Mets players from the past. The New York Mets franchise has seen its share of exceptional pitchers—Tom Seaver, Doc Gooden, Jacob deGrom—as well as exceptional individual pitching performances from those names and others—Johan Santana's no-hitter, David Cone's 19 strikeout game—the list goes on and on. Perhaps the greatest of these, however, was authored by the less-heralded Rob Gardner. In just his fifth major league appearance, at the tail end of the 1965 season, Gardner hurled 15 scoreless innings in a game that would end up a 0-0 tie after 18 innings, and would have to be made up the very next day. Gardner would spend one more season with the Mets before embarking on a journeyman career that would see him in several organizations before arm injuries would bring his career to a premature end after the 1973 season. As always, you can listen or subscribe to this and all of our wonderful Amazin' Avenue Audio podcasts through Apple Podcasts, where we encourage you to leave a review if you enjoy the show. It really helps! And you can find us on the Stitcher app, or listen wherever you get podcasts. If you've got an idea for a player to be featured on UnforMETable, let us know in the comments. Make sure to follow Rob on Twitter (@WolffRR), and you can now follow the show, too (@unformetable). Tune in next week for another tale from the Mets' past. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For our final interview of Season One, we catch up with Steven Adler in his home in Los Angeles to talk about his early days with Slash, Marc Canter's dedication to the band, the first rehearsal of the Appetite lineup, and the infamous Hell Tour. Steven grew up in the San Fernando Valley and became friends with Slash in junior high school. They cycled in and out of various bands between 1984 and 1985 such as Roadcrew and The New Hollywood Rose. In June 1985, Steven was called by Slash to replace Rob Gardner as the drummer for the newly formed Guns N' Roses and completed the Appetite lineup with Axl, Izzy, Duff and Slash. Steven can be heard on Appetite for Destruction and their second studio album GN'R Lies, and he toured the world with the band before leaving in 1990.In this episode you'll:Hear about Steven Adler meeting Marc Canter and Slash in junior high school and introducing Slash to the guitar.Learn about the bands and musicians that inspired Steven to become a drummer and what was behind his drive to become the best drummer he could possibly be.Listen to the story about Steven almost joining the Navy instead of joining Guns N' Roses.Find out about Steven's experiences in GNR and the important role the band played in his life.Links:Preview this episode on YoutubeSubscribe to our Patreon Site to access all videos, bonus episodes, image galleries, live streams, merch and more: https://www.patreon.com/first50gigs_gnrLearn more at https://www.first50gigs.com

Helen Panos, founder and CEO of Dynamis Learning Academy, invites you to meet Sarah and Rob Gardner, founders of Joovy, a toy and sporting goods company with products targeted to juveniles. In this episode, you will learn: • What the journey was for Rob and Sarah in starting their company • What big event happened in 2016 and how this involved national parks across the USA • Why going outside is so important for children and families • How going outside supports both mental and physical health • Why family time is so beneficial and how you can make time for it You can contact Sarah and Rob at joovy.com or on Instagram at @joovy. If you are interested in learning more about Dynamis Learning Academy, you can contact Helen at Helen@dynamislearningacademy.com, Bill at Bill@dynamislearningacademy.com, by calling 770-282-9931, or by visiting our website at dynamislearningacademy.com. Please make sure you subscribe to our podcasts so you can hear future episodes of Smart Parents Successful Students. Finally, if you enjoyed today's episode, we would appreciate your review on Spotify or wherever you are hearing this episode. See you next time!

We pick things up after Tracii and Rob leave Guns N' Roses and the revolving door of band members spins for the final time. Slash and Steven agree to join Guns N' Roses and hit the road for the Northwest Tour that Duff planned but need to quickly get up to speed on the set list for an upcoming show at the Troubadour -- the Appetite lineup's first gig as a band that featured Axl, Izzy, Duff, Slash and Steven. In this episode you'll:Hear Marc Canter's first-hand account of this crucial lineup change and how it all came together.Hear about Slash and Steven joining Guns N' Roses and quickly preparing for the Troubadour gig and the Northwest tour (aka the Shakeout Tour/Hell Tour).Listen to Duff and Slash describe the Appetite lineup coming together and rehearsing for the first time.Listen to Marc's experience photographing and recording the band at their first gig as the Appetite lineup.Links:Preview this episode on YoutubeSubscribe to our Patreon Site to access all videos, bonus episodes, image galleries, live streams, merch and more: https://www.patreon.com/first50gigs_gnrLearn more at https://www.first50gigs.com

Tess Connolly LCSW talks with Sarah and Rob Gardner who are both CEO's and owners of the baby product company Joovy. They discuss how they have built trips in nature into their family life and also they talk about how this has blended into their company.    Sarah and Rob introduce themselves and tell us a bit about their company and what they do.  Rob tells us about how he and Sarah have blended road trips into their family lives and how they connect with nature and their family.  Rob talks about how nature has affected their family life and how it has benefited their family time and built their connection.  Rob and Sarah talk about when they started their camping trips and what age their children were when they started building it into their family life.  Rob and Sarah talk about the impact it has had on their family, how they have been making changes and started living a sustainable life as a family. Sarah talks about the appreciation they have of nature and how this is something they have found the trips have impressed onto their family. Tess talks about how she has taken the time to make trips with her son so she can connect and how important taking this time is.  Sarah and Rob talk about how their love of nature has fed into their company.  Rob tells us about the time they found an endangered  southern sea otter whilst on their road trip. Sarah talks about planning the trips and how you bring nature into your family in the simplest of ways and Rob thanks Sarah for the planning she has done over the years and how the best memories they have can be brought back to their trips they have taken together. Sarah is most grateful for Rob and Rob is grateful for Sarah and his children and he is also grateful for their curiosity as a couple and that their business and their children keep them young and how the marketing for their company keeps them open to different ideas.    To learn more about Sarah and Rob Gardners products visit their webpage here: Joovy Home page | Joovy   Sign up for the Tech Reset Masterclass here: https://mindfulkidsandfamilies.com/tech-reset-masterclass   ⭐️Join MKF weekly Parenting  Journal here:  Mindful Kids and Families Journal  (Get ready for lessons, podcast leads, offers for parents and ways to win free parent coaching or masterclasses)  

During the Fall of 1984, The New Hollywood Rose had called it quits, Izzy had joined London, and at that time, Rob Gardner was playing drums in a band with Tracii Guns called L.A. Guns. Eventually Raz Cue would get involved with L.A. Guns and encourage not only a member lineup but also a name change which would result in the creation of Guns N' Roses. As the original drummer for Guns N' Roses, Rob helped create and influence the band's sound and although his involvement with the band ended early, the blood, sweat, tears and grooves that Rob poured into Pyrrhus, L.A. Guns and Guns N' Roses can still be heard today as it is forever pressed into the vinyl of Appetite for Destruction. Rob shares with us his first-hand account of everything that led to the creation of the original lineup of Guns N' Roses.In this episode you'll:Hear about Rob moving to L.A. in high school and meeting Izzy, Tracii and Mike Jagosz.Hear about Rob's former bands Pyrrhus and L.A. Guns and how L.A. Guns eventually became Guns N' Roses.Listen to an excerpt from the recording of the first Guns N' Roses radio appearance.Hear about the various lineup changes of the bands Rob played in, including Guns N' Roses.Learn from Rob why he and Tracii left Guns N' Roses.Hear how he felt when he left the band then and how he feels about it all now looking back on everything that happened.Links:Preview this episode on YoutubeSubscribe to our Patreon Site to access all videos, bonus episodes, image galleries, live streams, merch and more: https://www.patreon.com/first50gigs_gnrLearn more at https://www.first50gigs.com

Christ's ministry is being brought to life this weekend through Rob Gardner's Lamb of God. Witness Music Southeast Idaho will be performing the musical oratorio with a 100-piece choir, full orchestra, and soloists. Donna Howard, the group's conductor, says that Lamb of God can best be described as an oratorio, or a musical composition that focuses on sacred topics.

Tune in to hear:- Why is ESG such an important part of Rob's financial practice?- How can we achieve financial wellness without merely paying lip service to things like environmentalism?- How can the average client strike an ideal balance of the three attributes of ESG? - Rob grew up in Argentina during a time of extreme inflation. What did these formative years in this environment teach him about financial wellness?- What practical steps can we take to reduce the wealth gap and ensure that less people are on the brink of a financial emergency?- What is our extreme hesitancy to have meaningful money conversations when it plays such a central role in living a happy and stable life?- What does Rob think the industry will look like 25 years from now?https://www.linkedin.com/in/robertjgardner/?locale=es_ESCompliance Code: 0180-OAS-1/28/2022

You may know Rob Gardner is the Director of Investments & Executive Board Director of St James's Place or the co-founder of Redington, but what you may know is that he's also a children's book author educating the next generation on financial concepts.    Juan Torres and Kevin Murphy sat down with Rob to learn more about how he made the decision to venture out on his own and create a very successful pension advisory, what types of structures and processes he implements in his everyday life to improve decision making and his book 'Save Your Acorns' and Redstart, his charity, which aim to teach budgeting, saving, investing and sharing to children and young people.    NEW EPISODES: We release main series episodes every two weeks on Mondays. You can subscribe via Podbean or use this feed URL (https://tvpschroders.podbean.com/feed.xml) in Apple Podcasts, Spotify, Google Podcasts and other podcast players. GET IN TOUCH: send us a tweet: @TheValueTeam  Important information. This podcast is for investment professionals only. This information is not an offer, solicitation or recommendation to buy or sell any financial instrument or to adopt any investment strategy. Any data has been sourced by us and is provided without any warranties of any kind. It should be independently verified before further publication or use. Third party data is owned or licenced by the data provider and may not be reproduced, extracted or used for any other purpose without the data provider's consent. Neither we, nor the data provider, will have any liability in connection with the third party data. Reliance should not be placed on any views or information in the material when taking individual investment and/or strategic decisions. Any references to securities, sectors, regions and/or countries are for illustrative purposes only. The views and opinions contained herein are those of individual to whom they are attributed, and may not necessarily represent views expressed or reflected in other communications, strategies or funds. The value of investments and the income from them may go down as well as up and investors may not get back the amounts originally invested. Exchange rate changes may cause the value of any overseas investments to rise or fall. Past Performance is not a guide to future performance and may not be repeated. The forecasts included should not be relied upon, are not guaranteed and are provided only as at the date of issue. Our forecasts are based on our own assumptions which may change.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Tracklist: 01 - Chinese Democracy 02 - Civil War 03 - Live And Let Die 04 - Better 05 - Ain't It Fun 06 - Don't Cry 07 - You Could Be Mine 08 - Welcome To The Jungle 09 - Madagascar 10 - Sweet Child O' Mine 11 - Yesterdays 12 - Paradise City 13 - November Rain 14 - Since I Don't Have You 15 - Knockin' On Heaven's Door 16 - Sympathy For The Devil La banda fue formada en marzo de 1985 por Axl Rose (voz, teclados), Tracii Guns (guitarra líder), Izzy Stradlin (guitarra rítmica, coros), Ole Beich (bajo) y Rob Gardner (batería). Los cinco miembros originales eran de dos grupos diferentes, L.A. Guns (que más tarde fue reformado) y Hollywood Rose. Posteriormente, los miembros decidieron combinar los nombres de los dos grupos anteriores y llamar a la banda Guns N' Roses. Desde Hollywood Rose llegaron Axl Rose (voz) y Izzy Stradlin (guitarra rítmica), mientras que de L.A. Guns llegaron Tracii Guns (guitarra solista), Ole Beich (bajo) y Rob Gardner (batería). La banda se presentó por primera vez el 26 de marzo de 1985.Ole Beich, originalmente de L.A Guns, dejó de ser parte de la formación justo antes de ser reemplazado por Duff McKagan, quien debutaría con los demás miembros de la banda el 11 de abril de ese año, en el «Radio City» local en Anaheim, California. Además, Rob Gardner fue reemplazado por Steven Adler. Poco después, el guitarrista Tracii Guns también dejó la banda debido a diferencias con Axl Rose, y refundó L.A Guns. En su lugar llegó Saul Hudson, también conocido como Slash, quien había tenido experiencia previa en varias bandas, incluyendo London y Black Sheep,además de haber audicionado antes para Hollywood Rose y no ser aceptado.Geffen Records lanzó un EP a finales de 1986 para mantener el interés en la banda que empezaba a trabajar en el estudio. El EP Live ?!*@ Like a Suicide que consta de cuatro canciones, fue lanzado por «Uzi Suicide Records» (que en realidad era una filial de Geffen Records). Sólo 10.000 copias pudo vender el EP, todo un logro para este tipo de lanzamientos. En la noche de halloween de 1986, Guns N' Roses llevó a cabo el acto de apertura en la UCLA Ackerman Ballroom, donde también actuarían bandas como Thelonious Monster, The Dickies, y Red Hot Chili Peppers. El disco fue anunciado como una grabación en vivo, aunque Rose revelaría, años más tarde, que era simulada. El EP se componía de cuatro canciones con el ruido de la multitud. Contenía las canciones «Mama Kin» de Aerosmith y «Nice Boys» de Rose Tattoo, junto con dos composiciones originales, «Reckless Life» y «Move to the City», ambas co-escritas por los miembros fundadores de Hollywood Rose.El 16 de marzo de 1987 hacen una actuación sorprendente en el Whiskey A Go-Go de Los Ángeles donde tocaron temas del EP Live?!*@ Like a Suicide. Después realizan una serie de conciertos los días 19, 22 y 29 de junio de 1987 en el Marquee Club de Londres. Era la primera vez que visitaban Europa. Duff McKagan en la actualidad. Con producción e ingeniería de Mike Clink y mezclas de Steve Thompson y Michael Barbeiro. El álbum salió a la venta el 21 de julio de 1987. Vendió más de 30 millones de copias, tuvo tres canciones entre el Top 10 («Welcome to the Jungle», «Sweet Child o' Mine» y «Paradise City»), y alcanzó el número 1 en las listas. Appetite For Destruction es el álbum debut más vendido de la historia. El nombre del disco salió de una postal que descubrieron en una tienda. La portada del mismo, en la que aparecía una joven sentada contra un muro, en evidente apariencia de haber sido recientemente violada junto a un robot con gabardina y un ser con puñales por dientes sobrevolando la escena, fue censurada a las dos semanas de ponerse el vinilo a la venta, siendo sustituida por la famosa cruz latina en la que aparecían las calaveras de los cinco componentes de la banda californiana. No obstante, la portada original se incluyó en el interior de la carpeta del álbum, junto con las letras, y en las páginas centrales del libreto en la edición en CD. Hay quien dice que fue esta portada la que motivó la aparición del conocido sello blanquinegro, cuya leyenda "Parental Advisory/Explicit Content" adorna muchos de nuestros álbumes; aunque esta afirmación no está probada. Consiguieron la publicidad suficiente para el álbum con una escena en la película "La Lista Negra (The Dead Pool)" con Clint Eastwood como Harry el sucio. La escena duró apenas 10 segundos en la que aparecen en una procesión de un funeral dando el pésame. La banda sonora de la película fue la canción «Welcome to the Jungle». Junto con la canción se grabó un vídeo que rápidamente se convirtió en el más pedido de MTV a pesar que anteriormente la misma cadena se había negado a transmitirlo. Las emisoras de FM también empezaban a pinchar la canción, pero lo que más reputación les estaba dando eran sus brillantes shows en directo. Tras algunas apariciones con The Cult, Guns N' Roses se unió a la gira de Mötley Crüe. Durante esta gira hubo problemas, tales como el destrozo de una habitación del hotel Doubletree en Dallas por parte de Slash. Los promotores de la gira empezaron a pensárselo seriamente. A la vuelta ya en Los Ángeles, otro incidente, éste en directo, cuando Axl se lanzó al público para pegarse con un guardia de seguridad por intentar echar a un amigo suyo. Después se anuló otro concierto en Phoenix por problemas de Axl (presuntamente con drogas). La prensa se les echó encima después de estos incidentes. Nuevamente salieron de gira con Alice Cooper.En Míchigan, Steven y Duff son echados de un bar, Steven se rompe la mano con una farola, teniendo que ser sustituido en plena gira por Thomas Schultz. Mientras ellos actuaban, «Sweet Child O' Mine» llegó al número uno del Billboard 200, «Paradise City» al cinco y «Welcome to the Jungle» al siete (para luego colarse unos meses más tarde hasta el número 1). En la siguiente gira, esta vez con Iron Maiden, Duff abandona el tour para casarse. De nuevo más incidentes en la nueva gira con Aerosmith, en Filadelfia. Axl es detenido por la policía al intentar aparcar en la zona reservada, y ante la negativa de los oficiales de permitirle aparcar se enfrentó a puñetazos a éstos, dejando a ambos policías inconscientes. Pero sin duda el accidente más desafortunado ocurrió en el festival Monsters of Rock en Castle Donnington en Inglaterra en 1988. En el cartel había grupos como Helloween, Megadeth, Kiss y Iron Maiden. A la salida en escena de Guns N' Roses una muchedumbre frenética de 100.000 personas se abalanzó hacia delante aplastando a dos fanáticos. Al acabar la actuación se enteraron de que dos seguidores habían muerto. Axl se mostró muy consternado por lo ocurrido y pidió a todos sus seguidores rezar por lo ocurrido y amenazó a las autoridades locales con 'patear la cabeza del alcalde' si algo así ocurría nuevamente. A pesar de todo, Appetite for Destruction era éxito mundial, siendo el álbum de Guns N' Roses con más semanas en Billboard, llegó al número uno y fue certificado con 18 discos de platino sólo en los Estados Unidos.El siguiente lanzamiento de Guns N' Roses fue G N' R Lies, en 1988, que alcanzó el número 2 en las listas en EE. UU. Este disco incluye las cuatro canciones de Live ?!*@ Like A Suicide y cuatro canciones acústicas entre las que se destacan «Used to Love Her», la controvertida «One in a Million» y la balada acústica «Patience». «One in a Million», era una canción que criticaba a los inmigrantes, homosexuales y a los policías; como consecuencia se vieron obligados a retirarse de un concierto en Nueva York contra el sida en junio de 1989. En febrero de 1989 actuaron en la entrega de premios MTV Video Music Awards. La canción «Patience» en mayo de 1989 se colocó como número 4 del Billboard Hot 100. Graban una versión de Bob Dylan, «Knockin' on Heaven's Door», como banda sonora de la película Días de Trueno (Days of Thunder) que tenía a Tom Cruise como protagonista, esta canción se hace recurrente en sus actuaciones en vivo. Izzy Stradlin es multado con 198.000 dólares por orinar en el vestíbulo de un avión con destino a Australia. En 1989, la banda fue presentada como favorita por la American Music Award por la canción «Sweet Child O' Mine». En la gala anual de 1989, Duff McKagan y Slash aparecieron borrachos y usaron un lenguaje duro y certero mientras aceptaban su premio como mejor álbum de heavy metal por Appetite for Destruction, mejor canción heavy metal por «Paradise City» y mejor canción rock/pop del año por «Sweet Child o' Mine». Slash estuvo a punto de costarles un disgusto a los jefes de American TV, que retransmitían en directo la entrega de los premios American Music Awards 1990, ya que salió a recoger un premio para la banda completamente borracho e insultando al público.Durante las primeras grabaciones de Use Your Illusion, el baterísta Steven Adler fue obligado a abandonar la banda por problemas de adicción a las drogas; únicamente pudo grabar la canción «Civil War», que posteriormente sería incluida en el álbum con su colaboración. En 1990, Guns N' Roses volvió a los estudios con un nuevo baterísta, Matt Sorum, componente habitual de otra gran banda de la escena hard rock de la época como era The Cult y un nuevo teclista, Dizzy Reed, amigo de Axl, además de la eventual participación de Shannon Hoon de Blind Melon, que era muy amigo de Axl y ayudó en dos canciones, para comenzar en el proyecto más ambicioso del grupo. El 17 de septiembre de 1991 sacaron a la venta Use Your Illusion I y Use Your Illusion II. La expectación fue total ante el nuevo trabajo de Guns N' Roses, que subieron al número 2 y 1 de las listas mundiales respectivamente durante 308 semanas. Guns N' Roses es el único en hacerlo en dos oportunidades.Después de la publicación de los dos discos Use Your Illusion, Guns N' Roses hizo una gira mundial de 28 meses de duración, que a la larga sería una de las giras más largas de la historia del rock y en la que en parte compartirían con las conocidas bandas Metallica y Skid Row, entre otras. Ese mismo año cambiaron de representante. Despidieron a Steven Adler y contrataron a Matt Sorum. En enero de 1991 pisaron por vez primera Sudamérica, actuando en el festival Rock In Rio en el estadio de Maracaná ante más de 250 mil personas. En agosto de 1991 actuaron en el Wembley en Londres con Skid Row como teloneros. Después de este concierto Izzy Stradlin abandona la formación, aparentemente porque tenía serias diferencias con Axl Rose. De hecho, en el videoclip de Don't Cry, una de las canciones del álbum Use Your Illusion, hay una escena en la que aparece un cartel unos segundos que hace la pregunta Where's Izzy? (‘¿dónde está Izzy?’). Según parece, estaba cansado de la extensas giras y su relación con Axl no funcionaba. Tenía muchas diferencias musicales y personales, y finalmente decidió dejar el grupo, a pesar de ser el compositor de muchos de los éxitos de la banda. Su sucesor fue Gilby Clarke, guitarrista de Kill For Thrills. Entre noviembre y diciembre de 1991 se inició la gira por Estados Unidos, comenzando en Alpine Valley. Arrancó la gira mundial (que duraría dos años) bajo el nombre de Get In The Ring Motherfucker, entre enero y febrero de 1992, por Australia y Japón, en donde se grabaron los DVD en directo Use Your Illusion I & II. La gira por Japón en febrero de 1992, el 1 de febrero tocan en Melbourne, Australia, en el Calder Park Raceway, y 6 de febrero se presentan en Nueva Zelanda, donde hicieron un solo espectáculo en el Mount Smart Stadium. En marzo por EE. UU. con Brian May Band de teloneros; hubo incidentes en Sacramento, donde Axl insultó al batería de Metallica y habló de él en términos despectivos (hoy en día son amigos).En febrero de ese año, por graves incidentes durante la actuación de la banda en San Luis, el espectáculo se retrasó dos horas y media, y Axl decidió echar a varios periodistas, lo que provocó una pelea. Más tarde, ya en el escenario, dijo: «Fuck you, St. Louis!!». En los incidentes hubo varios heridos de gravedad, setenta detenidos y destrozos por valor de cientos de miles de dólares. El Tribunal del Estado de San Luis declaró culpable a Axl Rose de provocar la alteración del orden público e incitación a la violencia. El 25 de julio, en Carolina del Sur, sucedió algo similar, lo que terminó con una pelea espectacular y el resultado de 60 heridos. Participaron en el concierto en memoria de Freddie Mercury, líder de Queen, llamado The Freddie Mercury Tribute Concert for AIDS Awareness el 20 de abril de 1992 en el estadio Wembley de Londres. Tocaron las canciones «Paradise City» y «Knockin' on Heaven's Door», y Axl cantó los temas «We Will Rock You» y «Bohemian Rhapsody» junto a Elton John; ello marcó un gran hito en la carrera de Guns N' Roses y de Axl, ya que él era fanático de Queen. A la vuelta a EE. UU., Axl es detenido en el aeropuerto John Fitzgerald Kennedy por la Policía Federal por los incidentes de San Luis. Quedó en libertad provisional hasta que se celebrara el juicio. El 6 de junio se presentaron en París, y junto a ellos tocaron Lenny Kravitz y Steven Tyler y Joe Perry, de Aerosmith, con quien tocan la canción «Mama Kin». En agosto, en Montreal, Canadá, sucedió otro inconveniente en el concierto con Metallica. Su guitarrista y líder, James Hetfield, se puso de pie sobre un cañón de fuegos artificiales y se quemó el brazo y parte de la cara, y Metallica tuvo que suspender su concierto. Se esperaba que Guns N' Roses tocara su repertorio, pero a los poco minutos Axl, dando como razones problemas en su garganta y en el retorno al escenario, abandona el espectáculo. La decisión de no terminar el concierto enfureció a los fanáticos, que provocaron grandes destrozos en los alrededores del estadio, incluso con coches policiales incendiados. Metallica decidió no continuar con la gira entendiendo que Axl Rose detuvo su concierto de forma deliberada porque, según dijo, le habían robado el espectáculo. Actúan de nuevo en la entrega de los premios 1992 MTV Video Music Awards. Durante ese tiempo, «November Rain» fue uno de los vídeos más votados en MTV, ganando el premio de los MTV Video Music Awards en la categoría de mejor vídeo. El 30 de junio de 1992 actúan por primera vez en España,en el estadio de fútbol Benito Villamarín de Sevilla junto con Faith No More y Soundgarden mientras que el concierto previsto en Madrid es suspendido debido a la aluminosis del estadio Vicente Calderón.En el otoño de 1992 la banda se va de gira por Sudamérica. Allí provocan graves incidentes en Bogotá, donde llegaron el 27 de noviembre. Recién llegados, los asistentes de producción se pusieron en marcha para poder conseguir nuevos equipamientos desde Estados Unidos, o bien poder recuperar el que estaba retenido en Caracas. Frente a la imposibilidad de conseguir de manera rápida los equipos, Guns N' Roses ofreció pasar el concierto programado para el sábado 28 al lunes 30. Pero la producción local se negó a esta propuesta, aduciendo que los espectadores no podrían asistir un día entre semana. Por ello los organizadores decidieron juntar las dos fechas en una sola, que se llevaría a cabo el domingo 29. Durante ese fin de semana, incluso pocas horas antes del concierto, las entradas seguían a la venta, sin que los organizadores tuvieran noción de cuántas habían vendido. Posteriormente se supo que fueron vendidas un exceso de más de 40.000 entradas. Algunos fanáticos que habían abonado su ticket no pudieron entrar debido a que el estadio estaba completamente lleno. Esto causó algunos enfrentamientos con la Policía fuera del Estadio El Campín, donde la masa enfurecida destruyó los alrededores, sin imaginar que dentro ocurriría una batalla campal contra las inclemencias del tiempo. Finalmente, la banda salió a escena a las 22.48 de ese domingo 29 de noviembre de 1992 contando únicamente con dos tercios de su equipo de sonido y sin techo sobre el escenario. Mientras tanto, fuera del estadio, la Policía no paraba de arrojar gases lacrimógenos por los tumultos ocasionados por los fanáticos que no habían podido entrar. En varias ocasiones, los músicos debieron interrumpir el set por la lluvia que a veces se volvía torrencial. Después de un poco más de una hora de concierto, y ante el peligro de que el personal o los integrantes del grupo sufrieran electrocución, Guns N' Roses decidió finalizar el espectáculo. En Venezuela hicieron un mega-concierto al aire libre en el estacionamiento del Poliedro de Caracas, ya que por cuestiones logísticas no podían albergar tanto público dentro del recinto. En Chile con más de 80.000 personas en el estadio nacional, llegaron al concierto con dos horas de retraso y en estado de embriaguez. El concierto terminó con más de 50 detenidos y una menor de edad de 15 años muerta en la entrada, pues le cayó la reja de entrada al estadio producto del procedimiento de la policía chilena, quienes asediaron a la gente usando caballos. Terminando su gira en Brasil, tocando en São Paulo el 12 y 13 de diciembre en el Estacionamento Do Anhembi y en la ciudad de Río de Janeiro, en el mítico Autódromo Nelson Piquet. La gira histórica terminó en Buenos Aires, el 17 de julio de 1993. La gira batió récords de asistencia y se prolongó durante 29 meses, en el que se realizaron 192 conciertos. El concierto en Buenos Aires marcó la última vez que los miembros originales Slash y McKagan, así como los recién llegados en ese momento, Clarke y Sorum realizaran un show en vivo con Rose.Aparece en el mercado el 23 de noviembre de 1993 un disco de versiones punk titulado The Spaghetti Incident?. Este disco está compuesto en su totalidad por versiones de otros grupos y de una tendencia más cercana al punk y glam de finales de los 70 y principios de los 80. En la primavera de 1993 hicieron una gira por Norteamérica cerrando el 28 de abril en el Estadio Universitario de Monterrey en México, y en el verano por Europa cerrando el 13 de julio en París, y cerrando la gira de ese año el 17 de julio en el Estadio Monumental de Buenos Aires en Argentina.En 1994 Gilby Clarke se retira de la banda por diferencia con los integrantes;alegando cansancio físico debido a la gran cantidad de tours, y Paul Tobias, amigo de Axl, lo reemplaza. Grabó una versión de The Rolling Stones de la canción «Sympathy for the Devil» para la banda sonora de la película Entrevista con el vampiro. Esa banda sonora sería el último trabajo de la banda con Slash y McKagan; luego, la banda se iría disolviendo. Según entrevistas con miembros de Guns N' Roses entre 1994 y 2001, la banda se supone que escribió nuevo material, pero de acuerdo con Slash, fue compuesto únicamente por Axl.En esos momentos la banda intentaba publicar un álbum de 10 a 12 canciones.Según declaraciones de Axl, «Todavía necesitamos la colaboración de todos los miembros de la banda para escribir las mejores canciones, es por eso que el material no es publicado».Slash, Matt Sorum y Duff McKagan salieron del grupo con el tiempo, dejando a Axl como el único miembro original de la banda. En 1994 tuvo lugar la última aparición de Axl en un escenario en un dueto con Bruce Springsteen haciendo una versión de The Beatles de la canción «Come Together». Pocas fotos de Axl se vieron desde ese año hasta cerca de los años 2000, ya que su siguiente aparición sería en 2001 con los nuevos integrantes.En 1998 Axl Rose volvió a los estudios acompañado por el batería Josh Freese (de The Vandals), el bajista Tommy Stinson (integrante de The Replacements), el guitarrista líder Dave Navarro (integrante de Jane's Addiction), el guitarrista rítmico Paul Huge (Paul Tobias), y los teclistas Dizzy Reed y Chris Pitman. En 1999, el grupo publicó una nueva canción, «Oh my God», que fue incluida en la banda sonora de End of Days. Esa canción era el preludio del nuevo disco, Chinese Democracy. La canción fue criticada porque según algunos fanáticos no era del hard rock de antaño, sino más bien metal industrial. El sello Geffen publicó en noviembre de 1999 un álbum en directo titulado Live Era: '87-'93. El doble CD incluye canciones grabadas en diferentes conciertos a lo largo de los seis años que se indican en el título del álbum. El álbum está editado por Andy Wallace y tuvo un buen recibimiento comercial, llegando a vender más de tres millones de copias, este álbum tuvo participación de algunos miembros nuevos de Guns N' Roses que regrabaron partes de guitarras y voces como Robin Finck Y Paul Tobias. En el año 2000, el excéntrico guitarrista Buckethead se unió a Guns N' Roses como guitarrista principal.La nueva formación volvió a los escenarios en enero de 2001 con dos recitales de gran expectación, uno en Las Vegas y otro en Río de Janeiro. Formaron parte Axl Rose y los guitarristas Buckethead, Robin Finck y Paul Huge, el bajista Tommy Stinson, los teclistas Dizzy Reed y Chris Pitman y el batería Brain, reconocido batería de Primus. El grupo tocó una mezcla de éxitos anteriores y nuevas canciones. La formación hizo dos conciertos en Las Vegas a finales de 2001. Durante 2001, el guitarrista Paul Huge dejó el grupo y se sustituyó por Richard Fortus, de Love Spit Love. El grupo celebró varios conciertos en agosto de 2002, incluyendo conciertos en Asia y Europa, y volvieron a Nueva York para su repentina aparición en los MTV Video Music Awards. La primera gira del grupo desde 1993 presentó problemas. El primer concierto, en Vancouver fue cancelado por haberse producido un motin, La gira siguió como estaba prevista y tuvo resultados diversos. En algunos conciertos como los de Nueva York o Boston vendieron todas sus entradas en minutos. Debido a la no comparecencia de Axl en Filadelfia y el resultado del motín de provocado por los fanáticos, Clear Channel, el promotor de la gira, canceló el resto de conciertos.Informes del grupo de 2001 y 2002 decían que Chinese Democracy sería publicado a finales de esos años por Interscope/Geffen Records, con quienes parecía que habían arreglado las diferencias (si es que las hubo). En 2002, la revista Q nombró a Guns N' Roses en su lista de Los 50 grupos que deberías ver antes de morir, también en una sublista de los Cinco grupos que pueden evolucionar de cualquier manera. Geffen sacó a la venta Guns N' Roses' Greatest Hits el 23 de marzo de 2004. Como dato curioso, Cleopatra Records sacó el disco Hollywood Rose: The Roots of Guns N' Roses,. En marzo de 2004 Buckethead dejó la banda, obligando a Axl Rose a cancelar el concierto del 30 de mayo en el Rock in Rio 4 (Lisboa, Portugal), incorporándose posteriormente a la banda Ron Thal, también conocido como «Bumblefoot», desde mediados de 2006. También, Brain fue reemplazado por Frank Ferrer. Chinese Democracy se ha trabajado desde 1994, y de acuerdo a un reportaje del The New York Times, Rose habría gastado 13 millones de dólares en el estudio hasta ese punto.Durante los meses de mayo y junio de 2006 Guns N' Roses actuó, tras un precalentamiento de 9 conciertos en Nueva York (en la prestigiosa Hammerstein Ballroom), en varios países europeos, comenzando el día 25 de mayo de 2006 en Madrid y siguiendo el día 27 de mayo en el Rock in Rio de Lisboa (en la votación de la página web del evento Guns N' Roses fue el grupo con más votos para ser incluido en el festival), para presentar —de nuevo— el nuevo álbum para posteriormente actuar en Inglaterra, Hungría, Alemania, dos veces más en España (Bilbao y El Ejido), Italia, Polonia, República Checa, Bélgica y Suecia, entre otros países. El escándalo, sin embargo, no abandona a Axl Rose, que se peleó en mayo de 2006 en un pub neoyorquino con el afamado diseñador Tommy Hilfiger (al cual posteriormente le dedicaría la canción «You're crazy» en un concierto acústico en el cumpleaños de la actriz Rosario Dawson), y también fue detenido a principios de julio de 2006 en Suecia a altas horas de la madrugada en estado ebrio tras pelearse e incluso morder a guardias de seguridad de un establecimiento nocturno. El nuevo álbum, titulado por Axl Rose como Chinese Democracy, con nueva fecha para el otoño norteamericano del año 2006, tendría incluidos nuevos trabajos de larga duración y complejidad, entre ellos: «There Was a Time», «Better», «I.R.S.» y «Catcher in the Rye» (este último con la colaboración de Brian May ), que ya habían sido presentados durante la gira europea y norteamericana en el transcurso del año 2006.Básicamente, en esta gira interpretaron en casi su totalidad el repertorio de Appetite for Destruction, más algunas canciones de los Use Your Illusion, con la presentación de algunas de las nuevas canciones de Chinese Democracy. Contó además con las intervenciones en casi todos los conciertos de los invitados Sebastian Bach (ex vocalista de Skid Row) junto con el ex guitarrista rítmico de la banda Izzy Stradlin, que desde poco antes de eso había recompuesto su amistad con Axl. A partir del 20 de octubre Guns N' Roses regresó para dar una gira por Estados Unidos (cuyas fechas warm-up fueron realizadas en Las Vegas, San Francisco y Los Ángeles en el aniversario de la emisora KROQ). Además, el 29 de septiembre de ese año se publicó la nueva página oficial (GunsNRoses.com) y el sistema de reservas de la MLB.com para la venta masiva de entradas para la gira norteamericana. El 15 de diciembre de 2006, Axl Rose publicó una carta abierta en el sitio oficial de Guns N' Roses, y por primera vez en muchos años se arriesgó a anunciar una fecha oficial para la publicación del álbum, que sería el 6 de marzo de 2007. Rose también dejó ver que esta fecha es aproximada, afirmando lo siguiente: «Esta es la primera vez que programamos una fecha para este álbum. Otras fechas que han circulado fueron inventadas por otros, por sus propias razones. Ahora, queremos asegurar a los fanáticos que trataremos de hacer todo lo posible para editarlo en esa fecha tentativa. Una vez que el álbum esté terminado, serán notificados de manera oficial». También dijo que: «Si llegáramos a retrasarnos por diversos motivos de ahora en adelante, serán notificados inmediatamente, y anunciaremos una nueva fecha de publicación lo más cercana posible. Les agradecemos su paciencia». Con la carta, Rose canceló varios conciertos, 10 de enero de 2007 en Sacramento, 11 de enero en Bakersfield, 13 de enero en Reno y 16 de enero en San Diego, con razón de que la banda debía preparar el material que publicaría y que concentraría sus energías en el nuevo álbum. La carta también justificó los retrasos y daba disculpas a todos los fanáticos en el mundo por la tardanza del álbum. En diciembre de 2006, la revista de rock alternativo RIFF Fanzine (Riff-Fanzine.com) elige Chinese Democracy como álbum del año 2006, a pesar de que el álbum seguía sin editarse. El primer sencillo, «Chinese Democracy», se oyó en las radios el 22 de octubre de 2008, mientras que «Better» fue publicado el 17 de noviembre de 2008, poco antes de que el disco saliera a la venta el 23 de noviembre de 2008 a través de las tiendas Best Buy en Estados Unidos, en detrimento de Alemania y Australia, donde fue publicado 24 horas antes el 22 de noviembre de 2008. El álbum ha recibido una crítica muy positiva a pesar de todo el bagaje que arrastra. David Fricke, de Rolling Stone, comenta: ... El primer LP con canciones originales desde la primera administración Bush es genial, un auténtico disco de rock and roll, audaz, trastornado e intransigente... Si este era el Guns N' Roses que Axl Rose seguía escuchando en su cabeza todos estos años, se vuelve obvio, porque dos guitarras, bajo y batería nunca serían suficientes(en clara referencia a la formación original de la banda).El 28 de febrero de 2009, Axl Rose le da una entrevista a su amigo y mánager de los Guns N' Roses en ese tiempo, Del James, su primera en muchos años, en la que desmiente, entre otras cosas, planes de la reunión de los antiguos Guns N' Roses y también habla de su parecer sobre su último trabajo, Chinese Democracy. El día 23 de marzo de 2009 la banda anuncia oficialmente la marcha del guitarrista Robin Finck debido a incompatibilidades (ya que él está trabajando al mismo tiempo con Nine Inch Nails, banda con la que saldría de gira) y la contratación de DJ Ashba, guitarrista, compositor y productor de Sixx:A.M. y compositor en parte del álbum de Mötley Crüe Saints of Los Angeles. El resto del año 2009, la banda no dio mayores comunicados oficiales, ni de fechas de giras o cualquier cosa, los rumores dicen que por líos judiciales, pero no se dijo nada oficialmente[cita requerida]. También se ha esperado la salida del esperado videoclip de la canción «Better» de su último álbum, Chinese Democracy, pero ahora se espera la publicación para 2010. También se esperaba que la megagira mundial de la banda se concretara. El 7 de diciembre salió el tercer sencillo del álbum Chinese Democracy, la canción «Street of Dreams». A finales de 2009 se realizaron los primeros conciertos de Chinese Democracy World Tour en Taiwán, Corea y Japón. El 10 de diciembre, día antes del concierto de apertura en Taiwán, un operador de cámara molestó al equipo de Guns N' Roses, lo que provocó la furia de Axl Rose, quien lo golpeó. El incidente no pasó a mayores y el concierto se realizó con normalidad al día siguiente, aunque se reveló un secreto a voces: Axl se quitó las trenzas que tanto lo caracterizaron en el proceso de Chinese Democracy. Luego de conciertos en Seúl y Osaka, Guns N' Roses realizó un concierto histórico en Tokio, el cual fue el más largo de su historia, que duró cerca de 3 horas y 37 minutos. Luego de terminar su gira por Asia, Guns N' Roses volvió a EE. UU. a preparar la gira por Canadá y Sudamérica, que se llevó a cabo entre enero y abril de 2010.En todo el mes de enero e inicios de febrero de 2010, Guns N' Roses llegó a Canadá, donde dio conciertos en Winnipeg, Calgary, Edmonton, Montreal, Toronto y Ottawa, entre otros. En todos los conciertos estuvieron como teloneros los canadienses de Danko Jones y Sebastian Bach. El 16 de enero en Calgary, Mike Smith, también conocido como Bubbles, se unió a la banda para tocar su canción «Liquor & Whores». El 19 de enero, la banda tocó en Credit Union Centre en Saskatoon. Este concierto marcó la primera vez en mucho tiempo que la canción «Paradise City» no fue tocada al final. Después de un pequeño descanso en la gira, Guns N' Roses regresa a Sudamérica para realizar conciertos en Brasil, Uruguay, Argentina, Colombia, Chile, Perú, Venezuela, Costa Rica, El Salvador, Guatemala, Panamá y Ecuador entre marzo y abril de 2010. Antes de esta gira, Guns N' Roses realizó dos conciertos sorpresa en New York, el primero en el marco del New York Fashion Week y otro en The Rose Bar; ambos conciertos contaron con una parte acústica y un tiempo que no pasó las dos horas. Durante el concierto sorpresa en The Rose Bar, un borracho salido del público intentó atacar a Axl con un cuchillo; por suerte, Sebastian Bach, amigo de Axl que estaba en el concierto, alcanzó a detener al borracho y evitó una desastrosa situación. Todo sucedió muy rápido, por lo que la banda siguió tocando con normalidad el resto del concierto. En el marco de la espera para la gira en Sudamérica, Guns N' Roses recibió la gran noticia de que su concierto en Buenos Aires, fue el primero de la gira sudamericana en agotarse; otros conciertos sudamericanos en agotarse fueron los de Porto Alegre y Belo Horizonte. También en la espera se empezaron a revelar las primeras fechas para Europa, el 5 de junio en Helsinki, y el 12 de junio en Suecia en el Sweden Rock Festival, donde tocarán junto con otros artistas, entre ellos Slayer y Aerosmith.Axl Rose, en una carta abierta a su fanáticos por su Twitter oficial,señaló, entre otras cosas, que el nuevo mánager de Guns N' Roses sería Doc McGhee, agradeció todo el apoyo y desmintió la prohibición de llevar camisetas de Slash en los conciertos en Canadá.La gira sudamericana partió en Brasil donde los conciertos no fueron muy puntuales, El 10 de marzo se dio el concierto en el Estadio Centenario en la ciudad de Montevideo esta fue la primera vez que la banda se presentó en dicho lugar. En Buenos Aires, el concierto estaba programado para el sábado 20 de marzo en el estadio de River Plate, pero por problemas relacionados con la habilitación de dicho estadio para conciertos, tuvo que reprogramarse para el lunes 22 de marzo en Vélez Sarsfield, también cambiando la fecha para Chile, donde se tocaría el 20 de marzo. El concierto Tuvo algunos retrasos pero luego se continuo y duro aproximadamente más de 2 horas. En Lima, Perú, el concierto duro aproximadamente 3 horas Luego de estos conciertos impuntuales pero aun así ejecutados habitualmente Guns N’ Roses siguió su gira por Colombia y Ecuador terminando la manga sudamericana en dichos países. En Costa Rica el concierto fue cancelado debido a problemas de la organización, por el aparente mal montaje del escenario. En El Salvador, el 11 de abril de 2010, el concierto fue todo un éxito, que comenzó a las 23:50 y acabó a las 2:25 a.m. del día siguiente. El concierto fue presenciado por más de 30.000 espectadores, el concierto más masivo hecho en El Salvador hasta la fecha. A pesar de la espera, se realizó con normalidad. En Guatemala, el 13 de abril 2010, el concierto fue suspendido por mal estado del escenario, ya que aparentemente planeaban utilizar el mismo montaje que había fallado en Costa Rica. El concierto fue suspendido en ambos países, ya que no contaban con el tiempo para aplazar la gira. El concierto en Puerto Rico se realizó con normalidad y fue la primera vez en la gira sudamericana que tocaron la canción «My Michelle»; el concierto fue todo un éxito y se presentaron más de 10.000 personas. La vuelta a los escenarios de la banda fue el 2 de octubre de 2011 en el festival Rock in Rio, cerrando el festival,luego de su paso por el festival, la banda realizó una gira sudamericana por Chile el 5 de octubre, Argentina el 8 y 12 de octubre y Paraguay el 15 de octubre para luego dar paso a México el 18 de octubre, en el Movistar Arena, el Estadio Único de La Plata, el Jockey Club de Asunción, Arena Monterrey y el Palacio de los Deportes, respectivamente. También realizó conciertos en diferentes ciudades de Estados Unidos. En el año 2012, Guns N' Roses realizó diferentes shows en lugares pequeños de Estados Unidos, a lo cual llamaron Up and Close Personal Tour; tras finalizar esto, Guns N' Roses agendó shows en Europa e Israel; a algunos shows de estos se unió el miembro fundador de Guns N' Roses, Izzy Stradlin. En el mes de agosto, la banda anunció que realizarían 12 shows en la ciudad de Las Vegas, a lo cual llamaron Appetite for Democracy, de los cuales dos shows contaron con la presencia de Izzy Stradlin. También se anunció que se grabaría un show en 3D que posteriormente será lanzado al mercado. Días antes de que comenzara Appetite for Democracy, Guns N' Roses participó en el Bridge School Benefit 2012, dando 2 shows acústicos, uno de estos shows contó con la presencia de Neil Young acompañanado a Guns N' Roses en la interpretación de Don't Let Bring You Down. Para finalizar el año 2012, Guns N' Roses agendó shows en India, Indonesia y Japón; cabe señalar que esta fue la primera vez que Guns N' Roses realizaba shows en India.El 14 de abril de 2012 en Cleveland, se llevó a cabo la edición 2012 del Salón de la Fama del Rock, donde Guns N' Roses fue inducido, junto a otras bandas como los Red Hot Chilli Peppers, los Beastie Boys, etc. A la ceremonia acudieron los miembros de la formación clásica del grupo (con la excepción de Axl Rose, Dizzy Reed e Izzy Stradlin): Slash, Duff McKagan, Gilby Clarke, Steven Adler y Matt Sorum. Días antes, Rose dejó en claro en una carta que rechazaba la inducción de la banda, que las cosas con los ex miembros no han cambiado y que no asistiría a la ceremonia, acabando así con las esperanzas de muchos fanáticos de un reencuentro. Finalmente, los ex Guns N' Roses tocaron algunos de los clásicos de Appetite for Destruction («Mr. Brownstone», «Sweet Child o' Mine» y «Paradise City») junto a Myles Kennedy como cantante invitado.A comienzos del mes de abril de 2014, se confirmó que Duff McKagan regresaría a la banda en lugar de Tommy Stinson, quien se dedicaría a un proyecto personal. De hecho lo sustituyó en la gira sudamericana de verano en los conciertos de Argentina, Paraguay, Bolivia y Brasil, mientras Stinson se encontraba de gira con su otra banda, The Replacements. Este cambio fue totalmente momentáneo, ya que Tommy Stinson volvió a Guns N' Roses; aun así, Duff Mckagan fue invitado en un show en Las Vegas en la residencia de dicho año. El 19 de diciembre del 2014, Ron Bumblefoot Thal anunció su salida definitiva de Guns N' Roses para continuar su proyecto personal. El 27 de julio de 2015 DJ Ashba anunció también su salida definitiva para dedicarse de lleno a su proyecto personal en SIXX: A.M. Después de la salida de Ashba, los medios empezaron a especular sobre una posible reunión de miembros antiguos de la banda, ya que Duff McKagan fue de gira con la banda en Latinoamérica y unos shows en distintas ciudades de Estados Unidos. Estos rumores se hicieron más fuerte cuando se publicó una entrevista al antiguo guitarrista de la banda, Slash, en la cual confesó que había limado asperezas con Axl Rose después de más de 20 años de distanciamiento. En diciembre de 2015 comenzaron a circular fuertemente rumores de que la banda estaba realizando negociaciones para que Slash y McKagan vuelvan de forma oficial a la agrupación. En los últimos días de diciembre se sumó el detalle de que la página oficial de la banda volvió a ostentar el escudo original en su home. Los medios confirmaron entonces que el regreso de Slash y Duff a los escenarios con Guns 'n' Roses se daría en el festival de música y arte Coachella, a realizarse el 16 y 23 de abril de 2016 en California, Estados Unidos, luego de 23 años sin tocar juntos en vivoDurante el mes de enero, tanto en la página de Facebook oficial de Guns 'n' Roses como en las redes sociales de Slash y McKagan se publicaron los anuncios de las presentaciones en Coachella, dando a entender que su regreso a la banda era oficial, terminando de confirmar esto con un video que anuncia una nueva presentación en el recién estrenado T-Mobile Arena de Las Vegas para el mes de abril, los días 8 y 9, una semana antes del Coachella, donde puede verse a los tres músicos en vivo. También se lanzaron dos sorpresivas fechas los días 19 y 20 de abril en la Ciudad de México, las cuales pasarían a los anales de la historia como la primera vez que salieron de E.E U.U con la "reunión" clásica. El 1 de abril de 2016 realizaron un concierto sorpresa en el club Troubadour, en Los Ángeles. Ese fue el primer concierto de la banda con su nueva formación. Además de los ya mencionados, incluyeron a un nuevo integrante, la tecladista Melissa Reese.La banda realizará trece conciertos en Sudamerica a finales del año 2016, el 27 de octubre en Perú, 29 de Octubre en Chile, los dias 1, 4 y 5 de noviembre en Argentina, los dias 8, 11, 15, 18 y 20 de noviembre en Brasil, el 23 de noviembre en Colombia, 26 de noviembre en Costa Rica y finalmente regresarán por tercera vez en el mismo año a México el 29 de Noviembre. Y durante los meses de Enero y Febrero del año 2017 estarán en Japón, Nueva Zelanda y Australia.Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal - (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558

In previous episodes of this podcast, both Prof Sir David King of the Cambridge Centre for Climate Repair and Rob Gardner of St James' Wealth Management mentioned the role of whales, elephants, and biodiversity in general in sequestering carbon. Interested to know more I came across Ralph Chami, Assistant Director at the International Monetary Fund and co-founder of Rebalance Earth whose seminal paper on placing a financial value on the carbon sequestration of whales (initially) kicked off this whole field. I invited Ralph to come on the podcast to talk about these exciting new findings and how we can use finance to protect and enhance biodiversity while simultaneously sequestering carbon. It was a fascinating conversation. I thoroughly enjoyed it. I learned loads as always, and I hope you do too.If you have any comments/suggestions or questions for the podcast - feel free to leave me a voice message over on my SpeakPipe page, head on over to the Climate 21 Podcast Forum, or just send it to me as a direct message on Twitter/LinkedIn. Audio messages will get played (unless you specifically ask me not to).And if you want to know more about any of SAP's Sustainability solutions, head on over to www.sap.com/sustainability, and if you liked this show, please don't forget to rate and/or review it. It makes a big difference to help new people discover the show. Thanks.And remember, stay healthy, stay safe, stay sane!Music credit - Intro and Outro music for this podcast was composed, played, and produced by my daughter Luna Juniper

SPECIAL GUESTS Rob Gardner is the founder and CEO of Joovy, a global leader in premium juvenile, toy, and sporting goods products for babies through young children that have grown by listening to parents. Rob is married to Sarah, who is the director of marketing at Joovy. Together, they are raising three children to be good humans by sharing their love for the outdoors with them and their message to be good. After many family trips to national parks, Rob and Sarah became inspired to support the national parks. “Not only did we get excited about the parks and what they meant to our family, but also about how we could inspire other families.” Through their partnership with the National Park Foundation, they hope to make a difference. They’ve developed a collection of family gear products featuring endangered animals and the national parks they call home. They live in Laguna Beach, California, and spent time this summer visiting national parks meeting families along the way. LEARN MORE! https://joovy.com https://joovy.com/inside-joovy/partne... https://www.instagram.com/joovy https://www.facebook.com/joovy ENGAGE WITH US!

There has been a lot in the press recently about activist investors, the increasing importance of ESG, and how big money can move the needle on climate.Here on this podcast, I've had a number of episodes related to ESG and investing as well. In this week's show, I'm talking to Rob Gardner. Rob is the Director of Investments at St. James's Place Wealth Management, where he is responsible for growing and protecting the wealth of over 850,000 clients totaling over 145 billion pounds. Rob describes himself as a financial activist "on a mission to make money a force for good for people and the planet and create ‘financial wellbeing in a world worth living in'"We had a fascinating conversation covering everything like different approaches to investing,  the power of your pension, and the importance of biodiversity for climate mitigation. I especially loved Rob's 'practical steps anyone can take today' advice: contact your HR department to ask about how your pension is invested. When I looked into my own pension, it turns out it is with VidaCaixa who are committed to the United Nations-supported Principles for Responsible Investment (PRI) that Rob referred to in the podcast. I also loved Rob's take on how crypto could potentially help out. WhaleCoin anyone? This was a truly fascinating episode of the podcast and as always, I learned loads, I hope you do too.If you have any comments/suggestions or questions for the podcast - feel free to leave me a voice message over on my SpeakPipe page, head on over to the Climate 21 Podcast Forum, or just send it to me as a direct message on Twitter/LinkedIn. Audio messages will get played (unless you specifically ask me not to).And if you want to know more about any of SAP's Sustainability solutions, head on over to www.sap.com/sustainability, and if you liked this show, please don't forget to rate and/or review it. It makes a big difference to help new people discover the show. Thanks.And remember, stay healthy, stay safe, stay sane!Music credit - Intro and Outro music for this podcast was composed, played, and produced by my daughter Luna Juniper

Richard and Chris talk with Rob Gardner, founder and CEO of Joovy about the growth of his business, trends in the infant category and the changing marketplace as Gen-Z parents emerge as an economic force. In The Endcap, Chris and Richard talk about Just In Time inventory management and how implementation since the 1970s may have played a role in the current supply chain disruptions...and what might be ahead. The Playground Podcast is supported by Global Toy Experts, The Toy Guy, and ChizComm. --- Support this podcast: https://anchor.fm/the-playground-podcast/support

A man of many talents, Rob Gardner's most impactful relationships are now long term, positive friendships. His boss early in his career became his life long friend and they founded two companies together. Other significant relationships vital to his career development included Redington's first client and Rob's wife who he met professionally at work. For Rob it was bosses who can impact a career and involve help and support, rather than clients. But, there are also lessons to be learned from bad bosses; as he put it, the good, the bad and the ugly! If a professional relationship is breaking down it is easy to jump to conclusions. A better way is make the effort to understand, maintain or repair. Rob shared his favourite resources.

August 25 is the National Park Service's 105th birthday! We're honoring the day through chatting with Joovy founder Rob Gardner and his wife Sarah about family trips and the great outdoors. The two tell Katie about their experiences growing up with the outdoors. They also share tips on using the bathroom in the woods, how to deal with car sickness, and what to bring on your next nature trip with your family. Plus, looking for some great camping spot recommendations? Sarah and Rob have you covered: tune in for details! Crib Notes: http://joovy.com Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Andy Lopata's guest this week on the Connected Leadership Podcast is Rob Gardner. Currently Rob is Chairman of Investments at St James' Place but has had a varied career and has many charitable interests as well as having written a successful children's book based on earning money, keeping money, growing money. Andy and Rob discuss the significance of meeting new people and then judging the book by its cover.  Rob encourages avoiding stereotypes when meeting people and using curiosity rather than making assumptions that are often untrue. 'Do your homework' before the conversation is the best advice in developing relationships. Also, knowing your purpose and being clear on the best way to invest your time.  

During a grueling, marathon recording of the concert film Lamb of God, cellist Nicole does what no musician working long hours ever wants to do. She asks composer and conductor Rob Gardner if they can record her difficult solo—again. In this song, called “Gethsemane," Nicole's cello represents the Savior. Rerecording pushes Nicole to her physical and emotional limits, but it is there that she not only finds the ability to depict Christ through the cello, but also learns about the Savior's ability to heal the darkness in her life. View shownotes at LDSLiving.com/thisisthegospel Follow us on instagram and facebook @thisisthegospel_podcast Transcript:  KaRyn  0:03   Welcome to "This Is the Gospel," an LDS Living podcast where we feature real stories from real people who are practicing and living their faith every day. I'm your host, KaRyn Lay.  I remember the first time I learned that there was even a thing called symbolism. It was in my ninth grade English class and we were reading "Silas Marner," the 1861 classic by George Eliot.  I thought George Eliot was so cool because she was a woman writing with a man's name. But what I didn't think was cool was the way Miss Terse, my English teacher whose name aptly described her personality, mind you, how Miss Terse kept pointing out the number three throughout the book. "Oh, look, the chair has three legs. Oh, look, there are three stars in the sky." I couldn't for the life of me figure out why the number three even mattered.  I distinctly remember using this as a jumping off point for some truly terrible junior high awfulness toward Miss Terse. I don't know if she's still teaching at a junior high somewhere in Pennsylvania and even if she is, I really doubt she's a podcast listener. But if by some small chance you're listening, Miss Terse, I was wrong. Please forgive me for being 14 because symbolism is now one of my favorite things in the whole wide world.  The fact that we can find connection and meaning by seeing ourselves in our emotions reflected in the world around us. To me, that is one of the deepest beauties of being alive on this earth.  Now, I still have no idea what the number three symbolizes. But the symbol of light is actually pretty easy. It's goodness, it's hope reflected in the life of Jesus Christ. In fact, we learn about the symbol in John chapter eight, verse 12, when Christ teaches, "I am the light of the world, he that followeth me shall not walk in darkness, but shall have the light of life."  And today, we have one beautiful story from Nicole all about light and pain and music and symbolism. But more importantly, it's about Christ and His ability to show us what light can really do for those of us who long to be made whole. Here's Nicole. Nicole  2:20   I have this sign that hangs in my office and it says, "A positive thinker sees opportunity in every difficulty. A negative thinker sees difficulty in every opportunity."  Recently, I had the opportunity to learn more about forgiveness. I had a really painful experience and to get to the other side of that experience, I had to forgive someone. And it was an act, I considered unforgivable. That wasn't the kind of thing that was just going to go away. It was going to have really lasting consequences not just for a long time, but to a real depth in my life.  I just got really down. I'm usually really positive person and so I went through the motions of life and just tried to keep my spirits up and push it out of my mind. But the more I tried to push it out of my mind, the more power it seemed to have over me, especially late at night. I stopped sleeping, really started worrying a lot and that's really not very good for anyone.  In the meantime, I was having all these cool things happen in my career. What I do for a living is play the cello. And really what that means to be a professional cellist, at least for me, is I get to do three different things. I get to teach children, which I absolutely love. I get to record really cool music. And then I also perform.I used to perform a lot but, of course, performing lately doesn't really happen.  During this difficult time, I was given the opportunity to do something really amazing, which was to record a concert film of the oratorio the "Lamb of God" by Rob Gardner. An oratorio is when someone tells a story, but they tell that story through singing. Unlike a musical or opera, it's not really acted out. Singers just stand in front of an orchestra and choir that's, you know, the most common way in oratory is sung.  The most common oratory most people would have heard of is "The Messiah." Now, "The Messiah" is about Jesus Christ. This oratorio [the "Lamb of God"] is also about Jesus Christ. In this oratorio, the cello, that instrument I play, represents the voice of Christ. So I have to admit, I was super intimidated because that is a role I never expected to play in my life—and I'm a very human person.  At the same time, it made sense because like all the human characters in the life of Christ are represented through people on stage. So it was really a brilliant way of communicating the divine. The cello represents Jesus. The violin also represents a divine person, he represents Heavenly Father. And by the way, if you end up listening to this piece, the cello doesn't always represent Christ. There's a theme that represents Christ. And it's like this. There are different ways that theme appears, and the marker really is a step down and then a leap up. That's when you know that Jesus is speaking.  Recording is always hard. It's never easy. But this was a particularly difficult recording. We did not record to the click. What recording to click means is that there's like a metronome and everyone's earpiece so that the timing of the piece is exactly the same every time you play it. This is how almost everything is recorded, all the time, everywhere. Because what happens is, we're all human beings, even skilled musicians. If we play a song three times in a row, we might play one section best the third time, another section best the first time and another section best the second time. Or we might play a whole song fabulously, but five seconds is not good.  Well, when you record the click, you can take a few seconds from one take, and just snippet into another take and it works. But if you record without click, then you really must play the whole piece not just perfectly, because that's the wrong word for music, you must play the piece with spectacular precision and exquisite emotion over and over. That is what we were trying to do.  We were doing this recording during COVID, which means that we basically had to record the project as fast as we could before anybody got sick and as safely as we could. What should have been like maybe eight hours a day recording for five days in a row, we instead recorded for almost 12 hours two days in a row.  The reason it's so unusual for music to be recorded this way is tiny muscles don't take the abuse that big muscles and the mind do. The voice gets tired, the fingers get tired, lips get tired. So it's really unusual to ever be asked to record more than eight hours in a day. In fact, a recording day is more like five hours, which makes people think we don't work very hard for what we do. But let me tell you, musicians work so hard singers work so hard. So that was one of the things that made this challenging the compressed schedule.  Then there's the weirdness that goes on. Right now, we're all in masks, we're trying not to talk to each other. There was a lot that was really challenging, but there were really many cool parts of this process. And playing the music was definitely the best part.  I've been able to play a lot of concerts since COVID, which is really unusual. But they've all been really small intimate projects. This one involved a lot of people. Even though we weren't talking to each other and socializing, we were making a lot of music together. So here we are in the middle of this process, trying to tell this really grand, magnificent story. I have the responsibility of expressing the voice of God and we come to this song that's called "Gethsemane." "Gethsemane" is about what happens in the garden, which is the Atonement. The Atonement is such a difficult thing for a human being to wrap their head around, obviously, we're not capable. At the same time, it's important that we make that effort to understand what it is.  So here comes the melody of Jesus, the one I told you about where it goes back and forth down and then rises up. There's some narration at the beginning of "Gethsemane," and then you come to the voice of Christ. It's so beautifully written. It's really hard for a composer to write for a string player, most composers use the piano to write, and pianos have five fingers. The string players only can use four fingers at a time. Many brilliant composers don't understand this. Rob totally does. He writes melodies that work for string players, they fit under the hand, they fit across the strings. It's like he plays the cello. Except at the end of "Gethsemane," the cello has to make these really awkward leaps. I didn't know how I was going to execute them gracefully. This is the most magnificent moment in history. This is why I believe in the Savior. So how am I going to pull this off?  Rob starts conducting and I'm thinking to myself, "Okay, I've got one shot to portray it well, beautifully. I think I can do that, which is a lot of confidence there. But this thing coming up farther on, oh my gosh, how am I going to make that sound good? Let alone be in tune, let alone be connected. So I prayed for help.  I was blessed with a calm feeling and the presence of a word—Abba. It's my understanding that Abba is a really unique and remarkable name for father because it doesn't really mean father, it means daddy. At the same time, it indicates a real depth of respect for a father while having this really sweet connection as daddy. So with that feeling, I was able to play through "Gethsemane" and Rob was happy with it. So we went on.  But even though I recognize the beauty of that gift, of that experience, the truth is that I didn't think I had done it good enough. It just kind of kept nagging at me and I was trying to decide, "Okay, am I being too hard on myself? Do I really need to play it again? Am I being inspired somehow?" I actually ruminated about this overnight, and came back to recording the next day. As I had more clarity, this phrase kept coming to mind. The phrase is, "The Lord appreciates effort." That quote comes from President Nelson. Every time I would think of that, I kept thinking of him smiling when he said it. So I thought, you know, "I think I need to play this again."  I got the guts up to ask Rob. I was kind of worried about what he'd say beause it's really expensive to ask an orchestra, a choir, the camera, the lights, the team, the facility, say "Oh, Rob, I know you consider that song done and who knows how much money it's gonna cost but can we play it again?" So anyway, I got the guts up and he was so nice about he said, "Hey, sure, that'd be great. We can rerecord 'Gethsemane' when the whole rest of the oratory is finished." I must admit, I thought to myself, "Yay!" I think because I was pretty wiped out already by then, but it made sense. We had to finish so if we had time to go back, we would.  We finished the oratorio and only the replay of "Gethsemane" was left. I was excited. I was scared. My arms were on fire. My neck was on fire. My back was on fire. I guess it's kind of like an athlete at the end of a marathon. I've never run a marathon but at that point, I was in the marathon of cello playing. My mind was tired, my muscles were tired. I didn't really think that I could actually play this any better at this moment because I wasn't fresh. I wasn't at my best. And, you know, I'm trying to act like none of that's happening because this is my job. I am a professional, at least I try to be. But I had asked for it. So what am I supposed to say? My thoughts were kind of racing, but I took some deep breaths. I thought, "This is gonna be just fine. It's gonna be okay." And then right at that moment, I noticed some drops of blood on the floor. I was like, "Oh my gosh, I'm bleeding." It sounds worse than it really was because for string players and pianists, honestly, our calluses split open in the winter all the time. There's not a lot of feeling to the calluses. So for me, the way I deal with it, some people super glue it shut, but I just stick a bandage on it and some ointment. Luckily, a violist had some handy so I got rescued, put the bandage on my thumb, and he [Rob] started conducting.  Well, as soon as I put my bow on the string and started playing, I realized that it wasn't just that my callus had split but the thumb, the nail was separating from the skin of my thumb. So even though I was holding my bow really lightly, just that little bit of pressure, and every time I moved, I was pulling the skin away from the nail. This had never happened to me before. It was so painful. I really didn't know how I was going to keep playing. But I knew I shouldn't stop. The musician never stops. So I prayed again. This time, I really cried out in my mind, like, "Help." And right away, it felt as if there were hands on my head. I recognize the feeling. That's that's what it feels like when you receive a priesthood blessing. And even though the pain was excruciating, it didn't change the pain, I knew that there was an angel there. I didn't really have a sense of who it was, but I knew I was being blessed and it comforted me.  We went through the piece. To be honest, because it hurts so much I didn't have a lot of awareness of how it was sounding. I was really connecting with that warmth of that feeling. So when it was all done, you know, Rob gives the conductor cue. He looked over at me and smiled warmly and said, "That was absolutely beautiful. Thank you, Nicole, would you like to do that again?" I didn't want to tell him and what bad shape I was in and what had happened to my thumb. But I looked up and I looked at everyone's faces around me and I could tell everybody was just as tired as I was. I'm usually pretty professional at sessions. I tried to behave professionally, but I looked around and I opened my mouth and I said, "I can't. That's too much pressure." Everybody just cracked up because, you know, they're not used to anyone talking like that. So we all just cracked up. And Rob just said, "Well, hey, listen, we're here. So let's do it again." And I thought to myself, "Oh my gosh, typical musician, typical conductor. Of course, you gave him the choice, he's gonna say, "Let's do it again." It's the musicians only lie: one more time.  So we started again. This time, the pain was just as bad as before and I cried out in my mind for a third time. This time I expected a miracle, right? This time, nothing happened. I didn't feel hands. I didn't feel an angel. I didn't hear voice. I felt so alone. I felt so abandoned. So what I did to deal with it, is I just like crawled inside my head. I crawled inside my body.  What was really amazing about what happened then is I found an awareness of my fingers that I'd never had before. My fingers like had a mind of their own. They started just flying through those notes like they had lived their whole life for this moment. Me, the person, I had just been along for the ride this whole time.  So we got to the end, Rob gave the cut off. I just listened to the silence. I looked up, and all of a sudden, everyone started cheering. That was the first time I realized that I had played it well. Rob said, "Well, man, that is how we end." I was so happy to be done like everyone else. That wasn't just happy to be done. We were proud because a collective effort felt like it was worthy of the work. Everyone always gives their whole heart to what they do as an artist. But when you are deprived of the opportunities to communicate your music because of COVID and that is your chosen passion, your chosen vocation, what you've spent your life doing, that gratitude for the experience of performing was so powerful. We really celebrated. We were happy.  But this is the thing. That was an amazing experience, and surely it helped. But I didn't really snap out of it. Even though I wanted to leave my heart behind and genuinely feel happy, smile from inside when I saw people instead of pretending. As hard as I tried that real heaviness that darkness returned. A couple weeks later, I finally hit bottom. It was in the middle of the night. I actually wasn't making any noise. I wasn't tossing and turning. But my husband spoke out loud. And he said, "Nicole, are you okay?" And I said, "No, I am not okay. I'm so not okay." I have spent so many nights of my adult life sad and alone. I am so blessed that right now, I'm married to the most amazing man. He just held me in his arms, and I just cried.  As I cried in his arms, I realized something. I thought, "You have all these tools at your disposal and you're not really using them. You could be praying more, you could be reading your scriptures more, you could ask your husband for a blessing."  And as all these thoughts quickly went through my mind, I blurted out, "Bryce, would you give me a blessing?" And he said, "I would love to, Nicole. I was hoping you would ask me." He just jumped right up. It was like 3:34 in the morning. And I was like, "Oh, you don't have to now. You can go to sleep. He's like, "Let me help you." So there in our PJs, in the middle of the night, a husband and wife got to connect in a really beautiful way.  Then one day, I thought to myself that I should talk to my bishop about this. I made an appointment with him and I went into his office. I told him this whole awful ordeal and it was the first time I had said it out loud. All of it.  I think for many of us, when we bring things to our bishop, we're embarrassed. We don't want to bring these burdens to their life. I definitely felt that way. He just listened carefully and after I had finished, he explained that it was a bishop's job not to take a burden and keep it. But it was a bishops job to take a burden and to give it to the Savior. And ultimately, my job was to take this burden and to give it to the Savior myself. But in the meantime, he could give this much away for me.  We talked about forgiveness. We talked about what it is and what it isn't. And it's interesting growing in the lessons of forgiveness because they're very simple. I think we all know them. It's so like music, you can know something is supposed to be a certain way as a cellist just because you know, it doesn't mean you can play it that way. It really must be practiced. So I think it's the same with forgiveness.  With forgiveness, we know it's not saying that something's okay. It's not saying something was supposed to happen or should have happened. We can completely reject the event. It's even appropiate to completely set up a boundary with that person. What forgiveness really is, is choosing to leave the hurt, choosing to leave that place of negativity, choosing to see opportunity in this difficulty.  At the end of our meeting, I asked my bishop for a blessing. It wasn't till then, when he stood behind me and placed his hands on my head, that I somehow put everything together that final few seconds of the cello passage and "Gethsemane." The ones that I struggled with in that recording, that few seconds that made me ask to do that piece over again. That difficulty was intentional. It was but a shadow of what the Atonement was for the Savior. The Atonement for the Savior is not something I can understand. But I can understand how hard it is to do that. The bleeding, the nails splitting, I was meant to play that at the end of my limits in pain and feeling totally alone.  There's a painting I love by the artist James Christensen. It shows a woman with her hand outstretched with this little tiny coin in her hand. The widow's mite represents this sweet old woman who has almost nothing to give. But the little that she has to give, she presents to the Savior.  In my mind's eye, as I was receiving this blessing from the bishop, I realized that I was that woman and now it was time to give up and submit. Just surrender not just my own widow's mite that I had to give, but the hurt that was locked inside of me. I saw the Savior reaching out to me, and he was smiling.  In that moment, I understood that he had already paid the price. That when I would give Him this burden, it wouldn't make Him hurt. That part was over. The path that lay ahead was one of light of love, and joy.  When we leave our pain and our hurt to the Savior behind, a new path opens before us a path of love, a path of service, a path of bringing light to other people's lives. And being the light that we didn't get to have. We get to be that light for someone else.  The blessing ended. I actually didn't tell my bishop what had just transpired in my mind. We parted with friendly, warm words. Then I left the church building out into this cold, sunny winter day. I could feel the warmth of the sun on my skin, on my hair, even my mind.  I knew it would be different for me now because I was walking in the light. The light and love that really comes from our Savior–here's nothing quite like it. I took a deep breath and almost felt like I was taking the first deep breath of my life. I smiled a smile that came from the inside, all the way from my heart. And I put one foot in front of the other and walked into the light. KaRyn  28:00   That was Nicole, the principal cellist in the film recording of the oratorio the "Lamb of God."  I'm going to tell you so much more about this film because, as you could tell from that little bit that you heard in the story, it is a powerful testimony of the life of our Savior. But before we can even get to that, we have to talk about the light. Couldn't you feel it in Nicole's story?  I love that shift, that symbol of reaching from the bottom of the string to the top in the midst of her suffering so that she could represent the Savior well with the voice of her cello. That moment when she felt the heavenly hands on her head, only to be asked to enter the pain one more time and this time to be left alone in her suffering, but with a supernatural ability to transform that pain and isolation into beautiful music.  And finally, the realization with her Bishop's support that all of those moments were an echo, however faint, of the very experience of our Lord and Savior when he drank the bitter cup, and as it tells us in Alma, chapter 7, verse 13 when he took upon Him the sins of His people, that He might blot out their transgressions according to the power of His deliverance.  All of these symbols, layered upon symbols of representation were exactly what Nicole needed to understand a simple truth. The truth that when we offer our sorrow and our pain and our infirmities to the Lord, especially the ones we don't know how to handle, the ones that cloud our heads and leave us sleepless with worry, we can trust that He can handle it, that He alone has already handled it.  We can trust that He knows the unique shape and heft of our burdens intimately, because He's already held them as He paid the price of our possible transformation. We accept the gift that he gave us in Gethsemane when we lift our hands up in a full surrender of the things that we cling to, just as Nicole did.  In that moment, the real work of His Atonement can begin in each of us. The real work of changing us from the natural man or the natural woman into a true disciple, a child of light.  And now I'm really excited to tell you that we have the incredible opportunity, for the first time ever to experience this oratorio, "The Lamb of God" this stunning work of sacred music in theaters–as they reopen safely in some areas. And I cannot think of a better way to spend an afternoon–oh, I cry every time I say this, I cannot think of a better way to spend an afternoon or an evening as we ride out the tail end of this pandemic, and celebrate the coming of Easter.  We'll have links in our show notes so that you can find it if it's near you. And I know that theatres aren't an option for everyone, especially our friends who are listening across oceans. So we'll have other links to some of the music, including that overwhelming piece "Gethsemane" in our show notes at LDSLiving.com/Thisisthegospel.  I honestly can't wait to hear how this music transforms your worship this year. I know that for me, it's been an important new expression of my faith ever since I discovered it and I am so happy to be able to share it with you. I hope it brings light, more light, into your life. That's it for this episode of this is the gospel thank you to our storyteller Nicole for sharing her story and her gifts with us. I played the cello for a hot five minutes in that same ninth grade where Miss Terse was, and it didn't take me long to realize that I wasn't very good at it. So I really and truly appreciate all of Nicole's talents and the years and years she has spent honing that gift to testify of her love of Christ.  You can read more about Nicole and the "Lamb of God" oratorio in our show notes at LDS living.com/Thisisthegospel. You can also find us on Facebook or Instagram @thisisthegospel_podcast. All of the stories in this episode are true and accurate as affirmed by our storytellers.  And we find a lot of our stories through the pitch line. We'll be gathering stories and ideas for our next season soon. So get ready, get on there, share your stories. The best pitches will be short and sweet. And they'll have a clear sense of the focus. You'll have three minutes to pitch your story when you call 515-519-6179. And if you're still listening this far into the outro of the podcast, you are a true friend. I tried to make them interesting, but I don't always succeed, so it is no small feat that you got this far. And if you've made it this far, maybe you wouldn't mind taking it one step further and leaving us a review. We'd love to hear how this podcast is adding to your practice of the gospel.  You can find us on social media @thisisthegospel_podcast or leave us a review on Apple, Stitcher, or whatever platform you listen on. And from one friend to another, thank you for spending time with us. We truly are grateful for you.  This episode was produced by me KaRyn Lay with special help from Arthur Van Wagenen. It was edited by Kelly Campbell and scored mixed and mastered by Mix at Six studios. Our executive producer is Erin Hallstrom. You can find past episodes of this podcast and other LDS Living podcasts at LDSLiving.com/podcasts.   Show Notes + Transcripts: http://ldsliving.com/thisisthegospel See omnystudio.com/listener for privacy information.

Rob Gardner, the composer and creator of "Lamb of God" talks about the journey of turning his beloved production into a concert film. The film is now in theaters. Check www.lambofgodmovie.com for tickets. Click the link to learn read more https://www.byui.edu/radio/lamb-of-god-concert-film-now-in-theaters

Rob Gardner's oratorio, "Lamb of God" is now in theaters. The concert film depicts the last days of Christ through music and narration. Rob Gardner, Oyoyo Bonner and Josie Larsen shared their experiences making the film with BYU-Idaho Radio. Click the link to read more https://www.byui.edu/radio/lamb-of-god-concert-film-now-in-theaters

Sometimes, it can be difficult to put ourselves in the shoes of the people we read about in Church history or in the scriptures. We live in such a different world today that their experiences can be hard for us to grasp. But stepping into others’ shoes is what Casey Elliott often does on stage, and the experience has changed him. From playing Joseph Smith in the upcoming film “Green Flake” to Peter in the concert film of the oratorio “Lamb of God,” Elliott captures the humanity of these people and brings them to life. In this week’s episode, we explore what this humanity means to Elliott and how his perception of history has deepened through acting. “Creative ideas in a very real sense are bits of intelligence, bits of spiritual stuff that wasn’t created, it just is there and, as creatives, we have the immense blessing and opportunity to take that and to form it into an identity. And that identity, once formed, almost takes on a life of its own.” Show Notes 2:54- “Resist Playing to the Icon” 9:18- Imperfect but Utilized 12:08- Being Present 15:07- “The Spirit of Christ is in the Music” 21:50- Putting Ourselves in Their Shoes 24:03- Peter, Our Brother 30:27- “Reaches My Reaching” 32:24- What Does It Mean To Be All In the Gospel of Jesus Christ? Find the full episode transcript at ldsliving.com/allin. See omnystudio.com/listener for privacy information.

In this episode we are joined by Rob Gardner, investment director for St. James's Place Wealth Management, co-founder of Redington, author and thought-leader on financial education and inclusion.Rob shares his experiences from founding and successfully growing his own businesses and the significant impact that Clayton Christensen’s book had both on his career and keeping him focused on what is really important in his life. Rob talks about the motivations that led him to leave a successful career as an investment banker to start-up his own business, how he stays focused on his ‘why’ (helping others to become in control of their financial future), the concept of ‘Ikigai’, and how he stays intentional about the way he spends his time and energy. Clayton Christensen’s fantastic book stimulates a lot of reflection and is very relevant for the challenging times we are currently experiencing.

Mike chats to Rob Gardner, Youth Pastor at St Nicks Bristol, about running playlists, job hunting in the Himalayas, Christian youth festivals and the importance of online content. Notes: The Gathering - on 'St Nicholas Bristol Youth' Youtube channel. Music by Dan Waine

Healthy habits & healthy routines - Rob Gardner will be speaking from Matthew 4 vs 18-22, encouraging us to establish new healthy routines in our lives.

Healthy habits & healthy routines - Rob Gardner will be speaking from Matthew 4 vs 18-22, encouraging us to establish new healthy routines in our lives.

An interview on Black Lives Matter - This week Rob Gardner, our Youth Pastor, talks to Betty Sanena about her experience of growing up in rural Devon and what God has been teaching her about justice during the recent Black Lives Matter protests.

5/29/14: Local Goes Industrial • Farmer Eric Stiegman on Local Beer • Adrian Miller on Soul Food • 10 Years an Internet Foodie, With David Hammond and Rob Gardner

In this week's episode - I sit down with Coach Rob Gardner, who is the new head football coach for Hammond High School located in the region in Northwest Indiana. In this episode we discuss Rob's background, his vision he has as a new head coach, and being one of the youngest head football coaches around and much more! Tweet us! @coachrobgardner @thedmpodcast --- Support this podcast: https://anchor.fm/dejuan-marrero/support

If you want to reminisce about the good old days, 80s bands, hairstyles....then pick up some juicy insight on snow day decisions, and hiring in Platte County, this episode if for you. It is a bit longer than most of our episodes, so pick this one if you want you workout to be a bit longer. Thank you to Anna Kampmeyer (or should I call her Chloe), student podcaster with some great questions. I think she really stumped him. Thank you Dr. Rob Gardner for coming in on such a crazy morning.

In this episode we talk about CBD Vape, the difference in Distillate and Isolate, and we make Rob try the Lethal Dose 3 million scoville hot sauce! --- Support this podcast: https://anchor.fm/tye47/support

He might not be the King of Pop but he’s surely the King of Cinematic Pop. Rob Gardner dishes on his process for creating his symphonic masterpiece. Cinematicpop Rob Gardner Mark Arnett's Album Sugar Cubes on Apple Music

Erin Sollecito looks into the spacious warehouse and begins to talk about the vintage car fleet spread in front of her like they're part of a family. She's driven many of the vehicles rented by Monterey Touring Vehicles and knows their pedigrees. Sollecito, the company's vice president of business development, is our guest this week on The Weekly Driver Podcast. The episode is particularly timely since Monterey Auto Week, now nearly two weeks long, begins unofficially on Aug. 5 and ends on Aug. 18. A 1961 (23-window) Volkswagen Van is part of the vintage car fleet available for rent at Monterey Touring Vehicles. It's popular for children's birthday parties. All images © Bruce Aldrich/2019. Monterey Touring Vehicles is the creation of Heather and Rob Gardner, a husband-wife team who live in Carmel Valley. Rob Gardner is a physician; Heather is a research scientist. And they decided their private vintage car fleet is best served as a driveable museum of individual works of art. It's better known as a vintage car rental company. The Gardners don't host a rally, auction or concours. But they could and they are involved with their vehicles as sponsors of various component of the gathering of all things automotive on the peninsula. Co-hosts Bruce Aldrich and James Raia discuss the varied vintage car fleet with Sollecito. Muscle cars to kit cars and classic convertibles to a more than 80-year-old Mercedes limousine fill the 10,000 square-foot showroom. We discuss the rental process, insurance to vehicles that may be added to the fleet and some in the current stable that may be sold. We also talk about what vehicles renters' favorites: a 1965 Shelby Cobra Tribute, 1965 Mustang GT (blue), 1961 VW 23-window Bus, 1965 Camaro SS (teal and white) or a 1957 Porsche Speedster Tribute? The Weekly Driver Podcast encourages and appreciates feedback from our listeners. Please forward episode links to family, friends and colleagues. And you are welcome to repost links from the podcast to your social media accounts. Support our podcast by shopping on Amazon.com. Please send comments and suggestions for new episodes to James Raia via email: james@jamesraia.com. All podcast episodes are archived on www.theweeklydriver.com/podcast Every episode is also available on your preferred podcast platform: Google Play iTunes Spotify Stitcher iheartradio  

All podcasts available on youtube: https://www.youtube.com/channel/UC-tcfr0by81zN6DMn2Oii0A Podcast links: https://sotmpodcast.com https://soundcloud.com/paul-60-1 https://player.fm/series/state-of-the-markets https://www.stitcher.com/podcast/thinktradingcom/the-state-of-the-markets https://itunes.apple.com/us/podcast/state-of-the-markets/id1301360737 Paul Rodriguez of http://ThinkTrading.com https://twitter.com/prodr1guez and Tim Price of http://Pricevaluepartners.com https://twitter.com/timfprice join Rob Gardner https://twitter.com/robertjgardner Linkedin https://uk.linkedin.com/in/robertjgardner Rob's Media Picks: Who moved my cheese: https://en.wikipedia.org/wiki/Who_Moved_My_Cheese%3F Rory Sutherland https://degreesofcertainty.blog/2019/04/19/rory-sutherland/ Tim's Media Pick: The Death of Stalin https://www.imdb.com/title/tt4686844/?ref_=nv_sr_1?ref_=nv_sr_1 Paul's Media Pick: We are the Last Humans https://youtu.be/SvbTFwXagdQ --- Send in a voice message: https://anchor.fm/stateofthemarkets/message

What is it about Irish folk that makes them such a good bunch to talk to. Well Rob is no different, and how we came to have him on the show is all discussed on this weeks episode, over a few wee drams. They weren't so wee, and we all got pretty destroyed in the process.We learned come mind boggling facts about whiskey production over the last few hundred years in Ireland, alongside some great banter with Rob! See acast.com/privacy for privacy and opt-out information.

What is it about Irish folk that makes them such a good bunch to talk to. Well Rob is no different, and how we came to have him on the show is all discussed on this weeks episode, over a few wee drams. They weren't so wee, and we all got pretty destroyed in the process.We learned come mind boggling facts about whiskey production over the last few hundred years in Ireland, alongside some great banter with Rob! See acast.com/privacy for privacy and opt-out information.

Rob Gardner is the composer of the well-known Easter oratorio “Lamb of God,” and the arranger of the Latter-day Saint favorite, “Savior, Redeemer of my Soul.” On this week’s episode, in preparation for Easter, we sit down with Rob to discuss what he has learned from composing music about the Savior. We also get Rob’s thoughts about what he believes those who knew and loved Christ during His mortal ministry must have felt and experienced during the final week of His life.

If I can experience a major faith crisis, anyone can. Over the last 12+ years, I've been through an ongoing series of my own struggles with my faith in the Church of Jesus Christ of Latter-day Saints. Today's episode is an honest share of how this came about for me, what issues I have struggled with and why, what I've done about them, and why I ultimately chose to stick with my LDS faith for life.   Below in the show notes, I've included the past posts I've written on this topic if you'd like to read more about my experience.  I've also included resources that have helped me tremendously. If you know someone who struggles or who is in a leadership position, please share this with them.  My hope is to peel back the shame that many who doubt suffer behind, to show leaders of my church how good and obedient members can still struggle with their faith, and how they can better love and help them through it. Thank you for your support!   Show Notes Prior posts on my faith: here, here, and here LDS website and LDS articles on women giving blessings here and here All the Books that have helped me Lamb of God and Rob Gardner's website Paul Cardall's website Carol Lynn Pearson's website Join my Progress Program: SMALL-group GROWTH coaching for women My new Work in Progress T-shirt!! (Use code "PROGRESS" for $5)

Classic Car Week, the all-encompassing presentation on the Monterey Peninsula of all things automotive, including vintage cars, revitalizes itself yearly. Many auction and collection names remain the same. But newcomers, including Heather and Rob Gardner, help the collective refresh. The Gardners, who live in Carmel Valley, don't host a rally, auction or concours. But they could. A Mercedes-Benz limousine is among the vintage cars available for rent from Monterey Touring Vehicles. Image courtesy of Robbie McCay. Instead, the couple will experience their first year of the nearly two-week gathering as owners of Monterey Touring Vehicles (montereytouringvehicles.com). Rob, a physician, and Heather, a research scientist, recently decided their fleet of 36 vintage cars is best served when driven. Heather Gardner is our guest on Episode 48 of The Weekly Driver Podcast. Co-host Bruce Aldrich and I discuss how Monterey Touring Vehicles began as well as the vintage cars the couple rents. The Gardner's collection is varied — muscle cars to kit cars and classic convertibles to an 81-year-old Mercedes limousine. The business has a new 10,000-square-foot location in Monterey so potential customers can view the fleet. Interest is expected to be strong during Classic Car Week, Aug. 17-26. And while Monterey Touring Rentals isn't officially hosting an event, it's a sponsor of the Prancing Ponies Car Show (Aug. 22) and Legends of Auto Gala Dinner (Aug. 23). A 1965 Ford Mustang GT and 1965 Ford Shelby Cobra replica have been the most requested rentals. In addition to its availability on this website, the Weekly Driver Podcast is also available on iTunes, Stitcher and Podtail All episodes of our podcasts are also archived on this website, TheWeeklyDriver.com. We welcome your comments and episode suggestions. Please also consider forwarding episode links to family, friends and colleagues. The Weekly Driver Podcast gets support from www.americanmuscle.com.

When Rob Gardner left his position as the youngest director at Merrill Lynch in 2006, people thought he was crazy. But he's since gone on to become the co-founder of … Read More The post Ep.41 How Rob Gardner Reached the 14 Million Revenue Mark Starting with Just £150k Capital appeared first on Key Person of Influence.

When Rob Gardner left his position as the youngest director at Merrill Lynch in 2006, people thought he was crazy. But he's since gone on to become the co-founder of … Read More The post Ep.41 How Rob Gardner Reached the 14 Million Revenue Mark Starting with Just £150k Capital appeared first on Key Person of Influence.

Rob Gardner has co-founded a pensions consultancy, built an education charity, and just launched his first children’s book, aimed at getting kids to start building good financial habits. We put Rob to the test. Can he convince 14-year-old Jessie to start saving her pocket money? Plus we show you how to persuade someone to take a bit of short-term pain for some long-term gain.

The online poker world has been rocked by the events of "Black Friday" 04-15-11. Art Beauchamp and Rob Gardner offer their thoughts and opinions on what players can do now, on this weeks episode of The EV Hour from Rounders Radio.

Art Beauchamp and Rob Gardner talk about the aspects of ICM (Independent Chip Modeling) and how it can improve your game on this episode of The EV Hour on Rounders Radio.

Composer Rob Gardner has never been less than ambitious in telling the story of the Restoration and the scriptures in music.  With "Lamb of God," he fulfills a lifelong dream in focusing on the week of the Atonement and the many individuals from the Apostles to Pilate to the mother of Christ—those who interacted with Jesus personally and lived the despair and new-found hope of that most important week.In this audio interview Rob talks about the writing process, recording with the London Symphony, and the thousand choices a composer makes in writing a sacred work, including deciding whether you're ready to tackle the most important subject that ever lived.That's this week on The Cricket and Seagull.

Taking your game to the next level and effectively balancing poker and life is disucssed on this weeks The EV Hour with Art Beauchamp and Rob Gardner on Rounders Radio.

Art Beauchamp and Rob Gardner discuss Omaha & Omaha Hi/Lo No Limit 4 Card and compare strategies for tourneys and sit-n-go's for regular Omaha games and more. Listen for The EV Hour live each Thursday evening at 8pmET on Rounders Radio. 

Rob Gardner and Art Beauchamp have the low down on hand strength and post flop value on this edition of The EV Hour on Rounders Radio. The new 50/50 format on Stars is also discussed, along with many other topics on this weeks show.

Rob Gardner is on his way to the Oaklahoma State Poker Championships and calls in from the Muskogee Turnpike! Topics discussed with Art Beauchamp include hiring a coach, the importance of playing out of position and live poker tells, all on this episode of The EV Hour on Rounders Radio.

Rob Gardner talks about his experience at the recent WSOP event in Oklahoma and more on this edition of The EV Hour, exclusively from Rounder Radio.

Art Beauchamp and Rob Gardner discuss setting goals for 2011 on this edition of The EV Hour on Rounders Radio.

Art Beauchamp and Rob Gardner discuss how possible legislation may effect both US and International poker players on this weeks EV Hour from Rounders Radio. Nevada Senator Harry Reid's attemp to attach US online poker regulation to the tax bill failed, now what? Listen as Art and Rob discuss certain scenarios that may play out and how you can prepare yourself if you rely on poker winnings as a source of income, including how to survive a possible 15 month US ban for online players and more.

Art Beauchamp and Rob Gardner discuss thinking outside the box during your play, and how the "standard play" may not be the right play on this episode of The EV Hour on Rounders Radio. How to properly play AA in PLO and PLO/8 is also discussed.

On this weeks episode of The EV Hour from Rounders Radio, Rob Gardner has thoughts on live brick and mortar poker compared to online play complete with some personal stories. Art Beauchamp and Rob then discuss posturing online in Omaha Hi/Lo and other observations, such as being careful about making assumptions about other players, confidence, and other tips to improve your game. PLO is also discussed along with live game vs. online EV.

Art Bauchamp and Rob Gardner help you increase your EV each Thursday at 8pmET/5pmPT during The EV Hour live on Rounders Radio. This week Stud Hi-Lo is the topic of discussion and more. 

Art Beauchamp and Rob Gardner talk hard core poker strategy on this edition of The EV Hour on Rounders Radio.

Don't miss some great phone calls for the "What Would Art Do" contest, on this edition of The EV Hour with Art Beauchamp and Rob Gardner, exclsively on Rounders Radio.

Rob Gardner and Art Beauchamp host The EV Hour exclusively on Rounders Radio. This week they invite you to play along with thier "What Would Art Do" contest where someone could have $50 added to their poker playing arsenal. Art also answers a staking question and more during this episode.

This show is joined in progress due to brief techincal difficulties, but not too late to catch Art Beauchamp and Rob Gardner talking in detpth about Omaha 8/Hi Lo strategy! Don't miss the action on this episode of The EV Hour from Rounders Radio.

It's the first ever edition of The EV Hour! Join your hosts Rob Gardner and one of the top Omaha 8 players in the world, Art (AJB4) Beauchamp, each week at 8pmET as they help you maximize your EV and more live on Rounders Radio!

Ever since his student days at BYU, Mesa, AZ composer Rob Gardner has felt drawn toward the more classical and choral side of music.  Over the years, this love has resulted in several large works for choir, orchestra and readers.In April, those in the Salt Lake area can see one of his most moving works, "Joseph Smith the Prophet," live in the Tabernacle with a 300-voice choir and orchestra. And if you're outside the area, you'll be able to see a performance soon on BYUTV.That's this week on The Cricket and Seagull...

On today's ABC edition of Daytime Confidential Luke, Jay, and Tina discuss the Victoria Rowell One Life to Live rumors, Mary J. Blige's performance at Starr's Sweet 16 birthday party, and is the character of Starr being destroyed? Who had the best "Go Red" episodes All My Children or One Life to Live? Is the Martin Family making a resurgence and the arrival of Rob Gardner on All My Children. Bob Guza is renegotiating his contract, WUBS spoilers, and TMK General Hospital spoilers.