Podcasts about Chrysalis Records

Memphis Duo Kevin and Bethany Paige came by to chat with us this week, talking about Kevin's early solo deal with Chrysalis Records, meeting Bethany, their Elvis fandom, and of course how the rise of grunge changed everything. YouTube - https://bit.ly/3UgqsY2 Spotify - https://bit.ly/3EJOGBO YouTube - https://bit.ly/3UgqsY2   HOW TO SUPPORT THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.

A dope mix from Sydney's Jazz Funk Bootleg Don, DJ CMAN, one of the original selectors from our musical family since 2009. CMAN takes us on a journey through funk, soul, jazz, hip-hop party recorded live at the Soul of Sydney 13th Birthday Party, this set is a celebration of everything that has made these iconic parties legendary. From dance-floor jazz grooves to modern edits and bootlegs. DJ CMAN take you on a journey through the sounds that define Soul of Sydney. This is more than music—it's a movement. SOUL OF SYDNEY's resident vibe creator DJ CMAN laying down a dope 1-hour selection of heavy FUNK, SOUL & JAZZY HIP HOP REMIXEs, EDITS & BOOTLEGS to close out the 13th Birthday celebration last month for podcast episode #418. Be sure to check out DJ CMAN's for dope mixes, remixes and edits which he has become so well known for around the world. Check out more of his stuff here. https://soundcloud.com/djcmanmusic Track List / 1. War - Galaxy 2000** (1977, MCA Records) 2. Arrested Development - Mama's Always On Stage** (1992, Chrysalis Records) 3. Junior Wells X CMAN - Mama's Finally Off Stage ... Junior's Bluebreak (CMAN Edit)** (Edit, Release Details Unknown) 4. p-rallel, Jords - One Time** (2023, PLATOON) 5. dialE - AOT** (Details Unknown) 6. Common X George Benson - Go** (Mashup, Common's "Go" (2005, Geffen Records), George Benson Track Uncredited) 7. George Benson - On Broadway (Mikeandtess Edit 4 Mix)** (Original: 1978, Warner Bros.; Edit, Unofficial Release) 8. Jodie Abacus - Good Feeling (CMAN Edit)** (Edit, Original: 2017, Label Unknown) 9. Hidden Jazz Quartett Feat. Omar - High Heels (Lack Of Afro Remix)** (2014, Agogo Records) 10. Nina Simone - See Line Woman** (1964, Philips Records) 11. Theophilus London - Calypso Blues (Nat King Cole Cover)** (2011, Reprise Records) 12. The Bamboos - Ride On Time** (2006, Tru Thoughts) 13. DJ Nu-Mark, The Traffic - Hot In Herre** (2019, Hot Plate Records) 14. Nat King Cole - Day In - Day Out (Cut Chemist Mix)** (2005, Capitol Records – Verve Remixed 3) 15. Big Daddy Kane X Chic - Good Times** (Mashup, Details Unknown) 16. Michael Jackson x James Brown - Wanna Get Up And Start Being A Sex Machine** (Mashup, Details Unknown) 17. Legacy - I'm So Glad (CMAN Edit)** (Edit, Release Details Unknown) 18. Stevie Wonder - Happy Birthday** (1980, Motown) 19. Harry Belafonte - Jump In The Line** (1961, RCA Victor) 20.James Brown - Feel Good (Pays Bass Disco Mix)** (Edit, Original: 1972, Polydor) 21. Janet - All For You (Remix)** (2001, Virgin Records; Remix, Unofficial Release) 22. Blackstreet X Cameo - No Diggity (Word!)** (Mashup, Original Tracks: 1996 Interscope & 1986 Atlanta Artists/PolyGram) 23. Cameo - Candy** (1986, Atlanta Artists/PolyGram) 24. Monie Love - Don't Funk Wid The Mo** (1990, Warner Bros. Records) 25. Robson Jorge & Lincoln Olivetti - Aleluia** (1982, Som Livre) 26. Sharon Redd - Can You Handle It** (1980, Prelude Records) 27. Salif Keita - Madan (Petko Afrobeat Edit)** (Edit, Original: 2002, Universal Music) 28. Kanye West - Gold Digger** (2005, Roc-A-Fella Records) 29. Tems + Foxy Brown ft. Blackstreet - Free Mind** (Mashup, Original Tems: 2020, Leading Vibes LLC) 30. Black Thought, Juls, Worlasi, Kofi Mole - Focus** (2023, Details Unknown) 31. Big Pun - Still Not A Player** (1998, Loud Records) 32. Gospel Gods Got A Blend (Big Pun "Playa" Sample)** (Blend/Mashup, Details Unknown) 33. Black Men United - U Will Know** (1994, MCA Records) 34. Billy Stewart - Summertime** (1966, Chess Records) 35. Louis Prima - Buono Sera** (1956, Capitol Records)

Show #1076 Gaines Is Gone 01. 11 Guys Quartet - Rockin' The Ufo (2:45) (Single, VizzTone Records, 2024) 02. Ally Venable - Do You Cry (4:31) (Money And Power, Ruf Records, 2025) 03. David Goundry - Saving Grace (3:06) (Glazbury Road, self-release, 2024) 04. Hitman Blues Band - Foolish Pride (3:51) (Calling Long Distance, Nerus Records, 2024) 05. Joel Mandeville - Here Last (Covid Blues) (4:30) (Permanent Change, self-release, 2024) 06. John Brennan - Where'd You Stay Last Night? (3:44) (One Way Ride, Guitar One Records, 2024) 07. Muddy Husky Duo - Hell Yeah! (3:59) (Single, Luppa Records, 2024) 08. Orianthi - Some Kind Of Feeling (4:42) (Single, Woodward Avenue Records, 2024) 09. She Brought Me Gasoline - Sugar (3:41) (Songs From The Cliff, self-release, 2025) 10. Will Wilde - Blues Is Still Alive (5:29) (Blues Is Still Alive, VizzTone Records, 2024) 11. Huey Lewis & the News - Bad Is Bad (3:45) (Sports, Chrysalis Records, 1983) 12. Jimmy Thackery & the Drivers - Dancing On Broken Glass (Switching Gears, Blind Pig Records, 1998) 13. Coco Montoya - Get Your Business Straight (5:10) (Suspicion, Alligator Records, 2000) 14. Michael Burks - Beggin' Business (5:52) (Make It Rain, Alligator Records, 2001) 15. George Thorogood & the Destroyers - Ride 'Til I Die (4:07) (Ride 'Til I Die, Eagle Records, 2003) 16. Kay Kay & the Rays - Junk Blues (4:07) (Big Bad Girl, Topcat Records, 2004) 17. Albert Cummings - I'm Free (5:00) (Working Man, Blind Pig Records, 2006) 18. Sena Ehrhardt - All In (3:35) (All In, Blind Pig Records, 2013) 19. Bernard Allison - Blues Party (4:48) (Let It Go, Ruf Records, 2018) 20. Big Daddy Wilson - Crazy World (5:23) (Deep In My Soul, Ruf Records, 2019) 21. Norton Buffalo - Puerto De Azul (2:30) (Lovin' In The Valley Of The Moon, Capitol Records, 1977) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

A former journalist who rose to the top of the FT and became CEO, John transformed a loss making paper into a £500m revenue generating multi media global empire, this episode is one of my favourites. We kick off with John's first art memory, his love of music, and auditioning for Chrysalis Records, then dive into his journalism days, if he still gets the itch to write, how he transitioned from journalist to CEO, the three key decisions which transformed the FT and the key decisions that will keep it going. We discuss the AI Elephant in the virtual room, what makes a modern CEO, his collecting tastes, which include Bonsai trees, surfboards, and a deep love for music photography and much, much more! Download and play, it's an absolute masterpiece.Cover photo by Alex GriffithsMusic by Robin KatzProduced by Martin LumsdenThis episode is kindly sponsored by Oliver Bayliss of Bayliss Rare Books, the best rare book dealer in the business - www.baylissbooks.co.uk Hosted on Acast. See acast.com/privacy for more information.

Show #1054 Vinyl Grooves 01. Paul Weeden/Herbert Noord Quintet - So This Is The Blues (9:27) (Clear Sight, Timeless Records, 1987) 02. Elvin Bishop Band - Rock My Soul (2:46) (Rock My Soul, Epic Records, 1972) 03. Delaney & Bonnie - Don't Deceive Me (Please Don't Go) (3:54) (Motel Shot, Atco Records, 1971) 04. Linda Hopkins - I'm Hungry (4:49) (How Blue Can You Get, Palo Alto Records, 1983) 05. Charley Musselwhite - Early In The Morning (4:34) (Stand Back!, Vanguard Records, 1967) 06. John Mayall - Night Flyer (5:34) (USA Union, Polydor Records, 1970) 07. Barry Goldberg - Mess 'a da' Blues (8:38) (Barry Goldberg And Friends, Record Man, 1972) 08. Mike Bloomfield & Al Kooper - Don't Throw Your Love On Me So Strong (10:57) (The Live Adventures Of Mike Bloomfield & Al Kooper, Columbia Records, 1969) 09. Bloomfield-Hammond-Dr John - Cha-Dooky-Doo (3:40) (Triumvirate, Columbia Records, 1973) 10. Electric Flag - Talkin' Won't Get It (4:10) (The Band Kept Playing, Atlantic Records, 1974) 11. Arnett Cobb - Cobb's Blues (9:05) (Again With Milt Buckner, Black And Blue Records, 1973) 12. George Smith - Going Down Slow (3:36) (Boogie'n With George, Murray Brothers Records, 1982) 13. Fabulous Thunderbirds - Tip On In (3:37) (Butt Rockin', Chrysalis Records, 1981) 14. Anson Funderburgh & the Rockets - Rack 'Em Up (2:19) (Rack 'Em Up, Black Top Records, 1989) 15. Jimmy McGriff - Down Home On The Moon (10:05) (A Thing To Come By, Solid State Records, 1970) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Backdoor Media presents HUMP! Wednesdays with DJSOUL - 60-minute, commercial-free mixtape by Tony DJSOUL Dobson, featuring the best LGBTQ+ voices in HipHop - Weds 12a (ET)“I create the vibe, Set the Tone” — GunnaProtect Your PRIDE! That said, I'd B! remiss; plus, the ancestors would beat me if I didn't pay homage to my day one, House musiq. My experience comes from such gatherings as Better Dayz (Times Sq); Milk Mondays (Bowery-next door to CBGBs); The Cock Bar (East Village); and last, but mos def not least, Paradise Garage (SoHo) - Fun fact: It was late DJ Larry Levan who pointed me in the direction of creating my first published single House Work, Chrysalis Records. It ended up staying on the Billboard Top 100 for several weeks.Special Shout to two of my fave House legends: Dawn Tallman and Robert Owens—truly, Phenomenal!  B! NOTE - Recorded in East New York, Brooklyn1 No Faces - Ghostface Killah/Kanye West - Tony DJSOUL Dobson RMX2 Soul Stir - Tony DJSOUL Dobson (forthcoming Butter II: SOULstramentalz)3 Good Times - Styles P/Jadakiss/Redman/Method Man/Freda Payne4 3AM - Rapsody/Erykah Badu5 So Gone - Monica/Missy Elliott6 Dark Days - 21 Savage/Mariah the Scientist 7 Not What You Want - LastO/Drew Mason/Stern8 Friends - J. Cole/kiLL edward9 Praise God - French Montana/J.I.D10 Clear My Rain - Gunna/Leon Bridges11 Falling Back - Drake12 Caught In Luv - K London Posse/Dawn Tallman13 Don't Look Any Further - T Markakis14 Show Me - Saison/Dominique Fils-Aimé15 Papertrip - Wallace16 Calling My Name - Drake17 Phenomenal - Robert Owens18 Moody - Hondo Vega19 Creepin' - Bazza Ranks/Whitney Houston20 Don't Know Yet - EZEL/Rona Ray21 Do That Thang - Mo'Cream“HipHouse Is Fine Art!” — Tony DJSOUL DobsonTIP JARPAYPAL paypal.me/backdoormediaCASH APP $Tony DJSOUL DobsonVENMO @backdoormedia

Elana Levin from Graphic Policy Radio returns to the show for a deep dive into the second wave of Ska music, a brief but influential era when black and white UK musicians fused Jamaican dance music of the sixties into punk and new wave music of the seventies to create a sound that would further revolutionize American popular music in the nineties. The modern ska genre gets made fun of a lot (mozzarella sticks, anyone?) but Elana will have you know that ska music is not a joke. In an 18-month period, 2 Tone Records, an indie label founded by the keyboardist from The Specials, Jerry Dammers, took over the UK pop charts with major distribution support from Chrysalis Records. In the wake of the election of Margaret Thatcher and the rise of white nationalists taking advantage of national economic malaise, a musical rebuke of these trends came from bands in the town of Coventry, offering alternative visions of racial harmony and anti-fascist songs you could dance to. The 1981 concert documentary Dance Craze, recently restored, captures the 2 Tone bands performing in their prime. We discuss the evolution of ska, pay tribute to some of the top groups of the Second Wave Ska era including The Selecter, Madness, Bad Manners and The Specials and bid farewell to their lead singer the late great Terry Hall, whose passing last year inspired this episode. Become a patron of the podcast to access to exclusive episodes every month. Over 30% of Junk Filter episodes are exclusively available to patrons. To support this show directly for only $5.00 a month (U.S.) please subscribe at  ⁠⁠https://www.patreon.com/junkfilter Follow Elana Levin on Twitter and check out their podcasts Graphic Policy Radio and Deep Space Dive! Elana's “2nd Wave Ska” Spotify playlist  BBC Arena segment from 1980 on 2 Tone Records and the new ska scene coming out of Coventry. Madness-inspired Colgate advert from the UK, 1982 Re-release trailer for Dance Craze (Joe Massot, 1981) The Selecter - On My Radio, from BBC's Top of the Pops, 1979 The Beat - Stand Down Margaret, from ITV's O.T.T., 1982 The Specials music videos Gangsters (1979) Ghost Town (1981) Free Nelson Mandela (1984)

Un album hommage à Lou Reed sortira le 20 avril prochain ‘'The Power of the Heart : A Tribute to Lou Reed'' sur lequel Keith Richard, guitariste des Rolling Stones, Joan Jett, Bobby Rush, Rufus WainWright et bien d'autres artistes reprennent 12 titres de Lou Reed. Le guitariste Ritchie Blackmore (Deep Purple, Rainbow...) dévoile son groupe préféré, il craque complètement pour ABBA. Les ayants droit de Sinead O'Connor demandent à Trump de ne plus utiliser sa musique. Bruce Springsteen sort son best-of intitulée à juste titre ‘'Best of Bruce Springsteen'', 18 chansons avec une variante spéciale en vinyle "Jersey Devil" et une version numérique élargie de 31 chansons sera également disponible le 19 avril. Elbow dévoile son dernier single ‘'Balu'' avant la sortie imminente de leur de leur 10ème album ‘'Audio Vertigo ‘', accompagné d'un clip officiel. La bassiste des Pixies, Paz Lenchentin, quitte le groupe et sa remplaçante est déjà choisie : Emma Richardson, anciennement membre de Band of Skulls. Mots-Clés : Dublin, message, réseaux sociaux, vinyle, argenté, Record Store Day, CD, plateformes digitales, Instagram, Label, Chrysalis Records, héritiers, meetings politiques, Steven Tyler, Pharrell, Rihanna, Axl Rose, Ozzy Osborune, R.E.M, Prince, Leonard Cohen, David Bowie, Queen, Tom Petty, The Rolling Stones, The Village People, Linkin Park, Neil Young, Eric Burdon, John Fogerty, Phil Collins, Rock‘n'Roll Hall of Fame, collection, Werchter, boss, synthétiseur, Guy Garvey, chanteur, concert, tête d'affiche, Ronquières, Festival . --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

discussion on rock band Vanilla Fudge also Johnny Rivers singing "Poor Side of Town" plus random relish topics also talk of Chrysalis Records artists and trivia and newsfeed stories plus much more with Mark. Lou. and Perry --- Send in a voice message: https://podcasters.spotify.com/pod/show/perry--dedovitch/message

Sintonía: "Sea Cruise" - Rico (Rodríguez)"Away" y "Mantovani" - The Swinging Cats; "Do Nothing" - The Specials featuring Rico with the Ice Rink String Sounds; "Ghost Town" - The Specials; "Jungle Music" - Rico and The Special A.K.A.; "The Feeling´s Gone" - The Apollinaires; "War Crimes (The Crime Remains The Same)" - The Special A.K.A.; "Racist Friend", "Nelson Mandela", "Break Down The Door" y "What I Like Most About You Is Your Girlfriend" - The Special A.K.A.Todas las músicas extraídas del cofre (2xCD Box Set) "The 2Tone Collection - A Checkered Past" (Chrysalis Records, 1993)Escuchar audio

Welkom bij de Nieuwjaarsspecial van het eerste echte seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket. Host Francien Knorringa las het kookboek Jiwa van Mas van Putten en Carl Lemette. https://www.devrouwmetdebaard.com/jiwa. Ze laat ook een nummer horen uit de playlist bij het boek, namelijk Love Unlimited van de Fun Lovin' Criminals, bron: Chrysalis Records. https://open.spotify.com/track/3QqyxPI2TRoUP7ygSRpObT?si=319821107cc74d25 Host Jannekee Kuijper heeft het over de serie Fleabag op Prime. https://www.primevideo.com/-/nl/detail/Fleabag/0OB9NDUVQKFRSYRSCHT2A784TI Helena Hilgerdenaar zag de voorstelling Augustus Oklahoma. https://www.toneelgroepmaastricht.nl/agenda/264/topacteurs-in-vlijmscherp-familiedrama/augustus-oklahoma Onze adverteerders zijn: Hermit Gin - de lekkerste gin die er is, gemaakt met Oosterscheldewater en nog een trits aan geheime ingrediënten, te koop bij Gall en Gall. www.hermitgin.com Fever Tree Mediterranean Tonic, de lekkerste tonic voor de perfect serve van een gin tonic met Hermit Gin. https://fever-tree.com/nl_NL/products/mediterranean-tonic-water De Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl Don Ostra - oestermannen Arend Bouwmeester (de jonge) en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. www.donostra.nl Lone Poulsen, de kok die uit het noorden kwam en private dinings verzorgt in het teken van de nordic cuisine. www.shecamefromnorth.com Adverteren in Ballet Kroket? Mail alles@balletkroket.nl Ballet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dan krijg je vooraf aan de opname ook een concert van de Ballet Kroket Huisband o.l.v. Arend Bouwmeester en Mathijs Goené, niet zelden ontvangen zij extra special guests. Mail alles@balletkroket.nl Of kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM. www.balletkroket.nl

20 Minutes Into The Future: That Dr. Demento Sensibility (“Merry Christmas Santa Claus,” Chrysalis Records, 1986) (Recorded on 9 November 2023; 1 September 2022.) Once your star is ascending, it’s only a matter of time before someone realizes that the next logical step is to have your work the holiday angle, with a Special and … Continue reading 20 Minutes Into The Future: That Dr. Demento Sensibility (“Merry Christmas Santa Claus,” Chrysalis Records, 1986)

33.) That Dr. Demento Sensibility (“Merry Christmas Santa Claus,” Chrysalis Records, 1986) (Recorded on 9 November 2023; 1 September 2022.) Once your star is ascending, it’s only a matter of time before someone realizes that the next logical step is to have your work the holiday angle, with a Special and a Holiday Single that … Continue reading 33.) That Dr. Demento Sensibility (“Merry Christmas Santa Claus,” Chrysalis Records, 1986)

Show #1029 Beardo's Birthday Bash 2023 01. Robin Sylar (ft. Wes Race) - Shot Time (4:11) (Tricked Out, Topcat Records, 2004) 02. Jason Ricci & New Blood - Rocket Number 9 (10:37) (Rocket Number 9, Eclecto Groove Records, 2007) 03. Magic Sam - Everything Gonna Be Alright (2:54) (45 RPM Single, Cobra Records, 1958). 04. Leo Kottke - Vaseline Machine Gun (3:18) (6 and 12-String Guitar, Takoma Records, 1969) 05. David Migden & the Twisted Roots – I WSH U HRM (4:18) (Lit Up Like A Fruit Machine, self-release, 2022) 06. Papa George – Blackjack (Jenny Fairfax mix) (3:16) (Down At The Station, self-release, 2006) 07. Barry Venn's False Pretences – Crossroads (4:54) (True Lies, Intuition Records, 1997) 08. Virgil & the Accelerators - Silver Giver (8:49) (The Radium, Mystic Records, 2011) 09. Carlos del Junco & Bill Kennear - Big Road Blues (4:57) (Blues, Big Reed Records, 1993) 10. Rory Block - Big Road Blues (3:12) (Mama's Blues, Rounder Records, 1991) 11. Bonnie Raitt - Big Road (4:00) (The Lost Broadcast: Phildelphia 1972, Leftfield Media, 2010) 12. Walter Trout - Brother's Keeper (7:01) (Blues For The Modern Daze, Provogue Records, 2012) 13. Sérgio Bap - Kitungo Blues (2:07) (Soundcloud, self-release, 2014) 14. Sue Foley - Run (4:03) (The Ice Queen, Stony Plain Records, 2018) 15. Bo Ramsey (ft. Mark Knopfler) - Wounded Dog (3:58) (How Many Miles, self-release, 2022) 16. Beth Hart & Joe Bonamassa - Can't Let Go (4:03) (Seesaw, J&R Adventures, 2013) 17. Ali Farka Touré & Ry Cooder - Amandrai (9:26) (Talking Timbuktu, World Circuit Records, 1994) 18. Jeff Beck - Head for Backstage Pass (2:44) (Wired, Epic Records, 1976) 19. Sugar Pie Desanto - Can't Let You Go [1961] (2:45) (In the Basement: The Chess Recordings, Chess Records/UMG, 2018) 20. Eric Clapton & Jimmy Page - Tribute to Elmore (2:07) (Blues Anytime Vol 1: An Anthology of British Blues, Immediate Records, 1968) 21. Frankie Miller – The Devil Gun (3:38) (Frankie Miller … That's Who! The Complete Chrysalis Recordings 1973-1980, Chrysalis Records, 2011) 22. Guy Tortora – Willie Dixon (6:13) (Prodigal Songs, Turtledove Records, 2011) 23. Frank Zappa (with Mike Douglas Orchestra) - Black Napkins (4:12) (The Mike Douglas Show, October 28, 1976) 24. Ezra Collective - Live Strong (7:36) (Where I'm Meant To Be, Partisan Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Sintonía: "Guns Of Navarone" - The Special A.K.A. "Gangsters" - The Special A.K.A.; "The Selecter" - The Selecter; "The Prince" - Madness; "On My Radio" - The Selecter; "A Message To You Rudy" (feat. Rico) y "Nite Klub" (feat. Rico) - The Specials; "Tears Of A Clown" y "Ranking Full Stop" - The Beat; "Three Minute Hero" - The Selecter; "Ruder Than You" - The Bodysnatchers; "Missing Words" - The Selecter; "Rat Race" - The Specials; "Easy Life" y "Too Experienced" - The Bodysnatchers; "International Jet Set" - The SpecialsTodas las músicas extraídas del CD 1 de la recopilación (2xCD) "The 2Tone Collection - A Checkered Past" (Chrysalis Records, 1993)Escuchar audio

This week we are reflecting on some of our best interview episodes with giants of the music industry and, specifically, when they talked about how the megastars they've worked with became successful. The special guests in this episode include: -        Emma Banks: The representative for some of the world's top artists, including Red Hot Chili Peppers, Florence And The Machine, Katy Perry, System of a Down, Muse, Kraftwerk and many more. (full episode 17 Aug 2022) -        Carl Leighton-Pope: Starting out in the music industry at a similar time to host Chris Wright of Chrysalis Records, Carl has been a manager, promoter, and agent for some of the biggest names in music over the decades, including Van Morrison, Bryan Adams, Billy Ocean, and Michael Bublé. (full episode 7 Jul 2023) -        Sir Robin Millar: One of the most successful music producers in the world whose career ignited when he produced Sade's debut album "Diamond Life". (full episode 8 Sep 2023) -        Miles Copland: Former manager of the Police and Sting. In 1979, he founded the I.R.S. Records label, producing R.E.M., the Bangles, Berlin, the Cramps, Dead Kennedys, the Alarm, and the Go-Go's, to mention just a few. (full episode 27 Aug 2021)In this segment about Sting, Chris fondly remembers having Jerry Moss, co-founder of A&M Records, over for dinner shortly before the time of recording. Sadly, Moss passed away on the 15th of August this year aged 88. Sting has paid tribute by expressing how big an impact he had on his life and career. (full episode 27 Aug 2021) We'd love to hear what you think of the episode at email@wrightonthenail.fm, or get in touch if you just want to say hi! Yours faithfully WOTN Team 'I Hit The Nail Right On The Head' by Billy Bremner. © Fridens liljor/Micke Finell.Rock around the clock productions AB.www.rockaroundtheclock.co This episode was produced by Tom PlattsThis podcast is published by New Thinking: www.newthinking.com Explore New Thinking podcasts via our website: www.newthinking.com/podcasts

Beyond the failure of Left and RightWhen a system finally fails it fails everwhere all at once. Are we at that point?Intro AudioFun Boy Three - The Lunatics Have Take Over The AsylumTerry Hall, Lynval Golding, Neville Staplehttps://www.youtube.com/watch?v=7aItpjF5vXcReservoir Media Management (Label) (on behalf of Chrysalis Records); Sony Music Publishing, MINT_BMG, CMRRA, LatinAutorPerf, ASCAP, BMG Rights Management (US), LLC, LatinAutor - SonyATV, Abramus Digital, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ARESA, and 6 Music Rights SocietiesGOLEM XIV BLOG:Part 1 - The Next CrisisPart 2 - A Manifesto for the 1%Part 3 - The World Turned Upside-DownPart 4 - Re-Branding DissentCOMMENT AT:https://substack.com/profile/126815820-david-malonehttps://www.instagram.com/hyperlandpodcast/https://www.facebook.com/groups/130898253302317Music by HYPERLANDGraphics by Caroline LargeImage NASA ID: PIA12348 Secondary Creator Credit: NASA/JPL-Caltech/ESA/CXC/STScI Hosted on Acast. See acast.com/privacy for more information.

Two groups collide in a place as safe as one they could hope for in the city. As they process the last few days and tend to their wounded, they hope the walls and doors will be enough. Outbreak: Undead - Death Toll is a zombie apocalypse/outbreak series that includes Exit on Death. A player immediately exits the call if/when their character dies. Content Warnings include: dealing with loss and grief, also including children. CAST: Nathan Lurz as Darrin: https://twitter.com/Reckless_Attack Farrah Sarpkaya as Yasmin: https://twitter.com/FarrahKaya VJ Stonecraft as Nancy: https://twitter.com/vj_stonecraft Eli (Mayday) as Joyce "Joi": https://twitter.com/aGhostofeli Allegra Rodriguez-Shivers as Elle: https://twitter.com/legom2rs Jenn as Eryn: https://twitter.com/JennGeeky Allison as Dakota: https://twitter.com/insightchecked Kerri Smith as Game Master: https://twitter.com/KerriSmith2012 Chicago video footage: Nathan Lurz Zombie footage: All zombie footage was found on Pexels by "cottonbro," link below: Video by cottonbro from Pexels: https://www.pexels.com/video/zombies-... Original music by Tale of the Manticore https://twitter.com/ManticoreTale Background tracks/SFX: Tabletop Audio https://www.tabletopaudio.com DISCLAIMER: This ttrpg system is an ALTERED version of Hunters Entertainment's Outbreak: Undead. Outbreak: Undead is designed for a world that has already ended, and we altered the mechanics to better fit our Day Zero scenario. Please check out Hunters Entertainment's website and YouTube to learn more about the actual system, which we plan on using in the future! Instrumental cover by Todd Moonbounce: I'd Love to Change the World by Ten Years After Licensing info: Reservoir Media Management (Label) (on behalf of Chrysalis Records); LatinAutorPerf, CMRRA, MINT_BMG, ARESA, BMG Rights Management (US), LLC, Abramus Digital, ASCAP, and 7 Music Rights Societies Hunters Entertainment Website: https://www.huntersentertainment.com/ Hunters Entertainment YouTube:    / huntersbook.  .Show less

They'd been on the verge of breaking through for a couple of years, and sisters Romi & Jazz had their hopes up when their record label paired them with Stock Aitken Waterman for their latest single in 1990. The siblings join us to share their musical journey — from their first steps into the industry with a bhangra meets hi-NRG remake of The Four Tops' "Reach Out", which was co-produced by former SAW associate Pete Ware, to their two initial singles with Chrysalis Records, "People In The House" and "Love Crime". Romi and Jazz talk about their aim of breaking down barriers with their fusion sound and rewriting the rule book for Asian women, despite some resistance from men in their culture to them even being onstage in the first place. Their collaboration with SAW, "One Love One World", was a club-influenced, socially conscious track born out of Romi and Jazz talking to Mike Stock and Matt Aitken about the struggles they'd faced as young Indian women. Another song with a more serious theme than you'd expect from the Hit Factory was "You've Got A Friend", a collaboration between Sonia and Big Fun (featuring Gary Barnacle on saxophone) for UK charity Childline. With help from Matt Aitken, we discuss the record and why the original track was chosen over a cover of the Carole King song of the same name, which the pop stars also recorded.Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com

With Eryn's injury only slowing them all down... there's only one thing they can do. Outbreak: Undead - Death Toll is a zombie apocalypse/outbreak series that includes Exit on Death. A player immediately exits the call if/when their character dies. Content Warnings include: language, adult themes, and amputation. Viewer discretion is advised, and this series is intended for mature audiences. CAST: Allegra Rodriguez-Shivers as Elle: https://twitter.com/legom2rs Jenn as Eryn: https://twitter.com/JennGeeky Allison as Dakota: https://twitter.com/insightchecked Kerri Smith as Game Master: https://twitter.com/KerriSmith2012 Chicago video footage: Nathan Lurz Zombie footage: All zombie footage was found on Pexels by "cottonbro," link below: Video by cottonbro from Pexels: https://www.pexels.com/video/zombies-... Original music by Tale of the Manticore https://twitter.com/ManticoreTale Background tracks/SFX: Tabletop Audio https://www.tabletopaudio.com DISCLAIMER: This ttrpg system is an ALTERED version of Hunters Entertainment's Outbreak: Undead. Outbreak: Undead is designed for a world that has already ended, and we altered the mechanics to better fit our Day Zero scenario. Please check out Hunters Entertainment's website and YouTube to learn more about the actual system, which we plan on using in the future! Instrumental cover by Todd Moonbounce: I'd Love to Change the World by Ten Years After Licensing info: Reservoir Media Management (Label) (on behalf of Chrysalis Records); LatinAutorPerf, CMRRA, MINT_BMG, ARESA, BMG Rights Management (US), LLC, Abramus Digital, ASCAP, and 7 Music Rights Societies Hunters Entertainment Website: https://www.huntersentertainment.com/ Hunters Entertainment YouTube:    / huntersbook.  .Show less

With a broken ankle, a broken arm, and something bursting through the window... we pick up where our survivors left off. Outbreak: Undead - Death Toll is a zombie apocalypse/outbreak series that includes Exit on Death. A player immediately exits the call if/when their character dies. Content Warnings include: violence, gore, and language. This series is intended for mature audiences. CAST: Allegra Rodriguez-Shivers as Elle: https://twitter.com/legom2rs Jenn as Eryn: https://twitter.com/JennGeeky Todd as Parker: https://twitter.com/toddmoonbounce Allison as Dakota: https://twitter.com/insightchecked Kerri Smith as Game Master: https://twitter.com/KerriSmith2012 Chicago video footage: Nathan Lurz Zombie footage: All zombie footage was found on Pexels by "cottonbro," link below: Video by cottonbro from Pexels: https://www.pexels.com/video/zombies-... Original music by Tale of the Manticore https://twitter.com/ManticoreTale Background tracks/SFX: Tabletop Audio https://www.tabletopaudio.com DISCLAIMER: This ttrpg system is an ALTERED version of Hunters Entertainment's Outbreak: Undead. Outbreak: Undead is designed for a world that has already ended, and we altered the mechanics to better fit our Day Zero scenario. Please check out Hunters Entertainment's website and YouTube to learn more about the actual system, which we plan on using in the future! Performance by: Todd Moonbounce Song: I'd Love to Change the World by Ten Years After Licensing info: Reservoir Media Management (Label) (on behalf of Chrysalis Records); LatinAutorPerf, CMRRA, MINT_BMG, ARESA, BMG Rights Management (US), LLC, Abramus Digital, ASCAP, and 7 Music Rights Societies Hunters Entertainment Website: https://www.huntersentertainment.com/ Hunters Entertainment YouTube:    / huntersbook.  .Show less

Memphis Duo Kevin and Bethany Paige came by to chat with us this week, talking about Kevin's early solo deal with Chrysalis Records, meeting Bethany, their Elvis fandom, and of course how the rise of grunge changed everything.   In the intro, we recap the private watch party at Jimmy Fulp's house, Jeff seeing The Pinch at Hadley's, Jimmy Jameson being inducted into the Memphis Music Hall of Fame, and we also address a certain Facebook critic's comments.   Kevin & Bethany's Website: http://www.kbpmusic.com/   Kevin's Facebook: https://www.facebook.com/kevin.paige.507   Bethany's Facebook:  https://www.facebook.com/bethany.a.paige

This week Chris Wright, co-founder of Chrysalis Records in 1968, is joined by Carl Leighton-Pope who began his career in the music industry at almost the same time as the WOTN host. Carl has been a manager, promoter, and agent for some of the biggest names in music over the years, including Van Morrison, Bryan Adams, Billy Ocean, and Michael Bublé.Chris and Carl reminisce about their formative years in the music industry in 1960s London, with venues such as the Marquee Club playing a significant part. They discuss the music industry's roles of managers, agents, running record labels, and which is more enjoyable. They review contemporary artists and why we need stars like Harry Styles. The episode is full of wonderful anecdotes and stories of the personal bonds Carl has built with stars like Billy Ocean and Michael Bublé. Carl came from a Welsh mining family, and this episode shows the mindset, as well as the knowledge and talent, required to get to where he is today. Inspiring is the word this week, as Chris also answers questions from Carl about his extraordinary music career.We hope you enjoy this episode as much as we did recording it! If you like the episode, we would really appreciate it if you could give the podcast a review, rating, and a follow on your chosen streaming platform. It makes an unimaginable difference.'I Hit The Nail Right On The Head' by Billy Bremner. © Fridens liljor/Micke Finell.Rock around the clock productions AB.www.rockaroundtheclock.coThis episode was produced by Tom PlattsThis podcast is published by New Thinking: www.newthinking.com Explore New Thinking podcasts via our website: www.newthinking.com/podcasts

Show #1003 Good & Bad 01. Chris Antonik - Back To The Good (4:13) (Morningstar, Second Half Records, 2022) 02. Vaneese Thomas - Bad Man (4:39) (Fight The Good Fight, Blue Heart Records, 2022) 03. Big Joe Shelton - How Good Love Could Be (3:29) (I'd Never Let Her Down, self-release, 2013) 04. Hanna PK - Bad Habit (3:06) (Blues All Over My Shoes, VizzTone Records, 2021) 05. Anthony Gomes - Make A Good Man (Wanna Be Bad) (3:12) (Containment Blues, Up 2 Zero Productions, 2020) 06. Frankie Miller - Be Good To Yourself (3:03) (Full House, Chrysalis Records, 1977) 07. Larry Taylor & the Taylor Family - Bad Girl (4:36) (Generations Of Blues: West Side Legacy, Nola Blue Records, 2023) 08. The Cinelli Brothers - So Far So Good (3:09) (No Country For Bluesmen, self-release, 2022) 09. Catch 23 - Got It Real Bad (4:09) (Blues Hotel, self-release, 2022) 10. Nic Clark - Good Advice (3:57) (Everbody's Buddy, Little Village Foundation, 2023) 11. Markey Blue Ric Latina Project - Bad For Real (3:47) (Jumpin' The Broom, SoulOSound Records, 2022) 12. Soul Drivers - Good Good Lovin' (5:12) (Tight White Dress, BluesTime Records, 1999) 13. Andy J. Forest Band - Bad (5:49) (Shuffle City, L+R Records, 1989) 14. Peter Veteska & Blues Train - So Far So Good (4:40) (So Far So Good, Blue Heart Records, 2022) 15. Avey Grouws Band - Bad Bad Year (4:45) (Tell Tale Heart, self-release, 2021) 16. Malaya Blue - Good Intentions Bad Results (5:29) (Blue Credentials, Blue Heart Records, 2022) 17. Crystal Shawanda - How Bad Do You Want It (3:50) (Midnight Blues, True North Records, 2022) 18. GA-20 - Gone For Good (2:58) (Crackdown, Colemine/Karma Chief Records, 2022) 19. Steven Troch Band - Bad Times (3:19) (The Call, self-release, 2022) 20. John Nemeth - Feeling Good (3:41) (May Be The Last Time, Nola Blue Records, 2022) 21. Joe Krown - Feel So Bad (4:36) (Tribute, Sledgehammer Records, 2023) 22. Star Spangled Washboard Band - Oh Lady Be Good (3:11) (A Collector's Item, Flying Fish Records, 1977) 23. Dr. Lonnie Smith - He's A Might Good Leader (5:30) (Boogaloo To Beck, Scufflin' Records, 2003) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Thank you for joining us in todays episode with guest Steve Jenkins. Steve Jenkins career began as a DJ in the West Midlands in 1970, by 1973 he had started as a regional promoting manager at NEMS and Immediate Records. Chrysalis Records, MCA Records and Mountain Record would all add to his education before starting his own company, Impulse Promotions, in 1983. The success in this company would lead to Managing Director at Jive Records in 1989. By 1999, Jive Records was the largest independent record label in the world with artists like Britney Spears, The Backstreet Boys, R. Kelly, NSYNC, Steps, Justin Timberlake and many more. Brought to you by The Ben Hogan Foundation. Hosted by Judd Pritchard and cohost Josie Gregory-Stankiewicz.

Known for being one of the most influential people in the music industry with the “best ears”, Robin has been awarded 150 gold and platinum discs and has produced 44 number one hits alongside prominent musicians including Elton John, Sting, Sade, Everything but the Girl, and Boy George. Blind since the age of 16, he's been an outspoken advocate for facilitating the inclusion of disabled people in all aspects of society and life.Robin shares his experiences and insights on working in the music industry as a person with a disability, emphasising that it's not the lack of sight that gifts his ears, but listening without the distraction of the other senses that gives him an edge. He discusses the  internalised shame surrounding disability, with 8 out of 10 people not disclosing theirs, and his belief that interdependency not independency is vital to normalising disability and creating a more inclusive society.

    ⚡⚡ PODCAST ALERT! ⚡⚡   Please share the pod and tag me (and the show) in your post. Please also invite your pals to like The Whizbanger Show on Twitter, Insta, and FB - if you want your music featured on the one and only Whizbanger Show, gimme a holler!  Love y'all!   The Bands: Alabama Thunderpussy, Domkraft, King Diamond, Mark Lanegan, Mortillery, Motörhead, No Coffin, Oceans of Slumber, Orange Goblin, Patti Smith, Smoulder, The Specials, Scars of the Flesh, Spinal Tap, Thou, Tragedy, Witch Mountain, Zeke   The Labels & PRs: Bonespill Recordings, Century Media Records, Chrysalis Records, Clawhammer PR, Columbia Records, Cruz del Sur Music, Electric Lady Studios, Icarus Music, Magnetic Eye Records, Nanotear PR, Napalm Records, Peaceville Records, Redux Records, Small Stone Records, Svart Records   Tune in to MMH The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show. Stream ===>>> www.mmhradio.co.uk Whizbanger Show Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/   The Whizbanger Show is 100% sweat equity. Support me by donating to the show! Tip the Deejay Right Here: https://www.buymeacoffee.com/WhizbangerShow    Download the app ===>>> Google Play or Apple Store Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn   Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger Twitter: @SaraWhizbanger  

Oi, you happy heads! Jump on the rollercoaster and head straight into the heart of love, because this week we're turning the songs of 1979 inside out!  With 1979 being arguably THE greatest year for songs within the O3L era, these are definitely the songs that changed our lives. If our thinly disguised song references weren't enough of a giveway, it is our biggest thrill (last one, we promise) to welcome the songwriter and guitarist from one of the most beloved groups in '80s British pop, David Newton from The Mighty Lemon Drops!  We are celebrating their upcoming 5 CD box set, Inside Out: 1985-1990 on Cherry Red Records, containing their first three albums and a generous selection of singles, EP tracks, demos, radio sessions, live tracks and more.  Dave takes on a journey from his first band in 1979, the Lemon Drops' first recordings on Dan Treacy's Dreamworld label, being a part of the legendary C86 compilation, their major label days on Chrysalis Records with big budget producers, studios and tours, the final days of the band, to present day.   Also: The ugliest band in Britain!  A throw down to Shawn Mendes fans!  KC & The Serial Killer Band!  Evan Dando!  And will Uncle Gregg ever join The Mighty Lemon Drops on tour?!? #musicpodcast #musicpodcasts #podnation #c86 #britishpop #indiepop #indierock #guitarpop #postpunk #1979music #newwave #punkrock #1stwave #classicalternative #70smusic

Miss the show? Wanna hear it again? Have at the podcast, my friends, and enjoy! Please share the pod and tag me (and the show) in your post. Please also invite your pals to like The Whizbanger Show on Twitter, Insta, and FB - if you want your music featured on the one and only Whizbanger Show, gimme a holler!  Love y'all!   The Bands: 1945, ACCEPT, Alestorm, Angelus Apatrida, Anthem, Blind Guardian, Bloodbath, Blues Pills, BULLET, Celtica, Diamond Head, Doro, Dropkick Murphys, Evil Invaders, Jinjer, Judas Priest, KISS, Manowar, Mercyful Fate, Myrath, Nashville Pussy, Orange Goblin, Saxon, Symphony X, UFO   The Labels/PR: Barcelona Rockfest, Born & Bred Records, Century Media Records, Chrysalis Records, DIES IRAE, earMUSIC, Magic Circle Records, Metal Blade Records, Napalm Records, Nuclear Blast, Peaceville Records, Rise Above Records, Silver Lining Music, Steamhammer Records, SteelOnSteel Distro, Virgin Records, Ward Records          Tune in to MMH The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show. Stream ===>>> www.mmhradio.co.uk Whizbanger Show Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/   Download the app ===>>> Google Play or Apple Store   Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn   Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger Twitter: @SaraWhizbanger

Show #948 How Many More...? 01. Michael Hill's Blues Mob - Bluestime In America (4:08) (Have Mercy!, Alligator Records, 1996) 02. Nathan Pope - Ain't Worth Fighting For (5:28) (Waiting There For Me, self-release, 2022) 03. Tom Gilberts - Catch My Breath (3:54) (Single, Polymerase Records, 2022) 04. Black Cat Biscuit - Madame Zola (3:53) (The Way It Is, Naked Productions, 2022) 05. Rock House All Stars (ft. Bekka Bramlett) - What Not To Do (3:44) (Single, Qualified Records, 2022) 06. Matty T Wall - Broken Heart Tattoo (5:45) (Live Down Underground, Hipsterdumpster Records, 2022) 07. Charlie Musselwhite - My Road Lies In Darkness (3:19) (Mississippi Son, Alligator Records, 2022) 08. Mitch Grainger - Strong Woman (3:29) (Single, self-release, 2022) 09. Gina Sicilia - Healing Time (4:36) (Unchange, VizzTone Records, 2022) 10. Jimmy Thackery & the Drivers - Land Locked (6:13) (Inside Tracks, Telarc Blues, 2008) 11. Kenny Neal - Blues Keep Chasing Me (4:22) (Straight From The Heart, Ruf Records, 2022) 12. Benjamin Adair Murphy - I Got You All Wrong (2:28) (Old Chords, self-release, 2022) 13. Dave Weld & the Imperial Flames - Donde Vas (4:52) (Nightwalk, Delmark Records, 2022) 14. Bob Margolin & Bob Corritore - One Hundred Hearts Later (3:28) (So Far, VizzTone Records, 2022) 15. Wily Bo Walker (ft. Kareña K) - I Still Believe (You'll Come Back To Me) (4:03) (Single, Mescal Canyon Records, 2022) 16. The Reverend Shawn Amos - Days Of Depression (2:08) (Hollywood Blues, Immediate Family Records, 2022) 17. Tom Principato - 'Till I Get What I Came Here For (5:21) (House On Fire, Powerhouse Records, 2003) 18. Bennett Matteo Band - Doesn't Really Matter (4:07) (Shake The Roots, Gulf Coast Records, 2022) 19. Rory Gallagher - Cruise On Out (4:42) (Photo-Finish, Chrysalis Records, 1978) 20. Ben Reel - Fish Out Of Water (4:15) (Single, B.Reel Records, 2022) 21. David Lumsden - Josie (5:36) (Rooted In The Blues, self-release, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

CGR's crack research department has realized that there are alot of really good albums on the Chrysalis Record Label. In this episode of the podcast we discuss this phenomenon (hey! That's the name of a great album by UFO that is on the Chrysalis label! See what we mean?) Jeremy and John also digress into tangential discussions about Geoff Tate of Queensryche, Graham Bonnet, Wishbone Ash, John's declining mental health and live music in general. This episode cannot be missed! You can now support the Classic Guitar Rock Podcast by becoming a patron for a measly $3 per month! Please support us on Patreon today! www.patreon.com/classicguitarrock Opening and closing theme: Opening and Closing Theme: Open Highway by Silent Partner is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ --- Support this podcast: https://anchor.fm/jeremy-lunnen7/support

For the 30th anniversary of the 2x Grammy Award winning group, Arrested Development's, pioneering debut album, 3 YEARS, 5 MONTHS AND 2 DAYS IN THE LIFE OF…, Speech joins us for a detailed look at how the record was made. After getting his start in a high school hip hop group in Milwaukee called Attack, Speech left for more opportunities in Atlanta. He connected with Headliner at The Art Institute of Atlanta and the two of them formed Arrested Development, gradually adding group members, Aerle Taree, Montsho Eshe, Rasa Don and Baba Oje, along the way. Eventually, Arrested Development signed a deal with Chrysalis Records, which took exactly 3 years, 5 months and 2 days, giving their debut album its title. In this episode, Speech describes how we became conscious and wanted to form a hip hop group that was an alternative to the gangsta rap that was popular at the time. From being one of the first hip hop groups out of Atlanta to developing a melodic rhyming style to 4-track bedroom recording to the expensive art of sampling to Dionne Farris's incredible guest vocals, we'll hear the stories of how the album came together.

Neil Giraldo was born in 1955 in Cleveland, Ohio. Immersed in the culture of his beloved Sicilian ancestry, his parents Anthony and Angela Giraldo instilled the love of music at a young age, giving Neil his first guitar at the age of six, with the hopes that he and his sister, Priscilla, who played the accordion, could entertain family and friends with songs from the old country after church on Sundays. As Neil got older, his mentor, Uncle Tim, introduced him to revolutionary bands like The Yardbirds, The Kinks, The Rolling Stones, and all the other great guitar-driven rock ‘n' roll bands of the 1960s. Finding new and innovative ways to shadow path his way into songs, Neil developed a discipline early on of not just playing along to his favorite artists but creating different parts for himself within those tracks. At the same time, the budding guitar artist also became proficient on piano by continuously practicing along to Chuck Berry (Johnnie Johnson), Fats Domino and Jerry Lee Lewis records. His interest in percussion instruments soon followed, practicing the drums to Simon & Garfunkel albums he explored how different rhythms could alter the complexion of songs. These practices and disciplines created the foundation for his future success as an innovative record producer and musician. Giraldo began his professional career in 1978 as a key member of the Rick Derringer band after competing against 200 other guitarists for the position. It wasn't long before Rick discovered Giraldo's piano playing prowess and quickly put those skills to work in the studio for the recording Guitars and Women. In the spring of 1979, Mike Chapman introduced Giraldo to an up-and-coming singer named Pat Benatar who had recently signed to Chrysalis Records. While impressed with the young vocalist, Chapman felt she needed a musical partner who could facilitate the creation of a sound both identifiable and powerful. Over the years Neil has produced some of their biggest hits including “Love is a Battlefield” and “We Belong.” With a back catalog of more than 100 songs written and more than 45 million records sold, Giraldo has written, produced, arranged, and recorded for Pat Benatar, John Waite, Rick Springfield, Kenny Loggins, Steve Forbert, The Del Lords, Beth Hart, The Coors, and others, which include many Grammy-nominated and Grammy-winning hits. Today, Giraldo's career is as dynamic and diverse as ever. He is in the process of completing two books – one an autobiographical novel, one a motivational book on the psychology of creating. He is further expanding his Bel Chiasso entertainment company, which is developing a variety of television, film and Broadway theater projects. On May 16th 2016 Neil founded Three Chord Bourbon to celebrate creativity, community, and tradition by bringing together the award-winning musician and producer's love of whiskey and music with his passion for conversations with family and friends. Inspired by the simplicity yet infinite expressions of the three chord progression — the foundation of the blues — Neil collaborated with master blender and distiller, Ari Sussman, to bring together notes of a variety of bourbons and create a distinctive taste in whiskey that balances simplicity and complexity in perfect harmony. Neil has utilized this new platform to assist emerging musicians via Three Chord Musical Ambassador program. Learn more at ThreeChordBourbon.com Show Highlights: 05:40 – The origination of his company Three Chord Bourbon and specifically how the “Strange Collaboration” line was created. 09:05 – The power and necessity of integrity, intuition, & gratitude. Neil pays tribute to his father. 12:30 – How Neil got started playing music. Neil pays tribute to his mother and her value of discipline. Also, how he was introduced to Rock-n-Roll and how his cousin “Skeeter” influenced his guitar playing. 18:50 – How intuition & feel is the key to his playing and production styles; being present and how “over-thinking” destroys creativity.  Also a deep dive into how he values producing and dissecting songs. 26:30 – A deep dive on Neil's “percussive” style of playing guitar. 35:00 – Neil's mission & vison of Three Chord Bourbon. It's all about giving back to musicians and teaching them how to do the “business” side of music. 46:00 – How Neil has progressed as a husband, father, & leader.  Neil also talks about the power of extreme confidence that is coupled with humility and teachability. 53:00 – A discussion around limiting beliefs & self-doubt. Neil talks about the necessity of drive, tenacity, and confidence.  Neil also talks about how to use a “chip-on-your-shoulder” mentality in a positive way. 61:00 – Saying yes to the Universe, chance encounters, and the creation of his collaboration with Pat Benatar. This show is made possible by MetPro.  Invest in your health. Be the best version of yourself. Optimize your nutrition and fitness increases energy, creativity, and productivity.  Visit MetPro.co/dose to receive a free month of coaching.

Episode 53 - Loyalty & Respect: Part 1 - is live with expert Ali Dee.  *The opening and closing music on this week's episode is a song called Who's Da Flava (1992) from our expert, Ali Dee!*There's some noise in the basement so the Idiots had a change in venue. Kops and Lee are recording this week from Hailey's bedroom, aka ‘The Bird Nest'. The Olympic opening ceremonies were a few days earlier, Kops and Lisa are very appreciative of all the messages and well wishes. They are enjoying this experience. Last week's episode had a very good response both in the number of downloads and the reaction the boys have received. There have been texts and calls from people who agree and disagree with Gila. In making this podcast Kops and Lee will always try to talk to different people and create a space to listen to other people's points of view - whether you agree with them or not. This week's expert is Hip Hop, movie, and TV music producer Ali Dee. Kops has known Ali for many years, they worked on some projects together. Ali has always been a hustler and grinder, there is a lot for all of us to learn from Ali's journey. Ali Dee joins Kops and Lee (09:39) and gets right into his early life and how he started in music; his mother was a Broadway choreographer, his father was a US government covert ops inventor (check out this Wall Street Jornal article here), then as a teenager gets involved in the Hip Hop dance & music scene. Ali created strong relationships and was the only white kid in these neighborhoods doing dance and rap battles, he didn't see color (literally and figuratively!). Ali started to write and produce songs then started a group called the Park Ave Rappers and was offered his first record deal - which his mother wouldn't let him sign. In 1989 Ali started the first white and black rap group, The Next School, signed to Chrysalis Records and released the single Profits of Unity. Ali goes on tour, leaves his The Next School partner, decides to take control of his own destiny, works on many different projects as an artist, then settles on being a full time producer.  Kops and Lee close out Part 1 of their conversation with Ali (01:17:00). Thanks for listening, Part 2 will go live next week!Follow Two Idiots and an Expert on… Facebook / Instagram / Twitter#oldschoolhiphop #oldschoorap #bboys #breakdancing #hiphop #rap #bombsquad #publicenemy #ybt #ApplePodcast #SpotifyPodcast #TwoIdiotsandanexpert #2IdiotsandanExpert

Show #928 Happy New Year 01. The Coolbreezers - Hello Mr. New Year (1:56) (45 RPM Single, Bale Records, 1958) 02. Scott Ellison - Good Year For The Blues (4:48) (There's Something About the Night, Liberation Hall Records, 2022) 03. The Old No. 5s - Two By Two (2:59) (Moment To Lose, self-release, 2021) 04. Senel Karatepe - Hey Hey (3:08) (Hard Times, Bone Union Records, 2021) 05. Wily Bo Walker Acoustic Band - Long Way To Heaven (4:20) (Single, Mescal Canyon Records, 2021) 06. Roy Roberts - Just One More Blues Song (3:39) (Nothin' But The Blues, Rock House Records, 2020) 07. Mad Dog Lester Davenport - I Smell A Rat (4:55) (I Smell A Rat, Delmark Records, 2002) 08. Boo Boo Davis + ElectroBluesSociety - Good Man (3:47) (Transatlantic Quarantaine Sessions , Black and Tan Records, 2021) 09. Jon Spear Band - Can't Have Nothing (4:02) (B-Side Of My Life, self-release, 2021) 10. Chickenbone Slim & the Biscuits - Queen Of The Wires (3:08) (Serve It To Me Hot, VizzTone Records, 2021) 11. Kid Thomas - Rockin' This Joint To-Nite (2:00) (45 RPM Single, Transcontinental Records, 1959) 12. Ruzz Guitar's Blues Revue - It's Been A Long Time (5:26) (Live! Against The Grain, RG Records, 2022) 13. Mississippi MacDonald - I Heard It Twice (3:36) (Do Right Say Right, Another Planet Music, 2021) 14. The Sugar Roots - Rain Checkin' (4:06) (Savage's Life, Lightning In A Bottle Records, 2021) 15. The Mercy Brothers - The New Year Blues (3:57) (Strange Adventure, CoraZong Records, 2006) 16. Frankie Miller - Play Something Sweet (3:34) (High Life, Chrysalis Records, 1974) 17. Levon Helm - Play Something Sweet (4:18) (Levon Helm, ABC Records, 1978) 18. The Blues Brothers - B Movie Box Car Blues (4:13) (Briefcase Full Of Blues, Atlantic Records, 1978) 19. Delbert & Glen - B Movie Box Car Blues (2:11) (Delbert & Glen, Clean Records, 1972) 20. BB King - Hummingbird (4:31) (Indianola Mississippi Seeds, ABC Records, 1970) 21. Leon Russell - Hummingbird (3:59) (Leon Russell, Shelter Records/A&M Records, 1970) 22. Chance Hayden - Three Wheelin' (4:22) (Grab & Go, Atlanta Records, 2020) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

La canción, cuyo título aludía al nombre de una vieja película francesa de terror de los años 60' del director Georges Franju llamada “Les yeux sans visage” (“Ojos sin rostro”, en francés), era una especie de balada electrónica y rockera, evocadora y deprimente, que comenzaba con unos lánguidos teclados y efectos de percusión, mientras Billy Idol hablaba en su letra de una relación amorosa que se descomponía irremediablemente. «Eyes Without a Face» (español: «Ojos sin rostro») es una canción interpretada por el cantautor inglés Billy Idol, lanzado por la empresa discográfica Chrysalis Records en mayo de 1984 como segundo sencillo de su segundo álbum de estudio Rebel Yell (1983). La canción es suave en comparación al tipo de sonido duro característico de Idol, pero a pesar de ello llegó a ser el primer top 10 del artista, llegando al puesto 4 de Billboard​ La canción fue versionada por el grupo chileno Javiera y Los Imposibles en su álbum de 2001 AM La historia de la obra maestra de Billy Idol: Su canción “Eyes without a face” Esta soberbia canción de 1983 es considerada una de las canciones más brillantes y representativas de los años 80'. El 10 de noviembre de 1983 el joven cantante británico Billy Idol lanzó “Rebel Yell”, su segundo disco solista y álbum que lo consagraría artística y comercialmente. Se trataba de una obra musical sólida, repleta de energía, buenas ideas y canciones, raspadores riffs de guitarra y, también, formidables y asertivas letras, destacando entre sus cortes la canción “Eyes without a face” (“Ojos sin rostro”), considerada hoy por los críticos como una de las canciones más formidables que nos legaron los lejanos años 80'. --- Send in a voice message: https://anchor.fm/radioflowok/message

In the early 1970s, Bobbi Silver began her career path on the record label Radio road.  Bobbi was hired as a promotions assistant at Jamie/Guyden Records from a chance dinner meeting among friends.  Bobbi's first major label gig was with Chrysalis Records.  She was in the early day trenches of RSO Records working projects (like Saturday Night Fever, Grease, The Bee Gees, Andy Gibb, and Eric Clapton) and Casablanca Records with projects like Donna Summer, The Village People, and KISS.  During the 80s, Bobbi, was working the best up and comers on the RCA, Polygram, and Polydor record labels.  The 90s arrived with a completely different music scene, and Bobbi was brought on to the Geffen Record label working Guns N' Roses, Nirvana, Cher, Whitesnake, and Aerosmith.  Geffen merged with Interscope and A&M to become one label,,,and THE one constant was Bobbi Silver who stayed on with them until her decided retirement after 42 years in the Record & Radio industry.  Listen as Bobbi tells us many of her favorite recollections from the Records and Radio road.     You can download or stream every episode of AIRCHECK from Apple Podcasts,  Spotify, and Google Podcasts.  You can also ask your Smart Speaker to “Play Aircheck Podcast”. If you're a radio vet with a story to tell we want to hear from you.Email us at Aircheckme@gmail.com Follow us on Facebook:  facebook.com/aircheckmeTell us what you think and your favorite episode! 

What an incredible way to kick off the day chatting with Melissa Ferrick about her craft and songwriting. For one night only they will be performing at the Provincetown Art House so get your tickets before they are gone! Mark Cortale Presents the incomparable MELISSA FERRICK for 1 show only for Girl Splash! Melissa grew up in Ipswich, MA during the 70's, playing the violin and going to jazz clubs on the North Shore with her father, who managed local bands. In elementary school, she learned to play trumpet and bass guitar, which led the way to songwriting in high school. At 16, Melissa was accepted into the New England Conservatory's Youth Orchestra and Wind Ensemble as a trumpet player, giving her the opportunity to tour with the Conservatory's Extension Division, which traveled to perform in California and China. She was accepted to Berklee College of Music on songwriting and trumpet scholarships and chose to continue her music education there from 1988-1990. After two years playing Boston's local rock club scene, Melissa left school and moved to New York City. In 1990, Melissa lived on 14th Street between 2nd and 3rd Avenues, playing at the Bitter End weekly and working at Right Track Recording studios and Chrysalis Records to learn the ropes of the business. In July of 1991, Melissa's phone rang and she was asked to open that night for Morrissey in Boston on his Kill Uncle tour. She was invited to finish the U.S. dates with Morrissey and to continue on to the U.K. as his opening act. When she returned to the States, at 20 years old, she was offered deals with three major labels. --- Support this podcast: https://podcasters.spotify.com/pod/show/stephanie7502/support

This has become one of my new favorite episodes with Jack Forsythe who went from radio to Record World (Industry trade magazine) to VP of Chrysalis Records.  Jack is a fabulous storyteller so we kept bouncing from one band to another but you will hear stories about Pat Benatar who was called the kamikaze of love to Huey Lewis & the News, Billy Idol, and his shenanigans, and of course Blondie.  Jack's stories were so good we will have him back to tell us many more. But only in the podcast, you will hear a story about how Jethro Tull beat out Metallica for a Heavy Metal Grammy award. Promotion Man Radio show is available to listen live on www.KLBJFM.com at 6 pm CST every Sunday Night. Request the show at your local classic rock radio station.   Recommended Music: Huey Lewis & News: "Heart of Rock n Roll" Pat Benatar: "Love is a Battlefield" Pat Benatar: "Hit Me With Your Best Shot" Blondie: "One Way or Another" Blondie: "Rapture" Billy Idol: "Eyes Without a Face" Huey Lewis & News: "Heart & Soul"

In this week’s episode, we spoke with Jeremy Lascelles, CEO of Chrysallis Blue Raincoat Group. Blue Raincoat Music is an artist management company, music publishing company and record label, founded in 2014 by Jeremy Lascelles and Robin Millar. In 2016 the company launched a new publishing arm and bought Chrysalis Records, one of the leading British independent labels. Chrysalis Records then re-launched as a frontline label in February 2020, marking a return to releasing new music for the first time in over two decades. In 2019 Blue Raincoat Music forged a partnership with New York based independent music company Reservoir Media, and Blue Raincoat Music Publishing is a joint venture between the two parties.In his extremely notable and successful career in the music industry, he has worked with and supervised the signing of Bon Iver, Cee-Lo Green, OutKast, and more recently, Phoebe Bridgers. Jeremy has been involved with a range of aspects of the music industry. From starting off managing artists at a young age, to go on to be an A&R under Richard Branson. Leave a review and join us in our discord via our Patreon at https://musicbusinesspodcast.com/community to discuss the episode with Sam, Jordan, and the Music Business Podcast community. Follow us on IG at @musicbusinesspodcast for additional content and clips from this episode and past episodes. See acast.com/privacy for privacy and opt-out information.

From headlining global sold out shows to stepping out of the limelight for 11 years and coming back stronger than ever... This weeks guest on The Road To Rock Podcast is singer, songwriter and FM frontman Steve Overland.Steve's journey in rock started in 1980 when he and his brother Chris formed the band Wildlife. They were quickly scouted and signed to Chrysalis Records to release their debut album, Burning.In 1983 they were signed to Led Zeppelin owned Swan Song Records where they released their follow up self titled album.Soon after, Swan Song Records folded and Wildlife split up.In the Summer of 1984 Steve, his brother Chris and former Wildlife member Pete Jupp joined forces with ex Diamondhead bassist Merv Goldsworthy to form FM.Joined by the keyboard talents of Didge Digital, they secured a recording contract by December of that year and they headed off to Germany for a run of tour dates with Meatloaf.FM's success went from supporting artists such as Bon Jovi, Tina Turner and Status Quo to selling out their own headline shows around the world.  In 1996 the FM members amicably agreed to take a break from touring and recording as grunge was starting to take over the rock music scene and they felt they'd reached their peak. It was a break that lasted 11 years. In 2007 FM were persuaded to reform for a one off gig, headlining Firefest at Nottingham's Rock City.That gig was that catalyst that led to FM reforming with a new lineup, getting back in the recording studio and heading out on the road for a second wave of FM fever that is still taking the world by storm today.A few weeks ago I caught up with Steve to hear his story about life in FM.He talks about the new artists he's been writing music with during the pandemic and he straightens out the facts in the controversy surrounding the song 'Shot In The Dark' ... Recorded and performed by Ozzy Osborne but originally written and performed by Steve in his Wildlife days ...  http://www.steveoverland.com/http://www.fmofficial.com/

You read that right. She does literally all of that (maybe no more dreams of orchestral maneuvers, but still lots of music) and owns several businesses! You can mainly find her either in her awesome backyard, or online at chefjoann.com and on instagram.com/chefjoann and instagram.com/prepared_with_purpose For the THIRD time on the show (Throwback to both David's and Franky's episodes on the show) my guest is a dog rescuer! Please support Baja Dog Rescue if you're looking for a rad pet. If you want to experience a bit of the Italian vibes from the first segment of our episode, please visit oLa Famiglia at Pappalecco at one of their 4 locations in San Diego and on instagram.com/pappalecco Buon Appetito! Say hi to her in person at my Beer Pairing event with New Belgium Brewing on 5/16 at The Boardroom @ Harvest Kitchen! GET TICKETS Music on the intro was made by me, except for Pat Benatar "It's a Tuff Life" from her 1981 "Precious Time" vinyl on Chrysalis Records. Last song: Pat Benatar "Fire and Ice" same vinyl. very very last outro bops by Xander. Go get some fresh roasted coffee and other goods at essexcoffeeroasters.com and use code FAMCAST at checkout to get 10% off. ++ Visit liquiddeath.com and use code FAMCAST at checkout!! support this on patreon.com/familycast and email: famcastpod@gmail.com --- Send in a voice message: https://anchor.fm/familycast/message

Daily Operation is the third studio album by American hip hop duo Gang Starr. It was released by Chrysalis Records on May 5, 1992.[3] It peaked at number 65 on the Billboard 200 chart.[4]

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Joy Division. “She's Lost Control.” Unknown Pleasures. Factory Records, 1979/2015. Vinyl. LP. Fugazi. “Furniture.” All Politicians Are Innocent. [independent release], [date unknown]. Vinyl. LP. Marsalis, Branford. “Hesitation.” The Dark Keys. Sony Music, 1996. Selecter, The. “Missing Words.” Too Much Pressure. Chrysalis Records, 1980. Vinyl. LP. ‘Tone, The. “Pauline.” Wide Eyes And Nonsense...Grinding Gum And Molars. Broken Rekids, 1999. Vinyl. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Liz Phair has announced that her first album in 11 years titled Soberish is set to be released on June 4 through Chrysalis Records. Phair made the announcement on Wednesday alongside the release of her latest single, “Spanish Doors.” Advertisement The track is available to stream on YouTube , Spotify, Apple Music, Amazon Music, Tidal, Deezer and Pandora. “Pushing past the table, spilling my drink/ Locked up in the bathroom, staring at the sink/ I don't want to see anybody I know/ I don't want to be anywhere that you and I used to go,” Phair sings. Phair last released the album Funstyle in 2010. The musician said during an interview with UPI that the COVID-19 pandemic delayed the release of Soberish and that staying indoors made music more difficult to pursue. From Publisher: UPI Liz Phair, her full name is Elizabeth Clark Phair is an American singer-songwriter. Born in New Haven, Connecticut, Phair was adopted at birth and raised primarily in the Chicago area. After graduating from Oberlin College in 1990, she attempted to start a musical career in San Francisco, California, but returned to her home in Chicago, where she began self-releasing tracks under the name Girly Sound. She soon landed a recording contract with record label Matador Records. Her 1993 debut studio album, Exile in Guyville, was released to critical acclaim; it has been ranked by Rolling Stone as one of the 500 Greatest Albums of All Time. Phair followed this with her second album, Whip-Smart (1994), which earned her a Grammy Award nomination for Best Female Rock Vocal Performance. Phair signed with Dave Matthews' label ATO Records in early 2008 and re-released Exile in Guyville on June 24, 2008, featuring three songs, “Ant in Alaska” and “Say You”. Phair is due to tour with Alanis Morissette for Morissette's rescheduled 2020 tour later in 2021.

LIZ PHAIR IS HERE!!! That's right, the iconic indie rock legend joins Damian on the show to talk punk! Listen in as they talk: making records as an autobiography, the music nerd paradise of Oberlin & how punk drove her to get on stage. NOT TO BE MISSED & don't miss Liz's new album "Soberish" dropping later this year on Chrysalis Records!Also Touched On:The importance of tapesFeeling welcomed by punkExpression over permissionThe Police, Madonna and The “Why Can’t I?” EffectThe dissent in the musicYou are human, you are alive, therefore you are qualifiedBowie as a Punk iconSeeing the punk on a Liz Phair, Alanis, Garbage TourGoing to the land of the music nerd: OberlinGetting into the Cult Only liking pop with a punk edgeHow sexy are the vocals in the Fall?!Culture of zinesThe aesthetic of punk Flyers and the importance of the Physical world trying to read Raygun Magazine Punk driving you to get on stage The Carnivore 7”Tae Won Yu and  The Girly Sound TapesKicking Gianttaking advance of an audience Pink Moon and The Modern Lovers are perfect recordsHearing your voice soloed in the studio for the first timeThe high of scoringThe medium of emotion & SO MUCH MORE!!!!BROUGHT TO YOU BY VANS

Hello friends! Ruarri Joseph from U.K. rock trio, William The Conqueror is my guest for episode 1033! Their latest album, Maverick Thinker was just released on Chrysalis Records and is available wherever you stream or download your jams. Go to williamtheconquer.net for music videos and more. Ruarri and I have a great conversation about recording Maverick Thinker at the legendary Sound City Studios in Los Angeles, living in London vs. rural England, coming up in the London music scene, songwriting, life under quarantine and more. I had a great time getting to know Ruarri. I'm sure you will too. Plus, I got my first vaccine shot. Let's get down! Get set up or repair on your guitars with J. Scott Lutherie! Find "Munch My Benson" at munchmybenson.com   If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Slaughter es una banda de Hard rock estadounidense formada en Las Vegas , Nevada , Estados Unidos, por el vocalista principal y guitarrista rítmico Mark Slaughter y el bajista Dana Strum . La banda alcanzó el estrellato en 1990 con su primer álbum Stick It to Ya , que generó varios sencillos de éxito como " Up All Night ", "Spend My Life", "Mad About You" y "Fly to the Angels". ". El álbum alcanzó el estatus de doble platino en los Estados Unidos. La banda sigue siendo un acto constante en giras nacionales, principalmente en el Rock Never Stops Tour que presenta a varias bandas de la misma época. Slaughter se formó en Las Vegas, Nevada, a fines de 1988, a partir de las cenizas del vocalista principal Mark Slaughter y la banda anterior del bajista Dana Strum, Vinnie Vincent Invasion . La compañía discográfica de Vinnie Vincent Invasion, Chrysalis Records , le quitó el contrato de $ 4 millones a Vinnie Vincent por exceder su línea de crédito con el sello, y transfirió el contrato a los ex miembros Slaughter y Strum. En 1989, Slaughter y Strum completaron la formación reclutando al guitarrista principal Tim Kelly y al baterista Blas Elias . El álbum debut de Slaughter, Stick It to Ya, tuvo tres sencillos lanzados que llegaron al Billboard Hot 100 : el éxito "Fly to the Angels" (EE.UU. # 19), y los éxitos moderados "Up All Night" (EE.UU. # 27) y "Spend My Life "(Estados Unidos # 39). Durante este tiempo, se lanzó una canción de la banda sonora de la película Bill & Ted's Bogus Journey . Esa canción, titulada "Shout It Out", fue acompañada por un video musical, pero no logró llegar al Hot 100 de EE. UU. En 1992, la banda lanzó su segundo álbum, titulado The Wild Life . Alcanzó el número ocho en el Billboard Top 200 Album Chart y fue certificado oro, pero no produjo ningún Top 40 en el Hot 100 de EE. UU. El único sencillo que alcanzó el Hot 100 fue el primer sencillo "Real Love" (US # 69). La banda planeaba grabar su tercer álbum a principios de 1994. Sin embargo, en 1993 el guitarrista Tim Kelly fue arrestado por cargos de tráfico de drogas, mientras que el bajista Dana Strum tuvo un accidente de motocicleta que lesionó la mano que tocaba. El álbum retrasado se completó en febrero de 1994 y se lanzó el primer sencillo "Searchin '". Sin embargo, después de la absorción de Chrysalis Records en EMI Records, Slaughter se eliminó de EMI. Posteriormente, la banda firmó con CMC International , un nuevo sello en ese momento que firmó muchas bandas de hard rock y metal frente a la nueva popularidad del grunge . La etiqueta tuvo una distribución mayoritaria a través de BMG . En 1995, Slaughter lanzó el álbum Fear No Evil . El álbum no tuvo mucho éxito en América del Norte , Europa o gran parte de Asia, pero funcionó bien en Japón . El guitarrista Dave Marshall (ex- banda de Vince Neil ) tuvo que reemplazar a Kelly en ocasiones, debido a sus problemas legales. Los problemas legales de Kelly terminaron y la banda se comprometió con su próximo álbum. En 1997, se estrenó Revolución . El álbum presentaba un sonido más ecléctico y psicodélico, pero no logró causar impacto. El 5 de febrero de 1998, ocurrió una tragedia cuando el guitarrista Tim Kelly murió en un accidente automovilístico en el desierto de Arizona . Esto afectó profundamente al grupo, pero se comprometieron a continuar con la banda. Dave Marshall actuó brevemente como guitarrista de gira para Slaughter en Japón. En 1998, contrataron a Jeff Blando como reemplazo de Kelly y comenzaron a trabajar en su próximo álbum. Se lanzó un álbum en vivo titulado Eternal Live con algunas de las últimas actuaciones de la banda con Kelly. En 1999, lanzaron el álbum Back to Reality , con Blando como el nuevo guitarrista. Blando estuvo anteriormente en Left For Dead y Saigon Kick . Slaughter continúa presentando muchos paquetes turísticos de rock con otros actos que vieron prominencia durante la era del glamour de la década de 1980 y principios de la de 1990. Durante el verano de 1999, mientras estaba en el " Rock Never Stops Tour " (que incluía a Ted Nugent y Night Ranger ), Slaughter vio algunos de sus sencillos anteriores en álbumes recopilatorios. El álbum de VH-1 "Power Ballads" incluyó "Fly To The Angels"; "Up All Night" se incluyó en Rhino Records"Golpeadores duros". Slaughter también participó en la gira "Poison, Cinderella, Dokken and Slaughter" del verano de 2000. En 2001, Slaughter fue parte de la gira "Voices of Metal" con Vince Neil de Mötley Crüe , Ratt y Vixen . Mark Slaughter y el ex compañero de banda de Vinnie Vincent Invasion de Dana Strum, Bobby Rock, tocaron como baterista de gira para Slaughter, reemplazando a Blas Elias en algunos shows del Rock Never Stops Tour. En abril de 2004, Slaughter lanzó un DVD-A titulado Then and Now que presenta 12 canciones y 50 fotos de la banda a lo largo de los años. Slaughter también lanzó un DVD que presenta todos los videos musicales y metraje detrás de escena durante la temporada 2004. El 13 de julio de 2007, Slaughter actuó en el festival de glam metal Rocklahoma . Sin embargo, Strum y Blando no estuvieron presentes durante la actuación de la banda, aunque actuaron con Vince Neil la noche siguiente. A finales de enero de 2008, Slaughter realizó un espectáculo en Motley Cruise, un crucero de cuatro días por el Caribe con Vince Neil , Skid Row , Ratt , Endeverafter , Lynam . Slaughter continúa de gira y en 2017 están programados para aparecer en el crucero Monsters of Rock y en Rocklahoma junto con varios otros conciertos programados.

Patricia Mae Giraldo, better known as Pat Benatar, became one of the most prominent female rock stars when she made her debut in 1979.  Her most successful studio album was this second album, Crimes of Passion, which would benefit from play on rock stations around the country and the new music video media spearheaded by MTV.Benatar had actually abandoned early dreams of a singing career, choosing to pursue health (actually sex education) at Stony Brook University, rather than music at Juliard.  She dropped out of Stony Brook after a year, married Dennis Benatar, and worked as a bank teller in Virginia while he was stationed at Fort Lee.  Her interest in singing was rekindled after attending a Liza Minnelli concert.  She had some local success in Richmond and in New York where she and Dennis moved in the mid-70's, — but the real breakthrough would happen in Halloween 1977 when she performed in a spandex costume.  Shortly thereafter she was signed by Chrysalis Records.  She ended up divorcing Dennis Benatar thereafter, but would keep his last name as her professional name.While Pat Benatar achieved strong success on her debut album with the hit "Heartbreaker."  Crimes of Passion would make Benatar a household name.  The album would spend five consecutive weeks at number 2 on the album charts in January 1981, and would net Benatar a Grammy Award for "Best Female Rock Vocal Performance" of 1980.  Pat Benatar would appear on the cover of the October 1980 issue of Rolling Stone along with her guitarist and future husband, Neil Giraldo.We think you will enjoy this excellent album.  At least we will do our best to hit you with our best shot! Hit Me with Your Best ShotThis song is the second single off the album, but the biggest hit, and her first entry into the top 10.  The song was written by Canadian musician, songwriter, and producer Eddie Schwartz, inspired by a therapy session he participated in that involved hitting pillows.  This is a true rock anthem. Little ParadiseThis deeper cut leads off side two of the album, and was written by guitarist and soon-to-be husband of Pat Benatar, Neil Giraldo.  To us, it feels a little more like Ted Nugent or southern rock.  You Better RunThe first single released from the album is a cover of a song originally performed by The Young Rascals.  Although this song missed the top 40 (peaking at number 42 on the Billboard Hot 100), it would become the second music video ever broadcast on MTV after the Buggles' "Video Killed the Radio Star."Hell Is for ChildrenThis emotional song was written by Benatar, Giraldo, and bassist Roger Capps and is Neil Giraldo's favorite song.  Pat Benatar was inspired to write this song by a  series in New York about abused children.  Later on Benatar and Giraldo would actually create foundation for abused children ENTERTAINMENT TRACK:Main theme from the television series “Cosmos”This popular PBS series premiered in September 1980, and would make Carl Sagan a household name. STAFF PICKS:“Introduction/Lola” by the KinksBrian's starts our staff picks off with a live version of the 1970's hit about an encounter between a young man and the cross-dressing Lola.  In the song the guy meets Lola in Soho, London, but the inspiration was a result of Kinks manager Robert Wace spent an evening in Paris dancing with a cross-dresser.  “Games Without Frontiers” by Peter GabrielWayne's staff pick takes its name from a European TV show, "Jeus Sans Frontieres" where people from different places would play games of skill while wearing strange costumes.  The British version of this game show was called "It's a Knockout," and that title also makes it into the song.  The song's lyrics are a commentary on war and negotiations between countries being like children on a playground.  Kate Bush contributes backing vocals in this song.“The Legend of Wooley Swamp” by the Charlie Daniels BandBruce takes us on a spooky trip to the Wooley Swamp where the ghost of miser Lucious Clay torments the spirits of his killers, the Cable Boys.  Today Wooley Swamp is the name of a farm campground and RV park near Raleigh.“Turn It On Again” by GenesisRob finishes off our staff picks with the first single off Genesis' album "Duke," written by band member Mike Rutherford.  It is about a man who doesn't do anything but watch TV, and begins to think of the TV personalities as his friends.  The song has a complex time signature, with much of the song in 13/8.     INSTRUMENTAL TRACK:"Dinorah, Dinorah" by George BensonWe're turning to a jazz instrumental by R&B and Jazz artist George Benson to finish off this week's podcast.  It was off his 1980 album, "Give Me the Night."

Show #880 That's Old An episode with music of 40-plus years old. 01. ZZ Top - Precious And Grace (3:10) (Tres Hombres, London Records, 1973) 02. Taj Mahal - Bacon Fat (6:40) (Giant Step/De Ole Folks At Home, Columbia Records, 1969) 03. Dr. Feelgood - Drop Everything And Run (3:14) (Let It Roll, United Artists Records, 1979) 04. Sonny Jones - Love Me With A Feeling [1939] (2:51) (Carolina Blues Guitar 1936-1939, Old Tramp Records, 1994) 05. Memphis Slim & Canned Heat - Trouble Everywhere I Go (3:50) (Memphis Heat, Blue Star Records, 1974) 06. Johnny Burnette Trio - Chains Of Love [1956] (2:32) (The Legendary Johnny Burnette Rock'n'Roll Trio, Charly Records, 1984) 07. Fenton Robinson - Checking On My Woman (3:26) (Somebody Loan Me A Dime, Alligator Records, 1974) 08. Mississippi John Hurt - Spike Driver Blues (2:30) (Avalon Blues, Rounder Records, 1963) 09. Doc Watson - Spikedriver Blues (2:39) (Doc And The Boys, United Artists Records, 1976) 10. Charley Musselwhite Blues Band - Bag Gloom Brews (9:09) (Stone Blues, Vanguard Records, 1968) 11. Ruth Brown - Daddy Daddy (2:52) (Rock & Roll, Atlantic Records, 1957) 12. Charles Carson - Time Has Expired [1962] (2:22) (Gumbo Stew, Ace Records, 1993) 13. Son Seals - Telephone Angel (5:27) (Midnight Son, Alligator Records, 1976) 14. Dorothy Ellis - Slowly Going Out Of Your Mind [1952] (Rare Blues Girls From King, Sing Records, 1988) 15. Sonny Boy Williamson II - Lonesome Cabin [1960] (3:01) (Bummer Road, Chess Records, 1969) 16. Flavium - Nightlife (3:44) (No Kiddin', Polydor Records, 1979) 17. JB Lenoir - If I Get Lucky [1966] (3:00) (Vietnam Blues, Evidence Records, 1995) 18. John Sebastian - Harpoon (2:21) (Tarzana Kid, Warner Bros, 1974) 19. Paula Lockheart - Black Mountain Blues (3:48) (It Ain't The End Of The World, Flying Fish Records, 1979) 20. Frankie Miller - Mail Box (3:13) (Once In A Blue Moon, Chrysalis Records, 1972) 21. Johnny Mars - Cruisin' (3:18) (Johnny Mars And The Oakland Boogie, Big Bear Records, 1976) 22. Little Bill Gaither - Moonshine By The Keg [1941] (2:46) (Booze & The Blues, Columbia Records, 1996) 23. John Lee Hooker - One Bourbon, One Scotch, One Beer [1966] (3:02) (Chess Chartbusters Vol. 4, Chess Records, 2008) 24. John Dummer Blues Band - Nine By Nine (3:16) (John Dummer's Famous Music Band, Fontana Records, 1970) 25. Kenny Burrell & Jimmy Smith - Blues For Del (6:11) (Blue Bash!, Verve Records, 1963) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #875 Happy New Year 01. Bees Deluxe - Prison Of Love (3:29) (Mouthful Of Bees, Slapping Cat Records, 2020) 02. Jarkka Rissanen & Sons of the Desert - Tomcat (4:46) (Single, Humu Records, 2020) 03. Layla Zoe - Nowhere Left To Go (3:47) (Nowhere Left To Go, Layla Zoe Music, 2021) 04. Curtis Salgado - The Longer That I Live (3:51) (Damage Control, Alligator Records, 2021) 05. Selwyn Birchwood - Living In A Burning House (4:08) (Living In A Burning House, Alligator Records, 2021) 06. Chris Cain - I Believe I Got Off Cheap (3:19) (Raising Cain, Alligator Records, 2021) 07. Reid Jamieson - Last Day Of The Year (2:53) (Songs For A Winter's Night, self-release, 2012) 08. The Beatles - Revolution (4:15) (White Album, Apple Records, 1968) 09. Tino Gonzales - Rule Of Heart (6:21) (The Right Time, Just Us Recordings, 2012) 10. Danny Barnes - Loser (5:34) (Dirt On The Angel, Terminus Records, 2003) 11. John Prine - When I Get To Heaven (3:42) (The Tree Of Forgiveness, Oh Boy Records, 2018) 12. Steve Goodman - Chicken Cordon Bleus (3:00) (Somebody Else's Troubles, Buddah Records, 1972) 13. David Bromberg - Suffer To Sing The Blues (4:48) (David Bromberg, Columbia Records, 1972) 14. Mothers Of Invention - Magdalena (6:24) (Just Another Band From L.A., Bizarre/Reprise Records, 1972) 15. King Biscuit Boy - Mean Old Lady (3:42) (King Biscuit Boy, Epic Records, 1974) 16. Ben E King - Young Boy Blues (2:17) (The Ben E. King Story, Atlantic Records, 1975) 17. Frankie Miller - (I can't) Breakaway (4:16) (Double Trouble, Chrysalis Records, 1978) 18. Alan Price - You're Telling Me (5:34) (Between Today And Yesterday, Warner Bros Records, 1974) 19. Sir Douglas Quintet - the gypsy (3:33) (The Return Of Doug Saldaña, Philips Records, 1971) 20. Grand Funk Railroad - Out To Get You (4:44) (Good Singin' Good Playin', MCA Records, 1976) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

In this episode, Anthony is joined by Demetri Sevastopulo, Washington Bureau Chief at the Financial Times, to get his take on the highs and lows of the election - and what’s in store for 2021. With Brexit imminent, will Prime Minister Johnson deliver? Anthony talks to British music entrepreneur, political commentator and founder of Chrysalis Records, Chris Wright, to get the view from the UK.The US economy is in trouble - but by how much? Anthony examines the situation with Paul Aversano, global practice leader at Alvarez and Marsal.Follow our guests on Twitter:@Dimi @ChrisWChrysalis @PaulAversano Follow us:@moochfm @scaramucci Sign up for our newsletter at:www.mooch.fm Podcast created & produced by Right Angles:www.right-angles.global

Vienna (1980) es el cuarto álbum de la banda de new wave Ultravox y el primero con el vocalista y guitarrista Midge Ure, quien reemplazó al miembro y cantante original John Foxx. Este disco fue decisivo para darle un punto de partida al trayecto de la banda, el cual daría sus grandes triunfos hasta el penúltimo álbum llamado Lament. Fue lanzado en 1980 y producido por el sello Chrysalis Records. 

RockerMike and Rob discuss the history of Generation X. Although not as well as known as some of their peers (the Clash, the Sex Pistols, the Damned, etc.), first wave U.K. punk rockers Generation X burst onto the scene at the same time as the others. And while they enjoyed some moderate success in their homeland, Generation X would become better-known as the launching pad for their singer, Billy Idol, who would go on to achieve great commercial success come the '80s. Originally formed in 1976, Generation X (which was named after a book that focused on battles between the Mods and the Rockers during the '60s) was comprised of guitarist Bob Andrews, bassist Tony James, drummer Mark Laff, and fronted by Idol. The group was eventually signed up by Chrysalis Records, resulting in a self-titled debut album in 1978 (the U.S. and U.K. versions contained different track listings), as Generation X became one of the first punk bands to appear on the popular British TV music program Top of the Pops. Generation X were an English punk rock band from London in the late 1970s, primarily remembered today for being the musical starting point of the career of its frontman/vocalist, Billy Idol. Origin: Chelsea, London, United Kingdom (1976) Members: Billy Idol, Tony James, Mark Laff, Bob Andrews, James Stevenson, Terry Chimes, John Towe Genres: Punk rock, Pop-punk, New wave https://billyidol.net/generation-x/ https://open.spotify.com/artist/1inWec2E2UgfzMAhwjgTXe https://www.iheart.com/artist/generation-x-28372/ Amazon.com › Generation-XGeneration X - Generation X - Amazon.com Music https://music.apple.com/us/artist/generation-x/13796412 Facebook › ... › Musician/BandGeneration X - '70s UK Punk Band - Home | Facebook YouTube › watchWeb resultsGeneration X - Your Generation (1977) - YouTube #british #generationxband #generationx #punkrockers #punk #punkrock #punkfashion #punkgirl #punkrockmusic #1977punkrock #musically #music #musicvideo #musician #musiclover #musiclife #musicislife #billyidol #billyidolforever #billyidolconcert #billyidollive #billyidoltribute #billyidol4rnrhof Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com Get your T-shirt at www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the Youtube channel Hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support --- Support this podcast: https://anchor.fm/rob-rossi/support

The Mighty Lemon Drops with David Newton in conversation with David Eastaugh Originally called the Sherbet Monsters, the quartet first formed in the spring of 1985 in Wolverhampton, in The Black Country. Paul Marsh, Dave Newton and Tony Linehan had played together in a band called Active Restraint in 1982, with Newton later leaving to become a founding member of the Wild Flowers. Dave Newton and Tony Linehan were the principal songwriters for the group. Their sound can best be described as a more psychedelia-influenced post-punk, played with a ringing Rickenbacker guitar as the lead instrument. They drew comparisons to Echo and the Bunnymen, who were also influenced by psychedelia. After losing original drummer Martin Gilks (later to join the Wonder Stuff), the Drops line-up settled as Paul Marsh (vocals), David Newton (guitar), Tony Linehan (bass), and Keith Rowley (drums). In December 1985 the quartet, now officially the Mighty Lemon Drops, released their first independent single "Like an Angel", on Daniel Treacy of Television Personalities' Dreamworld Records label which went to the top of the UK Indie Chart and sold 14,000 copies. They also recorded a session for John Peel around the same time. Becoming part of the C86 movement, which was championed by the New Musical Express, they were soon snapped up by Geoff Travis of Rough Trade for his new Blue Guitar label, a subsidiary of Chrysalis Records. They signed with Sire Records for the United States and Canada around the same period. Derek Jarman produced the video for the "Out of Hand" single in 1987 which was followed by their hit "Inside Out" in 1988.  

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Se fundó en 1969 en la ciudad de Londres por Phil Mogg en la voz, Mick Bolton en la guitarra, Pete Way en el bajo y por Andy Parker en la batería, inicialmente bajo el nombre de Hocus Pocus. En el mismo año y durante una presentación en el bar UFO Club de la capital británica, fueron descubiertos por Noel Moore propietario del sello Beacon Records, que les ofreció su primer contrato discográfico. Tras ello, decidieron cambiar su nombre al actual en honor al club londinense.2? En julio de 1970 ingresaron a los Estudios Jackson para grabar su álbum debut UFO 1, publicado en octubre del mismo año. Este primer trabajo recibió gran atención en Japón, Francia y en Alemania, gracias al clásico sonido del hard rock aunque con toques del rock psicodélico.3? El álbum contó con una versión del tema «C'mon Everybody» del cantante Eddie Cochran, que obtuvo el primer lugar en las listas del país nipón.4? Al año siguiente publicaron el álbum UFO 2: Flying, que contiene solo cinco canciones con sonidos mezclados entre el hard rock, rock espacial y el heavy metal. Con este segundo trabajo volvieron a cosechar éxito en el país asiático y en otros países de Europa, sin embargo no llamó la atención en el Reino Unido ni en los Estados Unidos.2? Gracias al gran recibimiento entre los fanáticos japoneses a sus dos primeros trabajos, la banda tocó por primera vez en aquel país en 1971 en donde se grabó el disco en vivo Live, conocido también como UFO Lands in Tokyo, álbum que solo fue lanzado en ese país. Posteriormente fue remasterizado y relanzado en 1999 por el sello Repertoire Records, en varios países.5? En enero de 1972 y durante la gira promocional, Mick Bolton dejó el grupo por motivos personales produciendo que la banda buscara a un nuevo guitarrista para terminar las presentaciones restantes. Los escogidos fueron los guitarristas Larry Wallis del grupo Pink Fairies, que estuvo entre febrero y noviembre del mismo año y durante el mes de diciembre fueron acompañados por Bernie MarsdenDurante la corta estadía de Bernie Marsden grabaron solo el demo de «Give Her the Gun», publicado a mediados de 1973. Mientras estuvieron de gira por Alemania Occidental con la banda Scorpions como soporte, los británicos se interesaron en el talento del joven guitarrista Michael Schenker de tan solo diecinueve años. Tras la salida de Marsden, UFO contactó a Schenker que aceptó integrarse a la banda a pesar de no hablar inglés, en junio de 1973.6? Luego y a fines del mismo año, firmaron un nuevo contrato con el sello Chrysalis Records y establecieron relaciones de trabajo con el músico Leo Lyons, integrante de Ten Years After, para producir los siguientes discos de estudio. A principios de 1974 entraron en los Estudios Morgan para lanzar en mayo el tercer álbum Phenomenon, con un sonido mas cargado al hard rock y heavy metal. De este destacaron algunos de sus mayores éxitos como «Doctor Doctor» y «Rock Bottom», que recibieron buenas críticas gracias al estilo y talento de Schenker.2? Para la gira promocional del álbum, fue contratado el guitarrista Paul Chapman exintegrante de la banda irlandesa Skid Row, aunque solo permaneció en la banda hasta enero de 1975 ya que se retiró para formar la banda Lone Star. En julio de 1975 fue publicado el álbum Force It, que continuó con el sonido del trabajo anterior y que les permitió entrar por primera vez en la lista Billboard 200 de los Estados Unidos en el puesto 71.7? En este trabajo participó como músico invitado Chick Churchill, integrante de Ten Years After tocando los teclados, siendo la primera aparición de este instrumento en un disco de la banda. Por su parte y para promocionarlo, fueron lanzados los sencillos «Shoot Shoot» y «Let It Roll» en el mismo año.8? En 1976 y gracias a los nuevos sonidos que les brindó los teclados, la banda contrató al músico argentino y exintegrante de Heavy Metal Kids Danny Peyronel precisamente en el puesto de teclista, para lanzar en mayo del mismo año el álbum No Heavy Petting, que nuevamente entró en las listas estadounidenses en el puesto 167, pero no obtuvo la misma recepción comercial de los dos anteriores.7? De este álbum destacó la power ballad «Belladona», un gran éxito radial en la URSS, que posteriormente la haría famosa el músico ruso Alexander Barykin gracias a su versión publicado en 1979La gira promocional les permitió tocar en varios países de Europa, como también y por primera vez en algunas ciudades estadounidenses. Tras esta gira, Peyronel fue despedido y luego formó su propia banda The Blue Max. Con la idea de incluir a un nuevo integrante, para ocupar los puestos de guitarrista rítmico y teclista, Michael llamó a Paul Raymond de la banda Savoy Brown, que rápidamente aceptó la ofertaCon Raymond como integrante activo en el grupo, UFO buscó al productor Ron Nevison conocido por trabajar con Led Zeppelin y Thin Lizzy, entre otros. Con él grabaron el sexto álbum de estudio Lights Out, publicado en mayo de 1977, que debutó por primera vez en la lista del país británico en el puesto 54 y en el lugar 23 en los Estados Unidos.7?9? Con este nuevo disco, la banda se ganó buenas críticas tanto en las tierras europeas como en las norteamericanas, gracias a éxitos como «Love to Love», «Lights Out» y el cover de «Alone Again Or» de la banda Love. Tras la gira promocional por los Estados Unidos a principios de 1978, la banda se estableció en Los Ángeles (California), para grabar el disco Obsession publicado en junio del mismo año. A pesar que no fue aclamado y no recibió buenas críticas como el trabajo anterior fue más exitoso en las listas británicas, ya que alcanzó el puesto 26.9? De este destacó el sencillo «Only You Can Rock Me», el primero en entrar en la lista UK Singles Chart en el lugar 50Desde mediados de 1977 las tensiones personales entre Schenker y Mogg aumentaron considerablemente, debido al temperamento del guitarrista alemán. Debido a ello en ocasiones, generalmente en las presentaciones en vivo, dejaba de tocar la guitarra, no realizaba los solos o simplemente dejaba el escenario. Esto provocó pésimas relaciones entre él y el resto de la agrupación durante la gira promocional de Obsession en 1978, a tal punto que Schenker abandonó la banda, obligando a esta a buscar a Paul Chapman para culminar las presentaciones restantes.6? Tras su salida fue invitado por su hermano Rudolf Schenker para participar de las grabaciones del disco Lovedrive. Sin embargo abandonó nuevamente a Scorpions, afirmando que no sentía cómodo tocando canciones de otros.10? Así entonces en 1980 creó su propia banda Michael Schenker Group.2? Sin embargo y antes de su partida, la banda alcanzó a grabar las presentaciones en directo en las ciudades estadounidenses de Chicago y Louisville, para lanzar el que fue su primer álbum en vivo oficial Strangers in the Night. Publicado en 1979, obtuvo críticas positivas a tal punto de ser considerado como uno de los mejores discos en vivo en la historia del rock.11? Este disco además obtuvo el primer top 10 en el Reino Unido, alcanzando el puesto 7 en los UK Albums Chart y también les otorgó su primer disco de plata, al superar las 60 000 copias vendidas en el país británicoCon Paul "Tonka" Chapman como músico activo grabaron el octavo álbum de estudio No Place to Run, publicado en enero de 1980, que contó con la producción de George Martin conocido en el mundo por su trabajo con The Beatles. Con este disco cambió en parte el sonido de UFO, que provocó algunos problemas con los fánaticos de toda la vida, sin embargo les permitió obtener el puesto 11 en el Reino Unido y el segundo disco de plata, por vender más de 60 000 copias en el mencionado país.12? Tras el término de la gira promocional de No Place to Run, el teclista Paul Raymond se retiró de la banda para ingresar en la banda de su excompañero Michael Schenker. Para suplantar su cupo en la banda, buscaron al guitarrista y teclista Neil Carter de la banda Wild Horses y junto a él lanzaron el álbum The Wild, the Willing and the Innocent en 1981, que fue producido por ellos mismos no obteniendo la recepción esperada.2? En 1982 apareció en el mercado mundial el siguiente disco Mechanix, que obtuvo el puesto 8 en el Reino Unido, el segundo más alto de toda la historia de UFO en su país natal.9? Tras la gira promocional el bajista Pete Way recibió una invitación por parte de Eddie Clarke, para integrar su nuevo proyecto Fastway. Luego de estar solo un par de meses en aquella banda, Way fundó su propia banda Waysted en 1983.3? En febrero del mismo año lanzaron el disco Making Contact, en donde Chapman y Carter tuvieron que tocar el bajo debido a que no contrataron un nuevo músico para ese puesto durante las grabaciones del álbum. Tras la gira promocional, junto al bajista Billy Sheehan como músico invitado, Mogg decidió poner fin a la banda por la mala recepción de sus últimos discos y por los constantes cambios y salidas de sus integrantes, lo que hacía inestable la carrera de UFOLuego de dos años que Mogg disolvió la banda, se estableció en la ciudad de Los Ángeles (California), donde se reencontró con Raymond y decidieron reformar UFO con nuevos integrantes. Para ello contrataron a Tommy McClendon conocido por su alias como Atomik Tommy M. en la guitarra, al exbajista de la banda inglesa Eddie and the Hot Rods, Paul Gray, y al baterista Robbie France, que meses más tarde sería reemplazado por exmúsico de Magnum, Jim Simpson.2? En 1985 esta nueva alineación lanzó al mercado mundial el álbum Misdemeanor, que alcanzó puestos similares a los álbumes anteriores en las listas musicales. En agosto de 1986, mientras estaban de gira por Estados Unidos, Paul Raymond nuevamente se retiró de la banda, asumiendo su puesto el teclista David Jacobson como músico invitado. En el mismo año, es decir en 1986, grabaron el EP Ain't Misbehavin' que apareció dos años después en el mercado, ya que el sello Chrysalis puso fin al contrato con ellos, debido a los malos resultados de sus discos. Por ende en 1988 este EP fue lanzado por Revolver Records para el Reino Unido y por Metal Blade Records para los Estados Unidos.13? En 1988 y por segunda vez Mogg puso fin a la banda, por los malos resultados de los dos últimos trabajos y por no sentirse cómodo con la labor de los nuevos integrantesA principios de la década de los noventa, Mogg y Way se reunieron y decidieron reformar la banda con nuevos integrantes. Para ello contrataron a Laurence Archer exguitarrista de la agrupación británica Stampede, al baterista Clive Edwards conocido por participar con los músicos Uli Jon Roth y Pat Travers, y al teclista Don Airey que anteriormente trabajó con Rainbow y Gary Moore. Con esta nueva alineación publicaron en 1992 el álbum High Stakes & Dangerous Men, que les permitió regresar a su clásico sonido. Tras la gira promocional y con alto apoyo de sus fanáticos, Mogg y Way iniciaron las conversaciones con los otros antiguos miembros para reunir a la clásica alineación de los años setenta. Tras algunos acuerdos contractuales y monetarios, Michael Schenker, Paul Raymond y Andy Parker se unieron a Mogg y Way por primera vez desde 1978, iniciando una extensa gira de dos años por el mundo.2? Con los cinco integrantes clásicos grabaron el disco Walk on Water en 1995, que fue lanzado solo en Japón, pero posteriormente fue publicado en los mercados europeos con el pasar de los años.8? Al momento de promocionar el disco con la gira correspondiente, el baterista Andy Parker se retiró de la banda por problemas personales siendo reemplazado por Simon Wright exmúsico de AC/DC. Lamentablemente las diferencias entre Mogg y Schenker reaparecieron, provocando que este último se alejara de la banda en medio de la gira en 1997, causando la cancelación de las últimas fechas. Luego de algunas conversaciones con el mánager, Michael regresó en 1998 solo para tocar en algunos shows de las reprogramadas fechas canceladas a mediados de 1997. Tras ello todos los músicos de UFO prefirieron separarse nuevamente. A pesar de esto último Phil Mogg y Pete Way fueron los únicos que continuaron trabajando juntos y crearon la banda Mogg/Way, con la cual lanzaron los álbumes Edge of the World en 1997 y Chocolate Box en 1999.3? En el año 2000 y tras firmar con el sello Shrapnel Records, nuevamente la banda se reúnió pero esta vez sin Raymond y con el baterista Aynsley Dunbar, conocido por sus participaciones en los álbumes de Frank Zappa.3? En julio del mismo año fue publicado el décimo quinto álbum de estudio Covenant, que en algunas ediciones fue lanzado junto a un disco en vivo denominado Live USA. A pesar de los rumores de la prensa sobre las malas relaciones entre Schenker y Mogg, la alineación permaneció hasta el 2002 para lanzar el disco Sharks, que recibió gran apoyo de los fanáticos europeos durante la gira.8? En 2003 y con la gira culminada Schenker se retiró de la banda, pero antes creó el proyecto The Plot junto a Pete Way y al baterista Jeff Martin, con la cual publicaron el disco homónimo en el mismo año.Con las partidas definitivas de Schenker y Dunbar, el resto de la banda contrató a Vinnie Moore y a Jason Bonham para los puestos de guitarrista y baterista respectivamente. Con la idea de relanzar nuevamente la carrera de la banda, a fines de 2003 firmaron con el sello SPV/Steamhammer Records y entablaron relaciones con el productor Tommy Newton para trabajar en los álbumes siguientes. En marzo de 2004 apareció en los mercados el disco You Are Here, que además marcó el retorno de Raymond a la agrupación tras cerca de cinco años fuera de ella. Durante la gira promocional fue grabado el primer doble DVD titulado Showtime, que fue lanzado en noviembre de 2005 junto a un disco compacto en vivo. En este mismo mes, el baterista original Andy Parker regresó para la presentación en el Piorno Rock Festival celebrado en Granada, España, quedando en ese puesto hasta el día de hoy. En 2006 fue lanzado el décimo octavo álbum de estudio The Monkey Puzzle, que fue considerado como el disco más pesado de la banda después de la salida del guitarrista alemán Michael Schenker. En 2009 y antes de ingresar a los estudios para la grabación de un nuevo disco Way fue diagnosticado de serios problemas al hígado, por la cual sus médicos le recomendaron no participar en las grabaciones.14? Finalmente en junio del mismo año fue publicado el álbum The Visitor con la participación de Peter Pichl, miembro de Nektar como músico de sesión en el puesto de bajista. El trabajo además debutó en el puesto 99 en el Reino Unido, siendo el primer álbum en volver aparecer en la lista UK Albums Chart, desde Misdemeanor de 1985.9? Luego que Way no pudo recuperarse a tiempo para la gira promocional, la banda contrató a Rob De Luca conocido como el bajista de Sebastian Bach para las presentaciones entre los años 2009 y 2011.15? Para la segunda parte y a mediados de 2011 fue también contratado Barry Sparks en el mencionado puesto. Por otro lado y en el mismo año, los exmiembros de la banda Danny Peyronel, Laurence Archer, Clive Edwards y junto a Rocky Newton, exbajista de McAuley Schenker Group, fundaron la banda X-UFO, con la cual dan presentaciones en vivo tocando distintas canciones de UFO. En 2012 fue lanzado el vigésimo disco llamado Seven Deadly, que nuevamente debutó en las listas musicales del Reino Unido en el puesto 63.9? Este al igual que el anterior fue grabado junto a un bajista de sesión, ya que la banda no quiso contratar a un reemplazante de Pete Way. Sin embargo para la gira promocional fueron nuevamente acompañados por Rob De Luca, tras la salida definitiva de Way. En 2013 en una entrevista a Paul Raymond contó que estaban preparando un nuevo disco de estudio, pero que hasta ese momento no tenían confirmado nada. Finalmente en febrero de 2015 se puso a la venta A Conspiracy of Stars, el primer álbum con Rob De Luca como miembro oficial del grupo.Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://www.ivoox.com/podcast-biblioteca-del-metal-recopilation_sq_f1308558_1.html

Go West special with Richard Drummie in conversation with David Eastaugh   In 1982, Cox and Drummie formed the band Go West, with Cox as lead singer and Drummie on guitar and backing vocals. Go West had a publishing deal and possessed a portastudio, but lacked a band or recording company. Cox and Drummie decided, with support from John Glover, their manager, to find a musical producer, and record just two of their songs. The tracks "We Close Our Eyes" and "Call Me" found Go West landing a recording contract with Chrysalis Records.

Show #851 Again We Mourn Again some icons in music have died. We got the blues. 01. Backtrack Blues Band - Girl On Bordeaux Mountain (5:06) (Your Baby Has Left, VizzTone Records, 2020) 02. Mark May Band - For Your Love (5:28) (Deep Dark Demon, Gulf Coast Records,2020) 03. Gimmo - Rollin' And Tumblin' (2:37) (Digital Single, Tanzan music Records, 2020) 04. Finis Tasby - I Missed You Bad (3:36) (Jump Children, Evidence Music, 1998) 05. Charlie Daniels Band - Midnight Wind (4:19) (Midnight Wind, Epic Records, 1977) 06. Grant Dermody - Hometown Blues (4:10) (My Dony, Thunder River Recordings, 2020) 07. Eddie 9V - Lo-Fi Love (4:54) (Way Down The Alley, Hubbub! Music, 2020) 08. Peter Karp - Scared (6:00) (Magnificent Heart, Rose Cottage Records, 2020) 09. Little Charlie And Organ Grinder Swing - Cobalt Blues (4:02) (Skronky Tonk, EllerSoul Records, 2016) 10. Little Charlie & the Nightcats - Percolatin' (4:18) (Shadow Of The Blues, Alligator Records, 1998) 11. Rory Gallagher - The Mississippi Sheiks (6:01) (Photo-Finish, Chrysalis Records, 1978) 12. Gravel & Grace - When I'm Hungover (3:13) (Bringing The Blues, self-release, 2020) 13. Hard Garden - Depot Blues (2:58) (Blue Yonder, self-release, 2013) 14. Beaucoup Blue - Catch Me When I Wake Up (3:36) (Free To Fall, self-release, 2009) 15. Hurricane Ruth - She's Golden (3:22) (Good Life, American Showplace Music, 2020) 16. CD Woodbury - Can't Eat That Stuff No More (5:52) (World's Gone Crazy, self-release, 2020) 17. Kid Bangham & Amyl Justin - Face Down In The Blues (3:37) (Pressure Cooker, Tone-Cool Records, 1997) 18. Anthony Geraci - Dead Man's Shoes (4:00) (Daydreams In Blue, Shining Stone Records, 2020) 19. Robert Randolph & the Family Band - Calypso (4:07) (Unclassified, Warner Bros Records, 2003) 20. Charlie Daniels Band - Caballo Diablo (4:21) (Fire On The Mountain, Kama Sutra Records, 1974) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Dover fue un grupo español de rock alternativo que cantaba en inglés. Fue fundado en Madrid en 1992 y se separaron en 2016. El grupo estaba compuesto por las hermanas y líderes del grupo Cristina Llanos (vocalista) y Amparo Llanos (guitarrista principal), el baterista Jesús Antúnez y Samuel Titos en el bajo. Grabaron ocho discos que superaron los casi dos millones de copias, de los cuales destaca su segundo álbum, Devil Came to Me, su obra más importante, que los llevó a la fama internacional, y su sexto álbum, Follow the city lights, pues es el que provocó más polémica, ya que el estilo del grupo varió del rock alternativo al pop electrónico. En 2016 anunciaron su definitiva separación, La banda también ganó, entre otros, los premios a grupo revelación en los Premios Ondas de 1997,​ y mejor artista español en los Premios MTV Europa de 2000.Dover surgió en las afueras de Madrid, a principios de la década de los 90 cuando Cristina Llanos, de 17 años, decide formar una banda de rock alentada por la escena alternativa irradiada desde Seattle, en unos pequeños locales de ensayo en Alcorcón, en el polígono industrial Ventorro del Cano que siguieron utilizando hasta principios de la década de 2000. ​ El nombre del grupo surgió del nombre de una marca de ropa de la tienda que tenía la madre de las hermanas en Majadahonda. Al proyecto se suma su hermana, 10 años mayor que ella, Amparo. En 1992, el baterista Jesús Antúnez y el bajista Álvaro Díez se unieron a la banda y así el 2 de octubre de ese año nace Dover. Una de las maquetas del grupo fue a parar al programa de radio Disco Grande de RNE Radio 3.En 1995, el bajista Álvaro Díez deja la banda y le reemplaza Álvaro Gómez. La banda firmó entonces un contrato de un año con la discográfica independiente Everlasting-Caroline. Su álbum debut Sister, publicado en agosto de 1995, vendió apenas 700 copias. Sin embargo, el fanzine español Mondo Sonoro lo incluyó entre los 10 mejores álbumes nacionales de aquel año.​ A pesar del poco éxito en cuanto a las ventas del disco, logran hacerse un hueco en el panorama musical de Madrid e incluso graban su primer videoclip "Come With Me", realizado por Juan Bullón y grabado con muy pocos medios en los alrededores del polígono industrial Ventorro del Cano, donde tenían su local de ensayo.​ Aunque esta canción no fue lanzada como sencillo propiamente, era la más coreada en los conciertos. Además lograron que se les diese un pequeño espacio en el Festimad en el Círculo de Bellas Artes de Madrid.El contrato con Caroline era de solo un año y al concluir este, firmaron con el sello independiente Subterfuge Records. Su primera participación con la discográfica fue incluir una versión maqueta de Loli Jackson en el disco recopilatorio de varias bandas, llamado "Stereoparty 2".​ El éxito que tuvo la canción motiva a la discográfica a producir su segundo álbum y así entran a los Infinity Studios de Madrid en 1997 para grabar, con Daniel Alcover a los mandos, el álbum Devil Came to Me, con un presupuesto apretado de 80.000 pesetas y en tan solo 20 días. El disco sale a la venta en España el 21 de abril de 1997. Un fragmento de la canción que da título al álbum (concretamente el estribillo con la frase "I lied for you, I lied for you") fue incluido en un popular anuncio televisivo de Radical Fruit Company lo que le dio gran fama y la banda fue lanzada al estrellato nacional.El 25 de septiembre de ese mismo año ya eran disco de oro con más de 50.000 copias vendidas.​ Durante la promoción de este álbum, en 1997, el bajista fue reemplazado por Álvaro Díez (Tripi), quien ya había formado parte de la banda en sus inicios, y en mayo de 1998 regresan al Festimad como cabeza de cartel.El álbum vendió más de 500.000 copias y les cosechó fans también en el extranjero, en Europa y América. Participan en el festival Doctor Music y lanzan como primer sencillo oficial de álbum: "Serenade", canción que gracias a su fuerte estribillo y melodía pegadiza logra convertirse en su primer número uno en España. Juan Bullón, de nuevo, forma parte de la realización del videoclip. "Loli Jackson" es elegida por Daniel Calparsoro para formar parte de la banda sonora de su película "A ciegas", y además les graba un videoclip de la misma canción. Este tema también fue incluido en la banda sonora del juego Surf Planet de Gaelco, junto a otros temas de la discográfica Sufterfuge.La relación de la banda con Subterfuge Records se deterioró y tras ello firmaron con Chrysalis Records, sello perteneciente a EMI Music. En 1998 crearon su propio sello, Loli Jackson Records. Con su sello discográfico recién creado publican el recopilatorio de varios grupos independientes "The Power of Dolores" donde también incluyen un cover interpretado por ellos mismos, "The One I Love" de R.E.M.Al año siguiente, en 1999, publicaron su tercer álbum Late at Night, grabado en Seattle con Barrett Jones. El disco salió a la venta el 28 de junio de aquel año con una gran expectación creada por su primer sencillo "DJ", la cual fue estrenada en la cadena de radio los 40 Principales. Esto fue algo inusual, debido al tipo de música en España para la época. Aunque con este álbum volvieron a conseguir otro número uno en las listas: "Cherry Lee", que fue popularizada en un spot publicitario del por entonces reciente Peugeot 206. Además realizan una gira internacional que los lleva a visitar Alemania, Inglaterra, Holanda, México y Estados Unidos, entre otros países. En el año 2000 recibieron el premio de MTV Europa al Mejor Artista Español. Pese a no superar el número de ventas de su predecesor, "Late at Night" llegó al tercer disco de platino con 300.000 copias para febrero de 2000. Samuel Titos En 2001, Chrysalis reeditó su primer álbum, Sister, incluyendo la canción inédita Noche tras noche. En mayo de ese año entran a los estudios Grandmaster Recorders para grabar su nuevo disco, acompañados de nuevo de Barrett Jones con quien esta vez tienen una serie de malentendidos, lo que provoca que las sesiones sean tensas, aunados a una gripe complicada de Cristina, lo que se ve reflejado en las canciones y en el título I Was Dead for 7 Weeks in the City of Angels. Como primer sencillo del álbum se publica "King George" que se pone a la venta el 3 de septiembre de 2001 que, además, fue número uno en las listas de España y también fue muy sonado en radios universitarias alemanas. El álbum salió a a la venta el 17 de septiembre de 2001 y en tan solo diez días vendió 125.000 copias. El disco consiguió finalmente vender casi 220.000 copias y llegar al doble disco de platino. Un año después, en julio de 2002, editan su primer disco en directo, It's Good To Be Me!, con un total de ocho canciones: cinco en directo, dos en acústico y una canción inédita Mystic Love, que fue single de este álbum. En 2003, la crisis musical les obliga a cerrar su compañía discográfica y firmar con EMI Music. Con esta lanzaron el 27 de octubre del mismo año su quinto álbum The Flame, con un sonido más pop y una duración de apenas 30 minutos. Esta vez coproducido por Rick Will y grabado íntegramente en España. Como sencillo adelanto sale a la venta la canción homónima al álbum. Las ventas del disco superan las 60.000 copias en España, mientras, en Alemania consiguen su primer disco de oro por las altas ventas de "The Flame" Realizan una gira por toda España y llegan incluso al festival Rock am Ring de MTV celebrado en Alemania en junio de 2004.Durante 2004, las relaciones entre el grupo y el bajista Álvaro Díez empeoran. La no inclusión de Álvaro dentro del sello "Loli Jackson S.L." fomenta las disputas y, en mayo de 2005, Dover decide expulsarlo del grupo. En plena gira de The Flame, Álvaro pasa a ser sustituido por Samuel Titos, antiguo guitarrista y vocalista de la banda Sperm. A finales de 2004 se convierten en el primer grupo que apoya a la ONG Oxfam Intermón.Durante el período de mayo a junio de 2006 el grupo se encierra a componer su nuevo álbum: el grupo anuncia que sería un cambio que no dejaría indiferente a nadie. Y así el 2 octubre de 2006 publican un nuevo álbum, llamado Follow the City Lights, producido nuevamente por Daniel Alcover, y en el que Dover cambia radicalmente de estilo introduciendo arreglos electrónicos en su música. El primer single de este disco, "Let Me Out", recibió un Premio Ondas por mejor canción en 2006,Además, consiguió ser número 1 en las listas del programa "Los 40 principales" durante varias semanas.El segundo single extraído de este disco fue Do Ya el cual también fue número uno de los 40 principales durante dos semanas. Cuatro meses después, publicaron el tercer y último single del álbum, Keep on Moving. Con este disco vendieron 130.000 copias, lo cual suponía un auténtico éxito teniendo en cuenta que la industria discográfica ya se hallaba inmersa en plena crisis. En noviembre de 2007, Dover publica su primer doble disco recopilatorio, titulado 2, que contiene los grandes éxitos en su versión electro pop, además de un tema inédito llamado Soldier. El mismo año realizan una gira con La Oreja de Van Gogh y Coti titulada "Gira LKXA". A finales de 2007 realizan una gira por Europa, y en febrero de 2008 llegan al festival de Desalia para realizar el último concierto dentro de la promoción del álbum 2. En marzo de 2009 firman contrato con Sony Music. En varias entrevistas anunciaron que su futuro séptimo disco saldría en el 2010, según notas de prensa otorgadas por la discográfica Sony el disco estaría a la venta el 4 de octubre de 2010. Después de meses de silencio, en abril de 2009 empiezan a informar sobre su futuro trabajo: anuncian que han producido y mezclado el disco exceptuando cinco de los temas que han sido mezclados por Chris Lord-Alge en Los Ángeles. El 29 de julio de 2010 estrenan 20 segundos de su nuevo sencillo "Dannayá". Dos días después se hace público el primer single del nuevo disco en del 40 al 1, con una duración de 3 minutos y 7 segundos, declarando que el nuevo sencillo y en general el nuevo disco tendrá influencias africanas, debido al contacto que la banda ha estado teniendo con ellas los últimos tiempos. El 30 de agosto, Dover saca a la luz otra canción en su página web, "La Rèponse Divine", cantada en francés, la cual tiene una escasa acogida, no llegando a entrar en la lista de los 40 principales. Una vez publicado I Ka Kené, apenas logra figurar en el Top100 de España, con un 14 como posición máxima, pese a ello lanzan como segundo sencillo "Under Your Spell" que no logra colocarse entre los sencillos más vendidos. Al fracaso comercial del disco se suma una espaciada gira de menos de doce conciertos entre 2010 y 2012. A mediados de 2011 sale a la venta "I Ka Kené: The Remixes", disco de remezclas que reúne quince versiones, en su mayoría de "Dannayá" y tres de ellas de "Under Your Spell". Cabe destacar que las distintas reinvenciones de la banda han propiciado numerosas y variables críticas tanto profesionalmente como entre sus propios seguidores, causando descontento en unos y aprobación en otros.Durante el primer trimestre de 2012, Dover anunció la edición de un sencillo con dos canciones, un tema inédito y una versión de una popular canción de los ochenta; el tema inédito fue mezclado por Verónica Ferraro en Francia y la versión por Jesús Antúnez en Madrid. El 8 de marzo de 2012, una fan web revela el título del tema inédito "What Goes Around Comes Around". La versión que resulta ser la cara B del sencillo es "Need You Tonight", éxito de INXS.Participan en la campaña promocional de Trina "Al natural", con tres canciones: Loli Jackson (1997), King George (2001) y Junnete (2010), interpretando los tres temas en acústico y en riguroso directo. Participan también en la introducción de un perfume de Givenchy, lo que les da la oportunidad de su primer directo en línea en el que sorprenden a los fanes interpretando, en su versión original, "The Hitter" (1999), "The Morning After" (1995), "King George" (2001), "Do Ya" (2006), su versión de INXS y una nueva versión de "D.J." (1999) acompañada únicamente por una guitarra eléctrica. La salida del sencillo se retrasa quince días, y solo sale a la venta en forma digital a finales de junio de 2012. La promoción del sencillo se limita a una aparición en el programa "El Número Uno" y al recibimiento de la selección Española en la Cibeles en Madrid. El sencillo entró en la lista de los 40 principales y estuvo 5 semanas en la lista. Comenzaron su gira en 2012 repasando sus grandes éxitos y reintegrando a su repertorio las versiones originales de "Devil Came to Me" "King George" y "Serenade", además de la versión acústica de "Loli Jackson".Dover anunció que para conmemorar los veinte años de fundación de la banda, presentaría en directo su álbum Devil Came to Me (pues también celebraban el 15º aniversario del debut de este disco) empezando el 8 de marzo en la Sala Sol de Madrid. Las entradas quedaron agotadas a más de tres meses del concierto. A partir de esa fecha, empezaron a actuar por las salas más emblemáticas de toda España, llegando a vender todas las entradas en la mayoría de sus actuaciones. Esta gira les volvió a llevar a varias zonas de Europa, como por ejemplo, Alemania. En 2013, además, reeditan su disco "Devil Came to Me", llamado "Dover Came to Me", en diferentes formatos. El formato Deluxe contiene un primer CD con la versión remasterizada del álbum más bonus tracks, un segundo CD con sus temas en directo en esta gira y un DVD con uno de sus conciertos de esta gira, más un directo de 1997 en el Palacio de los Deportes de Madrid. También en el DVD se incluyen entrevistas a los componentes del grupo, más dos videoclips: Serenade y Loli Jackson. Después de haber llenado más de treinta y cinco salas en toda la geografía española durante 2013, se embarcan en una última gira de invierno que llegaría a su final en la mítica sala La Riviera el 10 de enero del 2014 con un lleno total. El resto del año solo se presentarían en un par ocasiones, una de las cuales fue la celebración de Subterfuge en el día de la música en junio, donde presentarían un tema nuevo sin título que más tarde se llamaría "Crash". Sus redes sociales son actualizadas con novedades sobre la grabación de un nuevo disco que indican, sería más cercano al rock. En septiembre estrenan "Too Late" durante un concierto en la Rioja, también con un claro sonido rock. En diciembre anuncian "Complications" el octavo disco de estudio de Dover, compuesto por diez temas inéditos y once en la versión de Spotify que se edita el 9 de febrero, cuyo primer sencillo sería el mismo "Too Late". Producido por el propio Jesús Antúnez y grabado en el local de ensayo del grupo, "Complications" vuelve al rock melódico que caracterizó a Dover a principios de los 2000. El 23 de noviembre de 2016, Amparo Llanos anuncia en Radio 3 la definitiva separación del grupo.​ Afirmó que desde que grabaron su último disco hablaron de terminar con el grupo. Mientras tanto, Amparo compuso temas que sabía que no eran para Dover y decidió crear un nuevo grupo junto a Samuel Titos, llamado "New Day". En esta nueva banda, Amparo canta.

Það er enginn gestur í kvöld en við fáum lag frá vini þáttarins kl. 19.45, óskalagasíminn opnar kl. 20.00 og plata þáttarins sem við heyrum amk. þrjú lög af er Paralell Lines, þriðja plata hljómsveitarinnar Blondie sem kom út á vegum Chrysalis Records í september 1978. Platan sló heldur betur í gegn í Bretlandi þar sem hún fór alla leið í fyrsta sæti vinsældalistans, og platan stimplaði sveitina líka inn heima í Bandaríkjunum þar sem hún náði hæst í 6. sæti vinsældalistans. Í tímaritinu Billboard var platan í 9. sæti yfir bestu plötur ársins 1979 þegar árið var gert upp. Parallel Lines hefur selst í meira en 20 milljónum eintaka í dag. Blondie var rokkband, en það er líka hálfgert diskó á plötunni, en hún hefur að geyma einn ællra stærsta smell sveitarinnar, lagið Heart of Glass sem trommari Blondie, Clem Burke sagði á sínum tíma að væri undir áhrifum frá Kraftwerk og Bee Gees í Saturday nigh fever. En það eru fleiri smellir á plötunni, lög eins og Sunday girl og Hanging on the telephone. Blondir hafði mikil áhrif á marga tónlistarmenn sem á eftir komu, og ekki síst konur og kvennahljómsveitir. T.d. Dúkkulísurnar hérna heima á Íslandi.

Það er enginn gestur í kvöld en við fáum lag frá vini þáttarins kl. 19.45, óskalagasíminn opnar kl. 20.00 og plata þáttarins sem við heyrum amk. þrjú lög af er Paralell Lines, þriðja plata hljómsveitarinnar Blondie sem kom út á vegum Chrysalis Records í september 1978. Platan sló heldur betur í gegn í Bretlandi þar sem hún fór alla leið í fyrsta sæti vinsældalistans, og platan stimplaði sveitina líka inn heima í Bandaríkjunum þar sem hún náði hæst í 6. sæti vinsældalistans. Í tímaritinu Billboard var platan í 9. sæti yfir bestu plötur ársins 1979 þegar árið var gert upp. Parallel Lines hefur selst í meira en 20 milljónum eintaka í dag. Blondie var rokkband, en það er líka hálfgert diskó á plötunni, en hún hefur að geyma einn ællra stærsta smell sveitarinnar, lagið Heart of Glass sem trommari Blondie, Clem Burke sagði á sínum tíma að væri undir áhrifum frá Kraftwerk og Bee Gees í Saturday nigh fever. En það eru fleiri smellir á plötunni, lög eins og Sunday girl og Hanging on the telephone. Blondir hafði mikil áhrif á marga tónlistarmenn sem á eftir komu, og ekki síst konur og kvennahljómsveitir. T.d. Dúkkulísurnar hérna heima á Íslandi.

Það er enginn gestur í kvöld en við fáum lag frá vini þáttarins kl. 19.45, óskalagasíminn opnar kl. 20.00 og plata þáttarins sem við heyrum amk. þrjú lög af er Paralell Lines, þriðja plata hljómsveitarinnar Blondie sem kom út á vegum Chrysalis Records í september 1978. Platan sló heldur betur í gegn í Bretlandi þar sem hún fór alla leið í fyrsta sæti vinsældalistans, og platan stimplaði sveitina líka inn heima í Bandaríkjunum þar sem hún náði hæst í 6. sæti vinsældalistans. Í tímaritinu Billboard var platan í 9. sæti yfir bestu plötur ársins 1979 þegar árið var gert upp. Parallel Lines hefur selst í meira en 20 milljónum eintaka í dag. Blondie var rokkband, en það er líka hálfgert diskó á plötunni, en hún hefur að geyma einn ællra stærsta smell sveitarinnar, lagið Heart of Glass sem trommari Blondie, Clem Burke sagði á sínum tíma að væri undir áhrifum frá Kraftwerk og Bee Gees í Saturday nigh fever. En það eru fleiri smellir á plötunni, lög eins og Sunday girl og Hanging on the telephone. Blondir hafði mikil áhrif á marga tónlistarmenn sem á eftir komu, og ekki síst konur og kvennahljómsveitir. T.d. Dúkkulísurnar hérna heima á Íslandi.

Strangers in the Night es el segundo álbum en vivo de la banda británica de hard rock y heavy metal UFO, publicado en 1979 por Chrysalis Records. Su grabación se llevó a cabo durante la gira promocional del álbum Obsession en 1978, tomadas de las presentaciones en las ciudades de Chicago y Louisville en los Estados Unidos. Fue el último álbum de Michael Schenker con la banda, ya que luego de su grabación se retiró por problemas con Phil Mogg. En su reemplazo y para terminar las últimas presentaciones fue escogido el guitarrista Paul Chapman, integrante de Lone Star. En posteriores entrevistas con Michael, mencionó que no estuvo de acuerdo con la elección de los temas, que según sus palabras; «...hubo mejores, que podrían haberse utilizado».? Hasta el día de hoy sigue siendo considerado como uno de los más grandes álbumes en vivo de la historia del rock.2? Incluso la revista Kerrang!, lo situó en el puesto 47 de su lista los 100 grandes álbumes del heavy metal de todos los tiempos. En cuanto a las listas musicales, obtuvo el puesto 7 en los UK Albums Chart del Reino Unido y el 42 en la lista Billboard 200 de los Estados Unidos.4? Además fueron extraídos dos sencillos para promocionarlo; «Doctor Doctor» que obtuvo el puesto 35 y «Shoot Shoot» que alcanzó la posición 48, ambas en el Reino Unido.5? Además, es el primer disco de la banda en obtener disco de plata, otorgado por la British Phonographic Industry en abril del mismo año, luego de vender más de 60 000 copias en su propio país. «Natural Thing» Schenker, Mogg, Way 3:57 «Out in the Street» Mogg, Way 5:07 «Only You Can Rock Me» Schenker, Mogg, Way 4:08 «Doctor Doctor» Schenker, Mogg 4:42 «Mother Way» Schenker, Mogg, Way, Parker 3:25 «This Kid's» Schenker, Mogg 5:11 «Love to Love» Schenker, Mogg 7:38 «Lights Out» Schenker, Mogg, Way, Parker 5:23 «Rock Bottom» Schenker, Mogg 11:08 «Too Hot to Handle» Mogg, Way 4:26 «I'm a Loser» Schenker, Mogg 4:13 «Let it Roll» Schenker, Mogg 4:48 «Shoot Shoot» Schenker, Mogg, Way, Parker 4:07 Músicos Phil Mogg: voz Michael Schenker: guitarra líder Paul Raymond: guitarra rítmica y teclados Pete Way: bajo Andy Parker: batería Referencias

The great Neil Giraldo joins Fred for a chat about life, grappa, MTV, whiskey, vodka hate and more. Neil also gives advice to rising musicians and talks about his new venture--a spirits company--including a solid whiskey called Three Chord. NEIL GIRALDO Neil is a professional musician, producer, and film composer with over four decades experience. A songwriter with a back catalog of more than 100 songs and more than 45 million records sold, he has worked with some of the greatest artists in the music industry, including Rick Derringer, Pat Benatar, John Waite, Kenny Loggins, Steve Forbert, The Del Lords, and Beth Hart. His work has produced many Grammy-nominated and Grammy-winning hits, and he holds the distinction of being the first guitar player appearing on MTV. Today, he continues to expand his creative portfolio: in addition to writing new songs for stage and screen, he is writing screenplays for feature films, touring, and reaching out into the community to work with musicians young and old. Giraldo began his professional career in 1978 as a key member of the Rick Derringer band after competing against 200 other guitarists for the position. It wasn't long before Rick discovered Giraldo's piano playing prowess and quickly put those skills to work in the studio for the recording of Guitars and Women. In the spring of 1979, Mike Chapman introduced Giraldo to an up-and coming singer named Pat Benatar who had recently signed to Chrysalis Records. While impressed with the young vocalist, Chapman felt she needed a musical partner who could facilitate the creation of a sound both identifiable and powerful. Over the years Neil has produced some of their biggest hits, including "Love is a Battlefield" and "We Belong." With a back catalog of more than 100 songs written and more than 45 million records sold, Giraldo has written, produced, arranged, and recorded for Pat Benatar, John Waite, Rick Springfield, Kenny Loggins, Steve Forbert, The Del Lords, Beth Hart, The Coors, and others, which included many Grammy-nominated and Grammy-winning hits. Neil was born in 1955 in Cleveland, Ohio. Immersed in the culture of his beloved Sicilian ancestry, his parents Anthony and Angela instilled the love of music at a young age, giving Neil his first guitar at the age of six, with the hopes that he and his sister, Priscilla, who played the accordion, could entertain family and friends with songs from the old country after church on Sundays. As Neil got older, his mentor, Uncle Tim, introduced him to revolutionary bands like The Yardbirds, The Kinks, The Rolling Stones, and all the other great guitar-driven rock 'n' roll bands of the 1960s. Finding new and innovative ways to shadow path his way into songs, Neil developed a discipline early on of not just playing along to his favorite artists, but creating different parts for himself within those tracks. At the same time, the budding guitar artist also became proficient on piano by continuously practicing along to Chuck Berry (Johnnie Johnson), Fats Domino, and Jerry Lee Lewis records. His interest in percussion instruments soon followed; practicing the drums to Simon & Garfunkel albums, he explored how different rhythms could alter the complexion of songs. These practices and disciplines created the basis for his future success as an innovative record producer and musician. FOLLOW NEIL https://www.facebook.com/OfficialNeilGiraldo/ Follow Fred https://www.instagram.com/fredminnick/ https://twitter.com/FredMinnick https://www.youtube.com/channel/UCyE_GJtYr3yowks2iv1o4jg https://www.facebook.com/fred.minnick/ Sponsors 291 Colorado Whiskey: https://distillery291.com/ Michter's: https://michters.com/ B-Line (Northern Kentucky Bourbon Trail): https://findyoursippingpoint.com/   See omnystudio.com/listener for privacy information.

Dolly Mixture special with Debsey Wykes talking about life in music with David Eastaugh  The group was formed in Cambridge, England, by Bor, Smith, and Wykes, three school friends who shared a fondness for The Shangri-Las and The Undertones. Dolly Mixture supported The Undertones on one of their first UK tours. The band also played venues with The Fall and The Transmitters in 1979. They were once supported by U2. In Autumn 1981, they toured as the featured support band for Bad Manners on their Gosh It's tour and were well received by the second wave mod/ska audience that filled various theatres and venues up and down the land. Relocating to London to gig extensively, national BBC Radio 1 DJ John Peel gave them exposure on his radio show and in his weekly column in the UK pop paper, Sounds. Signed to Chrysalis Records, the group released a cover of the Shirelles hit, "Baby It's You" (1980), produced by Eric Faulkner of the Bay City Rollers. However, the cover version was disowned by the group, which protested the label's attempt to sell them as a teen girl group. Their next single, "Been Teen" (1981), was the first single released on Paul Weller's Respond label. It was followed by "Everything And More" (1982), also released on Respond. Both singles were produced by Captain Sensible and Paul Gray of The Damned. They became friends with Sensible and recorded backing vocals on his singles and albums. After Sensible had a hit with "Happy Talk" in 1982 (featuring Dolly Mixture, credited as "Dolly Mixtures" on the single, and also in the song's video) and following various appearances on the television show Top of the Pops, Dolly Mixture – as a separate entity from Captain Sensible – performed extensively.

One Night at Budokan es el primer álbum en vivo de la banda inglesa de hard rock y heavy metal Michael Schenker Group, publicado en 1982 a través de Chrysalis Records.4? La grabación se llevó a cabo en el recinto Nippon Budokan de Tokio, Japón en una presentación dada el 12 de agosto de 1981. Ha sido considerado como uno de los mejores discos en vivo de la primera parte de los ochenta y a su vez uno de los más influyentes de acuerdo con el sitio Allmusic. Alcanzó la posición número 5 en los UK Albums Chart y obtuvo disco de plata en el Reino Unido por la British Phonographic Industry, luego de vender más de sesenta mil copias. «Intro» 1:31 «Armed and Ready» 4:52 «Cry for the Nations» 5:30 «Attack for the Mad Axeman» 5:04 «But I Want More» 7:22 «Victim of Illusion» 6:14 «Into the Arena» 4:54 «On and On» 5:35 «Never Trust a Stranger» 5:36 «Let Sleeping Dogs Lie» 7:17 «Tales of Mystery» (pista adicional) 3:50 «Cozy Powell Drum Solo» (pista adicional) 11:23 «Courvoisier Concerto» 3:35 «Lost Horizons» 7:30 «Doctor Doctor» 6:18 «Are You Ready to Rock?» 6:39

Monday's Bombshell (Bombshell Radio) Generating Steam Heat Bombshell Radio 4pm EST 9pm BST 1pm PDT bombshellradio.com #GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioAgnostic Front-Gotta Go (From the Epitaph Records album ‘Something’s Got To Give’ 1998)Crowbar-White Riot (B side of the Skin Head Records 7’’ ‘Hippie Punks’ 1983)Sex Pistols-New York (From the Virgin Record album ‘Never Mind The Bollocks’ 1977)Malcolm McLaren & the World Famous Supreme Team-Buffalo Gals (DJ Cut Mix) (Charisma Records 7’’ 1982)Grandmaster Flash & Melle Mel-White Lines (Don’t Do It) (Sugar Hill Records 12’’ 1983)Chandra-Get It Out Of Your System (From the Telephone Explosion Records album ‘Transportation EP’s 2018)Debbie Harry-Backfired (From the Chrysalis Records album ‘KooKoo’ 1981)The DB’s-She Got Soul (From the Bearsville Records album ‘Like This’ 1984)Beastie Boys-She’s On It (Def Jam Records 12’’ 1985)Kraut-Onwards (From the Cabbage Records album ‘An Adjustment To Society’ 1982)The Mad-The Hell (From the Disgusting Records ‘Fried Egg’ 1980)Cash Registers-Let’s Be Bad (Self released digital single 2019)Public Practise-Disposable (Self released 7’’ 2019)Warzone-Dance Hard Or Die (From the Caroline Records album Open Your Eyes’ 1988)Misfits-Teenagers From Mars (From the Cherry Red Records EP ‘Beware’ 1980)Krimewatch-Cry Baby/Motherfucker (From the Lockin’ Out Records 7’’ ‘Demo’ 2016)Ramones-53rd & 3rd (1975 Demo)Manitobas Wild Kingdom-New York, New York (From the MCA Records album ‘…and You’ 1990)

Pat selects a record label for Murray and Murray selects a record label for Pat. They both pick songs from that label and the fun ensues!

Its episode thirty of 'Ted Talks - The Ted Hanky Podcast'! Brought to you as always by Teesside's very own tit tickler - Ted Hanky.This week Ted discusses with Mala the huge news on everyone's lips .... The Teesside Earthquake! That's right, the huge natural disaster that hit our region on Thursday 23rd January at 6am .... rumour has it a feature film is now on the horizon, and Ted has the trailer.Mala also shares his latest money making scheme 'Vegan Pick n Mix', informs us why the pop group Ace of Base wrote the song "All that she wants", applauds Fight Club with Leo Percovich, and reveals the real secrets behind Chinese 5G.Ted also counts down the Top 5 hunky fella's over the age of 50.As per usual, the show contains a fair amount of bad language and loads of "you know warra mean's" - (not for the easily offended, snowflakes, ... or sprogs)#makeborogreatagainPlease like, share and leave a nice 5 star review on iTunes, Spotify, Podbean & Stitcher ... and if your feeling like a Rowdy Roddy Ragamuffin you can buy Ted a coffee at this link: https://ko-fi.com/tedtalks_thetedhankypodcast# Written and performed by Ted HankyNEW WEBSITE: https://www.tedhanky.com/Special thanks to Ade Mulgrew for additional content. A Boro Fan TV & Shoe Cake Comedy joint productionSponsored by comedy ticket box office Jokepit.comN:B - This is a parody show. Guests are often not real, subjects are often not real, please don't think this is real ... don't be a Doyle.Characters have been exaggerated purely for comic effect and we bear no malice or ill feeling towards the actual real person. Sincere apologies for any offence caused ... it is meant to be comedy.Music'Silly Intro', 'Dark Knight', and 'Bye Bye Brain' by Alexander Nakarada| https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)https://creativecommons.org/licenses/by-nd/3.0/Attribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Creative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_UShttps://creativecommons.org/licenses/by-sa/4.0/'The Wizard' by Paul Hardcastle Reservoir Media Management (Label) (on behalf of Chrysalis Records); UNIAO

Its episode twenty nine of 'Ted Talks - The Ted Hanky Podcast'! Brought to you as always by Teesside's majestic arse piece Ted Hanky.This week Ted talks to award winning comedian and Teesside lass Catherine Young about her days as a club singer, vegans, growing up near Ayresome Park, and the strip club benefits of her massive bum bum ... plus loads more drivel.Ted also performs his new song 'Wash Your Gooch Gooch Gooch' and counts down the Top 10 list of famous sexy Glamour Nana's.As per usual, the show contains a fair amount of bad language and loads of "you know warra mean's" - (not for the easily offended, snowflakes, ... or sprogs)#makeborogreatagainPlease like, share and leave a nice 5 star review on iTunes, Spotify, Podbean & Stitcher ... and if your feeling like a generous pervert you can buy Ted a coffee at this link: https://ko-fi.com/tedtalks_thetedhankypodcast# Written and performed by Ted HankyNEW WEBSITE: https://www.tedhanky.com/ Special thanks to Catherine Young Comedy for additional content (click name for Facebook page).A Boro Fan TV & Shoe Cake Comedy joint productionSponsored by comedy ticket box office Jokepit.comN:B - This is a parody show. Guests are often not real, subjects are often not real, please don't think this is real ... don't be a Doyle.Characters have been exaggerated purely for comic effect and we bear no malice or ill feeling towards the actual real person. Sincere apologies for any offence caused ... it is meant to be comedy.Music'Silly Intro', 'Circus Theme', and 'Bye Bye Brain' by Alexander Nakarada| https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)https://creativecommons.org/licenses/by-nd/3.0/Attribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Creative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_UShttps://creativecommons.org/licenses/by-sa/4.0/'The Wizard' by Paul Hardcastle Reservoir Media Management (Label) (on behalf of Chrysalis Records); UNIAO'Agadoo instrumental' by Phil KelsallParty Dance Night - Phil Kelsall at the Wurlitzer Organ of the Tower Ballroom, Blackpool (1985)

Phenomenon (1974) es el tercer álbum de estudio de la banda británica de hard rock y heavy metal UFO, publicado en 1974 por Chrysalis Records.  Es la primera producción grabada con el guitarrista alemán Michael Schenker, que entró en reemplazo de Bernie Marsden a mediados de 1973.  Con la llegada de Schenker el grupo dejó atrás los sonidos del rock psicodélico y rock espacial de sus anteriores trabajos, para enfocarse de lleno en el hard rock y heavy metal.  Fue grabado en los Estudios Morgan de Londres y fue producido por Leo Lyons, bajista de la banda Ten Years After.  En cuanto a su portada fue creada por el grupo Hipgnosis. 

Alexandra and Federrica discuss the importance, the difference and the relationship lyrics and melodies have in sync licensing and in personal lives.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Alexandra Carlsson Norlin, who studied International Relations at the Stockholm University, has, for almost six years held the title of Music Supervisor in the London office of the international company Big Sync Music. She’s worked on numerous global projects where she’s been in charge of music on both the legal and creative side. This includes everything from finding and licensing existing tracks to creating original compositions and re-records. Her project client list includes AXE, Dove, Lipton, Casper and a ton more Unilever brands. Federica Farronato, who holds a Bachelor’s Degree in Mass Communication and Media Studies from the University of Padua, Italy and studied Advanced Marketing at the City University London, is the Sync Manager at Chrysalis Records and Blue Raincoat Music. Before Chrysalis Federica was Music Supervisor at Big Sync Music. Federica also has extensive experience in radio and music PR. She is an enthusiastic and creative individual, with a strong history of working with teams and working to tight deadlines. She says her enjoyment and critical interest in the media ( music, radio, television, film journalism, and new media) has increased continuously throughout her professional career. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=WVZLRF49C7Y6A&source=url)

Alexandra and Federrica discuss the importance, the difference and the relationship lyrics and melodies have in sync licensing and in personal lives.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Alexandra Carlsson Norlin, who studied International Relations at the Stockholm University, has, for almost six years held the title of Music Supervisor in the London office of the international company Big Sync Music. She’s worked on numerous global projects where she’s been in charge of music on both the legal and creative side. This includes everything from finding and licensing existing tracks to creating original compositions and re-records. Her project client list includes AXE, Dove, Lipton, Casper and a ton more Unilever brands. Federica Farronato, who holds a Bachelor’s Degree in Mass Communication and Media Studies from the University of Padua, Italy and studied Advanced Marketing at the City University London, is the Sync Manager at Chrysalis Records and Blue Raincoat Music. Before Chrysalis Federica was Music Supervisor at Big Sync Music. Federica also has extensive experience in radio and music PR. She is an enthusiastic and creative individual, with a strong history of working with teams and working to tight deadlines. She says her enjoyment and critical interest in the media ( music, radio, television, film journalism, and new media) has increased continuously throughout her professional career. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=WVZLRF49C7Y6A&source=url)

It's 1975, it's fancy central London and at Moorgate Underground Station a load of miserable commuters are waiting to catch the worst tube journey since Phil Lucas passed his kidney stones.  In what vastly overpaid tube drivers are already complaining to their union is the 29th episode of the CB Wallop Podcast, Join Phil Jerrod and Phil Lucas as they discuss The Moorgate Tube Crash - the weird and mysterious tale of how a perfectly healthy man, on a perfectly normal morning, drove his perfectly maintained train into a very big wall.  Was he startled by a pesky ghost? ... no.. no he wasn't.  Trigger Warning: This one's proper carnage. If you're scared of the tube this isn't going to help at all. There is lots of claustrophobia, lots of crushing, some amputations and one very, very scary ghost story. Mind the gap my friends.   Music by Steve Adam Sound Clips: Disaster - Moorgate train disaster - 28/02/1975 Discovery Channel https://www.youtube.com/watch?v=iem5zLPniTk&t=496s Steve Harley - Make Me Smile (Come Up and See Me) Song: Make Me Smile (Come up and See Me) (Live) Artist: Steve Harley, Cockney Rebel Album: Face to Face (A Live Recording) Writers: Steve Harley Licensed to YouTube by Reservoir Media Management (Label) (on behalf of Chrysalis Records); PEDL, ARESA, EMI Music Publishing, SOLAR Music Rights Management, LatinAutor, Kobalt Music Publishing, ASCAP, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, LatinAutor - SonyATV, and 15 Music Rights Societies https://www.youtube.com/watch?v=qpJ0cyXbMbI [No Copyright Music] Ghost - (Royalty Free Scary Music) ------------------------------------------- Music provided by No Copyright Music: https://www.youtube.com/c/royaltyfree... Music used: Ghost by Tim Beek timbeek.com Licensed under Creative Commons Attribution 4.0 https://creativecommons.org/licenses/... ------------------------------------------- https://www.youtube.com/watch?v=RI0EGg-ikd0 Sources https://en.wikipedia.org/wiki/Moorgate_tube_crash https://www.railmagazine.com/trains/heritage/moorgatethe-unresolved-tragedy https://www.london-fire.gov.uk/museum/history-and-stories/historical-fires-and-incidents/the-moorgate-tube-crash-1975/ https://www.dailymail.co.uk/news/article-1240625/Thirty-years-Britains-worst-Tube-crash-victims-son-asks-Did-suicidal-driver-kill-42-innocent-passengers.html https://unitedcats.wordpress.com/2008/05/14/the-moorgate-tube-crash-deconstructed/ http://www.railwaysarchive.co.uk/documents/DoE_Moorgate1975.pdf https://www.youtube.com/watch?v=iem5zLPniTk https://www.reddit.com/r/UnresolvedMysteries/comments/67zkl6/the_moorgate_train_disaster/ https://www.youtube.com/watch?v=bRS8gKfUEyw&t=669s

Dolly Mixture special with Rachel Lowell in conversation with David Eastaugh  Dolly Mixture were an English band formed in 1978 by bassist and vocalist Debsey Wykes, guitarist and vocalist Rachel Bor and drummer Hester Smith. They had a taste of Top 40 success performing backing vocals for the Captain Sensible hit "Wot", a Top 10 hit with Sensible on "Glad It's All Over", and a UK No. 1 hit backing Sensible on his 1982 cover of "Happy Talk". Rachel Bor also featured on the Animus/Loose Records single "Wot NO Meat?" also by Captain Sensible in 1985. Rachel and Debsey performed together on 24 April 2013 at the Islington Assembly Hall in London. The group was formed in Cambridge by Bor, Smith, and Wykes, three school friends who shared a fondness for The Shangri-Las and The Undertones. Dolly Mixture supported The Undertones on one of their first UK tours. The band also played venues with The Fall and The Transmitters in 1979. They were once supported by U2. In Autumn 1981, they toured as the featured support band for Bad Manners on their Gosh It's tour and were very well received by the second wave mod/ska audience that filled various theatres and venues up and down the land. Relocating to London to gig extensively, national BBC Radio 1 DJ John Peel gave them exposure on his radio show and in his weekly column in the UK pop paper, Sounds. Signed to Chrysalis Records, the group released a cover of the Shirelles hit, "Baby It's You" (1980), produced by Eric Faulkner of the Bay City Rollers. However, the cover version was disowned by the group, which protested the label's attempt to sell them as a teen girl group. Their next single, "Been Teen" (1981), was the first single released on Paul Weller's Respond label. It was followed by "Everything And More" (1982), also released on Respond. Both singles were produced by Captain Sensible and Paul Gray of The Damned. They became friends with Sensible and recorded backing vocals on his singles and albums. After Sensible had a hit with "Happy Talk" in 1982 (featuring Dolly Mixture, credited as "Dolly Mixtures" on the single, and also in the song's video) and following various appearances on the television show Top of the Pops, Dolly Mixture – as a separate entity from Captain Sensible – performed extensively. In 1983, the band released a double album called the "Demonstration Tapes" on their own Dead Good Dolly Platters label. The album sported a plain white cover and each copy was numbered and authentically autographed by the group members. Only one thousand copies were pressed. The album featured 27 demo tracks which covered a large part of the band's repertoire. The same year saw a release of the "Remember This" single, again on Dead Good Dolly Platters label. The B-side was a piece entitled "Listening Pleasure/Borinda's Lament", which included dialogue (à la Home Service British Force's Radio DJ), a half-finished song and an instrumental chamber piece with Wykes on piano and Bor on cello. The 12-inch vinyl Fireside EP was released in 1984 on Cordelia Records, owned by Alan Jenkins, a member of The Deep Freeze Mice. The six-track EP represented the band's new artistic direction and contained mostly instrumental pieces, abandoning the guitar/bass/drum format. The most recognisable track was "Dolly Medley", containing highlights of the Dolly's repertoire, including the previously unreleased "Dead Rainbow", all done in a chamber music style. It was produced by Dolly Mixture and Andrew Fryer.

Show #799 Enjoy The Music Just a usual Bandana Blues episode filled with great music, new and old. So enjoy the music. 01. Dennis Jones - Enjoy The Ride (3:46) (Both Sides Of The Track, Blue Rock Records, 2016) 02. Selwyn Birchwood - Overworked And Underpaid (4:07) (Don't Call No Ambulance, Alligator Records, 2014) 03. Cassie Keenum & Rick Randlett - Born With Wings (3:33) (Hauntings, self-release, 2017) 04. Zac Harmon - Desperate Love (4:10) (Mississippi BarBQ, Catfood Records, 2019) 05. Travelin' Men - Dear Shirley (4:57) (Barfly Blues, self-release, 2002) 06. Cheyenne James - Lay Me Down (4:26) (Burn It Up, self-release, 2018) 07. Jersey Swamp Cats - I Don't Mind (3:23) (Go Cat Go!, self-release, 2019) 08. Debbie Bond - Enjoy The Ride (3:55) (Enjoy The Ride, Blues Root Productions, 2016) 09. Mark Cameron - Next Stop Is The Blues (4:42) (On A Roll, Cop Records, 2019) 10. Arno - Rollin' And Tumblin' (4:20) (Covers Cocktail, Delabel, 2008) 11. Alice Howe - Honey Bee (4:50) (Visions, self-release, 2019) 12. Little Steve & The Big Beat - Yes You Can (3:18) (Another Man, Continental Record Services, 2016) 13. Fabulous Thunderbirds - The Monkey (3:12) (T-Bird Rhythm, Chrysalis Records, 1982) 14. Frankie Miller - I'm Ready (3:09) (Once In A Blue Moon, Chrysalis Records, 1972) 15. Ralph Shine Blues Band - I'm Ready (5:01) (Ralph Shine Blues Band, Blue Rock'It Records, 1983) 16. Rodrigo Souza - Mountain Top (4:21) (Down The River, self-release, 2019) 17. The McKee Brothers - Enjoy It While You Can (4:28) (Enjoy It While You Can, self-release, 2016) 18. Tullie Brae - Watch Her Move (3:22) (Revelation, Endless Blues Records, 2019) 19. Eric Bibb - With A Dolla In My Pocket (3:52) (Migration Blues, Stony Plain Records, 2017) 20. Trampled Under Foot - It Would Be Nice (4:06) (Wrong Side of the Blues, VizzTone Records, 2011) 21. Ana Popovic - Minute Till Dawn (5:13) (Hush!, Ruf Records, 2001) 22. Blood Sweat & Tears - Heavy Blue (5:19) (More Than Ever, Columbia Records, 1976) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Find us at: iTunes Spotify Patreon CW: Violence including violence against women, casual sexism, sexual harassment, murder, public outing of transgender people Full disclosure - this movie was so boring at spots that at least one of us was falling asleep in the climactic scene. I mean, there’s good action and a darker, tougher James Bond, but there’s something so inescapably mediocre about this very boilerplate 80’s action film. Maybe it’s the fact that there’s so many similar plot points to On Her Majesty’s Secret Service that this movie would’ve gotten sent to the principal’s office for cheating in high school. Or maybe it’s the fact that this was supposed to be Roger Moore’s final Bond film and so many younger Bonds could have taken this movie and run with it. This one’s a mess, and not in the fun way. Listen as we break down 1981’s For Your Eyes Only! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including two Bond specials, 1967’s Bond spoof Casino Royale and the 1983 non-Broccoli Bond remake Never Say Never Again! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Excerpt taken from "James Bond Theme," written and composed by John Barry, and performed by the John Barry Orchestra. ℗ 1962, 2012 Capitol Records LLC. Excerpt taken from from "Main Theme" written and composed by John Williams, and performed by the London Symphony Orchestra. © 1977 20th Century Records. Excerpt taken from from "On Her Majesty's Secret Service," written and composed by John Barry, and performed by the John Barry Orchestra. © 1969, 2012 Capitol Records, LLC. Clips from Return of the Jedi © 1983 & 1997 Lucasfilm Ltd. All Rights Reserved. Excerpt taken from "For Your Eyes Only," written by Bill Conti and Mick Leeson, and performed by Sheena Easton. Copyright 1981 Liberty Records; Danjaq, S.A. and United Aritsts Music Co., Inc. Excerpt taken from "For Your Eyes Only," written by Debbie Harry and Chris Stein, and performed by Blondie. Copyright 1982 Chrysalis Records. Clips from For Your Eyes Only © 1981 Danjaq, LLC and United Artists Corporation. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

This is episode 12 of GIRLS ON FILM PODCAST – Todays guest is lauded entertainment executive LaRonda Sutton – SUTTON is a founding executive of the early LA hip hop. With lifelong friends LA REID, EVAN MEDDLE and JAMIE FOXX – Sutton – who founded the SOUL - R&B Division at Chrysalis Records, signed artists - Roy Aires – OUTKAST – GOODY MOB – AND - Tony Rich – ALONG WITH - Beyonce & Destinys CHILD - - Moving to NYC to continue her work with LA REID – SUTTON was soon grabbed by UNIVERSAL MUSIC PUBLISHING NORTH AMERICA - where – under the guidance of music executive legend – TOM STURGESS – she created a larger division collaborating with song writers including- Mary J Blige & Prince - - - soon after, SUTTON came home to Atlanta GA to head up the Mayors office of FILM & ENTERTAINMENT – helping GEORGIA become one of the worlds’ top 3 locations to film in the world.

Generating Steam HeatToday's Bombshell (Bombshell Radio)Bombshell Radio4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat, #Postpunk , #punk, #newmusic ,#60sClassics,#Ska,#60sGarage,#StitcherRadio,#Itunes, #BombshellRadioReigning Sound-Time Bomb High School (From the self titled In The Red Records album 2002)Bad Moves-Spirit FM (From the Don Giovani Records album ‘Tell No One’ 2018)Petrol Girls-Strike (From the Hassle Records EP ‘The Future Is Dark’ 2018)Bush Tetras-Too Many Creeps (99 Records 7’’ 1980)Constant Mongrel-Puffy (From the La Vida Es Un Mus Records album ‘Living In Excellence’ 2018)LIPS-Walls (Self Released digital single 2018)Blanketman-Sick & Tired (Self released digital single 2018)Liquid Liquid-Cavern (From the 99 Records 12’’ EP ‘Optimo’ 1983)Generation X-Untouchables (From the Chrysalis Records album ‘Kiss Me Deadly’ 1981)Ultra Razzia-Transport Au Cerveau (From the self titled Primator Crew Record album 2018)Talitha Rise feat Doktor MattyB-Chapel Bell (Doktor MattyB Remix) (Self released digital single 2018)Hotel-Makin’ The Rules (From the Anteprima Records MLP ‘Express Checkout’ 2017)Gouge Away-Stray/Burnt Sugar (From the Deathwish Records album ‘Burnt Sugar’ 2018)Dot Dash-Disguises (From the Beautiful Music Records album ‘Proto Retro’ 2018)Maximum Joy-Stretch (Y Records 12’’ 1981)

Richard Porritt, Steve Anglesey and Geri (Ginger Spice) Scott return for another round-up of all the news from Planet Brexit. This week the team are joined by Chrysalis Records founder and chairman Chris Wright and explain the TARP theory. And, as usual, there is another Brexiteer of the Week.

Att på dödsbädden kunna ligga stilla och tryggt och fastslå att ”tammefan, jag krämade ut så jävla mycket ur detta liv som jag någonsin kunde – jag nådde min fulla potential och är så jävla glad för det” är nog inte så många förunnat. Men ur Abraham Maslows motivationsteori om behovstrappan med självförverkligande som slutmål är det just detta livet går ut på. Självförverkligande. Blir man verkligen nöjd då eller strävar man efter mer? Detta behandlar vi i dagens avsnitt. Dessutom pratar vi om Hesa Fredrik, Pinocchio och om Claes Elfsberg helst vill bli utnämnd till Sveriges sexigaste man eller få en pizza med ost, tomat, skinka och fetaost uppkallad efter dig. Kan inte bli bättre. Eller sämre. Det är vad det är. Musik i podden: Kanye West - Runaway, Roc-A-Fella, Universal. Chesney Hawkes – The One and Only, Chrysalis Records. S Club 7 – Bring it all back, Polydor, Interscope. Queen – I want it all, Parlophone, EMI, Capitol. Veronica Maggio – Verkligheten, Universal. Led Zeppelin – Stairway to Heaven, Atlantic Records. - We have legal rights to all the music that is played in this podcast. For more information - visit Ifpi web page. See acast.com/privacy for privacy and opt-out information.

The founder of the iconic Chrysalis Records talks about his entrepreneurial drive. With businesses in music, radio, TV and even sports under his belt - Chris Wright talks about taking a punt on artists, how the industry has changed and why sport is a billionaire's game.