Podcasts about dj john peel

Simon Jones - And Also the Trees - in conversation with David Eastaugh  https://www.andalsothetrees.co.uk The band made their live debut on 12 January 1980 at Grieg Memorial Hall in Alcester. A home demo tape was sent to The Cure, who were looking for support bands on their tour, leading to a friendship between the two bands. In 1981, And Also the Trees played several shows in support of The Cure'sUK tour. Their second demo tape, From Under the Hill (1982), was partly co-produced by Robert Smith and Mike Hedges. Graham Havas was replaced at this time by Steven Burrows. In 1983, the band released their first single, "Shantell", which was produced by The Cure's Lol Tolhurst. Their second single, "The Secret Sea", followed in 1984 and was also produced by Tolhurst. Tolhurst also produced their debut studio album, And Also the Trees, which was released in February 1984. The band received the attention of BBC Radio 1 DJ John Peel, and were invited to do a session in April 1984, which was produced by Dale Griffin for broadcast on 24 April.

Benjamin Berton author of a new book on Daniel Treacy  in conversation with David Eastaugh "Dreamworld: The Fabulous Life of Daniel Treacy and his Band Television Personalities" London 1977: Daniel Treacy drops out of school, bored to death. Thanks to a few pounds sterling, lent to him by his parents, he records a few songs with friends and sends the finished single to the legendary radio DJ John Peel, who is immediately thrilled - the Television Personalities are born .. In the turbulent life of Daniel Treacy we meet Jimmy Page, Bob Marley, Alan McGee, David Gilmour, Wham!, Nico and Kurt Cobain. Dreamworld is the very real, very crazy story of a genius in music history whose importance is not infrequently compared to that of Mark E. Smith of The Fall. Enriched with plenty of scene and period colour from British pop from the 1960s to the present, "Dreamworld" tells of all the ups and downs of a legend who once ironically (but quite rightly) described himself in an interview as the "Godfather of Indie Pop". The English translation by David Marshall is published with a completely revised colour picture section and numerous illustrations.

We welcome an alumna of the (sadly departed) Teach First Cymru programme today. Bethan Jeffers has now moved sideways into a job working for the Skills Builder Partnership. Set up by Tom Ravenscroft (not, as Tom initially thought, the music broadcaster and son of the late Radio 1 DJ John Peel, but an educator, strangely enough), Skills Builder aims to provide businesses and education institutions with a framework to recognise those all-important basic skills that are so vital for getting on in the world of work. In providing a framework for skills, the partnership aims to give an incentive for schools to track and acknowledge progress in these skills, while also providing a common language about skills for educators and the world of business.You can find the partnership at www.skillsbuilder.org, where you can access the Universal Framework and many free online tools and resources. If you're interested in the Accelerator support programme that includes strategic support and training head to www.skillsbuilder.org/accelerator. Each year there are fully funded places available, most have gone for the 22/23 programme now but you can still apply by the 8th of July and be put on the waiting list to be in with a chance! Also, Bethan is happy to answer any questions if you want to drop her an email: bethan.jeffers@skillsbuilder.org------------------------------------Recorded at Cardiff Metropolitan University's Cyncoed Campus on 23rd May, 2022

When ‘Teenage Kicks' by The Undertones was released in 1978, legendary DJ John Peel took the unprecedented step of playing it back to back on Radio 1. The lead singer was 20 year old Feargal Sharkey and the band were formed out of a desire to prove that five young men growing up in the Derry conflict zone could successfully learn to play instruments, write their own songs and hit the big time. Taking action is a thread which runs throughout Sharkey's life, and after a successful solo career and time as chief at UK Music, he now plays a pivotal role in the campaign against the pollution of Britain's rivers and seas.

Chicago's Mick Hans brings us the debut record by Derry lads The Undertones. Often referred to as the "Irish Ramones", their hyper charged tales of teenage angst and adolescent heartbreak caught the ear of legendary BBC Radio 1 DJ John Peel, who was an early champion of the band and famously dubbed "Teenage Kicks" his all-time favorite song! "A teenage dream's so hard to beat"

Roger Chapman, affectionately known as Chappo, has been making music since 1966. It was then that the British singer-songwriter emerged as the voice of his generation with the seminal Family band. In 1979 Chapman began a solo career and recorded his first solo album Chappo. His backing band became known as The Shortlist and he toured extensively in Europe. His four decade career has taken twists and turns through acclaimed albums and collaborations with artists such as Mike Oldfield. The song “Shadow On The Wall” from Oldfield's 1983 Crises album with Roger on vocals, was a huge hit. Life In The Pond draws a line under a period in which the 79-year-old had been absent from the studio but privately prolific. Twelve years since 2009's acclaimed rarities collection Hide Go Seek, “A true lionheart still roars,” enthused The Mirror, Life In The Pond reconnects the veteran with faces from his past – including ex-Family multi-instrumentalist John ‘Poli' Palmer as co-writer and producer – while taking the pulse of modern life. “Mostly it's anger at politicians that's kept me fired up,” says Chapman of the lyrics. “But I'm also influenced by daily happenings, world news, people, acquaintances. It's all in the lyrics.” As for the music, Life In The Pond joins the dots between Chapman's founding influences. “It's about nostalgia for the different musical styles that influenced my life. American rock from the '50s to now. British R‘n'B from the '60s, like Georgie Fame, The Stones, Zoot Money. Folk, blues, Motown, Stax, Blue Note jazz, Classical, Americana, and Country. A whole mess of influences…”That eclectic roll call won't surprise anyone who has followed Chappo through his fascinating career. Born in the Midlands city of Leicester, he told the Rock Legacy site that “I wasn't interested in the English version of rock ‘n' roll. All my heroes were American, like Little Richard, Chuck Berry, Eddie Cochran, and Gene Vincent – that was the real stuff.”The 24-year-old singer joined The Farinas in 1966 and forged a dynamic writing partnership with lead guitarist Charlie Whitney. But the critical juncture came when the band renamed themselves, Family, moved down to London, and dreamt up a distinctive sound that swirled jazz, blues, folk, prog, and psychedelia into their classic 1968 debut album, Music In A Doll's House. “We didn't try to be different,” Chappo once shrugged. “It was never calculated. It was as naive and as honest as that.”Cherished by transatlantic fans, championed by DJ John Peel, and hitting UK#13 with the “Burlesque” single from 1972's acclaimed Bandstand, Family released seven albums before disbanding in 1973. Chappo didn't miss a beat, partnering with Whitney in Streetwalkers: a tougher Americana-influenced vehicle whose albums included 1976's hit, Red Card. “The name had nothing to do with hookers,” he reflects. “That was the input of shabby managers.”By 1979, this prolific singer-songwriter was ready to strike out solo with the Chappo album, and over four decades later, Life In The Pond ties all the threads together. Stunning guest guitar from long-term collaborator Geoff Whitehorn – this latest album finds Chapman's voice in vintage form and his musical radar more receptive than ever.Opening with the rootsy groove, vocal grit, and brass licks of “Dark Side Of The Stairs,” the album's mood roams from hypnotic seven-minute epic “Nightmare #5” to “Rabbit Got The Gun's” dystopian soul-funk. “Having Us A Honeymoon” opens with a snatch of Mendelssohn's Wedding March before honky-tonk piano leads a lusty East End singalong. At the other extreme, On “Lavender Heights” is a hushed stunner, Chapman using little more than his voice – with a dash of keys and strings – to carry a flash of genuine tenderness.https://www.facebook.com/groups/111759239084The Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

Roger Chapman, affectionately known as Chappo, has been making music since 1966. It was then that the British singer-songwriter emerged as the voice of his generation with the seminal Family band. In 1979 Chapman began a solo career and recorded his first solo album Chappo. His backing band became known as The Shortlist and he toured extensively in Europe. His four decade career has taken twists and turns through acclaimed albums and collaborations with artists such as Mike Oldfield. The song “Shadow On The Wall” from Oldfield's 1983 Crises album with Roger on vocals, was a huge hit. Life In The Pond draws a line under a period in which the 79-year-old had been absent from the studio but privately prolific. Twelve years since 2009's acclaimed rarities collection Hide Go Seek, “A true lionheart still roars,” enthused The Mirror, Life In The Pond reconnects the veteran with faces from his past – including ex-Family multi-instrumentalist John ‘Poli' Palmer as co-writer and producer – while taking the pulse of modern life. “Mostly it's anger at politicians that's kept me fired up,” says Chapman of the lyrics. “But I'm also influenced by daily happenings, world news, people, acquaintances. It's all in the lyrics.” As for the music, Life In The Pond joins the dots between Chapman's founding influences. “It's about nostalgia for the different musical styles that influenced my life. American rock from the '50s to now. British R‘n'B from the '60s, like Georgie Fame, The Stones, Zoot Money. Folk, blues, Motown, Stax, Blue Note jazz, Classical, Americana, and Country. A whole mess of influences…”That eclectic roll call won't surprise anyone who has followed Chappo through his fascinating career. Born in the Midlands city of Leicester, he told the Rock Legacy site that “I wasn't interested in the English version of rock ‘n' roll. All my heroes were American, like Little Richard, Chuck Berry, Eddie Cochran, and Gene Vincent – that was the real stuff.”The 24-year-old singer joined The Farinas in 1966 and forged a dynamic writing partnership with lead guitarist Charlie Whitney. But the critical juncture came when the band renamed themselves, Family, moved down to London, and dreamt up a distinctive sound that swirled jazz, blues, folk, prog, and psychedelia into their classic 1968 debut album, Music In A Doll's House. “We didn't try to be different,” Chappo once shrugged. “It was never calculated. It was as naive and as honest as that.”Cherished by transatlantic fans, championed by DJ John Peel, and hitting UK#13 with the “Burlesque” single from 1972's acclaimed Bandstand, Family released seven albums before disbanding in 1973. Chappo didn't miss a beat, partnering with Whitney in Streetwalkers: a tougher Americana-influenced vehicle whose albums included 1976's hit, Red Card. “The name had nothing to do with hookers,” he reflects. “That was the input of shabby managers.”By 1979, this prolific singer-songwriter was ready to strike out solo with the Chappo album, and over four decades later, Life In The Pond ties all the threads together. Stunning guest guitar from long-term collaborator Geoff Whitehorn – this latest album finds Chapman's voice in vintage form and his musical radar more receptive than ever.Opening with the rootsy groove, vocal grit, and brass licks of “Dark Side Of The Stairs,” the album's mood roams from hypnotic seven-minute epic “Nightmare #5” to “Rabbit Got The Gun's” dystopian soul-funk. “Having Us A Honeymoon” opens with a snatch of Mendelssohn's Wedding March before honky-tonk piano leads a lusty East End singalong. At the other extreme, On “Lavender Heights” is a hushed stunner, Chapman using little more than his voice – with a dash of keys and strings – to carry a flash of genuine tenderness.https://www.facebook.com/groups/111759239084The Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

Russell & Robert meet LIVING LEGEND Laurie Anderson, one of America’s most reknowned – and daring – creative PIONEERS! Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist. O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label.!Laurie Anderson’s 1982 debut album, Big Science, will return to vinyl for the first time in 30 years with a new red vinyl edition on Nonesuch Records. In the early 1980s, Laurie Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged. While working on her now-legendary seven-hour performance art/theater piece United States, Part I–IV, she cut the spare ‘O Superman (For Massenet)’, an electronic-age update of 19th century French operatic composer Jules Massenet’s aria ‘O Souverain’, for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited-edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely #2 hit, lots of attention in the press, and a worldwide deal with Warner Bros. Records.We discuss her most recent works, as well as her 2015 film 'Heart Of A Dog', a favourite of Russell & Robert's! We learn of her artist residency at NASA and even debate whether animals can make art and learn about a car opera Laurie wrote involving actual cars honking their horns!Follow @LaurieAndersonOfficial on Instagram and her record label @NonesuchRecords for links to buy the limited edition red vinyl reissue of Big Science.TALK ART BOOK is OUT NOW! Visit Waterstone's or The Margate Bookshop to buy our brand new book in the UK or Amazon or Bookshop.org in USA & Canada. Full list of links in our Linktree: https://linktr.ee/TalkArtFor images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Pat Nevin turned down opportunities to play at Clyde FC and then Chelsea because football was his love, not his career plan. ‘Chelsea couldn't get their head around it. I wasn't interested in the offer of fame and wealth.' Of course, he relented on both counts and went on to win 28 caps and scored 10 goals for Scotland ‘I always saw myself as an outsider.' Says Pat who is never afraid to retain his individuality and avoid peer pressure. That says Pat, is ‘gallusness - confidence without arrogance.' When he and fellow university-educated Brian McClair, joined the Scotland squad, Kenny Dalglish and Alan Hanson, tried to take the rip out of them but failed miserably. Pat and Brian had to be moved to another table. Outside football, Pat enjoyed a long-time friendship with legendary DJ John Peel. Listen to the podcast to hear Pat's extraordinary story about his determined effort to make John's birthday party. Pat Nevin is first and foremost an individual. His advice? ‘Be who you are. Don't push yourself and don't chase fame. You probably won't get it and it's rubbish anyway.'

RockerMike and Rob with special guest Ron Grainger discus the history of DJ John Peel. John Robert Parker Ravenscroft OBE, known professionally as John Peel, was an English disc jockey, radio presenter, record producer and journalist. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Born: August 30, 1939, Heswall, United Kingdom Died: October 25, 2004, Cusco, Peru Spouse: Sheila Ravenscroft (m. 1974–2004), Shirley Anne Milburn (m. 1965–1973) Children: Thomas James Dalglish, Florence Victoria Shankly, William Robert Anfield, and Alexandra Mary Anfield. https://amp.theguardian.com/uk/2004/oct/26/artsnewstemporary.media https://faroutmagazine.co.uk/john-peel-bands-discovered-bowie-pink-floyd-joy-division/?amp https://www.bbc.com/historyofthebbc/100-voices/radio-reinvented/the-dj/john-peel https://www.johnpeelarchive.com/ Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #johnpeelclub #johnpeel #johnpeelsessions #johnpeelexperience #johnpeelarchive #johnpeelsession #dj #djlife #djingismylife #dji #djimini2 #musically #musicvideo #musicislife #musicproduction #musician #musica #music #musicstudio #musicproducer --- Support this podcast: https://anchor.fm/rob-rossi/support

And the Native Hipsters with William Wilding in conversation with David Eastaugh ...And the Native Hipsters was an English experimental group formed in London, England in 1979. Centred on the nucleus of musicians William Wilding and Blatt (Nanette Greenblatt), they are best known for their 1980 single, "There Goes Concorde Again", which attracted the attention of BBC Radio 1 DJ John Peel, and reached number five on the UK Independent Charts.[2][3] The song was listed by New Musical Express in their "NME Writers 100 Best Indie Singles Ever" in 1992. All

Senseless Things & 3 Colours Red with Ben Harding in conversation with David Eastaugh The definitive Senseless Things line-up formed in summer 1987 when Nicholls returned to take over bass, with the new recruit, former BBC clerk Ben Harding acquiring the vacant guitarist's role. The band regularly appeared at The Clarendon in Hammersmith, London playing both downstairs in the Broadway bar and upstairs in the main auditorium. Taking their musical cue from the Ramones and the Dickies, and their spiritual lead from fellow guitar outfit Mega City Four, the quartet embarked upon a hectic touring schedule, often playing on the same bill as Mega City Four, Snuff and Perfect Daze. The band's first releases were singles given away with issues of Yo Jo Jo[8] and Sniffin' Rock fanzines.[7] By March 1988 the band had attracted the attention of the BBC Radio 1 DJ John Peel, who invited them to record the first of three sessions for his programme. The "Up And Coming" 12" followed, then "Girlfriend" the following year, both on Way Cool Records. Their first album, Postcard CV, was released in 1989, capturing the energy of their concerts by packing ten tracks into twenty two minutes. Record Collector called it "sprightly pop-punk/ indie with touches of Buzzcocks and the Undertones". The album was rounded off by "Too Much Kissing", which was released as a single and was to become their signature track.

'My Classic Album' sees in 2021 with an album credited as the very beginning of glam rock fifty years ago. Mike and special guest Matthew Hughes from US rockers Atari Ferrari team up to discuss T.Rex's 1971 album 'Electric Warrior' Mike and Matthew explore Marc Bolan's beginnings in psychedelic folk duo Tyrannosaurus Rex and the musical journey Marc and T.Rex took to become the first and quintessential glam act in the UK in the early 70's.   How has the music on 'Electric Warrior' inspired modern day bands such as the Black Keys, Arcade Fire and the White Stripes? Why did the iconic 'Get It On' spell the end for Bolan's friendship with DJ John Peel? Was second single 'Jeepster' released without Marc's blessing?   PLUS: Hear 'Heartbreaker', the latest single from Atari Ferrari!   Start the new year right with My Classic Album! For more information on the show: Head over to www.myclassicalbum.co.uk Like us on Facebook at 'My Classic Album with Mike Norris' Follow us on Instagram @myclassicalbumpodcast Or on Twitter @mca_podcast   Music Credits: 'This Is Rock' by Silvia Marchese 'Heartbreaker' by Atari Ferrari

Po! with Ruth Miller in conversation with David Eastaugh Po! was originally formed by Ruth Miller (vocals and guitar), with Julian Glover (bass) and Mark Fuccio (drums). Usually subsumed under the C86 or twee pop headings - which is not essentially to misrepresent them - they possessed considerable originality. In particular, the themes of misogyny, disappointment, and nostalgia act as a counterpoint to the vocals, melodies, and jangly guitars so characteristic of the genre. Part of the fanzine scene, Po!'s first release was the flexidisc Hopscotch in the Snow, which a Leicestershire fanzine Samantha produced from locally recorded demos in 1987. Jan Frazer replaced Fuccio on drums for this recording. This was picked up by BBC Radio 1 DJ John Peel, and provoked some interest. In 1988 Po! released another flexidisc, this time shared with The Originals, who played the backing instruments on 'Glass King'. There followed an album, released on the band's own Rutland Records label, entitled Little Stones, 1000 copies of which were pressed. It cost just £20 to record. The backing tracks were recorded on a Tascam reel-to-reel four-track at MikTon Studios (a former factory at 45 Chatham Street, Leicester; now private flats).The backing musicians for Little Stones were members of The Originals; Yvonne Blair (drums & percussion); Kevin Young (Guitar); Terri Lowe (Guitars, Bass Guitar). Equipment was supplied by Lowe and borrowed from Phil Hudson, the sound engineer at The Princess Charlotte, the premier music venue in Leicester. Bob Dylan, an influence, was represented in the form of a cover version of "All I Really Wanna Do", which featured a black 12-string Rickenbacker guitar.

Award-winning film-maker, artist, and writer Miranda July is known for making art out of the everyday and overlooked aspects of life. It was her 2005 film, You, Me and Everything We Know, that brought her to public attention. As a monograph dedicated to her work is published, she joins Front Row to discuss a protean career which has seen her push at the boundaries of making art. In 1982 post-punk group, The Fall, led by charismatic frontman Mark E. Smith, released their fourth album Hex Enduction Hour. At the time the group were struggling for attention and success outside their small but devoted following that included Radio 1 DJ John Peel who regularly championed their music. Hex Enduction Hour changed all that and five decades on is still regarded as a masterpiece. Former Fall drummer, Paul Hanley has written a new book, Have A Bleedin Guess, about the making of the album and is joined by music critic Kate Mossman to discuss the album's significance. For a new occasional series Front Row is commissioning audio diaries from Britain’s cultural leaders about the work they're doing to continue to connect with their audiences and to ensure their institutions will be able to open again once this crisis ends. First up is Gemma Bodinetz, Artistic Director of the Liverpool Everyman & Playhouse theatres. English folk group, The Unthanks, released a new album, Diversions Vol 5: Live and Unaccompanied, just before the lockdown. The album marked a return to the unaccompanied vocal harmonising that made the group’s name. They were supposed to be on tour, instead they’ve launched a new series of daily performances - At Home With The Unthanks - on their Facebook page. Singer Becky Unthank gives a live performance from her home in Tynedale Valley, Northumberland. Presenter: Katie Popperwell Producer: Ekene Akalawu

This podcast features important work being done by Steve Earle, the return of Archers of Loaf, a shoegaze jaunt featuring a band named after DJ John Peel and a few of our favorite local bands. Plus, Henry!!! 1. Steve Earle & The Dukes - Devil Put the Coal in the Ground 2. Pokey LaFarge - End of My Rope  3. Archers of Loaf - Raleigh Days  4. Ratboys - I Go Out At Night 5. Kevin Krauter - Opportunity 6. Acid Tongue - Bullies 7. Flyying Colours - Goodtimes 8. Peel Dream Magazine - Pill 9. Throwing Muses - Dark Blue 10. BROKEN UP - Long Long Long 11. Cold Beat - Prism 12. Ultraísta - Tin King 13. Tres Leches - Nieve John Richards is the host of The Morning Show on KEXP, every weekday from 6-10am on KEXP.org or 90.3 FM in Seattle. Watch Tres Leches' dynamic Live on KEXP session Read KEXP's feature on Acid Tongue's new record, Bullies

Dolly Mixture special with Debsey Wykes talking about life in music with David Eastaugh  The group was formed in Cambridge, England, by Bor, Smith, and Wykes, three school friends who shared a fondness for The Shangri-Las and The Undertones. Dolly Mixture supported The Undertones on one of their first UK tours. The band also played venues with The Fall and The Transmitters in 1979. They were once supported by U2. In Autumn 1981, they toured as the featured support band for Bad Manners on their Gosh It's tour and were well received by the second wave mod/ska audience that filled various theatres and venues up and down the land. Relocating to London to gig extensively, national BBC Radio 1 DJ John Peel gave them exposure on his radio show and in his weekly column in the UK pop paper, Sounds. Signed to Chrysalis Records, the group released a cover of the Shirelles hit, "Baby It's You" (1980), produced by Eric Faulkner of the Bay City Rollers. However, the cover version was disowned by the group, which protested the label's attempt to sell them as a teen girl group. Their next single, "Been Teen" (1981), was the first single released on Paul Weller's Respond label. It was followed by "Everything And More" (1982), also released on Respond. Both singles were produced by Captain Sensible and Paul Gray of The Damned. They became friends with Sensible and recorded backing vocals on his singles and albums. After Sensible had a hit with "Happy Talk" in 1982 (featuring Dolly Mixture, credited as "Dolly Mixtures" on the single, and also in the song's video) and following various appearances on the television show Top of the Pops, Dolly Mixture – as a separate entity from Captain Sensible – performed extensively.

Jim Jones in conversation talking about his life in music with David Eastaugh Thee Hypnotics are an English psychedelic garage rock band, formed in 1985 in High Wycombe, Buckinghamshire, England. The band are currently composed of frontman James "Jim" Jones, guitarist Ray Hanson, drummer Phil Smith and bassist Jeremy Cottingham. The band split in 1999, before announcing their reformation in January 2018. The band recorded three studio and one live album for record labels including Sub Pop, Beggars Banquet/Situation Two, RCA Records, American Records. They were part of the early alternative rock and psychedelic rock London scene, and made an impact on the underground and alternative music scenes in the UK, Europe and the United States. Co-founders Jones and Hanson were originally joined by drummer Mark Thompson and bassist Adam Sharam. Personnel changes ensued with others including drummer Chris Dennis (1987–88), bassist Will Pepper (1988–93 and 1994–95), Canadian drummer Phil Smith (1989–99) and bassist Jeremy Cottingham (1997–1999). They released their first 7" single "Love In a Different Vein" in 1987 on Vinyl Solution. Thee Hypnotics subsequently signed to Situation Two a subsidiary of the independent record label, Beggars Banquet. The band cemented this union by scoring an independent chart hit with the 12" single "Justice In Freedom" and the follow up "Soul Trader".[1] Their live album, Live'r Than God (1989), elevated the band out of the UK club scene,[1] and they toured supporting both Gaye Bykers on Acid and Crazyhead, as well as on their own UK tour. In September 1989, Melody Maker noted that "Thee Hypnotics care only for their own generic past and frenetic present. The future doesn't even get a look in... Forget regression, this is reincarnation! Past, present and future!"[3] Thee Hypnotics were asked to do a radio session for BBC Radio 1 DJ John Peel on 28 March 1989, and they recorded "Nine Times", "Love in a Different Vein", "Soul Trader" and "Let's Get Naked", and were previewed on MTV. Thee Hypnotics began to attract attention in the United States, in particular Seattle where its own alternative rock scene was taking off. Sub Pop made Thee Hypnotics their first UK signing. Sub Pop's release of Live'r Than God! became the band's US debut, and encompassed not only a Powerhaus concert recording but also their singles to date. Thee Hypnotics shared pages with Mudhoney, Screaming Trees and Nirvana in the Seattle publication, Backlash. Seattle became a second home for the band and, after Mark Thomson was replaced by the Canadian drummer Phil Smith, the band made its US tour debut. The Damned took the band out as their support act. The Lords of the New Church approached Thee Hypnotics lead singer, Jim Jones, to front the Lords but he declined. Subsequently, Stiv Batorswore a T-shirt with a 'singer wanted' advert and then sacked his band onstage.[6] In 1989, Ray Hanson and Jim Jones joined Stiv Bators onstage at The Opera On The Green, Shepherd's Bush, London, as temporary Dead Boys, after Cheetah Chrome failed to secure a work visa.

Dolly Mixture special with Rachel Lowell in conversation with David Eastaugh  Dolly Mixture were an English band formed in 1978 by bassist and vocalist Debsey Wykes, guitarist and vocalist Rachel Bor and drummer Hester Smith. They had a taste of Top 40 success performing backing vocals for the Captain Sensible hit "Wot", a Top 10 hit with Sensible on "Glad It's All Over", and a UK No. 1 hit backing Sensible on his 1982 cover of "Happy Talk". Rachel Bor also featured on the Animus/Loose Records single "Wot NO Meat?" also by Captain Sensible in 1985. Rachel and Debsey performed together on 24 April 2013 at the Islington Assembly Hall in London. The group was formed in Cambridge by Bor, Smith, and Wykes, three school friends who shared a fondness for The Shangri-Las and The Undertones. Dolly Mixture supported The Undertones on one of their first UK tours. The band also played venues with The Fall and The Transmitters in 1979. They were once supported by U2. In Autumn 1981, they toured as the featured support band for Bad Manners on their Gosh It's tour and were very well received by the second wave mod/ska audience that filled various theatres and venues up and down the land. Relocating to London to gig extensively, national BBC Radio 1 DJ John Peel gave them exposure on his radio show and in his weekly column in the UK pop paper, Sounds. Signed to Chrysalis Records, the group released a cover of the Shirelles hit, "Baby It's You" (1980), produced by Eric Faulkner of the Bay City Rollers. However, the cover version was disowned by the group, which protested the label's attempt to sell them as a teen girl group. Their next single, "Been Teen" (1981), was the first single released on Paul Weller's Respond label. It was followed by "Everything And More" (1982), also released on Respond. Both singles were produced by Captain Sensible and Paul Gray of The Damned. They became friends with Sensible and recorded backing vocals on his singles and albums. After Sensible had a hit with "Happy Talk" in 1982 (featuring Dolly Mixture, credited as "Dolly Mixtures" on the single, and also in the song's video) and following various appearances on the television show Top of the Pops, Dolly Mixture – as a separate entity from Captain Sensible – performed extensively. In 1983, the band released a double album called the "Demonstration Tapes" on their own Dead Good Dolly Platters label. The album sported a plain white cover and each copy was numbered and authentically autographed by the group members. Only one thousand copies were pressed. The album featured 27 demo tracks which covered a large part of the band's repertoire. The same year saw a release of the "Remember This" single, again on Dead Good Dolly Platters label. The B-side was a piece entitled "Listening Pleasure/Borinda's Lament", which included dialogue (à la Home Service British Force's Radio DJ), a half-finished song and an instrumental chamber piece with Wykes on piano and Bor on cello. The 12-inch vinyl Fireside EP was released in 1984 on Cordelia Records, owned by Alan Jenkins, a member of The Deep Freeze Mice. The six-track EP represented the band's new artistic direction and contained mostly instrumental pieces, abandoning the guitar/bass/drum format. The most recognisable track was "Dolly Medley", containing highlights of the Dolly's repertoire, including the previously unreleased "Dead Rainbow", all done in a chamber music style. It was produced by Dolly Mixture and Andrew Fryer.

The Senseless Things special with Morgan Nicholls in conversation with David Eastaugh Senseless Things formed around the musical partnership of songwriter Mark Myers aka Mark Keds (vocals, guitar) and Morgan Nicholls (bass, originally guitar), who as eleven-year-olds in Twickenham, Middlesex put together Wild Division in the early 1980s. With the addition of drummer Cass Browne (also occasionally known as Cass Cade and Cass Traitor) they became the Psychotics, playing various venues in their local area despite still being at school. Their first gig together as the Senseless Things (named after a phrase used in Shakespeare's A Midsummer Night's Dream and Julius Caesar) followed at the subsequently-demolished Clarendon in Hammersmith, London, in October 1986. Auxiliary members at this stage included a keyboard player, Ben, and a guitarist, Gerry, who deputised for Nicholls while the latter was studying for his O levels. The definitive Senseless Things line-up formed in summer 1987 when Nicholls returned to take over bass, with the new recruit, former BBC clerk Ben Harding acquiring the vacant guitarist's role. The band regularly appeared at The Clarendon in Hammersmith, London playing both downstairs in the Broadway bar and upstairs in the main auditorium. Taking their musical cue from the Ramones and the Dickies, and their spiritual lead from fellow guitar outfit Mega City Four, the quartet embarked upon a hectic touring schedule, often playing on the same bill as Mega City Four, Snuff and Perfect Daze. The band's first releases were singles given away with issues of Yo Jo Jo and Sniffin' Rock fanzines. By March 1988 the band had attracted the attention of the BBC Radio 1 DJ John Peel, who invited them to record the first of three sessions for his programme. The "Up And Coming" 12" followed, then "Girlfriend" the following year, both on Way Cool Records. Their first album, Postcard CV, was released in 1989, capturing the energy of their concerts by packing ten tracks into twenty two minutes. Record Collector called it "sprightly pop-punk/ indie with touches of Buzzcocks and the Undertones". The album was rounded off by "Too Much Kissing", which was released as a single and was to become their signature track. In 1990 the band signed with What Goes On Records, just as the label collapsed, resulting in an abortive EP release. The band then signed to Vinyl Solution subsidiary Decoy Records, who released the four-track EP "'Is It Too Late?", produced by Jon Langford of the Mekons. The group stayed with Decoy for "Can't Do Anything", (also produced by Langford), which prefaced an appearance at the Reading Festival; the band then signed to Epic Records at the start of 1991. The subsequent album The First Of Too Many saw the band experimenting with other styles including acoustic songs, and the single "Got It At The Delmar" entered the Top 50 of the UK Singles Chart. Allmusic praised the album's blend of "bubblegum pop" and "gobstopping hard rock", likening the band's sound to the Who and the Replacements. Two further Top 20singles followed in 1991/1992 - "Easy To Smile" and "Hold It Down". The band toured the United States, supporting Blur, and went to Japan for the first time, appearing on talent show Ika-Ten. Cover art for the first two Senseless Things albums and most single releases around the same period was provided by comic artist Jamie Hewlett, creator of Tank Girl and later Gorillaz. The second single from their third album, 1993's Empire of the Senseless, "Homophobic Asshole" (with promotional video directed by Steven Wells) received critical acclaim but was released reluctantly by their record company due to the band's choice of title and failed to chart highly. Follow-up single, "Primary Instinct", an equally political (anti-racist) lyric but a more radio-friendly title, had slightly more commercial success. In a further Mekons connection, the album shared its title with a track from the 1989 album The Mekons Rock 'n Roll, itself named for a Kathy Acker novel. In 1995, the band released a final album, Taking Care Of Business accompanied by two singles, "Christine Keeler" (renamed from "Christian Killer") and "Something To Miss". The latter's b-sides included a Replacements cover as well as a song co-written with Lenie from Mambo Taxi. Senseless Things went into permanent hiatus the same year after farewell tours of the UK and Japan.

10,000 Maniacs special with Steve Gustafson talking about life in music, recording, the creative process & much much more The band was formed as Still Life in 1981 in Jamestown, New York, by Dennis Drew (keyboards), Steven Gustafson (bass), Chet Cardinale (drums), Robert Buck (guitar and Newhouse's ex-husband) and Teri Newhouse (vocalist and Buck's ex-wife). Gustafson invited Natalie Merchant, who was 17 at the time, to do some vocals. John Lombardo, who was in a band called The Mills (along with brother guitarist/vocalists Mark Liuzzo and Paul Liuzzo and drummer Mike Young) and used to play occasionally with Still Life, was invited to join permanently on guitar and vocals. Newhouse and Cardinale left the band in July, and Merchant became the main singer. Various drummers came and left. The band changed its name to Burn Victims and then to 10,000 Maniacs after the low-budget horror movie Two Thousand Maniacs!. They performed as 10,000 Maniacs for the first time on Labor Day, September 7, 1981, with a line-up of Merchant, Lombardo, Buck, Drew, Gustafson, and Tim Edborg on drums. Edborg left and Bob "Bob O Matic" Wachter was on drums for most of the 1981 gigs. Tired of playing cover songs—though their first notable American hit was a cover of the Cat Stevens hit "Peace Train"—the band started to write their own music, usually with Merchant handling the lyrics and Lombardo the music. In March 1982, with Jim Foti on drums, the band recorded an EP album called Human Conflict Number Five. More gigs followed in 1982. During this time they lived in Atlanta, Georgia for a short while at the encouragement of friends who said that many gigs were available there. Discouraged by the lack of actual gigs, and by having to sell plasma and rake leaves to buy food, the band moved back to Jamestown in November 1982 to regroup. At the beginning of 1983, Jerry Augustyniak joined the band as their permanent drummer. The Maniacs met Augustyniak when they played in Buffalo, New York, where he was in a punk band called The Stains. Between March and July, the band recorded songs for a second record, Secrets of the I Ching, their debut full-length album, which was pressed by Mark Records for the band's own label Christian Burial Music. The record was well received by critics and caught the attention of respected BBC Radio 1 DJ John Peel in London. One song, "My Mother the War", turned out to be a minor hit in the United Kingdom, and entered the independent singles chart. The band toured extensively during 1983 and 1984, and played gigs in the UK. Peter Leak, an Englishman living in New York City, became interested in the band, made contact and was made their manager. With the help of Leak and Elektra Records A & R man Howard Thompson, 10,000 Maniacs signed to Elektra in November 1984. In the spring of 1985, they recorded their second full-length album, The Wishing Chair, in London at Livingston Studios, with Joe Boyd as producer. Though the album was not a blockbuster hit, its status as the band's major label debut did win it some notice, and it received significant critical acclaim. Co-founder Lombardo left 10,000 Maniacs during a rehearsal on July 14, 1986. The remaining five members started recording a new album in Los Angeles with Peter Asher as the producer. In My Tribe, a more pop-rock oriented record, was released on July 7, 1987. The album stayed on the charts for 77 weeks, peaking at No. 37, and established a large U.S. audience for the group. It was also well received in the UK. The album originally contained "Peace Train". It was removed from subsequent pressings after Cat Stevens (now Yusuf Islam) made comments implying he agreed with a death Fatwa against author Salman Rushdie. 10,000 Maniacs' next album, 1989's Blind Man's Zoo, hit No. 13 and went gold, further increasing the group's following. In May 1989, the British music magazine NME reported that 10,000 Maniacs had won the songwriter category prize at the New York Music Awards. In 1990, with the help of Lombardo, they remastered their first two records, Human Conflict Number Five and Secrets of the I Ching, and released them as a compilation called Hope Chest: The Fredonia Recordings 1982-1983. Lombardo and Mary Ramsey, who had formed a folk act called John & Mary, opened gigs for the Maniacs on the Hope Chest Tour in 1990. In 1991, during the recordings of a new album, Merchant revealed to the other members that she would be leaving 10,000 Maniacs for a solo career in two years' time. The new album, Our Time in Eden, was released on September 29, 1992. In 1993, the band performed at the MTV Inaugural Ball for President Clinton in January and on MTV Unplugged on April 21. Merchant announced her departure from the band on MTV on August 5, 1993, saying she "didn't want art by committee anymore." The MTV Unplugged album was released on October 26, 1993. "The last 10,000 Maniacs gig was the first time I'd got drunk in nearly two years," Merchant later recalled. "I laughed a lot and threw lots of flowers out of the hotel window."

The Delgados special with Emma Pollock in conversation Their first commercial release came with the inclusion of their track "Liquidation Girl" on the compilation album Skookum Chief Powered Teenage Zit Rock Angst from Nardwuar the Human Serviette. Instead of signing to a record label, the band started their own, Chemikal Underground, on which they released their own records and also some from other local bands, among them Mogwai and Arab Strap. Chemikal Underground's first release was the Delgados first single "Monica Webster / Brand New Car". The single caught the attention of BBC Radio 1 DJ John Peel, and the band quickly became one of his favourites, going on to record seven sessions for his show. The cost of Chemikal Underground's second release, the single "Disco Nation 45" by Bis, left the cash-strapped label unable to afford another release by the Delgados, so their next release "Lazarwalker" came from the London-based Radar Records. Tempted by Radar to a five-album deal, the band declined, instead poaching their A&R contact, Graeme Beattie, for work at Chemikal Underground. Another single, "Cinecentre" followed in early 1996 as the band juggled work at the label with several tours, and recorded their debut album. The band released two more singles, this time taken from their album Domestiques released in November 1996. The song "Under Canvas, Under Wraps" being voted number three in John Peel's Festive Fifty that year. The band released their second album in 1998. Peloton - also a cycling reference. The single "Pull the Wires From the Wall" gave the Delgados their first hit single in the UK Singles Chart, reaching number 69.[3] The band's close relationship with Peel continued, with "Pull the Wires From the Wall" voted to number one in the Festive Fifty (it would also make the all time chart made in 2000). The Delgados' evolution continued with The Great Eastern in 2000. The record was produced by Dave Fridmann. Their next single, "American Trilogy", reached number 61 in the UK chart. Their fourth album, Hate, was released on Mantra rather than the band's own label. The song "The Light Before We Land" was used as the opening theme for the anime Gunslinger Girl, while the song "Woke From Dreaming" is played at the beginning of episode 7. The band returned to their own label for 2004's Universal Audio. The band announced they were splitting up in April 2005 due to the departure of Henderson who found it difficult "to pour so much of my energy and time into something that never quite seemed to get the attention or respect [he] felt it deserved." The four will continue to run Chemikal Underground together. Songwriters Pollock and Woodward are pursuing individual projects, while Savage will continue production duties at the band's Chem19 in a new studio. Since the band's separation, the track "I Fought the Angels" from Universal Audio has been used in the fourth episode in the second season of the Golden Globe-winning medical drama Grey's Anatomy in 2006, and in the opening scene in the series premiere of BBC Three's Lip Service in 2010. A double disc containing 29 tracks, The Complete BBC Peel Sessions, was released on 12 June 2006 in Europe, and later in the year in the United States. Woodward released his debut solo album in June 2009 under the name Lord Cut-Glass. Savage also played on the album.

Even As We Speak indie band from Sydney, Australia. Formed in the mid 1980s, founding members Matthew Love (guitar, banjo, vocals) and Mary Wyer (vocals, guitar) were later joined by Rob Irwin (bass) Anita Rayner (drums, banjo, mandolin), Paul Clarke (guitar, vocals) and Julian Knowles (keyboards, guitar, production). After a series of vinyl releases on Australian independent labels including Phantom Records, and success on the Australian indie scene, they came to the attention of BBC Radio 1 DJ John Peel who started to play the band's Phantom Records single 'Goes So Slow' on his show. This brought them to the attention of UK audiences and began a relationship with UK indie label Sarah Records. The band released several singles and an album on Sarah Records, three of which reached the Top 5 of the Melody Maker and New Musical Express UK independent music charts in 1992 and 1993.

This particular episode is character led…and what characters the were. There’s an un-entangling of David’s relationship with legendary DJ John Peel, there’s the strong bond of friendship that grew between Bowie and John Lennon..and the tragic story of some-would-say Bowie clone Jobriath… not for the faint hearted.As well as continuing the podcast journey from A to Z you can also immerse yourself in more Bowie related interviews, quizzes, and filmed pieces at our exclusive members club called "Cheap Things", simply by following the link www.patreon.com/cheapthings See acast.com/privacy for privacy and opt-out information.

Om 22:00 uur Vincent van Engelen met een nieuwe Des Engels op 40UP Radio. In het eerste uur een bloemlezing uit de Anti-Trumplijst vanwege het tumult de afgelopen 2 weken. In het 2e uur artiesten van het in 1969 door DJ John Peel opgerichte Dandelion label. Muziek van David Bowie. Nina Simone, Gene Vincent, Kevin Coyne en Clifford T. Ward.

Om 22:00 uur Vincent van Engelen met een nieuwe Des Engels op 40UP Radio. In het eerste uur een bloemlezing uit de Anti-Trumplijst vanwege het tumult de afgelopen 2 weken. In het 2e uur artiesten van het in 1969 door DJ John Peel opgerichte Dandelion label. Muziek van David Bowie. Nina Simone, Gene Vincent, Kevin Coyne en Clifford T. Ward.

Ghost Town w/ Creepy Steve radio/internet broadcast from May 28, 2017, saluting the late, great, long-time BBC Radio 1 DJ John Peel. The entire program features Peel Sessions recordings by various artists.

This month we're joined by author and journalist David Cavanagh for a show all about music in literature. David's book, Good Night and Good Riddance, is an impressive analysis of DJ John Peel's extraordinary career, and how his eclectic taste shaped the British music scene.