Podcasts about dumont network

Send us a Text Message.A sequel to a beloved music festival. The OG of reality TV shows. Some of the weirdest video games Atari could create.Episode 156 of the podcast will combine the warm and fuzzy with the confusing as we travel through the halls of nostalgia.It kicks off with a trip back 30 years. The original Woodstock was a seminal moment of the 20th century. The artists who played it became legends and those in attendance will never forget it. Naturally, a sequel was in order, and that came in 1994. How did this spiritual successor to the original do?Reality television like it or not has been a staple of network programming for over 30 years. Some shows have become iconic while many others were quickly thrown in the trash. There had to be an original though. This week we go way Back In the Day and look at that OG of reality TV, Candid Camera.In a brand new Top 5 we will delve into the weird as we look at some of the weirdest video games Atari ever created. Not saying these games are necessarily bad, just that the premise behind them makes you wonder what substances the creators might have been on.A new This Week In History and Time Capsule will showcase the downfall of one of the first television networks, the DuMont Network. For more great content become a subscriber on Patreon!Helpful Links from this EpisodeThe Lady of the Dunes.comPurchase My New Book Cape Cod Beyond the Beach!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comWear Your Wish.com - Clothing, Accessories, and moreDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogShelter of the Monument Book - Yvonne DeSousa.comUPDATE: Bonnie Bickwit and Mitchel Weiser Case - Rolling Stone.comCandid Camera Classics - YouTubeRetro Games.czListen to Episode 155 here Support the Show.

Two years before William Gibson's novel Neuromancer coined the term “cyberspace” the Disney corporation unleashed a bold and daring vision of anthropomorphic distributed computing gone wild. Featuring a young and wildly talented Jeff Bridges, and more dance belts and BMX armor than you can shake a data disc at, Steven Lisberger's ground-breaking proto-CGI extravaganza, Tron,  is a bizarre and beautiful vision of a future that never came to pass! Join Javi, Paul, and -  needless to say - Producer Dumont as they get digitized into the gaming grid to marvel at Syd Mead's generation-defining production design, do battle with the nefarious Master Control Program, and struggle to make sense of the movie's plot!

June 19 - 25, 1953 This week Ken welcomes professor, writer, producer and director Jack Solder (Nightmare on Elm St. 2, By Dawn's Early Light, The Hidden, 12:01, Alone in the Dark) to the show. Ken and Jack discuss growing up in Philly, growing up playing trumpet, being a classical musician, realizing you're good but not GREAT at something, becoming an editor, the rhythm of cuts, working at New Line Cinema, Caroline Biggerstaff, poses vs pauses, editing The Burning, learning by doing, creating suspense, revival art house cinema, the genius of Buster Keaton, exploitation films, Ed Sullivan, Uncle Milty, 1950s music shows, the cultural scene of the 1950s, Uncle Pete Boyle, Chief Halftown, kids shows, Life of Reilly, Magnavox, The DuMont Network, newspapermen, The Big Story, The Big Picture, the strangeness of modern day network TV, the personal nature of TV, working with Harvey Keitel, swapping India for Eastern Europe, the fake Indian word for "Roll 'em" Easta Sasusaway, never being Mr. Wizard, Big Top with Jack Sterling, Wrestling, boxing, You Asked for It, Fearless Ed, Variety Shows, New York Socialites and Intellectuals, Dinah Shore, representations of gay people on TV, Ernie Kovacs, Red necks, Farmers, how your car key fob is more powerful than the computer that sent men to the moon, the world after cell phones, Alan Funt, Candid Camera, Kids Say the Darndest Things, UHF stations, Dragnet, American Bandstand, 12:01, The Hidden, the gayest Nightmare on Elm St film, Robocop, working with Jake the Dog, and the strangeness of The Omen The Series pilot. 

In which the three nascent American broadcast networks face a challenge from a scrappy engineering lab, and John thinks gadgeteers should be certified. Certificate #28450. This episode is sponsored by Squarespace: Head to https://www.squarespace.com/omnibus to save 10% off your first purchase of a website or domain using code OMNIBUS.

Esta semana en el podcast hablamos de dos temas de la era de los Territorios.Primero miramos brevemente la carrera de Adrian street uno de los Rudos mas importantes en los territorios del sur de los Estados unidos en los 1980.Hablamos de su influencia en otros Luchadores incluyendo quien en Puerto Rico basicamente se robo su gimmick y tambien alguno de sus feudos mas famosos que pueden ver en Youtube. En la 2nda parte hablamos de Wrestling in the marigold y la influencia que todavia tiene cerca de 70 anos despues en la manera en que vemos lucha libre en nuestra television hoy en dia.Hablamos de su promotor Fred Koehler lo que logro junto a la cadena de television nacional Dumont Network,Sus batallas contra la NWA y como el exito de este programa llevo a la 1era era dorada de la Lucha libre en los Estados unidos y abrio las puertas para que muchos territorios tuviesen television. --- Support this podcast: https://podcasters.spotify.com/pod/show/luis-cuevas/support

The U.S. spent the first ten months of 1949 in a recession. Competition for the advertising dollars was stiffer. There were now over two-thousand-six-hundred AM and FM stations. Television was becoming a serious threat. Over a hundred TV stations were on the air. Only two Network Radio shows had a rating higher than 20. Just two years earlier, there were fifteen. Radio's average Top 50 ratings dropped 30% to its lowest level since 1937. Suddenly the reality of radio drama's demise was staring men and women in the face, like the just-heard John Gibson who played Ethelbert on Casey, Crime Photographer. Meanwhile, NBC, ABC, CBS, and the Dumont Network reported a combined TV income of $29.4 Million. But advertisers were learning that TV production costs were much greater than radio's. The extra money had to come from somewhere and radio budgets were the likely source. Seven of radio's top nine shows now aired on CBS, but that's not to say there weren't NBC radio successes. Jack Webb's Dragnet premiered coast-to-coast on Friday June 3rd, 1949 at 10PM eastern time over NBC. It featured some of Hollywood radio's most talented character actors, like the just-heard Virginia Gregg. It wasn't long before Liggett and Myers tobacco signed on as sponsor. CBS took notice. A month after Dragnet's premiere, they shifted Broadway is My Beat to Hollywood and put it under Elliott Lewis' direction. For more information on the launch of Dragnet, tune into Breaking Walls episode 111. For more information on Elliott Lewis, tune into Breaking Walls episode 113.

The U.S. spent the first ten months of 1949 in a recession. Competition for the advertising dollar was stiffer. There were now over two-thousand-six-hundred AM and FM radio stations in the country, and TV was becoming a serious threat. Over one-hundred Television stations were on the air. Only two Network Radio shows had ratings higher than a 20. Just two years earlier, there were fifteen. Radio's average Top 50 ratings were their lowest since 1937 and network radio revenue dropped for the first time since 1933. Meanwhile, NBC, ABC, CBS, and the Dumont Network reported a combined TV income of $29.4 Million. But advertisers were learning that TV production costs were much greater than radio's. The extra money had to come from somewhere. Radio budgets were the likely source. On December 18th, 1949, NBC broadcast an episode of America United with a panel discussion on estimates and predictions concerning 1950. It was moderated by David Brinkley, at the time NBC's Washington commentator. The post-World War II world had been chaotic. Europe was rebuilding slowly as the US and Russia became the two superpowers. That same day, as the Philadelphia Eagles were beating the Los Angeles Rams in the 1949 NFL Championship Game, Nikita Khrushchev was made The Soviet Communist Party's secretary of the Central Committee, and single-party Communist elections were held in Bulgaria. Two days later, Josef Stalin was awarded the Order of Lenin as part of celebrations for his seventieth birthday.

James & John take a look at Chicago wrestling in the 1950s as Fred Kohler Enterprises ruled the roost in the Second City and brought wrestling to national audience on the DuMont Network.

On the eve of Thanksgiving in 1949, Russian diplomat Andrey Vyshinsky told the UN General Assembly Russia fully supported Communist China's in removing the Nationalist Chinese delegation from the UN. While US, British and French commissioners agreed to lift many industrial and diplomatic restrictions on West Germany. And Israeli Foreign Minister Moshe Sharett rejected a compromise proposal from the UN to internationalize Jerusalem. Ted Williams of the Boston Red Sox was named American League MVP, and smog was becoming a serious issue in Los Angeles. The Cold War and communist fears were reaching new heights as celebrities listed in the Red Channels found themselves blacklisted in Hollywood. The U.S. spent the first ten months of 1949 in a recession. Competition for the advertising dollar was stiffer. There were now over two-thousand-six-hundred AM and FM radio stations in the country, and TV was becoming a serious threat. Over one-hundred Television stations were on the air. Only two Network Radio shows had ratings higher than a 20. Just two years earlier, there were fifteen. Radio's average Top 50 ratings were their lowest since 1937 and network radio revenue dropped for the first time since 1933. Meanwhile, NBC, ABC, CBS, and the Dumont Network reported a combined TV income of $29.4 Million. But advertisers were learning that TV production costs were much greater than radio's. The extra money had to come from somewhere. Radio budgets were the likely source. But if there was anyone who knew how to stretch a dollar, it was radio writer and director Carlton E. Morse. Tonight we'll join him in a boxcar somewhere in the lonely west, and celebrate Thanksgiving by burying our dead in Arizona.

On December 31st, 2021, Hollywood legend and literally the most well-liked living person in America at one point, Betty White, passed away in her home in Brentwood, California. Even though she was 99 years old, it still felt like she was taken too soon. She was still so very much alive and looking forward to celebrating her 100th birthday in a little over two weeks. Most now seem to remember her from The Golden Girls, or The Mary Tyler Moore Show, or Hot in Cleveland. Or maybe that 2010 Snickers Super Bowl commercial. But by the time The Mary Tyler Moore Show debuted in 1970, she had already been regularly appearing on TV for over twenty years. She'd starred in and produced one of America's very first sitcoms - Life With Elizabeth - in the early 1950's. She'd had her own variety show, The Betty White Show. She'd starred in other sitcoms, and was a regular guest on dozens of games shows, late night talk shows, variety shows, etc. She's starred in movies. And she had an amazing life outside of entertainment. Her love story with third husband Allen Ludden reads like a movie script, but it was very real. Such an inspiring show today! I hope it makes you feel as good hearing it as it did for me when I recorded it. Hail Nimrod, everyone! The Bad Magic Charity of the month is New Orleans Community Fridges (amount tbd) will be this months recipient of the Bad Magic Donation! Such a cool charity, providing free food and drink to those who are food insecure. Visit nolacommunityfridges.org for more info!Watch the Suck on YouTube: https://youtu.be/8paLSutNq58Merch - https://badmagicmerch.com/  Discord! https://discord.gg/tqzH89vWant to join the Cult of the Curious private Facebook Group? Go directly to Facebook and search for "Cult of the Curious" in order to locate whatever happens to be our most current page :)For all merch related questions/problems: store@badmagicproductions.com (copy and paste)Please rate and subscribe on iTunes and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcastWanna become a Space Lizard?  Click here: https://www.patreon.com/timesuckpodcastSign up through Patreon and for $5 a month you get to listen to the Secret Suck, which will drop Thursdays at Noon, PST. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch. You get to vote on two Monday topics each month via the app. And you get the download link for my new comedy album, Feel the Heat. Check the Patreon posts to find out how to download the new album and take advantage of other benefits.

This week, Steve and Sydney discuss the NBA's not-always-successful history with network television, focusing on its very first TV deal with the long-forgotten DuMont Network in 1953-54More important—the team announces its release of the only known complete footage from an NBA syndication package from that season…now fully restored and COLORIZED The video can be seen here: https://youtu.be/0CjHx_-DtiEBe sure to like and subscribe. Follow us on:Twitter: @inthelowpostFacebook: www.facebook.com/OnlyTheBallWasBrownYouTube: http://youtube.com/channel/UCWaSIz6CIm1qaaYonrALBNwInstagram: @OnlyTheBallWasBrownSnapchat: @inthelowpostQuestions? Comments? Suggestion? Write to us at soccermavn@yahoo.com

Welcome to Kinescope. A podcast dedicated to the history of live televisionfrom the 1940s to the early 60s . I'm your co-host john siuntres. togetherwith Gabriel Hardman each week we'll look at the formative years of televisionbefore the invention of video tape. this era of TV helped start the careers of many famous actors writers directors and producers.this week we look at Captain Video from 1949 on the Dumont network.Capt video was the first original sci-fi hero, created specifically for televison.Each week we will choose epsisodes of televsion available to watch for freeat youtube. Think of Kinescope as a video book club where we'll tell you a week in advance the subject of our next podcast discussion Like our subjects of discussion The Kinescope Podcast is performed live on theWord Balloon YouTube channel. If you wish to comment or ask us questions join us Every Thursday Night at 930pm Pacific, 1130pm central and 1230am Eastern

Baruch was hired in 1943 as an engineer at Empire Broadcasting, and later as an ad salesman at New York's DuMont Network affiliate and with the Los Angeles Times's Consolidated Television Film Sales in the eastern United States.[1]In 1954, Baruch became an account executive for CBS Films. He later became vice president of CBS and general manager of CBS Enterprises, the company's cable and television syndication division.For Your Listening Pleasure all the radio shows available on The 'X' Zone Broadcast Network with our compliments, visit - https://www.spreaker.com/user/xzoneradiotv.The ‘X' Zone Broadcast Network Shows and Archives - https://www.spreaker.com/user/xzoneradiotvThe ‘X' Zone TV Channel on SimulTV - for more information visit http://www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

Baruch was hired in 1943 as an engineer at Empire Broadcasting, and later as an ad salesman at New York's DuMont Network affiliate and with the Los Angeles Times's Consolidated Television Film Sales in the eastern United States.[1] In 1954, Baruch became an account executive for CBS Films. He later became vice president of CBS and general manager of CBS Enterprises, the company's cable and television syndication division. For Your Listening Pleasure all the radio shows available on The 'X' Zone Broadcast Network with our compliments, visit - https://www.spreaker.com/user/xzoneradiotv. The ‘X' Zone Broadcast Network Shows and Archives - https://www.spreaker.com/user/xzoneradiotv The ‘X' Zone TV Channel on SimulTV - for more information visit http://www.simultv.com The ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

From the early representations in experimental broadcasts to the contributions of the Dumont Network; to the thin appearances on 1950s TV; to the integration and beginnings of equality in the 1960s; to the sometimes controversial sitcoms of the 1970s; and the foundation of BET in 1980, this podcast presents an overview of Black TV history. Timecodes0-1:09:40 Background/1939-19591:09:40-1:47:05 1960s1:47:05-end 1970s and conclusion   SUPPORT FORGOTTEN TV ON PATREON! Support Forgotten TV with Paypal-one time or recurring More at Forgotten TV Forgotten TV Amazon Wishlist   Primetime Blues by Donald BogleEncyclopedia of Television edited by Horace NewcombOur Gang: A Racial History of The Little Rascals by Julia Lee   The music track Astray by Alec Slayne is used under license from Epidemic Sound. Forgotten TV is not affiliated with or authorized by any production company or TV network involved in the making of any TV show or film mentioned in this podcast.  Amazon links are affiliate. Copyright 2020 Forgotten TV Media

The Alliance of American Football just, er, snapped off a month ago (there's no kickoffs in the AAF), XFL 2.0 is less than a year away, and talk of the Freedom Football League is banding about. It's got a lot of us in the Geekiverse thinking about the leagues that tried and failed, and Nate and Lou stepped up to talk about them. If you wanna hear two sports nerds run the gamut from 1870's "base ball" to American soccer in the 1920's, and all the way up to the original train wreck of the XFL. So grab your Southern California Sun jersey, a Chicago Cougars branded can of Old Style, and your finest Cleveland Infants cap, it's time for the Memory Machine, live on the Dumont Network!

It's the premiere episode of a special seven-part Pop Culture Affidavit miniseries, IT CAME FROM SYNDICATION! Starting with THIS VERY EPISODE, I will be taking a look at syndicated television from the 1980s and the early 1990s, covering a variety of genres and shows. For our first time around, I start off by talking about the history of syndication in the United States and then move on to my personal history with syndication as a kid on Long Island. Then, I go into the first type of programming that I'm covering: movies. From Siskel & Ebert's weekly review show to WPIX's Godzillathon, I discuss why coming across movies in syndication was so important to me as a kid. Check out the blog for show notes, and don't forget that you can email me at popcultureaffidavit@gmail.com!

It's the premiere episode of a special seven-part Pop Culture Affidavit miniseries, IT CAME FROM SYNDICATION! Starting with THIS VERY EPISODE, I will be taking a look at syndicated television from the 1980s and the early 1990s, covering a variety of genres and shows. For our first time around, I start off by talking about the history of syndication in the United States and then move on to my personal history with syndication as a kid on Long Island. Then, I go into the first type of programming that I'm covering: movies. From Siskel & Ebert's weekly review show to WPIX's Godzillathon, I discuss why coming across movies in syndication was so important to me as a kid. Check out the blog for show notes, and don't forget that you can email me at popcultureaffidavit@gmail.com!

In this encore presentation, Steve, Andrew, and Jonathan discuss the often forgotten DuMont television network. Innovative, with stations in key east coast major markets, the DuMont network was ultimately done in by a combination of forces — the least of which being its uncooperative partner, Paramount Studios. Join us as we discuss DuMont and its […]

Today Ken welcomes writer, director and sometimes actor Carl Gottlieb (Jaws, The Smothers Brothers, The Jerk) to the show. Ken and Carl discuss classic Hollywood apartments, growing up in Manhattan, Your Show of Shows, Champagne tastes on a Beer Pocket Book, Howdy Doody, Milton Berle, The NBC Symphony, how radio begat television, The DuMont Network, having a pet mouse, Carl's TV debut, Tom Corbitt Space Patrol, being a Sci-Fi fanatic, The Shadow, Amos and Andy, how a car can cost as much as a television, how parody thrives when an audience is well informed, pretending to be in the orchestra to get into Your Show of Shows, writing for the college newspaper in Syracuse, joining The Committee, Harry Brandt Theaters, fighting in the War, San Francisco, The Smothers Brothers, Steve Martin, Rob Reiner, Bob Einstein, Lorenzo Music, Saturday Night Live, working with Lorne Michaels on Flip Wilson specials, the Square Generation, writing "The Air Traffic Controller" for Bob Newhart, Carl's favorite sketch, winning an Emmy, Music Scene, Janis Joplin, Stephen Spielberg, Jaws, The Odd Couple, Carl's book The Jaws Log, Paws, Which Way is Up, The Jerk, directing Caveman, Ringo Star, Raquel Welch's fur bikini, George Burns' Comedy Showcase, and hippies and beatniks on Gomer Pile.

Summer Scare-A-Con Special! Today Ken speaks with legendary Exploitation movie scholar Joe Bob Briggs and the Mads of MST3k Trace Beaulieu and Frank Conniff. First up Ken talks to Joe Bob Briggs (TNT's Monstervision, Joe Bob's Drive In Theater). Ken and Joe Bob talk about the horrors of Springfield, classic sleazy neighborhoods, Help Reviews, being introduced to The Howling 7, anonymous oddities, Samurai Cop, Robert Z'Dar, Joe Bob's Media Blssters commentary tracks, the missteps of modern social media movie promotion, growing up in Texas/Tex-Arcana, Little Rock, going to a Drive-in as a family, Saturday Night at the Movies, The Three Stooges, terrifying children's TV show Slam Bang Theater, Ghoulardi's pyromania, Ernie Anderson, Zacherly, becoming a scholar of the un-scholarly, Roger Corman, the secret origin of the Drive In Totals, how The Intruder actually truly never lost money, mining talent, Angie Dickinson, putting TV actors in movies, little Ronny Howard, The Movie Channel, Robert Osborne, sitting on the Honeymooners set at the DuMont Network, Bette Davis, TNT's Monstervision, guesting on The Tonight Show, how WCW almost had the first gay wedding, post-pub TV, being popular in prisons, infomercials, the exciting emerging world of streaming networks, big money in TV sports, Variety Shows, the TV mini-series, and the impressive skill set of today's TV writers. Next up Ken chats with MST3k's Mads Trace Beaulieu (Crow, Dr. Clayton Forester) and Frank Conniff (TV's Frank). Ken, Trace and Frank talk the female McHale's Navy, watching things because they are on, network sign offs, the Patriotic nature of shutting down, terrifying PSA's, smoking in bed, memorizing TV shows, being a repository of information in the pre-internet age, Frank's guilty feelings of sneaking Garrison's Gorillas behind a curtain, the wonders of Color TV, Batman '66, the retirement of Lancelot Link: Secret Chimp, Sgt. Bilko, the genius of Nat Hiken, Latin lessons, ass learnin', shared experience leading to life long friends, SCTV, the continuity of MST3k, having to love the worst movies, The Mads tour, Rifftrax reunion, made for TV movies, Jack Davis, the wonders of Mad Magazine, and loving UK TV.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.THIS EPISODE:Big Town. January 4, 1949. NBC network. "The Mask Of Evil". Sponsored by: Lifebuoy Soap, Rinso. Mystery writer Hannah Harper, and her nervous companion, summon Steve Wilson and Lorelei to the lighthouse in which they're living. They are hearing noises and explosions. Listen for a monosyllabic moron, a 7 foot rabbit, a Chinese dentist named Dr. Fu, and a real red herring! Edward Pawley, Fran Carlon, Jerry McGill (writer, producer), Hugh James (announcer). 29:35.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson. THIS EPISODE: November 30, 1948. NBC network. "I Remember Murder". Sponsored by: Lifebuoy, Rinso. A band-leader steals $50,000 from The High Hatters Club and leaves town in a hurry. After he's "taken for a ride," the girl singer who was with him developes amnesia. "Harry The Hack" finds her...and the murder victim too. Edward Pawley, Fran Carlon, Mason Adams, Jerry McGill (writer, director). 29:55.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.