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Show notes and Transcript Today we delve into grass-roots activism, we have all seen the yellow boards pop up at road junctions across the country, joined with a cacophony of car horns in support. When online censorship tries to curtail the flow of information, it's time to go back to the traditional methods. Billboards. Francis O'Neill has become known to many of us for his high profile involvement with this new/old medium. He joins Hearts of Oak to discuss why he got involved and what the response has been from the public. The concern has moved on from forced jabs to full covid tyranny and the threat of a cashless society, with control through surveillance now the biggest threat we face to our freedom. Connect with Francis and The Yellow Boards Movement... X: https://x.com/FrancisxONeill?s=20 https://x.com/YellowBoards?s=20 SUBSTACK: https://francisoneill.substack.com/ LINKS: https://heylink.me/yellow_boards/ Interview recorded 26.9.23 *Special thanks to Bosch Fawstin for recording our intro/outro on this podcast. Check out his art https://theboschfawstinstore.blogspot.com/ and follow him on GETTR https://gettr.com/user/BoschFawstin and Twitter https://twitter.com/TheBoschFawstin?s=20 To sign up for our weekly email, find our social media, podcasts, video, livestreaming platforms and more... https://heartsofoak.org/connect/ Support Hearts of Oak by purchasing one of our fancy T-Shirts.... https://heartsofoak.org/shop/ Please subscribe, like and share! Transcript (Hearts of Oak) Francis O'Neill. It is wonderful to have you with us.Thanks so much for giving us your time today. (Francis O'Neill) Thank you, Peter. Thanks for having me. Great. And obviously, wanted you on, seen many of the videos, pictures, the whole thing with yellow boards, trying to get a different narrative, I guess, to what the mainstream put out. But people can find you. There is your Twitter handle @FrancisXONeill. Also, the sub stack, the links are in the description and they're also on your Twitter page. Francis, maybe before we get into what's been happening, how you've been getting a message out, the response from the public, what are the issues which have become a freedom encompasses a lot and it's become much wider than anti-Covid tyranny. Do you just want to maybe introduce yourselves, because we have probably two-thirds US audience actually now, and they may not be aware of who you are. Do that first and then we'll jump onto the yellow boards. Well, I'm actually a self-employed artist and I was teaching just life drawing and portrait painting. I was living in Oxford and making a living doing that. I was teaching from a studio, which I rented as part of a complex with other artists. And that's how I was getting by. I was doing jobs, sometimes teaching in other locations, but I'd become aware that things weren't as presented in the mainstream media due to 9-11. I had questions on the day, but I wasn't really woken up on the day. I just thought that would be resolved by investigations and so on. But as you know, with the prevalence of the internet, I mean, you start to become aware that there are alternative theories out there. I started to look into that quite deeply. And once I became aware that the official story of 9-11 was not true, I started to question other aspects of our society, our history, the way we were being told things, the way information was being presented to us. And you start to question the sources. And so I became, I underwent the process that a lot of people have gone on since 2020. I underwent it probably around from 2003 onwards. And so when 2020 came, I was already aware that this wasn't going to be true. This was another ruse. This was another means of control. It was part of a larger agenda, which we now know is called Agenda 2030, or it's the World Economic Forum calls it The Great Reset, it is a means of removing our wealth and our, sovereignty to control us. From the very beginning in 2020, I thought something needs to be done about this. I also felt a sense of guilt that the 9-11 truth movement, which I had been a part of, had not done enough. I remember the first day, I was waiting for people to arrive for my class and they did not come. This was before the lockdown, a few days before it was officially announced. I thought, oh my gosh, they are all falling for it, we haven't done enough, I was in a classroom and there was nobody here. I was waiting for people to turn up. I thought this is going to be bad. I had a sense of dread and worry on that day. I was thinking they were really falling for it. I started to be very active very quickly. I emailed everybody I knew on my mailing list for my classes. Everybody, my peers who shared the studios with me. I made my position known, which may have been a mistake professionally and it cost me later because people thought you were spreading the plague, they knew you weren't going to be compliant and so I lost, I was actually forced out of the studio mid-2021 because I wasn't complying with any regulations. But I also got out on the street within about a month. I started making videos, I was making posts routinely anyway about the truth movement. But I'd say it was about April, we started to be, I started to do the first outreach in the streets. I started making videos more to wake up my friends and family and they did actually work, I did get through to my family, they didn't actually, I never like to speak about what they didn't do, but you know what, there was an element of success there, I felt. And so, but in short, I became active. I eventually left Oxford because I'd lost my place of work, which was where I was making my income from I lost that studio because I was forced out in 2021. So I ended up in London in 2022, and I became attached to the Yellow Boards, which is what you were referencing there. And this group, the yellow boards, actually I saw first happening in New Zealand. There was a group of people along a street, a video went round, probably around 2021, late 2021, of people questioning the vaccines and they had yellow boards with slogans on them, like every 50 yards along a stretch of road. And the questions would develop as the driver went past and someone had filmed it from a car. Now this took on in England and also with the rebels, we have a thing called rebels in roundabouts, which started in Stockport. One of the guys there actually said that he'd seen my videos from Oxford and it had helped sort of inspire or encourage him to get out and do that sort of thing. One of the guys who set up the Rebels and Roundabouts. But Yellow Boards is not my invention, it's something that I've, got involved with that was already ongoing by the time I arrived in London in 2022 and so what's happened is sort of, I'm not really an organiser or a maker of flyers and boards and things like like that. So there are very hardworking people who do this. And I seem to be the one who, like an unofficial spokesperson, I'll speak to the camera and I'll speak to people. If someone comes to ask a couple of questions, they'll say, go and speak to him. They'll talk to you. And so that's my role. I just talk to people and present the information as best I can. So your name keeps coming up. Francis O'Neill, you know, yellow boards. Oh, yes. So I want to, there are a couple of things I want to pick up on that, But let me just play some of the clips from around London, just to give the viewers and listeners an idea of what happens in case they have not seen it. So let me just, the first one is, the first one, actually, is Shepherds Bush, I think. Let me see. First one, Shepherds Bush, which I know very well, just around the corner in West London. Let me just play this little clip. And then there are two others from London. (cars beeping in support of yellow boards) So that was Shepherd. Let me do just another one up in Harrow. Shepherd Bush is West London. Harrow is kind of North West and it's the same thing and I want to ask you about kind of that response. You obviously hear the horns beeping on the cars, but here is North West London and Harrow. (Music and cars beeping in support of the yellow boards) We could go on, let me, we could show a lot of them. Can I ask you, when you went out, what were you expecting? We are, many people watching, they'll be engaged in trying to change opinion of those around them. You jump out and do something in the wide world with the public. Tell us about kind of the response you've got and obviously we hear the horns beeping. Is that a regular occurrence? When I first started going out in Oxford in 2020, the response was different. We are talking about lockdowns and people were very hostile. Oxford is like an academic town and has a lot of the research facilities like the Jenner Institute. With regard to that, initially it was very hostile but there were people who were very grateful. Thank God there is somebody who is out there on the street. I felt all alone and I didn't realise other people thought like me. You tend to get a range of those emotions. And we do different subjects obviously, so in London with the yellow boards, the ULEZ , obviously with car drivers, is almost universally unpopular. It is restricting car movement and so on. I think it is also serving to waken people up to the wider problems and agendas I mentioned earlier. With the ULEZ, when we put ULEZ boards up, you tend to get a good response. The good thing about it is, not there are some people who will disagree and they may drive cars because they still think it's in their best interest to have less pollution or whatever the tagline is it seems to vary which I think is very strange as well sometimes it's about an environmental emergency and sometimes it's about children with asthma and obviously it could be about both in theory if it's about clean air, but it's not about clean air because actually if you test the air in London in most places it's very very clean and where they do have hot spots they're not doing anything particular to to solve the pollution in those areas and also on the tube it's up to it's, different studies have said different things like it's 40 times dirtier and people tested maybe have made it higher in terms of the contaminants in the air on the tube so they don't do anything about the air on the tube which is where they're trying to push everybody to go into the public transport but they're concerned about the air where it's actually well within safety standards above ground. And I think people are wise to that. I think people in the cars, they've cottoned on to the fact that this isn't true. So when we go out now, particularly, and it has increased over the time I've been involved, and also obviously since the time it started, but as I say, I can speak from my experience from, 2022, probably mid-2022 in London, even the ULEZ, now it's deafening. You go out there, You get constant car horns. We are not always filming. Sometimes you miss the bits where it is ridiculous, the noise and the cacophony of cars going past. It depends on the location. Sometimes you go to a location that is more muted. And you get more conflicts of opinions where people think that... It is usually people... We are always a bit wary of the cyclists because they sometimes hurl abuse at you. You often get people going past on the bikes as well, tinkling bells going, as in because they don't have a horn obviously on the bicycle so they'll show their support tinkling the bell so so you just can never be sure who's going to say what to you, but the pedestrians... Can be interesting and say things to you. And then you get into dialogue. And sometimes people in the cars will say things like, or like they'll say you're crazy, or I had a guy waving his asthma inhaler at me today. You don't care about me. And I'm saying, well, it's not about air. And I try to explain the things I've just mentioned about how the air is worse on the tube. And when you test the air, it's fine. And it's about control. And I try and make them aware of that. But we all try to be as non-confrontational as possible, but sometimes we get told we're killing children, which is ironic if you actually look at what's going on in the world at the moment. So we're the ones killing children. So yeah, so mixed responses, but overwhelmingly positive about the ULEZ. And I'd actually say we went to the COVID inquiry and we, when Abi Roberts got arrested. And I was surprised given the varied reactions we'd had to COVID lockdown and vaccination outreach that we'd done before, the overwhelming- Tell us about it, because obviously it started, all of this has started in a pushback towards restrictions under the COVID tyranny. And I know you were there, I know Abi was arrested. We had her on just after, and her talking about how you were waiting outside, waiting for her. And I think you realize who your friends are in situations like that, when you get arrested. Where's everyone gone? Oh, they've gone home, and you waited outside. And that camaraderie, that connection, that networking, that standing shoulder to shoulder has been something that I've seen turning develop over the last three years. I met Abi at one of the marches in London where they have these worldwide rallies for freedom and Abi is a regular at those and I had a mutual friend and said, Abi is going you need to say hello to her. So I said hello to her and you never know if you're going to hit it off with people or whatever. Abi and I were interviewed by somebody came up and interviewed us and we just had like a sort of rapport and it was funny, we were making a bit of a joke with the interviewer and things like this. And so we hit it off and we had a nice conversation and then stayed in touch and just said, like, I'm going down to the COVID inquiry. And I knew that she'd be interested because Matt Hancock, who was our health secretary during the lockdown, was gonna be there that day. And she said, okay, I'll come down. And so she came down to hold a yellow board and make her presence and her opinions known. And she only lasted half an hour. I understand what you mean when you say Abi making her opinions known, it's beautiful. She wasn't actually that bad, I mean I know that she's very, as in from the police or the establishment perspective, she wasn't that bad, it was just kind of hilarious that she probably lasted about 23 minutes and we had a half-past eight in the morning or something like this in there. And anyway, so she, we walked behind a camera with the yellow board, and we'd been told not to encroach on this space where the camera's filmed. The previous time we'd been at the COVID inquiry, which was about a week before, a few days before. And Abi hadn't been there, so she didn't know, so she just marched in behind and held a board behind one of the reporter's heads. And actually it was a station that she'd previously worked for, the GB News one. So I followed her in and put a board up there and just thought we'll stay here until they move us on. And we did it with Sky TV as well. And then, uh... And she said a few things to the ranks of cameramen and photographers. What have you all been doing? Why are you not reporting anything? And she might have used the F word a couple of times, but nothing too severe, nothing they hadn't heard. And then this guy came out and she's told the story anyway. But yeah, it's on film, you can see. So when she started, when they came to arrest her, I just thought I need to keep my mouth shut because I'll speak over the dialogue and I'll just film it and get a really good footage of it. But then I didn't know whether to put the footage out in case they didn't have any incriminating evidence against her. So I had to sit on the footage until she was released. And then she, there was one moment where I thought the police reacted, I haven't mentioned this before, so in the footage you can see the police, one guy's already told her she's arrested and the others are trying to reason with her, so it didn't really make sense, and they seem to be trying to calm her down and she was saying, do you see this? And she showed one of the badges that she wears for Trudy and whose son committed suicide during lockdown and she was saying, you know, and they, the police, in my first impression of it seemed to recoil at that point. And I thought, oh, wow, that was powerful. Like I was filming it and then, and they seemed to, but when I watched the footage back, I think what actually happened though, he thought was, we can't reason with this woman. They gave up trying to like mollify her and settle it down and stuff. That, cause I thought at first it was the power cause that's what it affected me. And I thought, oh wow, that's got to have an effect. But actually I don't think that's what happened. I just thought that she's, we're going to have to, but they'd already arrested her. So, and then they arrested her and they took her away. And I felt a bit, because I'd invited her down, kind of knowing that she'd provide a bit of fireworks, right? So I felt a bit like, what's the guy? Fagin or something, getting her into trouble. And then she was in the cell. So I felt kind of a responsibility as well. And also thought that if I was in the cell and everyone just went home, I'd come out thinking that's not very nice. So I went down to wait. And also she told me it's only going to be a couple of hours because she'd been given that suggestion. And then as I started to wait and it started to get into the evening, she'd been there 12 hours, the police started to say to me, listen, mate, you're going to have a long wait. And they'd obviously changed the way in which they were going to process her because instead of it just being a basic, you know, you've done a minor misdemeanor, let's get you in and out. They just decided to be awkward and hold her in and charge her in a different way. And they let her out at three in the morning just to be, I think, just to make it unpleasant and uncomfortable for her. So the police became aware of this and rather kindly actually said to me, like, you'll be waiting a long time mate, you should probably go home, she's not going to be let out till the morning. So I had to go and that's what happened. Obviously the whole COVID, well COVID whitewash, not inquiry, but tell us how, because whenever you've been out with boards, it's one thing going with those big demos, where it's that spirit of togetherness and everyone is 100% awake, where you go out on the streets, you kind of expect it to be it to be different. I'm sure going to those demos, I'm sure you've got a lot of pat on the backs and a lot of kind of well done and realizing that people appreciate how you're putting the message out. Well on the bigger demos, you're amongst a lot of people so there's the strength in numbers and as you say that you can have a chat with people who think the same as you, you still get some people even on the bigger ones if you're on the edges on the peripheries of a group of people marching down a street where people will pull faces or say get lost or shout some abuse at you. You occasionally get that, not normally though because of the numbers because they're slightly intimidated by the numbers. People tend to keep their opinions to themselves when they see thousands of people marching down. You are a little bit more exposed if you go out with a board but generally speaking it's okay. I mean, one of the, connected with the Yellow Boards, I should say, in Stockport, a thing called Rebels on Roundabouts started up at one of the roundabouts in Stockport near Manchester in the north of England. And I went down there a few times, because that's where I'm originally from. And we had eggs thrown at us from a passing car and things like that. And that occasionally happens. But to be honest, most of the time, I don't feel like I'm under threat. I know that sometimes people say nasty things to you and that might, other people might bother them more. I don't really, it doesn't really faze me, I don't think, I don't think it really fazes the people who do it. If people, a lot of the time people are not very brave when they confront you, for example, people will sit there in the car at the lights and when the lights change they'll shout something just as they're going, or the same with a cyclist, so, or if they're passing at speed, so sometimes it's quite funny when they say something to you and then the lights change and they have to stop and then they they sit there like that, or me, cause you can come and say something back then. So yeah, there's not, I don't know. It's not something that concerns me really. Like I think you are going to get people who disagree with you. And I would say my goal and the goal of people there is not to have a confrontation. So if somebody's, sometimes you get people really angry saying you're killing children, you know, it's disgusting. And because we say with ULEZ, they see that as saving children with asthma. Or that's what they've been primed to think. And we say, well, can you explain that? Like, or just, I just try and, or if someone's so in such a heightened state, I just let them carry on walking, or if I can, I'll try and reason with them and bring them down because I learned very quickly, that in 2020, if you go out there, if I go out there and I'm angry, which I was initially in 2020, and start shouting and raving. It's not gonna get anyone on your side. And that's the goal, really. So for the most part, we're there to have reasoned discussion and to share our views and to make people at the very, even if we can't change their minds, obviously, and sometimes you can't do that instantly, is just to make people think, realize that we're not crazy, that we are coming from a reasoned position. And I think that's very important. So we're not, because obviously, they'll say to you, you're a right wing conspiracy theorist, or Sadiq Khan said it. He said, like, you're COVID deniers, vaccine deniers, Tories, all this stuff, like, all the things could think of to say that might be words to lodge in people's brains but the interesting I think I've got a line that I always think of that people, everybody thinks that it's everybody else who falls for propaganda and that includes me so I'll think like oh someone else has fallen, has been brainwashed by the state propaganda but they'll think of me I've fallen for right wing propaganda it's always everybody else who falls for propaganda. It's never me or you know the person thinking so I think that if you can make people aware that there is a different way of looking at things and at least consider it even if you reject it. I think that's a that's all we can do with the yellow boards is to make that we're trying to circumvent mainstream, no mainstream media has censored our point of view so we're trying to find a route to introduce that other point of view in a respectable way to the public. Yeah it is about making people think and not having that argument because that doesn't actually benefit you. But what about you because I mean it's like a political campaign, I mean I remember back in the days of UKIP, knocking doors, flyers, non-stop and it's about getting the message out and you'd see billboards about different political parties and what you're doing, it's kind of getting the message out, it's PR but it's kind of that field. I mean, how did you, are you, have you been involved politically? Are you a massively outgoing person? Because people think I wouldn't want to stand on a road junction with a huge sign. I mean, people want to keep their thoughts to themselves, not to display it to the world. What was that like. Did you have anything politically background that you had engaged a lot with people on different issues? Not all and I as I say, I started online with the 9-11 truth movement and I used to feel like an imperative. So once you become aware that that say for example, there's a great injustice going on like the war in Iraq or Afghanistan. The removal of our freedoms as well, even if you want to be selfish about it with the in the United States it was the Patriot Act and here we had the terrorism act and you could see the trajectory of of the state machinations then you think well if I do nothing that's going to continue and this isn't going to end well even from a selfish point it's not going to end well for me but I also felt like if I was in Iraq or Afghanistan or any of the other countries affected by the 9-11 wars which have been raging for 20 years so it's like northern Pakistan there's places in Africa and every that being bombed and so and also you've got Syria, Libya, Yemen all these places that have been affected I thought well I'd want someone to at least make a few memes on my behalf in the country. So that's what I used to do. I used to try and make posts and raise awareness and use the internet as many of us are now doing since 2020. So that's what I saw as something that I could contribute. And also I saw myself as being someone who could translate some of the dense material into the language or into the format, like a meme that people would engage with. So I'm not like an academic or a scientist or anything like that. I can read that stuff and think what is the kernel of truth we need to pass on and put that into that format. That is what I thought I could contribute to that movement. In 2020 I tried to do the same thing. That would be the role that I was trying to fulfil. So in terms of getting in the street and presenting that thing, I also think I have done a bit of teaching with the art I was talking about. So you get used to presenting information in front of people and being questioned and you know I've taught in front of kids, I've on in front of pensioners and so I'm not that uncomfortable speaking if I feel like I'm informed, in front of people. So there's that side of it. So maybe I was prepared to do a bit of that. But even if we're just holding a board, I think that was, I read, I think, around 2020 about if you're doing a revolutionary movement, you have to have something that other people can do. So like when we were doing the gazebo, one of the mistakes we probably made is that we would speak to and challenge the police and argue with the police and argue with the public. But not everybody feels that they want to do that. Nobody wants a confrontation really in their life. If you can go through your morning without arguing with the police, you'll probably take that, right? So that's not something that everybody can do and engage what wants to do. But if you do it much simpler, it's more passive. It's just like, you can use a yellow board. Everybody can pretend to be a signpost for a couple of hours, right? Everyone can just be like, oh yeah, I'm just holding this in the street. And it's a more passive way. And the cars are going past. Usually you can stand in a place where the cars aren't gonna stop and they're just whizzed by you and they'll just read your placard. And then you don't actually have to have an argument or a fight, you can just say, there's my board. So it's something that everybody can do is hold a board. You don't have to have read the scientific papers. You don't have to have, you know, you're not like you're arguing with Dr. Fauci or Matt Hancock or something. You can just hold the board and say, where's my freedom going or something. So there's that side of it. And that's something that everyone can do. It's easily replicable. And so you can do that. So the yellow boards have been sprouting up. And I think that's the key. got to give something that everybody can do. So it's that kind of thing. It's just making sure that we get the message out, that's the key thing. And it's not about really presenting to an audience, like in the sense of verbally. And something I've certainly seen is nothing is from the top. I think that's why the police, government, the media are so concerned about free thinking because it's a grassroots thing. You see the yellow boards popping up everywhere, some are organized and some are not and you see the change but I'm intrigued with how people came together on the issue of, against COVID here and the issue of freedom but then you realize that encompasses so much and let me actually, let me play one of the videos of you speaking on, is this the use cash one or is this ULEZ? Let me play it and then we can touch on kind of those other issues which have come up and I think as people have thought more about issues over the last three years they're more open to this but let me play this first one. (Video of Francis plays) Okay we're here today at Harrow Road and if we take things in reverse and just look at things slightly differently and wonder if there was, in the hypothetical situation, that there was a plan or an agenda to deprive us of our freedoms and to change the way we live. What would it look like and how would they encourage us to consent to it? So, if they can't do it by force because maybe there's a smaller number, they would have to get us to believe that it was for our own good and in our best interest. So, they might then tell us, I don't know, like the end of the world's coming unless you all do what we say, like, you know, like the sky is going to fall on your head or something along those lines. And then they might start to say, what we need for you to do is to use less resources and maybe, Maybe not have a car, maybe lock yourself in your home, maybe we'll bring about some measures so that all independent traders lose their small businesses, so that then you're in the sort of grasp of the state, whether it's because you're on the dole, on a universal credit or whether you're working for corporations which seem to have a lot of control in our country at the moment. So, with that in mind then, people often ask me what it is that they should do, like when, we talk to them about the ULEZ, they say, what should we do about it? Now, what guys say to me with their vans, they say, I'm losing my van, I'm going to have to give up my van and because I've not got my van, I won't be able to work, in which, case I'd be in that situation I've just described. So that's a real problem. So, if you then think about it, there's a guy called Alexander Solzhenitsyn, who ended up in a labour camp in Russia, and old Alexander said, I wish we'd have got out there quicker when they first came to us with iron bars and pots and pans and done something about it. Now, I'm not suggesting you do that, but if you're going to lose your van anyway, and you're going to lose your job anyway, and be in state control, what other options have you got? Some people are using the options of taking down the cameras, and some people are not paying the fines. In fact, millions of pounds apparently are unpaid. Now, if everybody who beeps the horn, as you hear there, did not pay and refused to pay, this scheme would not work and we have to consider that if we're all going to lose everything anyway. I think that's a good point, how people respond. That is on ULEZ, which is obviously the ultra low emission zone, which is in London and attacking the motorist. I think I saw a meme somewhere that someone said, we're told that cars, your older vehicle is going to kill children, but if you pay $12.50 it's okay, the child is saved. It's not about money. But tell us about, because there's been massive support for, against the ULEZ with people cutting down cameras. I didn't think I would see that in Britain, that level of opposition and anger and law breaking. I thought, wow, something's broken in the spirit. It's not just the British shrugging their shoulders, which we think we saw in lockdown, but actually people are doing something. I mean, tell us about that in the response and how you see that push back on the attack on the motorists. Okay, so I want to just say something that I should have said in response to your last question, but I forgot, but you're asking me about the yellow boards and what we're doing that is that what we're trying to do with the yellow boards is do what the government did to us from 2020 onwards. So they put signs everywhere, they put arrows on the floor, they put everywhere you went. So we're trying to make it, they made it ubiquitous. It was just everywhere, like the lockdown was everywhere, you were on a bus, it was on the radio, it was on a screen, it was on a post, everything, public transport, shops, everywhere. You couldn't escape it. If you engaged in life outside your house or even inside your house through the screen, you were made aware that it was this virus and this lockdown and all this stuff and that's what you were supposed to believe. So we have to use that sort of tactic against them and make it feel like, and also what they did is they made everybody feel like everybody believed the same thing. So with the yellow boards, what we're doing is we're presenting a constant stream of, like if you're driving past, you'll see not just one, you'll see 2, 3, 4, 5, 6, 7, 8, 9, 10 yellow boards with these messages and repetitive messages and you'll hear the horns which make you think if you don't agree with us why do all these other people agree? Why are all these horns going off? So it makes you feel like you're the minority which is the reverse of what happened in 2020 when you thought you were the minority if you if you didn't believe the government. So we're using the same sort of tactics there. And so there's that side of it. And also, I think what I'm suggesting in that video is that if you can get someone to blow their horn, then that's an act of defiance, like it's just a little act of defiance. But that's how they got you. First of all, it was like, just three weeks to flatten the curve. Just three weeks, okay, or two weeks in the States. And then it's like, okay, just another three weeks, just a mask. So we're starting off with, just blow your horn. Right? And then if you can hear everyone blowing the horn, then you can think, okay, what's the next step then? Okay, maybe everyone agrees with me, everyone else is blowing the horn, so like, then maybe, maybe, then they take the next act of defiance. Now, we can't volunteer that and suggest that people do that because on video or anything else like that, because it's illegal to encourage people to break the law. All we can do is point to the options, right? And so the response there that you're seeing about the defiance in London, people cutting down the cameras. There are some of us who know, some people say we think we know, but we have read the agenda and it is documented, what this plan is. As you said, it is not about money, they print the money anyway, they can print all the money they want. These people are not short of money, they are not short of control in a way. They are trying to change the nature of humanity, they are trying to control us to, the point where they make us into drones that service the elite class who still fly about, use private planes and cars and whatever else they want and have the dominion over the countryside while we live in smart cities and are boxed in like little rabbit hutches. So if you know that, then as I pointed out there, then you take the Solzhenitsyn idea of grabbing your iron poker or your pots and pans and beating them off in whatever way possible. So if you're still in a system where there is a police force and you can get locked in jail, so what are the small acts of defiance you can do? you can not pay your fine and you can spread crazy foam, you can spray crazy foam over the ULEZ camera. So if you actually know that you're going to lose everything, then spraying foam over a camera is not that big a rebellion. And I think the people who know are taking down the cameras. You know, they realize this is a pivotal moment. This is a bridge that we cannot cross. And so that is why you're seeing that. And whilst it's unusual for the British be so rebellious. We don't really have a history of revolution. If you understand what is happening, this is the time to stand up if there's ever been a time. So that is why the cameras are coming down. Now, not everybody is at that level, and which the people who are know something is not right, they know they can't afford it. And the people in the vans are saying I'm being crushed. And I can't, there's people just drive and say, I won't be able to visit my mom, like I need to get them in the car, or she needs a lift or whatever it is. And there's people who are losing their businesses, because they rely on their van for the business to take all their tools to work and so on. So they know they're losing something. So if we can just nudge them along to, you know, a nudge as in the nudge unit, if we can use that same psychological nudging, you're not alone. Loads of people agree with you. You can be defiant. You can stand up. There's solidarity and it's quite fun to blow your horn and hear the mad noise and it's like it's a kind of, it's a little act of freedom. It's kind of weird because most of the time you you drive your car, you have to obey the code of the road, and you have to be, there's speed restrictions which are coming down all the time to lower and lower speeds. And you are, you know, you don't get this, most people are not in a position where they can just rant and rave at work or at home and support, just you can whack your horn, it's a little moment of freedom, and that feels good. Okay, well, maybe I'll try, and there's loads of it. So we're just trying to get people to recognise the numbers and the strengths, and they have the power. And it might not be as, maybe I'm talking that up a little bit, but I think that somebody has to take some steps somewhere and the more rebellious are taking down the cameras and the less rebellious are blowing the horns and we're hoping they can meet in the middle and just throw the whole thing out. I love that a one-pound thing of silly string or shaving foam can shut down a network of cameras that cost billions. It's beautiful to see that. I think, obviously, whenever you've got a system set up there for taking pictures of cars, automatic number plate recognition, and then that's fed in, that then is a whole surveillance system that is set up. And I think that some people realize that can be used and repurposed for anything but many people don't and you're told oh it just takes a picture and then it disappears and no it's part of a gathering of information on all of us. Do you think people realize that and are wakening up to that? Yeah I think the harder they push and the more extreme and illogical the measures seem to people, more people look for the reasons behind them. More and more often now, if there is a line of cars and you speak to someone and they say it is madness, he is an idiot, Khan, the mayor of London, they will say he is an idiot. It is not just him though, they're like, yeah I know. Its a bigger thing. They know it is a bigger picture. They have to look at the motive for why it is happening. It doesn't make sense to people. Why would they be crushing us in this way? People tend to understand it is not just about money. and they can also see it. I mean, the surveillance is everywhere. In Britain, we have in the supermarkets, they film your face. So it's, and if you ask, you say, oh, it's about shoplifting, but they're not filming your bag or your hands, they're filming your face. And there's, you know, there's, and to do, interact with, you know, buying tickets or anything like that, you have to give your details and, or to get into your bank account, you need a phone and a laptop or two devices, one to verify the other. So people can see the surveillance state coming in and people can see cash being phased out. So I think people have an awareness that there's something bigger than just they're trying to clean the air for kids with asthma, these guys who don't care about the excess deaths or that nobody makes a peep about wars that kill and displace millions, but they really care about your granny and they really care about the kids with asthma down the street. And also I think to some extent, obviously I don't know enough people to know, but my experience at the COVID inquiry when people responded very positively to our questioning of the COVID vaccines and made me think that the vaccines have woken people up because I think some people will, many people know people who have not had the same health since they took the vaccine. So there's a whole variety of things that are coming together where people think maybe that wasn't quite right that lockdown business and maybe those vaccines weren't quite right and maybe this ULEZ isn't quite right and maybe the phasing out of cash is not quite right and maybe there's a link between them all. So I think that people are coming around to that idea for sure. Let me just finish off on that cash issue, because here's another clip. We'll play a two minute clip and just finish off just touching on that and the response from people. Because I think a lot of these issues, people maybe can feel that it's too big, it's beyond them. But what you're showing, I think, is each individual can play a part and it's that individuals come together as a mass movement, actually changing things. But let me just play this two minute clip and then we'll finish off just chatting over that. (Video of Francis plays) Okay, today we're here in Hampstead and we've just been giving out a few flyers and raising awareness about the dangers of a cashless economy. I had one woman come up to me and she was asking me about how, what's the point, what's the big deal about it, what's the problem with it, because you know carrying cash is a pain and using card is very convenient. And there is like a Benjamin Franklin quote about foregoing a little bit of liberty for safety, but in our generation we seem to be foregoing liberty for convenience almost. The other day when I was out doing, we were talking about ULEZ, people were saying to me about surveillance. They were saying, oh yeah, well, there's already surveillance everywhere. What difference does it make? And I would make the point to them that the surveillance that I have now, although in Britain we have more cameras per head of population than anywhere except China, is a lot. We have a lot of surveillance. But for the most part, the expense they were talking about was like your mobile phone, reading your emails, tracking you everywhere you go. You can put your mobile phone in the bin, but if you start to have like a smart TV monitor your house, you've got smart car which monitors how you travel and then when you step outside you have surveillance at every zone that they put in for the ULEZ and you then they can control whether or not you spend your money and already in this country you've had people's finances stopped for them saying the wrong things that starts to be a problem and I'm starting to realise a little bit I think that people don't actually know what freedom is or how to defend it I mean they're, talking like for example when we had the vaccines people say no you're still free to get the job but you just have to get the vaccine and they're saying you're still free to go where you want but you just have to you know pay a fine or change your car. These are erosions of freedoms, essential freedoms that we've had for a long time that people don't seem to even understand that what is happening while it's happening around them and there's almost like a complacency. You certainly feel it in some areas where people like maybe smirk at you for carrying a board like this or for talking to them about these kind of subjects that they just don't see the trajectory or the [40:54] fact that once these measures are in place it will be too late to contest them. If they don't go the way they want them to, if suddenly it's their money that's getting stopped, it's only their movements that's getting curtailed. And I think that's something very important that people should consider. But in this country, and I think in the West in general, people feel that their freedom is guaranteed for some reason. I think the thing is that, yeah, most people living in the West haven't lived under a communist system and therefore don't understand freedom as being straight. But that looked like a sunnier day in London. But on that, let's just finish off with this because a lot of these things are an act of change of thinking. We're lulled into something often because it is easier, it is simpler, it makes your life easier. So why you have to go and get cash when you can just touch your phone, soon touch your palm, soon you just walk in and it scans you. But it is people thinking actually intentionally how to push back but how kind of what has been the response from people as you've talked to them and highlighted actually maybe something that people have forgotten that actually it's just easier to have a card or a phone actually you really do need to use cash because as you said if you don't use it it'll be gone. Well cash is a much more neutral issue for people than say what we talk about lockdown vaccines or ULEZ because the climate agenda and the vaccine or lockdown agendas are firmly lodged. People tend to have a preconceived idea before you reach them. But the cash idea, they're just going to think, well, I've not heard much about that. And then, or they'll say, why do you think that? Or the people who've already onto it, who find it difficult to make their transactions through life using online processes. So yeah, the cash is more neutral and people seem to be more willing to listen to you about that because they're curious or because they hadn't really thought about it. Because it is convenient not to have coins. And if we had a benevolent system and a benevolent government, you know, maybe I'd have no problem with it if you could trust the system. But the fact is that we live in a world where every potential misuse has to be factored in and the government will misuse it to the or somebody at some point will misuse it to the extent to which it's it's possible to misuse it and and that will be to our detriment if we don't have the freedom to spend our cash but I also wanted to say in terms of you mentioned the cameras before on on the ULEZ, introducing the surveillance. That that monitoring that is being brought in. I see a potential threat because you said that we've not had an experience of communism or totalitarianism in this country, but we had it the past three years. I mean, in the Derbyshire Hills, they had drones following people around who were going for a walk on their own, and ordering them home or giving them some kind of police notice for walking in the hills in the countryside. So if you bring in cameras that that can surveil your movement, that those can be, again, misused to the extent to which the state has the potential to misuse them. So if you link all, as I said before, if these things are all linked together, and World Health Organization has a treaty coming in, in which it can override national governments and say if there's the potential for a health emergency, they can impose measures like we've had before, like the quarantines, lockdowns, testing, tracking, tracing, the potential, not the reality of it, just a potential for a health crisis, then you have these zones that are surveilled. If we saw the technology that they had with drones that they use for people in the countryside, if they've got the technology to shut down zones, we already know in this country that they shut down what they call tiers. No, they shut down areas into what they call tiers. Then what would stop them from shutting down an area where they said, oh, this area's had an outbreak because the PCR test, which is not fit for purpose, said that one person, two people had a nosebleed already had a, you know, a cold, they could use the surveillance to shut that down. So I think that the experience of totalitarianism over the past three years has made people more alive, to the fact that these powers can be misused. So when we go out and sort of speak about these things like ULEZ or cash, and you say to them, you might need your freedom sometime, you know, you might need to be able to get into that shopping centre. I mean, in some of the shops, they started to use the one-way arrows on the floor, and some of them had doors with traffic lights on them. So you could go in this door and not this door. It's only one step away from locking you out if they see you as a plague carrying vermin, which is kind of the way they characterize you anyway, because both these schemes, the COVID scheme and the ULEZ scheme, characterized, first of all, they make the air out to be poisoned, as in it's dangerous for you to breathe the air, whether it's ULEZ with cars, and both of them, the people, The agent poisoning the air is the human being. So you are the vermin that is the blight upon the earth and essentially when they say they need to stop the spread, they're talking about people, they need to stop the spread of people, we need to stop them driving around, we need to stay in their homes, we need to stay in the smart cities and all these things. Now people might not have it crystallized in that way in their head but they're aware that something happened over the past three years that was a bit weird and they're aware that they would, that they will remember that it wasn't nice to be locked in their homes or, or prevented from going to shops and supermarkets and nightclubs and pubs and clubs and doing all the normal pleasures of life. So if you start to say to them, the cash could be used in a way, or sorry, the absence of cash could be used in a way to control your purchases or your movements. And would you, I say to them a simple question as well, would you like it if I had control over how you spent your money? Or any other person, like an abusive husband or a wife or a father or whatever, just some third party could say whether or not you spend your money or where and when you spend your money. They can connect with that. They don't want a third party involved with their money. Some people think you're mad, obviously there's still always that range of opinions, but I think that's something that people can very easily identify with. And it's not laden with the same belief system that like belief in the global warming is or in the magic cold that didn't exist for some protests. And did for others or that kind of thing. So it's not laden with that kind of propaganda onslaught. You can just say to them, there's something, cash is your freedom, you need to have control over how you spend your money and they'll go, all right, I hadn't thought of that. Francis, I appreciate you coming on and it's a whole range of issues which have sprung up, COVID tyranny, cash, ULEZ, net zero surveillance, huge issues but love what you do with the yellow boards and I've be looking forward to getting you on. I love having people on who I don't know, I don't never met before and have them on chat so thanks so much for coming on today and sharing what you're doing with the yellow boards. Thank you for having me, Peter. It's been a pleasure.
It's time to hit Southside for an event I have been looking forward to all week. Straight down on the Victorian line and you head out on one of the most lively multicultural and down to earth areas in London Brixton (the ole capital of West Indian culture) introduces itself as soon as you head out of the station and walk up the stairs. Bubbling and buzzing your greeted with a no nonsense attitude which I love. So I stride forward to the main event. An all day festival celebrating Fifty years of HipHop, opened to everyone at the Black Cultural Archives at Windrush Square. I get interviews for Brixtonians : Dave & Sophie, Ben, louie & Leroy from Lionvibe reggae shop. After I run down to Shepherds Bush to catch up with Sham (Hot Banana sounds) to see what his plans are for Carnival, also drop a little mix to cheer a man up!!
Unable to record an episode this week due to sudden diarrhea, we dig into the archives and dust off one of our earliest episodes.Bookended by some new chat from Chris and Sooz, we take a relisten to when fantastic comedian Nish Kumar joined us for the crazy tale of Clairvius Narcisse, who somehow LEGIT RETURNED FROM THE DEAD._________We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
It's 1992 and former (and unpopular) Polish Prime Minister lives in an almost paranoid level of security - his house is fortified by an 11 foot barbed-wire-topped wall and patrolled by a vicious Rottweiler, a dog which Jaroszewicz would walk while armed with a handgun.Nevertheless, he and his second wife Alicja are found tortured and murdered in their home, the motivation for the crime unclear. The perpetrators equally unclear.Until almost 30 years later...Also in this episode Sooz makes the decision to pivot into directing porn. Hear her plans!______We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
The final (fingers crossed) in our trilogy (still keep em crossed) of duo episodes as Chris and Sooz tackle a mass poisoning of a French village in 1951, which led to 250 cases and 7 deaths, including a man who thought he was a plane and jumped from a second storey window.And want to hear about the government's policies on the distribution of flour in post-war France? Sooz didn't, so decided to counter each bread fact with a fact about dressage.Will that be enough to convert Chris to the sport?________We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
Needs must means the second in a trilogy of only 2 of us at the recording. This week, it's Chris and Masud who go over one of Finland's most notorious murder cases, the 17 year old Kyllikkii Saari in 1953...On her way back from a prayer meeting, Kyllikkii vanishes. Six months later, her remains are found in a bog. Three suspects quickly fall into the frame but which one did it? And what really happened?KGB spies, another well-known murder case and quite possibly the best name this podcast has ever heard all seem to be connected..._____We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
Here is a fairly substantial shake-up to the formula as Sooz and Masud make up their own mystery based on what Chris told them it was called as he was away on holiday and unable to join the recording as planned.How close do they get? And in an episode which involves time travel, premature burial and gluten intolerant interdimensional beings, which come from the actual mystery and which come from the minds of Sooz and Masud???_____We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
In 1939 Barbara Newhall Follett vanishes without trace. She was 25 years old and disillusioned with her life. So what happened to her? And what about her extraordinary early life could have contributed to her being able to disappear so completely...?____________________We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
The sensational story of the gruesome 1943 murder of Sir Harry Oakes - a baronet, philanthropist and incredibly wealthy owner of a gold mine who was living in the Bahamas at the time. Stabbed with a miner's pick, to disguise other wounds from an ice pick, and then doused in insecticide, set alight and covered in feathers.All of that in a story which also finds time to take in the actual King of England turning detective to try to solve the murder!Plus time for us to natter about the 1998 version of Godzilla for a bit...____________________We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
In one of the most ghoulish cases we've covered, in 1932 in Sweden a sex worker by the name of Lilly Lindeström is found dead in her apartment, naked and face down on the bed. Police had to break into her apartment and she had been dead for days.There are several sick elements to this case, not least that Lily's body had been drained of blood without a drop being spilled, except for traces on a soup ladle next to her body...We're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
An unidentified man, beaten to death, is found floating in the sea 12 miles off a tiny archipelago, itself 43 miles off the coast of Germany. Dressed in smart clothes, he is known to this day only as The Gentleman...OK, so this week's mystery has so few clues and such little hope of ever being solved we kind of got very distracted...Distracted enough to invent a new game, play it through, have such fun doing it and end up devising a brand new panel show!Enjoy!And we're doing a live show! On November 3rd at 7pm we will be at The Princess Victoria pub in London's Shepherds Bush as part of the Cheerful Earful podcast festival. If you're in or around the area we'd love to see you there, simply head to https://www.cheerfulearful.co.uk/events/mystery-on-the-rocks for details!PLUS get early, ad-free access to episodes as well as cocktail recipes and outtakes plus whole bonus episodes over on our Patreon! Just head to www.patreon.com/mysteryontherocks where we've got a huge back catalogue of really cool stuff which we keep adding to all the time! Hosted on Acast. See acast.com/privacy for more information.
https://www.cheerfulearful.co.uk/ Come see us LIVE AGAIN! Friday 7th October at 7pm in London's Shepherds Bush region. Don't worry there'll still be a proper episode out tomorrow...
What a charming chap musician Jack Savoretti is! It had been a long time coming but we finally sat down to talk all about his Italian heritage, childhood family dinners and some of his naughty food vices!He's currently on tour so we talk all about finally being out there performing live, his new album, Europiana and he opens up about the music industry; the difficulties he overcame, the time he was asked to change his name as it wasn't “British” enough (!) and he discusses stepping away from the industry.This conversation felt very full circle to me – I was first introduced to Jack in 2012 when I was taken to his concert in Shepherds Bush – close to where I live now! We end the chat realising we may be soulmates – but you'll need to listen to find out!!@jacksavoretti@crazysexyfood@hannahharleywww.crazysexyfood.comMusic by @casnova____I am so excited to be partnering up with Gorillas again this season! The original, sexy grocery delivery app is revolutionising online shopping. Fresh food delivered to your door in minutes, catering to all your food needs! Operating in 9 countries around the world, Gorillas supports small businesses as well as local producers to bring your favourite brands to your door. Run out of wine during the dinner party? Gorillas can sort that. Run out of eggs for your Sunday morning pancakes? Gorillas can also sort that!Don't believe me when I say how great they are?! Then download their app and get £10 off your first order when you spend £20. Use the code SEXY10 at checkout… and thank me later! See acast.com/privacy for privacy and opt-out information.
This is the first in a series of Takeover Shows, where we invite learning disabled artists from diverse communities to takeover an episode of Carousel Radio. In this episode, we welcome artists from 'The Gate', an arts project for adults with learning disabilities in Shepherds Bush, London who produce theatre, film, art, poetry and music. Labake, Duane, Richie and 2Decks introduce their music and talk about their new computer game, 'Gate Station'.Play the game here: gatestation.ukYou can buy their music here: 54thegate.bandcamp.comTheir website: thegateartscentre.blogspot.com/
The latest episode of the podcast which asks; if David picked potatoes on Jack Heap's playing field for one hour, how many Fumanchews would he able to cram into his gaping maw? Once again, Pop-Crazed Youngsters, Team Chart Music has returned to the safety of the late Seventies, and your panel is a) having their crayons thrown out of the window after an incident that could have been ripped from The Shining, b) being disappointed by Scalextric, and c) getting their arse tanned over an art installation on some concrete staircases. And all the time, the terror of Punk is looming, and no-one – particularly the canine population – is safe.As it turns out, the only Punk-free zone at this time is the episode of The Pops we're about to get stuck into. Like David's Scalextric, the show – in Robin Nash's safer-than-safe pair of hands – is running on rails by now. Unlike David's Scalextric, everything fits together, and nothing is skidding off the table and smashing against the wall. This is Top Of The Pops in its purest form, Pop-Crazed Youngsters, and we savour every mouthful of it for over six hours.Musicwise, it's a veritable bestiary of Pop Gargantua, with Xmas on the way, some huge LP drops this week, and the Monsters of the Hit Parade already starting to fight over your forthcoming record token. Paul Weller makes a doomed attempt to get the BBC to post his guitar to his girlfriend. The Carpenters say hello to some aliens. The Barron Knights dare to have a pop at The Old Sailor. Freddie Mercury pitches up dressed like a bottle of Sheridan's. Legs & Co hit up a sari shop in Shepherds Bush for a game of Sexy Lady Croquet. Status Quo predate Abba with an avatar bassist. Actual David Bowie pitches up to the studio, but can't be bothered to button up his cuffs. Showaddywaddy have a group huddle. And Abba get down to a proper session of Scandinavian Sorry. All brought to you by Peter Powell in his debut TOTP appearance, and he immediately hits the ground running, even if he has to be nudged by the gallery into putting himself about with the maidens of the studio.David Stubbs and Taylor Parkes join Al Needham for an intense drill into '77, veering off on such tangents as the Great Dog Collar Crimewave of Coventry, why trying to crush a tennis ball on the school playground in order to impress girls is a wrong ‘un, NASA convincing aliens that British people are big Medieval jessies, the ELO-Faust War, Dave Lee Travis annoying Brian May, a review of Dave Bartram's 2005 travelogue of caravan parks, Bruce Foxton stroke fiction, and the GOLDEN FLEECE OF CHART MUSIC has been located. Oh, the swearing in this one… Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki | Patreon See acast.com/privacy for privacy and opt-out information.
Money Espresso - no-froth conversations exploring money and life
In this episode I chat with Stephanie Brobbey. A Londoner, born to Ghanian parents, Stephanie recently gave up an offer of Partnership in a law firm to found The Good Ancestor Movement. Stephanie speaks about her upbringing in Shepherds Bush where money was tight and her early exposure to those with less. She explains how she managed her own experience of money scarcity and how coaching and therapy have helped her step away from a burgeoning career in law to live in alignment with her values to achieve a purposeful life. We explore how her views on philanthropy have evolved as she delved deeper into the issues of wealth, social justice, inequality and climate change and her dream of a world where philanthropy no longer needs to exist. She introduces us to The Good Ancestor Movement which exists to help the very wealthy decide on their financial ‘ceiling' and to develop strategies to radically redistribute wealth which are both reparative and regenerative. Finally, Stephanie tells me about her Best Buy under £30 and a truly thought provoking Money Pearl of Wisdom. Sit back, grab yourself an espresso (or drink of your choice!) and enjoy the conversation. • Stephanie can be found on LinkedIn here - https://www.linkedin.com/in/stephanie-brobbey-01a07416/ • And Twitter - https://twitter.com/steph_brobbey If you would like to talk about your money matters do feel free to contact me at: • Twitter - twitter.com/RuthSturkey • LinkedIn - www.linkedin.com/in/ruthsturkey/
Hello to you listening in Shepherds Bush, London, UK!Coming to you from Whidbey Island, Washington this is 60 Seconds, your daily dose of hope, imagination, wisdom, stories, practical tips, and general riffing on this and that.Maybe like me you experience negative feelings, anxieties and uncertainties from time to time. Borrowing from my beloved Plum Village (and Deer Park Monastery) here are 3 ways to care for and transform ourselves.1. Practice walking meditation in nature. Walk slowly, feeling the earth directly beneath your feet - barefoot if you can. Feel the strength of the earth enter you.2. Go outdoors and practice touching the earth with your head, arms and legs. Embrace Mother Earth and release all your negative emotions and feelings into the ground. Click here is you wish to watch a short video on how to practice ‘Touching of the Earth'.3. Lighten up. Relax. We may feel lost but we are making good time. This is the place to thrive together. Come for the stories - stay for the magic. Speaking of magic, I hope you'll subscribe, follow, share a nice shout out on your social media or podcast channel of choice, including Android, and join us next time! You're invited to stop by the website and subscribe to stay current with Diane, her journeys, her guests, as well as creativity, imagination, walking, stories, camaraderie, and so much more: Quarter Moon Story ArtsProduction Team: Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 - Present: for credit & attribution Quarter Moon Story Arts
- The love a father who never questioned his daughter's racial ambiguity - A story from "the trenches" that revealed more than just the identity of a biological mother - Final part of Jessica Stavena's story of Fertility Fraud Subscribe, Rate and Review
This week we're bringing you The Shepherd's Bush Murders, also known as the Massacre of Braybrook Street. A crime which involved the murder of three police officers in London by Harry Roberts, John Witney and John Duddy in 1966.Listen on to find out about this crime and the aftermath. We hope you enjoy!! See acast.com/privacy for privacy and opt-out information.
If you enjoyed this episode of Learning to Live the Life, please do subscribe, share it with your friends and rate us 5* so that more people get recommended it! In this very special episode of the podcast, Rev Aidan is joined by Rev Denis Adide. Denis is the vicar of St Stephens and St Thomas’ church in Shepherds Bush. The focus of the discussion is around the idea of what does it mean to pick up your cross and follow Jesus in 2021. The discussion focuses on what this challenging command from Jesus looks like in light of lockdowns and in response to racial injustice, 6 months on from the Black Lives Matter protests of the summer. Above all Denis helps us see how following Jesus is the best decision anyone can possibly make! Find Denis’ podcast series with the Rev Richard Moy called By this they shall know here:- Youtube – https://www.youtube.com/user/ADIDEFILMSinc/videos Listen as a podcast – https://podpoint.com/feed/9896 https://podpoint.com/its-complicated?utm_source=listennotes.com&utm_campaign=Listen+Notes&utm_medium=website Also here is Denis’ blog post on Bishop Graham Tomlin’s blog – https://grahamtomlin.blogspot.com/2020/06/a-wounded-realist-guest-blog-by-denis.html
If you enjoyed this episode of Learning to Live the Life, please do subscribe, share it with your friends and rate us 5* so that more people get recommended it! In this very special episode of the podcast, Rev Aidan is joined by Rev Denis Adide. Denis is the vicar of St Stephens and St Thomas’ church in Shepherds Bush. The focus of the discussion is around the idea of what does it mean to pick up your cross and follow Jesus in 2021. The discussion focuses on what this challenging command from Jesus looks like in light of lockdowns and in response to racial injustice, 6 months on from the Black Lives Matter protests of the summer. Above all Denis helps us see how following Jesus is the best decision anyone can possibly make! Find Denis’ podcast series with the Rev Richard Moy called By this they shall know here:- Youtube – https://www.youtube.com/user/ADIDEFILMSinc/videos Listen as a podcast – https://podpoint.com/feed/9896 https://podpoint.com/its-complicated?utm_source=listennotes.com&utm_campaign=Listen+Notes&utm_medium=website Also here is Denis’ blog post on Bishop Graham Tomlin’s blog – https://grahamtomlin.blogspot.com/2020/06/a-wounded-realist-guest-blog-by-denis.html
Normally we are settling into a pattern of releasing one discussion podcast a month but as an early Christmas present this month we have a bonus episode because with its subject matter it felt like if we waited till next month it would be out of date! In this episode Rev Aidan and Anita meetup again, this time with Ian Freestone to discuss the emotive question that many have been asking this year: Where are you Lord? We really pray this and all our episodes bless you in your journey with Jesus. If you have any questions or topics for us to discuss, please send us a message podcast@christchurchdownend.com or leave us a message on the facebook page or YouTube channel. The next episode should be released on New Years day and is a truly special episode with the Rev. Denis Adide, Vicar of St Stephen’s and St Thomas’ in Shepherds Bush, London.
Normally we are settling into a pattern of releasing one discussion podcast a month but as an early Christmas present this month we have a bonus episode because with its subject matter it felt like if we waited till next month it would be out of date! In this episode Rev Aidan and Anita meetup again, this time with Ian Freestone to discuss the emotive question that many have been asking this year: Where are you Lord? We really pray this and all our episodes bless you in your journey with Jesus. If you have any questions or topics for us to discuss, please send us a message podcast@christchurchdownend.com or leave us a message on the facebook page or YouTube channel. The next episode should be released on New Years day and is a truly special episode with the Rev. Denis Adide, Vicar of St Stephen’s and St Thomas’ in Shepherds Bush, London.
bedigital bring you conversations with established tech leaders influencing UK business today. From the challenges of sustainable growth, through to continuous innovation and everything in-between. These are the behind-the-scene stories and personal anecdotes of the leaders who are turning concepts into reality.This months guest, Timo Boldt, really did help trail-blaze a new market category in the UK, alongside his business partner, and following a life-changing holiday to Italy, he left a very successful career in an investment bank and pursued his passion for cookery and built a business from the ground up. They now have five hundred staff, based out of their head office in Shepherd's Bush with considerable growth plans for 2020. We covered everything from tech and plastic reduction targets to the rise of plant-based eating and many snippets of wisdom in-between. An inspiring journey from a true entrepreneur who has created a unique tech-driven business with sustainability at the core of everything they do.
Eamonn is in Shepherds Bush at The Orchard Tavern chatting to Alan Pardew. They discuss his managerial career, the FA Cup, dancing on the sidelines and Alan reveals what reality TV series he'd like to take part in. See acast.com/privacy for privacy and opt-out information.
In part two of the very special LIVE episode of Bad Clowns: Film Pitch prepare to be UNSPOOKED as the boys turn scary films into VERY normal films! Big thank you again to Escape Bar West in Shepherd's Bush for having us!
In part one of a very special LIVE episode of Bad Clowns: Film Pitch prepare to be SPOOKED as the boys turn normal films into VERY scary horror films! Big thank you to Escape Bar West in Shepherd's Bush for having us!
The Shepherd's Bush murders, also known as the Massacre of Braybrook Street, involved the murder of three police officers in London by Harry Roberts and two others in 1966. The officers had stopped to question the three occupants of a car waiting on Braybrook Street, near Wormwood Scrubs prison.Support the show (https://talkmurder.com/join/)
Jim Jones in conversation talking about his life in music with David Eastaugh Thee Hypnotics are an English psychedelic garage rock band, formed in 1985 in High Wycombe, Buckinghamshire, England. The band are currently composed of frontman James "Jim" Jones, guitarist Ray Hanson, drummer Phil Smith and bassist Jeremy Cottingham. The band split in 1999, before announcing their reformation in January 2018. The band recorded three studio and one live album for record labels including Sub Pop, Beggars Banquet/Situation Two, RCA Records, American Records. They were part of the early alternative rock and psychedelic rock London scene, and made an impact on the underground and alternative music scenes in the UK, Europe and the United States. Co-founders Jones and Hanson were originally joined by drummer Mark Thompson and bassist Adam Sharam. Personnel changes ensued with others including drummer Chris Dennis (1987–88), bassist Will Pepper (1988–93 and 1994–95), Canadian drummer Phil Smith (1989–99) and bassist Jeremy Cottingham (1997–1999). They released their first 7" single "Love In a Different Vein" in 1987 on Vinyl Solution. Thee Hypnotics subsequently signed to Situation Two a subsidiary of the independent record label, Beggars Banquet. The band cemented this union by scoring an independent chart hit with the 12" single "Justice In Freedom" and the follow up "Soul Trader".[1] Their live album, Live'r Than God (1989), elevated the band out of the UK club scene,[1] and they toured supporting both Gaye Bykers on Acid and Crazyhead, as well as on their own UK tour. In September 1989, Melody Maker noted that "Thee Hypnotics care only for their own generic past and frenetic present. The future doesn't even get a look in... Forget regression, this is reincarnation! Past, present and future!"[3] Thee Hypnotics were asked to do a radio session for BBC Radio 1 DJ John Peel on 28 March 1989, and they recorded "Nine Times", "Love in a Different Vein", "Soul Trader" and "Let's Get Naked", and were previewed on MTV. Thee Hypnotics began to attract attention in the United States, in particular Seattle where its own alternative rock scene was taking off. Sub Pop made Thee Hypnotics their first UK signing. Sub Pop's release of Live'r Than God! became the band's US debut, and encompassed not only a Powerhaus concert recording but also their singles to date. Thee Hypnotics shared pages with Mudhoney, Screaming Trees and Nirvana in the Seattle publication, Backlash. Seattle became a second home for the band and, after Mark Thomson was replaced by the Canadian drummer Phil Smith, the band made its US tour debut. The Damned took the band out as their support act. The Lords of the New Church approached Thee Hypnotics lead singer, Jim Jones, to front the Lords but he declined. Subsequently, Stiv Batorswore a T-shirt with a 'singer wanted' advert and then sacked his band onstage.[6] In 1989, Ray Hanson and Jim Jones joined Stiv Bators onstage at The Opera On The Green, Shepherd's Bush, London, as temporary Dead Boys, after Cheetah Chrome failed to secure a work visa.
In this episode we cover Melanie C (AKA Sporty Spice) first foray into Musical Theatre (Blood Brothers and Jesus Christ Superstar), motherhood (with baby Scarlet), a nasty break up with her long term partner and 4…… yes FOUR….. more albums. So, we pick up in 2007 – Spice Girls have announced the reunion tour and Mel C, as Mel C loves to do… is releasing a solo album. Forever 2.0 isn’t it. In her defence, I believe she probably wasn’t planning on doing the reunion and was convinced last minute. As recent as 2 months before she’d said in interview she wouldn’t and was focussed on the album. This seems like a smart move for her. She releases two songs simultaneously. In Europe she releases the very Mel C ballad – For this moment; the UK we get her cover version of “I want candy”. Featured on the soundtrack of film of same name. I remember at the time this feeling like a very odd move. Bizarre. She’d always been the credible one and this seemed like a bit of a PR exercise. Which was surprising because she is on her own now – running her own label, Red Girl Records. I guess, they’re figuring things out. Trying to be commercial…… And the Spice Girls were known for cheesy covers. Their live shows were always filled with 80s disco hits like “We are family” and “Ain’t no stopping us”. It charted at 24, spent 2 weeks on the chart. This would be one of the last times we would see Mel C in the top 40. The charting days of the Spice Girls are behind us by 2008. Cute Fact – The video, a little raunchier than usual for Melanie. A leather catsuit – Hello, Victoria – and she’s surrounded by half naked oil men in a pink room – Hello, Geri - The song did debut at the top of the YouTube video chart. With 200,000 views in its first day…. Now, this is just a reflection of how much YouTube has grown. 200,000 views. Most watched. In 2018, Thank U Next was released as the first YouTube premier – encouraging live streams – in its first 24hours was viewed 55.4million times. The album followed the next month – This Time – to a mixed critical reception. They felt it was a bit meh. She’d teamed up with some of the old favbourites: Guy Chambers, Cathy Dennis, Steve Mac – it was praised for the vocal maturity. It reached 57 in the charts. And went on to sell 300,000 worldwide. Her previous effort had sold a million. I think this is the last we see of angry, not fitting it, fighting the industry “Sporty Spice”. The mellow Melanie that we see now really starts to ascend from the ashes of the 2007 reunion. Particularly, after the birth of her daughter. At this point Melanie becomes the last Spice Girls to get pregnant. With her only child, Scarlett, born in February 2009. By this point she had been with her long term partner, Thomas Starr, for 7 years. This is where we see a change in direction from Melanie, and she signs on to play Mrs Johnstone in a new production of Willy Russels, Blood Brothers, in her West End debut. (Oct 2009). This seems like such a natural fit for her; it’s a Liverpool rooted play. Contemporary. Big singing vocals. At the time she said how she had been invited to do musicals and movies in the past, but it had never felt like the right time – but, with having a baby, she wanted to stay close to home and have more routine. She’d genuinely contemplated never working again. That surprised me. So. God bless little Scarlett. Because it was very successful for her. Reviews were very quickly glowing. London evening standard called her the “Galvanising factor” saying they’d never seen a set of reviewers rise so quick to standing ovation. The Independent said she rightly followed in the footsteps of previous actresses Carole King and Barbara Dickson with her singing abilities and luminous stage presence in a role she was born for. She was nominated for an Oliver Award for best actress. Only the third actress to be nominated in the role in its 25 year run. Pretty impressive as she is nominated just months into her first professional acting role – well, Spiceworld aside. I don’t think this is shouted about enough. Nominated and respected by a panel of industry peers as exceptional in the field. Victoria lent her two gowns for the awards! One for perfoming, one for the ceremony. She plays the role for a little over a year. Because she had already started on new music! She releases “Rock Me” in Germany only, as the official single for FIFA world cup. Hi, remember me, Sporty Spice. But single proper was September 2011s, Think About It. This saw her make a return to Dance-pop – a more common territory for a Spice Girl, with a greater focus on radio-friendly beats than her previous singer-songwriter work. She worked with the Cutfather team, to provide a fresh edge to her newly stage developed vocals. It’s a popping track. Banger. Under radar, under rated. I’d be surprised if many casual fans knew it existed. It didn’t get a lot of press attention. It did manage to chart in the UK. Just. At 95. Had somewhat better success in Europe. Reached 30 in Switzerland. She was an Indie artist at this point. On her own label. So the album isn’t dragged away from us. Which is really nice. When Mel C says she has a new album coming out – You get an album. This isn’t Geri taunting us for years. Sporty can deliver. Its not a cause of trialling a single, she if the public engages. She creates something then puts it out. Bit like this podcast!! So the album is released. The Sea. It has a bit more variety about it than her previous efforts. There are radio-friendly bops, stirring ballads, beat led tracks, a range of emotions. It still has a pop element but she worked with a lot of new people to create a diverse collection. My favourite thing about it; it lasts the length of a full gym session. 35 minute – what am I meant to do on the ab track. Whistle?! Regarding the concept of The Sea, Chisholm said in a video interview on YouTube that, the album is cohesively experimental mixing many different genres/styles of music into one unified pop album with electronic undertones, therefore naming it The Sea, which ecomphases the many species who inhabit beneath the oceans surface. It was also conveniently the title of the first track on the album. It got fairly good reviews, Ok Magazine said it was her most ambitious album yet. If only sales had been so good: The album made it number 45 on the UK chart. Better on the digital and independent charts – 29 and 6, respectively. She did follow it with a 17 date European tour. I think Mel has really nailed that 10,000 fans theory. My last two albums didn't perform that well in the UK. Would I be devastated if this one didn't do well? No, I'd live. But I'd keep plugging away. All it takes is one song. And this one has a touch of my debut solo album, Northern Star, about it. – Interview with the Guardian in 2011 Remember, that album was a slow climber. It obviously debuted higher but its most successful tracks came late in the campaign and its huge sales were due to it remaining in the charts for the best part of a year. So, she tries to replicate this with her second official single – Weak. A big contrast to the dance-pop of Think about it. Which is a rousing ballad. I love it. I think it has the musical feelings to it – as its telling a very clear story, and evoking an emotion. It got a bigger kick promo wise. Made it onto Radio 2 A list. Which helped it reach the top 60 most played songs on UK radio….. but it didn’t sell enough to make the top 200 of the singles chart. She has described it as a disappointment – as she felt the quality was better than the reality of the sales it enjoyed. She told the Evening Standard in 2016, it was the most catastrophic thing she experienced. She has openly talked in interviews how this period saw a return of her depression - which is important to acknowledge. would binge eat, stay up all night crying and sit alone in her house for days. She says "Sometimes you can do all the right things but they dont work enough". Its refreshing to hear some accomplished recognise that these things do recurr. She also talked about the fear of post-natal depression as well, during her pregnancy. And i think, actually, these days - parenting explains a lot of the reasons she refuses reunions. She doesn't want to be too far from her daughter and needs more control of her work schedule. When she goes back into the Spice machine it is just carnage. So there were a few rumours at the times. Hints of infidelity, but nothing with any weight. There was the rumblings that she had been working too hard and neglecting her womanly duties. Apparently, she wasn't going out and much and not even talking to protect her vocal cords. For her part, she displayed the classic Mel C media training in speaking about it: deflecting to concentrating on parenting and not being drawn on any elements of blame. She is very busy at this time. So after the album and its tour wrapped she signed on for Andrew Lloyd Webbers, Jesus Christ Superstar, in the role of Mary Magdalene. Alongside, Chris Moyles and Tim Minchin.... but before she does; their is a TV talent contest to find the next Jesus. Melanie was a judge on the panel, alongside Dawn French, Jason Donovan and of course Andrew Lloyd Webber himself. So following the show, they enter a national arena tour of Jesus Christ Superstar. Which is unusual as it was obviously in theatres previously. ALW had said as a rock concert, this is exactly how he had envisioned it. In proscneium stages it feels shoe-horned in. Reviews were devisive. The Guardian did not love it. They gave it a 1 star review. Particularly the arena format. They suggested perhaps ALW should have been crucified as opposed to the titular character. Mel C is a strangely laid-back Mary Magdalene, relaxed to the point of blankness. the large cast crowd scenes appear to have been directed on the premise that if Jesus is coming, it's best to look busy But the Telegraph loved it - Melanie Chisholm, a lovely relaxed Mary Magdalene, proves again that she was too good for the Spice Girls. TOO good. TOO GOOD. There is no such thing! She did win a whatsonstage award for best musical actress. And its this that would go on to inspire her sixth studio album. The aptly titled "Stages", a collection of emotional musical and film covers. Its all happening at the same time. So this is 2012 - a big year for Melanie - July - Superstar airs/along with the first single "I dont know how to love him). August - Olympic performance - September the album is released, which is the same month the tour began for Jesus Christ Superstar - December the Viva Forever musical launches. Anyway, this album. Melanie said they are show tunes that have been important to her at different stages in her life. First single - I don't know how to love him. - Which everyone knows is from the musical (I googled it). She sang it on the live final accompanied by ALW on the piano. I mean, as much as promoting the album - this is really about promoting the ALW tour. Adelaide Entertainment Centrestated: "Melanie C absolutely blitzes her big number 'I Don't Know How To Love Him' bringing a more raw rock edge to the bridge before hitting the final big notes right out of the arena. The second release from the album is a little more special...... Its a duet, from the musical Chess: I know him so well. With someone she knows very well. A certain Ms Emma Bunton. It did not chart so favourably.... reaching 153 in the UK. We did get a lovely video of the two, meeting at a piano and goofing around. They also did a lot of live promo together, interviews on the TV circuit and singing live together. They switched on the Christmas lights in Oxford and sung 2 Become 1....... The album sort of dithered in terms of chart. It topped the Itunes chart for a minute..... you see that a lot with strong fanbases. Went to No. 50 for 1 week on official charts. But as I said, this won't have been about chart performances - it will have been about additional merch to have while on tour. Business Spice. Record Label Spice. So that sort of wraps up a pretty intense 2012! We do get here featuring in the Justice Collective - charity single "He aint heavy hes my brother" - a collaboration of musicians including Robbie Williams, Paul McCartney, Beverley Knight and many others. It was raising money for various charities associated with the Hillsborough disaster - which obviously, still resonates... especially for people with Liverpudlian heritage, which she very much has. That was a very successful venture actually, went to number one in Christmas 2012. Beating X Factor contestant James Arthur. Another number one for Mel. She did come into some hot water later on, actually, regarding the Hillsborough Disaster. So the city of Liverpool have managed to maintain an extremely powerful campaign refusing to buy, stock or sell the Sun Newspaper after strongly disparaging remarks were made about the Liverpool supporters just days after 96 were unlawfully killed in the tragic incident. Whilst promoting an album - I believe Version of Me, she did some work with The Sun, and I think she was pictured touring on a big red Sun bus.... and this was at a similar time to the court trial exposing the Police cover up and lies around the incident; which sought to blame they players. Some negative press there. BUT, that is later on. 2012 - gooooooood. 2013 she starts still on tour with Jesus Christ Superstar in early 2013 - visiting Australia. Racking up the stamps on little Scarlets passport. Leading to a deservedly quieter 2013. We get a couple of musical moments. In the summer, she releases a sexy duet with X Factor alumni, Matt Cardle, called "Loving You". They had met at the Isle of Wight festival.... said he was looking for a great voice (VB, obviously unavailable). The video gets quite steamy.... so its a similar premise: both of them seen in seperate rooms of a house, missing each other. Then in the final shots.... we get a steamy kiss! There were a lot of rumours flying around that they might be dating. Especially when they went on a promotional trip for the record, in Germany and Poland. I think that's a snatch. Well done Mel. She was single and fun. Be single and make a single. It managed to chart at number 14 - her highest chart position in 8 years, and impressive for 2 artists on independent labels. Only released on digital downloads as well so. Then at the end of the year, we get two of my fave Melanie C performances. So in the December she releases her first live album - Live from Shepherds Bush (done DVDs before but not a live tour album). I think she had been doing some work with Jools Holland around this time, guesting on a number of his live tour dates. Its just a short little 7 tracker, with mostly singles and a couple of more recent album tracks but it was nice if you didn't care for stages. There is a great mix of Turn to you, and it actually made me like "Next best superstar". But I fell in love with it after watching "Sporty turns 40". So, Melanie turns 40 in the January and to celebrate she throws a big concert party at the Shepheds Bush Empire singing all her hits, with a few exciting guests. So, its in full on YouTube. (Thank you Mel C fans brazil). She looks incredible. She has her hair in a pony. She is wearing a black leather vest jacket. She is glowing and buzzing and really having fun. Obviously she sounds great. Its a star studded crowd of 90s popstars. She duets with Nicole Appleton, Emma comes on. One of the guys from Starsailor..... its great to have on in the background. We'll listen over dinner or something; I can't believe I haven't showed you actually. This is a nice little bit of business, do you know which Little Mix video she makes an appearance in? Word Up - of course. The Children In Need charity single. Passing on the torch from their own CiN single. She was very complimentary about the girls at the time, who isn't. Would later get quoted saying she had banned her daughter from watching the girls in case she saw inappropriate content: 'They are getting more provocative. To me, they were kind of the closest thing to the Spice Girls we've seen. 'They are all gorgeous and great singers. But they weren't sexy and it's got more and more that way. I love them – but I just say, "Stay you". 'All young women want to look sexy and hot so I understand it's hard. But I think it's such a shame. We live in a narcissistic age – it's 100 per cent worse than when I was in the Spice Girls. It was a more innocent time.' She would later go on to clarify her comments saying: Why do young girls want to be portrayed in that way? 'In my experience, I wore tracksuits. I never felt that us girls as Spice Girls were never put under any pressure to be sexy. - I mean, it is arguable the Spice Girls were extremely sexualised. Victoria wore a catsuit or a bikini and skirt. Geris skirts never went much past her navel. Emma was made to look younger...... it didn't feel smutty though. Maybe because of the range, and personality. - Little Mix are often portrayed as wearing less than they are. A leotard is not an inappropirate stage outfit, no matter how high cut. Its actually very smart. Noone can get in and nothing can get out. Twat guard. - I think its the dance moves that are maybe more contentious. But these are young women. That are good dancers and singers and make good music. Why shouldn't they dance? And yes, sometimes writhing around on the floor isn't necessary in a heartbreak song.... but sometimes it feels good. In 2015, we get a somewhat surprising move from Melanie – if you were a big fan of her “Beautiful Intentions” album. She is confirmed as a judge on TV talent show – Asias got talent. It was the first time the show was launching in that territory – maybe she thought we wouldn’t notice. Trying to break it down from the inside, perhaps. It was done in multiple languages, so there was always translators on hand. First of its kind within the “Got Talent” brand. Melanie gave her golden buzzer to an acrobatic act, Gao Lin and Lui Xin. She only did one season, but it’s a nice little paid holiday. Experience a bit of culture properly. I think we have seen that in recent years from her – Global Spice – spending a bit of time. Because when they were Spice Girls they would have visited all of these places but not be there for more than a day or two. Can’t experience it. Get the passport stamped but no memories. After this, we get back to music. Proper music. She features as vocalist – rather unexpected – collaboration with Sons of Sonix a British production duo who pride themselves on creating timeless, unboxed music. (I took that from their official website, could you tell). It’s a stark departure from her earlier work. They’ve worked with Ty Dollar Sign, Wretch 32, Stormzy. So, something a little more urban. The track was called “Numb”. Digitalspy described it as a “massive tropical banger”. Its much more electronic…. Which is a big departure away from the guitars and string instruments Sporty likes. Which made for a good interlude for her first single proper from the new album, Anymore. Also produced by SOS, as was much of the album. I remember being stunned when this came out. If you thought numb was a massive banger. This is “Turn to you” 2point0. Its uptempo electro. It premiered on BBC Radio 2 with Chris Evans. I remember watching the video in the office and I turned to my friend Jo like, pause everything – Mel C has hit the dancefloor! It got to number 1…… on the radio airplay chart. And it got to number 1…… on the UK physical singles chart! But a number 1 is a number 1! The album, Version of me, followed in October. It took her two years to create. Started in 2014 but with all the other projects since then meant she couldn’t focus on the album solely…. Which she credits. Said it stopped the album getting stale and meant she could use real life scenaries to inspire the work. She describes this as her first fully electronic album. She’d dabbled in the past but this was the first time she became an electro-synth artist. And it suits her. We get the same Melanie C themes…. It break ups and heartaches. The bloggers loved it. We’re past the point when many main streams review but the Express said: When the producers calm down and her huskily powerful but always slightly vulnerable voice is allowed to soar, as on the closing quartet of tracks, the results are superb The Independent called it her most accomplished solo outing to date. Gave it 3 stars. Same as it Gave Lady Gagas Joanne. The Sydney Herald described it as - Melanie C's version of Beyonce's Lemonade, taking on her very own "Becky with the good hair" and alluding to her relationship breakdown with partner of 10 years and the father of Scarlett, Thomas Starr, whom she split from in 2012. A brave move into Electro led dance-pop – which finally paid off. It was easily her most successful album in over a decade. It CHARTED. Yes, at number 25. Much higher if you only look at physical sales. Melanie C was out doing the promo for this. She did GAY appearances, talk shows, she did a prioper tour and into Europe. I got to see her at Hoopla; as you will remember from the last episode. We’d get another 3 singles from this era – none of which chart, but do get a fair bit or radio – “Dear life” which is more of a ballad. A bit more akin to her earlier work but still with this new found dance edge. “Hold on” A collaboration with Alex Francis. And “Room for love” which gets a video made up of fan clips. Which is a lovely nod. We should discuss one track. The title track Version of Me…… This is not your playground, I'm not here for you to shoot me down Praying on my weakness, even when you're not around Nothing lasts forever but you're wrapped around my DNA And I'm hiding in the corner, the wounded kid I was Like it was yesterday, like nothing's changed All that you've done, you see Ever so quietly comes creeping back up on me Haunting me, goading me, why can't you let go of me? I don't have the patience anymore Version of me: "Unfortunately, being bullied can really damage people and even when you are stronger and over it, it can still be in the background – undermining you. I hope people will Identify with that track," she told Attitude. She continued: "It's been addressed, they were aware of what they'd done. They apologised." This is a good era for her. Making music that she likes; it soundsa fresh and exciting again. Couldn’t be more pleased. I had time for it. Still do. Good for at the gym; or cycling a commute. Then the final thing Melanie adds before the reunion – is she becomes DJ Spice. Doing sets at retro nights. There probably won't come a time when I'm not asked about the Spice Girls. Do I mind? It depends what mood I'm in. People want to know about our relationships now. When we first split, I went two years without speaking to some of the girls, but we're closer now than we've ever been. – Interview with the Guardian, 2011. Maybe Melanie is Live Spice…. Her mic is rarely switched off. She’s released 3 live concert albums. She’s toured every album. She’s also done more musical than anyone else. She is a singer much more than she is a celebrity – which goes beyond what any of the other girls have done.
2 Decks is a rapper, songwriter and producer who works with The Gate: an arts and resource centre for people with learning disabilities based in Shepherds Bush, London. 2 Decks aka Darren also works in various projects to raise awareness about issues effecting people with a learning disability.
In 1908 a 22-year-old Italian baker's assistant arrived in London to take part in the Olympic marathon. He had no coach, he spoke no English, and he was not expected to challenge the elite runners at the top of the field. In this week's episode of the Futility Closet podcast we'll follow Dorando Pietri on the most celebrated race in Olympic history. We'll also ponder the Great Mull Air Mystery and puzzle over a welcome murder. Intro: In July 1968 ethologist John B. Calhoun built a paradise for mice. Mother Goose rhymes can be hidden phonetically in French and German. Sources for our feature on Dorando Pietri: David Davis, Showdown at Shepherd's Bush, 2012. Timothy D. Noakes, "Reduced Peripheral Resistance and Other Factors in Marathon Collapse," Sports Medicine 37:4–5 (April 2007) 382–385. Jonathan Esteve-Lanao, Alejandro Lucia, Jos J. deKoning, and Carl Foster, "How Do Humans Control Physiological Strain During Strenuous Endurance Exercise?" PLoS One 3:8 (August 2008), e2943. Tim Lincoln, "Mostly in the Mind," Nature 389:6654 (Oct. 30, 1997), 911-912. Karl Lennartz, "Some Case Studies on How Media Constructs Olympic Legends," Timisoara Physical Education and Rehabilitation Journal 2:3 (2009), 10-19. Markus Stauff, "The Pregnant-Moment Photograph: The 1908 London Marathon and the Cross-Media, Evaluation of Sport Performances," Historical Social Research / Historische Sozialforschung 43:2 (2018), 203-219. Peter Lovesey, "Conan Doyle and the Olympics," Journal of Olympic History 10:10 (2001), 8. Mark Will-Weber, "Dorando Pietri," Runner's World 34:1 (January 1999), 42-43. International Olympic Committee, "Dorando Pietri" (accessed Jan. 27, 2019). "Dorando Pietri," Arthur Conan Doyle Encyclopedia (accessed Jan. 27, 2019). Encyclopaedia Britannica, "Dorando Pietri: Falling at the Finish" (accessed Jan. 27, 2019). Simon Kuper, "The Original Olympic Hero," FT.com, July 27, 2012. "Marathon Men Were Games' Attraction," [Los Angeles] Daily News, July 22, 2012, C.1. "Italian Stumbles to Marathon Glory," Sunday Times, May 27, 2012, 15. Ian O'Riordan, "London Calls Me to Retrace Pietri's Footsteps," Irish Times, April 21, 2012, 12. Simon Burnton, "How Dorando Pietri Lost the Race but Won the Hearts of Millions," Guardian, Feb. 29, 2012. Stuart Bathgate, "Centenary of Albert Hall Marathon, Where Pietri Fell Short Once Again," Scotsman, Dec. 18, 2009, 56. David Davis, "Beijing 2008," Los Angeles Times, July 24, 2008, D.1. Elliott Denman, "Remembering the Incredible 1908 Marathon," New York Times, July 23, 2008. Doug Gillon, "Going the Distance: A Centenary Tale Full of Drama and Heroism," [Glasgow] Herald, April 12, 2008, 14. Richard Owen, "Italy Celebrates Centenary of a Fallen Hero," Times, Feb. 18, 2008, 33. "Dorando Pietri: London Marathon," Times, March 29, 1995, 1. Charles Singer, "The First Case of Marathon Fever," New York Times, Oct. 9, 1983. Bud Greenspan, "Truths, Half-Truths and Myths of Marathon Running," New York Times, Oct. 26, 1980. Dave Anderson, "The Olympic Time Capsule," New York Times, April 25, 1976. "Dorando Certainly Won," Montreal Gazette, Jan. 23, 1909, 7. "Fifteen Teams in Race," New York Times, Dec. 4, 1908. "Why Is Dorando Not Dorando? Because He Is Pietri," The Sketch 63:809 (July 29, 1908), 69. Listener mail: Wikipedia, "Baader–Meinhof Effect" (accessed Jan. 31, 2019). "There's a Name for That: The Baader-Meinhof Phenomenon," Pacific Standard, July 22, 2013. Arnold M. Zwicky, "Why Are We So Illuded?", Stanford University, September 2006. Wikipedia, "Confirmation Bias" (accessed Feb. 2, 2019). Wikipedia, "Red Army Faction" (accessed Jan. 31, 2019). Wikipedia, "Great Mull Air Mystery" (accessed Jan. 31, 2019). Wikipedia, "Mull" (accessed Feb. 4, 2019). "The Riddle of the Lost Flight," Independent, Feb. 18, 2004. "Mystery Plane Found on Sea Bed," BBC News, Feb. 7, 2004. "Sunken Wreckage Identified as Crashed Wartime Flying Boat," Scotsman, April 3, 2004. "The Great Mull Air Mystery," BBC Radio 4, Aug. 22, 2015. What3Words. This week's lateral thinking puzzle was contributed by listener Peter Bartholomew. You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!
RHLSTP #191: Rose Matafeo - Ladybird. Richard has had a ladybird in his house and is reminded of the horrors of the 1976 ladybird invasion, but how it eventually paid off to his advantage, but there's no time to consider too deeply if he's had sex with an insect that has magically taken human form, because he's talking to 2018 Comedy Award winner and the quarter Croatian, Rose Matafeo, the third guest on this podcast series to have lived in a house just behind Richard's old house in Shepherd's Bush. Richard gets pathetically drunk on just one bottle of Beer 52 beer and is scarcely able to remember how to speak, let alone recall what was discussed, but it includes a lot of racist attempts to do the English accent by Rose; plus what it's like to be up the tallest building in the Southern hemisphere; 'women's things'; an attempt to understand millennials; waiting for Burt Bacharach; watching your pet die; and the New Zealand version of The Horny Time Traveller. Please buy the new Emergency Questions book for yourself and all your family - https://www.gofasterstripe.com/eqSUPPORT THE SHOW!Check out our website and become a badger and see extra content http://rhlstp.co.ukSee details of the RHLSTP tour dates http://richardherring.com/gigsBuy DVDs and Books at http://gofasterstripe.com See acast.com/privacy for privacy and opt-out information.
Welcome to Episode 6! Conrad Life Report is a podcast about life, including digital media, music, books, food, drink, New York City, and more. Episode 6 topics: Intro theme: How To Eat A Wolf by Takka Takka, reason for week off last week, Halloween, Cobble Hill/Carroll Gardens on Halloween, Oliver's Empire State Building costume, trick or treating with nieces, completing the Three Body trilogy, Death's End, Brief Answers to the Big Questions by Stephen Hawking, My Struggle by Karl Ove Knausgaard, Prime Meats, Frankies 457, Henry Brill aka John Joseph Brill, Shepherd's Bush, SF 49ers, Union Grounds, Nick Cave and the Bad Seeds at Barclays Center 10/26/18, Alec Bemis, Songs of Love and Horror by Will Oldham, "Gallipoli" by Beirut, outro music: Grave Song by Takka Takka
This episode is with the wonderful Steven Atkinson and Francesca Clark of HighTide. For links to everything that they mention, see below: - HighTide: Aldeburgh Festival: https://www.hightide.org.uk/aldeburgh-festival-2018 Walthamstow Festival: https://www.hightide.org.uk/walthamstow-festival-2018 Sparks: https://www.hightide.org.uk/get-involved/playwriting/sparks First Commissions: https://www.hightide.org.uk/get-involved/playwriting/creative-opportunities - Stovepipe by Adam Brace: https://www.telegraph.co.uk/journalists/charles-spencer/4967495/Stovepipe-at-the-West-12-Shepherds-Bush-review.html http://www.unitedagents.co.uk/adam-brace - James Graham: https://www.curtisbrown.co.uk/client/james-graham - Edinburgh Fringe Festival - https://www.edfringe.com Tickets to Pint-Sized: October-Fest are available now - https://www.bunkertheatre.com/whats-on/pint-sized-october-fest. Once you’re on the booking page, type in the code PSPODS18 to get your discounted £9 ticket to the show and two workshops of your choice. If you enjoy the podcast please subscribe, share and give us a rating! We'd also love to hear your feedback so please tweet us here: @Pint_Sized_ or Facebook us here: www.facebook.com/pintsizedtheatre. Music by Teleman. Produced by Olly Jacques.
The Mayor of Shepherds Bush, Mr. Met came over and told us about his crazy London, Culture and Creativity experiences.
What's the best age to start learning an instrument? Can you make kids musical? And what kind of vajazzle would the host of the BBC Proms go for? Answering all these questions is Clemency Burton-Hill! She tells us all about her love of music, which covers everything from Back and Mendelssohn to Take That and UK garage. We talk about her brilliant book, Year of Wonder, which recommends a piece of classical music to listen to every day. Year of Wonder is out now, and comes highly recommended - we love it. You can follow Clemency on Twitter @clemencybh. The Scummy Mummies book is also OUT NOW! We hope you like it, and if you do, we'd love an Amazon review! **SEE US LIVE** Come to our live comedy show! Our Cambridge show is now SOLD OUT, but in January we're performing our Greatest Hits show in Shepherd's Bush, Nunhead and Norwich. Then we're previewing our new show and coming to Bath, Masham, Cardiff, and more... To buy tickets, and for more dates, visit ScummyMummies.com. We're on Twitter (@scummymummies), Instagram, and Facebook. Please send your confessions to scummymummiespodcast@gmail.com and visit us at ScummyMummies.com. If you like the podcast, rate, review and subscribe! Thank you for listening! See acast.com/privacy for privacy and opt-out information.
Teaching for 'The Miracle Question' with Mark Marx recorded at St Simon's Rockley Road in Shepherd's Bush on 6th October 2017.
Healing On The Streets Teaching with Mark Marx recorded at St Simon's Rockley Road in Shepherd's Bush on 6th October 2017. This is the fourth of four sessions.
Healing On The Streets Teaching with Mark Marx recorded at St Simon's Rockley Road in Shepherd's Bush on 6th October 2017. This is the third of four sessions.
Healing On The Streets Teaching with Mark Marx recorded at St Simon's Rockley Road in Shepherd's Bush on 6th October 2017. This is the first of four sessions.
Healing On The Streets Teaching with Mark Marx recorded at St Simon's Rockley Road in Shepherd's Bush on 6th October 2017. This is the second of four sessions.
This episode is the last of series one, when we started out there was no plan to split the episodes up into short series (which is why series one ended up with 18 episodes). Looking back on what we have achieved so far is the focus of this episode. We'll be looking at our favourite beers over the course of the series, and what we'll be offering in series 2. Looking Back to the Start It was a Sunday afternoon and I was meeting Todd in the Duck in the Pond pub in Harrow. It's a pretty decent pub owned by a company called Ember Inns, their beer selection is fairly up and down. Sometimes they'll have some amazing beers on tap, while other times there's almost nothing. We hadn't seen each other in around 2-3 months, which was quite unusual for us. When we were in our early 20s we'd usually see each other about 6-8 times per month. But if growing old has taught me one thing, it's that socialising is a difficult thing to do. Friends move away, your social circle becomes fractured, and you lose touch with people. There are falling outs, and break ups that can split a group, there are an endless number of things that can affect how often you see people. As relationships grow, family becomes more of a commitment. You aren't living with your parents any more, so now you spend weekends going to visit them. Then your partner also wants to visit their parents, suddenly 15-20 of your precious 52 weekends per year are taken up. But there's one thing that you can say about Todd, that guy never turns down a beer if he can help it! We sat down and went through their entire beer collection in methodical fashion. At one point the bar staff themselves congratulated us on our collection of bottles and glasses. Well at least I think they were congratulating us, they definitely said "That's a lot of bottles you've got their guys, and there's only two of you?". This sounds like a compliment to me. While we drank we set the world to rights, well the sporting world anyway. But we also talked about beer, we made each other laugh, and we reminisced about the time Todd got in crazy shape for a personal training competition that I had entered. We also got exceedingly drunk. As we were heading off, Todd to the loving embrace of his family, me to a girlfriend who was just SUPER happy that I was 2 hours later than I had said I would be, I asked Todd something that I had asked only one person before. Whether he'd like to do a podcast with me. I didn't even mention the subject that I had in mind, because I was scared of rejection. But he seemed pretty excited. I casually mentioned beer, which he readily agreed with, and then I mentioned doing it on fitness. I held my breath (okay I probably didn't but allow me some artistic licence here) and he said the following, incredible words "Yeah sure, whatever the fuck you want to do it on mate sounds good to me". One day I want those words engraved on a marble statue of Todd. Our First Episode Usually, when I have a really good idea it falls flat almost immediately. I've started 3 bootcamps in my life, all of them have fallen apart in fairly spectacular fashion. The first was in Regents Park, me and a couple personal trainers decided that it would be a great way to make some extra cash. I booked a spot in the park, printed t-shirts, created flyers, and even got some media interest (two journalists and a photographer came for a photoshoot and interview). Traditional English Ale (TEA) by Hogs Back Brewery - Tongham, UK I offered the class for free to around 20 people, and turned up to session one with one of my PT buddies (the other had already quit) at 6:30am. Nobody showed up. We waited 20 minutes, then went to a Walkabout pub in Shepherds Bush to watch some Rugby League and have a beer (yes the pub was open at 8am and was filled with Aussies drinking). I have failed in projects like this more often than I care to say, and a lot of the time it has been due to a burst of enthusiasm on my p...
In 2016 reviewer phobic Sammie went to the Edinburgh Fringe where she became a fan of a critic. Kate Copstick is head reviewer for The Scotsman but also a revolutionary badass who founded and runs Mama Biashara. A charity supporting poor families in the slums of Kenya. Kate empowers women (and some men) to become self sustaining by awarding micro grants to start business, she sells some of the produce from these ventures in her Shepherds Bush charity shop. GO VISIT! Other topics discussed are socially conscious comedy, the evils of Coca Cola, racism, The Red Pill and class conflicts. Also an account of Sammie's real life confrontation with arch nemesis number 2 Sofie Hagen. http://www.mamabiashara.com http://www.patreon.com/samanthapressdee
The ninth episode of the podcast which asks: were England’s international failures of the 1970s caused by an insistence on playing football on beaches in massive flares and stack heels while pretending to be Marvin Gaye? This episode, Pop-Crazed Youngsters, sees us making another Sam Tyler-like voyage to Spangleland in an attempt to see if 1974 could keep up the quality levels of the year before, or if it was already lurching into the hell of 1975. What we discover is a Bizarro-world in which Noel Edmonds stands out as a bouffanted, proto-Medallion Man object of genuine teenage lust amongst the sullen, lank-haired youth. Musicwise, we see ‘new’ bands taking wing (Mud, in their Glam-Ted Vishnu phase), older bands calming themselves down (Slade, doing a ballad) or on their way out (Mungo Jerry, we’re looking at you), and people absolutely losing their shit over The Wombles. Pans People cause your Dad’s tea to slide right off his lap as they don the flounciest, bounciest nighties ever, Bill Haley is unearthed and put on display, the Terry Jacks Deathwatch drags on for another week, and history is made as Abba yomp all the way from Brighton to Shepherds Bush to begin their glacial reign over the Seventies. Al Needham is joined by Simon Price and David Stubbs to discuss all of this, as well as rubbish funeral songs, supporting a football team that looks like your favourite mug, BBC Families v ITV Families, believing that pop songs are actually news bulletins, and the Celtic ritual of Crisp Sacrifice. And all the swearing you could possibly want. See acast.com/privacy for privacy and opt-out information.
She's a social media sensation, a champion for flexible working, and close personal friends with Gloria Hunniford - it's megavlogger Mother Pukka! We compare Caesarean scars, make jokes about bacterial vaginosis, and explain why everyone needs a c***ometer. There's also some serious talk about miscarriage, and Pukka tells us an amazing fact about herself. We learn about what inspired her to start the Flex Appeal campaign, and how to get involved. There's some practical advice on the best way to ask your boss for flexible working. We round off with a fantastic listener confession, plus a very special one from Mother Pukka herself. You can find out more about the Flex Appeal campaign over at motherpukka.co.uk, and by following her on Twitter, Facebook and Instagram. The next flash mob is on 31 March in Trafalgar Square. The Scummy Mummies book is OUT NOW! We hope you like it, and if you do, we'd love an Amazon review! **SEE US LIVE** We're performing at Bush Hall in Shepherd's Bush on 22 March, and at Brighton Komedia on 28 June. To buy tickets, and for more dates, visit ScummyMummies.com. We're on Twitter (@scummymummies), Instagram, and Facebook. Please send your confessions to scummymummiespodcast@gmail.com and visit us at ScummyMummies.com. If you like the podcast, please tell your friends! Thank you for listening! See acast.com/privacy for privacy and opt-out information.
Our guest for this ep is midwife, author, and instagram sensation Clemmie Hooper, otherwise known as Mother of Daughters! She tells us how she managed to write her book, How to Grow a Baby and Push it Out, while looking after twin babies. We find out what it's like to have four small children, and what it is Clemmie has finally forgiven Keira Knightley for. There's some chat about how Clemmie became the social media star she is today, and Helen's pleather trousers. We play a new game, and there's even a new theme song. This episode was fuelled by wine from the wonderful Kevin O'Rourke, otherwise known as the wineman. He sends out lovely booze direct to your door - find out more at wineman.co.uk. Clemmie's book is out now, published by Penguin Vermilion. You can follow her on instagram @mother_of_daughters, while her husband Simon is @father_of_daughters. She's on Twitter @Modaughters and Facebook. We're on Twitter (@scummymummies), Instagram, and Facebook. Please send your confessions to scummymummiespodcast@gmail.com and visit us at ScummyMummies.com. If you like the podcast, do tell your friends! **BUY OUR BOOK!** The Scummy Mummies book is out on 9 March, but you can order yours now via Amazon! **SEE US LIVE!** We have gigs coming up in Bath, Saffron Walden and Shepherds Bush! Visit scummymummies.com for dates and tickets! Thank you for listening! See acast.com/privacy for privacy and opt-out information.
We interrupt our Star Trek coverage to cover the "dark heart of cinema", FrightFest. We are joined by filmmaker, and FrightFester, Clive Ashenden as we talk about the festival. We give our thoughts on the move from Leicester Square to Shepherd's Bush, what we thought of this year's festival and we make our picks, good and bad, from the lineup of films. Movie Heaven Movie Hell is a show where filmmakers Simon Aitken (BLOOD + ROSES, POST-ITS, MODERN LOVE) and Keith Eyles (FEAR VIEW, DRIVEN INSANE, CROSSED LINES) go through the A-Z of directors. Simon and Keith talk about their favourite and least favourite film from that director's body of work. Like our Facebook Fanpage at https://www.facebook.com/MovieHeavenMovieHell You can follow Movie Heaven Movie Hell on Twitter at @MovieHeavenHell You can find Simon Aitken's work at http://www.independentrunnings.com You can find Keith Eyles' work at https://www.youtube.com/channel/UCQ4up3c883irE6oA2Vk0T7w
RHLSTP #93: John Robins - Noel Edmonds' Toilet and Johnny Vaughan's Shower. Richard is reeling over the news that pregnant women are giving public blow-jobs in the Westfield (surely this can only drive Shepherd's Bush property prices upwards) but still has time to introduce his guest, the twice sacked Deal or No Deal warm up man, John Robins. They discuss what it was like sharing a flat with Jon Richardson and Russell Howard, why Richard thinks of Mark Lamarr every time he boils a kettle, daring to challenge the comedy Sauron that is Stewart Lee, the dangers of drinking at gigs, and what it's like being in a relationship with a comedian. If you want to hear John in action you can pay what you like for his last two Edinburgh shows here - https://johnrobins.bandcamp.com/. But pay him a fiver for them, don't be a dick.SUPPORT THE SHOW!Check out our website and become a badger and see extra content http://rhlstp.co.ukSee details of the RHLSTP tour dates http://richardherring.com/gigsBuy DVDs and Books at http://gofasterstripe.com See acast.com/privacy for privacy and opt-out information.
Thameside started this live broadcast at 10:30 with Bob Edwards running through the Thameside Radio 90.2 listener charts for 1981. What a year: Fade to Grey - Visage; That’s Entertainment - The Jam; Tainted Love – Soft Cell; Joan of Arc / Maid of Orleans – Orchestral Manoeuvres in the Dark; Imagine – John Lennon; Don’yt you Want Me? – The Human League; Ine the Air Tonight – Phil Collins; Vienna – Ultravox; what an amazing year… The Intrepid Birdman took over at about 11:15 with and extended interview with Eddie Grunt. The show carried on until about 1am on New Year’s Day. The show was broadcast live from Shepherd's Bush.
Frame 32 - Thatcher vs the IRA. There's an odd atmosphere at the Shepherd's Bush (insert name of shape or dinosaur here) with half the team delighted at the demise of Mrs Thatcher and half of them in mourning. But what better way to settle which side of this argument is correct than by having one man play himself at snooker and let the winner decide. To be honest it's one of the duller podcasts (which is saying something in itself) but maybe that is fitting as we're sorting out a complicated issue on the snooker board this afternoon. And it is finally sorted out. By the end you will know who was right Mrs Thatcher or the IRA. Apologies if you can smell cat wee during this, Lion-o peed on the sofa again.
This was the second week that Dave Birdman took over from Tony Lloyd. Also clue 2 for the treasure hunt and part 2 of Norman Normal. There's a jingle explaining how listening to Bob Edwards can cure dandruff.Bob wants to play all of "the Wall" but Dave won't let him. Bob of Camden Town wins the mystery tune competition - he is a DJ at the Royal Free Hospital. Mentions include: Martin Gould. Another letter from Pat Hickey for her family (big fans they were). The heavy rockers at Ealing College. Su Everett. Nick Luxford of Chelsea everyone at Notting Hill nick. Steven Cruickshank. Marcus Gaugales. Hammersmith and West London Collegs. Dave Watson. Andy and Madeleine of Richmond whho are getting married. Tony Alegranza from East Finchley. St Cartwright Gardens. Diana Evans. Derek Card of Shepherds Bush. Ian Oakey of Caterham School. John Turner. Richmond upon Thames College. John Peak from Inperial College. Sadly this is only the first half of the 3 hour broadcast. If you have any recordings of Thameside Radio shows do please get in touch.
Paul James stands in for Bob. This is the week after another Thameside Radio 90.2 party from Shepherds Bush. (The recording of that show is still being worked on).
Welcome to another Motor Sport audio podcast. This month Christian Horner very kindly gave us an hour of his time (something that's almost unheard of for a team principal in the middle of the Formula 1 season!) and we made the trip up to Red Bull Racing in Milton Keynes. The journey wasn't without dramas... Myself, the editor Damien Smith and all the recording equipment set off from head office in Chelsea in plenty of time in his trusty BMW. However, within a mile of traffic the car was hot, very, very hot in fact and it soon came to a grinding halt. After a brief panicked phone call to my brother Will, I deserted the editor at Shepherd's Bush and ran to my brother's car (a surprisingly brilliant Ford Mondeo ST220) that he very kindly lent me. So, if you're wondering why Damien doesn't say too much in the podcast, it's because he was on a tow truck – with his car. The recording thankfully went according to plan and I hope you enjoy what Christian has to say. Thank you for the car Will, and thank you... See acast.com/privacy for privacy and opt-out information.
The first part of the show is presented by Bob Edwards from the studio. The second part, hosted by Paul James, was recorded earlier that evening at the Thameside Radio 90.2 party in the Shepherds Bush Village Hall.
More from Dale "The Supersmurf" (see photo) who is a great 80s disco DJ. Dave sets up a a listener hunt for Alex who is "inconspicuous somewhere on Shepherds Bush Green". Toby from Notting Hill finds him wearing a white coat and hat! Name checks for Rupert from Barnes, John Brennan, Andrew Simpson
This Sunday show was the week after a live outside broadcast from Hyde Park and 3 days before the wedding of Charles and Diana. Bob plugs the extended broadcast for teh royal wedding the following Wednesday which starts at 10am. There are also tickets for the Thameside day trip to Brighton on August 16th which cost £5. Alex had Thameside Radio "fast food surveys" from Spud-u-Like in Shepherd's Bush and Huckleberry's in Oxford Street. The report also featured the Birdman's "No-one Loves Me (Just 'Cause I Eat Worms). The Birdman has a really great beginning to his show. Loads of dedications on Bob's show. Some by letter, some on the Curlyman's number. I've tried to pick out ones that might get spotted in a Google search: Francesca from Putney for Tony Fletcher from Apocalypse, Francine, Nick, Xani, Carl, Jeff Jim, Nick and Fran. Moira for the Whitton Skipsters. Mothball for Dandelion and Photon Brick. Toby from Notting Hill for Daniel Abdab, Charlie and Cathy. Carrie for Ian Day and the Paranoid Android Fan Club. Mazzy, Margaret Atkinson, Andy Cooper, John Brennan, John Simon, Jordan Lee, Bernard of St John's Wood, John of Thornton Heath, Alan Simpson, Sue Cook, Nichola for Godolphin and Latymer and, Roslin Park Rugby Club. Greg for the BNZ staff.Juliette and June from tele-ads at the Surrey Comet. Chris Webb. Alison who is Mothball's sister. Ricchard Gordon for Cathy and Jonathan. Everyone at the Alexandria and Fireball concert. There are more, have a listen!
The castaway in Desert Island Discs this week is someone who has unexpectedly encountered professional acclaim late in her life. Singer Kyra Vayne could well be described as one of opera's forgotten voices - until this year when, thanks to the release of some previously-unknown recordings which had lived under her bed in Shepherd's Bush for 30 years, her voice reached a large new audience of admirers. She'll be talking to Sue Lawley about her reaction to the ecstatic reception given to her first CD, how she lived a life of obscurity working in a bank after she abandoned her career and about her life in pre-revolution Russia, where she and her family nearly starved to death before fleeing to England. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Symphony No 9 Final Movement by Ludwig van Beethoven Book: A culinary book Luxury: Peanuts and treats to tame animals and birds