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It was marathon week on The Sports Agents, inspired by the London Marathon...First up is Eilish McColgan, the four-time Olympian who's making her marathon debut in London. Her mum won the race just under 30 years ago, and now Eilish is hoping to break her record. (02:30)Former England cricket captain Andrew Strauss says he'll be chasing ex-England team mate Alastair Cook around the course as they run for the Ruth Strauss Foundation, in honour of Andrew's late wife. (08:30)Gabby and Mark look at how far the marathon has come with Kathrine Switzer, the first woman to officially run the Boston Marathon. She was attacked by the race director but finished the race to lay the path for millions of women around the world. (13:15)And we had a special bonus Q&A, answering all of your questions. What's your biggest sporting ick? What interview has stuck with you after all these years? And what's your worst sporting FOMO? (20:30)Got a question for The Sports Agents - email us at thesportsagents@global.com New episodes every Tuesday and Thursday.
It was marathon week on The Sports Agents, inspired by the London Marathon...First up is Eilish McColgan, the four-time Olympian who's making her marathon debut in London. Her mum won the race just under 30 years ago, and now Eilish is hoping to break her record. (02:30)Former England cricket captain Andrew Strauss says he'll be chasing ex-England team mate Alastair Cook around the course as they run for the Ruth Strauss Foundation, in honour of Andrew's late wife. (08:30)Gabby and Mark look at how far the marathon has come with Kathrine Switzer, the first woman to officially run the Boston Marathon. She was attacked by the race director but finished the race to lay the path for millions of women around the world. (13:15)And we had a special bonus Q&A, answering all of your questions. What's your biggest sporting ick? What interview has stuck with you after all these years? And what's your worst sporting FOMO? (20:30)Got a question for The Sports Agents - email us at thesportsagents@global.com New episodes every Tuesday and Thursday.
It's London Marathon week, and all week, The Sports Agents will be finding out why it's the world's most popular race... Gabby and Mark catch up with four time-Olympian and Commonwealth 10,000m champion, Eilish McColgan, who's running her first ever marathon almost 30 years after her mum won the race. She's broken all of her mum's other records - so can she break this one? And what's it like being an elite marathon newbie, learning how to take on gels and beat the wall? Former England cricket captain Andrew Strauss will be running for the Ruth Strauss Foundation, in honour of his late wife. Does he think he can beat his ex-England team-mate Alastair Cook? Will he be trying the run-walk method again? And what's it like being a celebrity runner at London?Plus, we react to Leeds and Burnley's promotion to the Premier League - and try to figure out what on earth is a fire beast?! And we react to Shelly-Ann Fraser-Pryce's showing the other parents how it's down at school sports day. The 2026 TCS London Marathon ballot opens Friday 25 April to Friday 2 May. For more information go to tsclondonmarathon.com. Executive Producer: Adonis PratsidesProducer: Sophie PenneyVideo Producers: Sam TrudgillSocial Media Editor: Calum ScotlandGuest Booker: Kirsty Giddings Tom Hughes is Editor for The News Agents podcast networkVicky Etchells is the Commissioning Editor for GlobalYou can listen to this episode on Alexa - just say "Alexa, ask Global Player to play The Sports Agents".The Sports Agents have merch! You can buy yours now here!
A Load of BS: The Behavioural Science Podcast with Daniel Ross
In this captivating episode, Dan Biggar and Daniel Ross sit down with cricket legend Sir Alastair Cook for an intimate conversation about his remarkable career and life beyond the boundary.England's second-highest Test run-scorer opens up about his unconventional journey from choir boy to cricket captain, revealing how his early musical training helped him perform under pressure. Cook shares fascinating insights into the psychology of batting, describing his battle with "the gimp on my shoulder" and how accepting rather than fighting his mental demons transformed his game in 2010.The conversation delves into Cook's extraordinary resilience, highlighted by his record 159 consecutive Test matches and marathon innings of 836 minutes in Abu Dhabi. With refreshing honesty, he discusses the challenges of opening batting ("you need some kind of mental madness"), the psychology behind batting collapses, and the delicate art of slip-catching.Cook reflects candidly on leadership, describing how captaining close friends like Anderson, Broad and Swann led to productive conflicts that ultimately strengthened the team. He offers a thoughtful perspective on managing maverick talents like Kevin Pietersen, acknowledging that with hindsight, he might have approached certain situations differently.The episode concludes with Cook discussing his transition from international cricket to county cricket with Essex and eventually to farm life. He shares wisdom about accepting that nothing can replace the unique camaraderie of elite sport while finding fulfilment in new challenges.With humor, humility and remarkable self-awareness, Cook provides a masterclass in mental fortitude and leadership that transcends cricket. Whether you're a dedicated cricket fan or simply interested in the psychology of high performance, this episode offers invaluable insights from one of England's greatest sporting minds.Key moments:Cook's journey from choir boy to cricket captainThe mental breakthrough that transformed his batting in 2010The psychology behind batting for 14 hours straightLeadership lessons from captaining friends and mavericksFinding purpose and happiness beyond professional sportToday's podcast is brought to you in partnership with The Events Room. With an amazing sporting calendar in 2025, The Events Room have events happening around the Six Nation and The Lions, featuring the likes of Warren Gatland, Alun Wyn Jones, Sam Warburton and Martin Johnson, and that's just the Rugby, so get on the website at http//:www.theeventsroom.co.uk to see all their upcoming events and get bookingThe Events Room, making memorable moments happen in 2025.https://theeventsroom.co.uk/ Hosted on Acast. See acast.com/privacy for more information.
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Huw Turbervill, editor of "The Cricketer" magazine, has some interesting views following England's defeat in the Third Test at Rawalpindi - is it time to find a "drop anchor" batter in the mould of Alastair Cook, Mike Atherton or Geoff Boycott, who can bat time? The current top seven may be entertaining, but results are everything and the team needs to demonstrate more responsibility for poor performances. Winning quickly or losing quickly, just so they can squeeze in a quick nine on the nearest golf course needs to change!
Mark Butcher, Ben Gardner and Yas Rana review the first Test between Pakistan and England in Multan. In response to Pakistan's 556 on an extremely flat pitch, England racked up a stunning 823-7d in just 150 overs, with Harry Brook making a triple century. Joe Root made 262, surpassing Alastair Cook as England's leading Test run-scorer in the process, before England's bowlers got the job done on the fourth evening and fifth morning. 0:00 Intro / 1:14 England's approach / 10:57 Harry Brook / 15:54 Joe Root / 23:17 England's bowling / 33:38 Ollie Pope / 37:17 Pitch / 43:39 Pakistan / 54:42 Changes for the second Test? / 57:48 Outro
Simon Mann is alongside England bowler Mark Wood and former England captain Alastair Cook to look back on this summer's international cricket.They discuss the players brought in to the England sides, as well as what can be taken away from test series wins against Sri Lanka and the West Indies. Plus, how the red ball side is shaping up ahead of 2025's summer test series against India & The Ashes in Australia next winter.
Victoria fast bowler Peter Siddle joins Brad Haddin, Sam Ferris and you to discuss his 20th and final season playing professional cricket, his domestic cricket in Australia and England, bouncing Brett Lee as a youngster, signing England legend Alastair Cook to Tasmania, his Test career, fierce battles with Dale Steyn and South Africa, wild celebrations, bouncers, bowling fast and winning! Sam Ferris50 Goulburn St, Sydney, NSW, 2000 Follow on Apple, Spotify and the LiSTNR app Watch on YouTube Drop us a message on Instagram and TikTok! See omnystudio.com/listener for privacy information.
Simon Mann is alongside Alastair Cook, Michael Vaughan, Phil Tufnell & Russel Arnold to discuss the pressures of test cricket.From trying to settle in as a debutant to controlling the anxiety of a batter, they tell all as to what was needed to face the challenges at the highest level and where they found their strengths in tough moments. Opening up about issues facing Glenn McGrath, keeping calm when rain delays play, and being “allergic to fielding practice”.
The most prolific run-scorer in professional cricket history, Graham Gooch shares some of the secrets of his success as a player and a coach. From his 333 against India at Lord's to his 154 not out against the might of the West Indies at Headingley in bowler friendly conditions, what was it that made England's captain such a brilliant player? And how did he later help drive an England team containing Kevin Pietersen and Alastair Cook to become the number one Test side in the world? Who is the greatest bowler he ever faced? Did he find the spin of Shane Warne or the speed of Malcolm Marshall more challenging? Four decades on from the rebel tour to South Africa that he led on the field, does he regret his decision to travel to a country still under the yolk of Apartheid? And after his rehabilitation in the national side following.a three year ban, why did the England captaincy bring the best out of him? This is a rare chance to hear from one of England's greatest ever players.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan, and former Sri Lanka allrounder Russel Arnold for reaction to England's loss to a determined Sri Lanka. They discuss the takeaways England will have from this summer as a whole, as well as where this leaves Sri Lanka ahead of a test series against New Zealand. England's stand-in captain, Ollie Pope, believes England were "outplayed for a day and a session" as Sri Lanka win a test in England for the first time in 10 years. Player of the series Joe Root says England "aren't always going to get it right all of the time" and Sri Lanka captain Dhananjaya De Silva looks back on a "very special" win in England.Plus, hear the lighter moments from the TMS commentary box from across this summer.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan and former Sri Lanka allrounder Russel Arnold for reaction as Sri Lanka bowl England out in 34 overs and begin their chase well in their quest to win the last test of this series. They discuss England's attitude when batting in the second innings, Jamie Smith's innings which stopped Sri Lanka from winning the game already, and what could have led to England's below-par performance this test.England Assistant Coach Paul Collingwood gives his reaction of the day's play.Plus, Moeen Ali speaks to Jonathan after he announced his retirement from international cricket.
How do you transform fear of failure into a weapon that powers you to greatness? Join Dr. Duncan Simpson and Dr. Greg Young as they dive into the remarkable career of Sir Alastair Cook, England's former cricket captain and one of the sport's greatest opening batsmen. In this episode, they explore how Cook's upbringing at boarding school and his time singing in the choir instilled essential values like discipline, consistency, and teamwork. These early lessons, combined with his relentless dedication to deliberate practice, shaped his journey from backyard games to international cricket success. Through his autobiography, Cook shares insights on battling inner demons, finding mentorship, and balancing self-reliance with support from others. His story is a testament to the power of resilience, mental toughness, and the human connections that fuel performance. In this episode of Performers, you will: Discover how early life experiences contribute to a performer's development. Gain insights into overcoming fear of failure and self-doubt. Learn the importance of mentorship, reflection, and mental health in sports. Listen on Spotify: Spotify Listen on Apple: Apple Watch & Listen on YouTube: YouTube Buy the Book: https://www.amazon.com/Sir-Alastair-Cook-TPB/dp/0241401437 Socials: X - https://twitter.com/SportPsychDunc Instagram - @Performerspod https://www.instagram.com/performerspod/ LinkedIn - Duncan Simpson https://www.linkedin.com/in/duncan-simpson-ph-d-cmpc-76244b1a/ LinkedIn - Greg Young https://www.linkedin.com/in/greg-young-ph-d-cmpc-64765a35/ Chapters 00:00 Introduction and Overview 03:52 Unleashing the Power of Familiar Virtues 12:19 The Impact of Early Experiences on Development 16:09 The Role of Love for the Game 17:03 Fear of Failure as a Motivator 19:18 The Significance of Hard Work and Resilience 21:34 Personal Development and Mentorship 29:31 Addressing Mental Health in Professional Sports 39:55 The Challenges of Opening the Batting in Cricket 47:22 The Power of Reflection for Leaders 47:51 Building Trust and Overcoming Self-Doubt 49:39 Harnessing the Power of Mindfulness and Visualization 53:19 The Impact of Shared Experiences and Relationships 57:00 Leadership: Expectations, Transparency, and Accountability 01:04:22 Overcoming Adversity and Perseverance 01:06:57 Embracing Vulnerability and Seeking Support 01:10:19 The Foundation of Trust in Team Success 01:11:46 The Power of Genuine Human Connection 01:13:27 Avoiding Neglect of Emotional Support and Over-Reliance on Self 01:14:03 Balancing Instruction with Independence 01:14:28 Mental Toughness and Concentration 01:15:41 Transitioning from one identity to another
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan & former Sri Lanka allrounder Russel Arnold for reaction to the second day's play at The Oval between England and Sri Lanka. They discuss the potential complacency from England which let Sri Lanka back into the contest, as well as England's batting collapse and the questionable tactics in the field. England bowler Ollie Stone says the side "took the aggressive option" on a day that could've look very different.Kate Cross reacts to her career best figures as England beat Ireland in the first One Day International of the series in Stormont. Plus, comedian & actor Miles Jupp speaks to Simon Mann about his podcast with Mark Wood, and how reflecting on his recent illness in his latest tour became cathartic when hearing from others who had experienced similar things.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan & former Sri Lanka allrounder Russel Arnold for reaction to the first day's play of the final test at The Oval. They discuss Pope's innings, as well as Sri Lanka's performance with the ball and Ben Duckett falling short of a century.Duckett speaks to Henry Moeran, saying that the reason he fell short of a century was also the reason he also scored as many runs as he did.Plus, Team GB Paralympic swimmers Eliza & Scarlett Humphrey speak to Jonathan from the Paralympic Village in Paris.
Jonathan Agnew is alongside Alastair Cook, Steven Finn & Kevin Howells to discuss which young players could become England stars in the future. Following England's white ball squad announcement, 5 uncapped players have been called up with Jonny Bairstow and Moeen Ali the big names to miss out. They look at Essex batter Jordan Cox, Hampshire seamer John Turner and Leicestershire left-arm bowler Josh Hull. Whilst also focussing on Warwickshire's Dan Mousley and Jacob Bethell.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan & former Sri Lanka allrounder Russel Arnold on the Lord's outfield for reaction to England beating Sri Lanka on day four and sealing the series victory with a test to play. Player of the match Gus Atkinson tells Jonathan that it was "incredibly special" to get his first century at Lord's whilst also starring with the ball and taking 5 wickets in Sri Lanka's second innings. Captain Ollie Pope looks back on his recent form with the bat saying "it hasn't worked" for him, but looks to lead from the front as captain going forward. Plus, Sri Lanka captain Dhananjaya De Silva rues choosing to bowl when his side won the toss on day one.The MCC respond to criticism that ticket prices at Lord's were too high with Senior Head of Club Services Viv Brown & Chief Marketing and Communications Officer Katie Maier speaking to Jonathan.Plus, listen back to the lighter moments from inside the TMS commentary box during the test at Lord's.
Jonathan Agnew is alongside Alastair Cook and Michael Vaughan at Lord's for reaction to Joe Root hitting his 34th hundred, taking him past Cook's record, and helping England take control of the second test against Sri Lanka. They discuss Root, Ollie Pope's management of the game situation with bad light stopping play, and how test cricket can adapt to be able to keep playing in darker conditions.Root says he's "still got a lot of work to do" despite hitting his record 34th century.Plus, Isa Guha, Steven Finn, Phil Tufnell & Andy Zaltzman take a look through what has made Root's career so impressive.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan, Steven Finn & former Sri Lanka allrounder Russel Arnold for reaction to day two of the test from Lord's where Gus Atkinson's maiden test century has helped England take control. They discuss Atkinson's incredible start to his England test career, Ollie Stone's return to the test side, and Dan Lawrence's performances this series.Atkinson says seeing his name on the boards at Lord's is “incredible” and a “very surreal” day.Plus, we hear how the South Asian Cricket Academy is giving young players more opportunities to turn professional.
Jonathan Agnew is alongside Alastair Cook and Michael Vaughan for reaction to Joe Root's record equalling 33rd hundred for England which saved the side from a potential collapse on day one against Sri Lanka. They discuss Root's innings, as well as Ollie Pope's batting record. Also, Andy Zaltzman gives a stat breakdown of the day.Root says that he's "in a good place" when talking about his recent batting form.Plus, Henry Moeran speaks to England head coach Jon Lewis and captain Heather Knight looking ahead to the Women's T20 World Cup in the UAE in October.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan, Vic Marks & former Sri Lanka allrounder Russel Arnold for reaction to day four at Old Trafford where Sri Lanka have a slender advantage. They discuss Jamie Smith becoming the youngest wicketkeeper to score a century for England, Angelo Mathews' insubmissive innings for Sri Lanka, and the drops that dampened the day.Jamie Smith describes the “incredible feeling” making his maiden test century for England.Plus, Daniel Norcross speaks to award winning writer Nicholas Brookes who chronicles the history of Sri Lanka cricket.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan & former Sri Lanka allrounder Russel Arnold for reaction to England's batters getting them ahead of Sri Lanka's first innings total on day two at Old Trafford.They discuss what total England will want from their first innings, and how the pitch may help Sri Lanka's fightback on day three. Plus England's assistant coach gives his thoughts on the day's play.
Jonathan Agnew looks back on Graham Thorpe's life with Alastair Cook, Phil Tufnell, and Thorpe's former captain Michael Vaughan.Thorpe's former PE teacher Simon Sherborne, who gave him his first opportunity for representative cricket with Surrey, remembers meeting Graham as a promising 11 year old, and Mark Ramprakash discusses the life of his childhood friend.
In this episode, Keith Townsend and Alastair Cook, both seasoned CTO advisors at the Futurum Group, delve into the challenges and strategies of migrating legacy, VM-based applications to the public cloud. Using the "Granite" application as a case study, they explore the practical considerations of containerization, the complexities of cloud-native transitions, and the impact of [...]
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan and Carlos Brathwaite on the Trent Bridge pitch for reaction to Shoaib Bashir taking five wickets and England bowl the West Indies out in just one session to seal the series against West Indies.Captain Ben Stokes reveals he didn't see a victory coming so quickly, whilst Bashir reflects on a "special" evening taking five wickets in his first time bowling on home soil. Player of the match Ollie Pope tells Aggers that he's pleased to return to form following a slow start to the season with Surrey, and downbeat West Indies captain Kraigg Brathwaite is still looking for improvement from his side despite a strong first innings with the bat.Roland Butcher takes a look back on his career with Daniel Norcross, and hear the 'lighter' moments from the TMS commentary box during the test at Trent Bridge.
Jonathan Agnew is alongside Alastair Cook and Fazeer Mohammed to look back on England's batters building a strong lead over the West Indies on day three at Trent Bridge.Chris Woakes reflects on a day where there was more for the bowlers because of the conditions, and West Indies' Josh Da Silva reveals the “fun” he had during the last wicket partnership with Shamar Joseph.Plus, Simon Mann speaks to former Glamorgan all-rounder Sam Kirnan, who coaches the West Indies' Kavem Hodge & Alick Athanaze, to learn more about the Dominican duo.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan & Fazeer Mohammed for reaction to Kavem Hodge's hundred which keeps West Indies in the test at Trent Bridge.England assistant coach Paul Collingwood gives an injury update on Mark Wood who went off the field late on in the day & Kavem Hodge says the West Indies' success is down to digging in and sticking to their plan.Plus, Stuart Broad speaks to Aggers as he reacted to having an end named after him at Trent Bridge.
Jonathan Agnew is alongside Alastair Cook, Michael Vaughan & Fazeer Mohammed for reaction to the first day's play between England and the West Indies at Trent Bridge.Century-hitter Ollie Pope reflects on a "strong" day for England and West Indies spinner Kevin Sinclair says they let England get too many runs as poor fielding and dropped catches hurt his side's determination to limit the home team.Plus, author Simon Lister joins Aggers to talk about the first permanent black captain of the West Indies, Sir Frank Worrell. Ebony Rainford-Brent joins the chat to discuss her unique link to the West Indian great.
Jonathan Agnew is alongside Alastair Cook and Michael Vaughan on the Lord's pitch for reaction to Jimmy Anderson bowing out to cricket for England with a win over the West Indies.Hear from the man of the moment, Jimmy Anderson, as well as England captain Ben Stokes, Player of the match Gus Atkinson, Ollie Pope, and West Indies captain Kraigg Brathwaite.
Jonathan Agnew is alongside Alastair Cook, Steven Finn, Michael Vaughan and Carlos Brathwaite to discuss England's dominant display on day three at Lord's. They discuss England's variety of speed with the bat and Jamie Smith scoring 70 on debut whilst also impressing behind the stumps.England's wicketkeeper Jamie Smith talks about the atmosphere in the stadium as he stood waiting for James Anderson to join him in the middle for England's last partnership, and West Indies bowler Jayden Seales reflects on the lessons his side will learn from this first test.Plus, Machel St Patrick Hewitt and Santokie Nagulendren from The Caribbean Cricket Podcast join Jonathan to discuss the troublesome times that West Indies cricket has been through in the past.
Alison Mitchell, Jim Maxwell and Charu Sharma are joined by not one, but two, former international cricket captains.England's Sir Alastair Cook gives us his thoughts on Jimmy Anderson's decision to retire and reflects on his career. He also shares if he was surprised by the timing of the decision. Plus with a new portrait of Cook being unveiled at the Lord's, he tells us what he really thinks of it.And we hear from former Pakistan captain Bismah Maroof who has announced her retirement from the game. She tells us why she has decided not to take part in the T20 World Cup later this year and also on her experience of balancing motherhood and cricket.Photo: Sir Alastair Cook and James Anderson pose with the Ashes urn as England celebrate winning the ashes after day four of the 5th Test match between England and Australia at The Kia Oval on August 23, 2015 in London, United Kingdom. (Credit: Getty Images)
One final Test match to round out the summer! Christchurch is the scene and Andrew Ramsey is there and he gives Josh Schonafinger the lowdown on what to expect at Hagley Oval. Mitch Starc needs two poles to go past Dennis Lillee while Kane Williamson and Tim Southee will line up in their 100th matches apiece. TRIVIA ANSWERSThe only bowlers in Test cricket with a better strike rate than Mitch Starc's 48.62 are:Dale Steyn (42.38), Malcolm Marshall (46.76) and … Waqar Younis (43.49)! In terms of players playing their 100th Tests together, it's far more common than we assumed! Mike Atherton and Alex Stewart did so in 2000, Shaun Pollock, Jacques Kallis and Stephen Fleming did in the same match in 2006, and Michael Clarke and Alastair Cook also reached 100 in the Perth Test of 2013-14! Well done if you knew any of those! This episode brought to you by Qantas, the Spirit of Australia. Hosted on Acast. See acast.com/privacy for more information.
This week we discuss another magnificent comeback from Team India to win the #IndvEng test series 3-1. This is the 17th consecutive home series win for India, a record that stretches back to 2012 when India lost against Alastair Cook's England.
Mastering Portrait Photography Podcast: Land Rover Edition This is one of our "Land Rover Editions" which is to say, slightly noisy. I'm on my way to and from the Hearing Dogs for a shoot, which is always lovely. Various topics, but mostly "Yvonne's Law: Shoot For Dough Before Shooting For Show". In other words, it's all about your client before it's about us and our lust for awards! haha. Sadly, it does mean you can't always create award-winning or qualification-worthy images on every client job, no matter how much you want to! 00:00 Introduction and Land Rover Editions 01:06 The Journey and the Mastering Portrait Photography Podcast 03:04 The Importance of Being Part of the Photography Industry 04:35 The Challenges of Recording Podcasts and Listener Engagement 06:00 The Timelessness of Radio Programs 07:05 The Arrival at Hearing Dogs and the Importance of Initials 07:45 The Challenges of Building a Website and Judging Image Competitions 16:08 The Arrival at the Wedding and Yvonne's Law 20:14 The Wedding Shoot and the Difference Between Shooting for Show and Dough 27:17 Conclusion and Farewell Enjoy! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk. Full Transcript: EP145 Yvonne's Law Introduction and Land Rover Editions [00:00:00] As I'm absolutely certain you can hear, I'm back in the Land Rover. I think maybe, maybe I should call these the Land Rover Editions and actually separate them out from our normal podcasts. Mostly because when I was at the photography show at the beginning of the year, quite a few people came up to me and said how much they enjoyed them. [00:00:24] Though looking in the mirror right now, I do look like I think a pilot, with my microphone, it's either that or Madonna, and I don't know which is better. I'm gonna go with pilot with the microphone on. However, quite a few people came up to me and said how much they enjoyed the podcast, when it's from the Land Rover, the podcast episodes. [00:00:43] Except for Fiona. Fiona told me in no uncertain terms that not so keen, doesn't like them, wish I'd stopped doing them. Sadly however, look at the weather out here, it's just ridiculous. There's a huge flood. Water everywhere. Good job I'm driving this thing, I think. It's going to be an exciting trip. [00:01:03] Note to self drive careful. The Journey and the Mastering Portrait Photography Podcast [00:01:06] Anyway, this is one of the Land Rover editions of the Mastering Portrait, no, hang on, yes, no, that's right. I'm Paul. This is a Land Rover edition of the Mastering Portrait Photography Podcast. [00:01:33] The challenge with doing these particular versions of the podcast is, of course, the priority is to arrive safely at wherever it is I'm heading. [00:01:44] Today it's the Hearing Dogs: I've got to photograph of some newborn puppies. Well, eight weeks old, so cute, yeah, cute. And also some Christmas stock imagery. The date today is the something of February. What is it? 7th, 8th, 9th something of February. Haven't looked the date up. And we're doing the Christmas, or some of the Christmas stock imagery ready for the end of the year. [00:02:06] Now in some ways it feels absolutely ridiculous that we're doing that, but on the other hand, it's perfectly planned. So I'm actually quite happy about it because normally, every year I've photographed Christmas stock imagery in sort of August, which makes life very tricky when you're trying to hide flowers, make it, the light look slightly bluer. [00:02:25] And ignoring the fact that the dog is panting in the heat. Today, that's not going to be a problem. It's 4 degrees according to the thermometer on the car. It is absolutely tipping it down with rain and has been by the look of it for the past 12 hours because there are floods everywhere. It's going to be a slightly lively journey through the lanes of Buckinghamshire to the Hearing Dogs site. [00:02:49] So anyway, Fiona, I'm sorry I've, I set out at the beginning of the year that I was going to run at least once a week, the podcast would come out once a week, but finding the time for that has been nigh on impossible. On Tuesday. The Importance of Being Part of the Photography Industry [00:03:04] We spent the entire morning judging the images for the British Institute of Professional Photographers, the BIPP image competition, which is such a joyous, I mean, you know, some of the greatest pleasures of getting involved in the industry are that I'm involved in the industry. [00:03:21] I know that may be alien to some people. I get asked quite a bit, what do you get out of it? And I'm going to guess that everybody who sticks their head over the parapet and does judging, mentoring, gets involved with various associations. You get a fairly, a fairly repeated question of what on earth is in it, for me, for other, you know, people asking why they would join, for instance. [00:03:44] What do I get for my 15 quid a month or whatever it is, I don't even know how much it is. And the answer I'd always say is I get to be part of something. I get to be part of something bigger than just myself, Sarah, Michelle, and we're actually a pretty big business when it comes to the photography industry in terms of brand, but also in terms of turnover. [00:04:02] We have a You know, a reasonably big business, the three of us run but it's still, in terms of the industry itself, if it wasn't for the associations, we'd be running it on our own, and yeah, alright, I'm with clients all the time, which is amazing, but it's the, things like the society's convention. Being part of the BIPP. [00:04:19] com, being a judge for the FEP, that's just started this week, so I'm judging for the Federation of European Photographers as well, and it looks like I'm about to do some judging across the pond. with our American friends. The Challenges of Recording Podcasts and Listener Engagement [00:04:35] So, all in all, a lot's going on and, and , finding time to record the podcast just isn't that easy. [00:04:42] On top of that, the thing I've suddenly had to become increasingly cognizant of is I've started to get emails of people who are discovering the podcast for the first time and are now listening to back episodes, and this particular message, I suppose, was triggered, or this thought was triggered, by an email that came from another Paul, I mean, great name, of course, another Paul, who had started listening to the podcast, and when he emailed in the other day, he was on episode 31. [00:05:09] Now, I didn't look up the date of episode 31, but given we've been doing this for about Eight years now. Seven or eight years. Episode 31 is quite a long way back. Goodness only knows what's changed since then. And it may be another six years at that run rate before he gets to this episode of 145. So, who knows? [00:05:33] So now I've got to be very careful. I don't get too specific on dates because by the time some people listen to these episodes it could be well out of date. Equally, there are people who've probably started episodes What, 144, and are now working their way backwards, but still won't get to 100, this episode, 145, for quite a long time. [00:05:53] So forgive me if some of the stuff I talk about is very particular to the moment. Can't do a lot about that. The Timelessness of Radio Programs and the Future of the Podcast [00:06:00] One of my favourite radio programmes to listen to is Letter from America. Have I talked about this before? I've no idea. Letter from America, by a guy called Alastair Cook. He's, he's dead now. [00:06:12] This was on Radio 4, BBC Radio 4, and I think you can still Listen to it. Oh, I listened to it on the BBC Sounds app and many of the back episodes are there. And I really like the fact that it's of its time. I was listening to an episode the other day that was actually about the Middle East, and it's incredible. [00:06:31] I mean, These episodes must be, I think, 40 years old? You're looking at the mid 80s. And the politic of the region and things that were going on sounded like they could have been today, right here, right now. And I find stuff like that really interesting. So I suppose in a sense you can have a recording that is of its moment and yet still be pertinent later on. The Arrival at the Hearing Dogs Site and the Struggles of PodcastingThe Arrival at the Hearing Dogs Site and the Struggles of Podcasting [00:06:57] If I'm still doing this in 40 years, I don't know if I'm going to be driving around the country photographing hearing dogs, but that's what we're doing today. So thank you to Paul for emailing in. It's lovely to get these emails. We get them from people dotted all over the world. [00:07:12] Describing what they're up to. I try to get back to everybody within a certain time frame not always possible, but I do try to, to do it. And those that sort of make me smile, I, I talk about on the podcast itself. Uh, An awful lot going on just at the moment, which is also a reason why I haven't managed To do a sit down at my desk recording really, the only time I've got. [00:07:34] Sorry, I'm so sorry Fiona, I know, alright, I know. But I'll try and make the broadcast as clear as I can. [00:07:41] Even in this clattering vehicle. The Development of the Mastering Portrait Photography Website [00:07:45] Still building the masteringportraitphotography. com website, causing me no end of head scratch. The hardest bit is a combination of technology and trying to figure out where Articles should sit. It's not, it turns out, as straightforward as I would like. Mostly because the platform we're using, or trying to use, or switching to, is more basic than the one I have at the moment. [00:08:12] So the one I have at the moment, I can do anything I like. WordPress, with all of its plugins and all of its technology, of course you can do anything you like. But the problem is, with that kind of power comes an immense amount of work. Keeping on top of it, making sure it's patched correctly, making sure that all my licenses are up to date. [00:08:32] And on top of that, a huge amount of expenditure. Because of its sophistication, well, you pay for it. So, what we're trying to do is simplify everything, because I don't really need that power to do the things I need to do. It's overkill, really, although I enjoy having that sort of level of control. [00:08:54] But the kicker, of course, is now we're simplifying things down, is I'm discovering that certain core things that I relied on, for instance, the structure of how one article can be the child of another article, so you can have a parent which is a really simple idea. The Challenges of Creating a User-Friendly Website [00:09:12] But very powerful. I can't do that on the new platform, so I'm having to figure out ways of still making the content visible, make it logical make it easy to upload and easy to access. [00:09:24] And have a structure that really makes sense, but haven't necessarily been able to find the way of doing that. The Experience of Judging for the BIPP Image Competition [00:09:32] Of course, things like judging the other day they take up time too, but it warranted pleasure. It was just It's the new BIPP monthly competition. So this was month one. So if you're listening to this podcast five years later, you will know whether the BIPP. [00:09:47] com monthly competition has been a success because this was the very first round. A couple of hundred entries, which is really nice. Hopefully that will climb but the, the fun of it is sitting we've recorded the call, so I have it as an audit trial, but sitting on this video conference with two judges looking at images and enjoying the process of assessing images. [00:10:10] Now, the only thing is, it didn't really occur to me, I thought we'll film this, we'll do it properly, so we're using a bit of software called Squadcast which is brilliant, it's one of the, it's, there are various things, a bit, Riverside FM is another one. Where you do it as if it was Zoom, but the video and audio for each participant is recorded locally on their machine, which means it's really high quality. [00:10:29] I can run that then into our podcast software and do an automated transcription, transcribe it, because the new AI tools are Word Perfect. It's brilliant. However, what I hadn't allowed for in the four hour recording is, of course, we judge in silence. Why? Well, it's not because we're really dull. [00:10:53] Well, maybe it is. It's because, actually, we want each judge to determine the score for the image independently. And if there's chatter, if people are sighing, if people are going, Oh, if only they'd done this better, it influences the, the, the judges. They influence each other. And of course, we want there to be an independent scoring because that helps to take out any sort of personal or subjective, I mean the whole thing is subjective, but sort of variability and, and outside influence. So it's great, they judge in silence, they punch in their scores, I announce the score and record it. It doesn't make for a very interesting video. So I'm now not certain that we'll ever release these things because the idea was, and still is, to find ways of providing insight into why an image does well, why an image maybe hasn't done so well, what the judge's thoughts are, but we never really do that during judging. [00:11:50] So, having to have a think about how we might do it. We certainly can't critique a couple of hundred images in the time we have available. And we're going to do this every month. And the thing about the judges is that they are not retired. They are not Part time photographers. These are the best of the best. [00:12:10] They have to be. They have to be current. They have to have their eye in. They have to be working pros for the judging to have validity. If I just used people who are no longer in the industry, they're no longer up to date. They're no longer current. So it's not that I can use judges that have, or we can use judges that have a ton of time at their fingertips. [00:12:33] The most important thing about the judges is they are current and as such they need to be working and if they're working I cannot get a hole in their diary for more than a few hours at a time so we can't critique every image. It's not physically possible but somehow I've got to find a way of getting some of this information out to everyone who entered, entered the monthly competition. [00:13:00] Anyway, it's a lot of fun doing it and those results, the first set of results, will come out. Next week. So if you're a BIPP. com member, look out for those results if you're listening to the podcast. And of course, I would encourage all of you to enter. You get one free image every month. You don't need to pay any money. [00:13:18] But just make sure, just because it's free, doesn't mean that it can be any old image. It's a real competition. We're judging it to the international print competition standard. So it's tough. I make no apology for that. It's really tough, and as such, it's not your everyday work that is going to do really well. [00:13:41] And I'm gonna come back to that as a topic of conversation on the return leg of this journey. However, before I do that, as I'm getting fairly close to the hearing dogs now, the weather's improving. It's still pretty horrible, but at least it's not literally lashing it down as it was when I got into the car. [00:13:58] Quick tip! The Importance of Presets in Photography [00:13:59] This is a quick tip for nothing. It's not the subject of the podcast, but I thought about it while I was a moment ago prepping some files for a upload, and I was in Lightroom, and then in one of the Nik ColorFX, uh, plugins. Is, there are so many presets, lots, presets for plugins, presets for Lightroom. [00:14:23] Presets for Photoshop. There's so much stuff around actions that it gets really hard to track the ones that you created for yourself. And I have this very simple rule of thumb. is for any, any preset, any action, any workflow item, any LUT, any, sorry, a LUT, L U T, lookup table, any color LUT anything at all really, I put my initials at the front of it. [00:14:51] I always put P W because it identifies the things that I created for myself. As opposed to the things that I may have bought the things that I may have downloaded, the things that somebody else was helping me with, the things that I've done for myself, they have the initials PW at the front. And it's not an ego thing. [00:15:11] A couple of times people have cocked an eye because everything I've got has got PW, PW, PW, PW. It's got nothing to do with that. It's got everything to do with the fact that I get really easily confused with the different things that are in the business, the different presets, folders, you name it. So I stick PW at the front to make it clear I did that one and then in two years time Because some of the things I've written they are like five six years old There's some scripts I wrote for Photoshop that we're still using and I think I wrote them ten years ago I know they're mine because they have PW at the front as opposed to some of the scripts I found and downloaded Which are by third parties, and of course, you know, I can use them. [00:15:51] But I certainly couldn't distribute them. And I want to know that if I'm modifying them, I'm modifying somebody else's work. Which is only fair. So, stick your initials. At the beginning of any presets and things that you create for yourself. There you go, that's a top tip for nothing. The Arrival at the Hearing Dogs Site and the Weather Conditions [00:16:08] I'm just about to pull in to the hearing dogs. [00:16:11] Wow, it's a grey day. Look how blue the light is, it's horrible. Ha, ha, ha. Usually, usually at this side of the hill, we come over a slight hill. Um, so it's only, how long I've been driving? What, 10, 15 minutes? It's not that there's a huge difference in location between us and the hearing dogs. The geography does change slightly. [00:16:33] We come over a slight rise onto the other side of a hill, and then onto a plateau, a little bit of a plateau at the foot of the Chilterns. And the weather here is quite often different, very different. Sometimes, particularly, it's most pronounced when it's snowing. We will have snow and they won't, and vice versa, and it really is only 10 minutes separate. [00:16:51] Today, sadly, the weather is exactly the same, which is to say, shitty. There's no, I'm sorry if you're offended by the word, but it's the right word. It is shitty. Dead flat light, cloudy, wet. It's gone down by 0. 2 of a degree since I've been driving. Over this side of the hill, it's 3. 8 degrees. Usually the temperature rises. [00:17:17] Today, it's slightly colder. And I normally would say that I am looking forward to photographing the Hearing Dogs, particularly the puppies. Today, I'm looking forward to the photography. I am not looking forward to lying in a wet field. God, that car park needs a little bit of TLC you can hear the car rattling around on all of the divots and holes and puddles. [00:17:42] And then my, my car cam pinging as it thinks I've hit something. I do think at the moment we live in a country where the roads are in such bad condition. My dash cam. Constantly thinks I've had an accident and records that little bit of footage automatically because it thinks I've hit something, and I haven't hit anything, I'm just driving along the A40. [00:18:05] Right, I'm here. I shall return with the actual subject of this podcast. Maybe that's what Fiona doesn't like, is the randomness of it. Sarah says I repeat myself a lot when I'm recording from the car, so apologies if I am about to do that. However I will see you at the end of this particular shoot. [00:18:23] Right, I'm back. So at the end of that, I've just spent, what is it now quarter past two, uh, four and a bit hours photographing puppies which is beautiful, photographing dogs which are equally beautiful, running dogs, jumping dogs, wet dogs, god the weather's been horrible, and some Christmas images. Of course it's this time of year when we shoot Christmas stuff, but actually created some really, well I mean I think they're beautiful, my client seems to think they're beautiful at this stage, I've only seen them on the back of the camera, but a lot of fun. [00:18:59] We're using more and more and more LED lighting. Which is great when you're balancing up against Christmas lights and fairy lights and daylight. It's so much easier using LED than strobes for that. For the studio stuff, we are still using strobes because we can freeze movement really well, which is really, really important. [00:19:20] So for the white background stuff, those standard shots we create for the charity, very much still strobe, and I don't see that changing. In the near future, uh, because that ability to have, you know, F 16 and that instantaneous pulse of light that freezes motion is a very particular look and just the moment, I don't see that becoming that being replaced. [00:19:44] However, the LED side of it we had four different LED lights two with modifiers, two focusable spots with modifiers and two LED bars. Which just added beautiful touches of light where I wanted them. Made life really easy. I'll share a few of those hopefully on Insta over the next couple of days. [00:20:04] Actually, I won't show them on Insta because they're our Christmas pictures. So no, no, I won't be showing them on Instagram. They're the Christmas pictures, but maybe I'll get to show them. In December next year, or this year. The Concept of Yvonne's Law in Wedding Photography [00:20:14] Over the weekend, and this is, I guess, we're heading towards the point of this particular podcast. [00:20:19] I was photographing a wedding, beautiful wedding, only 13 people, pretty hectic, lots going on, Friday night, Saturday all day, Sunday morning and some of the afternoon. A really beautiful venue, and on the Friday night I got sitting chatting to the mothers of the groom, or the mother, sorry, mother and father of the groom, mother and father of the bride. [00:20:38] And one of them said to me, she said Yvonne told me this. Now at that stage I didn't even know who Yvonne was, so Yvonne, Yvonne, said that she was complaining that all of the shots of her son were the back of his head. And it turns out Yvonne, at a different wedding, was the mother of the groom. And every shot of the groom, it was just the back of his head. [00:21:00] And I said, I don't understand. She said, well, there's lots of shots of them as a couple. You can see the bride's face, very moody, just the back of the groom's head. And do you know what? Instantly, instantly, I knew the kind of shot she was talking about. It's the kind of shot that we see quite a lot when we're judging competitions, or maybe doing Quals. [00:21:21] There's some, it's very moody, but essentially it's a bridal portrait using the groom as context. It's fine, there's definitely a place for it. But if you're shooting a wedding, you might just find yourself getting the reaction that, clearly, Yvonne gave. So, Yvonne is not happy that the photographer has not done what she would regard as the photograph that she would like. [00:21:43] Which, I'm gonna guess, is a photograph of the bride, the groom, three quarter length, front on, snuggled up. Smiling at camera. That's the, that's the, still one of the best selling shots you can create. Certainly if you're pitching to sell to the parents of the couple. Yvonne's Law, I'm going to call it from now on, and I think we're going to talk about this, and I'm going to add it to my list of things that people should think about. [00:22:09] Yvonne's Law is this. When you're photographing a wedding, make sure you cover everything that the people who are attending and the people who might be buying the pictures would wish for. Going for awards is fine. We all do it. We all need to do it. We need to push ourselves and be creative. That is For most of us, why we came into these industries in the first place, we want to do something exciting and different. [00:22:32] We want to do something engaging and moody, and on the whole, those are not the shots that you can sell to the couple. Not always, it's not an entire, there is a Venn diagram with an overlap. You can, of course, sell really dark, moody pictures of the bride to the couple, and that may well happen. But there's a law of averages here and you're being paid by the client to satisfy numerous different angles. [00:22:57] Now, the other thing I don't know about the wedding that was being described is whether the bride and groom had asked specifically for a certain type of image. I have shot a wedding, this is going back a little bit in my career. Where the bride and groom wanted me to, and I kid you not, ignore the mother of the bride. [00:23:16] That was my brief. Do not pay any attention to her. She's gonna ask you to do all of these different shots with different people, but she is not paying. The bride and groom were really very clear about that. The problem is, from a diplomatic point of view, I've got a nightmare because, of course, the mother of the bride is asking me to do things. [00:23:36] And I've been briefed not to, because it'll draw time and they're not shots that the bride and groom, who are my client, are going to buy. So yes, you can end up in that situation. But here's the rub for that particular wedding, is I ended up going back and doing a portrait shoot with the whole family, because the mother of the bride felt she hadn't got the pictures of them as a family that she would wish for. [00:23:56] We ended up dancing through, or jumping through a few hoops, jumping through a few, I can't even say the word, hoop, jumping through a few hoops, hoops to get to the end goal. So Yvonne's Law simply states, remember that you're shooting for a client, you're not just shooting for you. Eventually I'll word it slightly differently as I probably think of 25 iterations of it. [00:24:17] Let's just let these people out here. There you go. You go through there. That's good. Perfectly good. And so it was a really beautiful wedding and throughout the day though I laughed with the two mums about Yvonne's law and made it perfectly clear that I was getting everything they had asked for. The Differences Between Shooting for Awards and Clients [00:24:35] Now there's a slight addendum to this thought process which is well how come what you shoot for a client doesn't necessarily do so well in awards or so well in qualifications. [00:24:49] And the truth of that is that we have to, to a degree, separate out context from the picture. So when we're judging we don't have the context which makes it sometimes a little bit tricky. As wedding photographers we know that shooting on a commissioned wedding is that little bit more complicated which is why in the categories for wedding photography most of them state really clearly Must be linked to the wedding day, must be commissioned. [00:25:16] You can't use models, it can't be you just shooting for fun, because once you eliminate that sense of pressure, the time pressure mostly, but the performance pressure and having to work for a client, everything's much easier. Which is why fashion magazines have these beautiful pictures of models in bridal gowns and actually on a real wedding day. [00:25:37] It's a lot trickier, it's not impossible but it's a lot trickier to get those images. So there's this thing, and I, we all know it the best I've ever heard it was shoot for show, shoot for dough. The difference between shooting for your portfolio, shooting for awards, shooting for qualifications, and shooting for the money, shooting for your client. [00:25:58] They are slightly different things, and one photographer, a really nice photographer called Hoss Madavi, photographer, Put it like this. He said, think about designing for a catwalk. Think about what you would design out there for a catwalk and then think about what you actually end up selling through a high street chain like John Lewis or Marks and Spencer or whatever in the UK or maybe Macy's or someone like that in the States. [00:26:27] Think about the difference between those two. Your haute couture arranges that you're going to produce on the catwalk. By the time they end up being sold to the mass public, not quite the same thing. Nor should they be. They're for different purposes. One is to show the world what you're capable of. One is to show, or it's actually sell to the world. [00:26:46] Not quite the same thing because most people are not going to buy a really funky haute couture dress or outfit off the catwalk in the same way that a lot of our clients won't wish. to buy a moody dark shot that's of the back of the groom's head. There you go. Yvonne's Law is now what we're calling it. [00:27:05] I might have to change it. I feel, I don't, I've never met Yvonne. I'm going to credit her with it because that was the story that was told to me. On that happy note, I am just pulling into a garage because I am absolutely starving. Conclusion and Farewell [00:27:17] I need to get some food and I need to get some food quick before I start getting grumpy. [00:27:22] So I'm going to park up and I'm going to wish you all well for the week. So for this week's podcast, thank you for listening. Of course you can email me. At paul@paulwilkinsonphotography.co.uk. You can head over to masteringportraitphotography.com. Please do subscribe to the podcast wherever it is that you consume your podcast. [00:27:43] And if you feel like it, please leave us a review. If you feel sorry, if you feel like leaving us a nice review, please leave us a review. If you feel like leaving us some nastiness, then please email me so I know what we could improve on. But on that happy note, I hope you're having a good week. I hope the weather is better where you are than where we are. [00:27:58] And of course, in the spirit of this morning, a very happy Christmas to you all on this February day. And whatever else, be festive, but be kind to yourself. Take care.
Daniel Norcross talks to Alastair Cook about what it takes to play cricket in India. Cook captained England to a test series victory in India in 2012, which is still the last time a visiting team won a test series there. Alastair talks about what England do differently to other nations visiting India, where Alastair ranks India as the toughest place to go, and being in a hotel overlooking the Himalayas with 2000 waiting outside for the team.
Jonathan Agnew brings you the latest from the England camp as well as reflections on a stunning century from Virat Kohli to make it four wins from four for India in Pune. Ben Stokes gives an update on his fitness and you'll also hear from Sir Alastair Cook after announcing his retirement last week after an illustrious 20 year career.
Owen Blackhurst, Seb White, James Bird, and Tommy Stewart catch up this week to talk about Cristian Fabbiani, Number 10s, Club Palestino, Shrek, Mean Machine, meandering around the Lake District, “the worst miss of all time”, Diego Maradona the manager, face slaps at half-time, Héctor Bellerín disciples, starting your own chant, going method, The Haunted Lads, Ángel Di María, Abba, Blondie, Manchester United's away support, Gooser's back, humans being 80% water, Alastair Cook the cake stealer, Mr Testicles, Bobby Gavro, Roy Keane getting his anatomy wrong, Señor Testículos, the Hokey Cokey, coffees in the train station, Hotel MUNDIAL, The Pink Panther, Peter Drury, bedroom commentary, Spiritland, flat pop, one-match bans and checking your neck.CLICK HERE TO BUY THE NEW ISSUE OF MUNDIAL Sign up for the Newsletter - https://mundialmag.co/newsletterFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.
This is a special episode of The Cricket Podcast as Jack and Max go through listners questions and answers before the 2023 Cricket World Cup begins. Kicking off with a brief diversion on Alastair Cook, the boys go on to answer: who has been hit worse by injuries? Are South Africa the real deal? And what is our combined XI for the tournament? Catch that and much more, as we go through 15 questions. Use the code: CRICKETPOD for 20% off + free shipping at Manscaped.com Links to podcast audio: https://linktr.ee/thecricketpod Our website: thecricketpod.com Support the podcast: patreon.com/thecricketpod Buy merchandise: https://seriouscricket.co.uk/teamwear/stores/the-cricket-podcast/ Facebook: https://www.facebook.com/thecricketpod Buy coffee: https://cricketcoffeeco.com/products/the-cricket-podcast-coffee Twitter and Instagram: @thecricketpod Learn more about your ad choices. Visit megaphone.fm/adchoices
Jonathan Agnew, Michael Vaughan, Alastair Cook, Glenn McGrath & Andy Zaltzman react to the Men's Ashes being drawn as England win on the final day at the Oval. Hear from Stuart Broad, Ben Stokes, Moeen Ali, Chris Woakes, Mark Wood & Brendon McCullum. Plus, get the Australia perspective from captain Pat Cummins and Mitchell Starc.
Jonathan Agnew, Michael Vaughan, Alastair Cook & Glenn McGrath react to day four of the final Men's Ashes test at The Oval. England coach Marcus Trescothick gives his thoughts on the day's play and talks about Stuart Broad's retirement. Plus, Alastair Cook speaks to Daniel Norcross about what it's like to retire from international cricket.
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Errol Parker, Wendall Hussey and Effie Bateman wrap up all the biggest stories from the week - live from the Desert Rock FM studio in downtown Betoota.See omnystudio.com/listener for privacy information.
Jonathan Agnew, Alastair Cook, Michael Vaughan, Jason Gillespie and Andy Zaltzman react to the 5th day's play of the 1st Men's Ashes test. Hear from James Anderson, Ben Stokes, Pat Cummins and Josh Hazlewood. Plus, hear the funny moments of the game from the Test Match Special commentary box.
Jonathan Agnew, Alastair Cook, Michael Vaughan and Jason Gillespie react to the 4th day's play of the 1st Men's Ashes test at Edgbaston. Hear from Stuart Broad and David Warner.
Jonathan Agnew, Alastair Cook, Michael Vaughan and Jason Gillespie react to the 3rd day's play of the 1st Men's Ashes test. Hear from Ollie Robinson and Alex Carey.
Alastair Cook relives an incredible individual performance during the 2010-11 Ashes down under. He had a poor record against Australia coming into the series, but ended it as England's top scorer with an astonishing 766 runs, including three centuries.
The final episode in the series where the BBC's Chief Cricket writer Stephan Shemilt discovers untold stories from the Ashes. Few have experienced more of England's modern Ashes history than Alastair Cook. During a 12-year international career, Cook played every one of a possible 35 Ashes Tests, scoring more runs than any player on either side. Only Archie MacLaren, at the beginning of the last century, led England in more Ashes Tests than Cook's 15 as skipper. Cook was player of the series in a win down under, but was also captain when an England team fell apart in a 5-0 hammering. We find out why he wrestled Graeme Swann in the dressing room at The Oval and why he was reduced to tears after scoring what turned out to be his final Ashes hundred. Don't forget you can catch up on all the other episodes on BBC Sounds with guests Glenn McGrath, Steve Finn, Sarah Elliott and David Gower plus you can read much more on the BBC Sport website and app.
Mattchin embraces cutting edge technology to drag Tailenders into the brave new world of AI (spoiler - it didn't go well). Plus, which cricketer refused to give up his hotel suite for Pep Guardiola, why spectators at The County Ground in Chelmsford might have seen more of the Lancashire team than they bargained for, and what happened when ‘Our Jimmy' got Alastair Cook out twice last week?
The boys are back in town! Adam & Tony head to the beach to catch up on six months of cricket. Was it the best six months in England history? Will Bazball last forever? Where does Bairstow fit back in? And just how wrong was Adam about Ben Stokes?Plus, thoughts on a spiky affair between USA and Jersey, and Tony gives Alastair Cook a surprise.All this and more on the latest World Cricket Show. Hosted on Acast. See acast.com/privacy for more information.