Podcasts about thirty eight

How can science speak to our deepest spiritual yearnings? In this captivating panel discussion held at NeueHouse Manhattan, five prominent scientists and thinkers explore how different ways of knowing—from physics to medicine, from spirituality to ethics—can build meaningful bridges between worlds often seen as separate.The panelists are:Dr. Alan Lightman (physicist and Professor of the Practice of the humanities at MIT, and author of numerous books including most recently, the The Miraculous from the Material) - he was a guest on Season 3Dr. Neil Theise (professor of pathology at the NYU Grossman School of Medicine, pioneer of adult stem stell plasticity and the interstitium, and author of "Notes on Complexity: A Scientific Theory of Connection, Consciousness, and Being,”)Dr. Scarlet Soriano, Executive Director at Duke Health & Well-Being, whose work focuses on the development of equity-based and community-grounded health and well-being interventions;and Dr. Katy Hinman is the Director of Dialogue on Science, Ethics and Religion (DoSER) program at the American Academy for the Advancement of Science (AAAS),The panel was moderated by Dr. Robert Lawrence Kuhn, who is the creator, writer, host and executive producer of Closer To Truth, the long-running public television series and leading global resource on Cosmos, Life, Mind, and Meaning.Together, they discuss: Can spirituality coexist with scientific rationality? How do love, consciousness, and our connection to the universe shape our understanding of life's purpose?This event, sponsored by The John Templeton Foundation and produced by Rohan Routroy and Thirty Eight, explores and debates diverse approaches to consciousness and spirituality in an age of science.Watch the video on YouTube: https://youtu.be/iaUV4QWbZcI#ScienceAndSpirituality #ScienceAndReligion #MeaningOfLife #CloserToTruth #Consciousness #AlanLightman #NeilTheiseSupport the show

A live recording of a Bhagavad Gita class given virtually on the 20th of April 2025.

Goodbye to Pope Francis and how catholicism is like baseball. Trump's tolerance for pain. Was Hegseth worth the risk? RFK Jr. is just plain crazy. Larry David trolls Bill Maher. 60 Minutes producer walks out on principle and no one cares. A story about race in Texas from an incident that had nothing to do with race. More on the death of college sportsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-death-of-journalism--5691723/support.

This week we talk about the Bears new addition to the QB room and locking up the heartbeat of the defense! Also...the Greenland Bears??? Bears in the Neighborhood is a podcast by Samir Patel and Chirag Rathod, following the Chicago Bears through the 2024 NFL season and beyond.---Music: “Juicy Booty” by Subpar Snatch – used with permission from the bandVideo: Created using Luma Dream Machine and ClipchampPodcast Art: Created using CanvaOpening Clip: https://www.youtube.com/watch?v=-P11Bcpyw4g---*Samir Patel*Samir is a contributing author for On Tap Sports Net and a lifelong Chicago Bears fan.Website: https://www.mylifewithme.com/Article: https://ontapsportsnet.com/nfl/ben-johnson-speaks-with-the-media-what-did-we-learnIG and X @smpatel06 *Chirag Rathod*Chirag is host of the podcast Mr Rathod's Neighborhood, an improvisor and a lifelong Chicago Bears fan.Website: https://www.chiragrathod.com/IG @mrrathodsneighborhood---Check out the podcast Mr Rathod's Neighborhood on all streaming platforms to listen to episodes of “Bears in the Neighborhood”.  Spotify: https://open.spotify.com/show/6CWTRtL5dizA1iyS2O7qeN?si=573ff211b80c4d8aApple Podcasts: https://podcasts.apple.com/us/podcast/mr-rathods-neighborhood/id1445766040Video: Episodes available on YouTube! https://youtu.be/Zqdoz-H1YWc ------ChiragRathod.comIG: @mrrathodsneighborhoodYouTube: https://www.youtube.com/@chiragrathod9882

In chapter thirty-eight of Anne of the Island, Roy asks Anne an important question. If you'd like to try Wildgrain, click this link and use my code "MKWILES" for 10% off your first box! Listen to The Case of the Greater Gatsby to hear more fiction audio content produced by me. Featuring the vocal talents of Janet Krupin, Natalie Storrs Anderson, Julia Cho, Laura Spencer, and Curt Mega. Executive produced by Ally Bertz Brown, Warren Day, Jane Leach, Lisel Perrine, and Justin Waterman. Anne of the Island is the third book in the Anne of Green Gables series, written by Lucy Maud Montgomery. Support this project on Patreon at www.patreon.com/mkwiles Follow me on instagram at http://www.instagram.com/mkwiles

We are back with more news and stories you will only find here! Stories like boxing in the sky, another home day care gone bad, using bees as modern warfare, stepping in acid lakes, a thief that swallows and more! Plus comedy! Roll a Meldrick and enjoy the moment!

Episode Thirty-eight - Menty B-15 - Review of Loki Season One, Part II (Episodes 4-6) - Show Notes Emily is down bad for Loki (what's new?), Marc is mad about Alligator Loki, and they both wonder… What If? Credits & Tech: We record remotely using a free service called Cleanfeed Editing done in Logic Pro X Emily and Marc record on Audio-Technica AT2005USB Dynamic Microphones Music from YouTube Audio Library Producer/Host - Marc Villa Producer/Host/Editing - Emily Griswold

Episode Two Hundred and Thirty Eight Justin Trudeau LEAVE!1

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers       The Man Called X An espionage radio drama that aired on CBS and NBC from July 10, 1944, to May 20, 1952. The radio series was later adapted for television and was broadcast for one season, 1956–1957. People Herbert Marshall had the lead role of agent Ken Thurston/"Mr. X", an American intelligence agent who took on dangerous cases in a variety of exotic locations. Leon Belasco played Mr. X's comedic sidekick, Pegon Zellschmidt, who always turned up in remote parts of the world because he had a "cousin" there. Zellschmidt annoyed and helped Mr. X. Jack Latham was an announcer for the program, and Wendell Niles was the announcer from 1947 to 1948. Orchestras led by Milton Charles, Johnny Green, Felix Mills, and Gordon Jenkins supplied the background music. William N. Robson was the producer and director. Stephen Longstreet was the writer. Production The Man Called X replaced America — Ceiling Unlimited on the CBS schedule. Television The series was later adapted to a 39-episode syndicated television series (1956–1957) starring Barry Sullivan as Thurston for Ziv Television. Episodes Season 1 (1956) 1 1 "For External Use Only" Eddie Davis Story by : Ladislas Farago Teleplay by : Stuart Jerome, Harold Swanton, and William P. Templeton January 27, 1956 2 2 "Ballerina Story" Eddie Davis Leonard Heideman February 3, 1956 3 3 "Extradition" Eddie Davis Ellis Marcus February 10, 1956 4 4 "Assassination" William Castle Stuart Jerome February 17, 1956 5 5 "Truth Serum" Eddie Davis Harold Swanton February 24, 1956 6 6 "Afghanistan" Eddie Davis Leonard Heidman March 2, 1956 7 7 "Embassy" Herbert L. Strock Laurence Heath and Jack Rock March 9, 1956 8 8 "Dangerous" Eddie Davis George Callahan March 16, 1956 9 9 "Provocateur" Eddie Davis Arthur Weiss March 23, 1956 10 10 "Local Hero" Leon Benson Ellis Marcus March 30, 1956 11 11 "Maps" Eddie Davis Jack Rock May 4, 1956 12 12 "U.S. Planes" Eddie Davis William L. Stuart April 13, 1956 13 13 "Acoustics" Eddie Davis Orville H. Hampton April 20, 1956 14 14 "The General" Eddie Davis Leonard Heideman April 27, 1956 Season 2 (1956–1957) 15 1 "Missing Plates" Eddie Davis Jack Rock September 27, 1956 16 2 "Enemy Agent" Eddie Davis Teleplay by : Gene Levitt October 4, 1956 17 3 "Gold" Eddie Davis Jack Laird October 11, 1956 18 4 "Operation Janus" Eddie Davis Teleplay by : Jack Rock and Art Wallace October 18, 1956 19 5 "Staff Headquarters" Eddie Davis Leonard Heideman October 25, 1956 20 6 "Underground" Eddie Davis William L. Stuart November 1, 1956 21 7 "Spare Parts" Eddie Davis Jack Laird November 8, 1956 22 8 "Fallout" Eddie Davis Teleplay by : Arthur Weiss November 15, 1956 23 9 "Speech" Eddie Davis Teleplay by : Ande Lamb November 22, 1956 24 10 "Ship Sabotage" Eddie Davis Jack Rock November 29, 1956 25 11 "Rendezvous" Eddie Davis Ellis Marcus December 5, 1956 26 12 "Switzerland" Eddie Davis Leonard Heideman December 12, 1956 27 13 "Voice On Tape" Eddie Davis Teleplay by : Leonard Heideman December 19, 1956 28 14 "Code W" Eddie Davis Arthur Weiss December 26, 1956 29 15 "Gas Masks" Eddie Davis Teleplay by : Jack Rock January 3, 1957 30 16 "Murder" Eddie Davis Lee Berg January 10, 1957 31 17 "Train Blow-Up" Eddie Davis Ellis Marcus February 6, 1957 32 18 "Powder Keg" Jack Herzberg Les Crutchfield and Jack Rock February 13, 1957 33 19 "Passport" Eddie Davis Norman Jolley February 20, 1957 34 20 "Forged Documents" Eddie Davis Charles Mergendahl February 27, 1957 35 21 "Australia" Lambert Hill Jack Rock March 6, 1957 36 22 "Radio" Eddie Davis George Callahan March 13, 1957 37 23 "Business Empire" Leslie Goodwins Herbert Purdum and Jack Rock March 20, 1957 38 24 "Hungary" Eddie Davis Fritz Blocki and George Callahan March 27, 1957 39 25 "Kidnap" Eddie Davis George Callahan April 4, 1957 sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia       The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 331⁄3 rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the centre of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations. When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were moulded in a record press. Armed Forces Radio Service Frank Sinatra and Alida Valli converse over Armed Forces Radio Service during World War II The Armed Forces Radio Service (AFRS) had its origins in the U.S. War Department's quest to improve troop morale. This quest began with short-wave broadcasts of educational and information programs to troops in 1940. In 1941, the War Department began issuing "Buddy Kits" (B-Kits) to departing troops, which consisted of radios, 78 rpm records and electrical transcription discs of radio shows. However, with the entrance of the United States into World War II, the War Department decided that it needed to improve the quality and quantity of its offerings. This began with the broadcasting of its own original variety programs. Command Performance was the first of these, produced for the first time on March 1, 1942. On May 26, 1942, the Armed Forces Radio Service was formally established. Originally, its programming comprised network radio shows with the commercials removed. However, it soon began producing original programming, such as Mail Call, G.I. Journal, Jubilee and GI Jive. At its peak in 1945, the Service produced around 20 hours of original programming each week. From 1943 until 1949 the AFRS also broadcast programs developed through the collaborative efforts of the Office of the Coordinator of Inter-American Affairs and the Columbia Broadcasting System in support of America's cultural diplomacy initiatives and President Franklin Roosevelt's Good Neighbour policy. Included among the popular shows was Viva America which showcased leading musical artists from both North and South America for the entertainment of America's troops. Included among the regular performers were: Alfredo Antonini, Juan Arvizu, Nestor Mesta Chayres, Kate Smith,[26] and John Serry Sr. After the war, the AFRS continued providing programming to troops in Europe. During the 1950s and early 1960s it presented performances by the Army's only symphonic orchestra ensemble—the Seventh Army Symphony Orchestra. It also provided programming for future wars that the United States was involved in. It survives today as a component of the American Forces Network (AFN). All of the shows aired by the AFRS during the Golden Age were recorded as electrical transcription discs, vinyl copies of which were shipped to stations overseas to be broadcast to the troops. People in the United States rarely ever heard programming from the AFRS,[31] though AFRS recordings of Golden Age network shows were occasionally broadcast on some domestic stations beginning in the 1950s. In some cases, the AFRS disc is the only surviving recording of a program. Home radio recordings in the United States There was some home recording of radio broadcasts in the 1930s and 1940s. Examples from as early as 1930 have been documented. During these years, home recordings were made with disc recorders, most of which were only capable of storing about four minutes of a radio program on each side of a twelve-inch 78 rpm record. Most home recordings were made on even shorter-playing ten-inch or smaller discs. Some home disc recorders offered the option of the 331⁄3 rpm speed used for electrical transcriptions, allowing a recording more than twice as long to be made, although with reduced audio quality. Office dictation equipment was sometimes pressed into service for making recordings of radio broadcasts, but the audio quality of these devices was poor and the resulting recordings were in odd formats that had to be played back on similar equipment. Due to the expense of recorders and the limitations of the recording media, home recording of broadcasts was not common during this period and it was usually limited to brief excerpts. The lack of suitable home recording equipment was somewhat relieved in 1947 with the availability of magnetic wire recorders for domestic use. These were capable of recording an hour-long broadcast on a single small spool of wire, and if a high-quality radio's audio output was recorded directly, rather than by holding a microphone up to its speaker, the recorded sound quality was very good. However, because the wire cost money and, like magnetic tape, could be repeatedly re-used to make new recordings, only a few complete broadcasts appear to have survived on this medium. In fact, there was little home recording of complete radio programs until the early 1950s, when increasingly affordable reel-to-reel tape recorders for home use were introduced to the market. Recording media Electrical transcription discs       The War of the Worlds radio broadcast by Orson Welles on electrical transcription disc Before the early 1950s, when radio networks and local stations wanted to preserve a live broadcast, they did so by means of special phonograph records known as "electrical transcriptions" (ETs), made by cutting a sound-modulated groove into a blank disc. At first, in the early 1930s, the blanks varied in both size and composition, but most often they were simply bare aluminum and the groove was indented rather than cut. Typically, these very early recordings were not made by the network or radio station, but by a private recording service contracted by the broadcast sponsor or one of the performers. The bare aluminum discs were typically 10 or 12 inches in diameter and recorded at the then-standard speed of 78 rpm, which meant that several disc sides were required to accommodate even a 15-minute program. By about 1936, 16-inch aluminum-based discs coated with cellulose nitrate lacquer, commonly known as acetates and recorded at a speed of 331⁄3 rpm, had been adopted by the networks and individual radio stations as the standard medium for recording broadcasts. The making of such recordings, at least for some purposes, then became routine. Some discs were recorded using a "hill and dale" vertically modulated groove, rather than the "lateral" side-to-side modulation found on the records being made for home use at that time. The large slow-speed discs could easily contain fifteen minutes on each side, allowing an hour-long program to be recorded on only two discs. The lacquer was softer than shellac or vinyl and wore more rapidly, allowing only a few playbacks with the heavy pickups and steel needles then in use before deterioration became audible. During World War II, aluminum became a necessary material for the war effort and was in short supply. This caused an alternative to be sought for the base on which to coat the lacquer. Glass, despite its obvious disadvantage of fragility, had occasionally been used in earlier years because it could provide a perfectly smooth and even supporting surface for mastering and other critical applications. Glass base recording blanks came into general use for the duration of the war. Magnetic wire recording In the late 1940s, wire recorders became a readily obtainable means of recording radio programs. On a per-minute basis, it was less expensive to record a broadcast on wire than on discs. The one-hour program that required the four sides of two 16-inch discs could be recorded intact on a single spool of wire less than three inches in diameter and about half an inch thick. The audio fidelity of a good wire recording was comparable to acetate discs and by comparison the wire was practically indestructible, but it was soon rendered obsolete by the more manageable and easily edited medium of magnetic tape. Reel-to-reel tape recording Bing Crosby became the first major proponent of magnetic tape recording for radio, and he was the first to use it on network radio, after he did a demonstration program in 1947. Tape had several advantages over earlier recording methods. Running at a sufficiently high speed, it could achieve higher fidelity than both electrical transcription discs and magnetic wire. Discs could be edited only by copying parts of them to a new disc, and the copying entailed a loss of audio quality. Wire could be divided up and the ends spliced together by knotting, but wire was difficult to handle and the crude splices were too noticeable. Tape could be edited by cutting it with a blade and neatly joining ends together with adhesive tape. By early 1949, the transition from live performances preserved on discs to performances pre-recorded on magnetic tape for later broadcast was complete for network radio programs. However, for the physical distribution of pre-recorded programming to individual stations, 16-inch 331⁄3 rpm vinyl pressings, less expensive to produce in quantities of identical copies than tapes, continued to be standard throughout the 1950s. Availability of recordings The great majority of pre-World War II live radio broadcasts are lost. Many were never recorded; few recordings antedate the early 1930s. Beginning then several of the longer-running radio dramas have their archives complete or nearly complete. The earlier the date, the less likely it is that a recording survives. However, a good number of syndicated programs from this period have survived because copies were distributed far and wide. Recordings of live network broadcasts from the World War II years were preserved in the form of pressed vinyl copies issued by the Armed Forces Radio Service (AFRS) and survive in relative abundance. Syndicated programs from World War II and later years have nearly all survived. The survival of network programming from this time frame is more inconsistent; the networks started prerecording their formerly live shows on magnetic tape for subsequent network broadcast, but did not physically distribute copies, and the expensive tapes, unlike electrical transcription ("ET") discs, could be "wiped" and re-used (especially since, in the age of emerging trends such as television and music radio, such recordings were believed to have virtually no rerun or resale value). Thus, while some prime time network radio series from this era exist in full or almost in full, especially the most famous and longest-lived of them, less prominent or shorter-lived series (such as serials) may have only a handful of extant episodes. Airchecks, off-the-air recordings of complete shows made by, or at the behest of, individuals for their own private use, sometimes help to fill in such gaps. The contents of privately made recordings of live broadcasts from the first half of the 1930s can be of particular interest, as little live material from that period survives. Unfortunately, the sound quality of very early private recordings is often very poor, although in some cases this is largely due to the use of an incorrect playback stylus, which can also badly damage some unusual types of discs. Most of the Golden Age programs in circulation among collectors—whether on analogue tape, CD, or in the form of MP3s—originated from analogue 16-inch transcription disc, although some are off-the-air AM recordings. But in many cases, the circulating recordings are corrupted (decreased in quality), because lossless digital recording for the home market did not come until the very end of the twentieth century. Collectors made and shared recordings on analogue magnetic tapes, the only practical, relatively inexpensive medium, first on reels, then cassettes. "Sharing" usually meant making a duplicate tape. They connected two recorders, playing on one and recording on the other. Analog recordings are never perfect, and copying an analogue recording multiplies the imperfections. With the oldest recordings this can even mean it went out the speaker of one machine and in via the microphone of the other. The muffled sound, dropouts, sudden changes in sound quality, unsteady pitch, and other defects heard all too often are almost always accumulated tape copy defects. In addition, magnetic recordings, unless preserved archivally, are gradually damaged by the Earth's magnetic field. The audio quality of the source discs, when they have survived unscathed and are accessed and dubbed anew, is usually found to be reasonably clear and undistorted, sometimes startlingly good, although like all phonograph records they are vulnerable to wear and the effects of scuffs, scratches, and ground-in dust. Many shows from the 1940s have survived only in edited AFRS versions, although some exist in both the original and AFRS forms. As of 2020, the Old Time Radio collection at the Internet Archive contains 5,121 recordings. An active group of collectors makes digitally available, via CD or download, large collections of programs. RadioEchoes.com offers 98,949 episodes in their collection, but not all is old-time radio. Copyright status Unlike film, television, and print items from the era, the copyright status of most recordings from the Golden Age of Radio is unclear. This is because, prior to 1972, the United States delegated the copyrighting of sound recordings to the individual states, many of which offered more generous common law copyright protections than the federal government offered for other media (some offered perpetual copyright, which has since been abolished; under the Music Modernization Act of September 2018, any sound recording 95 years old or older will be thrust into the public domain regardless of state law). The only exceptions are AFRS original productions, which are considered work of the United States government and thus both ineligible for federal copyright and outside the jurisdiction of any state; these programs are firmly in the public domain (this does not apply to programs carried by AFRS but produced by commercial networks). In practice, most old-time radio recordings are treated as orphan works: although there may still be a valid copyright on the program, it is seldom enforced. The copyright on an individual sound recording is distinct from the federal copyright for the underlying material (such as a published script, music, or in the case of adaptations, the original film or television material), and in many cases it is impossible to determine where or when the original recording was made or if the recording was copyrighted in that state. The U.S. Copyright Office states "there are a variety of legal regimes governing protection of pre-1972 sound recordings in the various states, and the scope of protection and of exceptions and limitations to that protection is unclear."[39] For example, New York has issued contradicting rulings on whether or not common law exists in that state; the most recent ruling, 2016's Flo & Eddie, Inc. v. Sirius XM Radio, holds that there is no such copyright in New York in regard to public performance.[40] Further complicating matters is that certain examples in case law have implied that radio broadcasts (and faithful reproductions thereof), because they were distributed freely to the public over the air, may not be eligible for copyright in and of themselves. The Internet Archive and other organizations that distribute public domain and open-source audio recordings maintain extensive archives of old-time radio programs. Legacy United States Some old-time radio shows continued on the air, although in ever-dwindling numbers, throughout the 1950s, even after their television equivalents had conquered the general public. One factor which helped to kill off old-time radio entirely was the evolution of popular music (including the development of rock and roll), which led to the birth of the top 40 radio format. A top 40 show could be produced in a small studio in a local station with minimal staff. This displaced full-service network radio and hastened the end of the golden-age era of radio drama by 1962. (Radio as a broadcast medium would survive, thanks in part to the proliferation of the transistor radio, and permanent installation in vehicles, making the medium far more portable than television). Full-service stations that did not adopt either top 40 or the mellower beautiful music or MOR formats eventually developed all-news radio in the mid-1960s. Scripted radio comedy and drama in the vein of old-time radio has a limited presence on U.S. radio. Several radio theatre series are still in production in the United States, usually airing on Sunday nights. These include original series such as Imagination Theatre and a radio adaptation of The Twilight Zone TV series, as well as rerun compilations such as the popular daily series When Radio Was and USA Radio Network's Golden Age of Radio Theatre, and weekly programs such as The Big Broadcast on WAMU, hosted by Murray Horwitz. These shows usually air in late nights and/or on weekends on small AM stations. Carl Amari's nationally syndicated radio show Hollywood 360 features 5 old-time radio episodes each week during his 5-hour broadcast. Amari's show is heard on 100+ radio stations coast-to-coast and in 168 countries on American Forces Radio. Local rerun compilations are also heard, primarily on public radio stations. Sirius XM Radio maintains a full-time Radio Classics channel devoted to rebroadcasts of vintage radio shows. Starting in 1974, Garrison Keillor, through his syndicated two-hour-long program A Prairie Home Companion, has provided a living museum of the production, tone and listener's experience of this era of radio for several generations after its demise. Produced live in theaters throughout the country, using the same sound effects and techniques of the era, it ran through 2016 with Keillor as host. The program included segments that were close renditions (in the form of parody) of specific genres of this era, including Westerns ("Dusty and Lefty, The Lives of the Cowboys"), detective procedurals ("Guy Noir, Private Eye") and even advertising through fictional commercials. Keillor also wrote a novel, WLT: A Radio Romance based on a radio station of this era—including a personally narrated version for the ultimate in verisimilitude. Upon Keillor's retirement, replacement host Chris Thile chose to reboot the show (since renamed Live from Here after the syndicator cut ties with Keillor) and eliminate much of the old-time radio trappings of the format; the show was ultimately canceled in 2020 due to financial and logistics problems. Vintage shows and new audio productions in America are accessible more widely from recordings or by satellite and web broadcasters, rather than over conventional AM and FM radio. The National Audio Theatre Festival is a national organization and yearly conference keeping the audio arts—especially audio drama—alive, and continues to involve long-time voice actors and OTR veterans in its ranks. Its predecessor, the Midwest Radio Theatre Workshop, was first hosted by Jim Jordan, of Fibber McGee and Molly fame, and Norman Corwin advised the organization. One of the longest running radio programs celebrating this era is The Golden Days of Radio, which was hosted on the Armed Forces Radio Service for more than 20 years and overall for more than 50 years by Frank Bresee, who also played "Little Beaver" on the Red Ryder program as a child actor. One of the very few still-running shows from the earlier era of radio is a Christian program entitled Unshackled! The weekly half-hour show, produced in Chicago by Pacific Garden Mission, has been continuously broadcast since 1950. The shows are created using techniques from the 1950s (including home-made sound effects) and are broadcast across the U.S. and around the world by thousands of radio stations. Today, radio performers of the past appear at conventions that feature re-creations of classic shows, as well as music, memorabilia and historical panels. The largest of these events was the Friends of Old Time Radio Convention, held in Newark, New Jersey, which held its final convention in October 2011 after 36 years. Others include REPS in Seattle (June), SPERDVAC in California, the Cincinnati OTR & Nostalgia Convention (April), and the Mid-Atlantic Nostalgia Convention (September). Veterans of the Friends of Old Time Radio Convention, including Chairperson Steven M. Lewis of The Gotham Radio Players, Maggie Thompson, publisher of the Comic Book Buyer's Guide, Craig Wichman of audio drama troupe Quicksilver Audio Theater and long-time FOTR Publicist Sean Dougherty have launched a successor event, Celebrating Audio Theater – Old & New, scheduled for October 12–13, 2012. Radio dramas from the golden age are sometimes recreated as live stage performances at such events. One such group, led by director Daniel Smith, has been performing re-creations of old-time radio dramas at Fairfield University's Regina A. Quick Center for the Arts since the year 2000. The 40th anniversary of what is widely considered the end of the old time radio era (the final broadcasts of Yours Truly, Johnny Dollar and Suspense on September 30, 1962) was marked with a commentary on NPR's All Things Considered. A handful of radio programs from the old-time era remain in production, all from the genres of news, music, or religious broadcasting: the Grand Ole Opry (1925), Music and the Spoken Word (1929), The Lutheran Hour (1930), the CBS World News Roundup (1938), King Biscuit Time (1941) and the Renfro Valley Gatherin' (1943). Of those, all but the Opry maintain their original short-form length of 30 minutes or less. The Wheeling Jamboree counts an earlier program on a competing station as part of its history, tracing its lineage back to 1933. Western revival/comedy act Riders in the Sky produced a radio serial Riders Radio Theatre in the 1980s and 1990s and continues to provide sketch comedy on existing radio programs including the Grand Ole Opry, Midnite Jamboree and WoodSongs Old-Time Radio Hour. Elsewhere Regular broadcasts of radio plays are also heard in—among other countries—Australia, Croatia, Estonia,[46] France, Germany, Ireland, Japan, New Zealand, Norway, Romania, and Sweden. In the United Kingdom, such scripted radio drama continues on BBC Radio 3 and (principally) BBC Radio 4, the second-most popular radio station in the country, as well as on the rerun channel BBC Radio 4 Extra, which is the seventh-most popular station there. #starradio #totalstar #star1075 #heart #heartradio #lbc #bbc #bbcradio #bbcradio1 #bbcradio2 #bbcradio3 #bbcradio4 #radio4extra #absoluteradio #absolute #capital #capitalradio #greatesthitsradio #hitsradio #radio #adultcontemporary #spain #bristol #frenchay #colyton #lymeregis #seaton #beer #devon #eastdevon #brettorchard #brettsoldtimeradioshow #sundaynightmystery #lymebayradio fe2f4df62ffeeb8c30c04d3d3454779ca91a4871

Joss--best cop in Port Charles? Definitely. So capable. Like Jason-level capable. And it looks like Brennan is going to fix the dead Cyrus situation just like he fixed Carly's faucet. Well, not with a wrench. Meanwhile, Drew continues to spread joy all over town. Also, swapping Luckys right before the big kiss? Very disappointing. But maybe the sub will be unconscious until our Lucky returns. Fingers crossed. And it looks like Brook Lynn and Chase are in for a rough patch. A rough patch that will turn the whole Quartermaine household upside down. Buckle up! #mauricebenard  #kellythiebaud #rogerhowarth #maurawest #steveburton #delirious #tshirtgiveaway #barshampoo #daydrinkingwithsethmeyers #hillstreetblues #kinshriner #saveava #nicholaschavez #savediane #afterlife #rickygervais #stonewallkitchen #hallandoates #superstore #freaksandgeeks #waitingonafriend #memyselfi #freefallin #alanarkin #newgirl #lamornemorris #whosgonnarideyourwildhorses #maneater #whippingpost #colonoscopy #takethenap #alleymills #billylibby #chickadee #fortgorgeous #robertgossett #daydrinkingwithsethandlizzo #marcuscoloma #useastaplegun #riptwitch #ripepiphany #ripsonyaeddy  #waywardchickadee #barshampoo #ripmiffy #lovedogs #justinebateman #brookeshields #neilgaiman #dnice #cq #deborahcox #malcolmjamalwarner #lume #godzillaminusone #ripjacklynzeman #jasonmomoa #adambelanoff #thecloser #majorcrimes #wings #murphybrown #thecosbyshow #pinkalicious #ripbillymiller #ripmatthewperry #riptylerchristopher #riplesliecharleson #ripandrebraugher #ripjohnnywactor #dutchbarnvodka #chadduell 

Dan Blank didn't plan to be a soccer coach or a best-selling author. But after stumbling into coaching almost by accident, Blank began thinking about how written resources could help coaches and players, alike, play the game of soccer with a bit more acumen. In 2012, when self-publishing had become more common, Blanks wrote and published Soccer IQ: Things That Smart Players Do. Sales were initially modest, but some well placed promotion launched Soccer IQ onto the bestsellers list and made it one of the most purchased soccer books in America. Blank's title underscored a growing wave of both soccer literature as well as the beginning of other self-published resources about the game, such as training courses and videos. With an abundance of information available for Americans to access and consume, there were new ways to get smart and catch up on a game historically more accessible in other countries. Blank joined Founding Futbol to talk about how he came to write Soccer IQ, discuss some of his other titles, and more. Founding Futbol is a year-long exploration of the critical moments that have led to soccer's emerging popularity in America. Visit our website for more information: ⁠⁠FoundingFutbol.com. Email us at kent@foundingfutbol.com. Subscribe to Founding Futbol on your platform of choice. Host: Kent Malmros Guest: Dan Blank (Head Women's Soccer Coach, The College of New Jersey) Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're on TikTac now: @⁠HashtagJustSayin ⁠ In this episode we discuss - a strange interaction, a celebrity wheel of fortune without celebrities and what is Dr Pepper doing?? Please don't forget to check out our Youtube Channel, where we post the first 20-30 mins of the show…for free. You can't beat free. We'd be forever in your debt if you could jump over to our Youtube channel and Subscribe - and tell a friend. If you haven't got a friend, we'll be happy to be your friend, After you subscribe. You can also follow us on social media on Facebook, Instagram, Tumblr and Twitter. That's all of them, correct? Does anyone read this far down? Email us: ⁠⁠⁠HashtagJustSayinPodcast@gmail.com⁠

The guys get together to discuss topics such as UFC's Conor McGregor' controversy, NBA star Lebron James and Tony Tony Hinchcliffe "beef" and President Joe Biden pardons his son Hunter Biden and much more on this highly entertaining episode that you do not want to miss and make sure to tune in!

The guys get together on Thanksgiving to unbox the Turtles From Greyskull build a figure waive and much more on thishighly entertaining episode that you do not want to miss and make sure to tune in!

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Send us a textJaime takes control of the debacle that is the siege of Riverrun. He gets only scorn from the Blackfish, but he makes Edmure Tully an offer that would be hard to refuse. Simon and Mackelly consider the intestinal fortitude of the tormented Lord of Riverrun.Chapter Review:Jaime parlays with Brynden Blackfish Tully. He makes zero progress. The older man is resigned to Edmure's death, accuses Jaime of oathbreaking and cowardice, and won't believe Jaime's offer of pardons for all within.Jaime calls a war council that is closer to a war. All parties bring their high-horses and nobody budges an inch. The enmity within the besiegers camp is greater than that between the besiegers and the besieged.He gives up, dismisses Ryman Frey back to the Twins for his incompetence and elevates Ryman's son Edwyn to head the Frey contingent. He frees Edmure from his torment and brings him back to be bathed and fed. The kindness comes with an offer and a threat. Edmure will be returned to Riverrun. If he then surrenders the castle the original offer remains - all will be spared. But if he doesn't, everyone inside will die and Edmure's soon-to-be-born baby will be trebucheted over the walls. Tully is left to consider these options as a singer plays the Rains of Castermere.Characters/Places/Names/Events:Jamie Lannister - Twin and lover to Cersei. Lord Commander of the Kingsguard. Biological father of King Tommen.Daven Lannister - Son of Stafford Lannister (the late Stafford was Tywin's cousin). New Warden of the West.Genna Lannister - Sister to Tywin, aunt to Jaime.Emmon Frey - Husband to Genna. New lord of Riverrun - if and when it falls.Brynden Blackfish Tully - Uncle to Edmure Tully. De facto Lord of Riverrun.Edmure Tully - Stripped of his lordship of Riverrun, captive of the Freys.Ryman Frey - Heir to the twins. Abuser of Edmure.Edwyn Frey - Son of Ryman.Riverrun - Capital of the Riverlands. Seat of House Tully. Gifted to the Freys by the crown. Under siege. Support the showSupport us: Buy us a Cup of Arbor Gold, or become a sustainer and receive cool perks Donate to our cause Use our exclusive URL for a free 30-day trial of Audible Buy or gift Marriott Bonvoy points through our affiliate link Rate and review us at Apple Podcasts, Spotify, podchaser.com, and elsewhere.Find us on social media: Discord Twitter @GhostsHarrenhal Facebook Instagram YouTube All Music credits to Ross Bugden:INSTAGRAM! : https://instagram.com/rossbugden/ (rossbugden) TWITTER! : https://twitter.com/RossBugden (@rossbugden) YOUTUBE! : https://www.youtube.com/watch?v=kthxycmF25M

Steve Greenfield, a New Paltz firefighter and long-time activitist for alternative and third-party candidates explains the self-defeating votes we've just seen by working class people and minority men. Democrats need to understand why this happened and act to prevent it — yet again — from costing them an election Steve Greenfield, 63, of New Paltz, is a past member of the New Paltz Board of Education, the current Captain and former Secretary and Executive Board member of the New Paltz Fire Department, and has served the village, town, and school district of New Paltz in appointed positions for more than 20 years. He is a former New York State and National Committee member of the Green Party. He resigned from that job in 2020 in a disagreement over failing party strategy, and ran for Congress in the Hudson Valley in 2002, 2018, and 2020. He has been an organizer of civil disobedience actions against non-defensive war, fossil fuel use, and ICE and police misconduct, and has been arrested many times. He was the press officer for the New Paltz Green Party at the time of the first illegal same-sex marriages conducted in New York State by then-Mayor Jason West, the first Green Party elected official in New York State history. In 2005, Steve generated a brief national media frenzy by entering the Democratic Party primary for US Senate against Hillary Clinton, on an anti-war and progressive platform, in protest against Clinton's support for the invasions of Afghanistan and Iraq. In his youth and young adulthood, he became an Eagle Scout, earned his bachelor's degree in economics at Columbia, and has traveled the world engaged in his career as a musician. He is also an endurance athlete for a variety of charities, including the 9-11 oriented Tunnel To Towers Foundation and the Sloop Clearwater.

In this episode Rosemary discusses 3rd parties, the future for the Democratic Party, and how the Republican Party continues to cruise to election wins. Steve Greenfield, a New Paltz firefighter and long-time activitist for alternative and third-party candidates explains the self-defeating votes we've just seen by working class people and minority men. Democrats need to understand why this happened and act to prevent it — yet again — from costing them an election

Ashley's back for another go round with very special guest Todd Robert Anderson. They talk about the election, the GOTV volunteers that are always at Ashley's door, the terrifying reality of American Naziism infecting our government like a cancer, and then they get in a huge fight about the new Beetlejuice movie.

Today on The Marjorie Radio Show, Marjorie chats with an old friend about being too weird (among other things).  New Etsy shop! Adorable little fairy houses and McGillicuddy and Murder's Pawn Shop eyes that glow in the dark! https://www.etsy.com/shop/MagicofMinerva www.minervasweeneywren.com, @megmccauleyink I write for free and for the love of it, but if you'd like to donate to cover fees, that's @minervasweeneywren on Venmo. :)  Thank you for joining us, friend. You are welcome in this whimsical universe. Minerva Sweeney Wren has other podcasts and stories for you to enjoy. Meet Maude, the Magic Unusual from 1921, who stumbles into a world of supernatural gangsters, true friends, and plague mask thingies in MCGILLICUDDY AND MURDER'S PAWN SHOP. Darren Curtis wrote the intro music. Please thank him! See you next time!

Joe went to a wedding. He has some Robby stories. Justin went to Miami. He has some Taylor Swift fans stories. Rob went to Dallas. He has some falling in love stories. 

Follow our instagram: hereFind this episode youtube: herePatreon: hereSend us a speakpipe: hereSend us an email: deardrunkaunties@gmail.comFollow Bron: hereFollow Sammy: here Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This Week In Wrestling History hosted by Don Tony aired back in 2018-2019 and spanned two seasons. These retro episodes return remastered and are filled with hundreds of hours of original wrestling clips & stories. Enjoy this deep dive into pro wrestling's awesome history. SYNOPSIS: Episode 38 (9/16 – 9/22)RUNNING TIME: 3 Hours 17 Minutes EMLL (now known as CMLL) promotes it's first show. Fabulous Moolah begins her 28 year run as Womens Champion. Hints of a Jimmy Snuka 'babyface' turn begin (1982). Serious health issues force Jesse 'The Body' Ventura into retirement. Steel Cage Match between Capt Lou Albano (52) and Freddie Blassie (67). SNME debuts the WWF Music Video 'Piledriver', and the Mega Powers seal their bond with 'the handshake'. Audio: Looking back at WWF Album 'Piledriver'. Which tune was your favorite? Dustin Rhodes makes his WWF debut on SNME. Audio: Jake 'The Snake' Roberts promo on Prime Time Wrestling Looking back at WCW Fall Brawl: War Games 1993 and 1994. Global Wrestling Federation (GWF) folds after three year run. Audio: Mr Wonderful Paul Orndorff meets Psychic Gary Spivey. Audio: Rey Mysterio Jr and Psichosis make their ECW debut. Audio: Steve-A-Mania runs wild as Steve Austin makes his ECW debut. Audio: Infamous Cactus Jack Promo: 'Cane Dewey'. Audio: Jim Ross shoots on WWF and introduces the fake Razor Ramon and fake Diesel. Public Enemy win WCW Tag Team Titles from Harlem Heat Audio: ECW invades WWE IYH Mind Games PPV and Monday Night Raw. Audio: Highlights of Beulah McGillicutty vs Bill Alfonso (ECW As Good As It Gets). Looking back at WWF UK Exclusive PPV: One Night Only Audio: Cactus Jack makes his WWF debut. Audio: Steve Austin stuns Vince McMahon for the first time and is arrested. Audio: Bill Goldberg makes his WCW debut. The story behind the Missy Hyatt / Scott Putski 'Sex Video'. Shocker loses a Mask vs Mask match against Mr Niebla. Stephanie McMahon makes her pro wrestling debut on Raw. Vince McMahon vacates the WWF Championship and is reinstated by Steve Austin. The night Triple H wrestled five times on an episode of Smackdown. Looking back at 1999 ECW Anarchy Rulz PPV. Last episode of Raw on USA Network before jump to TNN. Kronik wrestle their one and only PPV match for WWE. Looking back at WWF Unforgiven PPV 2000 and 2003. Audio: Raven makes his memorable WWF debut. Kane and The Hurricane win WWF Tag Team Titles. Samoa Joe vs AJ Styles vs Bryan Danielson tear down the house at 2004 IWA Mid South Ted Petty Invitational. Audio: Lita suffers a miscarriage. Gene Snitsky insists that it wasn't his fault. Looking back at 'Christy / Carmella' and the WWE shadiness behind the 2004 Divas Search Contest. The story behind New Jack arrested before USAPW show and DT bailing him out of prison. Audio: Bobby Lashley makes his WWE debut. WWE releases Mark Copani (aka Muhammad Hassan). TNA rehires Vince Russo to the creative team. Audio: TNA signs Kurt Angle and the TNA commentators go bonkers. Teddy Long suffers 'heart attack' during his wedding ceremony to Kristal Marshall. Arizona Court dismisses Ultimate Warrior lawsuit against WWE. Daniel Bryan def The Miz and wins the US Title. Audio: Mark Henry def Randy Orton to become World Heavyweight Champion. Audio: Triple H vs CM Punk (Night Of Champions 2011). Matt Hardy arrested for the third time in a month and charged with possession, intent to sell or distribute, possession of drug paraphernalia and more. TNA changes to live format in attempt to stop substantial ratings decline. Roman Reigns suffers his first pin (loss) on WWE roster. Looking back at WWE Night Of Champions PPV 2014 and 2015. Sting suffers serious neck injury (against Seth Rollins) and wrestles last ever match. El Rey Network announces Season Two of Lucha Underground. Audio: The List Of Jericho is born. Cesaro suffers two impacted front teeth during Tag Title bout, and finishes the match. And so much more! RIGHT CLICK AND SAVE to download the AUDIO episode of THIS WEEK IN WRESTLING HISTORY S1 E38 (9/16 – 9/22)  === Remember: DON TONY AND KEVIN CASTLE SHOW streams LIVE every MONDAY NIGHT at 11:15PM after WWE RAW at DTKCDiscord.com.   ==== DON TONY AND KEVIN CASTLE *PATREON* AND *YOUTUBE CHANNEL MEMBERSHIPS* Since we don't use sponsors, you can send additional support for Don Tony And Kevin Castle and help grow the brand, by becoming a member of DT/KC PATREON and/or YOUTUBE CHANNEL MEMBERSHIP FAMILY. Don Tony and Kevin Castle's PATREON has been around for over seven years! You can access all seven years of BONUS CONTENT right now including: Ad-Free episodes of all of weekly shows Weekly live Patreon podcasts hosted by Don Tony and Kevin Castle Thousands of Hours of Patreon exclusive shows never released publicly! (Over 7 Years of Patreon Exclusive Content!) Retro episodes of The Don Tony And Kevin Castle Show going back as early as 2004 (Retro Episodes added each week!) Predictions Contests, Giveaways and more! CLICK HERE to access now! YOUTUBE CHANNEL MEMBERSHIPS: Another option is to become a CHANNEL MEMBER over at YouTube. Get exclusive enhanced ad-free versions of weekly Don Tony and Kevin Castle Show, access to DT's weekly Patreon show, retro DTKC Show episodes, every pro wrestling daily news update, giveaways and more. CLICK HERE for more details and to join The Family! ==== CHECK OUT DON TONY AND KEVIN SHOW CONTENT ACROSS THESE PLATFORMS: CLICK HERE FOR APPLE PODCASTS CLICK HERE FOR SPOTIFY CLICK HERE FOR ANDROID CLICK HERE FOR AMAZON MUSIC CLICK HERE FOR GOOGLE PODCASTS CLICK HERE FOR PANDORA CLICK HERE FOR PODBEAN CLICK HERE FOR IHEARTRADIO CLICK HERE FOR DON TONY MERCHANDISE! ==== DON TONY AND KEVIN CASTLE: UPCOMING WEEKLY SHOW SCHEDULE (ET): DON TONY AND KEVIN CASTLE SHOW: LIVE Mondays 11:15PM on DTKCDiscord.com PRO WRESTLING DAILY NEWS UPDATES: Pro Wrestling news updates posted every day! DT VIPATREON: Patreon Exclusive Show hosted by Don Tony LIVE Tuesdays 8:30PM on Patreon Channel at DTKCDiscord.com THIS WEEK IN WRESTLING HISTORY: Posted Thursdays 4PM at DonTony.com CASTLE/KNT CHRONICLES: Patreon Exclusive Show hosted by Kevin Castle and Trez LIVE Thursdays 8:30PM on Patreon Channel at DTKCDiscord.com THE SIT-DOWN w/DON TONY: LIVE Sundays at 8PM on YouTube WWE/AEW PPV REVIEWS: (Airdates/Airtimes vary) THE DON TONY SHOW: Special Episodes (Airdates/Airtimes vary) ==== SOCIAL MEDIA / WEBSITE / CONTACT INFO: Twitter: https://twitter.com/dontonyd Patreon: https://www.patreon.com/dontony Facebook: https://facebook.com/DTKCShow YouTube: https://www.youtube.com/dontony Website: https://www.wrestling-news.com Email: dontony@dontony.com

A yearly tradition is upon us! The time where we celebrate all the new girl groups and this is our BIGGEST year yet!!! We have THIRTY EIGHT groups to tell you about and there would have been more but we had to make cuts lol. Tune in to hear sooo many different songs and all about the tropes and trends we noticed this time around. Who was your favorite debut of this episode?PLAYLISTS!youtube: https://youtube.com/playlist?list=PL-8Wdlv0O5P4yKukOMjgW6a6Igy-lQe-w&si=ViHjEcV8B3OeBcQtspotify: https://open.spotify.com/playlist/5mPhelz94P7NDTkrPvGEFq?si=62cab1c952b34073 Hosted on Acast. See acast.com/privacy for more information.

In the Chatting With The Lightkeeper episode Return To Your Seats And Fasten Your Seatbelt, explore the unexpected aspects of BDSM that can surprise individuals, both positively and negatively. This episode offers a comprehensive look into the unforeseen challenges and rewarding experiences encountered in BDSM exploration. Listeners will gain valuable insights into managing these surprises and understanding their impact on relationships and personal growth. Tune in now to uncover essential strategies for navigating the complexities of BDSM and enhancing your journey. --- Support this podcast: https://podcasters.spotify.com/pod/show/chattingwiththelightkeepr/support

In this episode we'll talk about 3 Nephi chapters one through seven. We'll read about the faithful saints who waited for the sign of the Savior's birth, persisting through disappointment to achieve eventual satisfaction. We'll talk about the importance of being consistent in efforts to improve our mental health. We'll also talk about how being committed to a positive process can have a more positive effect on our progress than being overly focused on a specific goal.  There are free worksheets available for the invitations made in the weekly podcasts. To get these worksheets, please sign up for my email newsletter. Not only will you get access to the free worksheets, but access to many more free strategies to help manage your mental health. Please sign up at the following link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more information regarding Dr. Morgan, please visit his website here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WEBSITE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Download copy of episode transcript: ⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT

Rob and I are so stoked to talk with Nyx and Chris tonight!  We're talking short tails, bioactive enclosures and more!!  Don't miss it!  Check out Bio Boutiques IG and Website!https://www.instagram.com/bioboutique...https://www.bioboutiquekc.com Reptile Talk is Sponsored by:BLACK BOX CAGES**USE CODE - REPTILETALK and SAVE on your next order!!! **Website:https://bit.ly/BLKBoxIG:https://bit.ly/BLKBOXIGFacebook:https://bit.ly/BLKBOXFBFOLLOW USARKUSARK.orgIG - @usark_officialFB - United States Association of Reptile KeepersFIND US ON IGhttps://bit.ly/ReptileTalkIGhttps://bit.ly/creepingitrealIGWild Times: Wildlife EducationWildlife mysteries, crazy news, and daring animal stories—listen now!Listen on: Apple Podcasts Spotify

The puddle jumper gets stuck in a gate and John's team only has 38 minutes to solve the problem. Despite the many plotholes in this episode, it's still enjoyable and a very fun watch. Weir is fantastic in this episode. McKay's panic is a little much, but understandable. The introduction of Zelenka is wonderful and we're so glad the writers kept him around. INSTAGRAM: SG_Rewatch THREADS: SG_Rewatch DISCORD: https://discord.gg/65kMPzBuaN EMAIL: woosgrewatch@gmail.com

This episode stars Dmitry Samarov (To Whom It May Concern, Old Style, All Hack & many more). It was recorded in-person and in the host's borrowed South Loop classroom in May 2024.

Did you know the key to heaven isn't about your achievements but whose name you live by? We often worry if we've done enough to get into heaven, like checking if a QR code will work at an event. John reminds us that the only name that matters is Jesus. It's not just about believing in Him but living by His name. He guarantees our place in heaven. In the midst of our worries, let's remember the most important thing is already taken care of. Thank you, Jesus, for writing my name in the book of life. You can purchase the book here: https://pastorrustygeorge.square.site

Summer is sizzling in Northwest Montana with 4th of July celebrations galore! There's no shortage of fun, from art festivals and lively markets to tribute concerts and fireworks extravaganzas. Don't miss out on parades, music, local brews, and picturesque lakeside pyrotechnics—all set against Montana's stunning backdrop. It's a summer spectacle you won't want to miss! Go support our featured event for this episode, the 45th annual Whitefish Arts Festival on July 5, 6, & 7th!  A highlight of the Fourth of July weekend, it draws top artists and craftspeople from across the country to showcase their stellar creations. From canvas art and jewelry to unique sculptures and metalworks, it is the perfect place to find one-of-a-kind treasures and unique gifts amidst the scenic beauty and festive atmosphere.  Also catch...Chris Evans at Bigfork Monday Market on 7/1The Whitefish Cabaret every Sunday in July and AugustLive Music at Thirty Eight with Michelle Rivers on 7/1Live Music at Thirty Eight with Donnie Rifkin & Maggie Lynch on 7/2Live Music at Thirty Eight with Halladay on 7/5 The Music Of Fleetwood Mac - A Tribute Concert on 7/3 Pints for Paths on 7/6 And a big thank you to our headline sponsor for the News Now podcast, Loren's Auto Repair! They combine skill with integrity resulting in auto service & repair of the highest caliber. Discover them in Ashley Square Mall at 1309 Hwy 2 West in Kalispell Montana, or learn more at lorensauto.com.Subscribe to all our pods! Stay in the know with timely updates from News Now, keep up with northwest Montana sports on Keeping Score, dig into stories with Deep Dive, and keep grooving to local artists with Press Play. Visit DailyInterLake.com to stay up-to-date with the latest breaking news from the Flathead Valley and beyond. Support local journalism and subscribe to us! Watch this podcast and more on our YouTube Channel. Find us on Facebook, Instagram and Twitter. Got a news tip, want to place an ad, or sponsor this podcast? Contact us!

Another episode by the Classic Gaming Brothers. We're going to Too Many Games in a few days, and we wanted to talk about what we're excited to see!  -- Send us feedback on episodes at ClassicGamingBrothers@gmail.com (and have a chance at winning a free game!), comment on our Facebook or shoot us a DM. -- Make sure to like our pages and subscribe to our podcast on your favorite streaming service we are on most of them. -- Check us out on Twitch at https://Twitch.tv/classicgamingbrothers and YouTube @Classicgamingbrothers. -- We have a website, it is at https://www.classicgamingbrothers.com    -- Intro/Outro song is "The Little Broth" by Rolemusic from the album "The Black Dot". The BWP song when used is "The Black" also by Rolemusic

[TRANSCRIPT] [click, static] I keep—I keep calling her Harriet. I hear it, feel the shape of her name in my mouth, and it feels…not wrong, but—well, I grew so accustomed to using her nickname—the nickname I had for her, the one that I'd use to talk about her to other people. But with her here, I find myself saying “Harriet” even when she's not in the room. It's…helping a little, in some ways. Helping me keep my distance, reminding me that she's not just an abstract idea in my head, the way she has been the last year, but that she's a real, three dimensional person who's here and who I still… We finally talked about your latest messages, Birdie. And she—she agrees with me. That you're probably saying that Junior needs to die in order for us to go back to where we're from. Because…well, in that timeline we'd be free people, wouldn't we? Are we? Do we exist back there too the way we do here? Are there infinite versions of us in infinite timelines? If we fixed things here the way that Fox says they can be fixed, would we just…be absorbed into whatever life we were in back there?  I—I honestly doubt that Harriet and I even speak anymore. If we hadn't escaped, we would've—according to Harriet—been let go and turned witness. I would've refused to testify and maybe…maybe that means the deal would've been bad and I'd just go to jail anyway. But even if I didn't, even if I was somehow free, I don't think I'd have talked to her again after what she did. Fucking all of us over like that, out of some misguided fear about Pete…she's the only other person in the universe who doesn't want to kill me right now and I'm still not sure how to forgive her. If I can.  Sometimes I think that maybe forgiveness isn't necessary. For me to…for us to… I wonder how many versions of us figure it out. Figure us out. I wonder if any versions do. Or if we're fated to get close, but never step over the line.  [click, static]

In Episode 38 of the AngelsWin Podcast, the boys discuss…    * Victor's experience broadcasting this year's NCAA baseball Regionals and Super Regionals * The latest on the status of the Angels, management and a fiery rebuke from Victor Rojas and the guys on the front office's direction * What should they be looking to do ahead of the trade deadline and the Amateur Draft * An emergency closed door meeting for the players and coaches  * A tributes to Jerry West & Steve Kaluke   Sit back, relax and enjoy Episode 38!!! 

Thanks for being part of the conversation I am the Poet In The Forest. A children series I penned out in the 1990s. None of it would be possible if it wasn't for this forest in South Charlotte, NC. I talk about it so much that I thought maybe it's time you get to meet all that inspires me. Thanks for being part of the conversationBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In this episode, Walt goes on an important shopping trip. We would like to thank Gwen Static (https://soundcloud.com/deepwhale) for composing our theme song, and Trent Peters (http://instagram.com/theathleticbookworm) for creating our great podcast art.

Welcome to another episode of TWC podcast where we explore diverse perspectives and challenge the status quo. Today, I have a brave guest who steps outside the lines of her community's ideology to share her strong opinions on a topic she's passionate about. It's not easy to question deeply held beliefs, especially when they are influenced by powerful propaganda.Our conversation highlights the difficulty many people face in changing their opinions once they're anchored in a position. As Patrice O'Neil wisely said, "You can hold your opinions, but don't let your opinions hold you." It's crucial not to be "married" to your ideas. They are just ideas, and clinging to a false belief out of fear of being wrong is far weaker than admitting the mistake. But is it at all possible?!Join us as we delve into the importance of keeping an open mind, embracing change, and the courage it takes to break free from ideological constraints. Let's dive in!

Thank you very much to Natalia for commissioning this episode! This is the one where Jane and Michael are looking for a house, and a perfect one pops up but it's gasp! 35 minutes away! Lol. Meanwhile, Petra is really dealing with post-partum depression, and Rafael is plotting with Michael against his newly-discovered brother. And don't even get me started about Rogelio planning the wedding!Thanks so much to you all for listening, and I will see you soon with a new episode. Wanna talk spoilers? Join the Discord! https://discord.gg/rEF2KfZxfVIf you'd like to support the show, please go to https://www.patreon.com/unspoiled and become a patron or just follow us for updates!

There's a giant bug on your neck! Jack Baruzzini, Lisa Jones, and Victor Lams discuss this Atlantis episode whose ticking clock creates an urgency. They also note new characters who we come to like and dislike and how the different personalities affect how they react in a crisis. The post Thirty Eight Minutes (SGA) appeared first on StarQuest Media.

Steve Wiggins of GroundworksMinistries.com is sharing a devotional from the Old Testament book of Psalms, Chapter One-Hundred and Thirty-Eight.

Enso Penny soft wax out 4/24/24 Email subscribers get it sooner!! Join us now: https://ensowax.com/collections/soft-wax NEW! FREE MASTERCLASS- Time is Money: ⁠⁠⁠https://www.thewaxingguide.com/the-complete-waxing-guide⁠⁠⁠ This masterclass will teach you how to make 2-4x more money in your business as a brazilian waxer Everything you need in a suite as a Licensed Waxer: ⁠⁠⁠https://www.thewaxingguide.com/new-studio-checklist⁠⁠⁠ What brazilian wax is right for you? FREE breakdown with brazilian checklist! ⁠⁠https://www.thewaxingguide.com/brazilian-wax-checklist⁠⁠ CHECK OUT ENSO, the first of its kind self-stirring wax warmer and antimicrobial wax: ⁠⁠https://ensowax.com/⁠⁠ ⁠⁠https://www.instagram.com/ensowax/⁠⁠ Follow me on Instagram

Where's the fine line between paranoid and proactive? When things get tough, how do you cope? How long is too long to leave milk out of the fridge? Why are Bogdan's eyebrows so big? All these questions and more are discussed and answered on this latest episode of the Almost SideShow, as we break down Breaking Bad episode by episode. This edition explores Season 4, Episode 2 - "Thirty-Eight Snub." Check back every Thursday morning for the latest episode of the Almost SideShow! Find the past seasons of the Almost SideShow here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://almostsideways.com/Main%20Menu/Artice%20Archives%20Sub-Menus/AlmostSideways/Almost%20SideShow.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The SideShow is meant to be a companion to listen to after you watch each episode, so join us on the journey!  Watch the episode, then listen to our reaction and analysis.  New episodes drop every week! The Almost SideShow is hosted by Terry Plucknett and Adam Daly and is a part of the AlmostSideways family. Find AlmostSideways everywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @pro_zach36 Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stitcher⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.stitcher.com/podcast/almost-sideways-movie-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

Trump's done it again, he's supported a candidate through nomination in Ohio that probably can't win. Mr. Wonderful lets the state of NY know they've screwed up, Dr. Jay Bhattacharya sums it all up. Katanji loses her mind and Biden thinks she's brilliant. Was that Kate? Elon decides Don's a moron. Jason Whitlock and a rare testicle sighting and an interview regarding NIL with Robert George.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-death-of-journalism--5691723/support.

Recorded on Wednesday night from Number Thirty Eight, Ryan Blackburn and Shawn Drotar break down the Denver Nuggets 100-88 win over the Miami Heat as the Nuggets take sole possession of the first seed in the Western Conference. Michael Porter Jr. led the way with 25 points, Reggie Jackson played a pivotal fourth quarter role, and the Nuggets defense absolutely locked in. The Nuggets are 10-1 post All-Star Break, so Ryan and Shawn discuss the Western Conference standings, Nikola Jokic for MVP, and more.

On this week's Mystery Crate, the Shipping Container discusses Chris Cote's emerging bowling team, how there are too many opinions on 'Barbie,' and comedian Brad Williams stop by to discuss how he is treated by society as a little person. All that, plus the crew watches Billy's dream of a MAS Miami inside of an abandoned K-Mart die. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Mystery Crate, the Shipping Container discusses Chris Cote's emerging bowling team, how there are too many opinions on 'Barbie,' and comedian Brad Williams stop by to discuss how he is treated by society as a little person. All that, plus the crew watches Billy's dream of a MAS Miami inside of an abandoned K-Mart die. Learn more about your ad choices. Visit megaphone.fm/adchoices